#that's really the least I can do

[marfian]

So act 3 huh

[malachitezmeyka]

At this point Honeybun is the sponsor of my insomnia and idk how long I can keep going like this

[hinamie]

10 years later

[parisoonic]

last ones i swear

[elodieunderglass]

History of Black jockeys in the USA: tumblr starter pack

The gif above was created by animating the motion study of “Annie G,” plate 627 of Eadweard Muybridge’s 1887 work, “Animal Locomotion”. The horse is a mare named “Annie G.” The jockey, unknown, is a Black man. It is one of the earliest motion studies on record, and captures some of the first humans and first animals to be recorded this way. (The earlier 1878 Muybridge study of the mare Sallie Gardener is more famous but you can’t really see the jockey.)

The Black jockey is referenced (fictionally) as an ancestor n Jordan Peele’s film Nope (2022) which also looks at the relationship between Black men, horses, and the consumption for entertainment of both of their bodies.

Fold into that what we are learning about today’s acceptance of the jockey-as-consumable, of their body as an accessory, of their wellbeing as mostly irrelevant; but then remember that once upon a time, people cared a lot more about horse racing. This is a big, tricky topic in American horse racing. There was a time in American history when Black jockeys were enslaved and forced into a job that we know is dangerous and consuming. Later there was a time in American history when Black jockeys were incredibly influential and important, competing equally alongside white jockeys, and they were deliberately pushed out of a sport they had mastered.

“The Undefeated Asteroid,” Edward Troye, 1864. Enslaved horse trainer Ansel Williamson, right, holding saddle. Ed Brown, jockey on left adjusting his spurs, was the young enslaved jockey. The groom is unidentified.

Press Keep Reading for an essay/signposts to resources. It’s intended as a jumping-off point for curious people and historians to learn more. TW for racial discrimination and discussion of weight.

As we know by now, jockeys are considered consumable/disposable by their sport; they are athletes whose names are less memorable than their mounts and their working conditions are tough. The sacrifices that jockeys make today to remain strong and light are hard enough when the jockey is willing. They have hard weight limits on their profession. And one of the very dark horrors of this was that young enslaved Black men of small stature and riding ability were singled out and used as jockeys. Their sacrifices would not have been willing. While this essay is about the Black athletes who willingly entered the sport post-abolition, I think it’s important to be up-front about the history of enslaved jockeys in America. Jockeys like Ed Brown (above) were forced into the job very, very young.

Horse racing is a bonkers calling, but it’s also one that people willingly follow. Post-abolition, there were many Black American jockeys who were incredible athletes, their records and statistics still impressive today. In a surge of excellence around the 1890s, Black jockeys rose to remarkable influence and power in America, becoming household names above even the horses, travelling the world, greeted with admiration, true celebrities with their faces on merchandise. At the very first Kentucky Derby, raced in 1875, 13 of the 15 jockeys were Black men.

Between 1890 and 1899, African American jockeys won the Kentucky Derby six times. By the early 1900s, they were history. The key push to exclude Black jockeys came when White jockeys began violently attacking their African American counterparts by boxing them out during races, running them into the rail, and hitting them with riding crops. These attacks prevented Black jockeys from finishing in the money, and endangered fragile and valuable racehorses. Soon after the attacks began, African American jockeys found they could not get rides. Anxiety over job insecurity appears to have played an important role in White jockeys’ actions: there were only a limited number of riding slots. White jockeys would have benefitted in any circumstances from the exclusion of Black jockeys, but in the late 1890s the US was in a depression, and unease about finding rides was especially high. Combined with a growing anti-gambling crusade that reduced attendance at racetracks and eliminated some tracks entirely, jockeys found demand for their services contracting.(National Bureau of Economic Research)

Professor Pellom McDaniels, describing the impact of this on legendary Black American jockey Isaac Burns Murphy:

MCDANIELS: If black people are supposed to be inherently inferior, to have someone who demonstrates success in material terms unravels this idea and therefore those whites during this time period who believe themselves to be inherently superior, something's broken in their psyches. And Murphy represents that kind of attack on white supremacy.

Isaac Burns Murphy, one of the best American jockeys of history, had an unprecedented rate of wins (something like 44% which is almost impossible.) he was born into slavery, but his mother managed to escape with him as a toddler to a Union Army camp. He was inducted into the Jockey’s Hall of Fame in 1955 and Eddie Arcaro was quoted, “there is no chance that his record of winning will ever be surpassed.” (How could it?!)

Today, the American Racing Museum honours many Black jockeys of history in their Hall of Fame, telling some truly incredible stories that are worth browsing.

Like James Winkfield. Born in America 1882, died France 1974. won the Kentucky Derby twice. Left America due to this rising backlash against the growing prominence of Black jockeys, the KKK in particular explicitly objecting to his celebrity and earnings by sending him death threats. Winkfield therefore rode and trained in Europe, settled in Russia, FLED THE 1919 REVOLUTION WITH 200 HORSES?, married an exiled Russian aristocrat (????) and, lest he know peace for five minutes, defended his horses from the European Nazi invasion with a pitchfork(!!!!). Fleeing WW2 to America, where the new racial segregation was now being widely embraced, Winkfield found hotels that had once welcomed the celebrity athlete suddenly turning him away (never forget that segregation was artificial and deliberate.) I am still stuck on him sneaking 200 thoroughbreds out of Russia. Here’s his Britannica article and Hall of Fame bio.

The campaign of racism and terror was successful at driving Black athletes from the profession, and Winkfield was the last Black jockey to win the Kentucky Derby. Jim Crow swept through the USA, and white people in the South comforted themselves with “lawn jockeys,” racist caricature lawn ornaments of Black men in jockey silks.

It wasn’t until the 1970s that Black jockeys began winning high-stakes races in the USA again.

Hopefully this has spurred (ha!) your interest. Here are some links if you find yourself interested in more!

American racing museum: Jockey hall of fame

Kentucky Derby Museum’s Black Heritage in Racing collection

How and Why Black Riders Were Driven from American Racetracks (summary paper, National Bureau of Economic Research)

There is no competition: the legacy of black jockeys (1975 entry in Sepia magazine preserved here. Note that James Winkfield’s picture incorrectly identified as Isaac B Murphy.)

This 1975 photo is from the article above and describes Cheryl Smith, “first Black American female jockey to hold a license.” I haven’t been able to find out much about her, but I’m not a historian - let me know if she takes your interest as a topic!

It looks like there are some big interesting books on the subject, though I haven’t read them myself. If you’re interested in doing a research project, here they are!

The Great Black Jockeys: The Lives and Times of the Men who Dominated America's First National Sport, by Ed Hotaling, 1999

Isaac Murphy: The Rise and Fall of a Black Jockey, by Katharine C Mooney, 2003

The First Kentucky Derby: Thirteen Black Jockeys, One Shady Owner, and the Little Red Horse That Wasn't Supposed to Win, by Mark Schrager, 2023.

[goldengirlgalaxy]

The Bedazzler

After a very hazy night that... may or may not have been caused by something he found in the Ghost Zone, Danny ends up discovering in his haze he bought an absolutely outrageous amount of various craft supplies, especially shiny things like those little plastic rimstones.

Good news, everything was bought from a going out of business sale, so he didn't drain all of his funds. Bad news, everything was bought from a going out of business sale, which means he can't return them. And, frankly, he doesn't want to just throw away a bunch of stuff he paid for. But he still doesn't know what to do with it all.

At least until Clockwork decides to give Danny a small boon that lets him stop time. Then he gets some ideas.

It first starts off with Superman. He's doing his regular hero thing, when he suddenly feels his cape pulled to one side. He brushes it off as the wind, until people start pointing at his back. Clark nearly panics when he finds a bunch of green crystals on his cape, only to calm when he realizes they're plastic and attached with glue. That of course begs the question, who was able to glue gemstones to his back without him noticing?

Later that same day he's both amused and even more confused when Luthor appears again, only for a bunch of gem stickers to appear on top of his bald head, clearly arranged to spell out 'I Heart Superman' in icons.

Captain Marvel suddenly feels something appear on his head, only to discover it's some kind of cardboard crown. He's confused, but ultimately decides to wear it the rest of the day, thinking it might be from some meta fan of his.

Martian Manhunter finds a necklace appearing on him. When he pulls it off, he finds it's one of those Shrinky Dink plastics, designed to look like a medal that says '#1 Hero' on it, also with some extra plastic gems for extra bling. He wears it proudly for the rest of the day.

The Gotham Bats all get hit at the same time. Fake flowers, various colors of ribbons, Red Robin had a helium balloon attached to him for an hour, and of course plenty of shiny fake gems.

At first, everyone thought the funniest part of the mysterious crafts was Red Hood appearing with several rimstones attached to his hood where he mouth would be, several gold ones arranged in such a way that it looked like he was flashing a bunch of yellow teeth.

Then the Joker showed up. And was promptly doused in several pounds of glitter. Even better, it got into his eyes, effectively blinding him and giving the Bats a chance to capture him (after they were done laughing).

Of course, as more Leaguers get trolled, the more the stories start to paint a picture of someone running around pranking them. And many of them want to know just who this Bedazzler is.

Meanwhile, Danny is laughing his ass off and is planning on giving his friends a chance to have their own fun.

[pidgydraws]

💚 arcane X reanimator 💚 @jayvik-week - day 7 (part 2 here - tw:blood/animal death)

day 7 being a free day means, i have an excuse to do a crossover of my two favourite sets of science boyfriends! Jayce and Viktor from Arcane, and Herbert and Dan from the 1985 horror movie, Reanimator.

continued from - day 1 - day 2 - day3 - day 4 - day 5 - day 6

(repeating my warning from yesterday: if you don't know the iconic '80's horror movie Reanimator and you decide to google it please observe a TW for: blood, gore, needles, nudity, body horror, animal death, human death, SA, abuse, hospitals, and medical malpractice of the highest degree~ really, you name it they got it! but also sick, sad, sexy, science boyfriends <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3)

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[lazylittledragon]

so how about that durge

[lowpolyshadow]

for all the people on this planet ... i promise you ...

[entropyvoid]

Jumping on the Jambound bandwagon

[egophiliac]

Silver is finally here...he just took the title for the most beautiful card in TWST's history...

me five years ago: wow I really hope we get to see dragon Malleus someday! that'll be so nice and wonderful. I bet he's a big silly! :)

twst: :)

GOD. it occurred to me literally three hours before the anniversary stream that they might've been saving the reveal for then to just explode us all at once. this timing was EXTREMELY deliberate. thank you Twst. I can't even focus on all the Blazing Jewel stuff because Silver wielding the physical manifestation of his Complicated Dad Issues is busy eating my entire brain. and -- oh what's that? he duos with Lilia? I'M RUINED THANK YOU ᕕ( ᐕ )ᕗ

this is your warning that I'm going to be the most annoying person on the planet come Monday morning, thank you everybody and goodniiiiiiight

[aroaceleovaldez]

the dynamic of demigods thinking which other demigod is the most powerful is always amusing to me because. like, we know the big 3 kids are all the most powerful. That's just a fact of their universe. And then we know nearly every character views Percy as the strongest demigod, and most people are very rightfully intimidated by him.

and you look at the powers of the Big 3 kids and there's Percy, but then you realize Nico is just kind of objectively more powerful than him but simply chooses to hang out in Percy's shadow like he's Percy's scary dog privileges. Like, the two of them are pretty equally capable of causing multiple different apocalypses. Nico just also has like four different instakill powers and it's not like he doesn't use them. He very much uses them! Not infrequently, even! And they don't seem to take a significant amount of energy from him! And other demigods are pretty intimidated by both of them! But Nico makes a conscious point to keep his cards close to his chest and not let on exactly how dangerous and scary he can be if he wants to. People are already scared enough of him without knowing anything about him and he doesn't like that. Percy doesn't think about that nearly as much, and so usually just goes in guns blazing and that's part of why he's considered a wildcard. And then Nico himself puts Percy on a pedestal, so those who do know more about Nico's abilities then presume Nico knows something they don't about Percy that implies Percy is even stronger than him.

And even on a meta level Nico's narrative role requires him to be functionally more powerful than Percy, because he very often serves the purpose of getting Percy out of situations he can't handle on his own. That's just part of his function as a character! But also narratively he can't overshadow Percy so he just takes a backseat of his own accord and that's very amusing to me.

[starscream-is-my-wife]

A bit ago I was looking through the g1 timeline wiki and I saw that Skyfire and Starscream now had a 5 million year old age gap and I was like oh? That makes their dynamic so much more interesting especially how innocent he was portrayed in fire in the sky, I also wanted to share my hc on why Skyfire never brought up Starscream again

[screwpinecaprice]

Skitches of some planned draw your OTPs that I'm not exactly sure if I'll complete. Gonna be soups busy for the next couple of days (weeks?)!

[waitineedaname]

now that i've finished tgcf i can make memes about all three books! i was tempted to put binghe at the absolute center because he could easily go into any quadrant at different points in his life, and both lwj and hua cheng could swing jock, but i think the most important thing is that wei wuxian is all four at once. somehow.