#that way we can all have a good time in this silly fuckin slasher game and this lame ass elon musk ass bitch!

[whyamiherewhosummonedme]

I gotta ask, do survivors really hate playing against modern Skull Merchant? I find her aggressive setup playstyle really fun, and putting drones in unexpected places and then mindgaming survivors into going through them and injuring themselves I find super duper fun. Other setup killers like Trapper, Hag and Singularity rely really heavily on maps, while SM is workable most places (which is great for a dumbass with absolutely no ability to remember map layouts lmao)

Point is, I think that in her current state she's super fun. I played a round when she was first released and yeah, it was kinda lame, but I gave her another go recently and got completely hooked, pun entirely intended. I still see a lot of people hating her though and I try to make matches fun for everyone, so. Is she actually unfun to play against? Or is it just a bad reputation?

[nat-20s]

PROMPT! the first time the s1 archive gang hangs out outside of work (any variation of the group, doesn’t have to be All of them)

This is only the Archive Assistant sqaud, bc I’m sorry Jon, but no bosses allowed. Also it’s VERY silly and soft bc sometimes u just wanna write nice things u know

(also also fuck I lovecompletely missed that this said “first time” they hang out but uhh. I hope u like it anyway.)

Tim Stoker like to think that, sometimes, not to toot his own horn, but he can be something of a genius. When a cousin’s cousin had offered to let him use their cozy little cabin for a night or two in exchange for help with moving, he had been struck with what could only be humbly described as “inspiration of the most divine nature”. For, as nice as a Friday evening away from it all by himself sounds, it’s so much nicer for a Friday evening away from it all to serve as Archival Assistants Bonding Time™. Or well, more like Tim and Sasha, Who Are Already Best Friends Forever, Figure Out What Martin’s Deal Is, Because For A Guy So Chatty, He Sure Is Mysterious Time™, but that’s not nearly as catchy. Truly, his plan was brilliant, bringing two compatriots and an excessive amount of food and drink to a spot away from the prying eyes of the world and bosses, and feast in the openness and silliness that comes from having a great fucking time.

His plan, and his genius, were tragically derailed. While he knew on their drive up that the air was rapidly getting cooler, Tim couldn’t have even pretended to predict that an hour into their stay would bring a freak blizzard that means they’re snowed in for the next three days, which was 3 times longer than he had accounted on spending with his coworkers/friends. There was more than enough food to last them, and almost enough alcohol, but as Sasha so kindly put it:

“First you make us reenact the first scene of every bad teen slasher movie, now there’s a fucking white out. If we lose power, I’m telling you, there is absolutely going to be a murder.”

“Pfft, no way. The guy who owns this place is one of those weird ass prepper types, there’s a back up generator for the back up generator. And even if we did lose power, we’re all much more the “huddle for warmth under a shared blanket in front of the roaring fire” types than the “get panicked and stab someone in darkness” types, right? Back me up here, Marto.”

Martin, who at three shots in is both hilarious and mean, directs his response to Sasha. “in the event of a black-out I vote we kill Tim. I can take him down and you can finish the job.”

Sasha tips her cup at him, saying, “I like the way you think,” at the same time that Tim yells out, “Hey! Why am I the one dying?!”

Sasha tells him, “Duh. This whole thing was your idea, which makes you the Dr. Black* of this situation. Any good mansion murder mystery dictates the the host dies first. Then, in a moment of entirely unplanned synchronization, her and Martin start chanting, “Host dies first! Host dies first!”

“Okay, you know what? Fuck both of y’all, it’s not my fault that you’re both thoroughbred city slickers that can’t handle being in a cabin with plumbing and running water and electricity. Didn’t either of you go camping as kids?”

Sasha replies “No I’m far too pretty for that,” while Martin bursts out laughing. It takes about 20 seconds for him to settle down. Wiping away a tear, he elaborates, “Sorry, sorry, just. Can not imagine my mother on a camping trip.  I mean, sure, she probably hoped at one point or another that I’d be lost in the woods as a child, or maybe even now, but I think that’s a bit different.”

Tim leans over the kitchen counter, placing his chin in his hands as he says, “Oh shit, Martin lore. Spill the deets.”

Sasha, who’s loyalties tend to sway towards whatever’s most interesting in the moment, piles on with, “You called her your mother, not your mum. That’s means she’s pretty much a right bastard, or a member of the aristocracy, which is just another term for right bastard but you got to grow up as a rich kid. Am I right?”

It’s clear the the two of them have made a grave mistake. All joviality flees Martin’s expression, and he shrinks down both his physical presence and his voice to something that could easily be overlooked if someone wasn’t paying attention. “Oh, um, well, I definitely didn’t grow up as a rich kid. And, it terms of the ‘right bastard’ thing, she’s not- er. That’s to say, she’s- she’s sick and. She’s doing the best she can, given, given everything.”

Martin pointedly looks at his hands while Tim and Sasha panickedly look at each other. They go to either side of him, and when he doesn’t flinch away, they each place a comforting hand on his shoulder. Tim immediately feels the itch to fill the heavy quiet, and he happens to know he has quite the talent for blazing on ahead after these kinds of moments. It’s how he’s survived basically party for the past decade. “Ooookay, I’m gonna go ahead and say that all depressing familial reveals shall be held off until at least the second night of being trapped. While Sasha may have irritatingly few skeletons in her closet in that regard-”

“I have Tory grandparents?”

“We all have Tory grandparents Sash, that’s absolutely nothing. As I was saying, while Sash’s family is boring and semi functional, you and me are gonna do some fuckin’ commiserating on our journey from work friends to friend friends. However, I’m going to have to be 40% drunker, go through a decently strong hangover, and then once again get hair of the dog drunk before I can even start to consider heading down that path. And in that spirit, I think it’s time to start up the drinking games. Truth or dare might end up a bit too heavy for our needs, but Never Have I Ever should suit us just fine. I know I’m gonna regret saying this considering Sasha is 100% going to target my ass, but I think we should establish that whoever puts all ten fingers down first has to chug the rest of the box wine.”

Sasha pipes up with, “Ugh, no, not drinking games, that’s such twenty-something bullshit. I expected better from you.”

“Hey, Martin is a twenty-something, so that still works fine actually-”

“Tim!”

“What?”

Martin’s directing wide, bordering on frantic, eyes at him, and Tim is almost certainly missing something, though he can’t for the life of him figure it out. Sasha’s head is bobbing slightly between the two of them, and shes apparently able to parse what Tim has not. “Oh! Martin, uh, I already know that you’re 2, and it’s cool.”

“Did..did Tim tell you or?”

Tim scoffs out an “I wouldn’t!” even though there’s a distinct possibility that, entirely on accident, he would, and Sasha makes a reassuring coo. “No, no, babe, nothing like that. It’s just that, uh, the Magnus Institute is kind of notorious for not doing any background checks pretty much ever, so when I get a new coworker, I..do it myself.”

Martin’s face blanches, and his eyes somehow get even wider. “Oh god, please don’t tell Jon or Elias, I know I don’t have the credentials, but I really need-”

“Woah, woah, I’m not gonna do that. First of all, archival assistant squad, we ride together we die together in a snowed in god forsaken log cabin, secondly, it’d be hypocritical as fuck if I got up your ass about qualifications. Not a single one of us is qualified for our jobs, not even Jon. Maybe especially not Jon. It’s like, raise your hand if you have a degree in library sciences. No one? Okay, cool, that’s not weird at all for an archive. Actually, maybe bring that up next time he gives you shit. He’ll be all like ‘bluh bluh, you didn’t document this spooky bullshit well enough, it’s not up to the High Standards here at Spooky Bullshit Emporium’ and you can be like ‘whatever buddy, you’re an English major, what do you fuckin’ know?’. It’ll be devastating. He’ll be devastated.”

Martin laughs in the manner of someone who knows that they shouldn’t be, and his shoulders relax into  a lower position. “Why would you want me to devastate him? I thought you guys were friends?”

“We are, which is why we all collectively need to get back at Jon for acting like such a prick. He’s always been a bit temperamental, but I honestly don’t get what his deal is, especially with you. I mean, c’mon, you’re great, being mean to you is like kicking a puppy.”

“Thanks? I think?”

Tim pipes up with, “Oooo, since drinking games are apparently too childish for Sasha, what if instead we play ‘What’s Jon’s Deal Anyway, Featuring, Seriously, Why Target Martin, The Baby of The Archives’-”

“-That feels a bit reductive of who I am and I also I think I’m technically older than Jon?-”

“-Whoever comes up with the best explanation, and by best obviously I mean most entertaining, gets an all expense paid trip from the other two to one of the charity shops I know we all frequent.”

Sasha snorts, “Wow, a whole twenty quid, who could resist such temptation. But also, I’m in, I think I have a winner and I have a violent need to out-cardigan Jon.”

Martin’s relaxation is gone again, which Tim thinks need to be fixed through aggressively passing a glass of wine towards him. He takes it without protest, takes a long drink, and says, “This seems more like 3 am conversation than a 9 pm one.”

Sasha gives an encouraging nudge, prompting another drink, and replies, “Yeah, well, I am not gonna make it to 3 am. I’ve got about an hour until the Alcohol Sleepiness sets in, and I know Tim will be right behind me.”

“Sashaaaaaa, you’re ruining my reputation as a young-at-heart, party-all-night kind of guy.”

“Babe, you’ve complained about your bones aching often enough that you’ve never had that reputation.”

“Surrounded by mean drunks, that’s what I am. I should be pitied.”

Martin shoots a glance towards Sasha, then replies, “You’d be more pitiable if this entire thing wasn’t, you know, entirely your own fault.”

Sasha nods sagely, “It’s true. If you were pitiable then maybe you wouldn’t have to die first.”

“You know what? I am uncomfortable with the energy that’s been created in this room, how about we divert some of that towards complaining about our bosses, as coworkers who are hanging out and having a good time and not bullying me are supposed to do.”

Sasha giggles slightly as she leans down and presses a kiss to Tim’s cheek. “Aw, sorry, Tim. I promise to double cross Martin when if becomes killing time.”

Tim melts a little, even as he’s replying, “Wait, when?” Martin takes another sip and says, “Whatever. I could take you both.”

How the hell are you supposed to resist a set up like that? With an over the top wink and cheesy grin, Tim says, “I bet you could, big guy.”

He’s expecting a slightly flustered reaction, maybe a higher pitched voice and a blush, if he’s lucky. He gets all of those things, but it’s Sasha saying, “Oh my god.” Martin only gives him a raised eyebrow and level stare, and Tim makes a mental note to reevaluate his dedication to only considering Martin in a strictly platonic fashion. Sasha continues talking, cutting through the..tension? with, “Okay, now I am uncomfortable with the energy that’s been created in this room. Tim, tell the studio audience what you think is up with Jon.”

Tim blinks, hard, gives a shake of his head, and says, “Oh, obviously the Jon we know is dead. His ‘promotion’ to Head Archivist was actually Elias killing him off and replacing him with a robot that has the command If: see Martin Then: be dick. Don’t worry Marto, now that Sasha is aware of the issue, she’ll surely be able to reprogram him.”

Sasha hums a bit, then says, “I buy it. I think my explanation’s better, but Elias does seem the “kill a dude and replace him” type. Like if I was gonna suspect any particular person of murder he’s in the top five.”

“Seriously? Elias? Somehow has middle manager vibes even though he’s the head honcho Elias? Mr. ‘I probably wore boat shoes and khaki shorts for the entirety of university’ Bouchard? Voted most likely to put a thin layer of mayo in between two pieces of white bread and claim it’s a sandwich Elias? The area man that’s almost certainly gone on record as saying that golf and networking are his favorite hobbies Elias? He’s far too boring to have committed a murder.”

Tim’s looking at Martin with shock and delight, and he knows Sasha is wearing the exact same expression. “More of this. Please describe more of the things that Elias is.”

“I mean, sure? Uhh, guy that would pay $80 for a dime bag because you told him it’s a premium strain. Person that ironically says things like “kids these days” and “the youths” and you know he’s talking about people well into their 30s. Genuinely believes that if you can afford a cell phone then you shouldn’t be complaining about being  poor, because apparently a one time purchase of around a hundred bucks is the same as trying to pay monthly rent. Tells people to haul themselves up by their bootstraps. Thinks he got to where he was ‘without anybody’s handouts’ even though he’s had a trust fund since he was 15. Writes weekly editorials to the local newspaper complaining about the liberalization of media, and they’re like ‘sir, please stop submitting to us, we’re just trying to talk about Lisa’s gardening club’ because they can’t professionally tell him to fuck off. Thinks salt and pepper are the only spices one could ever possibly need, everything else is simply excessive. Somehow gay and homophobic. Like, yes, he’s taken a male lover, but he’s also seconds away from calling you a slur at any one time. Actually, no, that’s too interesting, and I refuse to believe he’s had a lover. Legally, he cannot have a lover, I’ve decided, so just gay and homophobic, both in theory alone. Has said that Boris Johnson is “a bit much, but really not so bad, and much better than any of the alternatives, really.” All of the cousins in his family banded together and officially got him banned from any sort of major holiday dinners. Basically every shitty boss you’ve ever had, especially if you’ve worked retail, rolled into one.”

Tim lets out a low whistle. “Damn, all right. Get fucked Elias.”

Sasha emphatically agrees, “Get fucked Elias.”

They all clink their glasses together, and then there’s a beat of silence before Martin says, “I’m pretty sure robots can’t get eye bags.”

Tim and Sasha let out a “huh” and “hmm?” respectively, so Martin elaborates. “You posited that Jon had been replaced with a robot. Pretty sure robots aren’t able to look that tired.”

Tim snaps. “Drat, you’ve pointed out the one flaw in my impeccable logic. So what d’you think is up with him? I know you don’t have the Before The Archives comparison, but I think you could provide a fresh perspective.”

“Oh, fuck, I don’t know. Two months ago, I might have had some choice words, but first off, you all genuinely got on, so it didn’t really make sense for him to be awful all the time, and secondly ever since the, um, worm thing, he’s actually been pretty nice? I haven’t heard any snide comments, and whenever I mess something up he’s a lot more, um, gentle about explaining what wrong. He actually complimented my work the other day so. I guess I think Jon’s deal was that he was stressed out and I was very nervous and not very good at my job and he picked up on that?”

“So you think he’s like a horse.”

“Explain.”

“He sensed your fear and he became skittish and irritable in kind.”

“Horses can sense fear?”

“Horses can sense everything.”

“That’s fucked up.”

“Right?”

“Guys, we’ve gone on like four different tangents in one conversation. Martin, I’m very glad to hear that Jon’s changed his behavior towards, because it means I don’t have to yell at him on your behalf, you’re getting to see the person that me and Tim both know who is actually pretty cool, and also mostly because it feeds perfectly into my winning theory.”

“What, you’ve got something better than Martin’s ‘accurate but boring’ reasoning or my ‘super cool but now that I think about it for .5 seconds actually kind of a bummer robot’ knowledge?”

Sasha’s incredibly self-assured when she says, “I sure fuckin’ do. Jon’s secretly been in love with Martin the whole time, and he’s been previously overcompensating by acting like he hates him.” which makes Tim choke on air and Martin emphatically reply, “Fuck off, he is not.”

“No, no, hear me out, I have, I have receipts, as the kids say. First point of evidence: Martin’s stupid hot, and there’s no way that Jon is straight, so obviously he’s not gonna be impervious to that.”

“What?”

“Oh come off it Martin, it’s just a fact. Like, me personally? I don’t even do the whole romance thing, but the first time I ever saw you I blacked out slightly and thought ‘Now there’s a man I could raise some ferrets with.’.”

“I, um, I, well. Is that...supposed to be a euphemism for something?”

“What? No, I’ve just always wanted ferrets, and asking someone to raise pets with you is like the height of romance, I’m pretty sure. Back me up here Tim.”

“On the ferret thing or the Martin hot thing?”

“Either? Both.”

“Aight. Yes, asking someone to raise ferrets with you is basically a marriage proposal if that someone is Sasha, and I hate to break it to you Martin, but you’re incredibly good-looking. We’re all incredibly good-looking, to the point where I think the only qualification for the archives staff is being a straight up hottie. OH! We should name the group chat “straight up hottie squad”. Anyway, yep, point for Sasha.”

“Not a point for Sasha, even if I believe you about about my, em, physical attractiveness,-”

“-Don’t have to put belief in a fact, Marto-”

“-that doesn’t mean anything. By that logic, he’s equally as likely to be in love with either of you, and my money would be on Sasha if it was anyone, because you’re clearly his favorite.”

“Ah, but that’s exactly why it isn’t me, but thank you for the transition into my second point which is: Jon is the kind of person that sees anything that might make him vulnerable and starts aggressively defending himself against it, and what’s more vulnerable than a crush? He’s not crushing on Tim, because Tim’s fucking great, but sometimes he’s also the walking, talking embodiment of sensory overload, and while I myself I love that, Jon clearly gets a bit overwhelmed by it at times. He’s not into me, because he knows better than that, and overall I’m pretty non-threatening to his whole thing, so of course he’s going to be the most relaxed around me. You, on the other hand, are single, hot, kind to animals and people alike, and make a great cup of tea. Incredibly crush worthy, thus incredibly threatening, thus Jon acting like That.”

“Hmm, this still seems like something that comes from watching one too many corny rom coms, and that’ s coming from someone who loves corny rom coms.”

“I also love corny rom coms, but that’s completely beside the point. Because, okay, sure, if Jon had just been a weird asshole to you, I wouldn’t be like ‘oh, yeah, that’s a classic case of covering for something’ but you’re right about him being nicer since the worm thing. So nice, in fact, I shall be bringing in Timothy as my star witness that’s going to blow this whole case wide open. Martin, you may not have heard how Jon has started to talk about you, but me and Tim sure have.”

“God, yeah. Like if we thought he wouldn’t shut up about you before-

“-which he wouldn’t-”

“it’s gotten way worse now.”

“I think the whole life threatening worm woman flipped a switch for him and now he’s all fuckin. ‘Oh, Martin should stay in the archives, let me give him the place that I sleep.”

“Oh, Martin, I don’t think he should go out on too many research trips anymore, I’d much prefer for him to be ~nice and close~”

“Oh, Martin, good lord, did you know that his tea is quite good? I’m think it might actually be the best I’ve ever had.”

“Oh, Martin, his work’s rather improved, don’t you think? It’s really quite impressive, especially considering all the stress he’s had to endure.”

“Oh, Martin, I just want him to take me into his big, strong arms and whisk me away from all of this.”

“He did not fucking say that last one.”

Sasha throws her arms up in the air. “He may as well have!”

Nodding sagely, Tim replies, “This whole thing holds water. I vote Sasha gets the shopping trip. Martin?”

Martin stares at his drink as if it has any ability to give him any sort of answers, then lets out a sigh with his entire body. “You know what? It’s probably nicer than whatever the fuck is the truth, so sure, why not? Let’s get Sasha her cardigans.”

Sasha lets out a whoop. “Hell yeah! Can’t wait for spree, assuming all three of us get out of this cabin alive.”

“Okay, nope, clearly Sasha needs another distraction. Got any suggestions, Martin?”

“Uh, wasn’t a karaoke machine part of the sales pitch for this place?”

“Martey babey, yes! I wouldn’t have thought you’d spring for that sort of thing!”

“If this were a public bar or something where I’d have to listen to drunk strangers and they’d have to listen to me, then no, I’d rather have my brain pulled through my nose a la mummification. But with only you guys and fourish drinks in? I’m down to clown.”

“Sash, you with us?”

“Dunno, what songs are there?”

Tim shrugs, and heads to the storage closet that contains all the various entertainment equipment. It takes a bit of searching, and a bit more digging, but he’s able to unearth the ancient portable karaoke machine. He also grabs some of the jigsaws, mostly on the thought that sometimes a bitch just wants to hang out with their friends and do a puzzle. Also because in light of the fact that they’re stuck inside with no sort of access to the outside world for two days longer than planned, there’s pretty much no way that they’re not going to reach a point where they all say fuck it let’s do a puzzle.

Plugging in the machine, it takes a solid several minutes to boot up, which is the perfect length of time to take it upon himself to take one for the team and chug the box wine himself, with Sasha and Martin chanting in the background. When he finishes, they cheer, and then Martin immediately shoves a glass of water for him to down as well, muttering something about how he wants him to be alive in the morning. Tim can tell he’s well inebriated by now, because the simple thoughtful gesture is enough to make him a little bit misty-eyed, and Sasha can attest to alcohol turning him into the world’s biggest sap. In order to avoid prevent himself from becoming the kind of person who says “I love you” in a gradually more sloppy repeat, he starts flipping through the discography of the now running machine. “Alright y’all, it looks like we got 80s songs or...80s songs. Ooo, they have the Grease 2 soundtrack.”

That gets him a well deserved “No!” from both parties, with Sasha adding on, “Not even if it was Grease 1. I’m putting an embargo on musical theater in general.”

“Oh come on, some musicals are better than other. Right, Marto?”

“I’m with Sasha on this one.”

“Boo. But fine, what do you want?”

Martin and Sasha glance at each other, and Tim’s amazed at how well the bonding night-turned-long-weekend has gone so far, considering they seem to have already mastered the art of silent communication. Martin speaks first, with, “They got Dolly Parton?”

The process of scrolling through individual letters to type is achingly slow, but luckily all he needs to get through is “DO” before she shows up. “They do.”

Sasha says, “Do they got 9 to 5, by Dolly Parton?”

Tim’s eyes light up with realization as he says, “They do,” and in a moment of spontaneous understanding, all three of them know that they’re not simply going to sing 9 to 5. No, they’re going to do a  full blown music video for the benefit for nobody but themselves, because why the fuck not.

The next hour is spent in a very silly fashion. They figure out how to use the cabin’s layout to their advantage, assign various parts of the song to each person, and practice their inexpert choreography a few times with the song tinnily blasting from Sasha’s phone. The final result is hardly of professional quality, but it is of making them all giggle quality. It starts off in a relay like manner, each of them in a different area to coordinate with “Tumble of out bed and stumble to the kitchen” (Sasha on the couch), “Pour myself a cup of ambition”, (Tim at the coffemaker), and “Yawn and stretch and try to come to life” (Martin at the fridge), with them finally crowding around the karaoke machine together to scream sing the chorus. Despite their practice, they quickly go off key, and while they might end up with low points for accuracy, they get full marks on enthusiasm.

When the song ends, it takes them a few minutes to settle down into something less giddy. As they do, Sasha, out of breath, says, “Fuck me, I’m sleepy now. What the hell?”

Tim hums in affirmation. “Goddammit, I’m tired too. Let me guess, Martin, you’re young enough that you could go all night?”

“No? I’ve never pulled an all-nighter in my life. Actually, I know that it was supposed to be in case the power went out, but huddling together under a blanket in front of a fire sounds really nice? I mean, um, if you guys were down.”

Sasha leans her head against Martin’s shoulder and takes on the expression of a deeply content cat. “Mmm, I call Martin, he’s warm.”

“Absolutely not, I also want to leech Martin’s warmth. You good with being in the middle?”

Martin’s practically beaming, but his voice manages to almost fake being put upon. “I suppose it’s a sacrifice I could make.”

With Sasha already half asleep, Martin brings her over to the couch, while Tim gets them all set up. He manages to find the kind of big, fluffy blanket that all cabins should contain and wraps it around their shoulders. Luckily for them, the fireplace is gas lit and can be put on a timer. He sets it for 30 minutes, even though all three of them are going to be long passed out before them. Sasha is already softly snoring away, and Martin’s head keeps drifting down and snapping back up. Tim curls up against Martin’s other side, and even though all three of them are going to wake up with aching backs and worse heads, he thinks he really just might be a genius after all.

*Why is Mr. Boddy’s name Dr. Black in the UK. I hate that. Why would you not have the dumb joke of  naming the victim “boddy”. Hey brits explain your crimes.

[poresorpixels]

Halloween 4: The Return of Michael Myers (1988)/

Halloween 5: The Revenge of

Michael Myers (1989)

gluishtuuks: return/revenge flick, Pleasence in extremis, creepy uncle, seasonal afflictive disorder, Haddonfield follies, formula soluable

This review is tougher to justify than the Ms. 45 one, which at least I hadn't seen. These two I am somewhat well acquainted with, and am pretty sure are more bad than good. Not to mention Wham City's pseudo-interactive livestreamed call-in melodrama (The Call of Warr) is back on Adult Swim for the next few days. If it's as scary, hilarious, demented and original as last year's The Cry of Mann (they even did a fantastically vapid accompanying show-about-a-show parody called Tanking Mann), then there is next to no reason to be wasting my time with these crummy sequels.

But I made this arbitrary October commitment, so I'm gonna go ahead and shovel some overdue dirt on this sorry pair and pat it down.

First of all, there's Donald Pleasence. He don't look so good. Particularly in Revenge, it seems as though the movie itself is trying to kill him as we watch on, bemused and more than a little bored. Danielle Harris is Laurie Strode's daughter Jamie, who is now a foster child, but her uncle strides past the Videodrome-for-dummies corporate death conspiracy (easily the best sequel, both because of and despite its crazy Michael-less storyline, for starters) and death itself to cut that family line. Harris was great as Furry Tom and the thorn in her McClane-redux-daddy's side in The Last Boyscout. She's solid here too, conveying more believable traumatized intensity than either film earns.

I was ten when I first got steeped in these sorts of movies, and the ruthlessly simple machinery just worked. The mockery of the more silly elements (though more so with the Friday/Elm Street movies) was often over-eager, barely containing the rising dread. That the anticipation dulls with age is a phenomenon often fixed on the viewership, but I'd argue that the blame lies more with cynically crude bottom-lining, crass presumptions of audience by the money. Horror is a genre with merit beyond watching people get butchered, but you'd be hard pressed to find anyone who'd go too far to attest to as much. No matter what you're watching, exploitation is the name of the game. But if you're producing, as is the case here, purely rote content, who can blame a viewer for glazing over till the killing starts?

Depsite some nice flourishes here and there, the Jamie saga portion of this franchise is as dull as it is anti-climactic. Particularly regarding the kills, which are all flat. The original and naturally best of the series wasn't particularly gory, but it had a lot more on the ball than anything that came after. It was working within budget constraints, but its perfect score and naturally winning cast (namely Curtis, PJ Soles and Nancy Kyes) and masterfully scored autmnal atmosphere made it work. These two films strive to recapture that original spark, but wind up feeling like drab, minor, tv movie-slight variations.

At a glance they may seem classier than the Friday the 13th stuff, but that's kind of what makes them obnoxious. They're slashers with delusions of thematic heft. The fact that they manage to stick some of their stylistic landings only seems to make this pretense worse. In Return there is a droning minimalist credit sequence comprising a series of drab, desolate country exteriors. It is a great mood setter, but when we leave these outskirt locations for the suburbs, it seems superfluous. All the best stuff happens outside of Haddonfield. Loomis gets nearly blown up at a sevice station, then hitches a ride with the boxcar hobo from Pee Wee's Big Adventure (still boozin' his cares away, but with a somehow worse singing voice and a sweet gig as a turn of the century fire and brimstone preacher). Sam actually smiles in this bit, and the unPleasence of this is mitigated by the fact that its a small relief to see the man take a brief siesta from the ceaseless wide-eyed flailing.

After that (and this holds for Revenge as well) it seems as though aping the highschool crush mini-drama of the original and endless hallucinatory false scares is supposed to suffice. Loomis would be hilarious in his stumbling mania were it not for the fact that he seems more horrific to poor Jamie than her stabby Uncle Mike. It doesn't help that, as has oft been remarked, they kept fucking with the mask to worse and worse effect, leaving one to wonder if it was ever scary to begin with. One thing's for sure, "humanizing" Michael (apparently what they were going for in Revenge) was never the fucking point! He was called "the shape" for good reason.

Even if they're roughly the same ratioed templates, Revenge squeaks ahead in the quirky teen dept. Though its anachronistic greaser boyfriend in Revenge pales in comparison to those rat-a-tat-tooie boys in the fifth Friday movie (and we have to spend considerably less time with them). But Jamie's friend (foster sister? who fuckin' cares) Tina is actually kinda charming and smarter seeming than her ditsy lines and misguided notions (including ones of neon-hearted love w/r/t the aforementioned greaser) would suggest.

Sadly, it looks like Tina's Wendy Kaplan may've never went on to anything more substantial. But here's as good a place as any to remind people that there's much more to Donald Pleasence than this babbling shrink with a gun (or the Bond villain, Blofeld). Despite having some decently budgeted technical chops (most exemplified in Jamie's nerve shredding, claustrophobic knife/laundry chute sequence in Revenge), these two are not the beat use of one's viewing time. So why not check out the 1971 film Wake In Fright? Directed by Ted Kotcheff (First Blood), its a nasty, sweaty, drunken trip set in the outback with a lively Pleasence, unhinged as you've never seen him. And if you've seen it, see it again. It's better than both of these movies combined, with a lot of room to spare.

Halloween movies ranked:

10/11

Halloween 1/2 (Rob Zombie has too much money and no/dumb ideas. shoulda just stuck with that rusty rutabega mudflap metal what made him famous)

9

Halloween: Resurrection (reality tv premise bites hard, though that similarly plotted Tales from The Crypt ep with Morton Downey Jr.* was a hoot)

8

Halloween: The Curse of MM (Paul Rudd is wonderful and all, but he cannot begin to save this tedious exercise in myth padding - but here's a clip anyway.)

7

Halloween 5 (roman numerals...

6

Halloween [2018] (I can remember nothing about this, except that I don't see myself watching it again. i guess it was loud and expensive, and wasted Judy Greer and Toby Huss. Just another cash-grab reboot nail in imagination's coffin.)

5

Halloween 4 ...are for squares, man!)

4

Halloween II (creepy enough, strangely dreary, but more than a bit sluggish)

3

H20 (the boarding school setting works and its slick cast and production values don't smooth over the grit. plus there's the weird kid from The Ice Storm that Christina Ricci deflowers)

2

Halloween III: Season of the Witch (Tom Atkins, heads exploding into bugs and snakes, mustard-bleeding robuts and a catchy jingle. Bites off more than it manages to chew, but in an uncommonly satisfying way)

1

Halloween (best John Carpenter film after The Thing and one of the best horror films period)

* "Television Terror"/S02/E16/1990