#that said i think there's definitely nuance within them

[antirepurp]

discuss

[squidthusiast]

Ok, but why do I imagine Eight being the unofficial child of Pearl x Marina?

Because I imagine Eight was minding their business and all of a sudden, Pearl would slam the paper down and said “You’re adopted now”

Basically OTH at the start of their world tour haha, I love that they took Eight with them.

I have more detailed thoughts under the cut for those interested in my ramblings, analysis and interpretations of the characters.

Disclaimer: This is my own take on it, don’t let it ruin your fun!

I personally don’t really subscribe to the fandom’s ‘pearlina moms’ headcanon.

On the one hand, I am an absolute sucker for the ‘found family’ trope, and I definitely think Agent 8 and OTH fit in it!

On the other hand, I think people immediately put Pearl and Marina into the ‘parenthood’ box, a little too eagerly. Not saying this specific ask is that, btw, it just reminded me of some instances i’ve seen.

I personally think that the relationship between OTH and Agent 8 is a little more nuanced & sibling-esque, for the following reasons:

1. Within canon, we often see 8 being referred to as a friend by both Pearl and Marina.

Pearl does it more explicitly (see that one interview at her house), whereas with Marina it’s more insinuated (ex. In the Side Order dev diaries, she starts calling Agent 8 as ‘Eight’, which is stated to be a name used by their friends).

Pearl seems to be an accidental-duck-parent of sorts who haphazardly collects octoling teenagers & young musical talent. It goes in line with her whole mentor-esque leader personality, and i’m sure these disoriented teens find relief in an idol who seemingly knows what she’s doing (she really doesn’t).

However she doesn’t act in a parental manner. More-so like your estranged gay cousin who hit it big in another country and is down to show your queer little butt the ropes.

Marina on the other hand seems to have a more empathetic approach with Agent 8 (opposite to Pearl’s brashness). Marina clearly connects with Agent 8 through their shared experience as defected octoling soldiers, and probably sees her younger self in them. She’s already caring as it is, but this is accentuated during octo expansion given the circumstances.

I feel however that, unlike Pearl, Marina has a bit of a harder time actually forming a bond with Eight at the beginning. Their similarities (seemingly) end at their shared experience, and probably leaves Marina awkwardly wondering how to approach them further. What we can assume though is that they become closer friends during OTH’s world tour, given the events described in the Memverse Dev Diaries.

Meeting Eight during difficult circumstances (OE) and helping them get out creates a sense of camaraderie between them, which probably devolves into genuine care, established friendship and a strong bond amongst the three overtime.

2. Pearl and Marina are very career-centric both in Splat 2 and 3.

It is reasonable that the two young idols, who see their fame and musical recognition rise spectacularly & fast, are not particularly interested in settling down at this point in their lives.

Now entering her late 20s, Pearl is most definitely still interested in keeping the ball rolling with Off the Hook’s international success. Her character often points towards restlessness, freedom and discovery. There has definitely been character development in regards to her maturity in Splatoon 3, but these aforementioned traits are still ever present in her demeanour & decision-making.

Marina on the other hand can be seen slowly blossoming from a supporting character to being her own person. She definitely develops more self-confidence by Splatoon 3, but is still naturally bashful. It’s clear that she is allowing herself to explore & open up to new things for her own sake. She remains a caring and somewhat nurturing individual, but she is at a stage where she’s learning to live for herself and not for others.

Parenthood (and all the responsibilities and sacrifices it entails) at this moment of their lives would probably freak Pearl out, and stunt Marina’s personal growth.

3. The age gaps between OTH and Agent 8 are too close for it to create a parent/kid bond.

This makes their relationship a little hazy in regards to roles; 8 is still young enough that they may seek out rolemodels and mentors (still relatively influenceable), but they’re also nearing their 20s. By this point they are fairly self sufficient, have a sense of their personal values & identity, and they are relatively responsible & mature.

Pearl and Marina are 8’s seniors by approximately 4-6 years. However, in Splatoon 2 they’re entering their early 20s and their career has just begun to take off.

They are both still relatively youngsters, albeit older & more mature(? glancing at Pearl) youngsters than 8. This places them in a position where they can guide 8 and offer certain support and resources, but lack the maturity and experience of a full-fledged adult. This would approximate their relationship closer to that of siblings in a family setting.

Pearl & Marina are also less likely to feel a duty towards Eight as an adult would with a child. Instead, the latter’s circumstances are more likely to incite feelings of rapport and compassion as a fellow young inkfish.

Now, with all of this said, I will acknowledge that friendship/found family is MUCH more nuanced than a strict binary.

From personal experience in my last years of college, I did find myself caring for my fellow freshmen as though they were my kids, in certain ways. Hell, I called them my kids.

I acted as a proud parent whenever some of them achieved something, attempted to pass down my knowledge to them, and was protective of them to a certain extent.

They also annoyed me sometimes, like younger people do haha. And i’m sure I annoyed them too!

So I wouldn’t put it past OTH to call Eight their kid and have this mentor/parent-esque rapport with them in certain circumstances.

This is all based both on canon & my own interpretations of it, but still closely aligned to what has been shown in-game.

So if you have a different interpretation of Agent 8 and OTH, that’s great! I love to see people’s personal headcanons. Ultimately, Agent 8 is meant to be somewhat of a blank slate for the players to mold, with some hinted-at personality traits of their own.

As long as you have fun with these characters, that’s all that matters. This is just my personal opinion on their relationship in-game.

If you read all of this, you deserve the biggest golden star for listening to my incessant yapping 🤲⭐️

Feel free to bother me about this or other opinions you may have in my inbox, just be kind please!

[bengiyo]

Thoughts on Office Relationships, Breakups, Outings, and More in August ‘24 Shows

I couldn’t bring myself to finish Cosmetic Playlover today, so instead I decided to write about three shows doing interesting things with relationships right now. I don’t really have the time or interest in Stray Thoughts anymore, so I hope y’all enjoy this. For the past two weeks I’ve been thinking about the breakups and new relationships in The Trainee and Mr. Mitsuya’s Planned Feeding, and now I’m also thinking about Takara being upfront with Taishin about the state of their relationship on Takara’s Treasure. I want to get some of these thoughts down for posterity. 

The Ba-Mhee and Tae Breakup on The Trainee

I genuinely love that this show followed through on these two splitting up. I also like that Ba-Mhee asked to take the time to figure out what she’s feeling for Judy before doing something else. Ba-Mhee seems to define herself a lot by the relationship she’s in, and it was sad to see her struggling with the way Tae didn’t always respond to her attempts at expressing care and affection–methods which he never asked for. I think the two of them definitely needed to separate, because it’s not going to work if she’s feeling insecure because Tae is working hard in his preferred field.

That being said, I don’t like the thing with Judy because we know so little about Judy. All I really know about Judy right now is that she’s a workaholic with few personal relationships outside of the office, she’s queer, and she is good at handling clients. When she went to see Ba-Mhee after kissing her drunk intern the night before her anniversary at a work event, I wasn’t keen on the way it felt like Judy managed Ba-Mhee in that scene. Judy feels a bit inaccessible as a character right now, and I hope that’s a choice the show is making about how Ba-Mhee’s relationship with Judy is also rather one-sided, and entirely about her. I hope part of Ba-Mhee’s queer journey is recognizing how she seems to define herself by her relationships, and finds an identity independent of romance.

As for Judy… I hope there’s more to her here than just being pretty and good at her job. We’ve been let down twice this year by GL office romance, and I’d like for that to not be a constant trend. I’d like to see them give her nuance in her pursuit of a relationship with one of her reports.

Lastly, I really loved that Tae is trying to figure out how to be single again, and Pah got mad on his behalf. It’s a good compromise in a genre that seems to really not want characters to be  mad at each other for too long, especially when one of them has really hurt another. Tae got to be sad, and someone got to be righteous on his behalf. We even had good storytelling come out of these two using their jobs to punish each other, with it being very clear that these were bad choices. 

Ayaka is in Love with Hiroko Betrayed Its Characters

While I’m here, let me just say that the back half of this show was utterly offensive, and actively betrayed its own characters. I cannot believe that Hiroko’s own community was so quick to betray her trust and out her repeatedly. I cannot believe this show abandoned Hiroko’s straight girl problems from the beginning for a message that “It’s not that bad now, so just come out. I cannot believe this show had a Boob Monster lesbian withhold sex from her horny girlfriend for a year so she could “cherish her.” I am baffled by all of the choices that went into this, and I will not be recommending it. It gets a 4 from me. 

Jane’s Ex on The Trainee

I thought it was really interesting to introduce an ex at this point while Ba-Mhee and Ryan are both considering potential relationships with their mentors. There are consequences in a professional field when you date within your field for some folks, and it’s clear that happened with Jane. Nine, the ex, was here to once again benefit from Jane’s talents, and Jane did not seem like he expected to receive any real credit or benefit from that work. I’m curious if the show intends for any resolution for Jane with Nine, or if he’s here as a romantic tool for Ryan.

Speaking of Ryan, he is clearly in his early 20s, because his jealousy spiral exhausted me. Jane was obviously not into that man, and assured Ryan that he would be back later by making sure he and Ryan had plans for later. I hope we get back to Ryan actually being a good supporter when he’s focused and motivated, especially now that we know that Jo was meant to illuminate things about Pah.

Mitsuya’s Breakup with Noguchi on Mr. Mitsuya’s Planned Feeding

One of my favorite things about this age-gap story is that Mitsuya has been out for a long time, and he has a romantic and sexual history. I loved that he’s had an on again-off again relationship that he needed to bring to a close as part of his own story, and I loved how it wasn’t the ugliest of breakups. These two men know each other intimately, and this final break for them turned into a small celebration of what they had between them. Important things got aired, they snipped a little at each other, and they got to enjoy one last meal together in a way that added a gentle finality to the situation.

On Ishida’s end, I absolutely loved that he’s continued to be upright with Mitsuya about his feelings, called their date what it was, and stepped down from his professional role with Mitsuya. On top of that, I actually love that it was Noguchi that gave him the final inspiration he needed to go back to sports and face his own angst there. It’s actually so special for me that a 27 year-old man who felt like he had to give up on his dreams is finding a way to do something with the specific feelings he has about that. 

I’m also never getting over Ishida telling Mitsuya that he wants to be seen as a man and not a cute kid.This, right after introducing Mitsuya to a food he’d never experienced before! We can thank @isaksbestpillow for making this possible, and this feels especially poignant for me right after we said goodbye to Okita Kakeru, who explicitly wanted to be seen as cute. I am really excited about the queer themes that keep coming out of this show, and I’m sure I’ll have more to say.

Takara and Taishin Avoiding Breakup Nonsense on Takara’s Treasure

So often in these shows with small age gaps in school, they never seem to know how to cope with graduation. I finished rewatching You’re My Sky last night, and that show solved it with travel for one couple, and external collaboration for the mains. I loved this show having the older partner ask the junior directly about the challenges of life after graduation for them as a couple. 

This worked so well, because the show has shown us for weeks that Taishin is always paying attention to Takara, and @lurkingshan detailed how many ways Taishin showed that he understood Takara this week, and I appreciated @clownshoessqueaking covering how Takara has managed his restraint across this show. It’s just so rare that we see two characters have the important conversation that needs to be had, and give each other the exact assurances they need. Taishin got to hear directly from Takara about how things were going for them, and was able to say that he wanted the relationship and initiate physical intimacy between them. 

For all that this show has felt really quiet for two months, it’s becoming one of the shows I will likely remember from this year. 

That’s all for now. Thanks for reading!

[cirilla-fiona-riannon]

Theodorus van Gogh

Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies.

CW: Slightly suggestive. Roleplay

I was relaxing in Theo's room after visiting an art gallery.

Mitsuki: "That was such a lovely gallery. I found myself dreaming a little about opening my own gallery someday."

Theo: "So you'd be the boss, huh? I can't really picture that."

His teasing expression made me want to push back a little.

Mitsuki: "You don't have to say it like that. I've been learning under you, and I can do it if I try."

Theo: "Oh, really? If that's the case, why don't you give it a try right now?"

Theo: "I'll judge whether you can handle being in charge."

Mitsuki: "Fine, then you'll be my secretary, Theo."

I stared back at him with determination, thinking about what kind of boss I should play.

(I should be a bit assertive, someone who won't be intimidated by his attitude.)

With that in mind, I picked up a piece of paper from the desk, pretending it was a document, and quickly handed it to him.

Mitsuki: "Mr. Theodorus, it's a big deal that we gave the client the wrong materials."

As soon as I said that, his face twitched slightly.

(Oops, he's angry. Maybe he didn't like the idea of him making a mistake.)

(But he's the one who suggested this! I need to stay strong!)

I kept holding out the papers, and he reluctantly took them and then handed me another sheet.

Theo: "Mijn excuses, Miss President. Here's the correct one."

I nervously accepted it, and Theo suddenly slammed his hand against the wall behind me.

(………)

Even though he seemed upset, having his face so close made my heart race.

Seeing my reaction, Theo smirked.

Theo: "Ma'am, let me make it up to you."

Mitsuki: "H-How?"

I asked fearfully, and he placed the paper back on the table and loosened the tie around his neck.

Theo: "With this body of mine."

He whispered seductively in my ear as his hand slid into the gap of my blouse and traced over my skin.

Mitsuki: "You can fix your mistakes through your work."

Theo: "That's a given. But that's not enough for me."

As he softly kneaded my breasts and teased the sensitive tips, a wave of pleasure crashed over me, making me tremble and crumple the paper I was holding.

Gasping, I looked up at him, only to see a sadistic smile on his face.

Theo: "President. No, Mitsuki. From now on, you're my hondje. Understand?"

(………)

I shook my head, refusing to give in and not wanting to admit defeat.

Theo: "Heh? You still have the energy to resist, huh?"

Mitsuki: "Ah… nnn…"

He intensified his teasing on my breasts, pushing me to the edge and making it impossible to resist my desire.

Mitsuki: "Fine, I'll do whatever you say."

Theo: "Tch. Giving in so easily? You'll need more authority if you want your subordinates to follow you."

Mitsuki: "As long as I have you, that's all I need."

My body trembled from the aching heat as I confessed this, and his hand paused for a brief moment.

Theo: "Hmph. You're definitely someone worth tormenting with."

Mitsuki: "Nn..."

Even in his forceful touch, I could sense a hint of affection.

Drawn to that warmth, the heat within me grew, and my mind began to melt into sweet surrender.

Ikevamp Masterlist

[professionalchaoticdumbass]

in the past week or so ive seen a lot of people posting about how there's this oversexualization of trans girls on the site, and I gotta agree, there are way too many people (including other trans women!) who act like we're all dtf 24/7 or always super kinky and horny. I've been tired of that stereotype for ages and i am saying this as a rather sexual trans girl myself...

...but I think people are overcorrecting a bit now, and are starting to veer into "trans women shouldnt be talked about sexually / need to be shielded from it" territory. and, to me, that's really dangerous, because outside of some queer spaces - and even within them- the sexuality of trans girls is heavily scrutinized, as is attraction to us. as much as I dislike certain aspects of the memes and jokes that kickstarted the stereotypes, I'm kinda grateful for them as well. girldick jokes helped with my bottom dysphoria, voice kink shit helped me like my voice, and the whole "tgirl tummy tuesday" thing gave me a lot of confidence in my body where I hated it before. I think this open appreciation of trans sexiness has done a lot for both me and others on tumblr.

again, obviously its got its problems - people end up assuming every trans girl is horny, or only spread positivity if its related to sex with us, and of course the people who do have dysphoria from the things that are being sexualized are left out (like those the "girls without dicks are like angels without wings" memes, ugh, feels icky every time). and on the note of comparing tgirls to angels, we also started getting treated like we're ethereal fertility goddesses and that t4t sex was some inherently sacred ritual. spoiler alert, trans girls are normal-ass people and t4t sex can be holy for the participants but its generally a pretty normal thing to do as well

coming back to the "don't sexualize trans girls" posts now, I think they were initially going in the right direction, but at this point I'm starting to raise an eyebrow at more than a few of them. I'm not gonna whip out the "youre a sex hating puritan if you post about it" accusation because that is obviously wrong but again, I think people are definitely overcorrecting and starting to turn this into a (false) dichotomy when it's not. its a complex topic and each individual trans woman will feel differently about it.

(I feel like the internet just erases any nuance in favor of a two-sided, highly polarized flamewar with unrealistic views on both sides. actually i wouldn't even say this is a super-nuanced discussion because its really not that hard to say "fetishization is bad, but so is suppression of sexuality". will this post just end up being a void scream and people will continue drawing lines between one side and the other? probably. but I am a stubborn bitch and I have hope that we can be reasonable.)

anyways I'll close this off by saying that I wrote this between around 1:30 and 2 AM on terrible sleep the night before, that I hope what I said is coherent enough, and that I will keep being a trans girl who is openly sexual, gets horny over other trans women, and is proud to be transsexy as fuck. I will keep being critical of jokes and trends and memes that stereotype us, even from our own community. I will keep being angry at how poorly us trans folks are treated with regards to our sex lives, bodies, and relationships between the two. I will keep loving and lusting over trans women without fetishizing them. And I will keep doing all of these til the day I die.

[mdhwrites]

I’ve been watching Amphibia while studying. I should definitely do a rewatch during the summer, but it’s occurred to me that Amphibia’s strengths are criminally underrated.

Amphibia feels like a more focused show than TOH. It has its flaws ofc especially in Season 3, but Amphibia’s cast comes across as a lot more developed than TOH’s cast. I mean, Andrias got a dedicated flashback episode and Belos didn’t???

Amphibia’s execution of the found family trope is one of the best things I’ve seen in animation. In contrast, I always felt that King, Lilith, Eda, and the Hexside crew are plot devices to get Luz where she needs to go. Eda has some depth but generally speaking TOH never “got into their heads,” unlike with the Plantars, Sasha, Marcy, Grime, and Andrias.

And I gotta praise Amphibia’s ending!!! I wish more kids cartoons embraced the idea of permanent, bittersweet change. The idea of letting things go but not forgetting them.

So while I agree Amphibia is more focused, I actually don't think that's what the bigger difference is between TOH and Amphibia that I think needs to be highlighted. No, instead, I'm interrogate something you said: Does Belos not get a dedicated backstory episode? For that matter... Does he potentially get MORE time spent on backstory than Andrias?

Andrias literally only gets The Core and the King. He actually gets VERY little screentime, mostly because the effects of his cruelty are more important than what he does himself. So for backstory, he gets 11 minutes. MAYBE you could stretch to like 12 or 13 if you want to include hints to Lief but that's all post her time with him. So 11 minutes because Andrias only gets one segment, not two.

What does Belos get?

Well... I think everyone just forgets about Elsewhere Elsewhen. That IS backstory. That is previous characterization. It's not a flashback but it is still interacting with a Belos earlier in the timeline, like a backstory exposition dump or a flashback does. And interacting with Philip is the main purpose of the A plot of the episode, even if it takes a bit to get to him and then he dips out before the end.

As the author of the journal though, he also counts for backstory whenever passages of the journal are told to us. It's unreliable but it is still previous characterization. So stuff like Eclipse Lake and the end of Looking Glass Ruins adds a little here and there.

Then of course... What the fuck do you call Hollow Mind if not a dedicated backstory episode to Belos? The majority of the run time is literally go through his brain, and his memories, to show his rise to power. His backstory. And while there is technically a B plot, it doesn't take up much time so probably at least a third of the episode is spent on this and these are 22 minute episodes. If just two thirds get spent on backstory, that's more than Andrias gets.

So why doesn't it feel like that? Why does it feel like we get a VERY complete version of Andrias' backstory, despite seeing cumulatively three days in a row of his life, while it feels like we were never told Belos'?

Efficiency. Amphibia is a VERY efficient work. It crams a LOT into its run times. It's part of why the episodes are so satisfying because they actually manage to tell complete stories with morals, sometimes their own A and B plots in an 11 minute segment and actually move the characters forward a full step within the span of that time. It does this while also being hilarious and action packed, much more than TOH or, honestly, a lot of cartoons. Not every episode segment counts for this but ESPECIALLY the important ones do and The Core and the King should be taught in classes for how to get across a character's motivations and backstory in a nuanced, breezy way while also being DENSE. AS. FUCK.

In eleven minutes, we get a clear idea of the utopia that Andrias used to live in, the cost of that utopia, the pressures upon him as a prince, how deep his relationships are with two other characters, Lief gets some genuinely good characterization that helps explain her choice, a logical progression of events that matches with the sillier side of Andrias we know of, an escalation and then a climax. We can VERY clearly see what Andrias lost, what he is trying to get back, and why he would want it back on multiple levels, both societal, familial and even personal, that will motivate into being a MONSTER for a thousand years. All while still being a lot of fun and having some really great jokes. It introduces so many elements but it never feels bogged down by any of this. Instead, it chose the PERFECT moment to get across everything it needed to and left very few questions that you as an audience couldn't figure out yourselves. This also all while being explicit about much of the motivation and what not instead of relying on background details.

Which TOH can't claim for Belos. In Elsewhere Elsewhen, we see that Philip hates witches, that his journal is unreliable and that he has ALWAYS been an asshole and a manipulator. That's befitting who he will be but doesn't actually tell us jack shit. It also includes I guess how he met the Collector but that's moving plot, not expanding on your villain. Because the journal is unreliable, it tells us very little to nothing about him except for some reason he donated his journal to the people he fucking despised. Then Hollow Mind shows how he came to power... But not who he is. Not his motivation, what he actually wants to accomplish besides murder, etc. like that. The paintings in the background tell you far more just by being far more suggestive of what he's been through.

TOH is fucking awful when it comes to density. Most episodes, not even just Belos, have the problem of only taking half steps. Each of Belos' parts are those half steps. Revealing only one or two elements when it easily could have shown more to be more satisfying. As an example: Amphibia has a GREAT episode between Ivy and her mom about rebellion, the consequences of fighting what your parent wants for you, why they might do the things they do, etc. like that. In 11 minutes, we get a genuinely complex relationship between Ivy and her mom who haven't had much talk about each other or their relationship up until now. Meanwhile, TOH decides to focus on Luz being expelled for the episode about Amity and Odalia, meaning Amity is in like... Three, maybe five minutes of that episode? A full minute of that being the intro to the episode where she's just showing off the abomaton?

Because it isn't actually focused on Amity, the relationship between Amity and Odalia isn't actually explored. Because they can't explore that, they also need to now make Odalia cartoonishly villainous so as to fit the fact that Luz also spends very little time with her due to making the conflict be about Hexside so we have to waste some time with a stock standard montage of Luz, Willow and Gus trying to get back in. And by the end, what is the resolution between Amity and Odalia? "Get in my way again and I will kick your fucking ass."

Much deep. Very brave.

There's TONS of stuff like this where Amphibia is genuinely the work trying to do more interesting, more meaningful and deeper things than TOH and managing to do it in literally half the time. If not even less. That breakneck pace is part of what makes Amphibia feel like a kids show but it's also what makes it just more enjoyable to watch.

Which actually makes TOH fit in better with our current era of streaming television. TOH is constantly baiting you for the payoffs it promises. It keeps swearing that its elements are deeper than they appear so make sure to tune in next week because this SURELY can't be all there is to, right?

Unfortunately, that is all there is to it. And once you realize that and look at the show with that sort of lens, it starts falling apart. It's part of why TOH should be thankful it was shortened. It lets people more easily claim that it just needed another season. Another fourteen episodes. That TOTALLY would have solved all the problems with episodes that happened even before the shortening.

That is extremely rarely how this works everyone. Sorry.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[bioethicists]

what are your thoughts on ocpd? i generally think these behaviors are harmless or at least not distressing and wouldn't benefit people much to have classified as a personality disorder.

hmmm i could post more nuance abt this at a later time so giving this response might be kicking a hornet's nest + leaving- please please please keep in mind that i believe all ppl's suffering is valid + in need of healing + i am questioning the history, purpose + impact of personality disorder dx, NOT the lived experiences of ppl diagnosed with them

while i think all psychiatric diagnosis is suspect, i find personality disorders in particular to be laughable, even by dsm standards. they are a hodgepodge of "types of ppl we think are bad". the words "unusual" + "dramatic" are used to describe supposedly objective pathologies. if anything, these disorders serve as a massive red flag that psychiatry is far less wedded to science than its proponents want to believe it is. i think our attempts to 'destigmatize' this absolutely dogshit collection of disorders instead of questioning their use or existence has been a horrible error within the mad community.

many of the criteria are absolutely seeping with moral judgements + christian ideology. several are blatant repurposings of hysteria. they are frequently diagnosed in ppl who have no desire to 'heal' from them (not viewing the behaviors as a problem is often part of the dx). things like disregarding the rights of others or exploiting others for your own gain are side by side with things like the desire to not be around ppl or intensely believing in aliens. most of them can be directly linked to traumatic experiences in childhood + yet they persist in portraying them as disorders of individual, unchangeable pathology. if ppl expanded their view of trauma, i'm willing to bet that basically all cluster b + c + a decent chunk of cluster a ppl would qualify as having experienced significant trauma.

fwiw, i definitely meet the ocpd criteria but i find the word ocd to be a more useful tool for me. my father also meets this criteria + i would say it has been a deeply destructive pattern of behavior in his life for himself + his loved ones. i can't say this is the case for everyone meeting this criteria, tho.

i just don't think the concept of diagnosing anyone with having a "disordered personality" is healing. some things classified as pds are extremely distressing experiences which ppl deserve support for, but i would like to see those placed in conversation with trauma, politics, + community. classifying intense trauma responses as permanent disorders of the self leaves a horrible taste of blood in my mouth. how many of us already believe that we are inherently broken because of what happened to us?

like u said, other things classified as pd diagnoses can be pretty harmless differences. i often see ppl in my communities responding to the widespread belief that ppl diagnosed with pds are immoral or evil (which is shitty!) by trying to 'destigmatize' them, but i propose, after a careful evaluation of the history + current usage of the diagnosis, that the concept of personality disorders was + is intended to classify ppl who are seen as morally corrupt or 'unusual' as being diseased. the original purpose of this diagnostic category was to stigmatize people. is this really the concept we want to seek liberation through, or can we find new ways of understanding any suffering that may come from the experiences currently labeled as personality disorders?

[majycka]

Hi i have a thought but do you think that gege had some sort of story set up between utahime and gojo well not as a ship (i would still ship them regardless with my delulu self but anyways) idk how to express it, i am sorry , but the way their nuanced dynamic was portrayed intially in s1 of anime or exchange event in the manga made it seem that there's sorta a deeper bond and it seem that gege scratched that idea off or something idk only gege knows lol Honestly it's wasted potential...

Same here anon, same here 😩 I actually did ask linkspooky, our resident jjk analysis writer, a similar question once, and to summarize, aside from Gojo and Utahime’s nuanced dynamic, there are glaring similarities of Utahime and Geto in how they foil Gojo, and it got me thinking if there’s more for future Utahime roles, considering Geto got his time to shine earlier JJK and his big role towards Gojo. Linkspooky even agrees that Gege seems to be building up something for Gojo and Utahime (but imo looking at it now with the current state of the manga, it seems doubtful). She furthers highlight how Uta got the strong potential to connect with Gojo if only he lets her in. I guess that’s the possible “deeper bond” that you are talking about, anon. Please give the post a read cuz Linkspooky got great points she discussed <333

And honestly, her response to my question really got me thinking that maybeeeee Gege HAD a plan? He’s fast pacing in JJK definitely made him scrap ideas (like that one part from vol 23 leaks where Maki was supposedly gonna go undercover within the US military invading the colonies but like that fever dream of a subplot just…disappeared). Anyways, JJK is still not finished, and I’m holding on that itty bitty tiny tiny hope that maybe Utahime gets her moment someday T—T Like I said from my last post, there’s the Gojo/Yuta vs Sukuna happening in the manga atm, and one of my itty bitty tiny tiny (delulu)hopes is that could prompt for Utahime to show up for support again :’)))

[justmenoworries]

Transformers EarthSpark Season 2 Spoilers

If I had to describe S2A in one word, it would be: Disappointing.

Others have said this before me, but if you were a fan of S1 this most definitely isn't the show for you anymore.

S2A is so far inferior to S1 in every conceivable way. The animation, the characters, the story, it all just feels so half-assed. Every single interesting concept S1 introduced, S2A either mangled beyond belief or flat-out erased from existence.

The few new interesting things that do come up in S2A don't last long and/or are underdeveloped.

Tensions between humans and Cybertronians? Never mentioned. All the racism died with Mandroid and GHOST, I guess.

The Terrans' connection to Quintus Prime? Pfft, you're still on that? It's all about the Quintessons now, keep up nerd!

Starscream's development and start on the road to recovery from trauma? Gone. He's back to being the villain now for no reason whatsoever. He murders two actual children. What, did you think we were still doing that silly nuance thing from S1? Lol, sucks to be you.

The ongoing theme about the Transformer War not being as black and white as history would have people believe? Ummm, ackshually, the Decepticons are inherently evil and irredeemable. The Autobots are saints and have never done anything wrong or questionable, ever. Ignore the prison complex from last season that performed unethical experiments on prisoners of war. Y'know that same one that the Autobots knew about and supplied with Decepticon prisoners.

Spitfire and Aftermath are interesting in theory, but S2A doesn't really do anything with them besides making them the generic Evil Twin characters to Twitch and Jawbreaker respectively. And then Starscream murders them for his evil masterplan, which feels like a colossal waste.

I've been saying since S1 that it would be interesting to have a Terran actually choose the Decepticons over both the Autobots and the Maltos. It would've been a neat way to explore the family dynamic the 'Cons have compared to the Maltos and maybe show that just because a family is different from yours, maybe not as physically affectionate or as instantly harmonious, doesn't mean it's worse. We had a good start with Aftermath and Breakdown but that never really goes anywhere before Starscream does a Fuck Them Kids.

The Decepticons are just evil again now. Great. I guess we're completely throwing the "history isn't black-and-white" thing out of the window, huh? That whole thing where it was implied the Decepticons were rising up against an unjust system a la Aligned continuity and IDW? We kind of had a very significant confrontation between Megatron and Shockwave about that in that one episode that even explicitly referenced IDW? Or how about the whole "This is not freedom" plot line about how mayyybe throwing every Decepticon in the slammer forever might be, just might be, bad? We had a whole episode about that? Soundwave was in it?

Nah, 'Cons are unambiguously evil. Always. Especially that no-good Starscream. "What Dwells Within" and "The Last Hope, Part 2" might as well have never happened, because Starscream sure as hell doesn't act like they did. He barely even interacts with Hashtag. "Come on, did you expect Starscream to be a good guy now?" No bitch, I expected believable character development. I find it hard to believe that the same Starscream who saved Hashtag from the Cybertronian equivalent of a vampire, at risk to his own life, and then told her to take care of herself as a good-bye would just suddenly go back to the same moustache-twirling evilness we'd be expecting from G1 Starscream. You expect me to buy that this guy is the same Starscream as the one who showed up with the entire cavalry to save the world in the S1 finale?? Why go through the trouble of giving Starscream an entire episode going into his trauma and abuse and learning to be better if this is all it amounts to in the end??? At least show us how it happened? What made Starscream suddenly completely regress like that??? I don't know and the way it's going I don't think EarthSpark is all that interested in explaining it.

The Maltos remain a criminally underdeveloped hive mind. And no, I don't consider adding even more powers to their arsenal character development. Robbie and Mo still don't have any friends outside of their siblings and this season did nothing to change my mind on the cybersleeve connection being borderline creepy and making the characters co-dependent. "The Butterfly Effect" basically showed us all the reasons why having your siblings in your head 24/7 with no way to turn it off would actually suck. Cybersynching is so obviously combining with a new coat of paint and it's not even used or utilized that much in this batch.

We did not need the Quintessons in this season. At all. They added nothing except implying that Quintus Prime is shady af. Which, we been knew? The whole of "Prime Time" is literally Quintus torturing a little girl for being upset her big brother is sick and probably dying. If you wanted to explore Quintus through one of his creations seeing him in a much less benevolent light, well, how do I put this? There were two whole new characters added this season you could've done this with. Aftermath and Spitfire not being in the "We Love Quintus Prime" club together with the rest of the Terrans would make sense, since they're far more rebellious and anti-authoritarian. That would've given them something interesting to do besides being minor nuisances to the Delightful Maltos from Down the Lane.

I've heard that EarthSpark isn't doing well both in ratings and in toy sales and after that first batch I can see why.

The show is not all bad, but legit none of these characters are developed enough or distinct enough that I could see a kid wanting a toy of them. And that goes double for older fans.

The writers messed up big time and I honestly don't know if I'm gonna stay and see if they fix it in S2B.

[bibibbon]

I find Child Toya's thoughts of responsibility to be interesting.

Regarding his violent outburst, he views both him and Endeavor as responsible. Him for taking action and Endeavor for having them as successors.

Then, you have Rei's situation. Despite knowing about her parents selling her off, Toya still blames her for his suffering / birth, while the Himura don't receive as much scorn (likely due to not being present in his life).

So, child Toya thinks being a victim doesn't excuse one's actions OR inactions causing suffering. While the former is a complex debate, the latter is victim blaming. It's interest to see how child Toya can widen his scope and narrow it down to blindly degree.

I find it more interesting that when we see Touya's beliefs he is 13.

Touya is a 13 year old child with many concerning beliefs like sexist beliefs that he has which cause him to be distant and look down on fuyumi.

Like I said and I will say this again Touya's sexist beliefs most definitely came from enji and what enji would probably tell him. It's why he looks down on fuyumi and doesn't include her in conversations about them being their fathers creations because enji wanted a boy to be his masterpiece. Also children aren't born with thoughts like this sexism is learnt and in this case touya probably held on to this belief because of how much he cared and wanted his father's approval and love.

I think there is even a bit of victim blaming beliefs that he holds towards himself and others. Touya believes that everyone involved in the situation holds accountability heck even the victim holds a bit of accountability for what happend and its interesting to see where this belief that he has comes from.

Touya blames enji for creating him and discarding him as a failed creation. Touya also doesn't view his mother as completely innocent and blames her for being in the situation she is in? Or does he blame her for the lack of agency she has within the relationship? Yes, rei also did bad things like neglecting her kids but unlike enji she continually expressed regret and suffered consequences. So what does touya really blame rei for? Is this blame tied around a sexist belief? Does he blame rei for being a women in this situation or is this something else entirely?

I think it's interesting that touya is stated to blame rei in chapter 301 because we don't know what he blames her for specifically. Maybe touya blames her for everything and maybe it's just something small like her trying poorly to help him? We don't know but we can speculate.

Touya when waking up ends up blaming himself for being rude to everyone and his mother. He also kind of blames himself for not being good enough. Then again this self blame quickly grows into hatred for enji.

I think that child touya's beliefs where mainly influenced by enji. I doubt sexist beliefs and even victim blaming beliefs can thrive within the school touya went to and its even mentioned that touya was never active in school he always kept to himself and didn't have any friends meaning that the only active interactions and conversations he had were with his family which isn't a good look.

Children maybe naive but that naivety is hard to keep and shelter the moment it breaks the moment we see just how observant and cunning children can be. Heck there are various psychological studies that show children can easily pick up on little signs especially if they concern love within their home lives so touya who found out at the age of 8 about his existence in the world and purpose must of went through a rollercoaster of emotions after seeing enji replace him to find a masterpiece and he must of blamed of himself which is where we can assume that's where his victim blaming beliefs came from.

I do believe that overtime his victim blaming beliefs do become more nuanced and develop to the previous idea that being a victim doesn't excuse one's actions/inactions but i also think that even with that development there is a clear victim blaming sentiment to that belief he holds.

[antimony-medusa]

Man, the longer I spend in this fandom, the more uncomfortable I get with asking-for-boundaries culture. I was just rotating that last night and trying to figure out why people popping up in TTS makes me want to snatch my headphones off my ears and enter a monastery and never go on the internet again, and I think I identified part of it?

Part of why I get so uncomfortable, I think, is that it gives the impression that the creator is responsible for what the fandom creates? They’re the arbitrator of the fandom now. Like anything they don’t specifically call out is definitely okay to do and show on main, and anything they do say is okay is definitely okay to show them, instead of there being a creator-fandom divide, and people being able to think for themselves about things and going “okay, this fic involves a creator being tortured to the point of a psychological break, maybe that one is for the fandom and don’t show it to the creator”. People asking creators (who let me remind you are frequently not old enough to drink in the states and often barely old enough to vote) to weigh in on esotera instead of thinking for themselves about what is and isn’t for public consumption. 

And like in a particularly painful stream of my memory, Tubbo was being asked questions where he’d be a jerk if he said no (asking about fictives and people with delusions that they were him, so stuff outside of their control), so of course he said yes that was within his boundaries— but how pressured into that might he feel and how actually comfortable is he with that? No idea!? But people think it’s okay to show it to him now cause it’s “within his boundaries”. Or a different time people were asking questions with clear intent to trap him/get him to say that things weren’t okay (people tattling on cuddling art on twitter), and while he said that he was okay with anything that wasn’t NSFW, the person was clearly looking for a clip to use to tell people to stop, hoping that he’d be uncomfortable, and like. AHHHH. 

Like a, how is that actually respectful to the creator? And related to the “why are you bringing this to their attention they don’t need to know,” is it actually any of the creator’s business if someone’s writing agre vent fic for an audience of fifty subs on Ao3? Like just think for yourself about if that’s okay or not and if you come down on yes, tag it so that people don’t have to see it if they don’t want to, that seems to be FAR more sane than showing up in TTS asking someone who plays video games for a living how they feel about kidfic or gore art. 

AND that’s not even getting into the issue of people asking creators to weigh in on stuff they have no idea about— half these creators are moving in such different online circles that they still think Harry Potter is pog, why do you think they’re going to have a nuanced take on pronoun discourse or trans hcs or QPPs? 

Anyways AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH TTS is of the devil and we need to stop asking creators to cross over the fandom-creator boundary. 

[ghenry]

What do you think of GHMs more "Mainstream" titles such as LC, SoTD and NMH3 compared against their more underground works like Killer7, Silver Case and NMH1. I find the latter has a sense of mystique and weirdness that's missing from the former when the studio seemed pigeon-holed in a brand of "Sex, Violence and quirky"

I've been meaning to write about this here, so good question! I gave it a lot of thought after finding a JPN copy of Killer Is Dead and seeing this within the box;

Here's a quote of Suda reflecting on the production of said game;

Suda was not interested in eroticism when it came to his company's games. However, the more mainstream games GHM made (without his direction) were full of instances that were little more than eye candy. Sex appeal for the sake of it. And much of that was against Suda's will;

Paula running around in a thong (and even tits out a couple times if you played the NA version) throughout Shadows of the Damned also reminds me of Tim Rogers recalling his time working at Grasshopper as a designer in the late 2000s. He sat in a lot of meetings with Suda talking to EA and mentioned a time Suda talked about a save function idea he thought of while reflecting on Travis always using a toilet to save in the NMH games.

An early idea was Garcia going to bed with a woman every time he had to save. This was likely when the game was still going to be open world-ish and Garcia was single. From how Tim Rogers talked about this, it was pretty much the only idea Suda had that EA actually showed interest in. Obviously this idea never panned out, instead saving being delegated to a little demon that poops to signify a saved game. Funny that it connects to NMH's toilet save function in that way.

Something else worth bringing up would be the "gigolo missions" from Killer Is Dead. This also derived from a concept Suda had for Shadows of the Damned where Garcia was gonna take girls out on dates, bring flowers, and it'd actually be cute and romantic. At least, from how he described it.

(These screenshots are from Feel the Magic, a DS game where you played mini-games as you tried to win the heart of a girl throughout the story)

This idea was repurposed for Killer Is Dead, but, according to Suda, the sexual aspects of it were conjured up by Hideyuki Shin, the game's director. Therefore, it devolved into x-ray glasses, staring at boobs, and giving gifts to a robot that repeated animations. A cannibalization of the original concept.

Suda seemed afraid of Grasshopper's reputation being mutated into an identity he didn't consent to. Sex appeal is not something he really thinks about when it comes to making games. It's not his style;

The only times Suda has shown sexuality in the games he directed is when it's discomforting or deeply disturbing, almost never for eye candy.

I still appreciate games like Shadows of the Damned, Killer Is Dead, and Lollipop Chainsaw. As much as this era of GHM was railroaded to chasing some mainstream trends and trying too hard to be quirky, they still had unique aspects that help them stand out above other games of the same subgenre. But I can't help but notice a fissure between these games and the ones he actually directed. The nuance, mystery, and thought-provoking stories are most prominent when he's the one directing.

I'm not going to fault people for liking eroticism and such in video games. I've played plenty of horny games too, and there's obviously an appeal there. But anyone still expecting that from Suda is barking up the wrong tree. Looking at how he's been handling everything since 2018 makes it even sadder when you reflect how these publishers tried cramming Grasshopper Manufacture into this box they didn't want to be in.

One last thing I have to retort, though. I don't lump No More Heroes 3 with the quirky "mainstream" games the way you did in the question. Sure, NMH3 definitely went for a more mainstream marketing plan and the game got super silly at times, but it still has an interesting narrative with a ton of nuance. Way more than any GHM game between 2010-2016. Hence my 4+ hour long analysis of the game;

Many people even rejected this game outright because the eroticism and scantily-clad female cast was mostly absent. This was likely expectations they built after experiencing games like NMH2, SotD, LC, etc.

Speaking a bit more on the sense of eroticism, it's funny to think how that was admittedly present in NMH1, obnoxiously expanded upon in NMH2, and then mostly done away with in NMH3. Going as far as turning Naomi--and her balloon tits--into a goddamn tree!

However, I don't believe Suda turned Naomi into a tree for the sole purpose of removing her sex appeal. I believe this just further accentuates how that aspect is not something he's interested in or finds important for the game itself. He likely didn't even think of it that way, but instead "Hey, she should be a tree now."

And then there's Kimmy, whose death was not only a very harrowing moment in the game, it was also depicted in a sexual manner. Similar to Bad Girl's death in the original NMH. Note the motions and angles in her death scene.

Like I said, this rather disturbing sense of sexuality is more Suda's vibe. And I'm happy to see he hasn't lost that edge, so many years later. Anyway, thanks for the question! I had a lot of fun writing out this answer.

[darcytaylor]

I don't understand why they keep ragging on Luke in spaces where he can see it. What's the end goal here? For him to snap and quit the show? People aren't thinking.

The whole situation has been very weird and emotionally charged. I tried to stay away from any of what was happening yesterday. (although I was sent things and have an idea of what is going on)

I think people had an image of who they thought Luke was and since it is not aligning with who he actually is, people are angry. When people are angry people do and say things that maybe shouldn't be said and done.

People's inability to realize that who they created in their mind is not entirely who Luke is (which doesn't have to be a bad thing), is causing outrage. People don't like to be duped, I think people think they were duped.

I have stated multiple times on this blog that people are flawed, people make mistakes, people are nuanced, people can be a bunch of things at once, people can be contradictory in personality, people are complex. All of which Luke is, all of which humans are.

Do I think that Luke hooking up with young adults is a charming trait? No, definitely not. Can I clearly see some questionable actions? Yes, I do have eyes. Do I think that Luke should have kept that shit on his private social media account? Yes, he definitely should have and could have.

But does this actually effect me in any way? No, I don't know the man, and all of us only see a very small part of who he actually is. It shouldn't come to a shock to know that Luke isn't perfect, he's not that version of who they created in their mind.

I know that Nicola has described Luke as being a certain way (people have clung to this), but then people also need to realize that he also has some bad qualities (obviously Nicola wouldn't state those publicly, why would she do that?). I always try to keep in mind that people are good and at the same time people are bad, everybody has both qualities in them.

There is also the belief that if someone who you are a fan of gets any hate, people need to come to their rescue (and vice versa), and while I do think that it is okay to show support or even lack thereof (within reason), this is what riles up every part of any fandom. If people didn't have people to engage with, or people who rile them up, they would get bored and move on.

You have two different groups with opposite opinions, fighting to make their voices the loudest, wanting people to hear them and not the other way around. But this ultimately makes the whole situation loud and for anybody to hear and read. Sometimes coming to someones defence is only going to cause more issues. It's going to create that dialogue and create a space for people to spiral.

So for people who like Luke and for people who don't like Luke, lets all just take a step back and breathe. If you see something you don't like, maybe try not to engage.

I also think that Luke has been trained and told about this aspect of his career. He has been told and has probably seen things like this happen. I don't think that this is what would make Luke quit the show, but I do believe that this will make him less inclined to post or engage with fans on social media.

I actually think that is a good thing (yay for having a positive) in Luke's situation, because it may also filter down into his friend group and relationship and have them stop with the social media games.

[theyluvlyss]

Can I request if you can Hcs of all the ghost boys + Finney being in love ? ( Feel free to not add Finney since you wrote something similar before )

Xoxo 💋

𝐨𝐟𝐜 𝐲𝐨𝐮 𝐜𝐚𝐧😌...

it's what I'm here for🫡♡. I really like the idea of writing about them being in love/having a crush rather than being with reader right off the bat !! very cool and unique idea (imo), and it definitely harbors that little difference in feelings/slight nuances that I'm very happy to expand on !

although it took me a bit, I've actually gotten most of the boys done already, and that's around when I gained the bright idea to just ... instead of making you wait, I remembered there's this thing called free-will, and I can quite literally post whatever and whenever I want lol😆 ...

meaning I can just post each boy for you one at a time as I finish them instead of waiting until they're all done and then making one long post :D !

on that note, here's finney's hehe...

𝐄𝐚𝐬𝐲 𝐎𝐧 𝐓𝐡𝐞 𝐄𝐲𝐞𝐬

《 ♡ 》 headcannons

───────── 《 .°•♡•°. 》 ──────────

𝐏𝐫𝐨𝐦𝐩𝐭 :

while it's always fun to imagine (haha, get it💀) what it'd be like for him to be your best friend or your boyfriend, there's times when you yearn for that tension. that something in between that's more than a platonic relationship, but just short of being a lover. and I'm here to revive that feeling of what it'd be like for finney blake to have a crush on you...

𝐑𝐞𝐚𝐝𝐞𝐫 :

fem!reader x finney blake - she/her/hers pronouns!

𝐓𝐢𝐦𝐞𝐥𝐢𝐦𝐞 :

70s-80s - the grabber doesn't exist

𝐓𝐖/𝐂𝐨𝐧𝐭𝐞𝐧𝐭 :

cursing, as usual - small mentions of anxiety/nerves - finney being super cute lol - overall super duper fluffy and pretty much everything the prompt describes lmao.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ...𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

───────── 《 .°•♡•°. 》 ──────────

I know you said I didn't have to do him since I already have, but *adds that mf in anyway because he deserves round two of some lovins😆🫧💙🪩*.

Finney liking somebody/finding someone attractive is usually a dead-end deal. He keeps it to himself - buried deep down within the depths of his gentle soul, never to breach the light of day, because he knows good and well that even if it did arise, all it would lead to is rejection and - if he's extra unlucky - a teasing+beat-down combo attack from some known bullies of his (should they find out or be witness to these nonexistent attempts of confession).

A little depressing, I know, but bffr ... if you were Finney, would you do anything different🤨?

Althoughhhh....

Him having a crush on you, specifically, is very,,, confusing. Think of when you have a crush in real life, but you actually have a little bit more of a chance with them than usual. It's realistic. There's a sliver of hope. A light down in the depths of that depressing darkness.

It's like that.

And dare I say, he's fairly obvious about his liking towards you, but only if you're paying close attention.

If you're in a totally different clique, especially a popular one, just kind of in your own little bubble (which might as well be a whole new world to him), then the chances of you noticing/realizing his infatuation with you is very slim. Even in Finney's own case, he'd view you way out of his league, no chance whatsoever, so don't expect him to make any moves of any kind.

And on top of that (as I mentioned first thing), he'd do his damn best to not let ANYONE find out, ESPECIALLY Robin, Gwen, or Bruce, because the last thing he wants is for them to get overconfident on his behalf and try to set y'all up. What if you reject him?

Or worse, what if you end up liking Robin or Bruce instead of him? He wouldn't be able to take it. And lord knows he keeps his crush hidden from his bullies for highly good reasons. An even worse scenario in his mind than the last one is if they publicly teased him (or the both of you) about it, made a mockery of his feelings for you to witness and either join in or pity him - neither an outcome his ego and self-esteem were built to handle.

Now, the opposite - actually knowing him and/or being his friend - the case would probably still remain the same with only slight differences. He'd still find you out of his league, probably wouldn't make any bold moves. But, being his friend, closer to you, a little more comfortable around you, there may be times where he'd make the SLIGHTEST of nods to MAYBE, POSSIBLY liking you in a romantic fashion. JUST A LITTLE BIT.

BUT, he'd also be so worried and absorbed in his own head about all the different little things - am I impressing her? am I making her uncomfy? Does she already know? Does she not know and thinks I'm weird? Did she already think I was weird before I did that thing? Did she even catch onto that thing I did? Is she ignoring it? Is she ignoring me? Oh my god, she fucking hates me - that he lowkey wouldn't even consider the fact that you've been making more obvious moves on him this whole time.

He would probably end up liking you because of something you said or did. Like, depending on the situation, you said/did something that really resonated with him, or he found himself thinking about a lot. Which would then lead to him thinking about you a lot, and it's a spiral from there. Or, if already friends, it's probably something you did/said that had him now seeing you a new/different light, which, again, spirals from there.

Should anyone that's not you uncover the feelings he harbors, he's so the type to deny it. Gwen could be studying your behavior and body language up and down, and then report back to Finney with WRITTEN, PICTURE, PHYSICAL FUCKING EVIDENCE of you liking him/reciprocating the crush, and Finney would just be like, "...Nahhhh, you're just delusional, she wouldn't even notice if I disappeared the next day." And Gwen would just be like, "This bitch here😐..."

Either way tho, what I meant way earlier by "confusing" is that his version of (just barely) letting you know he likes you romantically is him just being,,, himself/friendly but a little bit more than usual LMFAO. Like, if y'all are friends and he always walked you to and from school, what he would do to further insinuate that he 💙likes💙 you is to just,,, walk you everywhere else🥴💀. Essentially be your moral support wherever you go lmfao.

Or like, besides doing stuff he really doesn't need to do that confuses you, he'd do things that kinda give the OPPOSITE of, "I'm literally in love with you." Avoid/not talk to you, avoid eye contact, stuff that just leaves you like, "...I don't think he wants to be my friend anymore🥲💔." LIKE BOY-!😭

But it's not intentional. It's just his nerves and doubts getting the better of him, y'know? Overthinkin, which leads to overreacting, etcetc., you know how it goes/what that's like lol.

So yeah, basic point, if the feelings aren't already made VERY CLEAR from the jump, don't expect things to get any clearer😻.

BUT, if after a while should he either gain a little more confidence (prolly from Robin) or you grow a pair and make the first bold move yourself (which would confirm it for him to be more comfy getting bolder himself as well), I feel like he'd still remain a little shy and mildly confusing, but very berry cute nonetheless.

I'm telling you, he'd put those crafting skills to work, hon👏🏽!! Just any chance he gets/has to either make you something or just impress you with something he's made, he's putting 1000% percent into it. I'm talking he's going broke, losing sleep, practicing what he's gonna say and how he says it - it's all going into whatever little (or big??) craft he knows you're going to see/he's gifting to you.

He'd also compliment you a lot, along with being more himself, which HELLO, he's so silly when he wants to be. I feel like he'd have you laughing a lot without exactly meaning/trying to, but HE'D FS CHERISH THAT like,,, every time he'd make you laugh, he'd just feel like he was on cloud nine - 'I made her laugh, I did that, me, she thinks I'm funny, she likes me, she's literally in love with me like I am her, otherwise she wouldn't be laughing so hard-'

...😃...Yeah, he takes what he can get and RUNS with it (which is why I think he'd love and is in need of lots of reassuring, plz take care of my baby😭🙏🏽).

On the topic of such, actually, it's kinda funny because it doesn't really affect his envy levels.

I don't think he'd get all that jealous if he saw you with other ppl; it would just be the thing of like,,, "That's what I get for getting my hopes up."/"It could be worse ngl." lmao which is sad on one hand but kind of mature on the other, yk?

Mature that'd he'd just leave it alone, not be pushy. But sad because wdym you think you're not worthy of some love/what you want out of life :( ? Luckily for him, though, I don't think he's able to hide disappointment/sadness very well.

Not that he's going around telling people, but he's just one of those "face/tone of voice says it all" kind of guys. So, depending on your thought process and if you can put two and two together, you're quick to squash any doubts of you being interested in someone else romantically.

"I'm not really into *state another persons features lol idk*. Not my type of guy..." which may or may not be you trying to guide him into asking your type, and he may or may not take the bait🤭.

No, but seriously, he literally may or may not catch on. There's definitely been a few times where he's missed the social cue, and on the inside, you're just like "😔🙄..."

He gets SUPPPPER flattered if/when you get jealous, tho. Like, I'd imagine it's a pretty rare occurrence (surprisingly to you, don't nobody be hitting on Finney Blake, okay💀✋🏽), but when it does happen, you're very quick to make it known you're hardcore crushing and liked him first, even going as far as to make it appear as if he's already taken.

You're hanging off of his arm more than usual or playing with his hand to keep him from fidgeting, you're staring at him with such a strong look of love-sickness in your eyes that might even cause the other girl to throw up, and should she even get as far as asking him out...? Oh boy...

"Actually, Finn, we were gonna hang out today, weren't we? I wanted to help you paint that rocket you're working on, I have the perfect colors in mind already...!"

"You...You do?"

"Yes, I do😃😐."

And the other girl just has to be like, "...I'll um,,,, Nevermind, Finney, I'll see you around."

"Maybe...!" You'll call after her cheekily, smile growing wider and wider as she trails away with Finney yet to even process the entire interaction at all. And while he might not catch on right away, the second he does, he's BEET red💀😭.

He doesn't know whether to admit he's smitten by your hostility or to let you know you don't have to be😭✋🏽. And more often than not, he'll opt for saying nothing at all, smiling to himself all shy while you're back to normal, talking as if you hadn't thwarted off a foe.

Confessing... That's not fucking happening, ever at all💀. And if he did, it would be on his death bed (I'm joking). But srsly, if he can avoid it for as long as possible, he will. The type to tell you on the last day of school, I'm talking GRADUATION DAY, right as one of y'all are leaving FOREVER, on some "I've always liked you..." type shit, and you would just have to be like, "WHYDIDYOUWAITSOLONGWHATTHEFUCK😭💔💔‼️‼️" Which is why I think it'd truly be up to you to confess (hopefully) way sooner😭💀✋🏽.

And if/when you did, he'd probably forget how to,,, exist lmao. Like, one of those moments where the information has to process in his head so he's just standing there looking at you like, "🧍🏻‍♂️:0" for a second before he's like, "o-OH!...I...I like you, too! And I have for- I mean... Like, it's been long. A long time. I've liked you a long time :D."

YOU KNOW WHAT?? If he felt he, himself, absolutely had to confess, he'd write you something. He's not Shakespeare or anything, but it would be much easier and less nerve-wracking for him to just write it all down. He'd hand it to you in person, apologize for the length of the letter that YOU HAVEN'T EVEN OPENED YET😭, and then practically teleport from the scene because he doesn't even wanna stay for your reaction. The fear of rejection is genuinely too much for him.

He'd be better off never hearing from you again if you didn't like him back rather than have you tell him to his face. ALSO, he'd give it to you in private. Wouldn't want to put you or himself on the spot, nor would he want to risk somebody catching him or you with the paper that has him pouring his heart out to you on it.

But, of course (because why else would you be reading this if you weren't expecting The Good Ending™), you're confused while opening and reading it until those feelings gradually begin to swell into a mixture of flatter, adoration, and just flat out love because not only had he FINALLY confessed to you...

But you had found it to be written quite beautifully, and it was overall the cutest thing that had ever happened to you, so now you have to return the favor - scribbling your response in some colorful pen color on the back of his own confession note, doodled with hearts and squiggly lines and all of that nonsense, leaving it in his locker - and letting the events take off from there.

Letting the relationship blossom from there🫧🥹🪩💙✨️.

𝐈 𝐡𝐨𝐩𝐞 𝐲𝐨𝐮 𝐞𝐧𝐣𝐨𝐲𝐞𝐝 !!

ik I say this literally every time I post something, but I really loved writing this, and it's because I LOVE WRITING; I love doing this shit, idcidc✋🏽😭✋🏽. if I could make a living off of this, I would, and I love seeing your guys' requests every day and reading through them over and over again.

and guys, let me tell ya', there isn't a better feeling in the world than completing and posting one, because whew...!! it's like having an endless supply of inspiration fr, I love it.

anyways, robin's will be posted soon after this one, so be on the lookout🫡😼 !!

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ...𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ...𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐡𝐞𝐚𝐫𝐭

𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝 𝐛𝐲 :

@in3rci4

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 :

2,103 words

𝐭𝐚𝐠𝐥𝐢𝐬𝐭𝐬 :

none :(

[vickyvicarious]

So I've been rewatching a lot of period dramas lately and this got me thinking, Arthur's clearly from the upper class, but does the book ever actually specify what his title refers to? Viscount, baron, etc...? And Lucy's a socialite and would therefore be some kind of aristocrat, but I don't think the book ever gives specifics on her family background either, but correct me if I'm wrong! And while I'm at it, would the rest of the Crew be considered middle or working class?

Hmm, so I am definitely not one who has the best grasp of all these nuances myself, so I happily welcome any others who know more and want to correct me or add in what they know! That said, here's what I think...

Arthur is repeatedly referred to as 'Lord Godalming', at least once his father dies. That means he is officially a 'peer', a member of the House of Lords. There's several different ranks within this category though, and based on title alone he could be most of them (since most were commonly called 'Lord'). I found a post talking about the peerage for the context of the Sherlock Holmes stories which I think is pretty easy to understand, especially the little table of titles/roles.

Going off that source, it says that "all children of viscounts and barons were called the Honourable;" and when Jonathan is talking to Mitchell, Sons, & Candy the guy says this: "We once carried out a small matter of renting some chambers for him when he was the Honourable Arthur Holmwood." That would suggest that Art is either a viscount or a baron. Of the two I would lean towards viscount, simply because I think he is in the upper half of the hierarchy based on the way side characters tend to react to him. I don't know if there was ever any leeway to call the eldest/only son of an earl by that title, but if so then I kinda want him to be that, purely because it is the British equivalent of a count, and that would be a really neat tie-in to the various ways Arthur is contrasted to Dracula as good/bad nobility. (I could talk more on that but it probably deserves to be a separate post.) Admittedly I don't know enough about the nuance of relationships between different classes to know how high up the ladder he can go before his association with the others here would start raising eyebrows, but I like the idea a lot.

Arthur is the only character other than Dracula to get a (non-academic) title, so I don't think any of the other characters would be part of the peerage. However, I do think Quincey is very rich and probably of somewhat equivalent status for an American. I think Lucy is probably not officially there, because otherwise I feel like either she or Mrs. Westerna would have been addressed as 'lady' at some point, if only by people meeting them for the first time or who don't know them well. However, she's definitely of a social class where he association with Arthur is very acceptable, so she had to have been well-off. I imagine her from a well-established family who might not have a title but is still certainly part of the respectable crowd. Or if she did have a rank it would be lower but not outrageously so.

I think Jack would also be pretty equivalent to Lucy, since she introduces him as "well off, and of good birth" and his close association with both Arthur and Quincey would suggest he is certainly respectable enough to hang out with them/propose to the same woman. Lucy suggesting him as a possible option for Mina to marry if it weren't for Jonathan suggests that Mina might also have a nicer family background (as does, potentially, her friendship with Lucy). But if so, then her current status as orphan who works for a living and expects to have to make ends meet with Jonathan suggests that her family must have fallen on hard times and whatever respectability there was to her name is more lingering compared to the reality of her current situation. That's my best guess, but honestly it's kinda tricky to figure out and other people who know more about the time have been confused too.

I think Jonathan is definitely of the lowest class amongst our main cast. You can see this reflected as well in how they tend to address him more casually ("Harker") while he uses some form of title when speaking to the others ("Dr. Van Helsing, Lord Godalming, Dr. Seward, Mr. Morris"). He doesn't speak of his parents much, but we know he worked for Mr. Hawkins from a fairly young age, and started out as a clerk until recently, which was not a particularly well-paying job. I think he and Mina would be considered on the lower end of middle class - at least before they inherited everything Mr. Hawkins had, which it sounds like is a comfortable existence if not the extravagances that other characters would be more used to. That might bring them up closer to some of the other nontitled people, though not as high.

[detectiveneve]

I think there’s a definite problem though with the amount of art and fics being HEAVILY Astarion with cis women. That reeks of his queerness being erased. There should be a healthy balance of Astarion with different partners, but the “default” in the fandom is always him with a woman. As a gay man it’s very frustrating.

Okay so. in however much any of this matters. 1. Shoving this under a cut for people who are tired of seeing the discourse (I am too, I tend to scroll really really fast past it.) 2. I know the fandom discourse machine looooves super firm and snarky opinion jabs summed up in 169 words or less but I am literally incapable of not elaborating so. sorry YOU asked. since it’s also probably relevant, Im coming at this with the Mega Dyke with the fuck around and find out perspective irt my life experiences and queerness. I don’t generally care about niche queer internet discourse and I don’t generally care about fandom discourse, so you can tell how bored I am at work rn that I’m deep diving into this. tldr yeah you’re not wrong I agree that astarion’s queerness is erased in certain spaces but that has nothing to do with being attracted to women. my funny hot take is once again that astarion is a he/him evil femme to me so. let’s MOVE.

I received the second one within the first few minutes of the first, and I’m goingggg to proceed on good faith and with the idea that I think we’re all in agreement for the most part, because I think we are. But I’m going to address the most obvious thing that. I don’t really…. think is necessarily the point in this. first of all, I empathize that it suuuucks to not see as many works made for your main pairing of choice (there’s generally a deficit for literally everyone BUT astarion to boot too.) however ultimately fanworks are exactly that: fanworks, and they’re made For Free and posted by a Fan Author who has done this As A Hobby, “a problem nobody is addressing” in this context is……. you are one google doc and keyboard away from writing what you want to see in the world. or, I don’t know. encourage + comment + follow up on fic authors that write what you enjoy. fic is not paid content and the fic authors in bg3 are writing for themselves and what they put out, that they wrote for FREE, is up to them. I once again empathize with not seeing as much of a specific thing as you would like, and I definitely empathize with seeing a popularization of specific characterization that makes you want to scream, cry, throw up, etc. which brings me to what I can actually comment on and critique here. (general note: if you proceed to misread me on the basis of “people can do what they want!!” I assure you. you can do whatever you want forever. I do not care. I am not mad. I am minding my business 90% of the time. do I like domstarion? no. but it is NOT my concern nor my judgement.)

“That reeks of his queerness being erased. There should be a healthy balance of Astarion with different partners, but the “default” in the fandom is always him with a woman.” <- so! now that we have “it’s all for free man idk what you want me to say here” out of the way. we CAN critique something real in this that I do agree with. the sort of…. honestly kind of fascinating (derogatory) trends of what I’ll call Straightifying astarion for lack of a better word.

this brings me to the point I kind of offhandedly made in the previous post, about how there IS nuance to be said on astarion’s queerness getting erased. I do actually agree with you that in some spheres of the bg3 fandom, his queerness has been heavily sanitized and he’s become something of a placeholder for Sexy Vampire Boyfriend romance tropes. he’s mostly there to be a stand-in for a sexy dom vampire man; MANY of his complex character traits that have literally Nothing to do with romance have been basically entirely removed to serve a specific idealized idea of him that suit the scene. it’s frustrating! I find it frustrating. I also agree that within this specific Brand of Mischaracterized Astarion, he’s been so……….. reduced down to this that his more overt queerness is basically entirely removed. however, the issue is not that he’s with a woman in this? the issue is that the writer is not incorporating a sort of.. overarching queer lens, for lack of a better term, to the characterization they’ve got going on. you can write whatever you want forever, but it’s not written in a vacuum, I agree.

Since these are all popular straight romance tropes, he falls directly into the pit of Sexy Man (straight) very quickly, and his attraction toward others (let alone, good god, his complex relationship to sex, sexuality, desire? good fucking luck finding something thoughtful in there about that) tends to fall by the wayside as a result. It is what you would expect but it’s not without room for critique in what I think we’re aligned on; which is seeing astarion’s queerness erased is maddeninggg. And it is EXTREMELY frustrating to see if you’re someone like me, or possibly yourself, who’s into 1. really analyzing characterization and 2. really into exploring queer dynamics in writing + lit + media many different formats. THIS—the sanitization, the removal of astarion’s queerness—this is what is irksome as a queer reader.

however. the issue I’m seeing is that ^^^^^ this brand of mischaracterization is 1. being conflated with simply that he’s with women, and 2. the frustration of having less content (understandable) is turning into a very WEIRD dialogue in which the extreme of “well actually he wouldn’t even want to fuck women!!” is the stance to take (very weird) (kind of misogynistic) (kind of also reeks of continuing to talk about women as sex objects that astarion would not or would want to fuck) (astarion himself doesn’t even want to fuck for about 90% of his romance so maybe we should talk about that too) — rather than that it would be nice if his queerness would be addressed more openly and with more nuance and clarity than it currently is in That Particular Sphere Of Astarion Characterization. and, of course, the idea that it would be nice if he was portrayed with other kinds of partners! which I agree with and equally appreciate.

but there is no default. literally, there’s no default. what you’re seeing is what people are making of their own tavs, and maybe you would like to see more of another kind, but it doesn’t hold up as an actual fandom critique. what holds up is when we dive into how people write him; how do they write his personality, what traits are being exaggerated and what traits are being ignored; IS his queerness remembered within the text at all? and beyond that, how is that queerness treated when it is written? because I’ve seen the other extreme in which it’s The Homophobic Gay Stereotypes That Maybe We All Agreed At One Point Were Equally Offensive To Exaggerate To The Point Of Horror. half the discussion I see AROUND his queerness amounts to “omg he’s such a slutty flamboyant little fag” but in a quirky haha internet way. very “fruity is a nice alternative to saying queer!” “calling a gay guy fruity in the real world will get you punched out.” vibes in here sometimes and it is EQUALLY weird.

anyways. Astarion’s a multifaceted character which means the first thing everyone did was pick one or two traits to exaggerate and cling to and these color the entire reading of his character rather than taking in the whole. i agree that means his queerness got put to the wayside in some formats of him, and that’s deeply unfortunate + very frustrating. but fanfic is free, so I’m not with you that there’s a Problem That Needs Addressing so much as that’s what people are creating, and you should add to what you want to see in the world.

I’m not going to go on a tangent about how “oh let m/f be a thing!!” because I ALSO agree literally no one needs to be told “m/f is okay to do ❤️” we live in the real world here. and it’s really mindboggling how in some iterations he’s been turned into Straightstarion rather than his CANON QUEERNESS being applicable in every format of every relationship dynamic he could ever possibly be in. However. However. the answer to that is not? acting like the baseline attraction to women is the problem. if the way you’re talking about attraction to women feels rooted in upset about not relating to it and feeling like you’re forced to either relate to it or simply not engage, I do Get It, but at the risk of opening up an entirely different can of worms that needs an entirely different essay to address, gay men are not immune to misogyny and if the language used while talking about women is also objectifying or belittling women to some extent or acting as though attraction to women makes his queerness lesser. newsflash. that is still misogyny (and biphobia). it is not about defending straightness here, it’s entirely that reducing women down to sex objects even in the conversations about not seeing women sexually is alive and well (and repulsive), and that’s what I mean when I say I can hear the “lol I don’t fuck WOMEN that’s DISGUSTING” behind some of the other side of the conversation here. also this is an entirely separate essay but queerness will almost never exist in an easily consumable binary and trying to type him by his character traits is also. kind of weird. just as a thing.