DC X DP - Mirrors
Did Danny want to live in Gotham? No, of course not. Did he have a choice? Nope. When does he ever?
Now, he may be technically homeless, but he's also technically dead, so human laws technically don't apply to him. So, naturally, he pics out an empty mansion so big even if the owners were to come home, the chances they'd run into each other would be really low, and settles in.
This 'mansion' happens to be Drake Manor. Look, Danny lived in nowhere Illinois and kinda had his hands full dealing with ghosts, a double life, bullies, and being actively hunted. He doesn’t know much about celebrities. If you tell him the name of someone super famous, it might sound vaguely familiar, but that's about it. What he knew was superheroes and vigilantes (some of them, okay, give him a break). That's about it.
So the name Drake in connection with Gotham didn't ring any alarm bells. He did some surface level research: the Drakes are dead, survived by their only child, Timothy Drake-Wayne, who now owns their house but was adopted by some other super rich guy called Bruce Wayne and doesn't live in it, leaving it empty for the foreseeable future.
It was the perfect place!
Danny didn't explore much, partly because he didn't care to and partly because he was too tired to from healing. He cleaned up after himself, used only his bedroom (chosen for being tucked way back and out of the way), the attached bathroom, and the theatre occasionally as a treat. He lived off of the provisions packed for him, ectoplasm and water from the sink.
Cut to, few weeks in.
Danny's got a new routine, he's taken his stitches out, and is still super fucked up, but a lot better than when he arrived. He hasn't been outside since he arrived, but ghosts don't need Vitamin D anyway. Is he slightly depressed? Maybe. But he's also dead, so, bigger priorities.
Tim is looking through his stuff for something or other, and it occurs to him he probably left it next door. He hasn't been to Drake Manor in months, but he sort of really needs this thing, so he sucks it up and borrows a car because like hell is he walking the several miles from this front door to that one.
He goes to his old bedroom, opens the door, and comes face-to-face with himself.
And Danny doesn't know what he's supposed to do in this situation.
Listen, Danny doesn't always make the best decision in the moment. It's a very normal flaw to have! So he tells who can only be Timothy Drake-Wayne himself when asked, that his name is Timothy Drake, and this is his house, and, actually, who are you and how did you get in?
This causes Tim to assume Danny is himself from another dimension who he accidentally dragged to his dimension by messing with the Time Stream to get Bruce back. Danny continues to accidently fuel this misunderstanding without meaning to.
(This is not helped by the fact that a DNA test doesn't disprove this. Danny's DNA is corrupted, but what Tim does get is identical to himself. This is how Danny finds out he was adopted, and how Tim, much later when misunderstandings are cleared, meets the identical twin brother he never knew he had.)
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Prompt 129
Danny, now an adult, has just moved to the city of Gotham. Actually he’s been an adult for a while, but every once in a while he has to end his life, at least legally, lest someone get suspicious. Usually whenever Dan or Ellie does an oopsie and pulls a firebird with being reborn through their core.
So legally, one Danyal Nightingale, has just moved to Gotham to open a bakery (Thank you for the wonderful recipes and bonding Clockwork) while taking care of his practically newborn son Jordan. Of course Elnath- Ellie- had to pull a core retreat too, which is just his luck.
It wouldn’t be a problem, but he’s trying to not be so broody. A ghost- even a half-ghost- carrying another core though, has instincts turned up to like, eleven. Which again, wouldn’t be much of a problem if not for someone falling into his dumpster late at night bleeding. A vigilante, which he’s sworn to stay away from that life years ago. And it’s not a lethal wound…
But his instincts are screaming to not let the person bleed all around his nest, and he knows from experience that it would continue to bother him. Which is how he ends up with Batman on his couch to Dan’s glee if the ghost chirps are to go by.
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Sorry to ruin the movie magic for some of you, but it's extremely unlikely that the shots of The Kiss are edited to be longer. Like, a million to one.
How do I know? I'm in school for filmmaking, so I'll share a bit with you.
1. The first reason is the most important. It is very difficult to edit a shot to be longer (and almost never done, especially by professionals) and not have it be obvious. It is painfully obvious, particularly to other filmmakers, when someone does actually do this. I can almost guarantee that if this had happened, other filmmakers in the industry most certainly would have called them out for it. I've personally watched the scene literally thousands of times (I'm not exaggerating) and in my semi-professional opinion (yes, I've already made my own films, though I haven't been paid for any of my work yet), it's not edited to be longer.
2. Nearly as important and launching off the above, it's much more likely - and more easily and actually often done - that it's edited to be shorter.
Additionally, there's no reason to think it would be edited to be longer when it comes to the story. It's unnecessary. The reason it looks so awkward to solve of you is because - newsflash - it IS awkward! It's meant to be awkward!
Aziraphale is caught off guard, during a moment of being about to break down, crying, in the midst of an argument. He was just rejected. He's potentially thought about this moment so many times. It is possible he thought The Metatron was threatening Crowley, which just happened only a few minutes ago! And lastly, there's literally thousands of years of feelings that haven't been spoken aloud - at least not properly, depending which theory you follow.
And there's even more depending which theories you subscribe to that support this even further.
And then, there's the fact that, at least for a moment, he kisses him back. He goes from being surprised, to resistance, to acceptance, to reciprocation, to rejection in a matter of less than 30 freaking seconds - while also portraying all the unspokenness, uncertainty, and fear of 6000 years, as well as a possible threat AND rejection of Crowley refusing to come with him ALL AT THE SAME TIME.
It's so awkward and complicated and terrible - and yet also wonderful - and Michael Sheen is honestly a fucking MASTER for the amount of emotions he's able to portray in such an insanely small amount of time. Please please PLEASE don't reduce his abilities and the beauty of the story to editing some bullshit that any filmmaker with any actual integrity would never do.
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Ok, I recently wrote an essay [here] talking about the definition and duties of civil engineering as well as the ethics because of the brain rot @swordfright gave me with calling Dream Sam’s ultimate engineering project. So, because I actually am a civil engineer I took it upon myself to design the title and summary of quantities sheets just like I do at work for roads but with Dream as the project instead. And in honor of angst day sponsored by @sixteenth-day-event, I figured I’d share it because I feel like it kinda works for the prison of the mind prompt.
“Sam’s “ultimate engineering project” he deemed too damaged like a bumpy road or crumbling building that wasn’t worthy of patching and filling in the cracks or reinforcing, that’s too eroded to be fixed and preserved. So, Sam strived to tear him down to the bedrock so he could remake, remold, and reengineer Dream according to his design for the common safety, public health and well-fair.”
{These are very similar to the actual sheets I make day to day, which I shall not share for the sake of doxing my location, but yea pretty much everything has a significance. Some of it doesn’t necessarily make sense but that was because I was more so taking inventory of what we see in lore (so you know I counted ;) lol)}
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