#that tells even more about the western world

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.

[tlaquetzqui]

Not gonna get into the weeds about what structures Gondor uses, because it is at least partly Byzantine rather than Western-feudal. Instead I’ll just say, even without the ridiculous winters, a feudal state intrinsically cannot produce the logistical coordination needed to feed King’s Landing. And horse nomads can’t stay fed for more than a (regular length) season, much less wage war, only on horse meat and milk.

Martin is a TV writer with what amounts to a high-school education, sniping at the historical knowledge of the foremost expert on Old English and Old Norse literature of the entire 20th century. As well as being a fat suburban hippie draft dodger telling the orphan World War One veteran from a persecuted religious minority that he doesn’t know anything about the darkness of the world.

This is actually so funny because….isn’t this literally the point of Jon’s political arc as a ruler in ADWD? 😭 What policies can he enact to ensure that the Watch and the wildlings are fed through the winter? The question even comes up during Alys Karstark’s wedding, because Jon knows that the Watch is down to its last sticks of butter. This is the same arc GRRM uses, along with Dany’s in Meereen, as a reference of how he would like to explore this very question. Btw Jon Snow is arguably Aragorn’s closest parallel in ASOIAF so 😭

[taldigi]

persona 4 characters headcanons?? idk i love hearing other people’s headcanons

Yu hates the noise of the city and harsh/loud noises in general. He hates the sound of TV static most of all. He also wears his TV world glasses as a comfort item.

Yosuke thinks he misses the city, but he really just misses having friends. He hates the city once he goes to college, then scampers back to Inaba the first chance he gets.

Yosuke and Chie would probably die before they date, but their NSFW chats and rp is longer than any of their chat logs with the others.

Chie makes a huge fuss about Yosukes dirty jokes but she actually has fun and often eggs him on (she would also die before she admits this)

Chie can't cook or bake but damn can she work a grill.

Yukiko loves Halloween, even if it's a western holiday. She gets the third year class to do a haunted house for their culture festival and they end up having the best display of the year.

Teddie is really good with tinkering. It started with glasses but then he's disassembling and reassembling watches and other small devices.

Kanji actually picks up the slack on feeding strays after Yu leaves, and while he's no good at fishing he's very good at sitting still and knitting next to a bowl of treats and that definitely earns him some brownie points. Which he's more than happy to do since it means he gets to pet some cute animals. By some twist of fate, One of koromarus puppies makes it's way into his care and relishes in the lavish attention Kanji is willing to grace the pup with. And yes, that means custom sweaters.

When it comes to games- Rise is not only fiercely competitive, but a sore loser. She can, will, and has used crocodile tears to win. If a game has a betrayal mechanic- she will use it. Nobody will play Parcheesi with her.

Naoto sleeps with a small plush toy. It has a little Sherlock outfit. If anyone finds out they will not live to tell the tale.

[whywoulditho]

not saying the holocaust wasn't bad. but i need people to understand that it wasn't the only genocide that happened in the same period of world history. not because i want you to pay less attention to holocaust but because i need you to ask why it's the only one we ever talk about. it wasn't the longest occured massacre of a marginalized group, it wasn't the most gruesome, it wasn't the one with the most casualties, it wasn't the first and it wasn't the last one. i need people to think about why we didn't pay much attention to all the other holocausts after WWII that happened simultaniously and were just as horrible. it says so much about media, the news we are fed, and that our empathy is BOUGHT by the same people that keep funding genocides all over the world.

[things-methinks]

Talking to [leftist/socialist/progressive/whatever] white people as a brown girl is always an experience

[just-a-lil-theatre-guy]

Ok, so, to historians knowledge, theatre as an art form started during the Dionysia, an Ancient Greek festival celebrating the god Dionysus. The performance was comprised of the actors and the chorus. The actors are the same as what actors are today, they performed in character, never acknowledging the audience. The chorus however function as narrators for the play, telling the audience what’s happening and telling them things the characters don’t know. Then after Christianity took over, theatre kinda, stoped happening for a bit. Well, it stopped in the Western World, there was theatre around in parts of Asia during this time, but it’s not talked about as much, and I also personally don’t know much about it. Then, after a bit, theatre started happening in Europe again, for the purpose of performing stories from the Bible to make Church more entertaining for people, and so people who didn’t know Latin could enjoy the Biblical stories. Then, the Commida became a thing, which was basically an Italian performance art made up of a bunch of stock characters that existed in every performance. It was defined by colorful and unique masks that corresponded to each character, a very improvisational nature, and overextended characters and movements. Then we’re gonna do a big time jump, cause I haven’t researched a lot about after that. Musical theatre was created in the 1930s in America, more stuff happened, even more stuff happened, I really wanna research the history of theatre more, and now we’re in the modern day, and musical theatre is really good!

Hey! Uh...it's Aspen, right? I see you all the time at church, and I realize I've never bothered to say hi, so uh...

[A red-haired 17 year-old grabs Aspen's attention. Xe looks like xe's already regretting xyr decision to initiate this conversation, smiling awkwardly.]

...hi. I'm Mason.

[@m4s0n-n1bbl3s]

(ooc: no pressure to respond!!! :D)

Yeah, I’m Aspen. Nice to actually talk to someone my age who goes to my church. Most kids there usually just look at me funny. I mean, that’s what most of the congregation does, but the adults have an air of condescension to them that the kids there don’t

[ablednt]

Tumblr giving me zionist adds: Israel under attack!!

Me: good. Attack it harder

[trainsinanime]

I wonder: Do Americans know about american school buses? Not their existence in general, but how they're seen overseas.

Over here, they're one of the symbols of America, on par with the Statue of Liberty, the flag, the Eagle, and well ahead of any chain restaurant you can name. People won't know any US states, but they will know these vehicles.

The thing is, here in Germany, we don't have dedicated school buses. The general idea is that kids go to school on their own. When that's not practical, they're expected to use (and given free tickets for) public transit. Public transit is designed around this requirement; there are many places where there is a bus, and anyone can get on it, but the route and timetable really only makes sense for school children. In case a dedicated school bus is really needed, that's generally subcontracted out, and the lines either use something like a Sprinter Van for smaller routes, or a normal city or interurban bus (often a used one that's a bit older). School trips are normal public transit, or a rented bus, typically a coach or regional bus.

It's not a perfect system, in the past couple of years there's been an epidemic of people bringing their kids to school in their cars instead of letting them walk, which is less than ideal. It is what it is. But building a dedicated network of public transit lines only for students, and building dedicated vehicles only for that, has never occurred to anyone here.

Of course we know about these buses, from movies and such, but they're as foreign here as cacti or pick-up trucks (actually we're seeing more and more of these here) or yellow cabs (all europeans will assume all cabs in the US are yellow until they actually visit).

You do see these buses here at times, because people still generally like the idea of the US, even if they have a lot of issues with a lot of details, and so folks bring them over, along with stretch limos and stuff (also not really a thing here). And of course, if someone goes to all that trouble, they don't do it to haul school kids, they rent it out for city tours or as a party bus or whatever.

So you see these yellow things as a symbol of faraway places, scenic vistas, some vague undefined idea of freedom that doesn't necessarily hold up to any contact with reality, and it's just a huge part of the whole US aesthetic.

And then you go to a student exchange with the US, and you finally get the chance: You yourself get to ride in one of these iconic chrome yellow buses! It looks just like in the movies! You get in, you drive in them a little…

…and you realise they're shit. Just the worst buses in the western world. Terrible suspension. Uncomfortable seats with weirdly high backs (so they don't have to put seatbelts in, they just restrict how far kids can fly in an accident). Everything made out of the cheapest materials. Turns out the reason why the US uses school buses like that instead of normal modern city buses, which the US has, is to save money and because they just hate kids.

And then it hits you why US Americans say "as American as apple pie", a dish that is made and enjoyed literally anywhere in the world, instead of "as American as yellow school buses". Of course the Americans already knew all this. They got tortured by these things forever. It would never occur to them to see this as a symbol of America, it's just a normal part of life for them. It's a symbol of school and school life and sometimes normalcy, and tells us that these actors getting out of it are supposed to be teenagers, nothing more.

But most people in Europe have, of course, never ridden on these buses. So when they see them in movies and TV, that's a giant big yellow signifier that we're not in Hessen or Wallonia or wherever anymore. A symbol of a different world, one that may be at most a once-in-a-lifetime-experience for most people, just like a picture of a tropical beach, Mayan Pyramids, the Great Wall of China, or Hildesheim (there's no reason to go there twice). And I think Americans don't know that, and that's fascinating.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[timemachineyeah]

Takarazuka Revue is so funny because it’s like we are a fine upstanding institution of good family values, like homophobia. Please ignore the lesbians making up the majority of people both on stage and in the audience.

Takarazuka Revue is like: we enforce only the strictest gender roles in our troupe as is right and proper, sorting them into the two genders: women who are women, and women who are men. How dare you suggest there’s anything queer about that.

Takarazuka Revue is simultaneously the queerest thing and the least queer thing to ever exist. Takarazuka bucks tradition and is tradition incarnate. Takarazuka is like

and then is like, “no homo”

and maintains itself as one of the most hierarchical artistic organizations in the world with intense control over its performers. This alternate reality where the talented (and lucky, and connected) few can gain the right to openly perform queerness in the one setting comphet capitalism has carved out for them as long as they follow a different even stricter set of rules for dress and behavior. It dissembles traditional gender by its very existence and so must reinforce it at every turn.

And yet despite being the product of a conservative capitalist railroad owner who only really sought to exploit women for entertainment aimed at men (and their hetero families) that remains loyal to those deeply normative puritanical roots, it was and is also one of the most liberating theater and media experiences of queer Japanese people for decades. You can tell from all the queer art about it, by queer people. By the fact that the audience who flocked to it were not (cis) men.

Trying to untangle the mutual influence of shoujo manga to takarazuka is even more difficult that trying to untangle something like the history of modern Broadway and Disney movies. We wouldn’t have The Little Mermaid without Little Shop of Horrors, but we wouldn’t have Wicked without the Disney renaissance, but we wouldn’t have Frozen without Wicked, and going back further to things like Cinderella and Rogers and Hammerstein and they are intertwined but listen to me. Takarazuka and shoujo manga, especially yuri, are more intertwined. And then so much western media has been inspired by shoujo anime. Rose of Versailles the manga was inspired by Takarazuka and then in turn was adapted into their most famous play which then in turn influenced so many more artworks. Uranus and Neptune are an otokoyaku and musumeyaku. Utena and Anthy (and honestly that whole ass show. The stairs?? C’mon). And all the works and creators THOSE works inspired.

We owe so much to Takarazuka but also if we tried to thank them for their role in queer history they’d be like “we’ve never been queer in our lives!!!!!!!!” and then say a slur to your face while taking your money. Incredible. Wish more people knew what the fuck it was and I could get fansubs.

[fairuzfan]

The thing with news sources and deciding what's trustworthy and what's not is that when you see criticism of Aljazeera (which to be clear is not a great news source about anything other than Palestine) is that they completely neglect to mention that each regional section of Al-Jazeera has different people in charge of it, different contributors, different sources.

By all means, analyze your sources and understand what information you're getting but to say outright that ALL of what AlJazeera reports EVER is wrong is inherently meant to discredit Palestinian journalists in a way that no other journalist who is not Palestinian and NOT directly experiencing the war in Gaza has been discredited. Surprisingly (not really but), a lot of Palestinians in Gaza are employed by AlJazeera because it's difficult for them to find employment elsewhere.

And again, I do not love AlJazeera. I think they do plenty of faulty journalism and reporting and I actively avoid them for most news sources. But RIGHT NOW with everything going on in Gaza, they're probably one of the most trustworthy ones because of their first hand accounts and willingness to publish Palestinian voices, which many, MANY news stations refuse to do. I especially encourage the Arabic version of AlJazeera!

Like Haartz has like... 4 Palestinians on their editorial team max, and they have EVEN LESS people on the ground in Gaza whereas we have dozens of reporters from Gaza on Al-Jazeera, many of which have died. The way to fact check your news is you find how many times they link factual evidence (like videos of experiences, primary accounts, primary quotes) and compare it with circumstance of publishing.

Here are some ways to fact check and questions to ask, even when looking at Al Jazeera:

Is this a first hand account? If not, does it name a person who experienced this first hand?

If they cite/name a person who experienced it first hand, are they a trustworthy person? What are their ties to the situation? Why would they report this, have they reported situations like this in the past?

What would the person reporting gain from reporting this? A Palestinian with an Instagram post about their life in Gaza has much less to gain than an Israeli soldier publishing their experience in Gaza, for example.

In the first hand account, are there actions or evidence that is corroborated? IE: There was a video of an Israeli soldier abducting a blonde Palestinian, and there was a Human Rights Org that reported child abductions from evidence gather by an on the ground reporter. There is less of a chance that this is false, therefore.

If you don't see other news sources reporting this (ie, you don't see CNN/NYT/BBC/Fox/any other western-led media outlet) then ask: Why would they not report it? Does that mean it's false? Maybe not. Many Euro-american sources spend MONTHS before they talk about an issue (think: Washington post article "questioning" the evidence of Hamas in Al-Shifaa hospital more than a month after the raid happened)

Defining "Trustworthy":

What is their history on reporting events? Are they someone who is well known in whatever community they represent?

Think: Ghassan Abu-Sitta, a world renowned doctor. When he reports something with his name attached, he is putting his entire reputation on the line. Therefore, it is more likely he is telling the truth.

Are they someone who has any real, structural power over the situation? Maha Hussaini, for example, cannot change her circumstances because a ceasefire relies on other people separate from her, a journalist. Therefore, she has less of a reason to lie about things happening to her.

For the news source: what are their ties to the situation? CNN, for example, has stated they have their content reviewed by the IDF. Wael Al-Dahdouh, before he was evacuated, was providing first hand accounts of situation, meaning its difficult for him to fake anything or misrepresent.

What else has this person/news source reported? What are their political leanings — not just left/right, but what are their general stances on a variety of issues?

How many people who are part of the community impacted are part of reporting on this (IE: How many Palestinian POVs are shared, how many Israeli POVs are shared, what are the POVs of the people shared in general?).

Can someone I personally trust vouch for this person? If not, can I ask someone I trust to look over this person/agency and tell me their opinion?

There's for sure more I'm forgetting but these are some ways I personally check my facts and information as a quick rundown. And I see this issue of not knowing how to fact check happen ALL OVER the place, on both sides. So I really, highly encourage everyone to engage with sources more honestly!

You'll make mistakes, everyone does! I do as well! But try to be vigilant about these things so we can ensure that we're spreading accurate information and try to correct information when possible! There's no 100% unbiased source so I encourage you to compare/contrast information and your understandings of the world to fully comprehend the situation!

Please use these questions when checking ANY news source, even Al-Jazeera!

[inkskinned]

hello. you left a neon pink post-it with pgs 194-359 due 9/12 in the book, by the way. it is now May 23rd and the library's printer is running out of ink. it jammed and tore my passport application. one of the librarians dutifully blacked out all my information (front and back!) before proceeding to use every unmarred inch as scrap paper.

i think maybe our (plural, inclusive) lives are connected. all of them. i have been thinking a lot about borrowing. about how people move through the world in waves, filling in the same spaces. i have probably stood on the same subway platform as you. we held the same book. all of us stand in the same line at the grocery, at the gas station. how many feet have stood washing dishes in my kitchen?

i hope you are doing well. the pen you used was a nice red, maybe a glitter pen? you have loopy, curling handwriting. i sometimes wonder if it is true that you can tell a personality by the shape of our letters. i'm borrowing my brother's car. he's got scrangly engineer handwriting (you know the one). it's a yellow-orange ford mustang boss. when i got out of the building, some kids were posing with it for a selfie. i felt a little bird grow in me and had to pause and pretend to be busy with my phone to give them more time for their laughing.

i have a habit of asking people what's the last good book you read? the librarian's handwriting on the back of my smeared-and-chewed passport application says the glass house in small undercase. i usually go for fantasy/sci fi, but she was glowing when she suggested it. i found your post-it on page 26, so i really hope you didn't have to read up to 359 in that particular book. i hope you're like me and just have a weird "random piece of trash" "bookmark" that somehow makes it through like, 58 books.

i wish the concept of soul mates was bigger. i wish it was about how my soul and your soul are reading the same work. how i actually put down that book at the same time you did - page 26 was like, all exposition. i wish we were soul mates with every person on the same train. how magical to exist and borrow the same space together. i like the idea that somewhere, someone is using the shirts i donated. i like the idea that every time i see a nice view and say oh gosh look at the view, you (plural, inclusive) said that too.

the kids hollered when i beeped the car. oh dude you set off the alarm, oh shit is she - dude that's her car!! one was extremely polite. "i like your car, Miss. i'm sorry we touched it." i said i wasn't busy, finish up the pictures. i folded your post-it into a paper crane while i waited. i thought about how my brother's a kind person but his handwriting looks angry. i thought about how for an entire year i drove someone to work every day - and i didn't even think to ask for gas money. my handwriting is straight capital letters.

i thought about how i can make a paper crane because i was taught by someone who was taught by someone else.

the kids asked me to rev the engine and you know i did. the way they reacted? you would have thought i brought the sun from the sky and poured it into a waterglass. i went home smiling about it. i later gave your post it-turned-bird to a tiny child on the bus. she put it in her mouth immediately.

how easy, standing in your shadow, casting my own. how our hands pass over each other in the same minor folds. i wonder how many of the same books you and i have read. i wonder how many people have the same favorite six songs or have been in the same restaurant or have attended the same movie premier. the other day i mentioned the Book Mill from a small town in western massachusetts - a lot of people knew of it. i wonder if i've ever passed you - and didn't even notice it.

i hope whatever i leave behind makes you happy. i hope my hands only leave gentle prints. i hope you and i get the same feeling when the sun comes out. soulmates across all of it.

[cheyisagirlkisser]

"She Gets the Job Done!"

Cowgirl Ellie x Fem! Reader

Content: Cowgirl Ellie, Fem! country reader, Ellie is western type of cowgirl, reader is southern, badly written accents(guys I am southern but idk how to write a western accent), smut, clit rubbing(r! recieving), scissoring, making out, biting, some implied homophobia, reader is written as a lesbian, modern AU, reader has female anatomy, very loosely based off of Chappell Roan's unreleased song.

Word Count: 2.4k

Resource Credits: Here and Here!

Description: You're a true southern girl who is fed up with these country boys who just can't please you. What you really need is a woman, but that's kind of hard to seek out in a small southern town. When Ellie Williams moves into your town along with Joel Miller, she ends up working at the farm nearby, and you really want her. It's true: only a woman knows how to treat a woman right.

Wow, you really hated living in the south sometimes. You mostly loved the summer heat complimentary with trips to the creek on the weekends. You always loved going to rodeos where you obsessed over the dandies. You loved southern food, the nature, the farms and the small town life.

What you didn't love was the men.

You were always a romantic at heart, reading steamy western novels with a flashlight under your blankets at the age of 14 or writing love letters you'd never send to cowboys in town. However, as you grew up into a woman, you realized you'd slowly started replacing the men with cowgirls. You spent your nights wondering what it'd be like to be actually satisfied in a relationship. You grew up in a traditional-minded town, so you tried to push down those desires. You had a couple boyfriends, but men just weren't it for you. They were too rough, too awkward with you in bed, too greedy. None of them knew how to please a woman, at least not a woman like you. After a while, you gave up on the dream cowgirl you had in mind. The novels became difficult to pick up once you began to believe you'd never get the chance to experience real passion or real pleasure. That was what you'd felt like, at least until Ellie moved into your town.

Ellie Williams wasn't much for the south. She was a western girl at heart, adorned with thick leather boots and messy auburn hair. You'd seen cowgirls before, so that wasn't what surprised you. You just felt a calling to her, you adored her from her freckles that faded out in the sun to her messy hair that had a tint of red when light hit it in the right way. She was strong, that was for sure. Her biceps looked so firm, like they could handle if you sank your teeth down into them. She wasn't an extremely strong-looking girl, but that only enticed you more. Her eyes told a lot about her, said she wasn't looking for anything funny, but you wondered if she was silly under all the bravado.

She moved from the west side of the states with Joel Miller, who wasn't a wealthy man by any means, but grew up in your home town. At first, you couldn't tell if Ellie and Joel were related or not. Joel was more friendly, talked to older folks in town, but Ellie often kept to herself. She'd spend most of her time helping out with the farm next to your father's. It was when you were walking to the farmer's market that you noticed her for the very first time.

Your father was a nice man, well known in town. You were living with him until you had enough money to afford your own small place. He owned a farm and wasn't the most rich man, but he made ends meet. Today was a nice day, which mean he unfortunately encouraged you to walk to the local farmer's market instead of stealing his truck for the errand. Of course, you kept your complaints to yourself. Your dad was a sweet old man, and you should've been thanking him anyways, cause you met the most gorgeous girl the world had to offer.

Poor Ellie was too busy herding in sheep to notice your stare, to even notice you pass the road. It only made you more intrigued, that she was such a hard worker.

After that day, you'd always look out for her presence. You avoided using your dad's truck when you needed to run errands, saying it would be a quick walk. You just liked being able to pass by her as she worked on the farm, get the extra few seconds to admire her. You really felt like a creep, but this was the first time you really felt such adoration for a person. Such attraction.

The first time you spoke to her, she was driving Joel's truck down the dirt road after she had finished up with your neighbor's farm. You at the time were walking, coming home from the market with a bag of peaches for a peach cobbler. Ellie noticed you, and that was really when the two of you clicked.

She was used to pretty girls, the west and south had no shortage of them. However, you were perfection for the cowgirl. You wore a cutesy pair of overalls and a pink t-shirt underneath, and Ellie had a soft spot for feminine girls. She came to a slow stop on the dusty road, putting the transmission in park.

"Hey, you! Need a ride?" She shouted with a smile plastered on her face. Your heart melted. You'd expected her to be more serious or smug, but she seemed almost nervous. It was only making your heart beat faster.

"I only live next to this farm, it's really no problem." You assured, though you really hoped she'd push the matter. Thankfully, she did.

"Really, Joel would kill me if he found out I let you walk home. It's getting late."

You, an utterly hopeless lesbian, couldn't resist. You said fuck it and let her reach over to open the passenger door for you, and your boots reached up into the truck to plop down into the passenger seat. You placed the brown paper bag of peaches in your lap and gave her a quick thanks as she began driving. Small talk felt more like two old friends hitting it off, and you liked her accent. It made you a tad more comfortable.

The two of you grew really close after that day. She'd be in the local rodeos and you looked forward to the sleepovers that came after. A few months of friendship helped you get to know her in a way that you could confidently call her your best friend. You still liked her though, feelings only growing the more the two of you bonded. You noticed that while she was a bit shy, she came out of her shell when she was around people she knew. She was quite sarcastic to Joel, and you loved the way she made fun of you at times. It made your heart flutter, and you imagined she was saying the opposite of whatever insult she had created for you.

Ellie wasn't much like what you'd imagined, and you partially felt bad for the feelings harbored away for her. She was a cowgirl who loved horses, sure. But she shared some private interests with you that shouldn't have made you want her more, but it did. One night, Ellie and you were sitting outside in her cow field, a blanket laid out beneath the two of you. She turned to you with a genuine smile, the warm look that she only gave very few people, and spoke in a quiet voice.

"You know, I've always wanted to go to space."

You turned to face her with slightly raised eyebrows. "Really? You? In Space?" You couldn't help the surprise in your tone.

She laughed softly at your expression. "Yes, dumbass. I used to listen to the first moon landing recording on repeat. Somethin' about it was really magical, ya know?"

You couldn't help but melt a little at her confession. The thought of Ellie being obsessed with astronauts was really endearing. But you couldn't stop the teasing, either.

"Is that why you have those nerdy space comics on your shelf? You told me those were Joel's!"

Ellie scoffed and swatted your arm playfully, but her hand lingered on your skin. "That's a topic for another time. Be grateful I share my secrets with ya."

You felt the warmth of her fingers, the way they softly traced patterns on your bare arm. Right then and there, you suddenly needed to risk it all.

"Ellie...I..I really need to tell you something." You sounded shaky and uncertain, but you needed to get your feelings out, even if it meant facing a possible rejection. This girl was too perfect to let get away.

"Yeah, what's up?" She sounded curious, unaware. That made you feel uneasy.

"I just..well, when I first saw you, I thought of you as a completely different person. And I really liked you. I liked you in a romantic way. I got to know you, though. The thing is, I think I like you even more. And I'm so sorry if you-" You were suddenly cut off when her plush lips met yours.

You were shocked, but quickly kissed her back, hands grasping at her everywhere, pulling her to lay on her side so you could tangle your legs with hers. It felt so nice to be kissing her. She tasted like fruit and smelled even better, and her tongue felt hypnotizing against yours. It made you crave much more.

Soon, you were rolled onto your back so the cowgirl could lay on top of you. Her hands were trailing from your sides to your stomach, her hand pausing above your shirt, her eyes meeting yours to search for any hesitation. When you nodded, her hands slid up your shirt to massage your tits through the fabric of your cotton bra. You let out a quiet whine, the feeling of her weight pressed on your body, and she leaned in to press her lips against your neck. In response, you tilted your head back, desperately craving more of her. You could feel the shakiness of her breath, and it reminded you that she was just as nervous as you were.

"Do you wanna keep going?" She asked, and you really noticed how different her tone was from when she was usually speaking to people. One of her hands trailed down the button of your jeans, and she didn't continue until you nodded.

Her hand quickly unzipped your jeans, her eyes meeting yours. She thought you were just too beautiful, looking up at her with wide eyes. She adored you. Her fingers slipped into your panties, and she let out a little "fuck" when she felt the damp patch in your panties. You laughed with a tinge of embarrassment.

"Please, Ellie." You sounded so desperate, Ellie quickly leaned up to plant a kiss on your lips. This one was much more confident, more sloppy and hungry than the first. She took your tongue into her mouth, giving it a hard suck which made you buck up into her hand, trying to get her to just fuck you.

"Patience, mkay?" She said softly as she pulled away, a shaky exhale leaving her mouth at the sight of the string of saliva the kiss had pulled from the two of you.

You nodded even though you weren't the most patient person. Ellie kept you at bay by rubbing at your clit with the pad of her finger, swirling moisture around the soft bud. You made one of the most heavenly sounds Ellie had ever heard, your eyes fluttering shut as she touched you. For the first time, someone actually focused on you. She struggled to pull your shirt off with just hand but you helped her out and soon, your bra was quickly unclasped. Ellie continued to rub at your clit as much as she could through your jeans, but she eventually gave up and pulled her hand out of your jeans, eliciting a cute whine from you.

"Off, please?" She requested, her voice so sweet and yet so demanding. Now that she knew you wanted her, she wasn't playing around. You nodded eagerly and lifted your hips as much as possible to pull your jeans and panties over your hips. Soon, you were left naked on the blanket. Ellie sat up to strip off her own clothes and you admired the sight.

Something about watching the girl strip, her pale skin coming into view in contrast to the stars above the two of you, it was perfection. Her body was slim and she was lean but had muscle on her. There they were, those perfect biceps..you couldn't help but sit up with her to plant kisses on them which soon turned into hungry little bites.

She let out a shaky laugh at your biting and joked with you, even in the heat of the moment. "You're gonna take a bite outta my arm, jesus."

You ignored her teasing and instead moved your lips to her pointy tits, smiling slightly as she shuddered. You found her weak spots. You dragged your tongue over both of her tits, feeling her nipples harden against your touch. She was getting impatient now. She pulled you closer so you were sitting with your legs tangled together, moving to slot herself between your legs. You let out countless desperate pleas as her wet cunt came into contact with yours.

You couldn't help but buck your hips into her no matter how much she tried to stabilize you, both of your moans filling the field. Her cunt was so wet against yours and you could feel her clit and lips both rub up and down all over your own clit. The stimulation felt so good but it had you desperate in ways your body knew, your whines getting louder when Ellie would lean in for wet, lazy kisses and trail her lips all over your neck, hands snaking around to squeeze your ass.

"Fuck, Els. Please, I'm gonna cum..I want you, please.." You pleaded with her, your orgasm building up inside you. This would be the first time you actually came from another person's actions.

"Cum with me, mkay? Cmon baby, you can cum for me.."

You'd never heard Ellie speak so filthy before. Sure, she had a sailor's mouth. She'd swear and curse even on her death bed. But just hearing her beg you to cum, it really sent sparks down into your pussy.

You frantically ground against her pussy, words coming out probably incoherent to Ellie's ears. "Fuck, I'm cummin', I love you Els.."

Your orgasm hit you like fireworks, all of the butterflies you'd felt for Ellie over the months released into intense bliss. She came with you, your juices mixing together, wetness coating both of your thighs.

The two of you spent the next few minutes catching your breaths, a comfortable silence exchanged. You were collapsed against her, arms around her as she held you close. She was so warm, and it was now a comfort more than a turn-on.

Soon, she spoke up in a soft, quiet murmur just for you.

"I love you too, by the way.."

[psychoticallytrans]

There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.

There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.

Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.

I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.

I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.

But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.

Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.

Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.

[yandere-wishes]

⭒ㅤׂ ɪ ᴍɪɢʜᴛ ᴊᴜꜱᴛ ʙᴇ ɪɴ ʟᴏᴠᴇㅤׂ ⭒

⭒ㅤ𓈒 Yandere!WuWa! Men x Reader 𓈒 ⭒

゜⌒ヽ❥ Dark Romance

°•❃•°

꒷꒦꒷Scar | 伤痕

Your fear tastes like nectar, thick and sweet, and sacrilegious. Scar gulps down your apprehension in starving strides. Cradling the burn between his teeth, savoring the sensation of the embers coiling and seething inside his veins. You're too perfect, thrashing underneath him, caged and defiant his little lost lamb. trying to flee, begging for freedom like a fever dream high. He licks your iridescent tears with zealous maniacal jubilation. Relishing in the soft warm flesh of your cheek marinated in your woe. He wants to taste them every day, force them from your pretty petrified eyes with scorching kisses and touches that shatter your very bones.

Scar's talons etch jagged filigrees across your body engraving terrors and torments all parodying "I love you". But he can't love, not really, love is too gentle too vain, he needs to consume, to feel the reverberations trapped between your bones. Scar's kisses burn wakes down your spine, slipping between the vertebras. Hollowing out your essence piece by piece, his hunger knows no bonds, refusing to dwindle until he's bled every delicious part of you dry. Until he feels your heart between his teeth.

˚✶˚Jiyan | 忌炎

You trace his markings, nails gliding gingerly through the jagged crystals of his tacet mark. He kisses the hollow of your palm, basking in the sweet giggle you gift him. You're his precious treasure, a sweet gem imported from the silk roads themselves. He'd do anything to keep you safe binding your soul to his tattered one. Jiyan is the Qingloong that everyone looks up to, the indestructible pillar of Jinzhou. And yet a simple smile from you is all it takes to shatter his illusion of strength.

Between patients, his mother would sometimes grace him with fables about Dragons, not Loong, not the creature their nation worshiped but Dragons monsters from the western nations. She'd tell him How they hoarded exotic treasures from all corners of the world. Growing powerful in the light of other's envy. They did anything to protect their gold coins and pearl necklaces, kill, and maim in the name of obsession. Back then he'd found such creatures disgusting, dubbed it blasphemy to even mention them in the same breath as the deific Loong. Now he thinks he's more dragon than Loong. Hoarding you away keeping you only to himself. Promising to maul any who try to rob him of your sweet kisses and angelic laughter.

𒆜Calcharo | 卡卡罗

You come prepackaged with a soft smile and a docile heart. Calcharo thinks it's all from the privilege of having lived a satisfactory life. Cherished, overfed, protected. All the things stripped of him so young. He shouldn't be jealous though, after all, he has the complacency to thank for turning his darling into such an ideal doll. Jejune and helpless, shivering under his cold touch. He harbors you between his thighs, enjoying the way your pearl-kissed dress pools on the floor. An ivory testament to the innocence he so craves. Calcharo's calloused fingers entrap the hollow of your hips pulling you harshly against him, he can't get enough of you. His lips kiss the dip of your neck nose bumping the back of your ear. Enraptured by the floral scent of your perfume.

You tried to run again today, flee when he'd been out escorting a merchant across the desert terrain. His men had caught you, binded you all pretty and left you in his chamber. He flashes you a crooked smile upon entry. Watching as you struggle and glare knowing damn well it won't change a thing. "Really little rabbit? I thought we had ceased playing such foolish games." He grasps your chin pulling you closer, your knees slide across the wooden floor scuffing from the friction. His cold lips trace your own as he whispers degradations laced with romance. Calcharo leans down for the kill, a lethal crushing kiss. Trapping your lips and engulfing your essence. Laughing when you're foolish enough to return the favor. You shiver and moan and it takes every bit of willpower not to devour you right then and there.

☄Mortefi | 莫特斐

The universe reverberates to a familiar tune when he first sees you. Singing a melody he swears he's heard each night when he lays his wry head to rest. What kind of creature are you? A cacophony of starsongs and golden echoes. He longs to touch you, to permit his flames to traverse your body searing you until you shine with the purity you all so deserve. He loses himself in the melody of your voice, the lost tune of a fading nova. Something too ethereal to be of this crude world.

Mortefi fancies himself a scientist and takes utmost pride in the way his mind curves around a problem. Floating through the riddles seeking answers in the dark. He can fix anything, create anything. And yet you stand before him defiant of his understanding. Mortefi grabs you by the collar, cradling a rogue sun within his palms, kissing its rays trying to grasp comprehension between his teeth and swallow it whole. It doesn't work by the end of the kiss you are still an anomaly and he is still a scientist wearing the heart as some hapless love-struck schoolboy. The need to understand you grows claws tearing at his mind, desperation pierces his throat whenever he catches a mere glimpse of you. He needs to understand, to tear you open and choke your secrets.

҉　Aalto | 秋水

Aalto's fingers weave through your hair, silk traversing through bone and flesh, flowing free in the aero he produces subconsciously. He cradles you delicately in his arms, trying his best to ignore the sour frown etched upon your face. He creates fables, spinning stories out of silk and air trying to win your interest with tales of stray sheep and fallen stars. Of lost treasures on the jade road and little girls with fire flowing through their veins. Your frown doesn't falter.

He kisses you again, and again and again. Trying to pry out adoration and devotion from between your bones. He struggles, whining about detesting and freedom. It sounds so trivial especially when he can give you everything your heart desires. He can't let you go, not when his very essence aches to feel you between his arms. Aalto wonders what stories he must make to erase that blood-curdling frown of yours. What information does he need to lay out your feet for you to grace his lips with your own? A lover's kiss, not whatever this is. I love you he whispers, he doubts you even care.

Let me know what you think. Should I do yandere Jiyan x reader x Yandere Calcharo next? ~💜

[communistkenobi]

but seriously though you people are fucking demons harassing Palestinians and other SWANA bloggers on here for just stating that they hate the US and have directly experienced how utterly identical both parties are when it comes to terrorising and destroying non-white non-western countries, you come in condescending to them about how uniquely special and complex the US election system is, how uniquely deprived and helpless you are. “but still the other guy is still worse” “what are we supposed to do if not vote” is such a profoundly vile & self centred response to someone raging at the genocide of their neighbours, friends and family. they don’t even have to mention elections, you’ll just bring it up anyway because you fully believe you’re the main character of the world and that, simultaneously, your elections both mean nothing and are also existentially important every four years. people telling you to kill yourselves, to fuck off, calling you an idiot, is the least you deserve. I hope you know that every time you talk like that, there are thousands of people rolling their eyes at you because you are so deeply unaware of how infantile and uninformed you sound that you genuinely believe you of all people are saying something remotely unique, insightful, or “nuanced.” your opinion is the common denominator of the west, it is the single least original thing to ever come out of a human being’s mouth in all of world history. you may as well be a Bethesda npc reciting your one of three pre-programmed lines, made more comical by the fact that unlike a video game character, you actually have the choice to keep your mouth shut, and yet at every opportunity you make the decision to grace the world with the trillionth iteration of “I… I don’t think you understand how fucked the US voting system is…”