#the WORST part is that if fandom didn't have such awful takes on this arc

[meanderfall]

on my hands and knees, BEGGING the fandom to stop saying Qui-Gon abandoned Obi-Wan on Melida/Daan.

Look, if you haven't read the book, THIS is how the confrontation actually plays out:

I feel like even without the added context of the entire book, it's pretty clear that Qui-Gon is giving him a CHOICE, one that Obi-Wan seems pretty well-informed about what it means and the consequences for him.

But like, fine. Without context, it might seem that Qui-Gon isn't being fair because all Obi-Wan wants to do is help these people. I have two arguments against though, 1) other options as to how to help these people are brought up during the narrative, ones more in-line with how the Jedi operate, and 2) Obi-Wan's predominant reason for wanting to stay is not because he wants to help.

This is one of the very first options we encounter as to how this issue could be resolved, or at least helped:

This is shortly after they first meet the Young and comes from Cerasi herself, one of the leaders of the group. Asking for more Jedi support or at least broadcasting the situation so that maybe other organizations within the galaxy can help. Which is well-within their means as Jedi to at least try and get more support, and doesn't go against their roles as diplomats and peace keepers. (Obi-Wan, of course, doesn't even bother trying this route, nor does he bring up this possibility with Qui-Gon so we could at least see it being debated and how viable it would be.)

And of course there IS a more hands-on approach that they could take:

Qui-Gon himself tries to come up with a more diplomatic and objective way to broker peace. And the mission was already completed by the way. They were only supposed to rescue Tahl and MAYBE broker peace, but rescuing the other Jedi was the priority. Yoda even tells him before this moment to leave the planet with Obi-Wan as soon as possible because the situation is just too volatile, and he almost lost one Jedi in an effort to help. Qui-Gon is only doing this because he knows how important this has become for Obi-Wan. (And if anyone tries to tell me Qui-Gon doesn't love Obi-Wan, imma start swinging)

It doesn't work, of course. Everyone living on this planet has been steeped in so much anger, hatred, and revenge, that no side, not even the Young are actually willing to talk and really reach for peace. For all that Cerasi and Nield say they want Jedi support, they don't. Not really. Qui-Gon gets stonewalled by them. Both of them mock Obi-Wan whenever he listens to Qui-Gon. What they actually want is for the Jedi to join their army and help them make the Elders listen to them. This is why Yoda wants them to get the hell outta dodge and Qui-Gon feels uneasy and like they can't actually help here. No one actually wants to listen to reason, and the Jedi are not supposed to be soldiers fighting in wars. It gets incredibly obvious in the next book, especially on Nield's end that he wants revenge (a young little warmonger, his parents would be so proud), but honestly? I think we can see it even in this book.

Hey, did you guys know there's a bunch of kids living away from this war. Like, thousands of them, actually. They literally do not have to fight. Nield could take his group of kids (taking the factory working and conscripted kids with him) and fuck off and let the Elders kill each other, and only this generation would be left. They could ask for resources and protection for their new settlement from the Jedi or galaxy instead of manpower to back up their cause and help fight in a war. If Nield ACTUALLY cared about stopping the war and wasn't out for revenge, this would probably be the best choice.

But this possibility never gets brought up, ever, because Nield hates the Elders and wants "justice", Obi-Wan is too inexperienced to realize this is an option, and no one tells Qui-Gon until it's already too late and the Young have declared war on the Elders if they don’t agree to a cease-fire.

All of these options are a more Jedi way of handling the situation in my opinion. Unbiased and working towards actual peace and the end of violence instead of perpetuating it.

And as much as I love Obi-Wan and I know his heart is in the right place, Obi-Wan doesn't care about that, about doing things the Jedi way. Obi-Wan is very clearly taking a specific side in this conflict. I'm not going to put up all the screenshots I took because there are already a lot in this post (and there are. so many more i could put up), but I have quite a few where it's explicit that Obi-Wan is not taking the side of the Young because it's the objectively correct thing to do, but because he likes them. He feels a sense of community with them. He wants to help them, not as a Jedi but as a friend. He is getting involved. Attached.

And, look, I'm not here to argue the morality of that choice. Choosing a different way of life isn't a failure or flaw. Helping your friends in whatever way you can is good. Wanting to stop war and reach for peace is right. There's probably a bunch of people who think Obi-Wan is making the right choice here, and while I might disagree, I can certainly see where they're coming from. I just feel like there's a huge misconception of what actually happened on this planet and what Qui-Gon’s ultimatum is actually about.

Obi-Wan has snuck out time and again to help the Young.

Obi-Wan has used their starfighter, their ONLY transport off the planet, to help the Young on a mission that could very well have shot down the ship. They could have ended up stranded on this planet and might have lead to Tahl's, the rescued Jedi's, death.

Obi-Wan has not been acting like a Jedi. Qui-Gon knows this. Obi-Wan knows this. And in that moment, Qui-Gon is telling him "helping and supporting the Young in such a personal and attached manner is not the way of the Jedi. Do you want to continue on this path?"

And Obi-Wan makes his choice.

(And if anyone tries to argue that Qui-Gon should have brought Obi-Wan with him anyway instead of letting him stay on a war-torn planet, I'm going to start screaming. Yeah, no shit. In the real world, that's probably how he should have reacted.

But this isn't the real world. It's a kid's book. Where kids are the main characters and they go into dangerous situations. So the children reading can see themselves in them and learn how to be brave. How to navigate difficult situations. To learn it's okay to choose a path and maybe realize at some point it isn't what you wanted at all.)

[yall-hate-kids-tourney]

Loser Round 6: Damian Wayne (DC) vs. Mabel Pines (Gravity Falls)

Propaganda below the cut

Damian Wayne (9-14):

Damian is a kid who was raised as an assassin and because of that when he first appears he has some really messed up ideas of how to prove himself to his father by being aggressive with the criminals they capture and attacking his brother. Because of this people act like he is the most evil character ever and refuse to give him any grace. They make him out to be this awful irredeemable monster who just wants to kill his brother and hurt people. If the fandom isn’t making his out to be The Worst(tm) then they are ignoring his existence all-together. He is a really interesting character who has done some not so great things but he’s grown and learned a lot through various character arcs (as much of an arc as a comic book character can have) and he deserves to be acknowledged for himself and not just as a villain so that people can woobify his brother.

——

HES JUST A LITTLE BABY GUY!!!!! Little baby man raised as an assassin and learning how to be a real person <3. But because he was kind of a dick and also a little stabby early-on, especially to the fandom's main "so sad uwu depressed baby" blorbo (and also he's not white), people treat him like he's satan incarnate

Mabel Pines (12):

I literally saw a tiktok today about how Mabel is a bad person. She’s 12! Like yes, she has made some mistakes and bad choices, but so has everyone else. And I never see any of the other characters in the show criticized the way she is. Everyone in the show has made mistakes (Grunkle Stan commits crimes practically every episode ffs) but because Mabel is a 12 year old girl and acts like it, she gets the most hate. Mabel deserves to be loved 🩷

----

girl gets so much flack for being... immature and kind of selfish at age 12? like she had whole video essays made on why she is a horrible person who deserves punishment. god forbid girls be silly

----

!!! Spoilers for Gravity Falls last 5 episodes !!!

This has gone down a lot but when the Weirdmaggedon arc was happening, the finale of the series, a big part of the fandom started hating Mabel because she accidentally caused the Weirdmaggedon (basically an apocalypse + bizarre shit like the water tower becoming an eight-legged monster with a giant mouth).

For context, in the episode that starts this arc, "Dipper and Mabel vs The Future", Mabel is really excited to the end of their summer vacation at Grunkle Stan's house, since it will be her and Dipper's 13th birthday and they will enter high school (her idea of high school of course coming from teen movies). But then this whole idea starts to shatter when Wendy tells her that high school isn't like a Disney musical, but it's okay, she will get through this since she will be with Dipper, her twin brother...

Except, that Dipper receives an invitation by Grunkle Stan's scientist brother Ford to become his apprentice after summer ends, staying in Gravity Falls, without Mabel. When she discovers it, she gets really mad at him and in a fit of rage, she accidentally picks Dipper's bag instead of hers and runs off to the woods.

When she gets there, Blendin, a time-travelling friend of theirs finds her and tells her that he has a way of making her brother stay with her, and make the summer take a little more to end, and that he just needed a little thing that Dipper has in his bag. That thing is a dimensional rift that Dipper and Ford contained to not cause the Weirdmaggedon, but Mabel didn't knew about that and gives it to Blendin. Blendin then breaks it and it's revealed that Bill Cipher was controlling Blendin to get the rift and release the Weirdmaggedon. He then traps Mabel in a bubble, starting the final arc of the series.

So, a few episodes later, that bubble she's in is revealed to be a world of fantasy that she controls, and that she didn't want to leave that world, as she was scared of growing up etc.

Context given, A LOT OF PEOPLE HATED HER FOR THIS. Suddenly people started seeing Mabel as just a selfish girl who wanted things only her way, when she was only a 12-year-old scared of growing up without her twin brother (they do end up going back together at the end but still).

The worst part is that apparently the people behind it took note of this, and on the comics that where released after the finale, she is a selfish spoiled brat. I haven't read the comics though so I'm going off what some people said about it.

[iamhereinthebg]

thoughts on the new chapter?

*salt about tbhk incoming* :')))

I already announced it on instagram but my interest in tbhk have dropped drastically since some time and I was gonna give the manga the benefit of the doubt because chap 104 was okay Ig?

Chapter 105 just showed everything I have been not liking about the writing in tbhk in one chapter youhou

let's go on the positive first!

I adore class 1-A I would die for them

The pages in black and white were cool, the art is perfect as always. Maybe seeing an Akane and Hanako team up would be fire af but with Teru here I doubt it so this is a tiny hope I will put in hell with everything else for now.

I love you Kou and Mistuba

Yokoo is rocking this outfit too. I like the fact that the clock being destroyed just stops everything and everyone's time (like a certain character but who has a limit *COUGHS* probably for this reason Ig)

them

Idk if I am strong enough to go on a full explanation on why my interest dropped since some chapters, this didn't start on this one, this one was just the last straw. I will just show the most obvious choices that I don't like ( my opinion btw this is just the feeling I have while reading, take this with a BIG grain of salt)

I've been reading tbhk for 4 years and I am tired of waiting for stuff the author litteraly won't do anything about and just stay in their comfort zone

No repercussions on the mcs for some choices they made, no repercussions on wounds/stuff that happened which should have need time to heal for the characters or for them to grow, giving us always the same team up so no room for real character/relationship development beside the obvious (and with how slow Hanako and Nene have been going honestly making the same characters always interact doesn't help at all apparently L O L), BIG difference of pacing for characters growth, making the story take always the same route with the same characters being kidnapped and the same ones doing the savings, putting characters in an arc they have no reason to be part of so just making them stand in the background like a caricature of themselves, making characters 'mysterious' or forgetting their character development just to use them as some sort of deus ex machina, and the worst of all:

Making Nene just a reason for Hanako to react and nothing else. No character development for her, no reason for her to be in some scenes, this is just sad to watch at this point. Aoi had this problem at the beginning of the manga for Akane mostly for comedic reason and they had growth, seeing they are putting Nene in this position after more than 100 chapters and her being the mc is just awful.

I honestly just want more diversity in the choices they are making in their writing, and the last chapter proves me that either it will come in a long time or it never will.

At least the art is pretty, and the worst part is that I KNOW AidaIro knows how use setup, they know how to write really good stuff and good characters, complex stories, and it's GOOD. So seeing this in the recent chapters just makes me even more tired x'))

Once again, my opinion, but the way Nene and Aoi are treated in the manga makes me wanna explode. AidaIro are capable of writing good female characters (thank you Mei and Sumire for being perfect from start to end), Aoi and Nene had wonderful time too, so idk why all of this is happening rn tbh. It's just sad.

Maybe the brainrot will come back, I still love the characters, but I really need to take a break from the fandom anyways (not gonna expand on this but oh boy how annoying a part of the fandom is, a lot of people are the sweetest but a part makes me wanna explode, I've been more than 3 years here and I think that the most I can take at this point)

ANYWAYS :DDD idk what I will do with this account for now ^^ I will probably still rb some stuff or post old tbhk doodles I never finished :00 Idk what I wanna draw now probably ocs stuff so I won't post them here I think ^^ I hope everyone is alright yay

[maxphilippa]

Nickel ii

My favorite thing about him: Genuinely he's one of the most well developed characters and the usage of subtext on him is beautiful. The way they tell you that he is a flawed person, but they never just let him not try to get better or not try to acknowledge what he did wrong. The way they show you how even IF he had his very well fair reasons, he knows he fucked up either way. But they don't purely villanize him like the fandom does. Because he's morally gray. And I like that a lot. His writing is consistent (for the very most part... we'll get into that) and his design is neat.

My least favorite thing about him: Genuinely some of the inconsistencies of him in season 2 and how they've could had have made him be more... openly caring towards Suitcase? So it could be a bit more shown that he does care about her a lot? But mostly just the inconsistencies about him saying "once you make an alliance something personal it stops being an alliance" and like.

Boy. What did you do. Also I KNOW this is because they didn't know what to do with Nickel on early s2 but. Just his characterization thing? Again. We know he cares about Suitcase and fucked things up. But I think that it would've been easier for the fandom to actually get them A BIT RIGHT or for it to not completely rely on subtext, if Nickel was shown to at least respect/care about Suitcase as an ally. However they trying to fix that and I get it. I don't mind the subtext the fandom is just insufferable.

My favorite line: "You don't owe me forgiveness / I just wanted to keep what we had. "

brOTP: knife, silver, microphone, bot, test tube, and etc.

OTP: world's worst polycule, clover, lightbulb, paintbrush, fan, and some others I can't really remember.

nOTP: ... blueberry, honestly. and also silver and knife.

random headcanon:

unpopular opinion: HE'S A CISGENDER MAN AND INSANELY BISEXUAL 💥💥💥 I think that Nickel's character is one of the ones that suffers from the worst characterization and treatment on the fandom, despite the fandom in theory liking complex characters, he sure becomes the most awful, ableist, misogynist character ever in the fandom and like. No! He's not! A complex character is that! Complex characters are meant to do shit but with reasons!

They're not justified but they EXPLAIN the character! Nickel was scared of getting manipulated, or his alliance getting manipulated by Balloon, so of course he would be an asshole towards the guy. You guys kinds forget that Balloon kind of sucked on s1. And of course this doesn't mean that Nickel's treatment towards Baseball and ESPECIALLY towards Suitcase isn't justified, but it doesn't mean he was a dick to them without reason. Yes, it was fucked up, but he wanted to protect them. And Nickel genuinely regrets how he was because he finally knows that HE was the problem. The whole point of his arc was him taking accountability for his actions. Sometimes I think that the fandom just treats complex women "better" because they mischaracterize them and say. Well. High of tone things about them. But can't do that with Nickel. Which thank God because man he suffers from enough OOC here. My boy is just going through shit.

song i associate with him: never love an anchor, tongues and teeth, take me to war, copacabana, love like you, escapism, everything stays

favorite pictures of him:

[nobodysdaydreams]

Since posting on the potential for the Sequel Trilogy (especially in regards to Leia and Ben's arcs between TLJ and TROS), @myfairkatiecat has asked me for my thoughts. I apologize in advance. There's so much I don't even know where to start. I suppose the best place to start is my thoughts on TFA and TLJ:

I liked the force awakens. It was the first Star Wars movie I'd ever seen. I wasn't planning on getting into Star Wars, because like most people who didn't grow up with the movies, I still knew all the twists, all the memes, and all the quotes. What was the point in seeing it? I knew it was good, but it was hard for me to feel the magic of seeing it for the first time when I'd seen so much out of context already. But the force awakens was new. I know a lot of fans at the time were like "this is a cheap new hope remake" and sure, it had a similar plot structure, but it also introduced a lot of new ideas, characters, and concepts, and I think it succeeded in it's two goals: 1) Offering the beginning to an excited new story that could go in a number of interesting and cool directions. 2) Capturing what was so good about Star Wars in a way that would bring in new fans. It not only succeeded, but it completely knocked it out of the park, at least for me. I remember sitting in the theater, before the movie was even over, and thinking to myself "Dang it. They did it. I didn't think they'd do it, but they actually did it. This is the start of another hyperfixation. Maybe one of the worst I've ever had." I knew 100% that the moment I had free time that this was going to take over. And it did. I appreciated the other movies so much more after having had the experience of watching a Star Wars movie unspoiled that captures that feeling. This brought me into the fandom. It might not be everyone's favorite movie, but I loved it.

The Last Jedi was actually good, but it made one fatal mistake. Two if you count the fact that they skipped all the Ben and Leia stuff, but I forgive them for that because it's not like they could see the future and knew Carrie Fisher was going to pass away. If they knew that, I think they would have written a different script. But I liked most of it. The force dyad stuff was incredible. I was in that theater completely in awe because I gotta hand it to them: I would never in a million years come up with the force dyad stuff, and it's better than anything I could have thought up with on my own. 1000/10. Amazing. Fantastic. So what then is my problem with TLJ? Finn. Especially because he was right where he needed to be. They could have even done his arc in a lazy way, and I would have still accepted it. All they had to do was have him panic and rescue Rose from Hux, accidently connecting him to the force, and then he could suddenly be like "woah I'm force sensitive." All they had to do was have him find some files on where he came from and info on all the stormtrooper brainwashing so that we could continue to explore the mystery of his past instead of pretending like it doesn't matter. For heaven sakes, he was right there on the ship. We saw a hologram of child Finn in Force Awakens when they were going over his file. Phasma could have offer him information about himself or his past in exchange for his freedom or betraying the rebellion. Not to mention Finn's discovery his force sensitivity would have parallel Rey discovering she's a dyad AND her not receiving any answers about her past, which would that tied the movie together thematically. That plotline was right there on a silver plater, it was the obvious choice, the easy part, it baffles me that they fumbled it, especially when the stuff they did with Kylo and Rey completely knocks it out of the park. I've probably watched the scene of the two of them fighting in the throne room the most of any Star Wars scene. But I don't think I've ever gone back to rewatch one of Finn's scenes from TLJ. But I could have and that frustrates me so much. I left the theater of TFA being like "Dang. They got me. I'm hyperfixated now.", and I left the theater of TLJ feeling kind of conflicted. On the one hand, the force dyad stuff was one of the best things I'd ever seen. But on the other hand, I wanted more out of Finn. The Rose and Finn kiss came out of nowhere for me, and it made me worried they were gonna waste time in the third movie with an unnecessary Rose, Rey, Finn love triangle then ended with Finn and Rey together (turns out I did not need to worry about that. They had plenty of other ways to waste my time. But I'll put my thoughts on the romance plotlines in another post because...romance wasn't the biggest draw for me anyway, and my takes on it are a tad more nuanced than "love it or hate it with everything in my soul" which seem to be the only two options). But my other worry was that they didn't seem to know what they were doing with Finn. They also have a lot of "Main characters" to keep track of now. The OT trilogy had the classic "Leia, Luke, Han". Now we have Rey, Poe, and Finn, but Rey and Poe didn't meet until the end of the second movie, and also we have Rose now, and then we have Kylo/Ben and his whole dyad bond, he's much more of a main character than dark mysterious villain. In the OT trilogy, was Vadar conflicted? Sure, but we as the audience didn't fully know that until the end, we didn't need to spend a ton of screen time following his internal journey. But we did need that for Kylo/Ben because of everything they set up for him. With all of that, plus Carrie Fisher dying (which would likely force them to rework a lot of their plotlines), I did have concerns going into TROS. But, since they blew me away with the force dyad stuff, I held out hope that they wouldn't fumble it. Sure, I saw the negative reviews. But everyone was crying about TFA and TLJ too, and I enjoy those. So I held out that hope until the end.

And...well... I have thoughts on TROS too. But I'll save those for another time. Also: I know things can get heated in the star wars fandom, and while I welcome engagement and it's totally cool if you hated TFA, loved Finn's TLJ arc, and hated the force dyad, (different opinions are fine!) please don't hate on my posts and please be respectful. Thanks! 🥰

[sapphicscholar]

Hello ^^. May I have CW Supergirl for the fandom asks?

Hey there! thanks for the ask :) and yeah below are some Supergirl thoughts!

Favorite character: ooh this changed from season to season, but I almost want to say Astra?? In part because there's a lot that was left open about her story, and she feels delightfully complex

Least Favorite character: Whoever that awful season-long villain they were introducing and trying to make vaguely sympathetic in S4 (around when I stopped watching)

5 Favorite ships (canon or non-canon): supercat, general danvers, sanvers, director sanvers, and my favorite ship who I'll probably never write a primary ship fic about Winn/James

Character I find most attractive: oh man so many of them tbh haha we'll say Astra again (can you tell I've been rewatching S1?)

Character I would marry: Kara

Character I would be best friends with: I like to think Cat and I could get along great haha but honestly Winn

An unpopular opinion: jafkldjf I gave too many of those while the show was still on!

My Non-canon OTP: Supercat

Most Badass Character: oh all of them are in their own way but I'll go with Cat (bc holy shit it takes a lot to put yourself out there with such a target on your back as a very tiny, fragile human)

Most Epic Villain: Max Lord. Because he felt realistically evil in the kind of "yeah I could run into this guy he doesn't only exist in a DC universe)

Pairing I am not a fan of: Kara/Mon-el (honestly, I kind of liked him before we got his backstory and could have imagined a really sweet enemies to friends arc when it felt like Kara was getting to mentor him in the way she was supposed to mentor Kal-el and finding a lot of value there despite the Daxam/Krypton rivalry)

Character I feel the writers screwed up (in one way or another): ALMOST ALL OF THEM?! Even the characters they didn't screw up, they so often sidelined in favor of their own personal favorites :/

Favourite Friendship: Alex and Kara <3

Character I most identify with: Cat in everything but the wealth and high levels of professional success haha

Character I wish I could be: I wish I could have some of Kara's persistent belief in the goodness of the world despite seeing the absolute worst of it

[pilvimarja]

i have such a strong (and maybe unpopular?) opinion that i need to share and you were the first blog i saw! anyways, i confess to not fully enjoying daniel's character in cobra kai. personally, i feel like the writers turned him into a pretentious, elitist person all because he's rich and has nice things...don't get me wrong, seeing him develop from a low-class teenager to a hardworking adult with a successful lifestyle is great and i'm happy that he got that arc, but i feel as though he's not even a sliver of the down-to-earth, appreciative, eager person he was in the movies. it seemed like in the show, okinawa was the only place we really saw the true lovable, humble, rough-around-the-edges jersey punk that we all know and love from the films. i could be totally wrong...sorry for rambling! let me know what you think. 😅

I don't know if your opinion is that unpopular. I've seen plenty of people in and outside of the fandom criticize Daniel's writing 😅

I'm not great at character analysis, these are just my personal thoughts, but I actually like the show's (and Ralph's) portrayal of older Daniel, for the most part. I admit that I never imagined Daniel LaRusso from the movies living the life of Daniel LaRusso from Cobra Kai, but then again, I don't know how I'd picture his life going. The writers clearly wanted to "flip the script" with Johnny living the underdog life in Reseda, but I still suspect that specific parts of Daniel's early characterization were influenced by the show's sponsors. And now that they have Netflix's much bigger budget they dropped the luxury car salesman part of Daniel's character almost completely. We only got a handful of scenes at LaRusso Auto in s4 and Daniel spent most of them out of his awful suits, helping Miguel fix his mom's car.

Growing up is rarely a straightforward, pre-determined path and people change a lot on the way. We know so little about Daniel's life between TKK3 and the pilot of Cobra Kai, so it's hard to say how he got to where he is, but I suspect he hasn't been living the Encino lifestyle for more than a few years, maybe a decade? And I have a feeling that even adult Daniel doesn't always recognize himself when he looks in the mirror. I think he does pretend and play a role, to some extent. (I mean, who doesn't?) He may have the big house in the Hills and I'm sure he enjoys the success he's had, but I think Daniel himself says that he'll always be an outsider in the circles he runs in as an adult.

Cobra Kai makes a point of avoiding the black and white "good vs bad" narrative that was popular in the 80s and no one on the show is truly good or truly bad. And I think existing "in the shades of grey" is one of the show's strengths. I see Cobra Kai era Daniel as someone who's kind of lost with himself. On the surface, his life is almost picture perfect, but inside, everything is increasingly off-balance. I have a feeling that it's been getting worse ever since Mr. Miyagi's death, and the return of Cobra Kai, Kreese and especially Terry Silver have made him feel truly lost. Even his marriage with Amanda seemed super solid in the early episodes, but it didn't take a lot to make it start to unravel.

I suspect the events of the three movies had a much bigger impact on Daniel than he ever realized. He probably tried to put it all behind himself until that Cobra Kai logo above Johnny's dojo brought it all back. I don't think he's ever really dealt with the emotional trauma of the vicious bullying he suffered first from Johnny and the Cobras, then Chozen and then Mike and his gang of goons - and worst of all, two adult men who, to be honest, shouldn't be allowed anywhere near children. And now he's finally dealing with it all at once in his 50s, poorly.

So Daniel's been making bad decisions over the course of the four seasons and "acting out-of-character" as Amanda has pointed out, and what's really tragic to me is how his attempts to love and honor Mr. Miyagi's legacy have kind of held him back as a teacher and even damaged his relationship with his own daughter. In season 4, a big part of Daniel's character arc was him going from someone who just parroted Mr. Miyagi's teachings to his own students (including Johnny) exactly how he remembered Mr. Miyagi doing it, almost like Miyagi's teachings were some kind of safe space for him, to finally remembering one of Mr. Miyagi's most important lessons: you have to choose your own way. So I don't know what season 5 will bring, but I do think we'll see a Daniel who's finally found some inner balance.

Haha, sorry this got kind of long! Daniel is my favorite character, so I have a lot of feelings about him. And he can definitely be stubborn and has a tendency to suffer from serious tunnel vision, and his flaws are often more pronounced when the narrative shifts to Johnny's corner (but we also have to remember that Johnny is an unreliable narrator, at least in the early seasons), but I personally don't see it as evidence that the creators of Cobra Kai hate him. I'm guessing you disagree with me about many of the things I brought up in this post, as do some other people in the fandom, many of whom are my friends, and that's okay, as long as we all stay polite and respect each other's views 🙂

[pangtasias-atelier]

This is not ask about kinks (No offence btw i don't which word to replace kink with). in previous ask, you said you didn't like the canon of Tormod and Muarim origins right? so i would to ask what type of canon would you give them if you could? I also like ask, if the Tellius saga ever get a revamp/remake, what would be biggest wish fullfill? for me its Tormod reclassing into a melee class / Laguz Army to availability more...

Oh, it's okay! No worries lol, this is a kink blog after all.

As for Muarim & Tormod, I would honestly just prefer it for Muarim to have literally found Tormod out of nowhere and took him in. Like that's just so much better than the wierd little dynamic of Tormod basically being the son of Muarim's ex master and Muarim taking him Tormod in when the noble house falls.

Honestly, my biggest wish fulfilment would just be getting supports in RD. Like, that alone would be so beautiful. Hell, they could even keep the mini supports and make it so that those are a super small in battle bonuses.

And although a remake with both games would be phenomenal, let's face it, Nintendo is a company and they are as greedy as all hell just as every other company so they'll be their own remakes

Though there's a lot more to help RD. Even though it's already really damn great imo. But if the legitimate fixes, I'd say this:

Fix availability. Tormod, Muarim, and Vika really have no business joining for like 3 chapters before leaving until the last 6 chapters with their stats from part 1 lmao

Also, BALANCE. When people say RD is the second most unbalanced game, they mean it. The difference in usefulness in characters is astounding. Also, Dawn Brigade still in tier 2 classes while Greil Mercenaries are already hitting tier 3 is ridiculous and pretty dumb

Laguz gauge. It's not terrible but I still feel that PoR gauge would work much better, especially with olivi gras and such. Also , Laguz being locked to single range hurts them so much since RD is pretty enemy phase heavy.

Weapon balance. Magic is pretty bad and also had terrible caps. Laura has amazing speed growths but can't take advantage of it since her caps are awful.

Difficulty balance: Part 1 shouldn't be the most difficult part of the game when there's three more parts after it.

Writing: part 3 aside, (I don't know how to fix it without making Pelleas look ever worse than he already did by signing that blood pact lmao) part 4's writing kinda comes across as a generic "series crossover game" it's not bad and it also serves in showing tensions between characters. But it also highlights favoritism, Skrimir praising Micaiah while ready to murder Naesala. And also Pelleas getting off the hook easy from Tibarn.

And as for personal wishes:

I wanna save Zelgius. He's by no means this innocent character people love to paint him as, but it bothers me that you can save Lehran but not Zelgius

Change Pelleas's "death" scene in part 2. The fact that the only difference is suddenly getting the option to have Micaiah jump in the way just feels so cheap. I will say Pelleas' death is kinda just a punch on the first playthrough since the option kinda does give some false hope to sparing him. And it ultimately becomes a complete waste. (though Pelleas does get forgotten afterwards sadly)

Give more screentime to Skrimir and Sanaki. The two are great characters as is, but it would've been fun getting a chapter or 2 with them to help solidify their arcs.

Also, give Pelleas and Elincia some more screentime

Ike. He's great and I love him, but godamn is he just this absolutely perfect child that can do no real wrong and everyone praises him so much. Granted, his growth was already in PoR but still. (Praise Micaiah's lines dissing Ike, it's just such a great fresh view in seeing how the losing country sees the game's hero after that other FE games don't do)

Speaking of Ike, it honestly would've been cool seeing him get a more supporting role instead of just blindsiding everything and taking over. But that never goes well in games. Look at the fandom with Micaiah lmao. (And also Tales of with the Symphonia sequel)

Stop the whole Astrid x Makalov thing. I just hate the ship lmao

And that's just for RD sjdhsjnsksb it's really obvious how much I love Tellius. But admittedly, they're all nitpicks than any actual true flaws.

As for PoR, it's been so long since I played it, but it honestly has like no real narrative flaws that I can find? I just vastly prefer RDs ambitious scale of writing vs PoR's take on the whole basic FE plot.

As for gameplay stuff

Balance magic a bit, lightning is too good. And that not, bring back tier 1 light mages and also bring back dark magic.

Give us Maniac Mode!!

RD's improved UI and models alongside the skills

Make knives way better and let Sothe promote. Unpromotable tier 1 classes is the worst idea ever. Unless you're a dancer, you should be able to promote.

Let Laguz weapons rank up

FIX THE AWFUL WEAPON RATE GAIN

OMG SERIOUSLY THAT WAS SO AWFUL

I DON'T EVER WANT SUCH A SLOW WEAPON RATE EVER AGAIN

Give Elincia more screentime. I love her and like yeah, not every women needs to be this badass warrior, but the Nyna archetype is just so done at that point. (But hey, she still turns it on it's head by the end. And so does Pelleas)

And that's all I can think of really.

Again, I'm such a huge Tellius nerd lmao. Though I currently believe FE6 will get remade first. Tellius is still too recent, and intys probably doesn't wanna touche the incest plot shit in FE4 and FE5 also has to get passed up for a remake due to being in Jugdral.

God this is so fucking long sjdbjsvavsvs

[phoenix-downer]

Hello! I haven't played KH III yet but I plan to. I have come across some really hateful posts on tumblr and even twitter about Sora and Kairi being together. It appears some people are really upset that Sora and Riku didn't become a thing and have downplayed Sora x Kairi's relationship as something as forced and not having chemistry. I had no idea this was even a thing. Can you tell me where this hostility came from? I thought it was obvious that they had feelings for each other.

Hello! Thanks for the ask! There’s a lot to examine here, but I’ll do my best to try to tackle the whole issue with tact and empathy. Light/very vague spoilers for K/H/3, E/ndgame, and F/M/A follow (with slashes so they hopefully don’t show up in the tags).

First of all, I’m so sorry you’ve stumbled across those kinds of tweets and posts. If I could, I’d shield everyone from having to deal with such hatred and negativity about something they enjoy. Doesn’t matter what you ship; no one deserves to deal with that level of toxicity. 

Imagine going into a room and hearing people talk loudly about something you love, talk about how much they hate it and how much it sucks. Doesn’t make you feel very welcome, does it? But that’s exactly what’s happening here - you’re not the only one who’s noticed this. I have had to block or mute so many people because of the kind of bashing you describe. People purposely tagging their hate so that fans can see it, saying nasty things and picking fights in a way that makes you wonder what they get out of being so cruel and vicious. 

I’ve seen it so much that I’m extra sensitive to it now too; I block much more quickly than I did in the past. And I would advise other people to do the same. You don’t owe anyone access to your social media. They’re not entitled to your time or energy, either. You don’t owe it to them to read their hate. By blocking them, you take away part of their audience, you take away their attention. And the thing is, they want that attention. They want to make other people angry and miserable because they’re angry and miserable. And you don’t have to give them the satisfaction. 

Sadly, because twitter and tumblr have such poor moderation, no one running these sites is doing much to stop these people. In fact, the platforms even encourage that kind of behavior, because the loudest people get the most attention. So that encourages and emboldens the kind of nasty behavior you’re seeing.

Now, this is not to say there is never room for criticism, because there is, but that is a very different thing from what you’re describing, which is plain old bashing. Criticism and critique are offered in the hope that something will improve; bashing is done to express pure vitriol, and it isn’t productive for anyone. It might feel good in the moment, but in the end it just leaves people bitter and empty. 

There are plenty of people critiquing K/H and how the games went and how the various character arcs unfolded and how the relationships developed, and there’s nothing wrong with that. Shutting down all criticism isn’t healthy; it should be allowed and encouraged, as constructive criticism leads to healthy dialogue, both with other fans and with S/quare E/nix. And Square has listened to fans in the past; they’ve fixed issues with gameplay that occurred when 1.5 and 2.5 were ported to the PS4 and converted to 60 fps, for example.

Neither is there anything wrong with venting to a close friend in a private setting - DMs, PMs, on your personal blog or twitter account with the ship you’re criticizing censored somehow so that everyone who likes it doesn’t have to stumble across your venting. Heaven knows I’ve had to vent a lot to stay in the fandom without lashing out. The issue is when someone thinks it’s okay to force their anger and negativity onto other people who don’t want to see it or hear it. 

So the question is, why are we stumbling across such strong feelings? Because it’s clear people feel pretty strongly about all this. 

I don’t think there’s an easy answer as to why this is happening, but I’ll take a shot at explaining what might’ve happened all the same. I’m sure if you asked someone else, they might give you a different answer, and it’s worth getting multiple perspectives. This is just my two cents, and naturally, it’s going to be biased towards my experiences and preferences. 

The shipwars in the K/ingdom H/earts fandom have been nasty for years. From what I can gather, they got really bad when KH2 was released, though I’m sure there was probably drama before then. S*kai fans and S*riku fans did not see eye to eye on how that game went, and it’s all been downhill ever since. People on both sides have been mean and nasty, I’ve seen them be nasty, hurling insults and slurs and accusing each other of awful things to the point that the question of “who started it” is pretty much moot at this point. A more productive question would be, “how can we end it and get along, or at least start treating each other better?” 

Now, since I ship S*kai (obviously), I’ll share why this is such a touchy subject for me personally. I’ve been in fandom for a while now, and something I’ve noticed is just how much fans tend to hate female characters because of sexism and internalized misogyny.   

I was in the M/C/U fandom before this, and Sh*ron’s actress got death threats around the time C/ivil W/ar came out from angry shippers. And then P*ggy’s actress has likewise been harassed after E/ndgame came out by, again, angry shippers. I was a big F/M/A fan back in the day, and W*nry got so much hate from, you guessed it, angry shippers. I remember a friend back then rolling her eyes and bashing W*nry, and when I asked her why she hated her, she couldn’t really give me a clear answer other than that she was “whiny.” 

Heaven forbid a female character not be completely perfect. 

Over and over, I saw this pattern repeating. A female character gets hate because there is a popular alternate pairing that she “gets in the way of.” Even before I had the vocabulary to talk about it, the hatred just struck me as very gendered. I never saw that level of hatred for any of the male characters unless they were written to be hated (hello Shou T*cker). And I was likewise harsher on female characters than on their male counterparts. It took me years to realize what I was doing and to try to put a stop to it. 

So then I came to the K/ingdom H/earts fandom with all that background and baggage, dealing with years of people hating characters I liked and looked up to and identified with, and I saw the same thing happening again. Yet another female character getting nasty hate because of her gender, because she dared to like a boy who was shipped with another boy. Because she dared to fall in love. How dare she have feelings, how dare she be feminine, how dare she wear pink and have a flowery Keyblade. How dare her strength of heart be stronger than her physical strength. There is only one kind of strength that matters, and it’s how hard you can kick someone’s ass (wrong, wrong, wrong, and one look at the whole power of friendship thing this series revolves around would tell you that). 

How dare K*iri not be an instant expert at fighting, which is cruel and ironic because if she was an instant expert at fighting, everyone would be crying Mary Sue. How dare she sass and tease S*ra, she’s such a bitch. Oh, she doesn’t tease him as much in K/H/3 and is more gentle and supportive because he’s going through hell and nearly loses everything and she knows he needs her support now more than ever? She’s a complete pushover! 

See what I mean by how hard people are on female characters? K*iri can’t win no matter what she does. She could have the best character arc ever post K/H/3 and people would still find something to complain about. That’s not to say I don’t have issues with how she’s written, I just think the criticisms against her tend to be way overblown. There aren’t enough discussions about how she could improve moving forward (though I have seen them, and thank you to those of you who do have them!), instead people just write her off completely as useless and worthless and want to improve her character by… dropping her out of the story completely (and yes, I’ve run into someone who actually thought this would be a good thing and always felt the need to talk about it, and it absolutely drove me up the wall). 

And worst of all, she can’t win because S*ra fell in love with her. Really, it’s ironic that she gets as much hate as she does for something S*ra did. She had no control over S*ra falling in love with her, and yet she is absolutely despised by people because he did. She isn’t “good enough” for him apparently, whatever that’s supposed to mean.  

I share all this to explain why I was so sensitive to the issue coming in. I saw the same thing happening I’d experienced time and again and I was so exhausted. So tired of it. I didn’t want to deal with it again, and I was on my guard right from the start. Especially because it’s so normalized in online KH communities to bash K*iri and S*kai. The major ones, too, with lots of people and a wide range of (or lack thereof) of shipping preferences, not just dedicated shipping groups. Try to go an entire discussion without seeing it come up… it’s a lot harder than you might think. 

At first I tried to be patient and understanding. Other people have different tastes, and I wanted to be understanding of that. But after years of watching the bashing happen, my patience ran thin. I was sick of seeing it enabled in major K/H communities, sick of seeing mods refuse to put a stop to it, or worse, low-key join in with the bashing, sick of having to put up with so much negativity when all I wanted was somewhere to discuss something I enjoyed. Some people seemed almost gleeful, almost eager in their bashing; any time K*iri was brought up, they felt compelled to express their hatred for her. They were more obsessed with her than her actual fans were; felt more passionately (albeit negatively) about S*kai than some actual S*kai shippers did. 

When I reached that point, the point where I was tempted to be negative and snappy and rude, I knew I couldn’t engage with certain people anymore. So I stopped trying. I searched for S*kai fans here on tumblr and stuck with them. I didn’t want to add to an already tense situation, and thankfully, there are other people who feel the same way (but more on that later). 

And on the S*riku side of things, some of them have shared that they have been told nasty homophobic things for shipping S*riku. And for many of them, I’m sure S*riku is a way of expressing their identity, a way of exploring their feelings and expressing them in a safe, welcoming way with fellow fans who get what they’re going through. Representation has gotten better in recent years (though it still has a long way to go), but back when the K/H games were first coming out, things were different, and people had to take what they could get from canon and run with it if they wanted to see more content that represented them. 

I’ve also seen a few people say that certain S*kai fans went out of their way to message them and rub what happened in K/H/3 in their faces. That kind of gloating is bound to upset anyone, yikes. Canon has become the new gold standard for shipping in the last decade or so, and it has sadly been weaponized in the ever-nastier ship wars, when really, a ship’s value shouldn’t be based on how “canon” it is but on the joy it brings to people. 

So yeah, we have a situation where enough people on both sides were treating others poorly that everyone got defensive, because how could you not when people keep attacking something you love, especially if you feel strongly about it/associate it with your identity? And that made people more likely to lash out, and when they did, people got even more defensive, and the cycle repeated, over and over and over again. 

And you know how I mentioned I sought refuge with likeminded fans? I think that happened all over the fandom. People seek out those who will support them and support their beliefs and form identities and communities based around them… and that’s a double-edged sword.

On the one hand, it’s great to get so much support, especially if you’re seeking refuge from a particularly nasty ship war. Having a safe place to vent and unwind and finally get to talk about what you love without fear of getting hate over it is awesome.

On the other hand, things like echo chambers, confirmation bias, groupthink, and the false consensus effect flourish in those kinds of situations. If all you hear is that XYZ pairing must be canon or will be canon in a future game from the group of people you’ve surrounded yourself with, and everyone enthusiastically agrees because everyone ships the same thing you do and of course no one is going to rain on that parade, it can come as quite a shock when a new piece of canon comes out and doesn’t align to your expectations. Especially if you’ve spent years expecting canon to align with your expectations. 

We lose something when we can’t engage in healthy dialogue with people who disagree with us. Our perceptions get warped, our memories might even get warped, and what we could’ve sworn was canon… we might be surprised to see wasn’t, when we revisit the source material with a more critical eye or listen to someone who sees things differently than we do. 

But how can we have that healthy dialogue when there’s been so much bad blood? How can we listen to each other when there’s no trust? It’s nearly impossible, so instead we reinforce the beliefs and ideas our own communities already hold fast to, and the cycle continues. We draw lines in the sand separating “us” vs. “them” and don’t give each other a chance. Not only does this alienate people on opposite ends of the shipping spectrum, it also alienates multishippers because they’re considered “traitors” to both sides, and that is an uncomfortable place to be. 

I think that’s why you find the whole thing so jarring. I’m guessing you might not be as heavily involved with the fandom as I am, and have thus been largely immune from the perils of echo chambers and confirmation bias. So for you it must seem really weird that something that seems clear to you is so contentious to other people. I don’t say this to throw shade at anyone, because I know the same thing would’ve happened if the pairings had gotten switched around. It’s more of an observation of a phenomenon I’ve seen happen over and over again throughout the years. 

So all of that is to say, things are tense because of all these backgrounds and experiences and histories people bring into the fandom. No one exists in a vacuum, and things were already tense before K/H/3 even came out. K/ingdom H/earts has been such an important part of many people’s lives and growing up experiences that they feel a deep connection to it and almost a sense of ownership of it. It’s a shared story, a shared experience. It belongs to all of us, in a way, and yet it’s still N*mura’s baby.

And that’s where we run into more issues. How much say should fans have in a work of art? Does the creator get the final say in interpretation, or should she accept that once her creation has been released into the world, it’s up to other people to interpret what she meant? There are no easy answers to these kinds of questions, and they’re widely debated and discussed (see: the whole death of the author debacle). 

However, while I think feeling a sense of ownership and investment in a piece of art is totally fine, it crosses the line when it gets into the realm of entitlement. By this I do not mean asking for more representation, because that is a perfectly good thing to ask for; I mean demanding that the creators cater to your whims… or else. I mean contacting people who worked on the game on twitter and demanding they change the story to make it “right.” I mean directly telling one of the VAs you want her replaced because you thought she did a bad job. And yes, I am talking about actual stuff I’ve seen happen in this very fandom. All of that has also left me with a bad taste in my mouth, and other people I’ve talked to have felt the same. 

That being said, shipping in and of itself is not the problem. For every nasty tweet and bashing post out there, there are plenty of kind and good people who are just there to enjoy their ships. Lovely artists and talented writers and skilled gif makers and editors creating a wealth of beautiful content for something they love. People who would never harass others for their shipping preferences and are disgusted by those who do. Unfortunately, they’re not the ones getting the attention, and they’re probably not the ones you’re going to run into if you ship a different ship, as they tend to stick to their own spaces out of courtesy and respect. 

This means that the people you are more likely to run into are the ones who want to pick fights. The ones who bash and stir up drama and tell people to kill themselves for shipping XYZ. While there are plenty of people being cruel and nasty and toxic, there are good people in the fandom too. Kind, caring people who will see you as a person first and not an XYZ, even if they don’t agree with you on everything. They’re quiet(er), because kindness isn’t usually flashy and showy, but they’re here. You just have to know how to find them.   

Thanks for the ask! I tried to answer this as fairly as I could, based on my observations and things I’ve been stewing over for a while now, so I hope it sheds more light on the situation.