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Kevin Cage of @spotlightsaga reviews... Dear White People (S01E01) Chapter 1 Airdate: April 28, 2017 @netflix @JSim07 Ratings: Privatized @DearWhitePeople Score: 7.5/10 TVTime/FB/Twitter/IG/Tumblr/Path/Pin: @SpotlightSaga **********SPOILERS BELOW********** Dear White People, Brown People, and any People who are reading, listening, watching, or paying attention... Eventually it was coming. Eventually this series had to be addressed. But how? The last thing a Sexually Fluid, White Scotch-Irish, Ginger Male in an 11 year+ gay relationship, living in an Argentinian neighborhood within a city that has massive pockets of square miles with +80% people who speak Spanish as a first language... Or large numbers of neighborhoods with Haitian-Creole voices blasting loudly from friendly faces throwing friendly waves from a group of old men, who for some reason are always sitting at a major bus stop in North Miami Beach (but never going anywhere or taking any busses), wants to be labeled as is a 'Pseudo' or even a 'Hardcore-Leftist' who's desperately out to prove that he isn't racist. You won't be getting that article from me. You won't be getting anything of the sort from this 10-Piece Project that I assure you I will be taking my time on. I am not Left. I am not right. I'm barely in the middle. This isn't political, though it might have political undertones and repercussions. That's on interpretation, not me. By now you know that Spotlight Saga never reviews anything in a traditional manner unless it's an everyday type series that doesn't carry a particular tense or emotional impact. We go at our own pace and I prefer existential challenges, but all are welcome. I had made promises to write articles to accompany 'Dear White People', brought to us by the new & true, multitalented Justin Simien, to multiple readers, but I was waiting for the right time. Sure, I have an army of unreleased articles and reviews ready to shoot out of an iOS cannon when I'm not feeling particularly inspired, but that just hasn't happened lately, so expect last second 'Big 4 Network' reviews to start spewing out sometime in September, because everything from 'Gotham' to 'Lucifer' to 'Colony' awaits you. Oh boy. Now let's get something straight, particularly to the people on Social Media whining and crying about the show's polarizing title, claiming to cancel (or to the ones who actually did cancel, though I doubt it) their Netflix subscriptions because the title evoked some sort of feeling of uncomfortable paranoia, or what they felt was divisive rhetoric, even though it was them who were attempting to divide themselves from Netflix and causing a stir... Ultimately giving the show free promotion in the process. DWP isn't a series that is out to make anyone feel shame, wagging a brown finger across your noses, or smacking you over the top of the head with a rolled up newspaper, preferably Sunday (because there are some people who actually deserve it). The show's main protagonist narrates the thoughts of Justin Simien directly and quite accurately, right off the bat. "Dear White People is a misnomer. My show is meant to articulate the feelings of a misrepresented group outside the majority." @jsouth71 on Twitter, one of many racist, idiot keyboard warriors (I'm personally singling out him because he no longer seems to be active - guess he came, he typed, and he successfully looked like an idiot), responded to the original trailer (legit on March 12, 2017, the show didn't even air until April 28th) with multiple hashtags claiming that Netflix was racist. His most hilarious claim (to me anyway) is the one claiming that the show, what it stands for, and those that support it are all full of #LiberalBS. Well what now, Joey Southworth? I'm not even Liberal, Black, or some sort of seemingly desperate apologist... I have no agenda, except to review a Netflix TV Series in a way like no one has ever done before and while doing so, tell you all MY story, my letter to White People, because there is one thing I won't do... Tell someone else's truth... Unless they ask me to, I am for hire, y'all. Ironically, Lionel (DeRon Horton), says something eerily similar to what I've just said and said before a million times. Some people, *coughAVCLUBcough*, don't understand that telling someone else's 'truth' isn't necessarily the point of journalism, but sometimes it does involve telling another person's story from your OWN perspective, after a little help from gaining a bit of someone else's. So let's kick this thing off, shall we? It's going to be a doozy! Samantha White aka Sam (Logan Browning - ah, yes we see the ironic juxtaposition of those names already, especially since the character is biracial) attends an Ivy League school called Winchester University and hosts a radio show on campus called 'Dear White People'. As the aforementioned quote pulled directly from Sam's mouth would suggest, she really just wants to be a voice not normally heard without some sort of filter or applied lens to trickle out what people feel safe with. Sam isn't prejudice or even remotely a bigot, she doesn't seem to be whatsoever. As a matter of fact, Sam's reactions to environmental stimuli and certain situations remind me of me. She is shown often attempting to pull back when faced with a possibility of reacting off of an emotion, but when that emotion becomes overwhelming, she caves and takes control by spiraling out of control. There is a blackface party on campus and it is quickly revealed by the end of the episode that the campus crew, Pastiche, had their Facebook hacked and invites were sent out after the school's administration had already shut down the idea of the party even going forward. Did Sam send it? Please remember we're talking E1, and I don't go beyond that. She claims to have sent the email in an emotionally provocative, genuinely stirring speech she delivers after her radio show is pushed to the sidelines. She had shown up for her time slot and someone else had taken her place due to the recent controversy. This all forces Sam to make a split, snap decision, overthrowing the DJ booth like a straight up BOSS... A prime example of what I mean when I say she 'takes control by spiraling out'. Sam is also seen videotaping the party and later editing & going over the footage. So far, 2+2=4, but if she did indeed do what she said she did, then she's not the only one playing games to prove a point. She's outed to have a white boyfriend, Gabe (John Patrick Amedori), who she seems to genuinely like and in turn he is definitely enamored with her. Yes, by the way, one can be racist and have a significant other of an alternate race (as we covered in an article in S2 of the E4 & Netflix series 'Chewing Gum' after talking with and interviewing several women of color from the Caribbean)... Thats related to the fetishization or perversion of race, skin color, or anything of the like, but that isn't what it looks like what is going on here. There's definitely some real life chemistry brewing. Of course, some of Sam's peers look at her with disdain after Gabe puts their ongoing, once secret relationship on blast with an Instagram pic and a hashtag... Amazing what hashtags are capable of these days, ammirite? Well, in this case it's less the hashtag and more of the 'tagging' of the pic done by Sam's arch nemesis, Coco (Antoinette Robinson - who my white, CW loving ass recognizes from the God-awful 3rd season of 'Hart of Dixie', yeah I see you, Lavon's Niece!)... All of this confusion and animosity is what Coco wanted but this isn't what she necessarily got, not in the exact form she was aiming for, at least. Here comes the fun part! Through self-reflection and talks with her best friend, Joelle (Ashley Blaine Featherson), Sam realizes she does in fact like Gabe and decides to embrace the couple's outing... Bringing him along to her usually, black only, weekly viewing of 'Defamation', a hilarious satire of Shonda Rhimes' (who might just answer this cheeky mockery, since she just scored herself a Netflix contract) ABC political thriller, or just plain dumbed down (sorry Rhimes' fans) version of 'Scandal' (as if it could go any lower). Ouch! Anyway, according to Sam, 'Defamation Wednesdays' are the cornerstone of black college campus life.' It's just that, well, Gabe is obviously feeling a bit 'fish out of water'... Come on, white people, think about how you feel when you are the only white person in the room, you get it right? Well, that's more than likely how your good friend of color feels when you invite them out and they are the only black person to show up at your Baby Shower, Birthday Party, 'Girls Night Out', whatever the event may be. It takes time. It's admirable that Gabe came, it truly is, but this isn't exactly the same situation that I used for environmental comparisons. Sam has a show called 'Dear White People' for Christ Sake, she has an obligation to stick to her guns, sure... But love is love, and as long as there is no perversion of skin going on, who the fuck cares? Mind your mother fucking own! Oh, but that's a tale as old as time, people just love to give no fucks about this or that, while simultaneously giving all kinds of fucks about who someone lays next to at night. I can attest to both of these things, or some version of it, at least... As I live in a part of the States where I'm the only white guy that's not a Euro-Tourist in an incredibly wide radius, also being in a gay relationship, I get quite a few double takes... And the giant Red Beard doesn't help. Yet, I've come to a point where I've been here so long and become so accustomed to a different environment, being amongst other white people makes me a tad uncomfortable. More on that another episode, another day. Reggie (Marque Richardson) isn't too happy about Gabe's presence at the 'Defamation' viewing party... I'm guessing it's a lot less because he's white and a lot more because Reggie feels like he should be the one holding Sam's hand. Reggie comes off as a bit of a jackass, then again, Gabe is not only encroaching on what appears to be Reggie's love interest, but he's also aggressively inserting himself into the group. It's not that Reggie, or most of Sam's friends and acquaintances are prejudice of intolerant, quite the opposite, really. It actually seems more like a 'too much, too soon' situation. Take race out of the equation for a second, take out that fact that Sam's ideals are being broadcasted over the radio, representing a whole lot of people. EVERYONE eyes the 'new' guy or gal in a group, especially if that new person is also a new significant other, I don't care who you are. It's always best to sit back, shut your mouth, and let people come to you... Not stick out your hand and affirm loudly that, 'Hi, I'm Gabe, and I'll be taking a prominent role here now, whether you like it or not.' I love the fact that just like we all have a long way to go as a society when it comes to understanding where everyone is coming from, why people feel what they feel, so do the characters of 'Dear White People', all of them... Black, White, and everyone in between... Especially the girl in between! Yes, it appears that Sam is telling the truth in her guerrilla takeover, emotionally charged, campus wide, broadcasted admission... And if she wasn't she appears very much ready to to take both the praise & the heat (something not yet shown in E1) that she was the one who hacked the Pastiche Facebook and sent out the invites, encouraging the culturally ignorant to show up in Blackface and other embarrassingly idiotic, culture appropriated, misfortunes of human error to a party that had already been given the axe... But the show is still playful in its righteous delivery. The narrator (Giancarlo Esposito) points out a white girl and guesses that she's in a Nicki Minaj costume... Later on, while in her feelings, Sam quickly switches her music from a soft, feminine country crooning track, Suzanna Spring's 'Some Blue Sky' to 'Black' by 'Innanet James' on her way to the radio station when passing a group of Black acquaintances... It's ok to laugh, it's ok to point out the confusing parts of a sliding identity. It's ok to be who you are as long as you are true to whoever that is... Unless your a fucking hateful asshole, then Fuck You. *Somebody cue a 'Run The Jewels' track, please* *********Written By: Kevin Cage********** http://www.tvtime.com http://www.facebook.com/spotlightsaga http://www.spotlightsaga.com http://www.facebook.com/groups/artsentertainment

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