#that they don't get a happy ending

[theindiscreetbookworm]

it's 1 AM and I can't stop thinking about how Flint and Silver start looking at each other after they take the Spanish warship

I'm in pain

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[egophiliac]

tsum events continue to be just the best

[tsuutarr]

Yandere! Love God x Reader

Soulmates do not always meet in every lifetime. Sometimes, a person may become a bird that soars the skies while their soulmate becomes a fish that swims the depths of the sea. Other times, a person may become a little flower in a field while their soulmate becomes a large cactus in a desert. More often than not, the stars must align for soulmates to meet in a single lifetime.

You, however, are the exception. You will meet your soulmate in every lifetime for as long as your soul exists.

After all, your soulmate is the God of Love, an immortal being that ensures that you will meet in every single lifetime. 

It doesn’t matter if you’re a little plant, an animal, or a human – he’ll always find you and love you. When you’re not there by his side, he patiently waits for the glow of your soul to return to the mortal realm.

It’s become a pattern of his, a habit. When you leave his side due to your life’s candle burning out, his world will be drowned in grayscale and monotony. He goes about his days without much care for anything, his duty taking the forefront of his mind.

But when you reincarnate, your soul colors his world with his love for you, brightening up his days. To him, it doesn’t matter what you are, just that you are – that you exist. Your existence takes the forefront of his mind, his body, his soul. He devotes everything to you for as long as he can, eager to dye you in his colors in every one of your lifetimes.

It doesn’t matter that you don’t remember him – he’ll remember for the both of you, filling pages and pages with his memories of you. It doesn’t matter that he has to start all over again in every single lifetime – he’ll gladly fill you with his love for you over and over again. Because, to him, you go beyond just being his world – you’re his universe.

So, for most people, the stars must align for soulmates to meet in a single lifetime. But for you, your soulmate forces the stars to collide so that he can draw your constellation next to his again and again for the rest of eternity. 

[lastofthe20thcenturygirls]

RIP to these epic loser moments by the founder of loserism i will always keep you alive in my memory 😔

[liauditore]

Equally Invalid

[dilfmobius]

LOKI 2x05 | "Science/Fiction"

[jade-of-mourning]

i miss them

[chinese--satellite]

"we've always been friends, we always will be friends. but friends is a big word."

[eerna]

imma be so real with you I did NOT care for all the cutesy ways they presented Vi and Cait's disbalanced social status in arc 3

[stealingpotatoes]

hands you all this cal to announce i’ve FINALLY finished fallen order (by which i mean i finally picked it up again after those couple hours i played a few months ago and then finished the whole game in 2 days lol)

[nights-at-crystarium]

⊹ ˚ . ★ WE ARE ANGELS ★ . ˚ ⊹

[pokimoko]

If you’re doing pride animals still do you think you could make a pan tiger maybe? If not that’s ok ofc :)

I can absolutely do that for you, my friend. Here you are!

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[zylphiacrowley]

Do you know that you bring out the best in me too? // I know you can't see it // But love looks good on you

[gabrieldrawsstuff]

AU in which the gang gets together again at the end but i get to pull fingernails off jay merrick in return

au under the cut

I've said it before but the operator is an otherworldly creature, a metaphor for mental illness and probably is unable to feel anything. But I wholeheartedly believe he is jay's number one hater. If we think of it as a leech, it tries to take and feed on people that are like, worth the fight. No need to waste the energy you won't get back.

So in this AU the gang came together at the end and literally made themselves not worth the fight with, I'm not kidding, the power of friendship and prescription drugs. Strength in numbers and allat.

BUT once again, in this AU the operator evolved due to sheer hatred towards jay and is now able to feel rage. To extents i deem comedic nothing more. So it hunts jay down nonetheless

So as long as jay keeps doing the things to keep the operator away (socializing, taking meds, ignoring it) it can't seriously harm him (except for a few nosebleeds, headaches or nightmares).

But jay DOESN'T do all that, instead, now that he is somewhat safe, he tries to figure out how to get rid of it permanently and keeps bumping into it

Cue the ghostbusters/sally face shenanigans in which i put jay merrick through even more horrors and the gang has to save him time and time again