#the anime draws him ridiculously pretty honestly kudos
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betawooper · 2 years ago
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@keniaku​
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Douma and other upper ranks from the latest trailer
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whentheynameyoujoy · 4 years ago
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So the ATLA Movie Is... Good, Actually?
Just kidding, of course it’s not, it’s so bad it sucked the paint off my walls. But after ten years of people pointing out its glaring flaws, why would anyone bother talking about this garbage heap if not to go the other direction? So here’s a very brief and very superficial list of things the movie does get kinda... not atrociously wrong.
And they won’t be fake hipster pokes, like “It’s fun to laugh at”, “The Rifftrax for this is OK”, or “Kudos to the actress for managing to say we believe in our beliefs as much as they believe in theirs with a straight face”.
(though now that I mentioned it, it is fun to laugh at, the Rifftrax for this is OK, and massive props indeed.)
Rasta Iroh
Yes, I know it’s not exactly the aesthetic of the real Iroh or that it makes no cultural sense for him to sport this do when no one else in the racebended Indian “OMFG what were you thinking Shyamalan” Nation does but goddamn, long-haired dudes are my one mortal weakness and I will ogle the hell out of him.
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Jesus is that a man bun I see that’s it mum I’ve been deaded
Yue’s hair
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No.
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Now we’re talking. Yue’s hair turned white when the Moon spirit gave her life, so it makes sense for it to go black again when she sacrifices herself to revive the koi fish. It’s a neat detail I find myself expecting whenever I rewatch the scene in the show. Yes, I realize it’d be a pointless hassle to animate since she, unlike in the movie, immediately goes on to become the Moon herself but still. I like.
The Blue Spirit’s mop
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Zuko, hun, what’s with the dance-off?
First of all, I want to imagine that Zuko the Theatre Nerd was about to leave his ship with just the mask like in the show but then stuck his head into the cleaning cupboard and went, “Yeah, more coverage might be good, even though it do seem mighty fried to shit”.
Which makes me giggle. I like to giggle.
And secondly, the hair’s movement is what makes the static mess of the Blue Spirit’s solo fight scene appear at least bit more dynamic because God knows the cinematography isn’t doing it.
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Any particular reason why it’s at the edge of the action, shot all boring-like?
Now, I get why circular shots would be reserved for Aang while he’s in the practice area and then used once the two join forces. What I don’t get is why Aang’s part of the action scene has a defined visual style while Zuko’s delegated to a few stationary wide shots from afar as though he’s a tertiary goon, meaning that when the time comes to combine the respective pieces of cinema language and visually convey collaboration, there’s not really much to combine.
But as long as Zuko is stuck in this static mess, it’s that awesome disaster on his head flopping about that draws the eye, helping me understand that something even is going on over there.
It also prevents me from paying much attention to how the extras are mostly just staying put and a lot of the hits don’t land, so that’s good.
The music slaps
James Newton Howard is too good for this.
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Pls ignore that the word “gods” is used in the ATLA universe
I can’t be the only one who constantly uses this piece to daydream about writing specific fanfic scenes instead of, you know, actually sitting down and writing them. It’s just so good at communicating a sense of sorrow while speaking of rebirth that I find myself getting misty-eyed whenever I listen to it. Unfailingly, the soundtrack as a whole manages to break through the mile-thick crust of horrible acting, confusing writing, and uninspired cinematography and make me feel things. And considering how everything on screen is working against it, that’s no small feat.
Imagine what a powerful experience it would be if the score was used in service of an actual movie.
Dev Patel
No wonder since he’s the only one in the film occupying that crucial intersection between “is a good actor” and “was given something to work with”. It also doesn’t hurt that he breaks with the trend of actors starring in martial arts flicks despite never having done any martial art.
And all EIP-jokes about “stiff and humorless” aside, he’s a pretty decent Zuko considering how abridged this version of the character is. A while ago, I remember hearing a reviewer say that with his comedic chops, Patel should have been cast as Sokka. And on one hand, yes, god, absolutely, I need to see that asap. But on the other? He captures all layers of Book 1!Zuko, the desperate obsession, rage, and self-loathing, and at the same time gives you a peek at the soft momma’s boy dork that’s buried underneath. For Christ sakes, he exudes intensity and ambivalence even when acting against an emotionless hunk of wood that’s giving him nothing in return.
Oh, and I guess there’s a tree in the frame.
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Ba dum tss
What can I say, the guy’s good.
Showing vs telling
OK, so this movie is all tell and no show, except for one single moment. And it’s the exact moment where the original goes in the other direction in terms of how information is conveyed.
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See, I never liked this. The revelation is preceded by Iroh giving advice to Zuko who scolds him for nagging. Iroh then apologizes, moves in to say the line above, and is interrupted by Zuko who seems rather uncomfortable with Iroh laying his feelings out like this. And once they’re out, Zuko verbally confirms that he knew already and Iroh didn’t need to bother.
All this extraneous information and pussyfooting ends up weakening what should be a profound scene that reveals to us, the viewers, how deep the relationship between these two in fact runs.
Compare to the movie where Dadroh acts like a parent by fussing and worrying, with Sonion needing a single look to tell him and us that he understands what it’s all really about.
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It’s genuinely efficient and just good.
No Cataang
Fine, a bit mean-girl bitchy from me since I only start minding the ship in Book 3. And probably unintentional on the part of the creators since there are moments where I think they’re trying to set the romance up? There’s a, well, an attempt to recreate the famous introductory shot of fateful meaningful destiny of meaningness, there’s some slight note of saving each other’s bacon going on, I’m pretty sure they’re the only ones in the film who smile, and oh, right, Katara’s shoved into her post-canon useless role where she doesn’t ever do anything, and is all about Aang right from the get go.
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Yes, I will blame the “executive producers” because a) I’m incredibly petty, and b) it’s perfectly in line with their vision of the character so why the hell not.
Hilariously, none of it reads on screen because the actors are just... yeah. These poor kids are struggling so much with delivering their own lines and portraying their own characters they don’t seem to have any strength left to create something between them. To be fair, the bare-bones shot-reverse shot style of their scenes doesn’t exactly lend itself to the idea they occupy the same universe, let alone are friends or each other’s crushes.
And I enjoy this immensely because it allows me to forget the depressing horror show Katara’s life turns into post ATLA.
Yes Zutara
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I need to delve into this because it’s fucking hilarious. So in a movie which fails to establish the original’s central romance so spectacularly that if Aang got lost in a crowd I don’t believe Katara would notice, SomEOnE thought it’d be a good idea to add an utterly unnecessary non-canon moment where Zuko for some reason feels the need to pause his character-defining hunt for the Avatar which otherwise has him ignore everything and snap at everyone, and explain his central conflict to an unconscious peasant he doesn’t know, complete with gently pushing the hair from the pretty girl’s the soulmate’s the Water Tribe Ambassador’s the Fire Lady’s the love of his life’s her face away, AFTER his uncle nagged him twice to find a girl and settle down.
I just wanted to make sure we’re all on the same page and this is what we really saw.
Celibate Avatars
I have no idea why the decision was made, if TPTB thought expecting viewers to understand the story through the lens of Buddhism would be too much, or if the “executive producers” already worked their retconny magic. What I do know, however, is that there’s a big shift in worldbuilding and Aang’s struggle with his role as the Avatar stops being a personal conflict defined by a) his grief for Air Nomads, b) his notion of being robbed of the loved ones in his life, and c) the selfish attachment to Katara he confuses with true love. Instead, what he has a difficulty to accept is apparently a general notion of who Avatars are supposed to be, i.e. a fantasy version of Catholic monks, no family and worldly relations, period.
I guess either someone understood the original’s portrayal of de/attachment as “hermit no freaky”, or thought the audience would so why not go there outright.
Now, do I like this on its own? No, God no, it makes the world infinitely poorer and changes the story from an exploration of ideas which aren’t all that ingrained in the West, to a cliché tropester about a Catholic priest going Protestant so that he could be with a girl.
At least I assume that’s where they were going to take this eventually.
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I mean, I think the direction was “look conflicted, this isn’t the final stage of your journey”?
But consider this—the show went there, it built on the concepts of Eastern philosophy and touched upon the ideas of spiritual awakening, only to swerve in the end and strongly imply they’re bullshit and Aang should have never wasted his time with them.
So honestly, I much prefer scanty worldbuilding to an insulting retcon by a damn rock.
Multiracial Air Nomads
Probably the most substantial “no hint of irony” point on this list and a genuinely good addition to the universe’s worldbuilding.
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See, the notion of the elemental nations being perfectly separate and never mingling before Sozin has always been sketchy but it’s especially ridiculous in the case of airbenders. It never made sense to me for all airbenders to be Air Nomads and for all Air Nomads to be monks and for all monks to be chilling at the temples all the time to facilitate a quick everyone-dies genocide should an imperialistic warlord ever decide to commit one.
Because committing everyone to a single way of life at a handful of places kinda goes against the central philosophy behind airbending. Like the freedom and nomadism part.
Instead, there should be more variety to the airbending culture, with some staying at the temples as monks, hermits, and teachers while others live as nomads, travelling the world and creating more airbenders, with the resulting children in turn being influenced by the non-airbending cultures they grew up in.
And thus, not only should airbenders not be modeled after a single culture to create a one-size-fits-all lifestyle, but they should have the most diverse and dynamic culture out of the four nations.
And it’d be precisely this diversity which would pave way for an eventual reveal that some of them survived, that their complete extermination is impossible.
Because they’re everywhere.
You know.
Like air.
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ifyouknowme-stayaway · 4 years ago
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It's been a while since I last had an idea like this! Also, I've never actually had ideas that had much to do with Takebayashi, but I guess this is kind of like a friend for the Fuwa dubbing AU?
Takebayashi writing AU:
Listen, this boy is an anime fan
I would like it if you gave him some high-quality fanfiction to read
He starts reading fanfiction during first year
It was honestly just a case of looking up trivia about anime characters
Then he stumbled upon headcanons
And was soon sucked into the world of fanfiction
He reads mostly fluff, hurt/comfort, and angst
He likes fluff because it makes him all smiley and sometimes you just gotta have a little hug between characters to get through the day
Hurt/comfort because he occasionally projects onto the comfortee and feels good about them being comforted
Most of the angst he reads is centered around high expectations or loneliness
It's sad because it hits close to home but he's still in denial about anything being wrong with his parents
And then one day
He wants to read a very specific kind of fic
And it simply does not exist yet
So of course he writes it
Over the course of first year, he's published several one-shots, none of which ever became ridiculously known of popular, but seeing the notification for someone giving him kudos always feels nice
He started his first multichapter in the middle of second year
Updates every two weeks, though it still wasn't particularly popular
And then about a week before final exams in second year, he's honestly starting to feel pretty bad
He's just pretty tired in general but he has to study so he'll finally be good enough to get some praise, some recognition, some sirt of appreciation-
And then the Long Commenter arrives
Just starts commenting on his multichapter with Long Comments, breaking down everything that's good about it, admitting that it gave her Feelings, wishing him well
He's still tired and wants to impress his parents, but Long Commenter just boosted his mood through the roof, and in thanks he'll only study for 3 hours today, get a full nights sleep, and after exams are over, he'll give her an extra long chapter
To be honest, he kind of just gives up a little when he sees how he's failed
Not on getting better, because now he's more desperate than ever
But on his fic
After about a month of not writing, Long Commenter saves the day
Just gives him Long Comments on all his one-shots
Makes him feels way better about how he's doing in life
A sudden wave of kudos and commenters hit his fic
It's certainly not in the top 1000 fics or anything, but he's insanely proud over all the kudos and comments he has now
(He doesn't know about it, but Long Commenter's been sharing and reccomending his fics on social media as well)
He starts writing again
They keep giving him comments and kudos
It feels nice, to do something and get rewarded in return
Feels nice to know that you matter to someone, that the words your writing are giving people feelings, that he occupies someone's memory, though it's probably just a small one
Long Commenter doesn't stop with her Long Comments
The way she keeps breaking down all the great parts of his fic make him feel good, like he's made someone proud of him, even if it's just a stranger on the internet
She's been hyping him up, and he's honestly pretty proud of being a good fan
And then he gets into E class and becomes friends with Fuwa
And one day, Fuwa seems strangely sad, in a way
And he asks her why
She explains that one of her favorite fics just had a super angsty chapter, and she really enjoyed it, but she has a lot of Feelings right now
And she shows the fic on her phone
It's his fic
For a second, he considers telling her, but then she goes off on a rant
Telling him about how good the fic is, how genuine all the words seem, how good the descriptions are
Takebayashi: so, she likes my fic
Takebayashi's brain: i have an idea
Takebayashi: oh no, what is it?
The idea is that he gets to take advice from her rants in his writing
To fix up his flow, the paragraph breaks, everything
And he uses it to help her sometimes as well
When she seems in need of a good cry, then he gives her a good old fashion angst chapter
Or when something goes wrong and she's sad, so he gets her some hurt/comfort
There's a fair amount of fluff and crack mixed in there too now, since he's experienced it more now, and seeing her grin and laugh at it feels good
He comes clean about it when she tells him about her dubbing manga
Fuwa: sorry, but I'm actually your emotional support manga dubber
Takebayashi: you dub manga? cause I think I might be your emotional support fanfic writer
Fuwa: that's your fic? then aren't I your emotional support long commenter
Takebayashi: you're the one who made that really good dub? doesn't that make me your emotional support long commenter?
Yes, Fuwa is Long Commenter
Parallels with the dubbing AU where I made Takebayashi her Long Commenter
Fuwa helps Takebayashi brainstorm ideas for chapters
Chapters now have chapter titles which are always fun
The two of them do collabs
Fuwa draws illustrations of some scenes
She sometimes does streams where she reads his fics out loud before sleeping
"Hi everyone! Ready for you bedtime story fanfiction?"
He makes little novelization/rewrites of the mangas she dubs as a side project
It comes with extra scenes, awesome descriptions, headcanons, and bonus foreshadowing
I Love Them
I'm Out Of Ideas
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steve0discusses · 5 years ago
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Yugioh S4 Ep10 pt 1: Yugioh Predicted the California Drought
Ah, my break is officially over, and it’s a new year, and so far, this year kind of sucks so lets get distracted and watch some TV. IF ONLY we could solve the world’s issues with a bunch of lost children from Japan carrying magical paper cards, amiright?
Anyway, Seto reflects on these cards that he came alllll the way to California to learn about, only to learn about them, and then decide “Yeah I didn’t really want to know that, Yugi.”
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I just want to remind everyone that last episode I said “and now Kaiba has joined the party” and it lasted like less than one conversation with Yugi before Seto was like “oh hell no” and just walked out in that purple ball gown, trailing behind him like a complete diva.
Yugi needs to curse his friends to like him more often, is what I’m saying.
(read more under the cut)
So, staring at the fallout of their rekindled friendship with Kaiba that lasted less than a minute, Joey makes an observation.
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And then Yugi just wonders “the hell is this plot supposed to go if a Kaiba isn’t here to abduct my family/tell me what to do/get abducted themselves?”
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So they decide to reach out to the only other person on this show with a degree than Seto Kaiba.
(And TBH, Seto probably just decided to buy a new degree in graphic design from Devry so he wouldn’t have to finish public school and spend another millisecond in the same room as Joey Wheeler.)
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And I have to give Yugi credit for finally deciding to visit the only adult he knows in America. Way to finally find an adult, Yugi. Took 4 season’s but you’ve finally done it. Gonna go visit Arthur Hawkins and dance awkwardly around this Rebecca situation that I guess Tea is fine with now. She used to be jealous, but I think Tea genuinely enjoys spending time with Rebecca now. The jealousy kind of disappeared once the plot picked up.
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And Kaiba just takes off in the most wasteful plane ever invented, off to destroy precious fossil fuels on some other side of the planet.
Kind of weird that Tea would rather fly in that asshole dragon plane than Duke Devlin’s sweet retro car, but youknow...I’ve mentioned before that Tea is secretly just a Kaiba-lite without the cards. Of course she’d prefer an asshole dragon jet.
And Yugi would be able to fit in the suit-case compartment of the dragon jet. Just put the suitcase on Mokuba’s lap, and then stuff Yugi into that little slot, he’d be fine.
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And honestly Kaiba made the correct choice, because what these guys had to go through is absolutely ridiculous. First off, Duke is like “Oh, this is really close to here” (remember they are in the Financial District of SF) and he just turns directly off of 101 and blows through some bird sanctuary somewhere.
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Like y’all, everywhere that doesn’t have a house or a cow field on it in the Bay Area is a protected bird sanctuary, weird fact about the Bay Area, and Duke killed so many birds this episode. The South Bay is SO DEVELOPED.
Course, that is again assuming that the art staff knew that they were drawing the Bay Area, which they SUPER DID NOT.
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Now this rock structure, I’m sure, is there to mimic the next shot with the giant ass building--it helps make pleasing screen transitions. But...at what cost?
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AT WHAT COST?
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Just....
Like I am starting to think the landscapers only knew how to draw one type of mountain and that was it. Square mesas only. They were just unprepared for hills. And like...we only have wild grass that is green like this for like...2 months of the year. That’s it. That’s what my Winter looks like, it’s when the grass is alive.
How did this happen?
Anyway, Mai is alive, and really upset about it. Will she at all reflect on her behavior, and realize that if the main mini-bosses are telling you to knock it the hell off, then maybe there is something wrong with you? Like these are two people who I assume harvested a ton of souls off screen like actual serial killers and they’re like “Girl. You’re like being hella mean right now and need to tone it down.”
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I mean, if Mai gets better, than that basically gives Joey absolutely nothing to do in this season so, gotta keep Mai completely bonkers. There she goes. On a motorcycle.
And if you thought Yugioh was done throwing recreational and vintage vehicles in your face, well don’t worry, they even got the OG vintage vehicle, check this one out:
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A freakin horse.
And I have to tell you...horses are hard to draw and animate and Yugioh doesn’t do a great job and it is wonderful. I love seeing this horse kind of awkwardly stumble around. It’s very good stuff. Like clearly these artists do not love horses as much as they love one of these:
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Of course, get allllll the vehicles in this episode, Yugioh, bring back Marik on his yacht, I dare you.
And then...this very bizarre set of things happen in succession. I’ll just show you.
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NICE.
WOW.
That entire house just exploded.
Not just a part of it--but the entire freakin house.
They were there for like less than 30 seconds, and just demolished that entire house like it was Independence Day the movie.
And like that whole house situation was pretty bonkers anyway, not sure why they need a planetarium when they research undersea structures, but youknow what? Arthur Hawkins would. 
And don’t you dare do the math and think about how much a house with a planetarium and a horse stable in it would cost in Silicon Valley. It’s way too depressing, trust me.
And yes, that probably exists. Lots of horse people in Los Altos, and it makes me wonder if maybe they based Rebecca’s home on Stanford University? Maybe? I feel like these animators think Stanford is in San Fransisco. That one seems likely to me.
Also, kudos to the horse that it got blasted 50 ft away by an explosion and not only is the horse completely OK, but so is all of her groceries. That is one power horse, right here. I mean the groceries are still covered in so much horse ass smell, but youknow, Rebecca’s 12 so it’s not the horse’s or Rebecca’s fault that she has no idea how groceries work. We should just be glad that she bought vegetables when she went to the store and not just 8 cartons of pop tarts.
So, hours pass, no police show up, and Yugi and co walk into this bleak situation.
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Fortunately, the massive explosion did not explode the truck-led RV outside.
A truck that...could’ve been used to go and get the damn groceries, may I add. If Arthur Hawkins used the TRUCK and done his own job without sending his granddaughter into a modern town on a horse, then he would have been at the grocery store and his house would never have exploded. This one is on Arthur, honestly. Then again, he seems like he kinda has the parenting skills of Yugi’s family, who just kinda...delivered him to San Fransisco un-aided and was like “have fun storming the castle”
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This ship is kind of hilarious in action, not gonna lie. Yugi’s here with a grandpa who came back from the dead and is like “They don’t really need your grandpa, so he’s probably fine” and it’s like wtf. That’s terrible advice, Yugi.
Anyway, they apparently needed the Oricalchos necklace that Yugi handed off to Arthur back in like the first episode. So Yugi didn’t exactly mean for this to happen, but yet again, because Yugi and Pharaoh can’t be bothered to keep track of their own magical items themselves, someone else goes off with them and gets super screwed. Again. At least Arthur isn’t totally evil (although he still might and go rogue like Marik, and we all know that would be a very funny hairstyle if it happened)
So Rebecca happens to have this necklace just on your person (WTF, ARTHUR THAT’S YOUR GRANDDAUGHTER) and she gives it back to Yugi, where it should have stayed in the first place since he’s haunted by powerful ghost powers and is the only one here that can handle all these haunted Mordor rings. (just remembered he left Bakura’s ring in Japan. I’m sure that’s not going to be a problem later.)
So, that’s all for Part One. As you can see, I’m a little behind schedule, but youknow, I got lazy over the break, and then I drew Joey Wheeler a bunch when I planned to be typing, and it was overall a really great use of my time. No regrets.
And if you just got here this is a link to read the Yugioh recaps from the start. One of these days I’ll put the link into seasons but that does mean I have to retag stuff.
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gone-forever-bye · 6 years ago
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My Top Ten Manga:
To go with my top ten anime list.
10. Otaku no Musume-san
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Here we have a manga that is about a girl who's always wanted to meet her father and discovers that he is a shameless otaku. Hijinks and adorable father/daughter affection ensues. There's weird character, cute characters, and a final act that is pretty messed up but this is a manga that I think is good from start to finish. It's a good read. It pulls at the heartstrings while making you laugh and it can even serve as a do/do not guide for all you otaku parents out there. XD
Favorite character: Kannau Yukimura
9. Air Gear
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This beautiful and heavily detailed stylish manga is about a world where skate-like contraptions known as Air Treks are used as a way to fly, get places, and build your own gang to own the skies. The art is gorgeous, the characters all mesh into a kind of gray area although there are some typical good guy/bad guys thrown in, and the series manages to evoke true feeling from the reader with how raw it can get. I highly reccomend. Favorite Character: Ringo Noyamano
8. InuYasha
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The manga that cemented my love for all things anime Inuyasha is the compelling fantasy tale of a half-demon and a young junior high girl. I can't express into words what an impact this manga made on me. The designs of the assortment of demons that are based on Japanese folklore and mythology, the tragic backstories so many of the main characters possess, the out of this world fight scenes, all the way to the incredible chemistry between Inuyasha and Kagome. It's hard to put down once you've started reading. The manga outshines the anime because it doesn't quite feel like it loses its pacing as the anime kept getting dotted with filler. It's interesting, dark in some places but never without a ray of light, and artwork that suits the story well. Favorite Character: Rin
7. Gunsmith Cats
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An oldie but goodie. We've got guns, muscle cars, and hot chicks, all in above average detail. Don't waste time with the anime, the manga is where this story of bounty hunter/police officer Rally Vincent and her partner Minnie-May really shines with explosive fun. Mature and loaded with everything from kidnapping to drugs to high speed car chases I have to say that I make it a point of rereading this series often. I've yet to find another that I enjoy as much as this one for this particular genre. Favorite Character: Rally Vincent.
6. Buso Renkin
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I'm a big fan of manga that doesn't force a simple storyline to be stretched over fifty volumes. Ten volumes was the perfect size for the story of Katsuki Mutou as he is accidently thrown into the world of alchemy and humunculous. This is a complete manga by the creator of Rurouni Kenshin that I think really emphasizes Watsuki's strength as a shounen manga author who can take so many shounen tropes and make them work almost effortlessly. It didn't need to be ground breaking because it wasn't trying to be. It's an honestly good manga from start to finish with one of the most memorable anti-hero's I've ever read. Favorite Character: Papillon
5. My Little Monster
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I'm not the biggest shoujo manga fan like I used to be but I will say that My Little Monster is a great way to change the formula. None of the characters acted the way I expected. They are all weird and extreme in the most interesting of ways while still capturing the uncertainty and naivete that teens suffer from. It's really difficult to dislike any of the characters. They're all so likeable although Natsume will probably make you grind your teeth because that girl is insane. A must read for any shoujo manga fan. Favorite Character: Sohei Sasahara.
4. Fushigi Yugi Genbu Kaiden
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I like shoujo manga that doesn't just focus on romance. Genbu Kaiden is the prequel to Fushigi Yugi and I have to say it's better in every way. It's a lot more balanced, mixing the romance into a beautiful but sad story, unforgettable characters, action scenes that really emphasis the importance of the plot, while all being accomplished with the ridiculously gorgeous Yu Watase art style. Another must read for any shoujo fan. Favorite Character: Takiko Okuda
3. Rurouni Kenshin
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There was no way this manga wasn't going to make the list. Unlike the anime this manga is outstanding from start to finish. For me this is the ultimate in sword fighting. The visuals are exactly what you want from samurai dueling and there's never a dull moment. The cast is one of the best in my opinion and I love that the narrative never bores me even when they're just explaining fighting styles or attacks. Watsuki's distinct shounen style is a favorite of mine. The evolution of Himura Kenshin is the plot and its worth every panel. Read the final arc of you can. It's amazing.. Favorite Character: Kamiya Kaoru
2. Chrono Crusade
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I will make a rant about this manga later because I will fight for this series until the day I die. Do no watch the anime. Even though I bought each dvd and have watched them over twenty times at least, the anime does the manga NO justice. Eight volumes, all inspiring story telling. Chrono Crusade starts in such a way that you think it may be a lighthearted story of a gun-toting 'nun' and her demon sidekick but it quickly evolves into so much more. Rosette and Chrono are a duo the you will root for from page one as they fight demons, friends, and everything else that stands in their way to fix the damage that was done so many years ago. Another series that accomplishes a complete story in ten volumes or less which keeps the plot from being unnecessarily stretched. It evokes so much feeling, making you relate to the characters in such a way while still powering through the story because this is a tale about time. By the end you'll find yourself a little less able to take your time for granted as you cry for these characters that have an ending that you can take as either good or bad. I always put this one at the top of my must read list and it holds a very special place in my otaku heart. I'm disappointed that such an intense manga did not get a proper anime adaption though I do understand why. Favorite Character: Chrono
1. Detective Conan
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Anyone who knows me should have expected this. Lol. Detective Conan for me is the ultimate manga. The award winning mystery series is an ongoing manga that never fails to impress. It's familiar while evolving with us so it has a loyal fanbase made up of twenty year veteran fans to new ones every day and the number just keeps growing. High school detective Kudo Shinichi is the pride of Tokyo Japan before he stumbles across a mysterious transaction involving a pair of men clothed in black. He's discovered and force fed a drug that instead of killing him, reverts his body to that of a seven year old. He retains his adult mind and begins hiding his identity while going by the name Edogawa Conan and solving mysteries through his childhood friend's father's detective agency. The story takes off from there. The series is vast, featuring over 1000 chapters, over 20 movies, over 50 seasons, dozens of OVA's and specials including live action, and being featured in multiple ways throughout Japan. It even has its own museum in Gosho Aoyama's hometown. While not for everyone, especially those thrown off by the sheer amount of content, Detective Conan is a series that is loved by all ages all over the world and has been here since the early 90's for a reason. It has become my reason for living and it will never leave my #1 spot. Favorite Character: Kudo Shinichi (for life!)
As I have said before I gauge a series on its ability to draw me in, keep me attached, and talent for making me come back.
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RvB16 Episode 1 Review: The Shisno
(Old Blog Repost)
Season 15, to put it lightly, has had mixed reception. Some liked it, some didn’t. Some like parts of it, others like different parts. Regardless of where you stand, I think we can all agree that it wasn’t a perfect season. Personally I enjoyed it, but I was also a newcomer to RvB so… you know, I’m biased. Regardless, Joe did well enough to be given the reigns once again and it looks like he has some MASSIVE plans.
So finally, here we are with the sixteenth season. With only one episode, it’s still too early to determine if this season will be an improvement or a disappointment. But the first episode is supposed to draw us in. Did it succeed in doing so? Lets find out.
Overview
The introduction is… weird. We saw the medieval scene on Twitter.. well the first few seconds anyways. It being a medieval version of the famous ‘ever wonder hwy we’re here’ scene can’t be for no reason. I guess it MAY be a hint at the time travel aspect coming up, but for now it’s just baffling. What is even mroe baffling is the vortex and the voice following it. We now know that the voice belongs to a being named Muggins as he speaks of things being provoked by humble actions and briefly going over the end of S15. Some kind of prophecy has been triggered due to the time drill thing and even with it gone, it still fulfilled it’s purpose. Which leads us to…
Fighting over food! So first, Joe wasn’t kidding about this whole thing beginning as a quest for pizza. I need to rewatch that tease later to see what other hints are in it. But regardless, with the Blues and Reds defeated and Dylan offering to talk to the cops since they’re still wanted (and I imagine this leads to her and Jax’s final scene in S15), our guys have earned some R&R. It was honestly a nice welcome back to see them just bickering over something as ridiculous as where to go out to eat. It fits them so well and feels like a very nice welcome back after all the insanity last season. Things are slowly tingeing back to normal… at first.
Simmons notices that Donut is missing, so Grif sends Caboose to go find him. Honestly the fact that SOMEONE realized that Donut wasn’t there is a sign of improvement since it’s always kind of been a running joke that no one. Sure, sending Caboose probably wasn’t THE best idea, but it’s a sign of improvement! Then we get the… body horror scene… dear God that looked painful. It was still funny due to how oblivious to it Caboose was, but still… MAN. It wouldn’t have been as bad if it weren’t for Donut’s screams of pain. Man, Dan Godwin nailed it… and I imagine that had to HURT so kudos! So yeah… Donut vanishes to I assume the same place the time drill went since they use the same sound effect. I guess Donut will then ascent not Godhood since he is beyond the plain of space and time now. We’ll see~
So Cabosoe comes back empty handed and at first everyone considers going to find him… except Grif. He wants to get the Hell off the island before the cops get there. We’ll talk more about this in a little while but man do I have thoughts! So the Reds and Blues all agree on pizza with Sister tagging along. Carolina and the lieutenants meanwhile head for Chorus, Carolina to go check on Wash and the lieutenants to get back to what Jensen calls ‘interesting things’. So I assume that we’ll get some kind of B Story involving Chorus hijinks. Maybe if we’re lucky, a certain green mercenary will show up… I can dream!
This is where things get interesting as we then see two tiny balls of light. Muggins, who we already heard, and a female-voice done named Huggins. He is apparently a rookie as Muggins sends her to keep watch over the Reds and Blues and to both not lose them and to not be spotted. He meanwhile shoots across space and we get a REALLY cool intro sequence showing all the cast and the main crew members… though they forgot Geoff’s name for some reason (the Youtube version has it, so I assume it’s an error). Oops. They also don’t have Becca listed, though Sister isn’t technically a main character so I guess that’s why. Maybe in the future. But it’s really cool and the alien-esque soundtracks sounds so perfect.
Muggins arrives at what we can assume is the villains lair. IDK if this is an original set piece designed by RT Animation or if it’s an actual Halo map. Either way, it looks awesome. Dark, with a lot of red and black, but epic in scale. A proper villain lair. We get a glimpse of a green-armored soldier with a British accent golfing… weird. Anyways, Muggins reports to their leader who we only see partially. They have black armor and while they only say one word, it’s a… pretty damn intimidating voice. Muggins informs the leader that the ‘pizza quest’ has begun and therefore triggered the last part of the prophecy, ending the episode.
Review
While the episode is only nine minutes long, BOY HOWDY did it leave PLENTY to talk about. I guess we’ll start with Donut though. I have no idea what the Fuck just happened. It’s clear that the blast from the drill caused… whatever the Hell happened and we can assume form the earlier narration, that this was meant to happen. So this is definitely going to be important. Going off the promo material, where Donut’s in a kind of meditative pose, it seems like he’s going to become a God-like figure. My guess is that he now exists outside the realm of space and time, which is where I believe the drill now is. What will this do to Donut? I have no idea, but this is definitely going it be a lingering plot thread. And hey, Donut deserves the focus.
Something I also liked is how the Reds and Blues DID notice that he was missing. Look, they do not have a good track record of remembering either Donut or Doc. So the fact that Simmons relied it is a massive improvement. And I do like how after Caboose said that he was gone, Sarge and Tucker DID want to loo for him and not leave him behind. Grif convinces them not to, but still it is a HUGE sign of improvement compared to normal. And while they DID ultimately leave, I think it’s good that they at least recognized that Donut was gone and considered looking for him. It’s a good sign that they are growing.
Next lets talk about Carolina and Wash. So it looks like, at least for now, they won’t be in on the main plot. I assume that they’ll be given a B Plot revolving around Chorus, considering Jensen’s line about the going-ons there, but it’s too soon to tell. But yeah Carolina and Wash will likely be on the sidelines at least for now. Honestly… I an good with this! I love them both, don’t get me wrong. But lets face it, both have had a LOT of focus and attention ever since their respective introductions. Freelancer has been running the series for a long time now, and for good reason. But I really want to see the Reds and Blues on their own for once. S15 showed that, when they get their act together, they can operate and be formidable on their own with minimal Freelancer help. I want to see them have to deal with a massive situation without just having Wash or Carolina deal with it for them. I did like that Tucker plans to get Wash his own pizza though, just showing how much he cares for his teammate. You’ve grown up Tucker!
The biggest thing I want to talk about before we get to the villains though is Grif. Because his lines here are… interesting. It is clear that he wants to avoid any adventure, insanity, and dramatics as much as possible. When Jensen starts talking about Chorus, he says he wants to avoid the subject before trying to take it back. Then there’s the entire pizza quest thing. He doesn’t want to call it a quest. He doesn’t want to look for Donut because it would mean staying around and having to talk to cops. He calls out the others on how everything always has to be treated like a major production. He outright tells Sister that they’re not getting into anything crazy when she is clearly enthused about the idea. Now this could just be because he’s ‘hangry’ and also doesn’t want to chance getting arrested, but… IDK. To me, adding in the ‘new science’ line, it all paints a very clear picture: Grif wants things to go back to normal, just like he did last season… and it makes sense.
Some may say ‘wait, shouldn’t he be over this after last season?’. No. No he should not. Last season had Grif regret quitting because he didn’t like being alone and in the end, he DOES care about the others. And yes, he did willingly get into the thick of things when he joined back up. But here’s the thing, he did so because the others were in trouble and they needed him. But now that trouble is over.  Now there is a chance for him to FINALLY go back to a level of normalcy with the others again. It’s why he’s trying so hard to avoid talking about serious matters or refusing Sister and Caboose’s replies about ‘adventures’ and ‘quests’. He never got over wanting to be done with that. We never had any kind of scene where he comes to terms with the insanity that is his life, only of him having regret abandoning the others. So it makes sense that this is still a thing with him like it was last year. The only difference is this time, instead of quitting, it seems like he’s going to try to actively attempt to keep them out of any insanity. Will this go anywhere? We’ll have to see. But since the promo art just has him facepalming, I think this may be his character arc for the season. And since Grif is my favorite character and I loved his development last season, I am all for it!
That leads us to our ‘villains’. And I say that lightly because while they ARE clearly the antagonists, I… can’t really tell if they’ve evil. Going off Mugigns’ narration and report to the leader, it sounds like they are trying to prevent some kind of horrible catastrophe that the Reds and Blues unknowingly started. As for WHAT they are… well they aren’t human, at least not fully. It’s way too soon and we still know way too little. But I am going to assume that they are aliens and some kind of high cosmic order. One that makes the head of it essentially a God. Heck the names Huggins and Muggins seem to be based off Huginn and Muginn, ravens who act as the eyes and ears to Odin in Norse mythology. Going off that… yeah, we’re going full Thor here apparently.
The leader we can assume is the equivalent of Odin, the king God in Norse mythology. IDK if we’ll get a Thor and Loki equivalent…. unless the green guy is meant to be one or the other. But yeah, this means that this guy is scary news. It’s too soon to say who he may be, though I saw one person speculate that it may be Donut. And with the time travel stuff, it IS possible. But again, too soon to say. Though if not I guess that Donut becoming a God will be the key to beating this guy. Either way, the goal is unclear other than that a prophecy has been provoked. Whether they’re going to try to stop it form coming to pass, or make sure it comes to pass is unclear. We also don’t know what the prophecy is other than that the time drill’s activation was the first sign and the pizza quest was the point of no return.
So here is my current theory. As I said, I don’t think that the ‘villains’ are actual villains. Or at least they aren’t evil psychos like Felix or a well-intentioned extremist gone mad like Temple. I think that this ‘prophecy’ is going to make them see the Reds and Blues as the villains. So they are going to attempt to wipe them out in order to prevent the prophecy from being fulfilled. It makes them the antagonists by default. How that will cause time travel to factor in unless an attempt to kill them goes horribly wrong IDK. Still, that’s my current stance. Will it get cleared up? Probably and it’ll lead to the true villain showing up. Bu it’s still WAAAAY too soon to say, but going off Muggins’ worry it doesn’t feel like he and Huggins at least aren’t antagonistic. But we’ll see as things unfold.
All of this of course leaves a LOT of questions. What is the prophecy exactly? What is the catastrophe? How does time travel equate into it? How does the medieval scene fit into it? Is this based on any of the alien stuff we’ve had in the past? Is it something completely different? How does Donut’s current situation equate into this? What kind of aliens/interdimensional beings are these guys? Who is the golfing guy? Who is that four armed guy that we saw in the trailer? Is he with these guys? Or is he a different antagonist? Is he an antagonist at all? How do the Reds and Blues end up caught up in it? Are we going to learn the definition of shisno? There’s a lot of questions man! And that’s okay, it’s the first episode, we’re supposed to be asking questions. Gotta give Joe this, he left us with plenty to think about.
So the way that things currently stand is the Reds and Blues are going for pizza (and I assume that the ship crashes since we see them in a forest area in the trailer), Carolina is heading for Chorus, and the villains are beginning their own plans. What’s going to happen next? I honestly have no clue. I assume that we’ll be following the Reds and Blues still next episode and maybe they’ll discover Huggins, but I honestly don’t know. Way to keep us hanging Joe.
Final Thoughts
This is how you do a premiere! The episode leaves a LOT of questions, but plenty of laughs in classic RvB fashion as well. It uses it’s time effectively and while it was only nine minutes long, it sure didn’t feel that short. The scenes all serve as a nice welcome back, opens up new possibilities, and sets up things for our heroes nicely. Sure the medieval scene is kind of out of place, but normally in animation a scene like that is there for a reason, so we’ll see later. But the machinima and original animation were solid, the acting was good as always, the humor and banter were on point, and we have plenty of mystery to look forward to down the road. It also sets up potential character development for Donut and Grif, which is very much appreciated. It was very well done and I am absolutely craving for more! Great episode!
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