#that man was made for angsty melodramatic Narrative shit

[papayafiles]

norstappen only competing with each other, counting their positions and points relative to one another and disregarding everyone else, scrapping it out on track then flying across the world together in max’s private jet together immediately afterward, defending each other in the media bc no no, that’s my rival, he’s legendary and wildly quick and that’s why it’s so hard for Me to beat Him… narrative. something about sports being poetry in motion something something the narrative weaving itself

[my-sherlock221b]

Supernatural Rewatch Ramblings: Wendigo

Wendigo

The long line of the MoTW series in Supernatural starts off with the Woman in White which is fairly well- known legend/ myth in most countries.  Then we get this one next which claims origin from the Native American mythology.

Here is a review of the Wendigo episode with thoughts from me and @soulmates-for-real​

I have always wondered why they were not so inclusive or better at being inclusive as a show. Yes, they did have many women and people of colour in important and strong roles, both positive and negative (though they could have done so much better!). But they steered clear from some of the huge mythology lores like that from Native Americans, Hindu, Latin American cultures. This may have been a wise political strategy to avoid conflict and so they stuck to the Judeo- Christian core but still managed a rather radical take on it!

Spoiler alert:

*God was the final villain?! Who would have guessed? And that the angels were dicks, relentlessly, and demons were in fact ex-humans.*

So back to Wendigo.

What a monster the Wendigo is!! In later seasons when we got only angels and demons and some vampires etc the other monsters were monsters in and of themselves. Like they were born that way—needing to eat human pituitary glands or whatever.

But Woman in White and Wendigo, and even Dead in the Water, or the Shapeshifter --the monster was created by circumstances. Betrayal and infidelity leading to murder suicides, extreme starvation leading to cannibalism and eternal hunger.

Far more terrifying than someone who is born a ghoul perhaps.

So here we are in Wendigo, at the forest/camp site with these fake, charming, rather useless camp rangers who carry M&Ms (nice touch and throwback to E.T. !), don’t wear shorts ( which anyway seems like a weird thing to wear when there is grass and stuff—why would you want to expose your legs?!), can’t see bear traps ( Seriously Dean?! ).

Sam is still restless and bristling at Jess’s death, as well as angry at Dad. All those years of separation do not seem to have given him any peace in his relationship with his father. Now to add massive insult to his already injured sense of self—he has lost his girlfriend in exactly the same way as his father lost his wife—making them even more identical.

So he is cranky and unwilling to give in to any of Dean’s suggestions. He denies his own nightmares, refuses good advice and food and is generally misanthropic. While Dean on the other hand seems to be enjoying this like a happy jolly road trip. The monster is almost like a secondary priority now.

What is most important, (and this becomes even more obvious in a re-watch post finale)—what is THE most important thing is that Sammy is riding shotgun, is in front of his eyes and safe.

Miserable and bitchy but safe.

That allows Dean to dial back a bit and bring into focus what has always been, for him, the really important part of their lives—saving people. This is always more important to him that hunting things. So, when he finds out about someone’s brother being lost and the coordinates match what his dad has left, well there is no choice really.

They have to find a way to save him.

If they find Dad there, well, good, but that is suddenly not a priority for him at all. He turned up at Sam’s doorstep, and as we know from the finale, waited there for HOURS since he was unsure of his welcome, then broke in at 3 am or something like an idiot….but anyway…..all that was because Dad had been away on a hunting trip and hadn’t been home in a few days…blah blah blah.

The first contact Dean makes with Sam who left home to go to college is to recruit him to help find Dad—the same guy who told Sam that if he went away to stay away.

And then suddenly now that Sam is with him, finding Dad is like meh. If we find him somewhere by the wayside while you and I hunt monsters Sammy, then yeah sure, great.

If not…well….we have stuff to do you and I…saving people, hunting things. The family business. 

And John Winchester….well, what can I possibly say about him without taking up pages in ranting?! Why did he ditch the first monster? Why was he in SUCH a hurry to leave that he left his journal behind??

My theory of course is that he had to run away from the Woman in White since he had been unfaithful to Mary ( yes yes I know it had been YEARS at that point, but hello, this man made his life a crusade for revenge and sacrificed his kids’ lives also to that darkness, so…yes, being with Adam’s mother was an infidelity and you can’t change my mind on that !).

So naturally John was afraid he would be killed.

But still….he left coordinates for the next hunt in the journal and just ran off?!

The other question is what the hell is happening in motels across USA? Guys like these can just check- in on fake credit cards, leave a room full of satanic and serial killer-y documents, sometimes dead bodies, lots of salt at the door and windows, and just disappear without checking out….

Though the police do seem quite alert and swift in action in the Pilot compared to some of the laidback and clueless ones we see later.

What is most interesting is to see the character of season 1 Dean emerge.

He sass, he boss, he flirt, he lie, he charm, he fight, he save.

In fact, the very first time I saw Supernatural, it seemed that Dean occupied so much of the narrative space that I barely noticed Sam except as a foil to and a brother to Dean.

Now in the re-watch what is fascinating in retrospect is to watch Sam slide into ‘the life’ without a hiccup. He reads the journal, he figures out it’s a wendigo, he gets the civilians to cooperate, he also fights and saves.

And that look he gives Dean in the car?

Well, those who missed the signs in Pilot and didn’t ship Wincest from day one, surely started doing it then!

https://www.geekgirlauthority.com/supernatural-rewatch-s01e02-wendigo/

This is also the first episode that gives a clear parallel to the Sam and Dean relationship through the B plot. When Haley says she MUST go to find her brother –Dean nods in instant understanding while Sam is pissed off at having to ‘babysit.’

We see this in many more episodes in the future, and what is fascinating is to see Sam gain insights into his brother with every such parallel. To recognize what being the big brother has meant to Dean and how much he has done and given and even suffered for that. We will discuss this in more detail in the next episode review! ( Dead in the Water)

The chemistry and ease, almost a fluid sense of flow between the two actors is unmistakable in this episode. Even as Sam is really being a bitch and Dean is being a jerk, there is a definite undercurrent of something holding them together. It may be all about revenge for Jess’s death and finding Dad for Sam, but he will still stick with Dean and want to protect him as fiercely as Dean wants to protect Sam.

.

Sheila O’Malley has given a detailed explanation for the acting styles of Jared and Jensen and what she said about Jared is spot on and brilliant. He does what she calls active listening.

It is amazing how once you realize that you notice it all the time.

The reason why Dean can manage such perfect comedic timing or non- verbal communication is because Sam is always ALWAYS tuned into him. Listening, watching, reacting, observing.

Once again, for those of you interested in the meta and more erudite and informed reviews that this one 😊 do read what Sheila O’Malley has written.

Here are some excerpts which will entice you!

“David Nutter, who directed the pilot, also directed episode 2, and there’s a new DP here, the phenomenally talented Serge Ladouceur, who is still shooting the show. If the DP for the pilot, Aaron Schneider, helped establish the dark mood and horror-movie feel of the series, then Ladouceur just helped deepen and strengthen that continuum. The look of the show has changed, by Season 9. I would say that it has a more glamorous look now, more colorful, while certainly still very dramatic (even melodramatic). Supernatural is (and has been) one of the best looking shows on television.”

“The ranger comes in to talk to them, and they pose as environmental studies majors at the university in Boulder. Sam says they are “working on a paper”, clearly improvising, and you can watch the glorious schtick of Jensen Ackles as he adjusts to the new information of who he is supposed to be pretending to be. God is in the details, people, and it’s the detailed scene work of both Ackles and Padalecki that keeps this show going. David Nutter referred to Jensen Ackles once as a “meticulous actor” in terms of his preparation for every scene, no matter how small, and it pays off. He knows what the fuck he is doing. So does Padalecki. I couldn’t give two shits about the demons. It’s that DYNAMIC that is so entertaining and watch-able.”

 .

And here are some thoughts on the episode from @soulmates-for-real, my partner in crime for the rewatch 😊

Except the fact that Sam is quite secretive about his nightmares but his body language is quite open and his expressions easy to read. On the contrary, I saw Dean posturing a lot with other people, pouting, flirting, making eyes...trying to be all nonchalant. But when it comes to Sam we see a different Dean - the more antsy and angsty Sam gets, the more intensely Dean reacts to him and you can see Dean's concern shining through. Leading to Sam coming to some kind of resolution and giving Dean 'that look' at the end! 

[fae-fucker]

Zenith: Chapter 68-71

Chapter 68

Andi remembers how Kalee gave her a tour of her home and bragged about how she’d be ruling the place someday. Andi asks why her and not her brother.

Oh, Androma. Kalee had laughed then, tossing her head back in that glorious, carefree way that made everyone around her want to come closer. You and I both know that a woman can rule better than any man ever could. And I’ll look twice as good doing it, too.

Shinsay, voices muffled as their heads are stuck up each other’s asses: This is definitely, 100%, one whole, bona fide, authentic, organic, home-grown feminism that we just put in our book.

Also ... take a look at that weak-ass description that’s supposed to show us how good and cool Kalee is. When she laughs (in a way that tbh have you ever laughed? be real with me now), people want to ... come closer? 

Wow! That’s like saying ... when I scratch my face, people want to call their mom. When I brush my hair, people may spontaneously feel the need to take a slightly deeper breath.

Talk about low standards. Hey fellas, you ever see someone laugh and just kinda sorta want to approach them but not really? Yeah, that’s the stuff.

Andi thinks about how Kalee would’ve been a better ruler than her dad, who doesn’t even bother coming down to meet his tortured son because that’s how incompetent and evil and heartless he is. I mean, Andi doesn’t know that Valen is the result of rape, but still. Idk if I’m on board with how the book demonizes the hell out of the General but tried to make whatsherface sympathetic. And by “I don’t know if I am” I mean “I’m definitely not what the fuck is wrong with these people.”

Dex tries to make some conversation and Andi says that nobody befriended Kalee, that only super duper special people were CHOSEN by her to become her friends.

I’m ... not sure how this is supposed to be better. In fact, I’d say it’s worse?

“Kalee chose the people she wished to let into her life. I was honored that she allowed me to be assigned to her.”

“Honored?” Dex asked, raising a bruised brow. “Or damned?”

“I’ll let you know after we talk to the general,” Andi said.

I’m gonna fiking piss. “I’ll tell you whether this important life event was honor or damnation, but like, later, after we have this appointment, ok?” Why is this so funny. Have I fully lost my marbles?

Andi foreshadows some escape tunnels that are hidden all around the estate so Dex has a logical way to save them at the end of the book. I’m sure there is a more elegant way of setting that up, but I can’t be bothered to find one, so let’s call it acceptable and move on.

They arrive at their destination and Andi notices that Alfie seems bummed out. She muses that he’s “capable of far more complex thinking than she’d originally guessed,” which, DOY, but ok, and then thinks about how he’s saved her crew and remembered Gilly’s Marketable Space Pet, which implies he has some “understanding of feelings and attachments.”

That hamster wheel do be spinnin’.

The “head Spectre” comes out to meet them and ...

It took everything in her to speak as the truth struck her.

“Dad?”

DUN DUN DUUUN, it’s Andi’s dad! Also, “the truth struck her?” What truth? That it’s your dad? Was that in doubt? Did you really need a moment to connect the dots, to realize this is your dad? Was there a moment where you saw this man, who is your dad, and thought that this wasn’t your dad, only for the truth to strike and OH SHIT THAT’S MY DAD!! WOW HOLD YOUR HORSES EVERYONE I NEED TIME TO PROCESS THAT THIS IS INDEED MY DAD.

Tbh if you strapped knives to a roomba it’d have more charisma and presence as the protagonist than Andi. And let’s be real, more intelligence.

Yet another chapter ends on a pointless cliffhanger only for the scene to continue exactly where it left off!

You’re just full of surprises, Shinsay.

Chapter 69 (nice)

Andi recaps everything that she’s gone through after the Kalee crash up to the fight with the big alien dude who got deus ex machina-d by Alfie and how she nearly kissed Dex, which gets written as extra special, just so she can make this point:

But this...her father, as General Cortas’s head Spectre?

This might actually kill her.

And aside from how generically melodramatic it is, I can’t help but recall this, from chapter 7:

The man in front of her was a victim of her foolishness. Beside her was the man who’d rejected her love.

The two of them, together? It was nearly enough to shatter Andi.

Andi has the same reaction as I do when in a room with multiple men. Except in her case I think it’s supposed to be deep and personal.

Anyway, self-plagiarism aside, Andi thinks about how her dad was always there for her but then one day wasn’t when he didn’t support her on her trial and how conflicted she feels about him, both wanting to demand justice but also wanting comfort. This is actually quite touching and feels very grounded and realistic.

General Cortas rubs it in that Andi’s dad, “Comander Racella”, has been very loyal and hardworking since he was promoted after Andi’s trial. Andi hopes that her father actually hates the general and was forced to work for him as some sort of punishment for what happened with their daughters.

The general says the situation on Adhira has been taken care of, and when Andi asks whether Xen Ptera attacked because of Valen and her crew’s presence on Adhira, the general says that’s classified. For reasons? Idk. Seems pretty obvious to me, or maybe he just doesn’t know?

Dex tries to yap but Cortas flexes his big dick and reminds Dex that he’s a Guardian now, and Dex is too much of a baby to risk his regained status so he shuts up. This is all spelled out for us by Andi’s inner monologue, because we’re idiots.

The general claims the Xen Pteran forces have been wiped out, saying how it’s probably all they had since there’s few able-bodied and willing people to recruit for war after their planet got fucked, and when Andi presses him for why the attack happened now and on Adhira, he says:

“War never really ends, Androma. The desire for revenge is often too strong to forget.”

“War never ends ... But me and my crew totes ended that war just now. They don’t have any more soldiers so this war is over.” Makes sense, sir. 

Cortas says that queen Alara is safe and will be at the Peace Summit, which Andi immediately tells him to cancel because it would be the perfect opportunity for another attack. Cortas replies by saying that Arcardius is impenetrable and that the day the Olen System successfully invades will be the day “stars fall from the sky” which is a very poetic and not at all natural way to say something like this, so it’s there for ... idk dramatic irony? He also reminds her that the Summit is important because it celebrates the peace after the war and the unity between the systems and I’m here like ... for a guy who says war never ends, you sure seem happy to celebrate a war ending and don’t believe one is going on right now. But I guess these characters just exist to spout meaningless yet deep-sounding nonsense at each other.

Dex reminds the general that they’ve done their end of the deal, at which point the general conveniently decides to prolong it out of nowhere and essentially forces Andi and Dex to be Valen’s bodyguards at the Peace Summit by holding Andi’s crew and ship and Dex’s money and status hostage. Thanks for ensuring the main characters are there for the climax, sir! Appreciated!

Dex and Andi leave in a huff.

Chapter 70

We’re in Lira’s POV as she reminisces about her childhood with Lon while he’s recovering from his near-death-experience.

So she sat by [Lon’s] side for endless hours, until the warm clutches of sleep stole her away.

She dreams about flying on an “Adhiran darowak” but then DUN DUN DUUUN Adhira below turns into Xen Ptera and it’s horrible!

“No,” Lira gasped. Her heart began to crack. Fissures spread through it, reaching cold fingers through every valve until Lira felt darkness stealing her away.

So the editor just left that in, huh? Just let Shinsay use the exact same wording in less than 200 words? Must’ve been stolen away by the editing fairy for editing crimes while reading this.

Lira is woken up by Alara, who got here so fucking fast she must be part-Sonic on her father’s side. You’d think a planetary leader would have more to do after a sudden and deadly attack on her home planet, but I guess Adhirans are so chill they’ll just let their leader fuck off to take care of her angsty teenage niece instead.

Lira says that she’ll do anything to make up for bringing Valen to Adhira, to which Alara says that the only thing Lira will do is “follow her heart,” which is sweet of her to say but also really convenient and makes this whole decision easier for her.

I mean, it’s nice that Alara is so supportive, but 1) narratively, it removes the conflict that was introduced only a few chapters ago 2) it makes Alara seem like she’s only there to be the supportive cool aunt and the Good Queen, without any expectations or wants of her own. Like, wasn’t the pressure from Alara something that gave Lira actual conflict? Idk. Seems too easy, is what I’m saying.

Lira didn’t let go of her aunt until the tears dried up. Until they sat down on either side of Lon’s bedside, held his hands and spoke of happier times. The beauty of a family that could come together, broken, and still find a way to become something whole.

You’re one step away from “Ohana means family” over here, Shinsay. Stop spelling shit out. WE. GET. IT. Also, whose narration is this? We’ve mostly stuck to third person limited, so ... is Lira thinking this? Is she thinking this shit while it’s happening? About her own family and situation? What the fuck?

Shinsay couldn’t keep their suspiciously sticky fingers out of their own writing and let it breathe so it comes out looking like God’s mistake.

Anyway, Lon wakes up and Alara tells him what went down on Adhira.

Chapter 71

We’re back with Andi, who just got out of a bath and is bitterly admiring her “private quarters” when she’s interrupted by DUN DUN her dad! He’s been waiting for her!

It’s all very tense. Before they can really start talking, though, we get a flashback. No, really. This whole tense reunion between father and daughter is interrupted by a lengthy flashback brought on by Andi watching her dad and Remembering.

Because Shinsay.

It’s a flashback to Andi in a cell, the day before she was supposed to be executed. Her dad tells her that her mother is "not well” and we find out his name is Oren. As they’re saying their tearful goodbyes, Oren slips Andi a key and tells her “Bay Seven. Tomorrow at dawn.” 

The flashback ends with Andi’s cell standing empty the next morning.

Very cool and all that.

Back in the now, Andi rightfully chews her dad out for being a cowardly little bitch and throwing his teenage daughter under the bus for the sake of status. Something he freely admits to doing. He says he and her mother had to struggle to rebuild their reputation after she ruined it, and that he believes his daughter died with Kalee and that whoever he saved in the cell was already the Bloody Baroness even if she didn’t know it yet. Then he fucks off.

It’s all extremely silly. It would’ve been heartbreaking in any better book, but instead, it just feels like it’s tacked on for the sake of adding even more angst to Androma’s character. In fact, she’s not even upset at this. Instead she just carves some more tallies into her swords, dances some more with the dead, and then sneaks out.

No really, it’s written like a list.

She waited for the tears to come. But they never did.

Instead she sat alone, adding more tallies to her swords. Dancing with the dead inside her head.

Why is this so funny! I think it’s because both the tally-carving and the ghost-dancing is supposed to be these deep and haunted things she does that’s given a fair amount of weight and focus, but then it’s just written out like this like it’s just some generic routine shit she does like brushing her teeth or wiping her ass.

Yup, there she goes, doing her generic angsty shit one after the other. Emotional whiplash glossed over for the sake of moving the plot along. She’s in such a bad mental state that we simply MUST ignore it and move on.

Also, I want to highlight how convenient it is for Shinsay to already have Andi suspect and previously coming to terms with how her parents don’t love her before this confrontation. Like, we see her father save her tearfully, yet Andi has almost no hope that he still loves her. Or, she does, but when it’s squashed, she just ... accepts it? Because hey, she already processed that trauma years before! Makes it easy!

Wouldn’t it make it more impactful if all these years, she’s hoped that she has a home to come back to? That her father’s final act of saving her meant they love her still and want her to come back? And now she finds out that they never even mourned her loss? Wouldn’t that be heart-wrenching? And also add to the idea that Andi wants to return to Arcardia, both because it’s her home planet but also because that’s where her parents are? Instead we’re led to believe Andi wants to return, but when she does, she hates it here, she knows nobody wants her here, and she wants to leave immediately.

I seriously question the inclusion of this subplot and these characters. It adds nothing, changes nothing, and is just there to make Andi more angsty, which she already is, so ... why is this here lmao?

Shinsay really went “let’s squander all our potentially interesting ideas and concepts for the sake of more cheap angst and making our protag a cool emotionless badass who don’t care for no thing.”