#that's just what happens when someone dies before you can really get to know them. goro will carry this for the entire rest of his life.

[runraerun]

darling, dearest, dead

written for the @steddiemicrofic challenge for November | prompt: guard | wc: 532 | rated: G | cw: major character death (but not really?) | tags: angst with a hopeful ending, Ghost!Steve Harrington, GhostHunter!Eddie Munson

There’s a legend that the first person who gets buried in a cemetery becomes the guardian of all the other souls buried there after. They become a reaper of sorts, ferrying the newly dead from this world to the next—a place they can never go.

This is what happens to Steve Harrington, aged just eighteen when he tragically dies in the Starcourt tragedy in ‘85.

Steve, who dies but doesn’t move on. Doesn’t go peacefully into that good night, or however the hell the saying goes. He can’t.

Steve, who attends his own burial, but despite how loud he screams into the faces of his loved ones, goes entirely unheard.

He eventually gets it, of course. Despite what everyone thinks (thought? Do they still think of him?) Steve isn’t stupid. He catches on quickly when the first few souls come wandering up to him, lost and alone. Steve can see the path they’re supposed to follow, even when they can’t. So, Steve takes the time to explain to them what he knows, tries to comfort them, before guiding them towards the afterlife.

It’s a curse, really. Eternal isolation. Decades pass but Steve remains. The few souls he speaks to are always so eager to leave him. In the end, Steve’s left alone.

And then one day, Eddie Munson comes stomping through his cemetery.

—🛡️—

“What’s with the get up?” A dark haired stranger asks, startling Steve, “there an anime convention going on or something?”

Steve’s eyes trail up and down the newcomer. He wants to make a comment about the strange attire he died in, but upsetting the newly departed usually isn’t a good idea.

“It’s my work uniform. I didn’t have time to change.” Steve explains, a well-rehearsed response. The Scoops uniform that he can never shed was always a point of interest for people. “Sorry, I didn’t see you come in.”

This is the first time Steve’s missed a burial. Strange.

The guy snorts, “don’t apologize. I’m the one intruding. You visiting someone? I can wait to do my shit.”

Steve frowns, brows creasing where they come together. “No. I’m just… waiting.” He answers.

“For the ghost?” The stranger asks, his interest clearly piqued.

Steve blinks. “The ghost?”

“Yeah, y’know. The ghost that supposedly haunts this graveyard. Legend has it it’s some guy who died way back in the 80’s—there've been sightings for like, thirty years, but no one’s been able to actually record anything decent. All the pictures are super blurry. But I intend to change that. I’m Eddie, by the way. Ghost hunter and semi-professional psychic.” Eddie grins, giving a strange little bow in his introduction.

Wait…

“1985?” Steve asks.

“Yep,” Eddie pop’s the ‘p’, “The year Starcourt burned down and old Steven Harrington bit the dust. You know the story?”

Steve didn’t need to breathe—not anymore. And yet, he still felt short of breath. Lightheaded.

“It’s just Steve.” He clarifies.

“Yeah?” Eddie snorts, “how would you—”

A light seems to go off in Eddie’s head. He pales, eyes widening.

“You can really see me?” Steve can’t help but laugh, tears stinging his eyes.

“Yeah, I can see you, Steve.” Eddie mumbles, stunned, looking like he’d seen a ghost.

—

tagging: @sleepy-steve because they let me rant about reaper Steve to them<3 check out her reaper!eddie fic: here!💘

[literaryvein-reblogs]

hi do you know how the female character can get kidnapped by a villain? i'm writing about something that has to deal with angels and all, and am kinda stuck with how the female lead can get kidnapped by the male lead's enemy who is the villain. and how he can save her. thank you! love your works.

Writing Notes: Kidnapping

A criminal offense consisting of the unlawful taking and carrying away of a person by force or fraud, or the unlawful seizure and detention of a person against their will.

In all countries, it is considered a grave offense punishable by a long prison sentence or death.

Motives for Kidnapping

The principal motives for kidnapping are:

to subject the victim to some form of involuntary servitude,

to expose him/her to the commission of some further criminal act against his/her person, or

to obtain ransom for his/her safe release.

More recently, kidnapping for the purpose of extortion has become a tactic of political revolutionaries or terrorists seeking concessions from a government.

THE KIDNAPPED

In general terms, the psychological impact of being taken hostage is similar to that of being exposed to other trauma.

TYPICAL ADULT REACTIONS

Cognitive: impaired memory and concentration; confusion and disorientation; intrusive thoughts (‘flashbacks’) and memories; denial (i.e., that the event has happened); hypervigilance and hyperarousal (a state of feeling too aroused, with a profound fear of another incident);

Emotional: shock and numbness; fear and anxiety (but panic is not common); helplessness and hopelessness; dissociation (feeling numb and ‘switched off’ emotionally); anger (at anybody – perpetrators, themselves and the authorities); anhedonia (loss of pleasure in doing that which was previously pleasurable); depression (a reaction to loss); guilt (e.g., at having survived if others died, and for being taken hostage);

Social: withdrawal; irritability; avoidance (of reminders of the event).

Denial - a complete or partial failure to acknowledge what has really happened; has often been maligned as a response to extreme stress, but it has survival value (at least in the short term) by allowing the individual a delayed period during which he/she has time to adjust to a painful reality.

Two Extreme Reactions

Frozen fright - a paralysis of the normal emotional reactivity of the individual

Psychological infantilism - a reaction characterized by regressed behaviour such as clinging and excessive dependence on the captors

Learned Helplessness

May occur during extended periods of captivity.

In which individuals come to believe that no matter what they do to improve their circumstances, nothing is effective.

This is reminiscent of the automaton-like state reported by concentration camp victims (‘walking corpses’).

PHYSICAL REACTIONS

Hostages are likely to have to endure, particularly during sustained periods of captivity, an exacerbation of preexisting physical conditions, such as asthma and diabetes.

Also, the detention itself may generate new conditions due to a lack of the basics of healthy living, such as a nutritious diet, warmth, exercise, fresh air and sleep.

WRITING TIPS: THE ABDUCTION SCENE

Know your readers. Readers have expectations when they pick a novel category or genre. You could lose them with certain content. For the shock element, first construct a world where the victim lives in a secure cocoon with a happy routine and trust in their surroundings.

Be realistic. An abduction is action. There are a myriad of motives as to why someone would be kidnapped, and a thousand possible scenarios. The motives that drive the abduction, and the action sequences themselves, must be realistic. If readers don’t believe the reasoning behind the kidnapping, the scene deflates with no reader engagement. The key to realism is logic. Just as you methodically match puzzle pieces by color, size, or shape, a series of questions must be answered before you can interlock action sequences. Fitted together, the story flows because it makes sense. If it makes sense, the readers will accept and believe it.

Bring in personal dynamics early. As William Shakespeare shared in his brilliant writing more than 400 years ago, emotions—want, love, hate, jealousy, fear, joy—cause people to take extreme actions. Emotion is part of our personal dynamics, the reactive forces that drive us to respond to a situation in a certain way. A tip: Try bringing in the kidnap victim’s personal dynamics with family members and friends as soon as possible. This way, when the abduction occurs, the reader is emotionally invested and will be gripped by the fear and anxiety of the event. With personal dynamics, you control the story’s emotional thermostat.

Read the abduction scenes in your favourite crime novels or screenplays. Learn from other authors [Some Sample Quotes: 1 2]. Alternatively, you may consider researching real abduction cases for inspiration. Read background details of the victims and kidnapper, how it happened, and how they were rescued.

WORKSHEET: THE KIDNAP SCENE

Part I. From whose point of view is the scene? Put yourself in the character’s place and write what they are experiencing.

What do you want the reader to experience?

Firstly, what kind of person is your character? What would their personality permit them to do? How would they react?

Detail in advance who your character is. Are they young? Do they have any disabilities or weaknesses that can prevent them from fighting back?

Next, where is this scene located? A house would probably have to be broken into. Is the character alone? What if the scene is in public? Who is watching? Nowadays people are recording everything on their cell phones. Make sure to state whether there are witnesses or not.

Who is the kidnapper?

Is it someone the victim knows, or a complete stranger?

How do the kidnappers look like/act like? Do they wear a mask and black leather gloves? Or average clothes?

Why are they kidnapping the character? Does he/she plan on asking for ransom? Do they plan on assaulting the character? Killing them?

Detail the speed at which the scene is happening. Emphasise the worry and nerves of the kidnapper too. A great way to do this is by stating that they are sweating, breathing hard, rambling, or just “shushing” the victim.

Part II. Place the focus on the will to escape, dreams and thoughts your character is having about getting free.

Try inserting yourself in their place.

Now, describe physical things (for your character) such as nerves, common signs such as biting of lips, sweating, goose bumps on a person’s skin, the fear of being caught.

Depending on your character, they could manipulate the kidnappers and pretend to go along with their plan and/or pretend to be knocked out until an opportunity comes for them to fight back.

What tools and techniques does the kidnapper use? The scene should be in accordance with what kind of kidnappers (thugs, mastermind) you are describing. Keep in mind, thugs won’t plan a perfect abduction like a cold, calculating criminal.

Gagged, tied, put in a body bag.

Add if the character is blindfolded and if they try struggling to get away but ends up tripping instead and is pushed roughly back onto his/her feet.

Chloroform tends to knock out a person. If the victim is old, too young, not well built then chloroform works faster.

Tape over mouth is common to stop the victim from screaming, esp. duct tape.

Drugging food or beverages is a sly way a kidnapper can be anonymous.

If the victim seems to able to fight back then the kidnapper might use melee to soften them and then use whatever means necessary (e.g., drugs, chemicals).

Part III. Is anyone contacted?

Depending on why you want to write this scene, you must think about the loved ones.

Most likely the victim doesn’t have any way of contacting their loved ones. Therefore, the kidnapper holds the most control in this situation. The victim can try to convince the kidnapper to call their parents and tell them they are okay. In movies this happens quite often, and that’s when ransoms are made.

If they aren’t allowed to contact their loved ones, then the victim stays quiet and refuses to talk to anyone until they can have something that goes their way. But, this is only if torture isn’t involved. Otherwise, the victim will most likely open their mouth and start to talk. Remember, though, they can lie. If this whole thing is about money, they can lie.

Add another threat to heighten the stakes. Does the kidnapper tell the victim that they also have their parents? Or maybe if they tell them all the information they need, they’ll let the character go free? If they keep silent they’ll die? In other words, what is the next dilemma? Yes, they are kidnapped, but then what? What makes this whole ordeal that much dangerous?

How long are they held for? Where at and under what conditions?

The time can be anywhere from five minutes to several days or even weeks. It really depends on the motives behind the kidnapping. Usually, if the timeline is from five minutes to a full day you can write it out in full i.e., in real time. Otherwise, if it expands over several days and weeks, you can just sum it up in a paragraph or two.

Hopefully you stated where they are being located. If not, you can state it here. However, it’s not mandatory to say where. No need to go in detail, either. A simple: ‘The building was grey and old looking, but that’s all I knew’, would do.

Is the victim treated like well? Are they deprived of food or drink? Or, are they treated like royalty? Usually, if this happens, the victim might end up with Stockholm syndrome, where they actually start to like their captors.

Sources: 1 2 3 4 5 ⚜ More: Notes & References ⚜ Worksheets ⚜ Crime Fiction

So glad to hear this, thank you! Hope these notes help with your writing :)

[doeeyeseddie]

Piaaaaaa "brushing their arm against the other's, hoping the other would finally catch their arm and hold it close" please, we already know they constantly brush arms anyway!

fridaaaa this took me, once again, many months to get to and i sort of only vaguely filled the actual prompt, but i hope you still enjoy it <3

5+1 things, rated t, wc: 4k

[read on ao3]

I.

Eddie’s first day as a probationary firefighter is…interesting. Captain Nash welcomes him with the same warm smile he gave him the first time they talked, then leads him inside and shows him around the app bay.

“We’ll give you the full tour later,” he promises, “after you’ve met the rest of the team. You’re the first one here, if you want, you can change into your uniform now.”

He points towards the locker room – which has glass walls for some reason – and Eddie nods.

He’s just finished buttoning up his shirt when Captain Nash ushers a group of firefighters inside. Eddie runs a hand through his hair to make sure it’s tidy and smiles as Hen and Chimney introduce themselves to him with warm smiles and handshakes, welcoming him to the team.

There’s a third person with them, hovering in the background and glowering at Eddie. He’s young, probably around Eddie’s age, tall and very built, and despite his hostile expression, he doesn’t give Eddie the impression of being an asshole. It’s like the expression doesn’t fit on his face, like he’s not used to wearing it.

Chim grabs him by the arm and pushes him forward, giving Eddie a commiserating smile.

“And this guy is Buck,” he says. “He was our probie before you.”

“Nice to meet you,” Eddie says politely, stretching a hand out to offer a handshake. “You’ll have to show me how things work around here, then.”

Buck glowers down at his hand, and when he finally grabs it, he squeezes it too tightly, like he’s trying to prove something. Eddie squeezes back, amused by the pretense this guy is clearly putting on.

Behind Buck’s back, Hen rolls her eyes, but she’s also wearing a fond look, which only confirms Eddie’s assumption that Buck isn’t half as bad as he’s pretending to be.

From Captain Nash, he knows that they’re supposed to work together a lot of the time, so that’s gonna be interesting. He doesn’t know why Buck is acting like this, but he’s gonna find out, and then he’s gonna figure out a way to work with Buck anyway.

He didn’t come here to make friends, but he’ll be spending 50 hours a week with these people, and he has to trust them with his life for a lot of that time, so they at the very least need to bury whatever hatchet Buck is carrying right now.

Eddie lets go of his hand with a nod and a polite smile, and gives himself a week to figure Buck out.

II.

The days between the accident and the funeral are kind of a blur.

There’s too much to do and think about, too many decisions to make, too many people to call, too much to organize. He has help – Abuela, Pepa, the entire 118, but it still feels too much.

Shannon was 27, she didn’t have a will, they never talked about any of this. How is Eddie supposed to know how she would like to be buried, or if she’d rather be cremated? What kind of music she would want them to play at her funeral? This wasn’t supposed to happen. Not for a very, very long time.

But it did happen, and now Eddie is somehow supposed to know all this about her, his wife, the woman he’s only just let back into his and Christopher’s lives, the woman who asked him for a divorce and completely pulled the rug from under his feet just a day before she died.

Sometimes, he feels like he didn’t know her at all.

His parents are here “to help”, which should be a relief but really isn’t. They never liked Shannon and aren’t making a secret of it, even now that– now that she’s gone. So Eddie can’t involve them in the funeral planning, and he can’t even leave Christopher with them because he’s scared that they’re gonna take the opportunity to grab him and run, and someone needs to make sure that Shannon’s memory is honored, but she didn’t have any family except him and Christopher, and Chris is seven, so Eddie has to be the one to make this funeral beautiful, something she’d deserve, but he doesn’t know– there’s so much–

“Eddie,” someone says next to him, snapping him out of his spiral. “Come on, breathe with me.”

Eddie stares at Buck’s chest as it rises and falls with exaggerated breaths, trying to match him. When did Buck get here? He doesn’t remember letting him in, doesn’t really remember what he was doing before he started hyperventilating on his couch.

“Chris,” he gasps when he realizes that also means he’s not sure where his kid is. And of course he’s the kind of father who would do that only days after his kid lost his mom, maybe his parents are–

“Is with Hen and Karen,” Buck says firmly, grabbing his forearm. “He’s gonna spend the day with them and Denny, probably getting spoiled rotten. I borrowed Pepa’s key when we went over there so they could pick him up, she told me you might not open – sorry for barging in here, but I’m glad I did. I know you– I wanted to– Bobby and Athena are running interference with your parents. And I’m here to help you with all that.” He gestures towards the couch table that’s covered in forms, leaflets from funeral homes, and cards from grief counselors. “After Abby’s mom– I helped plan her funeral. So I’ve got some experience.”

Eddie just stares at him, biting the inside of his cheek hard to stop himself from crying. He trusts Buck, but he still doesn’t want to cry in front of him, doesn’t want to cry in front of anyone. But he does think that maybe he should give Buck his own copy of a key, so he won’t have to borrow Pepa’s next time.

Buck squeezes his forearm and gives him a small, sad smile. “We’re all here for you, Eddie. I got your back, remember?”

Eddie blinks against the tears in his eyes and swallows around the lump in his throat that’s keeping him from saying anything.

Instead, he twists his arm from Buck’s grip and grabs his hand instead, squeezing it in a silent thank you.

Buck squeezes back and keeps holding on.

III.

Buck gets to go home earlier than anyone expected, but Eddie has been to his new apartment, so he isn’t surprised when Buck texts him a picture of his couch with a sad face. It’s not ideal, but at least he has a bathroom downstairs and a girlfriend who can help if he struggles with anything.

Until he doesn’t have that girlfriend anymore.

Eddie doesn’t find out until after his shield ceremony, days after, actually, once his parents have finally gone home to Texas.

Buck says he’s fine, obviously, but Eddie starts going over every day he doesn’t have a shift anyway, because he knows Buck and can see how much he’s struggling with the whole situation, with the uncertainty of when and how he can return to work.

He brings Christopher most of the time. They’re not having the best summer either, Eddie still worries that he’s not doing enough to help Christopher deal with his grief, when he can barely keep his own head above the water of grief, guilt and fear.

Carla is doing what she can, watching Christopher whenever Eddie’s working, she found him a grief counselor and is even looking into more permanent therapists.

None of it changes the fact that they’re grieving. 

But when Christopher gets to hang out with Buck, he lights up every time, and so does Buck, which makes this a two birds with one stone kind of situation. Hanging out with Buck helps them both, too, makes their grief not the first thing on their minds for a little while.

Buck can’t move much, so they play board games and try to find one they all enjoy equally – it’s not easy, since Eddie likes luck-based games (he plays poker with his abuela and tía whenever he can), Buck prefers trivia and games relying on knowledge, while Christopher likes strategic games most.

But everyone gets to pick sometimes, and when they don’t want to play board games, they switch to video games instead.

Eddie knew that Buck and Chris get along well, they have ever since the first time they met, when Buck drove Eddie to Chris’ school after the earthquake during Eddie’s second week at the 118. But with how much time the three of them are spending together now, he can see them growing closer every day – and he loves it.

Buck is his best friend, and he genuinely cares about Christopher in a way that feels completely independent from Eddie.

One evening, while they’re playing a few rounds of Christopher’s current favorite video game after dinner, the kid falls asleep between them on the couch.

Buck smiles down at him and lowers the volume of the TV, which means he loses even more clearly to Eddie, but he had the win in the bag anyway, he’s sure.

Buck rolls his eyes at him when Eddie celebrates his victory with big, silent gestures, but he’s smiling, too.

Eddie grins at him, resting his arm on the back of the couch behind Chris, and Buck twists a little to face him. His leg, resting outstretched on the couch table in front of them, moves with him, and Eddie slides Christopher’s glass of water out of the way in a practiced move.

“I know you’re here to keep an eye on me,” Buck says, “and I should probably be annoyed. I– I was kind of annoyed, at first. But it’s hard to stay annoyed when he’s here, right?” He nods down at Christopher. “And I guess you’re okay, too.”

“Wow, thanks,” Eddie says, but he knows his glare isn’t convincing. “To be clear, we’re all keeping an eye on each other.”

“Yeah, yeah.” Buck reaches for Eddie’s hand, still on the backrest between them, and squeezes it – just for a moment, like he’s trying to get Eddie’s attention, like he doesn’t already have it anyway. “Thanks.”

IV.

Everything sucks.

It’s the uncertainty that gets to Eddie most, the not knowing how to help, how to stay safe, how to keep his loved ones safe. How long this is gonna last.

Every day, they have to see people die from a virus they know nothing about, and can’t do anything against.

And afterwards, they can’t even go home.

Christopher is part of a high risk group, and Eddie risks exposure at work every day, so obviously, he can’t endanger him by living with him. Chimney feels the same way about Maddie, and Hen also wants to keep her family safe, which is how the three of them ended up at Buck’s apartment, where they’ve been camped out for the past three weeks.

It’s generous of Buck to let them all stay with him, but the loft is not made for four people to live there, and they’re all feeling it.

Eddie loves his friends, but spending every minute of every day with them is starting to wear on him. They all try to give each other space, using the balcony as an extra room or going for runs outside, but there’s only so much they can do. 

He hates being separated from Chris, it makes him feel like he’s breaking his promise to never leave him behind again. Christopher says he understands, but Eddie worries anyway. He trusts Pepa, who’s working fully remote and offered to stay with Chris, and they talk every day, but it’s not the same as being there.

Whenever he talks to Chris on the phone, he feels better in the moment, but worse the second they hang up. While they’re talking, he can almost pretend that things are normal, but it all comes crashing down afterwards.

He hasn’t hugged his son in weeks, and he has no idea when he’s even gonna see him in person again.

Buck joins their calls most of the time, at least for a few minutes, and he sits next to Eddie on the bed now, shoulders slumped where they’re touching Eddie’s. In a world where he has to keep his distance from almost everyone, except the patients he’s treating and the people he’s living with, touching and being touched by Buck is a real comfort.

“This won’t be forever, Eddie,” he says, almost desperately. 

“But for how long?” Eddie asks, and it comes out sounding a little wobbly.

He’s not embarrassed by it anymore – Buck’s seen him in all kinds of situations, and they’re currently sharing a bed, so he’s seen him cry anyway.

“I–I wish I knew,” Buck says. “I wish I could– fix this.”

Eddie wipes at his eye and laughs a little. “The whole pandemic?”

“If I could, yeah.” Buck shrugs.

Eddie presses even closer to him for a moment, a gentle pressure of their shoulders, arms and thighs against each other. “I wish you could, too. But even if you can’t – I’m glad you’re here.”

“Of course.” Buck smiles at him and places his hand on Eddie’s thigh, palm up.

Eddie smiles back and grabs his hand, squeezing tightly.

“Okay,” he says, taking a deep breath. “I think it’s our turn to make dinner tonight – you ready?”

“Ready when you are,” Buck says, but he doesn’t let go until Eddie does.

V.

After Chris has gone to sleep, after Eddie has finally stopped crying, after Buck has wrapped his knuckles and cleaned up the worst of the mess in Eddie’s bedroom – the shards, the pieces of drywall, the fallen furniture, he makes up the couch for Eddie to sleep on. Eddie wants to help him, to tell him that he’ll just sleep in his room, but he can’t seem to move from his seat at the dining table.

Everything feels like too much, his hands hurt and his head worse, and he can’t stand the thought of Buck leaving. He’s exhausted, but he knows he won’t sleep if Buck goes home now.

But he can’t ask him to stay, not after Buck already dropped everything because Eddie couldn’t keep it together. He probably had plans, and Eddie ruined those too.

He can already feel the hot burn of tears behind his eyes again and drops his forehead onto his arms, folded on the table in front of him.

Buck’s hand lands on his back, warm, then travels up to squeeze the back of his neck gently.

“You ready to sleep?” he murmurs, and Eddie makes a noncommittal sound. “Come on, you must be exhausted.”

Eddie shrugs and Buck’s thumb brushes along his hairline.

“You don’t have to go in there, I can get you anything you need,” Buck says quietly. “And I’ll be right next to you in case you have a nightmare.”

“You’re staying?” Eddie asks, lifting his head. Buck’s hand stays where it is.

“Of course, Eddie,” Buck says, like it’s that easy.

And maybe it is that easy, Eddie thinks when they settle in next to each other in the living room, Eddie on the couch and Buck on a makeshift bed next to it. He’s pushed the couch table to the side to make room for it and it looks like he’s dragged Eddie’s mattress here, so at least Eddie doesn’t need to worry about him sleeping on the floor.

They’ve been by each other’s side through so much shit, maybe it’s not such a surprise that Buck wants to be here now too. He’s just not sure he deserves it.

“I’m sorry,” he says, staring up at the ceiling instead of looking at Buck. “You had plans– I’m sure you didn’t want to–”

“You have nothing to apologize for,” Buck says firmly. “Of course I’ll come whenever Christopher calls. O–or if you need me. I’m here, okay?”

“I keep thinking about her,” Eddie mumbles, pressing the heels of his hands to his burning eyes. “Mills. Last August– I should’ve– if I’d picked up the phone earlier–”

“This isn’t on you.” There’s rustling and then Buck is gripping Eddie’s forearms, trying to gently pull his hands away from his face. “I d-don’t know what Mills was going through, but I know that you couldn’t have known how bad it was. It’s sad, and it’s unfair, but it’s not your fault. And I know you’re feeling all these things now, but Eddie– I’m so happy you’re still here. I need you to– know that. Okay?”

Eddie finally lowers his arms, but instead of letting go fully, Buck just grabs his right hand and holds on. His eyes are wide and scared, and Eddie has scared too many people he loves tonight.

“Okay,” he says, even though– well. What makes him special? Why should he be the only one to get out? He’s not a better person than any of them, he doesn’t have a right to happiness or whatever he’s been deluding himself into believing he could have. 

But he knows that he can’t tell Buck that now (or ever), knows that it’s a dark road to go down.

Maybe for tonight, with Buck by his side, he can keep the thoughts at bay for a little bit longer. After that– he has no idea. But Buck is still holding his hand, and Eddie may not deserve him, but he trusts him.

He thinks it may just give him enough hope to get through this night.

+ I

“This was nice,” Buck says, holding the door for Eddie as they leave the restaurant. “You, uh, you really didn’t have to pay, though.”

“I wanted to,” Eddie says with a smile, glancing right towards their cars and then left to where the beach is only a short walk away, and finally back to Buck’s face, finding him already looking back. “How do you feel about taking a walk?”

Buck grins, turning left. “Let’s go.”

They’re not on a date, or at least they haven’t called it that, but Eddie has been thinking that it feels like one all night. Technically, they’re two friends trying out a new restaurant together. They drove here separately, no one pulled anyone’s chair out, they talked the same way they always do.

But Eddie spent half an hour picking something to wear tonight, Buck is wearing a shirt that looks new and gorgeous and fit for a date, and every time their eyes caught across the table, Eddie thought that maybe, Buck wouldn’t pull away if he reached out and took his hand.

It’s not the first time Eddie has thought that. Ever since Buck and Tommy broke up, it’s felt like maybe they’re heading towards something, familiar touches lingering and turning into something new, gazes catching and then holding instead of looking away.

Buck was upset for a little while afterwards, but he admitted to Eddie that it was more about another failed relationship – and his first one with a man, after he thought he’d finally figured out what was missing, than about Tommy as a person.

He went on a couple of dates, with men and women, but nothing ever stuck.

Eddie was going through his own stuff at the time – he eventually came out to Buck a week before Chris finally came home, and Buck hasn’t been on a date since.

Sometimes, Eddie wonders (hopes), if the two things are related.

Still, neither of them has called tonight a date – yet.

Eddie glances at Buck’s profile while they’re walking, and wonders what he’s waiting for.

Yes, it’s scary because Buck is the most important person in his life right after Christopher, but it’s also not, because this is Buck. Who has been by Eddie’s side through the worst, most painful, most humiliating times of his life, and is still here. Buck, who Eddie trusts with his life, and his son, and his heart.

Buck smiles at him and Eddie smiles back, heartbeat picking up. He’s doing this, he’s gonna tell Buck how he feels. Any minute now, he’s gonna be brave enough.

“Hey,” Buck says, “it’s just me.”

“I know,” Eddie says, and his heart thumps against his ribs. He lets his fingers brush against Buck’s on their next swing and watches as Buck bites his lip, smiling down at the ground. Hushed, like a confession, he adds, “Are you nervous, too?”

Buck looks back up at him then, eyes glittering in the dark. “Y-yeah. I am.”

They’ve reached the edge of the beach by now and bend down to take off their shoes without having to talk about it.

When they start walking again, they’re even closer than before, the backs of their hands, their elbows and shoulders all brushing with every step.

Eddie keeps stealing glances at Buck, and almost every time, Buck is already looking back.

There aren’t many people at the beach at this time of day, so they don’t come close to anyone else, and all they hear is the sand beneath their feet and the waves crashing a few feet away. The moon is big enough to be reflected on the sea, a beautiful sight, but Eddie still can’t look away from Buck for long.

“So, this is, uh, kind of romantic,” Buck blurts out after a few quiet minutes. “Right? I–I’m not misreading that?”

“No,” Eddie says. “I mean– you’re not misreading it.”

“But you’re nervous.”

When their knuckles brush again, Eddie stretches out his fingers and catches Buck’s, holding on. Buck’s own fingers tighten immediately, and it gives Eddie the last bit of courage he needs.

“Well, yeah. Buck–” He stops walking, and Buck follows, turning so he’s facing Eddie. He’s close enough that Eddie can see his expression despite the dark, and he looks terrified, hopeful, nervous and excited at the same time, all of which Eddie feels, too. Eddie takes a deep breath. “I’m nervous because– nothing…no one’s ever been this important.”

A smile spreads out across Buck’s face, slowly deepening the crinkles around his eyes. “So this was a date?”

“Did it feel like one to you, too?”

Buck’s smile widens. “Yeah, i–it did. And I’m–I’m nervous too, of course. Eddie, if we do this, there’s no going back for me. I can’t– lose you. You and Christopher, you’re too important.”

He pulls on Eddie’s hand a little, and Eddie takes another step closer, drops his shoes in the sand and places his free hand on Buck’s shoulder, thumb resting against his collarbone.

“It’s the same for me,” he says quietly. He shivers when Buck grabs his waist, the warmth of his hand seeping through Eddie’s shirt. “I– We don’t know what’s gonna happen. But, Buck– I love you. I love you so much, I have for…way longer than I was aware of it, and I just don’t see that going away. And I don’t think it’s fair to us to deny ourselves when I really think we could make each other– so happy. I know I can make you happy, and I want to prove it to you every day of my life, Buck.”

Buck is just staring at him with a dazed expression, his lips slightly parted, and Eddie suddenly can’t stand not kissing him for a second longer.

He slides his hand from Buck’s shoulder to the back of his neck, watches Buck’s eyes flutter shut and feels his fingers tighten on his waist, and then he’s finally, finally closing the distance between them.

Buck makes a soft sound against his mouth, like he’s still somehow surprised this is happening, but he gets on board very quickly, and Eddie stops thinking entirely.

When they pull back breathlessly, Eddie’s hair is a mess – he can feel the loose strands on his forehead – his lips are still tingling, and Buck’s got both arms wrapped around him tightly.

“In case that wasn’t clear,” Buck gasps, and lifts a hand to cup Eddie’s cheek. His thumb brushes over Eddie’s chin and caresses his lower lip, and Eddie presses a kiss to the pad of it. “I love you, too.”

[halfwayunder]

Caitvi will reunite in Act 3 as part of the Piltover-Ambessa war.

Don't read if you don't like trailer scene-by-scene dissections and want to keep yourself in the dark! I just wanted to share my thoughts. Based on clips from the trailer, where we see both Vi and Caitlyn wearing that same black and gold enforcer-looking armor, the reunion is inevitable. Also based on how Act 1 ended and has set up what's to come, as well as clips from the trailer again, through one way or another Ambessa will lose influence over Caitlyn and upon realizing she cannot control Piltover through a puppet, will be desperate enough to try and conquer it directly. She has no other option. In Act 1, Maddie said to to Vi what Cait said about her "if every enforcer had a heart like yours we would be able to take on Noxus itself" this was somewhat of a throwaway line but I think is foreshadowing the war. We see in the trailer at 1:24 Ekko and the Fireflies in Piltover swooping down from the sky toward Noxan soldiers, I believe that the battle with Noxus will have a temporary or partial alliance between Piltover and some of Zaun and help heal relations with a common enemy that manipulated them both. I say some because Jinx will probably remain a hostile third party to everyone and show up near the end as an even more final enemy after the Noxans are bested perhaps. We also see what looks to be scenes of enforcers battling Noxan soldiers and that explosion at the tower where Vi is carrying someone to safety.

Ambessa fighting enforcers (the guy on the right hand side) with Noxan warriors to the left.

Vi carrying someone in similar armor to her own to safety. I first thought it was Caitlyn but now I think it might be someone else because it looks like they're wearing a helmet if you look to the far right of the image. You can't see any neck skin, hair or a head.

Blue fish guy from the strike force squad with some enforcers. You can see the red banners of Ambessa's ships in the distance (we know this from another clip where Vi and Ekko are on his board together, you can see a ship in the water below them.) This is just before an explosion forces them to take cover.

And of course, our girls are wearing matching armor! And Vi has a new pair of gauntlets! So with fears of them not getting back together soothed, my only concern now is what happens after they do. I don't think the writers won't indulge in a 'kill your gays' trope and have one of them die after they reunite and reconcile, they've shown themselves to be really good so far. They did say the ending would be a "gut punch" but that could reference any number of things. I'm more worried they might have both gone through too much to get back together after all this is over and their ending will be more bittersweet where neither dies and they don't hate each other, but their life paths just take them different ways now. When I say I'm worried about it that doesn't mean I'm sure or think there's a high probability it'll happen. I just think it's a possible outcome. At the end of the day I just REALLY REALLY want them to get married and live a happy life together tbh. They deserve it.

[lucyskywalker]

I’m actually very curious to know why you don’t like jonsa! my reasons for example are: their fandom is acting way too insane for a ship that never happened and won’t ever happen; kit harington is unfortunately ugly. what are yours?

There are so many reasons that I dont even know how to begin with.

Alright. Let's go.

1st reason: It is only solely based on the show, and I really mean that. When you get to read metas and posts surrounding the ship, u realize these people never opened the books, while traying to pretend they did. I'm not being entitled. It is just obvious with what they write. Everything is taken out of contest. Especially surrounding Jon's pov and his lack of relationship with Sansa.

+ I despise the show. The only good thing about D&D's creations were the Dragons CGI and the dothraki and valyrian language, and it ends there. Out of it, everything sucks. They have rewrote all the female character in such a sexist and ridiculous way that I can't even start explaining for you.

2nd. I ship jonrya. Ik it is not everyone's cup of tea, but I do. And no. Idc if they become canon or not. I like the concept. I love their relationship. And I love what they can become. Now why the fact I ship Jonrya actually matters? Well, specially after season 7, a lot of Jonsa fans started taking things from Jon PIV that were about his love for Arya, and make it be about Sansa, with ridiculous excuses for their takes. The most commun and easy example being "What do you know of my heart, priestess? What do you know of my sister?" When Jon asks Melissandre, he is referring to Arya. And no. It is not a different interpretation. It is about Arya he is talking about. Another one was "Would you bed your sister?" And Again Jon thinks about Arya, but when you read Jonsa's metas; they say he is thinking about Sansa. Another common Jonsa take is that Jon died for his men in the books, or for Sansa, when again, this is not the case. He died for Arya. And that is explicit on the text with no room for other interpretation. No wonder why the last thing he tought was about her.

Jonsas straigh up lie about what happens in the books to support their takes, or they just read metas here on tumblr and believe it. Idk and neither do I wish to know.

Not only that. They started behaving as they had a moral high ground over jonerys and jonryas... when they don't, it is still incestuos and still problematic to modern standards - not only that, they behave entitled to this day, and attack Jonrya shippers and Jonerys shippers in a real coward way.

Many, many times, I received anon hate telling me to *kms*, slit my wrists. Someone even wished for me to get raped over a fictional ship.

My disdain over the ship is not only with the ship itself, hence taking a lot of Jon's dynamic and bound with Arya to give it to Sansa, which is really important in both of their stories and arc, but mostly about the fandom, and how I was affected by it. If it was treated only like a crackship (what book wise, actually is), as my beloved hitsukarin from bleach, I would have no problem with it.

But the community is far one of the most toxic ones I have ever seen or been in contact with. Actually, dealing with them heavily impacted my mental health.

3rd. I really didnt like Sansa way before dealing with the fandom. Since my favorite is Arya, the way Sansa treated her never vibed with me. (And no. It isn't normal sibling behavior. I am an older sister. I would never do half of the things Sansa have done, not even on 11). After book 1, I felt pity for her, but she still was the last interesting character for me, even if her Vale story was.... I guess, more berable.

After getting into the fandom, tho, Jonsas and Stansas ruined Sansa for me in every possible way as well to the point I read her chapters and I won't feel any kind of enjoyment in her journey or her character. She is my least liked character, not because "she is the most horrible person in the books" (she is not. She is far from being that. ) but because her fans made me feel terribly bitter about her. It is not logical or fair, but again, I'm not trying to be.

[ashironie]

reblogging bcs i have a lot of thoughts

i fucking HATED how Jon treated him s1, we also have to remember that before we see ANYTHING of Martin straight from the horses mouth, we see him from Jon’s pov. And Martin probably wasn’t very good at his job, but that’s reasonable since he transferred from the library to an archive, he most certainly didn’t expect to be in research 2.0. Martin has no clue how to do his job and he couldn’t let anyone know that because he wasn’t even supposed to be there. The reason i started liking Martin was because i hated Jon, and the reason i hated Jon was because he was mean to Martin. My thought process was thus; Jon’s an Ass to Martin for really no reason, so I’m going to like Martin to spite Jon

Now, i too sorta dislike s5 Martin, when i first listened i found him to be really whiny and kinda ungrateful. During my relisten a lot of the problems i had with him were lessened because i was just so unuse to this new Martin, and before, he would do everything I would, but now he was a lot different, which gave me whiplash. it’s like expecting the driver in a car to take a turn and then they just don’t, you can’t blame them but there’s a sense of wrongness in your stomach. Now again most of these problems i had were fixed when i relistened, knowing what was going to happen, and that was my main complaint with s5 in general, expecting a turn and the driver just keeps going straight

Now going back to s1 (since i realized i didn’t explain my point very well). When ever Jon talked about what Martin did it was heavily biased, and whenever we hear Martin talk it’s around Jon. Around the person he doesn’t want to get in trouble by. We heard in the beginning of s5 tapes that Sasha and Tim were a lot different then when being recorded in s1, so obviously Martin (with a more easily identifiable reason) would also be a lot different. Then when everything went down and he dropped the act a little, we do know he was still acting. The tapes we get in s3 before the Unknowing are the closest thing we get to him being genuine, and even still he doesn’t want to admit how much of an asshole he is.

Now it’s fine if you don’t like Martin, he’s specifically written as a very complex person, and that means that sometimes people just hate him for no reason. But I dislike the criticism that his personality was very touch and go, it’s just that we didn’t know what was actually going on in his head until end of s4 and s5.

Now my defense of why I like Martin is;

He has a very heavy faun response, which same, and that aspect makes him really interesting to me. Being manipulative and having a heavy faun response are the same, but are seen differently.

i detest the idea that he is never in the wrong or that he’s just a sweet cinnamon roll. Martin, early on, just follows the lead to anyone who makes it seem like they understand even a little, then does a full 180 into thinking he knows what’s right and wrong without any input from anyone. Then realizes that, he really doesn’t know, nobody does, and he still thinks he knows better more often than not, but he recognizes this in himself. There is no ends to anyone’s character arcs in TMA, they still grow and struggle with the same things, but they find new solutions and new problems. And i think all of that is really interesting! It adds to the tragedy, it’s fine if a character dies when they are finished atoning for whatever narrative sin they have be set up with, but it’s tragic when they never get to! They are told what they need to do, and try to do it, but die before they can. Sasha died before she could be anything but a memory, someone who almost just haunts the narrative. Tim died in a noble way, but ultimately pointless one, as we come to find out. He is still just as angry, and he still didn’t bring the two people he wanted to save back from the dead. He didn’t win, even if he and everyone else thought so. He could’ve healed, but he killed himself before he could. And Martin tries like hell to figure out how to listen to people without only listening to him, and he fails a lot, a LOT a lot. But he died before he could just relax. Jon was the same, he got too deep and thought that, with enough time, he could figure out a way, not out of the hole, but closer to the surface. And he would’ve, if given the time. But he was dragged back into the same bullshit by the same man and by the same fear.

sorry that one was a lot longer but yk.

Martin is also stubborn. He was endlessly patient with Jon early s5, and the idea that he’s impatient the rest of the season i disagree with. He is just very careful with what he gives his time, maybe a bit to careful, but again with him over-course correcting. But he is still very stubborn, which i feel like is a good word between perseverance and determination. He knows that they will find a way to get everyone safe, as much as possible. He is too patient to believe the easy answer, and too persistent to allow everyone else to settle for that either. He does dumb things sometimes, but when has a tma character not? but is still fiercely protective of his people and ideals. if not a bit misguided at times

I'll be so honest with y'all, I always thought Martin was written to be an intentionally dislikeable character (like s1 Jon) for like character development or something, and then I was even MORE sure of that by season 5, and then they just kinda never touched on it and the fandom was all obsessing over him and it's like?? What do y'all see in him unless you relate to him omg 😨

[my-thoughts-and-junk]

thinkbing about. him

[halfyearsqueen]

rhaenyra’s notion of freedom is basically ? the idea she isn’t wholly stuck in place, that she’s not trapped, and that she can leave whenever she wants to, that her destiny isn’t wholly fixed .

[noisilyscreechingsong]

Disney princess Danny

It’s known that animals can sense death. Instances where pets gravitate to someone on their death bed and dogs barking at ghosts. Danny already knew this from before he half died, so he was expecting animals to rat him out with their sixth sense or become aggressive or cower from him. Instead, they all behaved the complete opposite than he anticipated.

Stray cats come running to rub against his legs, dogs nearly pull arms out of their owners sockets to get close to him, birds bring him trinkets, raccoons lead him to trash cans full of food, and even squirrels and rats get close to just sit on his shoulders. It’s… weird, but not unwelcome. He always loved animals.

Danny had come to semi-trust the animals that come to him. They know where the good food is and drinking water, they know when to steer away from a certain area right before something happens, and they always know when a person is bad or okay. So when an animal leads him somewhere, he follows. Sometimes they need help and he’s the one they go to. He’s helped plenty of raccoons out of garbage bins and cats out of gutters to have a good relationship with the animals of the streets.

What he isn’t expecting is to be led to Robin again and again.

The first time it was a cat. A mangy old Tom cat that rubbed against his torn up jeans and looked back with - Danny swears- a raised eyebrow. Danny follows and soon enough he finds himself standing a few paces away from Robin who is kneeling down to give clean water to the momma cat and her three kittens.

Robin freezes and so does Danny. They stare at each other.

“Um, hi?”

Robin straightens immediately, leaving the water on the ground where the cats can drink. Tom cat swaggers over to guard them.

“Civilian. Is there something I can assist you with?”

The dude is probably a year or two younger than Danny himself and he has to suppress a smile at the formal tone.

“Oh, uh, no? The cat just led me here.”

He can see Robin glance at the Tom cat who was now licking himself.

“Is that so?”

“Yea. Sorry to interrupt. Animals just like me for some reason.”

The three kittens one by one all totter over to him on unsteady legs after they had their fill. The orange one starts trying to climb his pant leg with its short and sharp claws digging into the jean material.

“They really like me.”

He carefully sits down crossed legged so the others could also climb all over him. Robin watches for a moment silently and when he sees Danny react well to the little pricks from tiny claws, he seems it safe enough to return to patrol.

The second time it’s a couple of rats that lure him away to find Robin fighting off more thugs than he probably should by himself. So taking the rats’ movements as encouragement, he takes the closest thing, a piece of plywood, and hit the nearest guy over the head with it. The guy crumbles like a wet sock and Danny is moving on to the next thug.

They sweep the floor with these guys with only a few splinters and a twisted ankle.

“It was dangerous to intervene,” Robin tells him. “I had it handled.”

“Yea, I know.”

The vigilante didn’t seem to be expecting that response from his stunned silence. He straightens as much as he can with bruised ribs.

“Well, I’m glad you know your mistake. Don’t let it happen again.”

Danny neither agrees nor disagrees, just shrugs and allow the rats to climb up his leg to his shoulder. Robin looks at them curiously. Danny gives a salute before leaving. Robin gives him a nod.

The third time it happened the roles are reversed.

Some people from the local gang are bullying the lonely, homeless teen to run drugs for them. They don’t seem to understand the word ‘no’. It gets to the point where Danny finds himself with his back against the wall and all his exits blocked with a guy shoving him again and again.

“Stop it!”

“I’ll stop if you agree.”

“I’m not doing it!”

Frank the raccoon and his buddy Bobby launch themselves at the guy’s ankles. The guy shrieks and pulls a gun.

“No!”

Before Danny can dive for it, a projectile comes out of nowhere to knock it out of his hands. He can’t even process what happened before the three are running away, two raccoons chattering at their heels before coming back to crowd him in worry.

Danny looks up to see Robin with a sword out threateningly, staring at where the three fled. He sheaths the sword after a few seconds.

“Are you okay?”

Danny realizes he’s breathing a little heavy and slows down a bit as he leans over to pet the top of the two heads.

“I’m- yea, I’m okay. Thanks for the save. Those guys were jerks.”

“I’m inclined to agree.”

Robin is staring at the raccoons and it takes Danny a long moment to piece things together.

“Did- did they lead you to me?”

Robin doesn’t answer right away.

“You have loyal friends.”

Danny smiles at the weird compliment. Looking down at the two heroes of the evening Danny is also inclined to agree.

The fourth time is funny in a way Danny doesn’t know how to describe.

It was the pigeons. They were at fault of course for how Robin’s secret identity was outed. By pigeons.

The grey birds swarmed Danny and settled in a cloud of feathers. One holding something in its beak before plopping it down in his lap like a golden retriever. It flaps off as Danny picks up the obvious wallet clip holding quite a bit of cash and a student ID. The card says Damian Wayne from Gotham Academy. Just then Robin comes skidding around the corner, clearly out of breath and freezes.

Danny looks down at the clip in his hand and back up at the vigilante. He looks at the crazy amount of birds around him and again at the vigilante.

Said vigilante straightens and approaches like he called Danny there.

“If I could have that so I could return it to its proper owner.”

He holds out a hand with false arrogance, but Danny can see the nervousness in his stance. Danny looks down one last time before putting the clip in the outstretched hand without a word.

Robin nods once, pockets the ID and money, and immediately leaves.

The fifth time just cements what Danny had already figured out.

He was at the park. Not Ivy’s park of course, the one where people actually like to go. He was helping the squirrels find and hide acorns when he’s nearly knocked over by a massive black dog.

“Titus!”

The end of the Great Dane’s leash is a familiar face. Damian Wayne’s eyes widen in recognition as he finally sees who Titus was so excited to get to.

“Uh-“

Danny has to close his mouth quickly or else the massive tongue on his face would have turned into a French kiss.

“Titus! Heel!”

Danny laughs at the embarrassed blush on the other’s face, obviously not used to his companion going off the rails like this.

“It’s alright. We both know how animals like me.”

Damian narrows his eyes to analyze the teen. Danny wasn’t about to pretend and Damian looked like he was debating whether to follow his lead or not. There was literally no one within hearing distance.

“Have you told anyone?”

Danny thought about redirecting, but thought better of it. He actually liked Robin and what he did.

“Nope. I haven’t and I won’t. I swear.”

Damian tilts his head and then looks down at Titus. He seems to come to a decision before looking back at Danny.

“You’re homeless, are you not?”

Didn’t think they were being that direct but sure.

“Yea?”

“I will pay you in food and shelter to take care of my animals.”

Danny blinks. Then actually considers the offer.

“What kind of animals? How many we talking?”

Damian grins.

The family finds out pretty quickly when a teen they’ve never seen before walks into the Batcave with two pails of food for the bats, Titus at his heels and Alfred the cat perched contently on his shoulders.

Duke stares and Bruce short circuits.

“Um, who are you?”

“Hi! I’m Danny. Damian employed me to take care of the animals.”

“O…kay?”

“And where is Damian?” Bruce sounds like it physically hurts to ask and Danny does not envy Damian’s position right now.

“Upstairs. I think he said he was going to his art studio.”

Bruce marches past the boy to the stairs before stopping abruptly and turning to Danny and Duke.

“Don’t touch anything. Watch him.”

Duke and Danny blink at each other for a moment as Bruce disappears up the stairs.

“I’m Duke by the way.”

Danny grins.

[nochepsicodelica]

Toji who leaves hickeys all over you so often that you have to push him away when you start looking like you fought an octopus.

"Toji, you know these aren't always gonna be so small. They're gonna end up looking like bruises. Just look at the ones you already left."

"Mhm," he hums, already leaving another one on your shoulder blade, releasing your skin with a wet smack of his lips. He rubs his spit into the mark like it's some sort of salve that'll make it last longer.

"I'm fine with these," you say, looking at all the one's he left on your chest and below. "but my neck... i'm running out of makeup, baby. I won't be able to cover them if you keep this up."

"Then don't." He would just love that. Despite how nonchalant he sounds about it, it's a highly recommended suggestion. He would genuinely love it if you walked around with his marks all over your neck. People will automatically know that you already have someone you get freaky with.

"I have to go to work sometime. I wouldn't be able to take having my neck stared at by everyone I talk to. No more neck hickeys."

He nears your neck, again. The second you say he can't put another mark on it, he spots a clear area and leans in, lightly pressing his lips against it.

"Tojiii," you whine, leaning forward, away from him. "Leave it alone."

"But, it's clear. It's lonely without being marked like the rest of your neck." He scoots forward again, putting his enormous hands on your waist to pull you close. "I'll be quick. Just-"

"Mm-mm. No," you interrupt, brushing his hands off of you.

"I might just die if you don't let me do this, ma."

"Really?" You raise your brows in disbelief.

"Really," he responds, so confidently.

You scoff. "You're so dramatic. You won't die if you don't get to suck on my neck."

"Who knows? I might spontaneously collapse because of it. Weirder, more unexplainable things have happened."

He's so dumb sometimes. Your hunk is absolutely ridiculous, and yet you find yourself weighing towards his point in this.

"Would marking up that blank space actually cure you?" You feel as silly as him for asking the question.

"Who's to say?"

You tilt your head and deadpan. "Right. I guess i'll take my chances and just keep the random patch of unmarked skin on my neck."

"Hey, that doesn't mean we can't try. Come on, now."

You groan and roll your eyes before making your way back to him. He cups your cheeks, smirking as he looks into your eyes, before turning your head to expose the blank area on your neck.

"It's a reaaally good spot, doll. I think i'm gonna make it."

You huff, unable to look at him because of the way your head is turned. You feel his tongue slide over your neck, the gesture transitioning to his lips kissing the area and then it feels sharp. His lips leave a stinging sensation with every second that they stay on you.

"Ow, fuck, you vampire. It feels like you're actually trying to suck the blood out of me." You wince. "Are you done?"

"Yeah, yeah. I'm done." He admires his masterpiece and smirks with pride. You have an entire collar of hickeys that he put on you, and the newest one looks mean.

"You look pretty. Could eat you up, mama." He swipes at the new mark with his thumb, looking at the color that will remain on your skin for the next few days.

"I can tell. You already devoured me. You're insane. Just look at all of this," you say, running your hand over your kiss stained neck.

"I was just nibbling on you," he speaks, into your jaw, before smoothly laying you down, onto the bed. "Just wanted a little taste," he says, taking your hands in his and pinning them above your head. "Am I really insane for that?"

"Um..." you laugh, making your flustered state obvious. "Yes?"

"Damn." He gives you a long, deep kiss, that makes you forget what you were talking about. "You think i'm crazy?" You hum, and he does it again.

"Haven't you played with me enough? I feel like i'm some chew toy for you." You giggle, feeling his lips on your cheek, trailing towards your jaw.

He hums, dismissively. "Found more blank space."

[dcxdpdabbles]

DCxDP fanfic idea: Danny's Did you know?

Danny is a contact creator.

He started off as a kid who wanted to dump info about space or other interests, making it more "Did you Know" as his theme, but his channel really took off the first time he invited a ghost to speak about the era that came before.

No one knows Sidney Poindexter is a ghost. Ghosts usually do not appear on camera; if they do, they are always a blur or barely visible outline. That doesn't come into play when the camera happens to belong to the Ghost King, who is unaware of the title.

Due to this, the ghosts, as his guest stars, turn out to look like normal human beings. There is no glow, no see-through effect, and the only odd thing about them is how they dress.

Even Poindexter's coloring could be explained with some well-done make-up.

They think he's just someone wearing a costume and pretending to be from the 1950s, using information Danny had researched. Danny's interview with Poindexter became an instant hit among those who applauded the genuine authenticity of what the 1950s actually were like.

Not only that, but Poindexter's reactions to modern terms and objects that Danny presents are hilarious to the viewers, as he never once broke character. There is even an entire section where both grumble about the bullying issue in their shared high school.

A particular scene becomes a trending meme.

"Did you know Dr. Seuss coined the word "Nerd" in 1950? He used it in the book If I Ran the Zoo," Danny tells Poindexter.

The other teenager rolls his eyes. "Of course, I knew. It was published in my first year of High school. I was one of the first to be called nerd, you know? It would have been more impressive if it didn't take the entire football team four days to read."

"Four days!?"

"Dr. Seuss's writing style saved the American reading levels back in my day."

"So we have always been stupid, huh?"

Danny's next guest is Johnny 13, a biker from the early 1980s who spends most of his time flirting with Danny—who doesn't acknowledge the attempts—and proudly tells the viewers he may have been there, but he was too poor to know much about the 1980s.

"What were the trends in that era?" Danny asks Johnny after considering his notes.

The biker shrugs. "I think cellphones? They were too expensive for me or my block. Never saw one in real life before I died."

"Well, one trend was waterbeds. Did you know that waterbeds were invented in the 60s? They were made by a design student but weren't popular until the 80s, making them popular for the sudden rise of sex appeal." Danny says with a cheerful grin.

Johnny 13 tilts his head, considering his words. "Radical. I couldn't afford a mattress, much less a waterbed, but I bet they were fun. If you can get your hands on one, I would happily show you how fun they can be."

Danny rolls his eyes and then considers something. "If you couldn't afford a mattress, how did you get your bike then?"

"I stole it. Car theft was effortless back then after hotwiring took off." Johnny's smirk turns dark. "I stole to keep myself fed. Bad luck followed you everywhere when you started at America's rock bottom. Only crime could get you out, and even then, life was shit."

Danny reaches out and pats his shoulder. "At least you got to live through one of the best eras in our history."

"Nah, I died in 1983. I missed it, but do you know who actually got to live it? Ember. She died in 1990."

Next week, Ember strikes an alarming resemblance to the one-hit-wonder singer Ember McLain, who had nearly made it big a few years ago.

"What were the 80s like?"

"Terrible, everyone hated me in school, and AIDS was killing all my friends."

Danny pauses for a long moment, looking horror-struck, until Ember shrugs, "But Glam rock was made popular, which was kind of cool."

"Glam?"

Ember smirked at the host, holding her guitar. "Want to hear some?"

By the end of her performance, everyone was losing their mind that Danny Fenton somehow knew a big name like Ember Mclain, and her music once again started to trend. So much so she released another song called "Lost," dedicated to all her fallen friends who died in the AIDS epidemic.

It goes on and on, with each new video showcasing different times and people from those backgrounds. Tim Drake never misses an episode as a dedicated follower of Danny's Did You Know?

He also thought it was a gimmick to make the show entertaining and thought nothing of the hilarious conversations—not when the host was such adorable eye candy.

Things are normal until Tim watches Danny interview Greta Hayes, who died in the late 90s. His very dead, very much a ghost teammate who happily tells the story of her life while looking like an ordinary girl for the first time.

It's not even someone dressed up as her. She makes an apparent reference to some slang Bart uses, and a few of the team's inside jokes are sprinkled into the conversation.

Tim feels a headache coming on. After watching the episode, he grinned darkly as he picked up his phone and called Bruce.

"So we may have a problem. Either a necromancer with an insane amount of skill or something similar. We need to go to Amity Park to investigate Danny Fenton."

Bruce sighs. "Tim, I am not helping you stalk your internet crush-"

"It's not stalking. It's detective work!"

[nosyrobin]

Batboys when their unaffectionate best friend texts them “I love you” out of no where.

Tw: suicide mentions but not done. Reader is gender neutral.

Dick

As soon as he got that text, he either felt happy you started to be affectionate or he felt worried as you never really texted him that. He goes to text you “are you okay?”

And if you don’t answer he’s leaving work and going to your house. His anxiety is eating his stomach alive when he reached your house, he opens them with the spare keys you gave him.

You were just watching tv when you turned at him confused. “Dick?” Immediately dick hugs you, tightly. Now you’re concerned . “Dick?” You said again, worried. “I was worried…thought something happened to you.” He stays at your home until he gets called back to work.

Jason

Just try and do the same shit to him like dick. Don’t answer him? This man’s pulling up to your house immediately when you said “I love you.” Scared that maybe someone who knows him and wants to hurt Jason is after you.

He knows you, more than you know yourself. Literally he’s already at your window banging on it, cursing himself when you don’t open it he goes and bust the window open wide. He can pay for it, don’t worry.

As he stalks around the house holding his gun, he sees you standing in the kitchen holding a knife. This big ass fridge of a man just grabs the knife out of your hand. You scream shocked before seeing it was just Jason.

“What..were you doing?…” he asked firmly. You scoff and grabbed the knife, well tried to as you explained yourself. “I was gonna cut onions before you came in Jay..” you said pointing to the onions Jason had clearly hadn’t seen due to adrenaline.

“Oh. Well love ya too, ima go now. I’ll see you in the morning.” Jason says leaving, that was before he turned around. “Oh yeah and Uhm…your window is broken.” Jason leaves quickly as you gasp and go check your bedroom window. “JASONNNN!!” You yelled in anger.

Tim

It’s late at night, he on his computer doing a report when all he sees on his phone is an “I love you” text from the most unexpected friend ever, you. Immediately Tim is getting up, calling you as he gets dressed to go to your house.

He’s scared, “pick up, pick up, pick up.” You don’t answer. “Fuck!” Tim hangs up and calls again. He knows you had some thoughts of suicidal tendencies, but he’s been by you in your darkest days. So when you just text him that, he doesn’t realize he’s crying when he finally reaches your house.

He’s using a spare key he secretly copied off of your own home key, don’t ask. It’s for procedures like this if you are in danger.

Anyways he immediately screaming your name, if you don’t answer immediately as he screams your name. He’s gonna run up to your room.

But if you immediately yell back his name, he’s running towards your voice. You were in your room relaxing when you see a tired and scared Tim rush at you into a hug. Crying softly as he holds you tight.

“You’re okay right? Why didn’t you answer my calls?!” He says immediately. “My phone died when I texted you…” Tim immediately stopped crying just to give you a “wtf” face. “….are you serious.” Tim had forgotten that you had a terrible habit of having your phone dead at times.

“Yeah.” “..just for this night scare. I’m sleeping here.” Tim says, his body soon gave out easily. Making his heavy body fall on your smaller frame. “Tim! Tim! Get up dude..I’m sorry!? Damnnit!!!”

Damian

The moment that text got sent, it takes him 6 minutes to get to your house. Quietly like the damn ex assassin he is.

His expression and face are hardened holding a katana, bro’s lip in sunken in as he looks around your house. “I don’t know what games you are playing. But it’s not funny L/N.” He says as he then sits on your bed. Katana flat on his lap staring at you intensely. “What, I can’t say I love you to my best friend.” Damian’s glare hardened. “You can, I was just surprised when you texted me those 'words'. Seemed unlikely of you to say that so I had to come to make sure you were secured.”

You deadpanned at the tanned boy in-front of you. “Okay fine, I just wanted to say it incase you felt like you didn’—” “I know you love me, and I …love you too. Now that I know you are okay, I must go.” He says quickly. Looking away to hide his slight flustered face, he lifts up your window sill and jumps out the window. You walk over to see the boy is immediately gone.

[momxian]

AU where Shen Yuan gets transmigrated as an Original Character into the Demon Realm a few years before Bingge gets there. But even though he's not SQQ, he LOOKS like a near exact copy. So he figures that if he wants to survive he needs to make himself useful. First things first, he needs to know what the hell is going on, so he starts working with lower level demons setting himself up as someone necessary, and relatively important so he can figure out when in the plot they are. It's pretty easy, there's not much in the way of organization down here and despite everything he's not that bad an actor. It helps that SQJ's face is beautiful in every setting and he will quickly create a reputation of the stubborn beauty amongst the demon realm. It's around this time he starts wearing a veil to mask his resemblance to SQJ, but really it just adds to the mysterious allure aspect.

He utilizes his plot knowledge to get things ready for Binghe's arrival, tidying up the palace, setting up good staff, getting rid of some of the smaller villains that kidnap Ning Yingying and Liu Mingyan etc later. Actually a lot of smaller villains who kidnap, harass or belittle Bingge's harem. It's like every time he's running an errand he meets another piece of cannon fodder that will inevitably lead Bingge to another papapa scene. It's fine, by the time he's done with them (thank god this body doesn't have the same limitations as his old one) they follow him around with big demon puppy eyes and scramble to do chores and tasks for him.

By the time the Endless Abyss moment is set to happen, SY has thorough knowledge of the abyss and all of the special items tucked away in various locations across it. You can't be mad and murder someone who helped you through the torture torment evil maze of plot relevant trauma, right?

He finds Bingge post fall and does his best to act callous and only vaguely helpful, leading Bingge in the right direction and away from the biggest threats. His goal is to be a helpful and forgettable NPC. Someone who, if he runs into him again, Bingge will have mercy for and be left alone. Despite his resemblance to SQJ. But what he doesn't take into account is A) in no version of this story is he capable of being that hands off and B) Bingge was just shown kindness for the first time in years by a mysterious and elusive beauty with brilliant eyes and an obvious intelligence.

Since this is Bingge and not Binghe, he doesn't immediately fall for SY, and is in fact wildly paranoid, terrified and angry about things in general. But every time something seems to go wrong in the abyss, instead of taking the hits and becoming the stallion protagonist, SY shows up to give him a magic item, or rushes in to protect him from fatal blows and on two separate occasions thoughtlessly petted Bingge's hair when he was injured, which rattled Bingge so bad that he almost died again fighting the next monster.

Shen Yuan is gone often enough that he still makes his way to the Demon Palace, collects Xin Mo and builds his harem, though it's smaller than it was originally. Mostly because SY had taken out the smaller villains and then because SY had interfered with Bingge's quests so often.

Obviously Shen Yuan has a soft spot for Bingge now but doesn't admit it. But he's satisfied he can slip away now without too much consequence, except no he can't. Bingge asks for him, to collect something for him. To ask him something about another demon. To just stare at him for a half hour with a vein about to pop in his forehead as he tried to see through the veil before huffing and sending him away again.

Since Bingge is obviously not going to let him slip away, and SY isn't sure if Bingge is going to kill him or not he desperately makes himself useful again. He takes care of Bingge's harem. That's a lot of housing and food and clothes to take care of! The girls fight often! He'll just slip into the mix and keep the peace until Bingge forgets about him. And in the meantime sometimes he tends to Bingge and he and Bingge have dinner together. And isn't it so cute how the stallion protagonist can blush when he compliments the dish? And once or twice he combs out Bingge's hair. And sometimes Bingge rubs the scowl from between Shen Yuan's brows and lets his finger outline his jaw over the silk of his veil when SY is tending to tedious business.

Yeah, I'm sure one of these days Bingge will let you slip away SY.

Anyway Bingge is just relieved that Shen Yuan has accepted that he's part of the harem now.

[rustyironskillet]

Day 12: Time Travel

“Sooooo Phantom, do ya have any siblings?” Kid Flash asked as he tried to make small talk with the newest recruit to the team.

A few days ago, Young Justice was called to a meeting by Batman where he introduced their new team mate, Phantom. Phantom was a tough looking dude, he was jacked and towered over them all, even Conner!

Batman didn’t give them much information about the guy but apparently John Constentine was the one who suggested him for the team since he needed “community service hours”.

The dude was currently drinking some soda next to the computer as Red Robin searched for any new info on their latest mission. He turned his attention away from the can, and stared at Wally, his red eyes piercing into his soul.

“Why?” 

“Well we are all about to go on a mission together and none of us really know you so I think it’d be best if we all got to know you better,” that was half true. Mostly Wally was just being nosey, but the dude really did make everyone nervous since he was this really tough dude with blood red eyes and apparently was here because John Constentine said he needed community service hours???? Constentine typically say some wild shit, but what the fuck do you mean by community service? Wally knows you can’t use those for school, he’s tried, and what else gave you community service? Juvie and prison!!

Phantom stared at him hard for a few seconds, his eyes searing into the back of Wally’s skull before saying, “Okay fine”.

The answer surprised everyone in the room, I mean the guy had barely even spoken the last few days and had rejected every question about his personal life.

“Depending on how you see it, I have 2 to 4 siblings”

“Is your father a serial adopter too?” Tim joked.

“Yes and no”

“Huh?” 

“It’s pretty complicated,” Phantom shrugged, seemingly deciding to end the conversation there and taking another swig of his drink.

However, Tim, out of annoyances of every attempt to get to know this jerk being thwarted and a bit of confidence his family was more complicated, decided to challenge Phantom’s statement.

“Ehh, it probably isn’t as complicated as my family, we got about 50 more siblings adopted each month, all with lots much trauma”

At this, Phantom narrowed his eyes at Tim.

“I see what your doing, your trying to get me to talk tell you guy more about my family by acting like yours are more insane”

“Am I?” Tim asked, trying to hide the shivers going down his spine from the way Phantom was staring at him.

Phantom to a huge swig of his soda, emptying it and throwing it into the garbage, before fully turning to Tim.  

“You’re lucky I am always good for competitions, now sit down this is going to take a bit”

Tim gladly obliged and soon everyone sat around Phantom as if it were storytime in kindergarten.

“Okay, so at first I only had an older sister and my parents” Phantom began, “but then they died because of a mistake I made and I had to move in with my evil godfather”

Megan raised her hand and asked, “Isn’t a godfather someone who is very close to the family? Why would your parents choose an evil person?”

“‘Cause my dad was oblivious to this and though they were good friends even though the dudes tried to kill him multiple times”

“I see,” Megan lowered her hand, no less confused.

“There I went mad with grief and had him remove my humanity and tried to kill all of humanity”

“I think that was a bit of an overreaction,” Wally joked.

“You tried to kill all of humanity? Why weren’t we told of this when it happened?” Kaldur'ahm asked.

“That was in a different timeline, I was a big enough problem that they gods tried to kill the younger version of me to stop me, so to avoid dying, my younger version decide to try to defeat me and the only reason he did was cause I was underestimating him,” Phantom emphasized the last part because he had to stress he didn’t not lose to a 15 year old boy because he was weaker than him.

“What happened next?,” Artemis asked, completely inraptured in the story.

“I was then imprisoned for sometime before escaping, causing problems and then realizing that causing younger mean the same pain I experienced won't bring my loved ones back,” Phantom continued to explain, “so I am now going to therapy, doing community service, and got the majority of my powers taken away”.

“Is your therapist open to seeing new patients?” Konner asked.

“No, but this timelines version of my sister is and she has a lot of experience so I can give you her number instead”

“Sure, that’ll work”

“Okay,” Phantom said before writing her number down and handing it to Konner, “The thing is I can’t go back to living with my real parents because they don’t know that I am Phantom so I have to go back to living this timelines version of my godfather”

“You gotta be kidding me” Tim groans.

“Exactly what I said!!” Phantom put his arm up defensively, “Fortunately, this version is a little better, he is no longer tiring to kill my dad and has stopped chasing after my mom, he did clone the other of me and now there is a genderbent version of him but my godfather treats her like a princess and will not stop spoiling her, which I am also guilty of”

Phantoms continues to explain more and in the back of Tim's mind he remembers he was supposed to be doing something but honestly this conversation was too good to care.

“Anyways that's how I technically have 2 to 4 siblings, Jazz and Elle are permanently my sisters and I love them so much, and even though the other Jazz is technically the same as this Jazz, I still think of her as someone else, someone I miss dearly. Also if I considered this Jazz my sister, I guess I’d have to considered the other me as my brother”

“Damn bitch your family is crazy” Wally said, happy he finally managed to get through Phantom’s tough skin.

As they finished up their storytime, the Zeta-tubes activated and Red Tornado and an upset looking Batman walked to the group.

“You all were supposed to leave thirty minutes ago”

[docholligay]

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[gay-dorito-dust]

hii, are your requests open? if not you can just ignore this (and sorry to bother!!) but if they are could you do something w the batboys where they have a dream that the reader has died or something? please, and TYSM

Jason would awake immediately from the dream with tears streaking his cheeks and his throat sore from what he could only assume was screaming.

It happened again, that hyper realistic dream that made him felt as though he was seeing through his future self’s eyes, or into an alternate universe where he was bound to lose you despite doing everything in his power to protect you.

It felt real, uncomfortably real for Jason’s liking that it felt a sense of unease and anxiety to flood through him but before they could get worse, he heard your voice.

‘Jason, you were screaming are you okay? Did you have a nightmare?’

He felt as though he could properly breath now that he knew you were okay but his heart was telling him that hearing you wasn’t enough; He needed to feel you against him to ease his racing mind. With that Jason was quick to grab you by the waist, pull you into his chest and held onto you as though he was a kid clinging onto his favourite plush toy, his face buried into your neck as his arms held you as tightly as they could without causing you discomfort.

‘Jason?’

‘I lost you sweetheart.’ He told you without hesitation. ‘I couldn’t do anything, I was frozen with fear and that cost me you in the end.’ He adds, wanting nothing more then to get through image out of his head for good.

‘I’m right here jay birdie.’ You whispered softly, pressing sweet, gentle kisses into his neck and shoulders in hopes of easing the evident tenseness there. ‘You’re my best friend, my soul mate and my partner but most importantly you’re my protector and I have never felt safer than I ever have then with you.’ You reassure him as you let him silently sob into your nightshirt while rubbing your hand up and down his back. ‘I’m alive. you know it, I know it, we both know it to be true. So don’t believe the tricks that your mind pulls on you Jason because they’re always never true.’

Jason pulls his head from your shoulder. ‘What if I loose you one day?’ He asks, staring at you with teary eyes.

‘You won’t.’ You said with certainty.

‘How do you know?’

‘I know because I won’t let it happen, someone has to take care of your heart and kiss your wounds well into the early hours of morning, and I want that person to be me.’ You replied as you pressed a kiss to his forehead before resting your forehead there. ‘You’re stuck with me Jay Birdie because it’s going to take everything this cursed towns got to take me from you.’

Jason, finding reassurance in your words, let out a deep sigh as he fell back into bed, taking you with him as he draped the covers over the both of you once more, kissing the top of your head as he gave your waist a quick squeeze. ‘Gotham will have to go through me first sweetheart, and for you? I’d start a fucking war if it meant keeping you by my side and safe from all harm this town could bring. I don’t care if I got hurt but all it takes is one scratch on you and I’m burning this town down.’ He murmurs before finally falling back asleep, holding you protective against his chest, more then ready to prove his promise to be true in more than one way.

Damian

Would reach out for you for comfort but when he couldn’t feel you his eyes would shoot open and he was getting out of bed to search for you.

Only for you to be stood in the doorway with a glass of water in your hand, looking at him with worry.

‘Damian are you okay? You look like you’ve seen a ghost-‘ you weren’t able to finish your sentence when Damian rushed to hold your face in his hands, squishing your cheeks slightly from the iron clad grip he had on them.

‘Is this real?’ He asks in a weak whisper. ‘Are you really here darling?’

He had a nightmare and your heart broke seeing him this affected by it and placed your water down safely before holding his hands over his, squeezing.

‘I’m right here my treasure.’ You replied. ‘I’m not going anywhere, not without you.’

Damian’s hands loosened their grip on your cheeks and fell to your shoulders as he presses his head against your chest to feel your heartbeat against his ear, proving to him that you were alive and well within his care.

‘I lost you my heart, I felt hollow without you, almost as though someone reached into my chest and took out everything good in me.’ Damian admits as he burrows his head into your chest. ‘You are the good in me.’ He adds, voice muffled but his message was loud and clear.

‘And you are everything good in me my love.’ You replied as you ran your hand through his hair in hopes of bringing him some comfort. ‘Do you want to talk about the rest of it?’

Damian’s grip on your tightened. ‘No. It pains me too much to talk about it right now, I fear that if I do it’ll come my reality.’

‘Do you wish to go back to bed?’ You asked, more than willing to do anything to calm his mind. ‘You can hold me for as long as you want and I won’t complain about needing to pee.’ You joked lightly and could envision the small smile that would appear upon Damian’s lips whenever you said something remotely silly.

‘Please.’ Damian said and without another word you allowed him to drag you back to bed with him and under the covers where he was quick to hold onto you as though you were his personal teddy bear for the rest of the night.

Tim clings onto you like a koala bear after having a nightmare that you died, he was too afraid that if he were to let go then it would become reality somehow.

The nightmare messed with him so badly that he couldn’t get the idea that if he were to stray from your side for too long, tragedy would only naturally befall you. He hates it but he hated the idea of loosing you forever even more and so he would cuddle closely to you, all the while finding it increasingly more and more difficult to return to sleep.

‘Tim?’ You said softly. ‘You need sleep, you know how much I worry about you collapsing one day and I’m not nearby to help.’

Tim laughs humourlessly as he held onto you a little tighter. ‘How can I go back to sleep when nothing good waits for me there hmm?’

You tried to move and look at him but Tim made that impossible. ‘What do you mean by that?’

Tim doesn’t answer.

‘Tim…did you have a nightmare.’ You asked.

‘The worse kind.’ He said weakly as he held you closer to him in hopes of merging you with him so that he didn’t have to watch you die in real life.

‘What would make it better?’ You inquired, wanting nothing more than to help him no matter what.

Tim shrugs. ‘Just…just keep talking to me…please.’ He pleads as his hands toyed with the bottom of your nightshirt anxiously. You smiled softly as you placed your hands over his own, caressing the backs of them as you heard his soft gaps at the sudden contact. ‘What would you like for me to talk about?’

‘Anything.’ Tim said. ‘Anything just, please talk.’

And talk you did for most of the night until you felt Tim fall asleep against your back as soft snores filled the room and you, having felt accomplished in your task, soon followed suit to keep him company in dream land also and make sure his dreams went undisturbed.