#the actual frog part is going good

[turtleblogatlast]

I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

[grassbreads]

Sometimes books simply have too many damn introductions

[thegreatyin]

gotta say after playing through a good 40-50 hours of it at this point im really not understanding why people say guild wars 2's story is bad. it's a pretty good 7/10 so far

[aromanticasterisms]

iansan relevance right off the bat let's fucking go

[flowery-king]

Idk what type of denial I'm in but the defanged au is a fucking Philip redemption au what was I on to be constantly reassuring people it's not a redemption plot lmao open your EYES Flowery

[interludebloom]

officially parentless idk how else to put it and i'm so fucking tired

[drfrogphd]

Little babies!! [wip]

[bookishdiplodocus]

The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

[glassrowboat]

Lights! Camera! Headcanons! Reca.

SFW collection of silly HCs!

- Little Miss Frog is only ever oiled by Reca. He doesn't trust anyone else to be as thorough with her joints as he is.

- Reca has multiple hats for his favorite assistant director, it's just the one we see her wearing all the time is her favorite

- If for some reason you ever needed to switch shoes with Reca, he would gladly do so. After all, what kind of love interest would he be if he couldn't even do that much? The only problem is that he looks better in your heels than you ever have.

- He has a pair of shades with a print of old TV static on the lenses. They are not practical at all but he still uses them.

- This man does not know the meaning of the word subtlety

- You're getting atrocious petnames 24/7, to the point you even begin to think he's forgotten your actual name. It's always love muffin this, honey bear that- and if you ever jokingly refer to yourself as one of them it might as well become a part of Reca’s daily vocabulary.

- He has had multiple people in the past pointing a remote at him to see if they could pause the YouTube play button in his eyes. Now, whenever he sees someone holding one close to him, Reca just snatches it because he's that fed up.

- The button can change, but he's never telling you how it works.

- “The mystery only compels you further to my character, sweetie pie.”

- Please do not trust this man with cooking. He's more of an order in kind of guy and trust that that's preferable over letting him near a stove, oven, or even a microwave on some days. However, he will set the table and clean the dishes for you- it just might take a while because he's busy editing a script.

- Has picked up tons of little facts over the years from all the research he's put behind films. You could ask the most random questions and he'll undoubtedly have an answer- even if it concerns you how he knows how to dispose of a full body.

- On that note, Reca knows a good handful of the meanings behind names, so when someone introduces themselves to him, he usually ends up deciding if that “meaning” fits their character.

- Usually, it doesn't.

- Aka: Crew members

- It's easier that way.

- Those who are a regular part of his filming crew all carry earplugs with them now as a habit after having to listen to Reca's …excited shouting.

- He disapproves of relationships amongst the cast. There's always going to be issues working with people, but he doesn't need the entire film getting pushed aside because one couple had a fight! It’s utterly nonsensical to bring that onto his set. Save that for after everything has wrapped up.

- Anyone listen to Distractible and Markiplier’s entire stunt with lenses? Reca's worse. That's your only warning.

- After your first kiss, when Reca was walking back home, all self accomplished, he jumped up and cracked his feet together- completely unironically. He's not even ashamed about it, either.

- If Reca didn't start on Broadway as part of the crew, then he at least had some experience with it. (He was the theater kid in school). He knows a good couple of songs off the top of his head at this point, and when this one particular song comes on, he always has to stop himself from dancing.

- Owns a gramophone, but it only works half the time. Reca claims it's part of its charm….

- You've watched him mix redbull and coffee together only to drink it all down in a single sitting, then walk away without an explanation. That entire night he was yapping in your ear excitedly only to fall asleep on top of you as soon as it hit 4am.

- Reca tends to repeat the stories he's told you. He just loves them so much that he gets a little ahead of himself and forgets which ones he's shared, that's all. Plus, with his flair for the dramatic and tendency to add in a new line or two, it keeps things fresh.

- Reca affectionately pinches your nose using that baby voice of his. It’s supposed to be an affectionate gesture, in his own way, but it just comes across as annoying.

- Reca will pick you up and spin you around (just like the movies) but at the same time this man will happily let himself flop into your lap with a hand to his forehead so he can lament to you about his woes. Usually, this just means he wants attention.

- He gets busy with filming a lot, to the point you both can go up to a month without really getting anything more in than a one minute call. Usually, Reca is running around during these, or he's so close to passing out after a long day that you're left with the sound of him snoring on the other end of the line.

- Because he's famous, there are actually a good couple of edits and images of Reca made into memes you see when scrolling online.

- His handwriting is comically large. To the point it takes up so much space, Reca might as well be writing a signature instead of scrawling down notes to ensure he doesn't forget a fantastic idea.

- He writes his 7's with that little line crossing it.

- Reca is the type to grab your shoulder while he's laughing. And he does this whether you know him well or not.

[halfmoonaria]

change of plans

pairing: tara carpenter & female reader

summary: tara was going to take care of it—end things for good—but nothing went the way she planned.

word count: 9.6k

warnings: dark themes, murder intent, violence, strong language, intrusive thoughts, implied stalking.

Tara didn't think she was a jealous person.

She was sure of it, actually.

Jealousy wasn't something she dealt with, at least not in the same way other people did. She told herself she wasn't the type to stew over what someone else had or waste time feeling resentful.

But looking back, there were moments—small, fleeting ones—that didn't quite fit the version of herself she liked to believe in.

When she was little, the first spark of that unfamiliar emotion would hit when someone snatched a toy out of her hands. It wasn't sadness or disappointment—it was sharper, hotter, and before she even realized what she was doing, she'd yank the toy back, sometimes with enough force to send the other kid stumbling.

She didn't mean to hurt them, not really, but the instinct to make things fair—or at least fair by her standards—was too strong to ignore.

Her teachers called it "trouble controlling her temper." Her mom called it a "phase." But it kept happening.

There was the time in first grade when another girl in her class got to play the fairy princess during dress-up. Tara had been stuck with the frog costume.

She'd sulked in the corner, watching the other girl twirl around in sparkly wings, until something inside her snapped. The girl didn't see it coming when Tara stomped up, grabbed the glittery wand, and broke it clean in two.

She didn't even regret it until she was sitting in the principal's office with her mom glaring at her from across the room.

By the time she was nine, Tara had lost count of how many times she'd been dragged to the teacher's office. Sometimes it was for yanking a classmate's hair after they showed off a new toy she didn't have. Other times, it was for shoving someone too hard during recess when she thought they were bragging about something they shouldn't have.

Her teachers always asked the same question: "Why did you do it, Tara?"

She never had a good answer.

Her mom tried everything—calming techniques, time-outs, grounding her from TV or playdates—but none of it worked.

The truth was, Tara didn't know why it bothered her so much when someone else got what she wanted. All she knew was that the feeling burned in her chest, hot and heavy, until she had to do something to let it out.

She couldn't pinpoint what the feeling was, not even as she got older—when she was supposed to be able to handle her emotions better, to control the bursts of anger and the bubbling rage that seemed to come out of nowhere.

It wasn't jealousy though. She was sure of that.

Jealousy felt petty, childish, like something people dealt with in middle school when they saw someone else wearing the same pair of shoes but in a better color. Tara wasn't petty, and she definitely wasn't childish. At least, that's what she told herself every time the heat rose to her face, her fists clenched so tight her nails dug into her palms, and her vision blurred with that same fiery haze she'd felt since kindergarten.

It didn't make sense to call it jealousy. Jealousy implied weakness, didn't it? Like you couldn't be happy for someone else because you wanted what they had. Tara didn't think she wanted what anyone else had—she just hated the idea that they had it at all.

She didn't think it was anywhere close to jealousy—not until Chad broke up with her.

At first, all she felt was heartbreak, raw and overwhelming, the kind of sadness that made her chest feel hollow and heavy all at once. There was anger too, bubbling beneath the surface, but she pushed it down, unwilling to let him see that part of her. Tara told herself that staying calm was the only way to keep control of the situation, even as she listened to him try to explain himself.

He had said he didn't feel the same anymore, that something between them had changed. He wasn't sure when it had happened, but he no longer felt the love they once had. His voice had been quiet, hesitant, as if he didn't want to hurt her more than he already was. He told her it wasn't her fault, that she'd been a great girlfriend and that he still cared about her.

The words sounded like they should've been comforting, but they weren't. They only made her feel worse. Love didn't just disappear, did it? And if it did, what did that say about her? She couldn't wrap her head around how everything could change so quickly, how something that had seemed so solid could slip through her fingers without warning.

For days after the breakup, she replayed his words in her mind, searching for some clue, some sign she might have missed. The sadness lingered, a constant ache she couldn't shake, and when the anger flared, she shoved it back down where it belonged. It wouldn't change anything, and it wouldn't bring him back.

At first, she thought heartbreak was all she'd have to contend with. But then, as the days stretched into weeks, another feeling began to creep in—something darker, sharper, and impossible to ignore.

That dark, sharper, and impossible-to-ignore feeling had only grown worse. In fact, it had become unbearable when she saw Chad a few weeks later.

With you.

She hadn't been prepared for it. In hindsight, maybe she should've been. They had gone to the same school—it had only been a matter of time before she ran into him again. But Tara hadn't expected him to look so... fine. Like nothing had happened. Like breaking up with her hadn't fazed him in the slightest. And she especially hadn't expected to see him with someone else.

You had been standing next to him near the lockers, your body slightly turned toward his as you spoke. She hadn't been able to hear what you were saying, but whatever it had been, it had made him laugh. That same, familiar laugh that had once been hers to hear.

Her chest had tightened, the weight of it pressing down on her like a physical force. It had been the first time she had seen him since the breakup, and heartbreak hadn't been what she had felt then. No, it had been something else entirely. It had been hot and all-consuming, curling its way through her like wildfire.

Her gaze had locked on the way you had reached out, your fingers briefly brushing his arm as you spoke. It had been such a casual, effortless gesture, but to Tara, it had felt deliberate. She had clenched her fists, her nails digging into her palms as she had struggled to steady her breathing.

She hadn't wanted to look at you. She hadn't wanted to acknowledge the way your presence, your closeness to Chad, had made her feel. But she hadn't been able to tear her eyes away.

It hadn't been fair. Chad wasn't supposed to move on so quickly. He wasn't supposed to look this happy, not when she had still been trying to piece herself back together. And you—God, you hadn't been supposed to be so... perfect. So at ease, standing there with him like you had belonged.

Tara's stomach had churned, a bitter taste rising in her throat. The feeling bubbling inside her had been almost painfully familiar, a twisted echo of the jealousy she had felt as a child.

She could still remember the heat of it, the way it had burned through her tiny body when someone had gotten the last cookie in class or taken the swing she had wanted on the playground.

Back then, her jealousy had been wild and unrestrained, often spilling out as anger—pushing, hitting, shouting until someone had intervened.

But this hadn't been the same. She wasn't a kid anymore, and she had known better than to lash out. And yet, the anger had simmered beneath the surface, waiting for her to slip, to let it spill over.

Her jaw had tightened as she had forced herself to look away, her fists clenching at her sides. Chad hadn't been hers anymore, she had reminded herself, no matter how much she had wanted him to be.

She hadn't had the right to feel this way, to be so consumed by jealousy over someone who had clearly moved on.

But knowing that hadn't made it stop. The jealousy had still been there, sharp and unrelenting, twisting inside her like a knife.

It had dug in deeper with every passing day, lodging itself in a part of her she didn't know how to reach, let alone remove.

It didn't help that Tara knew exactly who you were. Of course she did—everyone in Woodsboro seemed to know everyone.

The town was too small for anyone to go unnoticed, their business too easily whispered about or pieced together.

She had known who you were since kindergarten, though, in moments like these, it felt like a cruel twist of fate that you hadn't been one of the kids she'd shoved in a fit of childish rage.

Maybe if you had been, she wouldn't feel so powerless now. She could have at least claimed to have gotten her frustration out once, a long time ago. But no. You had been one of the few to escape her younger wrath, and somehow that made this worse.

It wasn't just that, though. Tara couldn't think about you without hearing her mother's voice in the back of her mind, muttering something about how she wished Tara were "more like you."

Her mother said things like that about plenty of kids, especially when Tara landed herself in trouble at school. But the way she spoke about you had always felt different—like she meant it.

You were polite, diligent, the kind of kid parents liked to hold up as an example. Tara had hated it back then, hearing those comparisons tossed her way whenever she acted out. Now, remembering it made her blood boil.

You weren't a stranger to her. Not really. How could you be when Wes had spent all of middle school hopelessly infatuated with you? His crush had been embarrassingly obvious, even to people who weren't paying attention.

Tara remembered the way he'd stumble through his sentences whenever you so much as glanced in his direction. How he'd linger near your locker as though working up the courage to say something, only to turn red and scurry off when Amber caught him at it.

Amber had loved teasing him for it. She'd nudge his arm and whisper loud enough for everyone to hear, calling him love-struck and pitiful. And Tara? She'd roll her eyes and laugh right along with her.

She hadn't understood the appeal back then. Sure, you were nice. Polite, from what people said. But to Tara, you'd just been another person in the hallways, someone she could name but not care much about. Wes's hopeless pining had been little more than background noise to her.

But now... now that memory left a bitter taste in her mouth.

Not that she'd ever had a real problem with you. If anything, she'd been indifferent toward you all these years. You were nice, she supposed. Everyone said so, and it wasn't hard to believe.

You dressed well enough to stand out without trying too hard, cared enough about your grades to keep them respectable, and generally managed to avoid any kind of trouble. There wasn't much about you that people could complain about.

Tara hadn't spoken to you much. Maybe a couple of times, when group projects forced you together or when politeness demanded it. But it had never gone beyond that, never lingered in a way that mattered. You were a passing presence, just one of the many faces she'd seen over the years, easily forgotten once you were out of sight.

At least, that was how it used to be.

Now, it felt like you were everywhere. And worse, you weren't just a face in the crowd anymore. You were always laughing, always smiling, always looking so damn perfect. And you weren't alone. You were with Chad. His arm slung around your shoulders like you were his.

And that, Tara couldn't ignore.

You were with her Chad. Her boyfriend.

Or at least, that's what her mind insisted on calling him, despite the breakup. Despite everything. He was still hers. He had to be. There was no way he wasn't, not when she could still feel the ghost of his hand in hers, not when her chest tightened every time she thought about him laughing at something you said. It wasn't right. It didn't feel right.

You didn't belong under his arm like that. You didn't belong anywhere near him.

Tara's jaw clenched as the image burned itself deeper into her memory: the way his arm had draped over your shoulders so effortlessly, like it was the most natural thing in the world. It wasn't. It couldn't be. That spot was hers—had been hers for so long that seeing anyone else there made her stomach twist with something jagged and unbearable.

And it didn't help that you didn't even look good there. Not to her, anyway. You didn't fit the way she did. You didn't mold into his side like you belonged there, not like she had. Chad was tall, broad-shouldered, and Tara had always thought they looked balanced together. She'd fit neatly under his arm, a perfect complement to his size and presence. You? You just looked... wrong.

At least, that's what she told herself as her eyes lingered on you for too long, darting between the way you smiled at him and the way he smiled back at you.

Her chest tightened further, the edges of her jealousy sharpening with every second.

She tried to tell herself not to care. Really, she did. She told herself that it didn't matter anymore, that Chad wasn't hers, that this—whatever this was—wasn't her business. He had every right to move on. She even tried repeating it in her head, like some kind of mantra: It’s over, it’s over, it’s over.

But it didn't work. It never worked.

It wasn't just the jealousy, though that was certainly the loudest emotion screaming in her chest. It was the helplessness that came with it. The same helplessness she'd felt back in kindergarten, when that dark, fiery feeling had bubbled up inside her and she hadn't known what to do with it. Back then, she'd pushed people, shoved them, let her rage and frustration spill out in any way it could.

Now? Now she was older. Supposedly more mature. She was supposed to be able to handle her emotions, wasn't she? But standing there, watching Chad lean into you, laugh at something you said like it was the funniest thing in the world, Tara felt that same fiery frustration rise in her chest.

She didn't shove people anymore—didn't let that dark feeling spill out like she used to—but that didn't mean it wasn't still there, simmering just below the surface. And now, as she stood frozen in the hallway, all of it—every last ounce of it—was directed at you.

Because you didn't belong there.

You didn't belong with Chad.

You didn't belong in the picture she still couldn't stop replaying in her head: you laughing at something he said, him pulling you closer, the two of you looking... happy.

Tara bit the inside of her cheek, hard enough to taste blood. She told herself to turn away, to stop looking, to let it go. But it was impossible. Just like it had been when she was five years old, that feeling burned too brightly, clawed at her too viciously to ignore.

And now, as she stared at you from across the hallway, she realized she didn't know how to make it stop.

She couldn't stop seeing it—couldn't stop feeling it. You and him. It was burned into her mind, an image so vivid it felt like it had been seared there with a branding iron. Every time she closed her eyes, it was there. You and Chad. Laughing together. Holding hands. Kissing.

Tara's hands clenched into fists at her sides. She hated it. She hated you.

She hated the way you were always smiling, like you didn't have a care in the world. She hated the way you stood so close to him every day, the way his arm so casually rested on your shoulders. She hated the way you looked at him, and the way he looked at you. Like you were the only person in the room. Like you were perfect.

You weren't even that cute. That's what she tried to tell herself, over and over again. You weren't anything special. There were plenty of other girls in Woodsboro prettier than you, smarter than you, more interesting than you.

But it was a lie.

Because you were beautiful.

You were effortlessly beautiful in a way that made Tara's stomach churn. She hated the fact that she couldn't use your looks as an excuse. She hated how good you looked with Chad, how perfect you seemed together, how easy it was to see why he'd chosen you.

And that made her hatred burn even brighter.

Most nights, she couldn't sleep. The second her head hit the pillow, her mind would start spinning, and the thoughts would creep in—dark, ugly thoughts that wrapped around her like a vice. She could see it so clearly, almost like it was happening right in front of her.

You touching him in places she was supposed to touch. You undressing him, his hands roaming over your body instead of hers. You kissing him, making him moan, sitting on top of him—doing all the things she was supposed to do.

It made her blood boil. It made her want to scream.

The images were relentless, vivid and visceral, and every one of them felt like a knife twisting deeper into her chest. Sometimes, the anger was so sharp it made her want to claw at her own skin, like she could rip the feeling out of herself if she just tried hard enough.

But no matter what she did, no matter how hard she tried to push the thoughts away, they always came back. They stayed with her, haunting her like a ghost she couldn't escape.

And every time, the hatred burned hotter.

It wasn't fair. You weren't supposed to have him. You weren't supposed to be in his arms, weren't supposed to hear his laugh up close, weren't supposed to know what his lips felt like. You didn't deserve any of it. You didn't deserve him.

He was hers. He'd always been hers.

But now, he wasn't.

And it was all because of you.

And this wasn't like any other time. Not even close.

Tara had always known her temper was a problem. She'd been told that enough times growing up—by her teachers, by her mom, by anyone who'd had the misfortune of crossing her when she was angry. But this? This was different.

She'd never felt this way before.

She'd tried everything to stop it, to keep herself from unraveling. Everything her mom had suggested back when she'd first started noticing how intense Tara's outbursts could be. Taking deep breaths, counting to ten, picturing a happy place—none of it worked. It never had.

And when her mom's suggestions fell flat, Tara had turned to the internet, searching desperately for anything that might help. Techniques to control anger, ways to keep herself calm, tips to avoid losing her temper. She'd read every article she could find, watched every video, tried every trick. Not because she cared about managing her emotions—no, she just wanted to avoid her mom forcing her into some anger management program or therapy session she'd be stuck in for months.

But now? Now, she couldn't even pretend to have control. Nothing worked. Nothing.

Her heart pounded in her chest, her skin prickled with heat, and the jealousy burned so hot and sharp that she felt like she was coming apart at the seams. It wasn't just anger anymore. It was something else entirely, something darker and more consuming.

Tara felt insane.

Because no matter what she did, no matter how hard she tried to push it down or ignore it, the feeling wouldn't go away. It wrapped around her like a second skin, suffocating and unbearable, until there was only one thought left in her mind:

She had to get rid of you.

It wasn't even a question anymore. It was a fact, plain and simple. There was no other way to fix this, no other way to make the feelings stop. You had to go.

At first, Tara thought about spreading a rumor or two. Nothing big, just enough to make you and Chad fight. Enough to plant a seed of doubt, to tear apart whatever connection you had with him. It sounded perfect at first—until she realized how easily it could blow up in her face.

Chad would figure it out eventually. He'd find out Tara was behind it, and then she'd lose any chance of getting him back.

She thought about telling you to leave, to move away, to go anywhere but here. But that was ridiculous. You'd never listen.

She thought about kidnapping you.

The thought came and went so quickly it almost startled her. For a split second, her mind flickered to the idea of forcing you out of the picture entirely, taking control in a way that left no room for argument.

But no. That was insane.

...Wasn't it?

Tara clenched her fists, her nails digging into her palms hard enough to hurt. She was spiraling. She knew it. But she couldn't stop.

Nothing else would work. Nothing except you being gone.

She didn't know how, she didn't know when, but Tara knew one thing with absolute certainty:

You couldn't stay.

You didn't belong here. You didn't belong with Chad. You didn't belong anywhere near him, near her, near this town.

You didn't belong anywhere.

And Tara? Tara was going to make sure of it.

She toyed with possibilities. But none of them seemed right.

Kidnapping you crossed her mind more than once though. Briefly.

But it was stupid, insane.

Because what would she do when she had you?

Just keep you there?

It seemed suiting, but it wouldn't work out.

But she couldn't help thinking it—if only because she was running out of options.

And then, the thought hit her. It came out of nowhere, sharp and sudden, like a knife to the gut.

She could kill you.

At first, the thought had hit her like a slap to the face, sharp and jarring in its absurdity. It had seemed insane. Because it was insane. What kind of person even thought something like that, let alone seriously considered it?

But as the days dragged on, the idea didn't fade. If anything, it took root. The more Tara thought about it, the less insane it seemed. Her anger, that relentless, boiling rage, started to simmer. It didn't disappear entirely—not even close—but it

lessened.

For the first time in weeks, she could breathe.

The idea itself was enough at first. She didn't need to act on it. Just thinking about it was enough to bring her some semblance of peace. She let the fantasy play out in her mind like a sick little movie: you, out of the picture, gone forever. It didn't matter how or when—just that it happened.

And for a few days, she was happy with just that. She let herself exist in that space, in the calm that came with imagining a world where you didn't exist. A weekend of relative peace, of daydreams that made her anger feel manageable.

But then Monday came.

And Tara saw you again.

You were standing in the hallway, smiling up at Chad like he was the only person in the world. His arm was slung casually around your shoulders, his head tilted toward yours in that stupid, familiar way that made Tara's stomach twist.

It was like being set on fire all over again.

Her chest burned, her vision blurred, and that fleeting peace she'd found over the weekend vanished in an instant. The rage came roaring back, hotter and more vicious than ever, tearing through her like a wildfire.

Because the thought of you being gone wasn't enough anymore. Not when you were right there, so close, so perfect, so fucking smug without even trying.

Tara's fists clenched at her sides, her nails digging into her palms until they left crescent-shaped indents. Her jaw tightened, her teeth grinding as she stared at you, as she watched you.

You didn't belong there. You didn't belong under his arm. You didn't belong anywhere near him.

And now? Now, Tara knew what she had to do.

It wasn't a matter of if anymore. It was a matter of when.

Because just thinking about it wasn't enough. Not anymore.

She was going to kill you.

And she was going to feel better for it.

___

Tara had everything prepared.

The thought of it had consumed her, growing like a rock inside her chest, feeding off her every waking moment until it was impossible to ignore.

And now, it was time.

She had spent days balancing on the edge of dread and longing, torn between the weight of what she was about to do and the twisted satisfaction she knew it would bring. It wasn't something she wanted—not really. But it was something she had to do. The only way to end the torment that had been eating away at her since the moment she saw you with him.

So Tara had done her research, gathering every scrap of information she could. She watched you closely—closer than ever. She had listened, observed, bided her time until the perfect opportunity revealed itself.

And it had.

It had been math class on Monday afternoon, and Tara had been lucky enough to snag a seat directly behind you and your friends. Normally, she would've tuned out your conversation entirely, drowning it in her thoughts. But this time, she had leaned in, careful to catch every word.

You'd been talking about the upcoming math test, about how you'd be studying for it Wednesday afternoon. Alone.

Your parents were going to be at some lame work conference, and they'd decided to take your younger brother along to make a trip out of it. You'd rolled your eyes as you explained how stupid it all sounded, but Tara hadn't cared about your opinion.

All she cared about was the opening.

You'd be home. Alone.

It was perfect.

Tara's pencil had hovered over her notebook as she pretended to take notes, but her mind wasn't on algebra. It was spinning with possibilities, with plans, with the kind of clarity that had eluded her for weeks.

When the bell rang and you left the room with your friends, Tara sat frozen in her seat for a moment, her fists clenched around the edge of her desk. The pounding in her chest felt louder than the shuffle of students leaving the classroom, louder than the voices in the hallway.

Because now, it wasn't just an idea.

It was a plan.

Wednesday. After school. It would be done.

And finally, finally, she would feel better.

Wednesday came, and Tara felt something she hadn't in weeks. Happiness.

It wasn't the fleeting, muted kind that came and went without leaving a trace. No, this was sharp, visceral, alive. She could feel it buzzing beneath her skin, coiling around her chest like a warm, electric current.

She didn't remember the last time she'd woken up this excited. It was like every nerve in her body had been lit aflame, pushing her through the motions of her morning routine with a sense of purpose she hadn't felt in so long.

Because today was the day.

Every second that ticked by brought her closer to it. To you. To the end of the endless cycle of rage and jealousy that had consumed her. She could picture it already—vivid, perfect, satisfying.

You'd be scared, of course. How could you not be? She imagined the way your eyes would widen, the way you'd stammer out a pathetic plea. You'd try to push her off, scramble for an escape, but it wouldn't work.

It wouldn't work because you were weak. You weren't like her. You didn't know what it meant to fight, to claw your way through something until you got what you wanted. You'd crumble like paper.

And then you'd be gone.

She could see the aftermath so clearly it almost felt real. Chad, walking through the school corridors alone, his shoulders slumped with the weight of grief. His face twisted in pain as he thought about you.

And then—then he'd come back to her. He had to. It was inevitable, wasn't it? He'd remember how good things were with her, how much better they could be now that you were out of the picture. He'd pull himself to her, broken but needing her to put him back together.

It was all Tara could think about.

The entire day felt like a blur, her mind too preoccupied to focus on anything else. Teachers droned on and on about tests and essays, classmates chatted about meaningless things, but none of it mattered. Nothing mattered except what was waiting for her after school.

And yet, the anger was still there.

It simmered beneath the surface, coiled tight in her chest, a constant reminder that nothing was done yet. You were still there, still laughing and smiling and making her blood boil with every second that passed.

In English class, she caught sight of you leaning over Chad's desk, your voice low as you explained something to him. Grammar, maybe. Whatever it was, Tara didn't care.

What she cared about was the way he was looking at you. That stupid, soft smile, the same one he used to give her.

It made her stomach turn.

You didn’t even know what you were doing, she thought bitterly, her fists clenching beneath her desk. You didn't know him. You didn't know how to help him, not like she did. You weren't supposed to be there, leaning over his shoulder, pointing at his textbook like you had any idea what you were doing.

Tara's jaw tightened, her teeth grinding together as she stared at the two of you.

But it was fine. It wouldn't matter soon enough.

By the time the final bell rang, she was practically buzzing with anticipation, her hands trembling as she shoved her books into her bag.

Because today was the day.

And by the time it was over, you'd be gone. Forever.

By the time last period rolled around, Tara could barely contain herself. She was bouncing her leg under the desk, the rapid up-and-down movement making the surface wobble slightly. It wasn't stress, though. Not even close.

It was excitement.

Because in just a few hours, everything would be different. You'd be gone.

She'd spent the entire day anticipating this moment, and now that it was so close, she could hardly breathe. Her chest felt tight, but not in the way it used to when the anger consumed her. This was something else—something electric, like a firework waiting to explode.

When the bell finally rang for the last time that day, Tara practically shot out of her seat. Her heart was pounding, her pulse thrumming in her ears as she sprinted to her locker, dodging through the crowded hallway like her life depended on it.

She grabbed her things in a flurry, barely paying attention to what she was stuffing into her bag. The details didn't matter. Nothing mattered except getting out of there as quickly as possible.

The walk home was a blur. She couldn't even remember the route she took, but she knew it was fast because she'd gotten there in record time. She practically burst through the door of the apartment, slamming it shut behind her with a force that rattled the frame.

The space was empty, just as she'd hoped. Sam wasn't home, probably still at the café down the street where she worked long shifts most afternoons.

Tara didn't waste any time. She stormed into her room, yanking her bag off her shoulder and dumping its contents onto the bed. Books, hair ties, pens, and random scraps of paper spilled out in a messy heap. She didn't bother organizing any of it, her focus locked on what came next.

She started packing what she'd need instead.

First came the basics: a pair of gloves she'd swiped from the closet, a small hand towel, and a few cleaning supplies she'd found under the sink. Just in case.

Then there was the book. She'd borrowed it from the library earlier that day, an afterthought at the time, but now it served a purpose. If anyone asked what she'd been doing when you turned up dead, she'd have an alibi.

And then there was the knife.

Tara headed to the kitchen, her hands trembling slightly as she opened the drawer where Sam kept the cutlery. She stared at the knives for a moment, her breathing shallow as she considered her options.

Finally, she picked one.

It wasn't the largest or the sharpest, but it felt solid in her grip. Familiar, almost.

She held it for a moment, staring down at the blade as it caught the light. Her reflection stared back at her, warped and fragmented in the metal, but she didn't flinch.

She took a deep breath, steadying herself before tucking the knife into her bag.

This was it.

She was ready.

Tara zipped her bag shut and slung it over her shoulder, not even sparing a second thought for the knife or the other incriminating items inside. Evidence of what was about to happen was tucked away in plain sight, but the thought didn't concern her. Why would it? She wasn't going to get caught.

She paused in the doorway of the apartment, pulling out her phone to double-check the address one last time. It was burned into her memory by now, but a quick glance wouldn't hurt. She'd found it easily enough a week ago, scouring the school directory that had been left out in the counselor's office during one of her "mandatory check-ins." Your address had been listed next to your emergency contacts, all neatly typed out.

Perfect.

Satisfied, she slipped her phone back into her pocket and stepped out into the hallway. The stairwell echoed with her footsteps as she made her way down, each step slow and deliberate. She wasn't in a rush. Not yet.

The walk to your house wasn't short, but it wasn't unbearably long either. Just far enough to give her plenty of time to think, to imagine, to savor the anticipation building in her chest like a drug.

Tara was thrilled.

Not just because of what she was about to do, but because of how clever she'd been about it. The idea had struck her like lightning, and the more she thought about it, the more genius it seemed. She wasn't just solving a problem—she was removing it, erasing it entirely.

As she walked, her thoughts grew darker, more vivid. She pictured you in front of her, on your knees, crying and begging her to stop. But she wouldn't stop. She'd pin you down with a strength you couldn't fight against, her hands steady, her resolve unshakable.

Her gaze flicked down to her white Converse, and she pictured them splattered with red. Blood staining the canvas, dripping onto the pavement, marking every step she took.

She imagined your blood on her hands, warm and slick, streaked across her fingers like war paint. She pictured your face as she hovered over you, the way your eyes would widen with fear, the way your mouth would open to scream—only to be silenced.

The image sent a thrill through her, a jolt of satisfaction that made her grin.

To anyone else, these thoughts would be horrifying. Disturbing. Insane.

But to Tara, they were... liberating.

She couldn't wait.

Tara had dreamt about this moment. Every detail had been mapped out in her mind, as vivid and meticulous as if it had already happened. She hadn't missed a single thing while planning it.

She knew exactly how it would go.

You'd answer the door, your steps light as they always seemed to be. When the door swung open, you'd greet her with that confused little smile, the one that would tug at the corner of your lips as you tried to figure out what she was doing there.

She could already imagine the polite mask you'd pull on, hiding the confusion behind your soft smile as you asked—probably in that gentle, saccharine voice Chad loved so much—what she was doing at your house.

And Tara would match your politeness, feigning a warm, almost apologetic smile as she began to speak. She'd tell you that you'd left the classroom before the teacher had a chance to hand you a paper—a makeup assignment for the math test you were apparently struggling with. She'd tell you how she'd volunteered to bring it to you, mentioning offhandedly that your house was "on the way" to hers.

It wasn't.

But you were probably stupid enough to believe it.

Tara could almost see the way you'd nod, your suspicion melting away as you stepped aside to let her in. And that's when she'd set her plan into motion.

She'd unzip her bag slowly, her movements deliberate, casual, as if she really were pulling out a sheet of paper. She'd even keep talking, her voice calm, explaining how the assignment wasn't that difficult, just a review of material you should already know.

But when her hand came out of the bag, it wouldn't be holding any paper.

It would be holding the knife.

The image was so clear in her mind, so vivid that it felt real. She could see the shock on your face, the way your smile would drop, the way your eyes would widen. She'd let you stand there, frozen and clueless, for just a moment before she lunged.

The first stab would be quick, precise. She'd aim for your stomach, the blade plunging in before you had a chance to react. And as you stumbled back, clutching at the wound, she'd step inside, closing the door behind her with her free hand.

It wouldn't stop there. It couldn't.

She'd keep going, stabbing again and again, her movements frenzied but deliberate, each strike fueled by the rage that had been festering inside her for weeks.

By the time you hit the floor, Tara would already be kneeling over you, her knife rising and falling with a terrifying rhythm.

She'd finish it. Completely.

Tara found herself smirking at the thought, her steps quickening as she neared your street. The plan played out in her head like a movie she'd already watched a hundred times, each scene perfectly clear, perfectly executed.

The thought of it all—the fear in your eyes, the blood on her hands, the peace that would finally follow—was almost enough to make her laugh.

By the time she reached your street, her smirk had settled into something more fixed, more certain. The weight of the knife in her bag wasn't something she second-guessed. There was no hesitation in her steps, no flicker of doubt in her mind. She had played this moment over so many times that it felt inevitable, like she was simply walking through a prewritten script.

And then she saw your house.

That perfect, suburban home—one of those places that looked like it had been plucked from a family sitcom. The kind of house where nothing bad was ever supposed to happen. The driveway was empty, just like it was supposed to be. No parents home. No witnesses. But that didn't matter.

What mattered was that you had all of this.

Tara felt her stomach twist in something that wasn't quite anger, wasn't quite jealousy, but a poisonous mix of both. The house itself was nice—not a mansion, but big enough that she knew you had space that was yours. No sharing. No constantly moving from one place to another. You had stability. The porch light was already on despite the sun still clinging to the sky, because you had parents who actually cared if you got home in the dark.

Parents who were probably normal.

Not like hers.

And it wasn't just the house. It was everything. The car parked on the curb—the one that she knew was yours and not some shared family vehicle. The way your front yard was neatly kept, the way there was a welcome mat in front of the door, the way it all screamed a life she never had.

It made her hate you even more.

But that hate only made her more certain. Because soon, none of it would matter. Your perfect house, your caring parents, your stupid little car—they would all be meaningless.

Soon, the only thing you'd have was a gravestone with your name carved into it.

And that made her happy.

Tara forced herself to relax as she walked up the front steps, adjusting her bag on her shoulder. She let out a slow breath, schooling her expression into something neutral. She wasn't just about to commit murder—no, she was just a classmate doing a favor, dropping off an assignment.

The thought almost made her laugh.

She reached the front door, lifting a fist and knocking twice against the wood.

The house was quiet. Peaceful.

But soon, Tara imagined, it would be fuller.

Fuller with screams.

And then—she heard it.

A soft, thoughtless hum from the other side of the door. Light, airy, clueless.

Her hands twitched at her sides, damp with sweat before she even realized it. A sick, twisted heat pooled in her stomach, curling around her ribs like a vice, because for the first time all day, something foreign crawled up her spine.

Nerves.

Real, undeniable, nerves.

She clenched her fists, nails digging into her palms.

No. No. That wasn't right. She had waited for this.

She had planned, dreamed, prepared for this exact moment. She was supposed to feel good. Excited.

Not like this.

Not like her body had turned against her.

Tara's jaw tightened, anger sparking white-hot beneath her skin, because that was your fault, too.

Of course, it was.

You were the one who made her feel this way. You were the reason her mind had been tangled in knots for weeks, the reason she couldn't breathe without choking on the thought of you, the reason everything felt so wrong.

And that was why she was here.

She sucked in a sharp breath, planting her feet firmly on the doorstep, pushing the shaking from her hands, the sweat from her palms.

Because it didn't matter.

It didn't matter that her heart was hammering against her ribs. It didn't matter that her mind was racing.

All that mattered was that you were coming.

And then—

A quiet shuffle of footsteps.

Closer.

Tara's stomach twisted.

Another step.

And another.

The shadow of movement from behind the glass.

And then—

The door clicked as the lock turned.

The handle shifted.

And Tara stopped breathing.

The door swung open.

And there you were.

Tara didn't know what she had expected. She had run through this moment in her head too many times to count, had pictured every detail—the way you'd react, the way she'd feel, the way it would finally happen. But none of those versions had prepared her for the real thing.

Because the real thing was you—standing there, so normal, so alive in a way that made something tighten in her chest.

You hadn't even looked to see who it was before your lips curled into a soft, polite smile, like answering the door and finding someone waiting for you was just another part of your evening. Like she was just another part of your evening.

And Tara—

Tara froze.

Her grip tightened around the strap of her bag, fingers stiff, nails pressing into her palm. The weight of it suddenly felt too heavy, dragging her down, pinning her in place.

You weren't looking at her yet, not fully, but she could see the moment it registered. The way your eyes flickered, widening just a little before settling, before you adjusted.

Tara swallowed hard, throat dry.

She hadn't planned for this—for the way time seemed to slow, for the way her pulse slammed against her ribs, not in anger but in something else, something unreadable. She had prepared for every possible scenario, had thought through every single step. She knew exactly what she had to do.

So why the fuck wasn't she doing it?

Why was she standing there, frozen, when this was exactly what she had been waiting for?

Her stomach twisted, a sick, sudden nausea creeping in.

She had to say something.

She had to move.

But she just stood there, staring.

It was like her body had short-circuited, her mind blanking out in a way it never did. She had pictured this moment a hundred times, had mapped it out in her head with a precision so sharp it felt real—but now? Now, standing in front of you, with your stupid soft smile and your wide, expectant eyes, everything felt wrong.

She was supposed to have control.

She was supposed to speak first.

But before she could force a single word out of her mouth—

"Oh my God, Tara!"

Your voice hit her like a slap to the face.

Not just because of the voice—bright, warm, too friendly for what this moment was meant to be—but because of how you said her name.

Wrong.

You stretched out the A like it belonged there, like you had never even considered the right way to say it.

Tara's stomach twisted, her nose scrunching slightly before she could stop it.

She hated when people did that.

It wasn't even complicated. It wasn't hard.

Tara. Short. Sharp. Simple.

Why the fuck would it be anything else?

But then—before she could even say anything, before she could snap at you the way she wanted to—you noticed.

Not in the way most people did.

You didn't fumble over yourself, didn't look nervous, didn't react like someone who had just made a mistake in front of the wrong person.

No.

You just... realized.

"Oh—sorry. It's Tara, right?"

And this time, you said it right.

Tara felt something hot crawl up her spine.

You didn't wait for her to correct you.

You didn’t need her to tell you you were wrong.

You figured it out on your own.

And yet, you still smiled.

"I'm sorry, I totally suck at names," you added, your voice easy, a small, amused sigh slipping through a quiet giggle.

A giggle.

Like this was nothing.

Like you weren't standing in your doorway, staring at someone who had come here to kill you.

Tara's grip on her bag tightened.

You weren't nervous.

Not even a little.

Why weren't you nervous?

You were supposed to be. Yet she was the one that was.

Tara didn't know what the fuck was happening to her.

This wasn't right.

She was supposed to be in control. She was supposed to be sharp, precise, already halfway inside your house by now, setting her plan into motion.

But instead, she stood there.

Frozen.

Silent.

She couldn't speak.

Her body acted before her mind caught up, lips pressing together in something barely resembling a smile. Thin. Tense. Fake.

"It's fine," she mumbled, her voice lower than she intended.

It wasn't fine.

Nothing about this was fine.

And yet, you still didn't ask her what she was doing here.

You didn't look suspicious. You didn't hesitate. You didn't ask.

Tara could feel something bubbling in her chest, frustration twisting in with something else, something hotter, sharper.

Why weren't you asking?

Why weren't you wary?

Why weren't you treating her like a stranger who had no reason to be on your doorstep?

But before she could dwell on it for too long, your face lit up even more—

And you started talking.

"I've actually been wanting to speak to you for a while."

Your voice was too warm. Too light.

Tara's jaw clenched.

"This whole thing with Chad..."

You trailed off, tucking a bit of hair behind your ear, tilting your head ever so slightly as your eyes flicked to her face—

Waiting.

Waiting to see if she reacted to his name.

And fuck, she did.

She hated that she did.

But you didn't seem to notice.

Or maybe you did, but you didn't care.

You just continued, words spilling out like you had been holding them in for too long.

"I wanted to ask if you guys were fine before... yeah, you know."

Tara didn't need you to finish that sentence.

She knew exactly what you meant.

Before you.

Before Chad moved on.

Before you ruined everything.

Her nails dug into the strap of her bag.

And still, you didn't stop talking.

"I know we're not friends and barely know each other," you admitted, still looking at her with that same softness. That genuine fucking softness that made her stomach twist in ways it shouldn't.

"But you're really nice," you went on.

Tara almost laughed at that.

Nice.

You thought she was nice.

And then—

"I just didn't want to make you uncomfortable or, you know... secretly hate me."

The way you said it was almost casual, like it was just a thought, something light, something small—

But Tara felt her heartbeat slam against her ribs.

You didn't know.

You had no idea.

And for the first time since she got here, she felt a flicker of something close to panic.

You didn't hate her.

You weren't afraid of her.

You thought she was nice.

What the fuck was she supposed to do with that?

Tara tried to reason with herself.

If she just did it now, everything would be fine.

If she just said what she planned to say, if she reached for her bag, if she pulled out the knife instead—

It would be over.

It would be done.

You would be nothing but a mess on the floor, and Chad would be devastated, and he would come crawling back, and everything would go back to how it was supposed to be.

So why wasn't she moving?

Her fingers twitched against the strap of her bag, but her body stayed rooted to the spot.

She wanted to.

Oh, how she wanted to.

She had dreamed about this moment.

Had imagined the way you'd look at her—terrified, confused, realizing too late what was about to happen.

She had longed for it.

And yet—

She couldn't.

For some stupid, inexplicable reason, she couldn't.

Something in her wouldn't let her.

What the fuck was she even thinking earlier?

Why did she think this would be easy?

Why did she think she could just walk up here and do it like it was nothing?

Her head felt too full, a war raging behind her eyes, pushing, pulling, twisting.

She wasn't supposed to hesitate.

She wasn't supposed to second-guess herself.

She was supposed to kill you.

So why was it suddenly feeling impossible?

You studied her face as she stood there, silent.

To you, it probably looked like she was still hurt over Chad.

Like she was standing here, struggling to find the right words, caught up in old feelings she hadn't moved past yet.

And when she didn't answer, you didn't take it the way you should have.

You didn't question why she was just standing there.

You didn't wonder why she was looking at you like that, like something wasn't clicking in her head.

Instead—you invited her in.

You stepped back, opening the door a little wider, glancing at her with the same warm expression you had greeted her with.

"Do you want to come inside?"

Tara blinked.

For a second, she thought she misheard you.

But you weren't kidding.

You were actually letting her in.

You, the person she had been planning to kill, were offering to welcome her into your home.

You didn't even know her.

And when she didn't immediately respond, you just smiled a little and added, "Only if you want to."

That was it.

No hesitation. No suspicion. No fear.

Why weren't you scared of her?

Why weren't you acting like someone who was about to die?

Her fingers clenched tighter around the strap of her bag.

She should leave.

She should end this.

She should do what she came here to do.

And yet—

Almost without thinking, she found herself nodding.

Slowly, stiffly.

And then she was stepping inside.

Her body was acting on its own, ignoring the part of her mind still screaming at her to just fucking do it already.

She heard you close the door behind her.

She stood there, fists tightening at her sides, eyes flickering around your house—your nice, warm, safe house that made her sick.

And then you were talking again, so casually, so easily.

"I'm trying to study for the math test, but it's not going really well."

You let out a small, light laugh, like this was nothing.

Like she was just a friend stopping by instead of a fucking killer in your home.

Tara didn't know why she followed you.

Why her feet carried her further inside instead of turning around and doing what she was supposed to do.

She barely processed the way you walked ahead of her, leading her through the house like she belonged there.

Like she wasn't holding a knife in her bag.

Like she wasn't planning to use it.

Her fingers curled tighter around the strap, knuckles aching from the pressure, but she still didn't stop.

She stepped past the entryway, eyes flickering over everything she could see—the framed artwork on the walls, the coat rack near the door, the way the house smelled warm, lived in. There was something painfully normal about all of it. Too normal. It made her stomach turn.

And then her gaze landed on it.

The photo sitting neatly on the shelf above the couch.

She didn't mean to stop. Didn't mean to let her focus linger. But she did.

It was you.

Your family.

Your mom, your dad, your little brother.

All of you smiling, arms wrapped around each other like you had never known anything but happiness.

Her throat burned.

Her chest felt tight, like someone had wrapped their hands around her ribs and squeezed.

She didn't know why.

She didn't fucking know why.

All she knew was that she hated that picture.

Hated the way you had that.

Hated the way she couldn't even imagine a photo like that of her own family.

Most definitely not framed in the living room.

Her mouth pressed into a hard line, her grip tightening around the strap of her bag.

The weight of the knife sat heavy inside, like it was taunting her.

She should reach for it.

She should pull it out and remind herself why she was here.

But her body still wouldn't move.

And that made her furious.

Why the fuck was she just standing here?

Why wasn't she doing anything?

It would be so easy.

A few steps. A flick of her wrist.

Blood against the perfect little life you had.

A stain.

A reminder that nothing was ever really safe.

So why couldn't she do it?

Her fingers twitched at her sides.

Her pulse pounded in her ears, drowning out everything else—until your voice cut through the haze.

"Tara?"

She blinked.

Snapped back to the moment.

You were looking at her now, head slightly tilted, waiting for her to follow you further inside.

She forced her jaw to unclench, tearing her eyes away from the photo and moving again.

She followed you into the living room.

And that was when she saw the mess of notes and open notebooks spread out across the coffee table.

Pens scattered. Pages half-filled with numbers and formulas. Homework left abandoned mid-thought.

She stared.

She didn't even know why.

Maybe it was because it was so normal.

Like you had no idea what was standing right in front of you.

Like she wasn't supposed to be anything other than some classmate stopping by with an assignment.

Her fingers twitched against the strap of her bag.

Maybe if she just—

Your voice cut through the silence again, still light, still unbothered.

"You can sit down if you want."

You motioned toward the couch, as if this was just normal.

As if she wasn't standing in your house, her heart hammering, her mind completely unraveling.

Tara swallowed hard, forcing her feet forward.

One step.

Then another.

She made it halfway across the room before stopping again, her breath catching somewhere in her throat.

She shouldn't be here.

She shouldn't be doing this.

She should just grab the knife, should just do what she fucking came here to do.

But she couldn't.

And she didn’t know why.

[grassbreads]

read all of The Property of Hate today and I am feeling Emotions.

[ladykyriaa]

Actually yknow what sit down.

Im not done talking about how the animation team deliberately put THIS SCENE

Into the OP

Out of all the scenes (yes even the frog scenes) this is honestly my favourite because of how raw and vulnerable it looks

How they're always visualizing Maomao as Jinshi's source of light to his otherwise bleak life.

Look at this tiny little baby and tell me he doesn't deserve all the good things coming his way.

He YEARNS for her.

That's not the only thing though. Considering how he grew up, there's probably a part of him that's always scared that she's going to somehow be taken away from him

That's probably how jinshi actually feels with Maomao. Comfortable that he's able to show the not so perfect eunuch that everyone knows him as, but a child who's barely grown up and anxious that his favourite is going to be taken away again. So YES THIS SCENE MEANS A LOT TO ME

[doctorsiren]

Moth Psycho 100 AU

Something that I latched onto for mp100 is the moth imagery for Mogami. More than once is a moth shown as symbolism, but it’s also associated with Mogami more than once, whereas with the other bugs he’s shown associated as, it’s just once i’m pretty sure (even if not, moths show up as symbolism the most so uhhh yeah)

So @cupofchemicalchatter and I cooked up an AU idea :)

Mogami Arc happens as normal except for the very end. Instead of Matsuo catching Mogami’s spirit and trapping him, Mogami is able to go and watch Mob from afar like he said he would: “You made your choice, kid. I’ll keep watching from afar to see if you made the right one.”

At the end of the Mogami Arc, Reigen says: “Anyway, history has shown that no good ever comes from drowning in wealth, fame, or power. Think about it: Mogami let his own powers swallow him up too.” Remember this, as this is important for the AU I’m about to explain. 

And this will go into the next arc, the Separation Arc. The part where Reigen is in the alleyway under the streetlight with those moths above him always felt deeper to a level that it probably wasn’t supposed to be and by that I mean I was connecting it to Mogami’s moth thing.

What am I talking about? Okay well, just imagine the Separation Arc happening as usual UNTIL that moment. The moment where Reigen is in the alleyway:

Mogami had been keeping an eye on both Mob and Reigen, figuring that a way to break Mob was to use someone he cared about, that person being his mentor. So in that moment, Mogami had been possessing / using that moth as his vessel to watch Reigen. The moment that the moth drops dead and Reigen looks up is the moment that Mogami transferred his possession from the moth to Reigen, causing his sudden change. Now he is determined to “become somebody”. Of course, just like in canon and like Mogami did, he starts out by helping people out with their problems. He stated in the Mogami arc: “Mogami? Yeah, I modeled part of my work off him when I started this job.” Mogami stated that “at first, I used my abilities for good, giving advice and solving various problems.” Mogami was the “Psychic Star of the 20th Century”, with Reigen being the “Greatest Psychic of the 21st Century”. Mogami basically told Mob the classic villain thing of “we’re not so different, you and I”, but Mogami now sees that with Reigen as well. Despite the man not having powers, he would prove useful.

Reigen began “developing” psychic abilities. He thought at first that it might have been something residual still left over from when Mob gave him his powers while fighting the Scars, but he soon began to believe that he had dormant abilities that became awoken once he set out on “becoming somebody”. However, it’s actually just the possession from Mogami. He begins to realize that he doesn’t need Mob anymore. He can do exorcisms on his own now! So, he starts pushing everyone away…the people who would be able to actually help him out of this.

Reigen starts to hear a voice in his head. It’s Mogami speaking to him like he did with Mob, but he disguises it as Reigen’s own voice, allowing the conman to think that it’s his own thoughts. Reigen begins to separate himself from this “new” version of himself (which is just Mogami), but not in a way of “oh, these are bad thoughts” but in the way of “this version of me is my only true friend.” Since he’s being possessed, he’s not really thinking rationally. 

His reflection becomes a way that Mogami can communicate visually, while disguised as Reigen, of course. He speaks to Reigen, convincing him further that he doesn’t need anybody. Only himself.

His shadow also becomes a visual way for “Reigen” to communicate (because I thought that would be cool, kind of like Morgana in Ducktales 2017, or in The Princess and the Frog). 

The turning point for where things actually go south is the Supernatural Detective TV spot. When Jodo suggests that Reigen be the one to do the exorcism, instead of letting Jodo trick him, Reigen insists that Jodo go ahead with how the program was planned. In this world, the event is reversed. Jodo actually does the fake exorcism, since it was scripted, but then Reigen steps in and explains there was no evil spirit to exorcise, hence making Jodo the fool rather than Reigen. The host praises Reigen and the child reveals that he was acting the whole time. 

And then begins his true metamorphosis. 

Usually, butterflies are used to represent change, however moths go through that same transformation, but to most, they are held typically in a lesser regard than their daytime counterparts. Not really important, but I just thought it was interesting.

Reigen starts to spiral, becoming more and more of a corrupted conman. He isn’t assassinating people for money like Mogami had done, but he is lying more and more and more. The more he becomes corrupted with power, the more his psychic abilities grow (think Ritsu with Dimple and the student council stuff)/ The idea actually started out by me suggesting that as he gets more corrupted, he starts to cough out moths (sorta like an odd moth-based hanahaki, but having literally nothing to do with unrequited love and he won’t die from the moths. He just coughs them out because we thought that went kinda hard), but of course, he keeps telling himself (as well as Mogami telling him) that he’s fine. 

His powers (Mogami’s powers) are getting stronger and he’s taking out bigger spirits, taking on bigger clients, and becoming a bigger star. He finds himself losing consciousness / disassociating at times, only to wake up and find that he is stronger. It has become a little of a Jekyll and Hyde situation, but while Mogami has control of Reigen’s body, he uses it to consume evil spirits to try and regain the power he lost from fighting Mob. How we’re visually showing the possession is through a scar (like how Dimple has the red cheek spots). He got the scar under his right eye when Mogami exploded that one-way mirror in the Mogami Arc, and since Reigen’s technically being possessed during the duration of the AU (once that moth dies), the scar is visible the whole time.

In the end (we haven’t figured out when but we just know), Mob has to confront Mogami inside Reigen’s head, like he did with Minori. Inside Reigen’s head, it becomes blatant that Reigen isn’t psychic, although Mob’s sorta known that for a while (as it is alluded to at the end of the Separation Arc). But, Mob himself doesn’t want to acknowledge that fact. Reigen always said he had powers! Why would he lie? So although Shigeo knows the truth, Mob doesn’t see it. He pretends that it’s not true. He believes in Reigen’s lies. The student has become the master, in it that Mob is now lying to himself because he can’t bring himself to believe that Reigen lied to him.

After everything, Mob is able to separate Mogami from Reigen (but of course, not without everyone getting their fair share of trauma). The scar goes away, as he is no longer possessed. He’s back to being powerless, and now he knows that it was Mogami the whole time. However, Mob says that line. He says how he’s known that his master is genuinely a good guy, because it wasn’t on his own that he did all that conning and evil spirit stuff. It was because of Mogami’s corruption and influence. I think Matsuo would still somehow come across Mogami’s spirit and capture him, just so that it can come in handy later when he’s used in the World Domination Arc bc I don’t wanna mess that up lmao

Anyways yeah that was my attempt at compiling some frantic and excited discord DMs about this AU into something somewhat cohesive! Now here’s art for the AU, because I wanted to share them, but I needed to explain what was going on first!

This was the first one I did for the AU, when I knew I needed to draw something up for the concept of him getting corrupted and coughing moths 😄

And then the shadow and mirror thing (I LOVE the one of “Reigen” in the reflection oughhhh)

If you remember that post where I said I woke up and found I had written “twink controlling a twink” the night prior, this is what it was in relation to 😭 why did I call Mogami a twink very very late at night? Who knows. The important thing is that doing so altered everything and now he is one in my mind, so I can’t do anything about it. Don't ask why this page seems really fruity, it was like 3 AM and over a week ago so I don't know (/silly)

These were from when I was rewatching the Mogami Arc to pick up details for the AU

Moths have the patterns on their wings to mimic eyes, so there’s that inherent aspect of deception and lying. It makes the moths seem like a bigger threat than they actually are. (also I have him wearing Mogami's blazer and shirt)

And then just the moths and such with Mogami’s spirit

And me pulling a quote from when Dimple was explaining who Mogami was.

YEAH I just really love drawing stuff for this AU bc of the fun moth symbolism.If none of any of this makes sense, I’m so sorry. I just needed to finally post about this AU bc it’s given me brainmoths (like brainworms, but y’know)

We kinda came up with the AU backwards and filled in random spots here and there after the fact of our original conjuration of it, so I had to try and piece it together HAHA 

[claudiafrankie]

Pick a Card: How They See You

DISCLAIMER: TAROT IS NOT AN EVIDENCE-BASED PRACTICE. YOU ARE IN CHARGE OF MAKING YOUR OWN DECISIONS.

Pile 1: The Dog

This person sees you as having mastered the earth element. I think you are pretty detached with the way you approach your goals and it like doesn't compute in this person's brain that this is how you get the things that you want and build the world around you that you have.

They see you as someone who revels in the simple pleasures in life - sitting in the grass on a sunny day, stretching your body in the morning, a delicious seasonal coffee creamer. You are rich in the ways that count pile 1. You take good care of yourself and because of this you kind of exude a nurturing quality to those around you. Whether you intend to or not, you help other people get to where they want to go. You build people up and show them that they are capable of achieving their goals. I think you have a good eye for material goods and know what to splurge on and what to buy generic brand. Maybe you invest in nice cookware and knives because you know you'll use those for years to come, or in a high-quality bed spread or mattress. You take care of your body and appearance, you understand this to be an art form. But you also know that it's not everything. And this down-to-earth quality of taking good care of yourself but also not taking it too seriously or to extremes is really sexy to a lot of people. I think this person thinks that other people see you as husband/wife material. If you're single they're scratching their head like "how the hell are they not wifed up yet"

I think they see you as someone who doesn't stay in people's lives for very long, and they are worried that this is going to be the case for your relationship with them as well. They think you are in tune with the rhythms of nature and aren't afraid to let go and move on. You enjoy the good times when they come knowing they won't last forever, and you don't let the hard times beat you down when they come because you know they will pass.

I think they see you as someone who has learned all this the hard way. As someone who has been through many highs and lows, someone flexible in the circumstances you can thrive and survive in. You know when a tree lifts up the concrete of a sidewalk? That's you. Pavement be damned, you are going to keep growing and growing. You understand setbacks are part of progress. You don't let the hiccups hangups and obstacles sway you from steady movement forward.

I think they think that you are very loyal to those you care about, perhaps to your own detriment at times. I think this person sees you as someone who feels easily caged and needs a lot of space to try new things and be your own person. They see these two sides of you being at odds with each other at times, whether that is true or not.

This person sees you as being perhaps at times unwilling to open up emotionally. I think they respect you for your stoic disposition, but they think that sometimes you take this position/approach when it isn't necessary and that you actually hold yourself back a little bit in this way. Like you are a little blocked in your self-expression. Again, this is how they see you. It doesn't mean that this is actually who you are.

Pile 2: The Moon

This person thinks that you are in an incredible amount of pain underneath a calm surface. The card you picked, I just really tried to sense what it would be like to be there. Sitting next to a lake on a cloudy night. You have that smell of the freshwater and grass, and the sound of maybe a frog or two. Some light wind ruffling the surface of the lake... sitting in that setting depicted on the card it has the vibe of "something happened here and there's this weight hanging over the whole place." Like the trees are clinging to the ground so tightly because they are afraid of a strong wind knocking them down, and maybe there's a dock with a small boat that has rusted over from getting no use anymore and with no one around to take care of it or store it properly.

That's how they see you, as someone who has been through something, or maybe a series of things, that have deeply impacted you. And it's like you're still processing and aren't quite sure what the you that comes out the other side of all this processing is going to look like yet. This goes beyond sadness, this person sees you as grieving. Who or what I don't know, but they see you as dealing with some kind of loss. I think it could have to do with your family. Maybe you have been dealing with family troubles or grieving the loss of a family member or a family friend. Or, if it's not a literal death that you are processing, it could be that you are beginning to understand your family in a different way, a deeper way. Maybe your perspective on your family is expanding, you are understanding the pain and wounding that they have been through, and you're angry. You could be reconciling feelings of bitterness or anger towards your family with feelings of sympathy for the difficulties they have faced in their own lives.

I think this person sees that you are holding on to this pain and struggling to let it go. Maybe they sense a despondency in you, a subtle hopelessness. Not detachment so much as fear of encountering the same lessons with different people, of being hurt in the same ways again. They can feel a deep anger in you, seeing you as someone who is looking for their place in the world, wanting more than anything to feel like you belong.

This is really sad pile 2. You are so strong and this person wants to help you but they know that you have to want to get better, and they think that you don't even see the sadness, anger, and longing in yourself. They won't offer unsolicited advice, so for the time being I think they are taking the role of being a supportive friend and willing to give advice should you go to them for it.

There is some judgment coming from them. Like "why can't they just get over it" or "they are so stuck and don't even realize." It's weird, they want to help you, but they do kind of want you to lean on them as some sort of savior/hero/rescuer figure. I think they believe that you really want someone like this to come along and sort of take care of you. I'll say it again, this is how this person sees you not necessarily who you actually are, so don't get too fixated on their perspective - especially if it is not accurate. You know yourself best.

I think this person is equally invested in making you feel better as they are making themselves feel better. Maybe they think that your well-being is what they're concerned about, or this is what they're telling themselves, but really they are dealing with their own insecurities and need to feel like the hero to be worthy of love. Maybe this person is an overachiever, or highly successful for their age. They could come from a family where this was expected of them - to win.

So yeah they see you as a little bit of a damsel in distress pile 2. I don't think you need anyone to save you or are trying to signal this to people, but I do think that this person thinking that you deep down want someone to come along and sweep you off your feet has some truth to it. And I feel like I should tell you that wanting to be saved and taken care of is totally normal and human. We live in a world where it's difficult just to be a person. Dealing with deeply rooted pain while navigating the mayhem of daily living is incredibly difficult. You are doing a good job, pile 2. Maybe no one has said that to you in awhile. Keep up the good work. And, while there's nothing wrong with wishing for a knight in shining armor, remember who it is that has been saving your ass this whole time in their absence. ;)

Pile 3: The Broom and Whip

Hey pile 3! Lets get into it

This feels like someone that you had or have a romantic connection with but there was a falling out. They see you as someone who is defensive and in a lot of pain. They know that you are not the type of person to lash out and take your hurt out on other people, but they almost wish that the two of you could have it out - I just don't think that you are expressing your anger to this person. I think they could be concerned that this is eroding you mentally and emotionally, that you aren't expressing to them how you really feel.

I think you guys aren't talking right now and they are feeling this separation big time. They really want to work this out and come back together. You literally got the Lovers and the Two of Cups side by side - whoever you are asking about sees you as a soulmate, as their endgame. They are worried that this won't work out and they are trying to plan how to fix things with you, possibly asking about you to their friends or asking their own friends for advice on the situation.

This person sees how naturally cooperative you are with the people around you, how you are so willing to work with others and put your own interests aside if it benefits the majority - it's like this is just how you operate, you don't even have to think about it. They could see you as working on some kind of skill and gaining notoriety for it, gathering some attention for your diligence, attention to detail, and team-oriented attitude.

Yeah dude this person just thinks that you're it for them. The Lovers and the Two of Cups??? Come on. I think that even though this person is upset they see whatever upset is currently going on is temporary. It's like they aren't even entertaining the option or possibility that things are over over between the two of you. It will not compute in their brain.

I think this person thinks that you're pushing them away. They think that you are retreating into yourself where it's safe and keeping them at arms-reach. I think the way you are interacting with them now compared to the way you used to interact with them is very different - I think right now you are giving them friendly, polite energy but it's just a way to maneuver around them so you can keep them away. You are relying heavily on your manners to protect yourself in this situation and they can tell. They hate that you used to have so much vivaciousness when you used to talk to them and now they don't get that side of you anymore.

I do think that there is part of this person that enjoys the suspense and tortured waiting of what's going on. I think that they want to comfort and soothe you, to coax you into their arms and hold you while you hang onto them. I think this is part of a sexual fantasy of theirs as well, where they are the one to console you and then fuck the sadness out of you. They could be into BDSM type stuff, or if it's not that heavy/intense, they just want to test your limits a little bit. They like the idea of being the one to inflict some pain on you and then show you that they can make it better, that they can make you feel even better than you did before the pain even occurred.

It's hard to explain but it's not really an exotic fantasy or unusual I don't think, I'm just having a hard time putting it into words. They want to like........ stretch you? LMAO Like yeah just see... what you can take. And when they're done having their way with you, being the one who you collapse into. They want to be the person with the power to harm and to heal you. Not sure if that's your vibe but that is what I'm getting from this person. Very intense and steamy, if this is your situation then please write smut about it or something so the rest of us can live vicariously through you lol.

Take care pile 3 :)

[jinkiezzsstuff]

Alastor watching the princess and the frog by Disney ? It’s in lousiana in the 1920s so it would be perfect for him

absolutelyyyyyyy the princess and the frog is one of my fav disney movies from characters to soundtrack, so this one’s a bit longer. also kind of a part two but also not exactly

history ramble below

also i did some light research on new orleans history because if im gonna write alastor i should know. doggy i love me some history and this history is rich, depressing at times but also rich and meanful to know so i thought id share a little. from talking about the free the peoples movement, to the way women got their rights to their hair back that they didn’t have when enslaved only to have a law banning natural hair and hair wraps and so they decorated the wraps and used coloured fabrics effectively rendering the law useless, to the wealthiest black man of the 1870s for being a prospering business owner, the origins of how voodoo and other spiritual practices mingled perfectly with the pre established voodoo and how voodoo was predominantly black women who were highly respected, the first black man to be govoner in the united states in only 1871, a black woman named Rose Nicaud who opened the first coffee stand in 1800 and made enough to escape being ensalved. then there’s lighter topics like some of the jazz history and how it made various black stars like louie armstrong, and also how the language mingled to make the cajun french that’s sadly dying out, to the architecture that flourished through the varying clashes in culture between african, european, native and haitian peoples. if it’s not too upsetting to read i definitely suggest this page to have an insight on some of the quick history on new orleans, i enjoyed learning about the strength that many had during this time.

United teachers of new orleans < page i was reading

Warnings: jealous Al teehee, reader crushes on naveen and dr facilier (don’t mind me just projecting), cuddling, swearing, alastor doesn’t really know emotions good, fluffy banter, just some ushy gushy mushy tushy

Word count: 2k

The movie Bambi didn't even finish playing before the patrons started to filter out of the room heading to bed. First to go was Vaggie carrying a sleeping Charlie, Sir pentious promptly following along telling his fussy egg boys it was long past their bed time. Then it was Niftys turn to disappear, however she never said a goodnight only sped off leaving behind her vacant swishing rocking chair.

Then once Angel and Husk left, you had decided to just call it quits on Bambi, Alastor hadn't moved much or objected to you turning off the movie, only watching the projector as you scrolled through the app.

You stopped on the princess and the frog, grinning toward Alastor he sighed, getting a glimpse of your mischief from the corner of his eye. "Now what's this about darling?" Turning your body towards his fully facing him, you waited for his gaze to finally meet yours, and reluctantly it did. "Allow me to introduce you to one of, if not, thee best disney movies of all time; the princess and the frog," Alastor's finger rose as he took a breath to speak, but before he could say a word you interrupted him.

"Yes I know princess yuck, whatever Al. It takes place in New Orleans, its main focus is actually in the poorer area with the shotgun houses, and throughout the movie Tiana, the princess, travels through the bayou, oh! With Naveen one of the hottest princes, also it takes place in the twenties, oh!-" Before you could continue Alastor gently gripped your cheeks, your lips puckering involuntarily as he did so."What did you just?"

"Takes place in the nineteen twenties?" You asked, voice muffled from Alastors grip on your cheeks. "Before that dear." Your eyebrows raised looking at Alastor not trying to hide your confusion. "Naveen? One of the hottest princes?" Alastor hummed, booping your nose. "Yes dear, that."

"Yeah. duh dude he's one of the few princes that deserve the princess, he changes for Tiana, he's charismatic, funny, but nevermind that back to what i was saying. There's varying New Orleans culture littered through that might make you feel closer to home, all the music is jazz obviously." Opening your mouth readying to rant on about the Voodoo man that you adored, Alastor hushed you with his finger up to your lips.

"My sweet dear, I will watch this silly picture show so long as you stop rambling about it." Alastor wasn't truly done with hearing your rambling, he was enjoying hearing that you were such a fan of something that centred so close to home when it came to him however if he was going to watch it he rather not have it spoiled.

Giddily you clasped your hands together and hit play, your love for the film and excitement to see Alastors reaction may have made you slightly over enthusiastic just a bit. As the movie began you curled your feet up onto the couch, inching yourself closer to Alastor looking up to his face and back to the movie.

When Naveen got introduced on screen you accidentally gripped Alastors arm tightly shaking him. "My mannn~" You squealed happily, letting go of Alastor once you heard the unmistakable rattle come from him, a growl sounding out of his chest. You didn't pay much attention to him though, instead turning back to the projector and backing off Al. However Alastor wasn't too frustrated with the fact you touched him, but because you were being so ushy gushy over some fake man.

He was easily the same if not better than Naveen. Alastor was charismatic, charming, he could sing, play instruments, he didn't quite understand why you were so particularly interested in this Naveen. Hell, even Alastor had a similar outfit back when he was alive, he could've been Naveen when he was alive.

You didn’t notice Alastor having a mini tantrum in his own world, you were too engrossed in the movie. Suddenly you’ve gripped him again, pointing at the screen. "The shadow man, Al this is your kin!" You egged laughing maniacally at your own words.

Alastor’s face however brightened at the display of the voodoo man. "One of my fav songs." You whispered as Dr. Facilier began singing on screen. Cocking his head to the side Alastor looked down to you bouncing along to the song. "This fellow sounds similar to Husk." Alastor mentioned, watching intently at the shadows that crawled around Dr. Faciliers room, much like Alastors own shadows. "Yeah it really does sound like Husk. Strange, anyways, Dr. Voodoos hot too." Alastors static buzzed around the room and you had to hold back a giggle at the frustrated look on his face, despite the smile it was obvious he wasn't too happy.

"What's up Al, not liking the movie?" Static crackled around the two of you as you questioned him a little slyly as you could tell he wasn’t hating the movie. “No dear, it’s pleasant in comparison to some things i’ve grit myself through, however,” He paused watching you ogle at both the Dr and Naveen. “I can’t understand what’s so great about this Naveen you like. He’s a fool,” You scoffed at Alastors distaste for Naveen, you didn’t mean to make him feel frustrated at your adoration for the characters but it was endearing to see.

“What’s not to like about the man?” You state confidently but Alastor simply shrugged while humming indifferently. A beat of silence passed, the ending of the song playing out of the projector. “It’s just that,” Alastor started up again after a moment of silence, turning his body to face you hands folded in his lap politely. “You clearly have the odd reaction towards these gentlemen and I can't see why,” To give him credit he did look genuinely confused, and just as you were going to speak up he interrupted.

“And please do not say it’s because he is funny, charismatic, musically talented or sweet because I happen to hold all those same qualities!” He finished, hands thrown in the air like he said something especially spectacular. You had a soft smile present on your face watching him work through the sentence theatrically. “Well, Al you are, maybe i think the same about you?” Record scratch.

You cackled at his frozen state, patting his arm gently, cooing that you were only kidding, you turned back to the TV and the two of you decided to leave it at that.

Later on in the movie, when Tiana and Naveen are with the alligator going down the bayou singing about being human, you stared over at Alastor, your heart thumping at the sight of him. His arms were resting along the back of the couch, legs splayed out comfortably, posture sunken in, and his eyes lidded with a closed calm smile. His ear twitched and soon his eyes moved from the movie to you, quirking a questionable eyebrow at you.

Feeling slightly embarrassed for eyeing him up you tried to play it off by asking him a question. “Is there bayous in New Orleans, is that real?” You ask kinda dumbly, of course they were, you scolded yourself. Alastor didn’t seem to mind though he smiled widely, a chuckle reverberating out of him. “Why yes dear! Of course, I personally never lived close to the bayou, but it surrounds New Orleans, and I have been. It’s quite beautiful during a sunset but there’s tons of alligators.”

You leaned forward interested, but it seemed he’d stopped to refocus on the screen which you wouldn’t complain about. You not so discreetly leaned into his torso, arm still on the back of the sofa behind you, and thankfully he didn’t move when you leaned your body into him, instantly decompressing into his side.

They got to the scene where the gang is on the boat going through the bayou, the crocodile fitting in and playing jazz, when you turned to look up at Alastor seeing him already looking down at you. “What’s up?” You asked, watching as he scanned your face. “Well dear you’re just reminding me of home tonight, it would’ve been interesting to be able to show you where I lived, where I worked. Y’know when i did radio, most people didn’t know what I looked like so it came as quite a shock to some that I wasn’t what they imagined. Some were cruel, but my mother always taught me to be respectable if not respectful, so I managed to keep my grace.”

You giggle at his explanation watching him move his hand in all different directions, the radio host coming into play just at the mention of his job. “I’m flattered you would’ve wanted to show me your home n stuff, i wish it were possible.”

On the projector in front of you two, was the scene between Naveen and Tiana’s first date, where Naveen was going to propose. “They always get married so fast in these movies, you spend three days as a frog and suddenly it’s eternity!” You exclaimed humorously, Alastor scoffed an array of instrumental sounds electronically sounding out from him. “My dear it was common back in the day to get married quick, none of this lollygagging.”

You rolled your eyes blowing out air. “Would you get married to someone you knew for three days?” Alastor hummed, tapping his finger against his chin in exaggerated thought. “If it were you, perhaps, otherwise i’d attempt to lengthen it just a bit.” He reviled in the sight of you bashfully turning your head away, shy at his broad flirt. “You’d marry me, after only three days?” You questioned in disbelief, he hummed wrapping the arm he once had behind you, around you pulling you into him.

“Well I found you to be quite a treat the first day i met you, and decided i wanted to be around you for many days on. Is that not marriage worthy?” This confession shocked you slightly. You never expected him to say that he preemptively planned your blooming friendship nevermind that he equated that to being worth marriage. The movie played on in the background as you both watched each other’s faces.

“To me, dear,” Alastor started a smug smile stretching across his cheeks replacing the calm smile that stayed for so long. “It seems like you may unconsciously feel something towards me too.” Jaw dropping you stared at him confused. “What?” You scoff but Alastor only looked smugger.

“Come now, New Orleans centred movie? Jazz, cooking, even that dumbo man Naveen speaks french loves jazz music and dancing, oh and of course the ever so obvious voodoo, it’s almost like this movie is me, haha.” He laughed manically, eyes crossing as his body shook. It was quite the egotistical assumption on his part, but he wasn’t wrong.

You put it on for him but it seems for you too, you paid more attention to him half the movie, and you’ve been more interested in knowing real life facts about his home during his time then what story the movie was trying to tell. Maybe he was right, but even so what did him pointing it out accomplish? “Well that’s why i wanted to show you it, it’s got many aspects you’re involved with in it.”

You mentally gave yourself a pat on the back for such a good save, however Alastor was keen and knew you long enough to catch your lies. “Sure dear, sure.” Al gave you a condescending pat on the head and you speedily swatted at him. The movie played on you once more captivated by Alastor’s reactions more than the movie itself, you’ve already watched it enough to know.

Tucked under Alastor’s arm, warm and comfy, you barely caught the sound of Alastor huffing out chuckles, gazing up towards the projection you playfully hit him. “Don’t laugh at his death!” That only made Alastor properly laugh, dropping his head back, neck cracking grossly. “My dear it was a lightning bug in love with a star! He got stepped on that was hilarious!”

Sounds of prerecorded laughter sounded out with his natural laugh, you didn’t actually care that he found it funny, only pretended too as you gave him a disapproving glare. As the movie closed in you felt a weird gloom wash over you, it was nice being alone with him by his side while you two relaxed. You didn’t want it ending, but alas Tiana and Naveen kissed turning them human, with the reveal that with marrying Naveen, she became a princess effectively breaking the curse, and the movie started with the end song.

“Well dear I did enjoy that, the voodoo was pretty boringly unrealistic, but it’s for children. I did enjoy the mentioning of foods, very common dishes even I enjoy, like gumbo. But alas it was still a pathetic little movie about mortal love.” Standing to his feet when he finished speaking, Alastor dusted himself off and snapped his fingers making all around you revert to what it was before movie night.

“Do you not want to be in love?” You ask softly partly hoping he didn’t hear you as by the time you stood from your spot, you regret saying it. “Well I certainly haven’t looked. Why disappointed?” Alastor bent himself backwards to look at you since you stood behind him readying to exit. Looking down into his eyes you felt hazy, maybe a little drunk on desire as you gently caressed his cheek. “Maybe I am,”

“Darling.” Alastor said sternly as he cracked himself upward, he bent down facing you this time and before he could talk you once again interrupted. “Can’t blame me can you?” Alastor seemed momentarily taken aback, gazing around lazily trying to collect his thoughts. “My dear, I'm uncertain with emotions like this as well as expressing them, love is foolish, however… if you were to tell me ‘i love you’ i would say it back.”

It confused you, what Alastor said, you couldn’t tell if he was mocking you and telling you he was going to lie about his emotions to spare you, or if he was egging you on attempting to get you to tell him your true feelings. Regardless you swallowed down any worries for the future instead focusing only on the now, and looked deeply into the soft red glow of his eyes.

“I love you Al,” With a cheeky smile you watched him stutter, the visible shock was clear, and you wondered if he actually expected you to say that. Just as you began to worry you fucked up, he bent down to your height. “I love you too my dear,” And with that he gave you the chastised kiss on the lips, before standing to his full height materialising his microphone. “Got to go dear! Duty calls!” And with that he seemingly disappeared into the shadows, leaving you to waddle tiredly to your room. Little did you know that Alastor whisked himself away to have a minor panic attack in the safety of his radio tower, not believing himself and his broad actions, nor could he believe the pounding in his chest and flutter in his heart.

[raven-at-the-writing-desk]

Yandere Silver Headcanons

adhlbfypfqeyvf If you want to know why this is coming out of nowhere... I've been cooking (talking) with friends about this concept for over a month and now I'm going to dump it all onto you 🤡 This interpretation of Yan!Silver is in part based on Elbert Greetia from Ikevil 💀 so uh… be warned…

Regular Silver, staring at this monstrosity: 😨 TRIGGER WARNINGS: (slow burn) yandere themes, (unintended) emotional manipulation, gaslighting, spying/stalking, unhealthy possessiveness and obsession, mentions of blood, (Silver’s) delusions, minor character death

***PLEASE NOTE: writing yandere content is NOT the same as supporting or approving of these behaviors irl. This is also NOT what I believe Silver is canonically like; this is only meant to be a creative reimagining/"what if" scenario.***

Curiouser and Curiouser...

It all starts off like a fairy tale come true. But like Hansel and Gretel stumbling upon the witch’s candy house or a frog set into a simmering pot, the heat—the horror—isn’t fully cranked up in the very beginning. A dream doesn’t start like a nightmare, the nightmare comes later. And you, like the fool you are, were lured in by the promise of sweets and a prince.

The boy you've been crushing on for the last several weeks shyly approaches you and confesses. Handsome, earnest Silver takes your hands in his and gives you that lopsided smile you've been admiring from a distance. He swears himself to you as your loyal partner, vowing to protect you from the things that slither in the dark and prey on the unsuspecting. To keep you from hurt and sadness forever and ever.

You're giddy—positively over the moon and the stars—to finally (and proudly!) call yourself his. Every time you look at him, you swear it feels like a thousand butterflies are fluttering in your chest, or like you’re losing yourself in the aurora of his eyes.

You tell him his eyes are mystifying and unique, that they’re something you could stare at forever. He doesn’t seem to get it at first, but is pleased nevertheless and thanks you for the compliment.

It’s not until a few weeks later that the ramifications come. One day, out of the blue, Silver gifts you with a piece of jewelry (a ring, a necklace, an earring, etc; whatever your preference is!). Embedded in it is a clear gemstone that refracts the light in pastel pink, baby blue, and pale purple… exactly like his eyes.

He helps you secure it on for the first time and oh, how gentle his touch is as his fingers brush against your skin. Silver gives that small smile that melts your heart. “There. This way, you’ll always have ‘me’ watching over you,” he says, lightly tapping the aurora-colored jewel, “even if I am not right at your side.”

Sometimes you feel Silver’s own gaze lingering on you too. You know him to be an airhead or half asleep most of the time, so the thought never occurs to you that this spacey behavior is odd. But once or twice, when you’re stealing glances back at him, you notice a seriousness set in his eyes, a darkness creeping into the light. The same deadset look that scares off children and makes others mistake him for someone far more aggressive than he actually is, you think.

He lingers close when you walk to and class together, his protective instincts sending him into action to catch you if you so much as stumble, and remove errant leaves and petals that tumble onto your hair. “I have you,” he reassures you, oblivious to the electricity in his touch and how it makes you leap. “Don’t worry.”

Silver acts as though you’re as delicate as glass and as pure as freshly fallen snow. It’s not uncommon for him to praise your positive traits (while totally overlooking your flaws) or talk about how good of a person you are—and that also drives him to keep you that way. Untouched, untroubled. He’s so quick to steer you away from stressful situations or charging in to settle an issue himself, typically by talking down the aggressors. That’s thoughtful of him… right?

He has the habit of falling asleep on you when he gets to be comfortable. You usually don’t mind it, but sometimes he gets a little too clingy in his sleep. It’s hard to pry him off when he looks so peaceful and mutters your name under his breath while he has your body in a death grip.

Silver takes you on quiet nature strolls. You often drift off the beaten path and wander deep into the woods behind NRC, far, far away from the other students and staff. The sun sinks and sinister sounds come from the dark—you get nervous and leap into his arms, asking Silver if you should turn back now. He agrees every time, walking you back and wishing you sweet dreams. By the time you collapse into your bed from exhaustion, you don’t realize he has stolen you away for the entire day for himself.

It’s strange. You start to get the sense that you’re seeing Silver in your dreams just as much as you see him in the waking world. Rarely do you fully recall the details of your dreams, but there’s always that vague feeling of catching a flash of silver hair or feeling the heat of his eyes uncomfortably pressing into you when you wake up.

You tell him about this and joke that maybe he’s using his UM to haunt your dreams. “It’s impossible. You’re not Rook-senpai,” you laugh. He chuckles at the idea. But oh, how weird. Somehow the conversation tends to steer toward whatever you happened to recall of last night’s dreams. If Rook appeared in your dream, Silver coincidentally slips him into the discussion. Lightly probing questions like, “What is your opinion of Rook-senpai?” and, “Are you comfortable around him?”

Silver tells you about the stories his father has shared with him from his travels. Many are folklore from different regions in Twisted Wonderland, but more recently he has been fixated on fairy tales from the Shaftlands. “A couple finds true love and live happily ever after, nothing able to tear them apart…” he says dreamily. “It sounds just like us.”

Silver appears stoic on the outside, but you know that’s not the case. A few months into the relationship, you become acutely aware of his insecurities and his low self-worth. Not strong enough, not long-lived enough, not alert enough, not… enough. He will never be able to repay his debt to his father, Silver has confided in you many times.

“It’s okay. You’re here now, and you’re doing your best to keep the people you love safe.” You do your best to soothe him in those moments of weakness, for which he is thankful for. With shining eyes, auroras in the dark, he whispers, “You’re so kind to me.” Raptly, as if beholding a higher being. “What did I do to deserve someone like you…?” And there it is again, that seriousness, the light fleeing from him, as he vows to repay your kindness.

You’re acquainted with Silver’s animal companions and get along with them. Now you’re noticing them everywhere, not just around Silver. In fact, you see them without Silver. Birds in the trees, a rabbit hopping alongside you, the stag poking its head out from the bushes.

Then those animals reappear when you meet up with Silver later, looking all innocent, while Silver asks you about your day. If there’s a slight discrepancy (due to poor memory) or a detail you overlooked, he’ll gently correct you or clarify. “Blueberry muffin? As I recall, you had a cranberry muffin for a midmorning snack.”/“Ah, you forgot to mention you asked Ace if you could borrow a pencil for the exam.” You blink, surprised. How did he come upon all that information? How can he recite your day better than you can? It doesn’t hit you until much later that his animal friends have been serving as his eyes and ears.

He sincerely apologizes to you when you confront him about it. “Please tell them I don’t appreciate them snooping!” you cry out. Silver promises he’ll ask them to curb their curiosity—and while it’s true that you no longer see the animals following you, you can still feel their beady gazes around every bend and corner. Paranoia claws at your scalp, and you try to calm your doubts with one thought: No way would Silver be encouraging this. I must be imagining things.

You try to get your mind off of your worries by hanging out with your classmates. Sebek, ever boisterous and over-the-top, uplifts your mood. Pretty soon, you’re chatting away with him at the lunch table (even if he loudly refers to you as a HUMAN), paying no mind to the shadow that has fallen over it until a deadly quiet voice speaks up.

“Sebek.” It is so cold, so hollow, it startles both you and Sebek when you realize the speaker is Silver. “I don’t like it when you talk with them like that.” Sebek makes to say sorry to his fellow knight—or is it to challenge him? You never find out, for Silver has grabbed you by the wrist and is yanking you away from him.

He doesn’t let go until you’re in a secluded area of the courtyard. There’s a red mark left behind, and it causes tears to well up in him. Silver collapse like a house of cards. He’s extremely apologetic—he has hurt you, hasn’t he? He failed to protect you. How terrible. He shouldn’t have done that, shouldn’t have been so petty and jealous.

It breaks your heart to see Silver a mess, blaming himself so profusely for what happened. You do whatever you can to calm him, and eventually the conversation somehow turns to you accepting some fault. It’s not, though, the little nagging voice in your head protests. You silence it, prioritizing the emotionally vulnerable Silver. “I’m sorry, I should have considered your feelings and avoided giving Sebek the wrong message. I’ll avoid getting all buddy-buddy with him in the future, okay?”

And it happens again, again, again. One by one, your friends are cut off from you in a similar manner. It’s always something they do or say that concerns your boyfriend, something that impedes or disrupts that pristine, picturesque fairy tale he has laid out in his head.

Silver’s presence in your life becomes increasingly invasive, like unwanted briars creeping into a garden, thorns cutting off your access to air. He’s soon consuming every second of your day, whether physically beside you or planted in your worried thoughts like a demon disguised as a guardian angel. You can’t do anything anymore without feeling anxious and watched.

He starts to talk about… strange things. Tall towers, glass coffins, the bars of a bird cage. All manner of motifs pulled from fairy tales, items and places meant to keep a character shackled and stowed away from the world. “I feel bad for the person locked up in them,” you’d tell him. “Sometimes,” Silver murmurs mysteriously, “people will take drastic measures to protect the ones they love.” You cannot explain why, but those exchanges leave you feeling immensely uneasy.

You timidly share your experiences with people you think are safe. Silver’s dorm members, his friends, his family. The people who know him best, who can maybe talk some sense into him. To your dismay, your concerns fall upon deaf ears. You earn many blank looks and dismissive comments, all citing Silver’s good nature. (“He loves you very much. This is his way of demonstrating that, he’s just sort of clumsy with it. Give him another chance.”/“That doesn’t sound like him. Are you sure you’re remembering it correctly?”/“You’re overreacting.”)

It beats down your spirit, starts to make you question your own judgment. You second-guess your words and actions. Is your perception of reality right when everyone else is telling you that you’re wrong, that Silver could never harm a fly.

Then comes the guilt like a wave crashing into you as you think about all the good times you’ve had together. Rose-colored days under a balmy blue sky. Your thoughts are like a brewing storm, and every evening when you tuck into bed, dread, unease, and uncertainty follow you.

You’re waking from the lovely dream that was a whirlwind romance, seeing Silver for the imperfect and obsessive person that he is. Unfortunately, you don’t have the heart to bring up the tough subject with him. He looks so darn happy with you, continues to dote on you and act the part of a valiant knight. Your mouth will open, then close again before any words can come out. It hurts, it hurts, and it is eating you up from the inside out.

You bottle it up for Seven knows how long, but it comes torrenting out one night. Silver is walking you home as per usual when you blurt out the suggestion of taking a break from each other. He stills, hurt crumpling his face. And then he has you by the shoulders, softly demanding to know what is wrong, has someone made you feel unwell? You, it’s you, you’re suffocating me, you want to say, but you cannot.

Silver presses and you resist, the two of you taking up the middle of main street with your desperate quarrel. He’s becoming increasingly frantic and desperate, his eyes dark and obsessive. It’s then that a passing mob student angrily speaks up, giving you a rough shove. You meet the hard ground, pain shooting through you. “Move already!” he gruffly stomps by—but he’s caught by Silver, his expression like clouds that have drowned out the moon. “You put your hands on them just now,” he says evenly. “Please apologize.”

“Like hell I will! They shouldn’t have been in my way,” the mob student grumbles. He attempts to leave but to no avail. There’s Silver walling off his escape route, an icy fury overtaking him.

You can’t bring yourself to watch what happens next. Wrenching your face away, you do your best to block out the horrible noises that come. The crunching of bones, the dull thud of flesh against something solid, agonized screaming. And then it’s silent.

You slowly gather the courage to dare a look at the scene. The world tilts, and bile rises in your throat. Silver calmly stands over a fallen figure. The street—and him—are painted in red. The mob student isn’t moving. Not anymore.

He smiles. The small, awkward one that once made your head buzz and cheeks flame. It only yields a gaping hole in your heart now. Silver strolls toward you, caked in blood but acting as though he isn’t.

You’re too paralyzed with fear to attempt backing away or rejecting his advances when Silver tenderly embraces you. You tremble violently, hiccups and tears spilling out.

A hand strokes your hair, his voice a lullaby to soothe you. “Shhh, shhh, shhh, it’s okay. You’re safe. I took care of the big, scary monster. You don’t need to look at it—it’s not fit for your eyes.”

Silver holds you and allows you to sob until you’ve tired yourself out and into a dream. He will carry you home, setting you down on your mattress like laying a corpse in its glass coffin and taking in the sight of you from the foot of the bed.

Not realizing that he, the knight, is the monster that keeps his beloved in a gilded cage. His arms and body, the bars that lock you in. Irony is a cruel mistress, and twisted is the love that it propagates.