#that unfortunately still needs editing but

[jediwrites]

slice of life: jedi edition ch.1

//Anakin Skywalker x Jedi Knight Reader

this is pure fluff and nothing more. (+1k)

warning: a lot of kissing and nonsense stuff that came out of my head

Your fingers brushed the soft curls of Anakin’s hair, his head resting in your chest, while his arms surrounded you. The sound of your calm heartbeat and the gentle cuddling was making the man fall asleep again. Unfortunately, the shy sun’s rays entering through the window indicated that soon you would have to part ways.

"Ani, you already gave a class to the Younglings, right?"

"Yeah… why?"

"Master Yoda asked me to take care of them this week." You said. “I’m trying to think about some things I can show them.”

Anakin stayed still for a moment, making you think he slept again. But without a warning, he tightens his arm around you, making a sound like he is straightening out. Laughing, you tried to push him off.

Anakin raised his head, one of his arms over your belly, while the other was supporting his body. Gazing at you, he gave you a faked pity look. “That’s a horrible thing to ask someone, doesn't he know that?” 

You rolled your eyes at him. “It’s not that terrible.”

“If you say so.” He said with a sarcastic tone, burying his face in your neck, making you giggle. "If I remember right, I tried to tell them about my own stories, but they only wanted to know about lightsaber tricks."

His eyes got back to yours, a boyish grin plastered in his face. "Though I can't blame them for that, they know the fun part."

You snorted. "I don’t know about that, levitating things with your mind seems more fun." 

His lips curled, saying in a playful tone “Maybe you’re right”, before locking your lips together.

After some time, you and Anakin had to rise from the comfort of the bed. You finished putting your belt over your clothes and looked at him, his back to you while he picked up his tunic on the chair. You smirked, an idea passing though your mind.

“I was thinking-”

“No,” Anakin said flatly, putting on the tunic and turning to you.

“You don’t even know what I have to say,” you huffed, exasperated.

Crossing his arms, he gave you a look. “You don’t need to, I know exactly what you will say and my answer is no.”

“You clearly don’t.” You imitate his pose.

“Okay, so continue then.”

You got to him, putting your hands on his shoulder, feeling the man softening under your touch.

“I was thinking that would be perfect if you showed up.”

“No.” Giving a quick peck on your lips, he got out of your embrace, catching his robe and belt off the floor. 

“Come on, Ani,” you begged. “You are not that bad with children, they love you, it will be amazing.”

“I already had an experience with them worth a lifetime, darling, I don't want to repeat that.” He finished with his belt, and looked at you. “You’re asking for an impossible thing.”

“Fine.” You crossed your arms, with a little pout on your lips that made him chuckle.

He then stepped to you, pulling you by your hips and closing the gap between your lips.

It was now your time to melt under his touch.

You were standing at one of the windows of the Jedi Temple’s corridor, sight fixed at the skyline of speeders going on in the distance, the hurried pace of Coruscant seemed to be the same as your heart. Sighing, you gazed at the final of the corridor, expecting to see Master Yoda, but he was nowhere.

You shouldn’t be so nervous about having to take care of the Younglings — it would be only a few days, a break from the battlefield. However, to you, as a Jedi Knight, everything that involved teaching the Jedi Younglings — and Padawans —, seemed to carry a heavy weight to it. They are the future of the Order after all. 

Closing your eyes, you tried to ease your feelings, focusing on the warmth of the sun in your face. Inhale. Exhale. After some time you could only feel the Force through your body.

“This view is really beautiful, don’t you think?” Someone said behind you, getting you out of your meditation. 

Turning to the familiar voice, you got Anakin looking directly at you, a smile on his face. Grasping his comment, a smile emerges on yours, with your heart going back to the rapidly beating from early, but now for a different reason.

Before you could respond to him, a group of Jedi Padawans entered the corridor, making you stiffen in your positions, the warm smile fading away. Anakin sighed.

“I thought you were with the Chancellor,” you said, crossing your arms over your chest.

“We will meet later today.” Anakin looks around. “So, where are they?

“Who?”

“The Younglings, I thought we would show them some lightsaber tricks.”

The sudden appearance of Anakin made you rapidly forget about your upcoming task. You arched your eyebrow. “We?”

“Well, I changed my mind.” He shrugged.

The group passed you two, some greetings were exchanged between you before they got going down the corridor until they were out of sight. Coming closer to you, Anakin whispered. “And to be honest, even if I find it terrible, what I wouldn’t do for you, hm?”

You crooked your head, a smirk appearing in your face. “Actually, there are things-”

Anakin rolled his eyes. “For the last time, I won’t let my beard grow.” 

The first time you said such thing, he shot you a look that you will always remember and laugh at. 

“Fine, your choice, but know that you are preventing all of us from witnessing a masterpiece.” Touching this matter seemed to get under Anakin’s skin for some reason, and you found it very funny. You strongly believed in your assumption, though. “And I said to let it grow when you get older, Master Kenobi is such a cute with that beard of his.”

The disbelief in Anakin’s face was noticeable, but before he could respond, a thud startled you. You stepped away hastily. Turning to where the sound came, you face Master Yoda, a bengal stick in his hand and a questioning look. 

“Master Yoda.” You shifted your gaze to your hands. “Hope the Younglings are fine for today.”

You hold yourself from cringing at your own words. You definitely could pretend better than that, but not with Yoda, it seemed. 

“Very excited they are, young one.”

“I hope you don’t mind if I come together, Master,” Anakin said, trying to ease the tension.

“He offered to help me today.” A smile brightened your expression again. “I clearly wouldn’t declined this kind offer.” 

Anakin playfully rolled his eyes, exchanging looks with you.

“A surprise, this is.” Yoda looked at the two young Jedi. “Skywalker coming back to work with the Younglings, had never thought I would see.”

“Sometimes it is good to give a second try.”

The older Jedi shotted him a smile. “Right you are, young Skywalker.”

A/N: after so many tries, i was finally able to write one of my ideas down. i didn't liked it that much (idk i feel like i dont know how to write anakin yet), but eh anyway :)) i tried to revise throughly this one before posting, but if you find any grammar mistake, please let me know. dividers are from this post.

[tubbytarchia]

I love scott minecraft smajor but unfortunately joel hitting him with his car is really funny and i showed it to my boyfriend. i think it would be funny if he hates scott specifically because he got to be husbands with jimmy in the first life series and he hasn’t gotten over that

It would be funny! Unfortunately I'm no fun! I'm too entrenched in the intricate lore of all these characters that I can't really suspend my belief enough for that haha.. There is something so deeply enchantingly poetic about Joel being the one to burn down the flower valley wall, of the claustrophobic space that kept Jimmy all to itself, but Jimmy has gotten on with so many men that Joel would be ramming his car into people for 2 weeks straight if jealousy drove him at all. Not that I don't believe in him to do so LMAO but he'd have different reasons to be doing that, and he has MUCH much more personal reason to hate Scott specifically

Scott says to Joel "you deserve it" as he kills him for like the 5th time when Joel has done fuck-all to him, like it has genuinely made Joel's LimL and SL finales unwatchable to me, I just start to get way too frustrated on Joel's behalf. On god people need to watch his POV of those final fights before they say anything about Scott to ME, I'm making it a mandatory viewing experience. I really feel like people forget that Joel has very good reason for the "one-sided rivalry". He very genuinely deserves to kill Scott at least 5 times in a row. In any case Joel's set apart for being pretty much the only guy in Jimmy's life to actively combat the ecosystem (the act of viewing Jimmy as inherently incompetent and regarding his deprecation as expected and encouraged) so there wouldn't be so much room for jealousy of his relationships as there is for general mistreatment of him (even if this is a relatively recent development as opposed to the horrors of esmp2)

Edit: unless you're still talking about your boyfriend hating Scott and not Joel hating Scott in which case please ignore this and happy holidays um

[nobleelfwarrior]

I have an unfortunate take on the cait/vi sex scene on arcane and it’s that this is totally in character for Vi.

Vi is codependent, which I recognize as a symptom of her trauma from losing her parents young. She not only holds herself responsible for Powder/jinx getting wrapped up with Silco, but also can’t accept the truth of what Jinx has done since in Season 1.

In season 2 she does a hard about face, but still feels like she needs to stop Jinx because Jinx is her sister and she is responsible for her, not because Vi has a healthy motive. Then Caitlyn risks hitting a child and Vi is completely alone, just like she was in prison.

We then see that as Jinx becomes a better, less murderous person, and that Vi does come around, she is so happy to have her sister and her dad back, even if they’re all broken because broken is better than gone. Then her dad dies (again) and her sister uses her hope that they can be family together to do a literal gut punch and leave her.

Now Vi has no one to blame for this situation. She can’t blame the enforcers or Silco. Jinx is separated from her because Jinx wanted to leave. What is it about Vi that makes Jinx want to leave?

So Vi is at the bottom. She lost everyone after getting them back and the only person in the world left came back and said “I still care about you.” It’s hardly surprising that Vi got super affectionate. I’m not saying Cait and Vi don’t love each other - they do - but they wouldn’t have sex in a literal prison cell if Vi wasn’t desperately clinging to the one person left in the world that gives a shit about her.

Edit because people keep saying this and I wasn’t trying to start a fight and I wish people with the point of the post: I didn’t get the impression that Cait and Maddie were seperated. Maybe I missed something. I get it.

I also think some of the hate for the scene is homophobia but that’s a different post.

[marilynthornhilllover]

An Important announcement ⭐️

So as some of you may know, though I’m not quite sure if I’ve said this before but before I was a writer on here I was an editor (still do sometimes). And I found out about tumblr from a friend @slut4milfsss who’s not active anymore :(. Basically she used her work piece for the intro in one of her edit and I was like “ I need to know where I can read that” and she directed me over here. And honestly at first I had absolutely no business or urge to write fics…. Until there were barely any Marilyn thornhill fanfics on here at the time, hence the reason for my username so I began writing my own fics and over time I eventually started writing on different characters/fandoms.

I’ve loved writing since I was in elementary school but my love really grew in high school, and I loved literature and I had that fattest crush on my professor Ms. Lane who’s now Mrs. Cambridge ( don’t worry guys she knows and she’s honestly fine with my little story lmao). Growing up with parents who had money wasn’t always the nicest experience, most of the time I used writing as a coping mechanism with my depression and anxiety.

Graduating high school a bit early,and then before going to college I took a gap year to really decide what I wanted to do with my life and I decided whole heartedly on psychology! But anyway cut the long story short, I’ve had this app for 2 1/2 years which is crazy because it feels like yesterday when my writing started getting recognition. I’m honestly so proud of the work I did and the friends and amazingly talented and supportive writer buddies I’ve come across but unfortunately I’m not 18, 21 and 23 anymore next year (2025) I’m gonna be 25….😭😔. Time flew so much! I literally remember my high school days, college days and university days as well as my gap year in London so well.

I’m a clinical psychologist and in June I did my final course exams and I’m now officially an badge clinical psychologist with my own office in NYC and let’s just say I love my job it has a deeper meaning behind it and waking up everyday and getting the privilege to meet and therapy patients struggling with their MH and working along side some of the best doctors has always been my dream. Recently I’ve started another short course work in neuroscience and it’s so intriguing. Trust me wasting your 20’s away in degrees is not boring it’s worth it.

With that being said. This year wasn’t the best or easiest year for me. Don’t even get me started on 2023.I’ve got a lot of good things going for me right now, new friends, for the summer I traveled to L.A, I went to one the the VP’s rally where I got a picture with her, new experiences and most of all I think I may have met the love of my life! <3. And now going into 2025 I need space and a little breather. I wanna do some new stuff, I wanna travel and I wanna be happy with friends and family and work on some personal relationships and most importantly myself.

With that being said I will be taking a break from tumblr and taking a step back from this account and writing in general . I don’t know when I’ll be back or if I’ll ever be be back (that’s not decisive as yet for now I promise it’s just a break) I’ve taken breaks before, especially before my CPB exams and some random anon people decided to bash me in my own anon box as if I don’t have a life of my own….. but anywaysss I know I have a bunch of requests in my inbox which I will try to get through while I’m away along with CHP 10 the finale of my lady d series. I do love writing for you guys and this app has been my safe place and just a place of peace, smiles, experiences and growth, and I don’t know why I feel like I’m out growing my jacket. But I do want to focus on certain areas in my life now before I make decisions I don’t want to. I’ll always come back and reblog and share my love and support once in a while so don’t worry.

So To all my favorite writers @regalbootie @daydream-cement @prettygreenpills @littledollll @cissyenthusiast010155 @v3nusxsky @d4rkhold @wifeofnatasharomanoff @milfsloverblog @brienneoftarth1989 @willalovexx @daddy-heather-dunbar @togrowoldinv @kararomanoff @harksness @weemssapphic @storiesofsvu2-0 @schemmentigfs @ottiliaxwritten @ilovehugslikealotalot @m1lfsh4ke @gamma-rae-bursts , more in numbers than I can ever tag ( sorry if I didn’t tag you! I literally can’t remember the rest) , sorry for the random tag as well guys 😭☹️ but I do wanna say a small heart felt thank you, not only for being the most generous, genuine, kind, supportive, authentic, optimistically talented writers I’ve ever encountered but for just doing what you do, being a writer can be so hard and it takes endless courage but you guys manage to come through regardless. I remember reading some of you guys work and was in constant awe, most of my motivation and will power to write and be inspired came from you guys. And to my mutuals…. @willalovexx @luisa323 @milkiedimitrescu @m1lfsh4ke @gamma-rae-bursts @mymiraclewitch @kmaxmadness (and again sorry if I forgot anyone) Words cannot describe how much I love you guys. My love pours out beyond words, I will always cherish the continuous amount of love, generosity and support you all have given me. Especially the love you showed to me in times of anon hate and towards my fanfics. I truly did enjoy my time on this app all the fun times 😂 and most definitely the comments. I’ve made so many friends on here like Heidi who deactivated her account sadly but we are still so close and talk everyday on instagram.

I forbid any tears from this post!😤 but I really do love you guys and I will always think of each and everyone of you. And I wish nothing but the best for all you!🤍🌸. Remember to stay true to yourselves, go out with friends, fall in love, do silly things, give yourself a reason, do what makes you happy! Always…. And please do take breaks. Don’t write your life away when there’s so many amazing opportunities, experiences and people waiting. The world is waiting, the life than you want is waiting. Merry Christmas to those who celebrate, wishing everyone a very heart felt holidays and happy new year!🎆🎊

— sincerely, your best friend.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[itissadbutitsmy-artblog]

obsessed with pep's unlocking crowbar. where did he get that

^ this was in the wizard city level

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[bugcatcherkit]

having mrs suzuki thoughts again. specifically i always thought of her leaving as smth that she’d intended to be temporary. bc it was in direct response to toichirou saying that he Does have the power to control people, because he’s strong enough that he can just Make them do what he wants. and it was both an assertion of a boundary (“i will not tolerate this behavior. if you continue to act like this, i will remove myself from the situation”) and a direct response to toichirou’s stated belief (“oh yeah? control this, asshole”). and i think that her intention was to make him think about himself and what he was trying to accomplish and the consequences his actions have on himself and everyone around him, and that she’d originally intended to come back when he came to his senses. and COMPLETELY underestimated his total refusal to ever question or consider anything ever.

(btw i think shou’s murder attempt was if not the same, then at least a very similar principle. bc if it had really been about killing toichirou, he probably would’ve just “played the obedient son” and poisoned him or smth. but it wasn’t! it was about confronting him and trying to force him to understand and deal with the consequences of his actions, especially wrt the people who cared about him most! the message being communicated was “look! you’re going so dangerously overboard that even your son, who cares about you, who is still trying to reason with you, is willing to kill you if that’s what it takes to get you to stop!”) (and it just completely flies over toichirou’s head)

sorry for rambling but u know how it is with the suzukis

HI I FINALLY GOT TIME TO ANSWER THIS. I think you summed it up well though !!!

I definitely believe it was supposed to be temporary! It really plays out like a spur-of-the-moment thing, where she suddenly realizes Toichiro is not really who she Believed he was (<- she had a certain image of him in her head I think) and also that would not listen to her WORDS at all. So she had to do something impactful.

Their relationship was very important to them both, and I believe she expected her Absence to lead Toichiro to self-reflect and FINALLY push himself to change so they could KEEP it. But he sucks. And he was already so wound up in the power fantasy that he ignored anything he could not rationalize with it. You can't exactly make semi-divorce seem like a Super Epic Protagonist Battle.

She was making a point to him!!! Showing him that his idea of psychic power being absolute was WRONG because people have power over themselves (free will). Her leaving is like the physical culmination of everything she had been suggesting to him up until then (that he could change, if he CHOSE to).

She has a whole thing about free will. He was supposed to realize he does not, actually, have power over everyone. He ONLY has power over himself, just like everyone else. To think otherwise hurts himself and everyone around him because only focusing on power meant he didn't care about anything else. But yeah she totally overestimated his ability to Self Reflect and also Be Considerate. Aforementioned image she projected onto him, I think (not normal).

and that is where Shou gets it I BELIEVE!!!!!!! The thing with him is that. Like when you said his parents were his only examples and he kind of had to work with what he knew through them.

His philosophy (of kindness and free will and righteousness etc etc etc) was heavily based on what Mrs. Suzuki is shown to believe in, and this is what he based his opposition to Toichiro's ideals on.

Though, he also had to oppose his mom's Methods in favour of Toichiro's in this process. So he was kind of opposing them both while also Not at all doing that. Because he learned from them and was influenced by them. As per the themes. BUT ALSO with that its like. Nothing Shou did was ever really for himself or because of himself and it makes me. ggrhrgrge.

I forgot what else I was gonna say. Suzuki family drives me insane <3

[morrigan-sims]

P:WotR Portraits: Wenduag & Daeran

I did the one for Wenduag back when I was testing her legs, but today I got the idea to recreate Daeran's portrait image. I think it turned out really well, even if the colors aren't quite right and the pose is a bit awkward.

[reference pics and alternate crop of Daeran's portrait under the cut]

[jils-things]

you are pretty, dearest!

[batsplat]

I know need to know what the fuck was the honda three rider team about. Bc that sounds made up as fuck

historical silly season: 2010 edition!

in early 2010, casey had very much had enough of ducati

rumours are that he'd already been looking to break his contract for the 2010 season after how ducati had handled the whole mystery illness 2009 saga... releasing inaccurate statements about his condition to the press without his consent, implying his diet was to blame - as well as offering jorge a shit ton of money to come ride for them. crucially more than they were paying casey

this was from mid 2009 and the vibes were already BAD back then... it's hard to know how seriously to take retirement rumours from the time given casey just wasn't. really... talking to the press, so a lot of the times the media was relying on other sources from inside his camp or just wildly speculating

anyway, casey did see out the 2010 season with ducati, but at the start of the year he essentially gave them an ultimatum - he wanted them to rip up his proposed contract and have them show him how much he was worth to them. they did not do so

according to casey, he already signed a contract at the second round of the season in jerez, which gives you a sense of how done he was with all things ducati - but it was only announced after the seventh round in july. the move was made smoother by casey's existing close relationship with livio suppo, who had himself recently made the switch from ducati to honda

very much the right time to make the move for sure. at the time, there was speculation that casey's poor results in the first half of the season was due to decreased motivation, which of course he strongly denied. really, it was the fault of the bike and team - and casey would show as much the following year at honda

one little problem. honda already had two factory contracted riders for 2011: dani and dovi. now, dani had been honda's wunderkind since forever, and after their last world champ nicky hayden - who was not on particularly warm terms with dani's camp, it has to be said - departed the team, dovi had been the chosen replacement. dovi was a long time honda loyalist, even when he was riding their underpowered bikes to championship runner up positions against jorge in 250cc, and he'd also had a highly impressive rookie season

2009 had not been a particularly great year for either factory honda rider, partly due to bike performance partly due to injuries partly due to... rider performance. it was a rough year for dovi in particular, despite his win in tricky conditions at donington (all four aliens deliver quite funny performances at that race in different ways. not exactly the finest of hours for any of them)

when casey's signing was announced, honda initially went 'okay three factory blokes but maybe we'll have two in the real team and then one in a fake team'

the problem, right, is that it costs a lot of money to field a three man team - this is why honda was so keen on the red bull option, because then they could pay for the seat

honda confirmed its intention to have four factory honda riders in 2011, those three and sic, in mid-september. but they still needed to figure out where to put them. they didn't manage to get the funds to put casey in a separate team, and then they tried to put dovi on the satellite squad:

now, dovi was on a 2+1 contract, with 2009-10 guaranteed and an option to extend for another year. the contract included a performance clause - and dovi was having a more successful 2010 season, so hrc was having some trouble forcing dovi to accept the move:

so yeah, obviously not exactly great behaviour to sign a third rider when your team is already essentially full... and then immediately spend the next few months trying to get rid of one of your existing riders who is still entitled to that seat

some more details:

for a while, dovi looked like he might be leaning towards accepting it, and was certainly keen to stress that he wasn't rejecting gresini due to his interpersonal issues with some of the team's personnel. this from september:

eventually, repsol agreed to fund the whole thing so that honda could honour their commitments to all three riders:

so, one team for all of them, if still a wee bit of healthy internal separation

and by november the whole thing was sorted

honda did have some internal precedent for this! in 1997, they fielded three factory riders: doohan, criville and okada

also back in the day they did just create shell teams organised around one rider, which is of course where valentino spent his first two years in the premier class

and here's the updated version from 2011!

anyway, it was only something honda was willing to do for one year, and in the end dovi decided to jump ship to yamaha rather than accept internal demotion. the fight for p3 in the championship went right down to the final race in valencia - and it must have been incredibly satisfying for dovi to snatch it from dani there

after this... look, basically they changed the rules to make it two entries at most per team, then they changed it back for like? two years? so that four riders were technically allowed. and then they changed their mind again. now it's just two - obviously teams are allowed wildcards, but they couldn't do this three man team thing anymore nowadays

teams generally wouldn't even want to do this because it's a lot of hassle and, most importantly, money. so yeah, unlikely to make a comeback. very much a quirky curio that won't be replicated... could be funny though. if they want to change the rules again

[kimetsu-chan]

I’m gonna be out most of the day bc I’ll be helping my dad with a big shopping trip plus being out after, so I’m going to be super duper exhausted

I don’t do well in crowded or loud places in the slightest, I get woozy and tired and I feel miserable or like I’m gonna pass out, and if the shopping isn’t gonna make me wanna cry, the outing after will bc it’s gonna be packed with lots of noise and people

I don’t say this because I want to complain, I just wanna give a super quick warning that I might not be active tomorrow as well as today bc when I get exhausted, my mental health tends to decline as well ;-;

so- a bit of a warning that I may poof a bit (sorry! 😣)

[callmehere-iwillappear]

uhhh. taps mic. feel like i should probably let you guys know at this point. i still absolutely very much want to continue + finish all my fics, and i still absolutely hope to do so eventually, but i have been hit by a deadly combo of 1. Can't String Words Together Good 2. the mental health and 3. new hyperfixation beam so uh. no promises and there probably won't be any new updates anytime soon </3

[sundial-bee-scribbles]

i thought their voices made for a pretty interesting combination, so i made a little test thing to show it off

ust by Zoë (@/half-a-head)

[kay9leo]

At First Glance Part III

Fanfic Inspired by: https://www.tumblr.com/eternalremorse/751163260305342464/seb-x-mc-coded?source=share

1.1K+ words

Chapter 2 <<<||| Chapter 3 |||>>>Chapter 4

...At Feldcroft

The Feldcroft home visit went worse than Sebastian expected.

Not only was his uncle rude to him and rash when he destroyed the shivelfig he brought for Anne, Solomon completely embarrassed him in front of his best friend. Anger and shame filled him like never before and he found himself leaving the house before he could make things worse.

Since that’s all he could do when he went home apparently.

Sebastian kicked a few weeds here and there, walking away from that house he was forced to call home since he was six. He hated his uncle. He hated it here.  He hated the fact that he told MC to give him a moment when she went looking for him. He could only watch from the corner of his eyes as she nodded back with an “okay” before she made her way back to his uncle’s house where hopefully Anne could do damage control.

Because apparently all he could do was cause chaos whenever he came home.

And all he could hope for was that MC would still be friends with him after this embarrassing episode. The last thing he wanted her to see him was weak as he held back his tears from the angry and hurt he felt whenever his uncle would act like this.

Then when she came up to talk to him, it seemed as if his worries were for nought. She was worried for him. While he had to explain how Solomon was like this all the time, how he was the only one who still seem to care to try to find a cure for his sister or at least make her current state better, MC never saw him as less, glanced at him as a misfit that everyone –even Ominis– did.

MC saw him as himself.

As a brother trying to save his sister.

Sebastian wasn’t hesitant to take her to the place where it all happened. Hoping that maybe she would be able to find something he couldn’t before. Nor was he hesitant to attack when he spotted Ranrok’s loyalists.

The two quickly shifted into their dueling stance when they partnered up, knowing this time there was something bigger to lose than pride here. It was here that Sebastian could finally let out all his frustration, his hurt, his anger at the very beings that caused his life to spiral downwards since Anne was cursed.

He tried to keep his best friend close to him, but soon the number overwhelmed them and they were split. Emotions powered his magic.

Sebastian wasn’t going to lose another loved one here. Not again.

It was here where he was also reminded who he was fighting with as he saw her Ancient Magic be put on display when he took down the last of his attackers that surrounded him.

MC’s eyes glowed a bright blue as she called down lighting on the commander who refused to yield, like some goddess out of a story book. The goblin commander still stood and continued to fight, but Sebastian saw that lighting blue flash of light again –the same one from he saw during that troll fight– strike the red-glowing goblin commander. He glowed purple.

A blink later, he was gone.

Nothing but ash in his place.

So awed by her display of god-like power this time around, he didn’t even notice the goblin behind her until she was wacked in the head with a frying pan and collapsed.

While Sebastian didn’t have god-like power, he had enough magic in him, enough anger to confringo the menace to death before he ran to his friend, hoping he wasn’t too late.

“Please be alive, please be alive –oh thank th’gods ye’re still breathing!” He heard himself say as he rolled her onto her back. There was a goose-egg swell that already started to develop on the side of her head.

It was a heavy reminder that for as much of a goddess in human form MC was with her Ancient Magic powers, at the end of the day, she was still human.

MC could still be killed.

Sebastian didn’t know what to do other than hold her, watch her breathe as a reminder that she was still alive. It wasn’t until she woke up that he felt all the tension leave his body like a ghost no longer processing him.

“Se-Sebastian?” She said as she opened her eyes, blinking at him.

“I’m here. How are you feeling darling?” He sniffed, never more grateful than the fact that she was alive.

That she was still here.

Sebastian didn’t lose her.

“I feel like I got wacked with a pan.” She groaned. Sebastian couldn’t help but laugh, the nerves finally getting to him.

“Good tae see that you’re still up tae make jokes. And tae remember what happened.” He said as he gave her space to slowly sit up, arms ever ready to catch her in case she fell.

“If I’m doing down, I’m– shite. Sebastian are you okay?” She said.

“A’m fine. Why dae ye ask?” He said, unable to stop the Scots accent from slipping into his posh English speech anymore.

MC frowned as she placed her hand on his cheek and wiped the tears he didn’t realize was there. “You’re crying.”

Sebastian couldn’t help himself as he pulled her in for a hug, inhaling her citrus orange perfume in, listening to her heartbeat as he laid his head against her chest. Listening to her breathe.

It was the most wonderful sound in the world.

“Ah thought ye died.” He cried as he broken down.

Her arms surrounded him, rocking him as if he was a little boy. Holding him like the six-year-old boy in him needed when his parents died.

She’s alive. She’s alive. She’s alive. He thought with each breath as she rubbed his back, soothing away a nightmare he didn’t want to re-live through again.

Never again.

…

Chapter 2 <<<||| Chapter 3 ||| >>> Chapter 4

[vanmarkus]

Wip Word Search 🔍

rules: use this generator to generate three random words (or however many you'd like to do) and share the lines where they show up in your WIPs

my words: affect, great, opposed

1. affect from the mudslide fic ☔️

He watched as Eddie got up from the couch, carefully depositing Christopher’s legs from his lap before turning back to him and planting a soft kiss onto the top of his soft curls. He was getting too old for these kinds of affections when awake and — as much as he couldn’t wait to see Christopher become his own, independent person — Buck desperately wanted to halt time. It wasn’t a fair thing to think; Chris wasn’t exactly his kid to begin with and regardless of what Eddie’s will said would happen after his death, Buck's place in their lives wasn’t set in stone, so he savored every tiny moment he could. Somewhere along the last handful of years, Eddie and Christopher became Family, with a capital F. Buck loved Chris like he was his own and his feelings for Eddie were clear as day — only if not for the man himself. It was better that way, Buck reasoned. He probably wouldn’t let Buck hang around all the time, if he’d have known. Eddie probably didn’t think of them that way anyway. Buck ran his fingers through the curly hair tickling his cheek and pulled the kid’s small frame just a fraction closer, relishing in the moment of stillness.

2. great from the jealous eddie fic 🧇

“So uh t-tell me about yourself, you know, hobbies, pets, family, whatever.” “That’s pretty broad.” Jason chuckled and Buck felt his cheeks heat up immediately. Wow, he really hasn’t been on a proper date in such a long time that apparently he lost the ability to make conversation. Great. “Sorry I—” “Relax, Buck. It’s alright.” His shoulders sagged a little at that. “I guess cycling is a hobby, right? I’m not allowed pets at my place and uh… Two sisters, parents live in Nevada.” “Uh great, that- that’s great! I have a sister too, my parents live in Pennsylvania though.” Jason assessed his face for a long moment before he leaned back in his chair with a small sigh. “Don’t take this the wrong way, but you seem much more nervous than before. Is everything alright?” “Uh yeah— yeah, I’m fine, just…” Buck sighed and rubbed the bridge of his nose with his thumb and forefinger. “Eddie, my uh my partner at the 118, he’s been acting kinda weird about us going out. I just… I don’t know, I guess I got a little into my head about it.” A disapproving frown tugged at the patch of skin between Jason’s eyebrows for a moment, before it disappeared with a sigh. “So he’s one of those guys then.” Buck knew what he meant instantly; the type of guys who were just too macho not to feel threatened by even the mere mention of two men dating. Of course, it couldn’t have been further from the truth —  and Buck was quick to make that clear. “N-no, not at all! He’s a good guy, great actually. He’s my best friend.”

3. opposed from the breeding kink fic 🛏️

“You might be right,” he breathed, leaning over Buck and slipping his hands under his thighs for more leverage, “maybe we should just stay here like this forever.” Eddie’s eyes fluttered shut for a moment when he bottomed out again. It wasn’t a plausible or in any way realistic idea, really, but Eddie found that he still wasn’t opposed to the fantasy of it. Especially not when Buck’s warmth enveloped him so perfectly, while he got to watch his chest rise and fall quicker and quicker, listen to his quiet whines and grunts as Eddie sped up his movements until he hit a steady rhythm and smell as fresh sweat broke through the lingering scent of their shared body wash; tea tree and mint. His hair was still damp from their shower and that was one thing they didn’t share; the shampoo — and god, Eddie was grateful that it never became something that he’d lose on the account of getting used to smelling it on himself, so now he could let the fruity and fresh scent of green apple, and something that uniquely belonged to Buck wash over his senses.

tags under the cut 💛

I was tagged by @hippolotamus @theotherbuckley @daffi-990 @jamespearce9-1-1 @fortheloveofbuddie and @wikiangela thank youuu 💛

✨no pressure tagging: @malewifediaz @spagheddiediaz @jeeyuns @eddiebabygirldiaz @nmcggg @thewolvesof1998 @ladydorian05