#that last icon is a big mood for keith when he looks at some people
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blazerought ¡ 6 years ago
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MUSE ICON MEME Repost, do not reblog.
WHEN HAPPY:
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WHEN SAD:
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SEEING SOMETHING THEY WANT:
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WHEN THEIR BERSERK BUTTON IS PUSHED:
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SEEING SOMEONE THEY DISLIKE:
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tagged by: @wxterbonded tagging: everyone. just take it from me
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buzzfeedwheeze ¡ 7 years ago
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The New Teacher - Shyan AU
CHAPTER 2
Shane watched as Andrew made his way through his second bowl of cereal with milk. Only kids like that, my ass! He was beaming. It just felt so right to sit by his son’s side and enjoy a nice breakfast before leaving for work. Unfortunately, the familiarity of it brought back memories that he wish would’ve stayed buried on the depths of  his mind.
He and Sara used to make pancakes of the new characters of Disney that they had been working on at the studio and Andrew would happily munch at them after pointing out mistakes in anatomy or color. The first time he did it, they were so surprised that they thought they had hurt his feelings and perhaps shut down their child, but the next time they tried to subtly make him comment it worked out fine. It should’ve been expected, after all, he was their kid and art was always a big part of their lives so it obviously would attract little Andrew. Shane remembered when they had just adopted Andrew, they were trying to figure out how to make the small 8 year-old interact with them so Sara suggested painting palm trees’ leaves on the living room wall and Andrew sat on the floor and started to make small coconuts. Even though it was sort of painful to revisit the memories, he would always have a fond smile as the mental image of a smaller Andrew with his brows furrowed as he mixed the colors to get the perfect green popped in his mind.
He sighed.
There was no use trying to hold back those memories. Watching Andrew eating his cereal while simultaneously trying to tweet just reminded him other mornings. After Andrew’s second day in high school, he wouldn’t shut up during breakfast about the art class and how the other students loved his style and of course, it was when he met the transfer student from Malaysia, Steven Lim, who even asked to keep one of his drawings.
“Dad, are you in there?” Andrew was waving a hand in front of him. “Earth to dad!”
Shane gave him a tiny nod and went back to staring at his now cold pancakes and coffee. Andrew’s voice was weak when he asked. “Are you thinking about mom again? It’s just that you have that look…”
This time Shane actually made an effort and fought back the urge to hide his emotions from the world. “I… No. Not really. Not now.” he pinched the bridge of his nose. “I wasn’t thinking about her per se and I’m definitely not in love with her anymore, kiddo. I know you might think that I am..”
“It’s not that dad…” Shane made a gesture to stop him.
“It’s just hard to sort of filter my memories. Most of my happy memories with or without you are full of your mom’s presence and it’s tough to get over the fact that I was the happiest when we were together, probably the happiest I’ll ever be. I don’t think I can find someone that will make me feel like that again.” Andrew was looking at him with a concerned expression. “No! It’s not that I am unhappy. I mean, I have you! Andrew, you are the one thing in life that matters, the one thing that makes me wake up in the morning and actually thank god that I’m alive. For you being the way that you are, I’ll forever be grateful. I still can’t believe you chose us, that you chose me.”
“Dad, cut the sentimental crap!” he shouted, but he was visibly taken aback by his dad’s declaration. “You’ll find someone better for you, someone that deserves you. You and mom were okay, but okay doesn’t mean right, you get it?”
“So…” Shane didn’t want to discuss this any further, so he did what he was good at. He changed the focus of the conversation and with a teasing smile playing on his lips he continued. “Are you and Steven right, right?”
“Ugh, you are insufferable!” he snapped as he got up and stormed off to his room, leaving a very amused Shane and his very dirty bowl to be cleaned. As Shane washed the bowl he allowed himself to wonder if maybe his son was right. What if there is someone waiting for me? Nah, that’s bullshit.
XxXxXxXxX
“Have a great day, kiddo!” Shane handed Andrew his backpack and leaned on the side of the car. “Remember to give that Bergara dude hell.”
Andrew rolled his eyes and managed to give his dad a nod before turning around and going in the direction of Steven, who waved at Shane with as much energy as puppy. He watched them holding hands and disappearing inside the school building. It was the perfect image to have in his mind before jumping inside his car and going back to his eight hour shift at the Disney Studio where he would be trying keep sanity as he worked on a new animation project. But life had other plans. As he was about to turn away he noticed a cool Jeep pulling over at the teacher’s parking lot. Shane gritted his teeth as he saw the small guy hopping off the car.
Begara noticed him and as he walked in the direction of the school staring at Shane the whole time in what was supposed to be a menacing way. The staring match didn’t last much since when Ryan was about to climb the stairs to the building he tripped on his own foot and fell. Shane’s laughed was the only thing heard on the area. The other man quickly got up and stuck his middle finger to Shane which would’ve been offensive if he wasn’t blushing like a small kid. Shane chuckled again when he heard the main door of school being slammed.
“What a lovely day.” he said between giggles.
When Shane arrived at the studio there was, indeed, a pile of things to be done, but he was on such a big mood that he actually started to whistle some Disney songs. He turned his computer on and started to work on the animation, trying to make everything in sync and all the transitions smooth to facilitate the job of the Keith, the dude responsible for checking his progress and corrected small details.
The morning passed really fast. So fast Shane didn’t notice it was time to have his lunch break and got startled when Eugene touched his shoulder.
“Jesus, Madej. It’s break time. Stop working.”
Shane got up from his chair and stretched his body, lazily. He pocketed his phone and wallet and was about to leave when he decided to go back and take his sketchbook too. Today he was feeling creative. He decided to go to the Subway near the studio where he wouldn’t have to socialize with his co-workers and where people wouldn’t be asking questions about his doodles.
The place was almost empty, there was only a family of tourists with their ridiculously big Mickey Mouse Ears hats and faces full of sunscreen. Shane ordered a sandwich and chose a more reserved booth. He settled the sketchbook on the table and picked his favorite pencil, which was really small and was completely dented from falls and nervous teeth biting into it.
He gave a tentative bite on the sandwich and moaned slightly as he tasted the unique artificial flavors that only a fast-food chain restaurant could have. No wonder everyone called him a raccoon, he’d consider almost any food delicious. Or at least edible.
Shane started to sketch and after eating half of the food and finishing the face he realized he had drawn the fucking crazy teacher. Ryan Bergara. He ripped the page off and crunched the paper. Why would he draw that guy? He decided to keep the drawing though. It was fine art. So he got the little ball of paper and placed it on his jacket’s pocket.
There was still some time left before he had to go back to work, so he decided to get a nice ice cream cone. Shane bought one with two flavors ,vanilla and cookie though, of Mr. Tinsley a cool older guy that used to work as a detective or something like that in the 70s. Since it wasn’t a hot day, but the sun wouldn’t help the case of his ice cream, he found a nice bench underneath a tree.
He got his phone out and began to browse through Instagram. Then he stopped at a new photo of Steven. In the photo Steven was wearing a tinfoil hat, which wasn’t something so unusual, but the caption of the picture was the problem.
“What the fuck!” Shane perked up on the bench and gripped the ice cream cone harder. “‘@ryanbergara lended his cool hat to me, best teacher ever :)’”
It was impossible to ignore the urge to click on the username. In fact, Shane didn’t even try to hold back. He was bombarded by a series of photos of a Mr. Bergara at Disney and Universal Studios, puppies, Lakers and mirror selfies. He sucked in a breath. If the dude wasn’t bat shit crazy he would totally be my type. His bisexual senses were tingling so he decided to close the app. Nope.
I wonder if he has a twitter account? Maybe I could fight him. Shane clicked on the blue icon on his screen and typed bergara and there it was a @ryansbergara. Shane had a devilish smile as he analised the profile. The fucking profile picture was a photo of him wearing a tinfoil hat and his header was a screenshot of the X-files opening. Not surprising at all but that made Shane itchy to annoy the guy. That was practically begging to receive some of the old skeptic treatment that his family perfect through the generations.
Shane Madej - @shalexandej   01:39 PM
@ryansbergara hey dude nice hat. going to teach the kids how to do one… oh wait you already did!
He watched as a notification pop-up appeared on his screen only a few minutes later.
Ryan Bergara - @ryansbergara  01:42 PM
@shalexandej ha ha ha very funny stalker, i didnt teach them that!! i talked about how it is useless and actually applied some scientific concepts [GIF]
Shane Madej - @shalexandej   01:43 PM
@ryansbergara THANK GOD YOU DID THAT but i’ll have you know that i instructed my kid to make your life hell
Ryan Bergara - @ryansbergara  01:45 PM
@shalexandej oh really? Cause he actually helped in class
Shane Madej - @shalexandej   01:45 PM
@ryansbergara [GIF] NOOOOOO NOT MY KID BERGARA YOU ARE A CULT LEADER
Ryan Bergara - @ryansbergara  01:46 PM
@shalexandej hahahahahhahahsahs maybe ;)
Ryan Bergara - @ryansbergara  01:46 PM
@shalexandej i have to go prepare for my next class, see ya stalker [GIF]
Shane was about to reply when he receiver another type of notification. Ryan had just followed him. Well Bergara, this might be your downfall. He clicked on the follow button and he unconsciously knew how big of mistake that decision was.
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velkynkarma ¡ 7 years ago
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Get to Know the Author
@bosstoaster has been tagging me all night :P
1. How did you come up with your username and what does it mean?
I’ve had the name ‘Karma’ for about 17 years now? I don’t even remember where it came from. The ‘Velkyn’ got added a little over 10 years ago when I decided I wanted to get back into fic writing. But I was still in that phase where you think you’re supposed to ‘grow out’ of fandoms and writing fanfiction, so I didn’t want any of my friends to know I was doing it. I was embarrassed. It was silly. I picked a different handle, VelkynKarma, which actually means ‘hidden Karma.’ Later I just liked the name and also got over my embarrassment for fic writing and just started using it everywhere.
2. Which fanfic of yours has the most feedback? (bookmarks/subscriptions/hits/kudos).
No matter what statistic you look at, Routine Maintenance wins across the board by a large margin. Parasite Knight only has 1 less subscription, though, so I guess it’s a fair contender on subs.
3. What is your AO3 profile icon, and why did you choose it?
Same as my tumblr icon, it’s one of my OC’s, Morrigu Lovel. He is a little smartass and I love him.
4. Do you have any regular/favourite commenters?
Oh for sure, there’s a few lovely readers that come back every time and always have something to say. I love you guys :) And a few others that don’t comment on every chapter or every work, but the comments they leave are always phenomenal and make my day.
5. Is there a fanfic that you keep going back to read again and again?
Depends on my mood, and I don’t necessarily read the entire fic, just the paragraphs/scenes/chapters that really stick out to me. But yeah, I’ve got some favorites I return to a lot.
6. How many stories are you subscribed to? How many do you have bookmarked?
Oh geez. This one’s hard to say since I watch stuff on AO3 and FF.net. A lot? I think a lot of those fics are dead now though.
7. Which AU do you find yourself writing the most?
Mmmm I don’t really have a tendency to stick to any particular series or AU for very long? I guess in terms of general themes I’ve done zombie AU’s the most, between Age of Heroes for Young Justice and Road Trip to End Times for Voltron...something about zombie apocalypse scenarios just fascinates me, especially since it can be done so many different ways.
8. How many people are subscribed and bookmarked to you in total? (you can view this on the stats page)
252 user subs, 444 work subs, 2039 bookmarks. I didn’t even know that until now, huh
9. Is there something you’d like to write about but are afraid of people judging you for it? (Feeling brave? If so, share it!)
There’s some character interactions that are such hot-button topics in the VLD fandom I’m cautious about approaching them because I don’t want to deal with people complaining or begging for things to get escalated. Like, I love Keith and Lance’s interactions in canon, but don’t have much fic centered around them because ship lashback is real.
10. Is there anything you would like to be better at? Writing certain scenes or genres, replying to comments, updating better, etc.
Short fic. What is brevity even? I can’t do zines or commissions because I can’t figure out how to manage a damn word count.
11. Do you write rarepairs or popular ships more often?
Nope! I don’t write any ships at all. I just write platonic interaction. Though I guess I wouldn’t be adverse to a platonic ‘rarepair’ as long as I liked the characters’ interaction potential.
12. How many stories have you posted on AO3 to this day (finished and unfinished)?
So far, 25. 23 of those are Voltron, 1 is Young Justice, and 1 is Supernatural (experimenting with cross-posting on both of those last two, some fandoms are just hard to break into or not on certain sites).
13. How many stories do you have saved in/with your writing program?
Oh boy. In progress? I wanna say 3. Notes? A lot, lot more.
14. Do you write down story ideas, or just keep them in your head?
I jot down notes! Or email myself ideas if I’m at work/out and about. Or speak them into a little portable digital tape recorder I keep next to my bed, if it’s the middle of the night and I have an idea, but lack dexterity to type.
15. Have you ever co-authored a story?
Not in a long, looong time.
16. How did you discover AO3?
Through TVTropes. Every time I finished a new series I’d swing by to read tropes pages and see if there were any decent fic recs. At first they all went to Fanfiction.net or livejournal but, over time, this ‘Archive’ thing kept showing up. I made an account to lurk or subscribe to things but didn’t actually start posting to it until at least a year later.
17. Do you consider yourself to be a popular or famous author in your fandom(s) on AO3?
Moderately well known in the platonic corner of it probably assuming people know bosstoaster and I are not actually the same person lol but probably not well known outside of that. Once upon a time I was a Big Name in the One Piece fandom, but after the timeskip I fell out of the fandom and lost my pirate king throne. That’s okay, it was fun while it lasted.
18. Do you have a nickname or fandom name for your readers?
No but you all are too kind
19. Was there an author who inspired or encouraged you to write?
In terms of ‘official’ authors, Brandon Sanderson is everything I ever aspire to be as a writer, and I take a lot of inspiration from that. For fic? My buddy BlackFriar was super helpful during the Young Justice era. More recently in the VLD fandom, @maychorian was big for just...getting me to stay in the fandom at all? One of her fics got me hooked and I stuck around, and then felt compelled to write, instead of just drifting off to the next interesting thing. And the Think Tank ( @bosstoaster @butteredonions @ashinan @mumblefox ) have all been huge for getting me to keep writing, between writing sprints and interesting discussions and a lot of encouragement, so that’s been huge for me this past year.
20. What writing advice would you give to a beginning author?
At the risk of sounding like that one video...just do it. It’s scary to put yourself out there, but just do it. You learn by doing. You also learn by absorbing new things around you, so read a lot and try new stuff; you never know when something completely random or a personal experience might actually add a lot to your story. And finally, write for you, first. Write the stories you want to see. Writing for comments/bookmarks/reblogs only goes so far. It means your motivation is reliant solely on people liking your work, which means you start writing for other people and not for yourself...and if reception is lackluster, it can kill your ability to finish a project, which hurts your practice at follow-through. It’s a slippery slope and starts to make the whole thing a lot less fun and a lot more of a chore. Write things you want to read, and if you feel like sharing them after, other people might like them too, but it’s important that you like it, first.
21. Do you plot out your stories, or do you just figure it out as you go?
Has to be plotted completely. If I try to wing it I meander or get hung up on trying to keep track of details. Turns into total garbage.
22. Have you ever gotten a bad comment on a story? If so, what did you do?
A few times, sure. Happens to everyone. Most often, it’s people begging, demanding, or insinuating that my platonic fics should include a ship, especially if the fic focuses on the interactions of two specific characters. Those are very frustrating because I’m always upfront about the fic being friendship only, and there are usually a million other ship fics already out there. Leave my platonic fic alone! I usually ignore the comments, or just politely remind people it’s friendship only and will remain that way. In one bewildering instance in a different fandom I had somebody who had been thoroughly enjoying the fic up until the climactic battle, whereupon they were furious at how it was resolved, and took great pains to tell me just what they thought. That one stung. I had to sit on it for a few days before I worked up the nerve to respond, and chatted with a few friends over it too. In the end I realized that it was more comparable to a fan really enjoying a canon work but being mad about a sudden twist that just didn’t seem right to them. It happens. I thanked them for reading, explained that I disagreed with their comments but did hear them, and thanked them for their time. Best I could do.
23. Is there a certain type of scene that you have a hard time writing? (action, smut, etc..)
I am straight-up incapable of romance, period. Even so far as to slide into ‘fake’ romance (I once got prompted for fake marriage/dating and literally couldn’t envision how to do it? It’s just so foreign to me). Or flirting. I can’t even identify flirting IRL. Basically anything in that general area of writing is completely out of my league. I can write intense scenes that are intimate in non-romantic, non-sexual ways, but those are really difficult for me to do too and I’m constantly second-guessing myself in case it’s maybe too much.
24. What story(s) are you working on now?
If I told you I’d have to kill you. But no, srsly, I don’t like to share ideas in progress until it’s almost done, just in case. Sometimes I share and then immediately lose interest, but I’ve already raised peoples’ hopes, and that’s just a dick move.
25. Do you plan your next project(s) before you finish your current ongoing story(s)?
I’ll have outlines, or sometimes need to plan around prompts. I don’t usually do series, so I never really need to plan too far ahead though. Sometimes if I’m plotting a crossover/AU I’ll obtain the source material and read/watch/play it to start gathering notes for that fic while working on a different fic, so that by the time I’m done writing the current story, the AU’s skeleton is plotted out and I have a place to slot in all the characters.
26. Do you have a daily writing goal set for yourself?
No. I’ve gotten better habits since working with the Think Tank but I still tend to be more of a ‘burst’ writer (no activity for days or weeks, and then suddenly word vomiting 100K in a month).
27. Do you think you’ve improved as a writer since you first started?
By a HUGE margin
28. What is your favorite story that you’ve written?
Oooh, that’s a toss-up between Phantasmagoria and Prince of Memory. The former because I love writing horror and it’s an idea I’d wanted to tackle for a while. The latter because it was a personal writing challenge to myself that I honestly wasn’t sure was going to go over all that well, but the response was stunning, and I was quietly surprised.
29. What is your least favorite story that you’ve written?
Caged Bird, from a different fandom. I make it a personal rule to never delete stories that I’ve posted, but ooh man, I wanted to get rid of this one really bad. I was happy when LJ gutted it. I actually don’t have any real dislike for any of my Voltron stuff.
30. Where do you see yourself (as a writer) in 5 years?
Still writing because I’d die if I stopped. Like a shark. But with writing.
31. What is the easiest thing about writing?
That flash of inspiration, when you get an idea and suddenly it’s building itself almost too fast for you to keep up. Dialogue. Action sequences.
32. What is the hardest thing about writing?
Getting started. Titles. Editing. Research. Any particularly emotional moment.
33. Why do you write?
Because fandoms are fun but I have so many questions after. “What if X happened? What if Y was a factor? Why not Z?” I try to hunt down answers to these questions in fandoms and if the fic isn’t already written, I write it. Also to challenge myself to do things that haven’t been done in the fandom yet, or to tackle things I haven’t tried yet.
I think everyone’s been tagged already so...feel free to play if you want, I guess!
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courage-a-word-of-justice ¡ 5 years ago
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Sacred Beasts 2 | Astra 2 - 3 | Given 1 - 2 | DanMachi II 1 | Demon Slayer 15 - 16 | Dr Stone 2 | Fruits Basket 14 | Cop Craft 2 - 3
Rolling out the tags soon.
Sacred Beasts 2
“Sissy” always pissed me off as a nickname for your sister. It’s clearly meant as a term of endearment in some cases, but it also is the equivalent of “wuss”, y’know???
I’ve seen mushroom soup out of a tin…that don’t look like mushroom soup in that case.
Uh, random question…she has th same surname as Will, but is Schaal herself adopted???
Y’should’ve followed Hank, Nancy…(is her name Nancy or Schaal? Schaal is her middle name, yet she seems more commonly referred to as Schaal…hmm.)
*sees synopsis* - No one mentioned Nancy’s hometown was called Livletwood Village…
I pause my shows a lot to get down these notes…then Crunchyroll or my internet (or both!) cursed me with regular buffering (that can sometimes play video and subs through it, but generally sets down a few seconds after unpausing and lasts for a minute) and made it a pain in the butt to make these notes. But you do realise I basically have notes for almost every show I’ve ever watched under this system? These notes are special to me, which is why I put up with the buffering. It also means impactful scenes lose their impact, meaning well-paced shows get favoured in my picking process on CR these days.
Astra 2
Yup, the 2nd time we talk about how to scavenge for food this season – gotta remember this…in case I ever get into a situation like that. You never know! (creates “The More You Know” star with hands)
I-awwwwwww…I never thought I’d see the day where the Luca Javelin would get animated, much less Astra as a series. Dang, is this a dream???
Eyyyyy. Nothing like endangering your little sister to really understand why you love her…much less understand that you love her in the first place. (partially sarcastic)
Given 1
This is my second rodeo with BL anime (I’ve only read one BL manga and it was pretty darn mediocre, but the one BL game I tried was okay)…hopefully it’s good.
Was there the ticking of a clock in the background???
…and cut to OP. Yay! I can predict when the OP happens now…(It only took me years of training…okay, I’m kidding.)
I think this OP is like a music video…and I think that’s the point.
Kaji??? Is this Eva (LOL)?
I’m no band person – I was merely a solo pianist in my time with music, although notably I did have to sing for one of the musical pieces – but “Thom Yorke” and “Keith Richards” sound familiar. Why???...Okay, so it seems Thom Yorke is part of Radiohead and Keith Richards is part of the Rolling Stones. I’m familiar with those bands by name, at least.
Lemme guess…this guy (Ritsuka) sucks at improv.
I had to go back and find out what Yayoi said a few lines ago…and  love her already because she’s like “You suck”…she’s just like me, to be honest.
Early husbando predictions say Haruki is my dude of the season.
Seeing manly dudes act like blushing schoolgirls is great…!
Yushiro-who???...Okay, Yushiro Ishihara is apparently that’s a singer that’s already passed away, but has a bit of a rep behind him.
Is it just me, or is Ritsuka basically a lesser Bakugo…?
Come to think of it, it would be hard for me to teach someone piano now that I haven’t properly played since the end of 2014…almost 5 years. Geesh, that’s a long time.
Welp, that was…actually pretty good. The only thing that sucks is that this ED isn’t rock, to go with the rest of the show.
DanMachi II 1
Another counterintuitive name for a sequel anime season…this is my last premiere before I wrap them up, or at least until Machikado Mazoku (or whatever) land on CR.
…and of course, it’s back to Big Boobies (aka Hestia). She’s probably the worst part of the show for me.
Why does Bell need an advisor anyway…? I never thought about it when watching s1.
Who’s this Naza-sama, anyway…?...Okay, it seems she’s a doctor from the Miach Familia. I don’t remember her from s1, really.
I’ve forgotten who Asfi is as well…Oh yeah, that blue-haired woman from the Hermes Famlia. Hermes seems like a bit of a loose cannon – the sort who wouldn’t have a Familia if given the chance – though.
I think we saw Freya in s1…just scheming behind the scenes…
Hermes looks like a sleazebag half the time he’s on screen…
I forgot how much I loved Miach’s character design in s1...and to a lesser extent, Takemikazuchi.
Demon Slayer 15
…Zenitsu is annoying again.
I didn’t think Tanjiro was scared of anything…excpt maybe losing Nezuko again.
Oh! I just realised Natagumo has a hint in its name…The “gumo” can be read “kumo”…as in cloud or spider, but it’s given with the kanji for spider so it can only be a spider-related problem on Mt Natagumo.
I’d hate to have Smellovision on this show…(What’s Smellovision, you ask??? Here, read up on it…at least, I was thinking of the Google variant, so read up on the Google version.)
Ukogi appears to be a type of plant known as eleutherococcus and ukogi rice is rice with ukogi leaves.
Dr Stone 2
Episode 3’s title is like “Weapons…of SCIENCE! *cue Bill Nye the Science Guy theme song*”
Ooh, nice angle! (on Senku and petrified!Yuzuriha being protected by Taiju…and not just because Yuzuriha’s butt is showing…)
“You can eat lion?” – No duh, Taiju!
“I want to give thanks to the circle of life…” – Sorry, but can I interrupt with a meme here? *cue ululations that ae meant to imitate the iconic song from The Lion King, y’know, the one that goes “Ahhhhhhh zee bun yah… (etc.)”*
Tsukasa’s frickin’ tall, man! Look at him tower over Taiju and Senku…
Having read the manga before, I just realised Tsukasa is mighty suspicious when he says Senku could be able to rebuild civilisation from scratch. That was harder to recognise in manga format though, I think.
I also didn’t realise, but the shell tale is talking about Tsukasa! Hmm…interesting.
Dr Stone’s ED…never in my life did I think it was going to be a rap song. Unless, of course, it’s a science rap…(There’s hydrogen and helium and lithium, berrylium…uh, I don’t remember the words after that…)
Oh, that next-ep font takes me back…it reminds me of the 90s, where terrible WordArt font like that was everywhere and I had to get by on Lucida Calligraphy.
Fruits Basket 14
Oh, crab meat…these CGI cars look absolutely terrible…
Pay attention to the relationship between Kyo and Kyoko…you people who don’t know about manga!Furuba are in for a real revelation on that front.
Wow, the effects on the flowers are really pretty for the ED…
Cop Craft 2
That OP is just so good…*swoon*
Well…they spelt “Unknown” wrong…on Kei’s phone.
Hmm…I think the insert song was in English.
Astra 3
Oh…something didn’t make sense. It turns out the word the subber is using is “attitude” when it should actually be altitude…
Given 2
Ooh, Haruki does coffee in the OP! I didn’t notice that, since I had to skip it…there’s some kinda suckish buffering on CR, which is why I have to skip as much as I can.
Welp, I’m a pianist. I’m as clueless as any other non-guitar player when it comes to guitars, so I don’t mind the lesson but also don’t need it.
Given this is a BL/yaoi (no pun intended), I think Akihiko and Haruki should pair up…but maybe I’m just going nuts with the shipper glasses here.
“You’re going to have to do something about that soon.”
Aye…I relate, Mafuyu. When you’re younger, you can beg your parents for money, but equipment, books etc. really costs some hard cash. I remember having to go to Hong Kong to find a pearl pink metronome on the cheap…the poor thing isn’t getting much use now. (But still, I think the more I watch and see Haruki in action, the more I like him. Not necessarily as a husbando, but more in the sense of that one cool dude you gravitate towards.)
It randomly cut to Salon Harusame…don’t tell me this is how Haruki gets his money???
I think the comment that said “lolol” actually had 超 in front of it, so that would be “super lololol” or, in my personal way of saying it, “major lololol”.
Oh, so that’s what was in the OP!
I swear Uesama (LOL) should just get a job as a guitar tutor to little kids…well, that would work if he were in college/uni, maybe.
Hey, a girl! Didn’t expect one in a BL work…(LOL, my standards are so low for BL/yaoi, eh?)
Hmm…I get the feeling amateurs get their hands on acoustic models instead. I know a guitar player, y’know (although again, that doesn’t mean I know the first thing about playing a guitar).
I love how the show turned green all of a sudden. The colours match the mood, basically.
Demon Slayer 16  
This episode’s titlecard only has a wave pattern…I probably know what the pattern is called, but I’ve…probably forgotten that name.
Hey, a Demon Slayer girl! (My standards seem to have been lowered in regards to seeing gals in leading or even supporting roles…It’s more acceptable for Demon Slayer, given its historical setting, but still, how sad it is to not see many girls…)
(TW: abuse) Why…for some reason, this feels like an abusive household, specifically where the father does evil things to the mother…but this time, the son’s part of the problem.
I find it funny Zenitsu just calls Inosuke “Wild Boar”. To be fair though, I don’t think Inosuke introduced himself to Zenitsu, way back when they were meant to.
This scene where Zenitsu is crying and has his back turned to the “camera”…they clearly used a CGI model for him.
It’s a BODY! Holy s(BLEEP)!
“Chu-Chu chuuuuun!” Oh my glob, Ukogi is so adorable~!
Hey…where was Ukogi hiding before he chose to come out again?
Another CGI model when Zenitsu walks away from the camera. It’s so dark, nobody can see Ukogi…I don’t think he has a CGI model and that’s good.
I had a weird thought, but…I think Tanjiro would be a good breakdancer, if he were living in 2019.
Inosuke, you did it! But I wonder if those stats are correct and Inosuke’s going to call his name properly at climactic moments…?
Cop Craft 3
Brother Kenny…you’re just lewd.
“…O or V or A.” – Aside from OVAs, hmm…O would be (CENSORED), V I don’t know about and A…I don’t know either, but I guess it’s (CENSORED).
Kei Manoba (sic).
Doreany seems to be humanity…Did they already introduce that? I forget.
This show looks pretty bad, but the story makes the stay worth it.
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dancewithmeplano ¡ 7 years ago
Text
The 20 best Dancing music Movies of all time
From pioneers like Daft Punk and the Chemical Brothers to modern day YouTube-breakers like Important Lazer and M.I.A., electronic audio boasts plenty of visionaries willing to pour a great deal of love (and funding) to bringing their songs  to life.   Here, we have counted down 20 more of the very best dance videos ever — did your favorite make the clip?
Read More
#20 Major Lazer –‘Pon De Floor’
Back in ’09 Big Lazer constituted of just Diplo and Switch, also Pon De Floor has been the single that introduced them into the world. In those days, Caribbean sounds   took center stage in the pair’s music — that was way before Diplo could begin calling on pop’s fine for toplines — therefore it made sense that the movie to their breakthrough hit was an ode into Jamaica’s dance style-of-the-moment: daggering.
The next calendar year, as a competitive fondness for the movement left a spate of broken penises in its aftermath, the Jamaican government would crack down on daggering by exposing all videos using “blatantly sexual content” out of television. The Pon De Floor clip stands as a bright, brash and odd reminder of that quite wonderful moment ever. (Fun fact: it was led by Eric Warheim of Tim & Eric celebrity.) [Katie Cunningham]
#19 The xx –‘Islands’
The xx’s self-titled debut album introduced us into a group that has been unshowy in each way. In the restraint of these songs to the extreme shyness of their early live shows, these Londoners weren’t going to provide us bombastic music videos.
It’s unsurprising, then, that the clip for Islands stands out of this list for its striking simplicity. The xx members attribute at center stage, however the focus is squarely on the dancers who move them around in an unbroken loop. The repeating sequence feels perfectly suited to the dreamy depression of the vocals, demonstrating you only require a single room and a wise conceit to create a captivating video.
There’s an additional bonus here also: viewing Jamie xx, who might still be the band’s shyest member despite his impressive solo victory, attempting to look invisible at the close of the couch. We visit you, Jamie. [Jack Tregoning]
#18 Avalanches –‘Frontier Psychiatrist’
What an unenviable job it must have been to attempt to build a visual variant of what you hear from an Avalanches song. The Melbourne group — who built their iconic debut album on samples, pinched from countless disparate sources — have been already collages inside themselves. How can you even start to place that right into a music video?
For Frontier Psychatrist American directors Tom Kuntz and Mike Maguire (who would go on to do those Old Spice advertisements) approached their job with the identical spirit of playfulness the Avalanches sewed to the song, assembling a variety behave filled with oddballs and right-fitting misfits that bring each little piece of the puzzle to everyday life. See it, remember why you loved it and try not to grin. [Dave Ruby Howe]
#17 Chemical Brothers –‘Elektrobank’
Spike Jonze — among those masters of ’90s audio movie with his crazy, cartoonish style — played it right for once for this improbably moving clip, essentially a brief film starring Sofia Coppola, fellow manager (Lost in Translation) and Jonze’s potential ex-wife.
Coppola plays with a gymnast who copes with private turmoil at a huge contest. The graceful performance (comprising a pro gymnast dual) is a lovely contrast to the Chemicals’ pulverising defeats and squelching sound, featuring The Prodigy’s Keith Murray. Much like Fatboy Slim’s Weapon of Choice, what makes the clip memorable is its sincerity — no understanding satirical winks; it lets the beauty of the gymnastics function what they are. And also the melodrama is performed to the hilt; it might be an ’80s afterschool special.   [Jim Poe]
#16 Important Lazer & DJ Snake –‘Lean On’
1,535,399,281: that’s how many YouTube perspectives the movie for Lean On had last time we checked. That’s 1.5 billion eyes on Major Lazer’s handiwork, along with a figure equivalent to over 20-percent of the planet’s inhabitants.   Those numbers alone would probably make Lean On a reference in this record, but the viewcount isn’t all that’s important   about Diplo’s most prosperous minute  so far.
Read More
In addition to being a great deal of fun, Lean On is significant because it demonstrated that dance fans   want to watch their own artists in music  videos — could it have been such a runaway victory if Diplo, Jillionaire, Walshy Fire, DJ Snake and MØ weren’t at the movie, cutting shapes in their mix of sportswear and Bollywood finery? Or in an even larger question,  would   Lean On have become the funniest tune of the year with this movie? [Katie Cunningham]
 #15 Justice –‘Anxiety’
There couldn’t have been a much better candidate to translate the frenzied, competitive seriousness of Justice’s Anxiety to movie than incendiary French manager Roman Gavras.
Read More
Conceived when the French electro duo were at the height of their powers in 2008 as “a clip unairable on television for a course unairable on the radio” Gavras’ no-holds-barred depiction of a day in the life span of wayward French youths triggering forecasts of racial profiling and fetishising violence in the aftermath of the 2005 Paris riots. Wayward is a barely fitting description though, the themes of Anxiety stem the outlying suburbs/banlieues of Paris enacting casual ultra-violence and civil destruction where they go, all backed by the menacing whir of Justice’s creation.
Speaking to Flux on the controversy which the audio video created upon its release, Gavras appeared to relish his status as a provocateur — two decades ahead of the ginger genocide of M.I.A’s Born Free clip. “For a couple of months, I was among the most hated men in France, but it was fun. It was astonishing free promo…that you can only get that much media if you have intercourse with kids.” [Dave Ruby Howe]
#14 Huge Strike –‘Teardrop’
London filmmaker Walter Stern made his name working with The Prodigy in the 90s, when he helmed their inflammatory videos for Firestarter and Breathe. These credentials created Stern a somewhat unexpected option, subsequently, to choose one of Massive Attack’s most delicate songs.
The Bristol collective recruited Stern to deliver his arresting visual style for their 1998 single Teardrop, which Robert ‘3D’ Del Naja described as a “moment of light relief” in their brooding third album Mezzanine. It was Stern’s idea to coincide with the song’s dreamy atmosphere with shots inside a womb, as an individual fetus lip-synchs and also Elizabeth Fraser’s vocals.
The concept sounds unnerving on paper, but the extreme closeups create a strangely meditative mood that’s fantastic for Teardrop. In addition, it helps that the unborn baby is so obviously an animatronic version made from silicon rather than, you know, the true thing. The movie won a series of awards, also entered a life of permanent Rage spinning and also gave Stern a much-needed reprieve from filming mad Keith Flint. [Jack Tregoning]
#13 The Prodigy –‘Firestarter’
Even though most of dance music’s greatest stars seem painfully embarrassing on camera, The Prodigy were constructed for videos. The theatrical personas of both Maxim and Keith Flint were created for electrical onscreen performances, with perhaps the most populous of all occurring within the scummy ‘gator-infested flat of Breathe.
While other videos prompted more warmth for The Prodigy, there’s something starkly powerful concerning the Firestarter clip. Director Walter Stern shot the shameful action within a deserted London Underground tunnel, with Keith because the central star. The frontman’s unhinged shtick was at its most persuasive in the mid-90s, and he actually dialed it up here, holding the focus with his hectic charisma. Firestarter is really so much that the Keith Flint Show, in reality, that the involvement of Liam Howlett, Leeroy Thornhill and Maxim is limited to running at the shadows and giving quizzical looks.
The movie did figure out how to wake up controversy in the UK for giving children nightmares, with some TV channels carrying it off day rotation. Without doubt The Prodigy also discouraged a couple of people from adventuring through abandoned railway tunnels through the night. Nobody would like to fulfill a dance Keith Flint in the dark. [Jack Tregoning]
#12 Duck Sauce –‘Big Bad Wolf’
“It’s no Windowlicker,” the manager behind Big Bad Wolf defended when Rolling Stone proceeded in on 2011’s most head-turning movie. “This was disturbing.”
Duck Sauce’s most memorable clip might not be Aphex Twin-level weird, but it sure will push the envelope. In order to produce their movie tour de force, collaborators A-Trak and Armand Van Helden spent two days in their own hands and knees at green display jumpsuits, heads in the crotches of different guys. Lots of impressive post-production later and they came away with a classic boy-meets-girl story, only with some — err —unconventional sexual acts.
For the very best assessment of why Big Bad Wolf wants to go down with the greats, render it Kanye West: “You took a danger as an artist to piss from your mouth,” he allegedly told A-Trak over email. [Katie Cunningham]
#11 M.I.A. –‘Bad Girls’
When M.I.A. connected up with manager Romain Gavras to make a movie for her 2010 song Born Free, the collaborators created an incendiary short film. Over nine intense minutes, we watch a violent raid of an apartment block, with the officers targeting only residents with red hair. It was a provocative political statement, using redheads as a stand-in for oppressed and vilified groups, and both M.I.A. and Gavras recognized the consequent controversy.
Read More
After the singer and filmmaker worked in 2012 on Bad Girls, they chose a much more celebratory tone. Mesmerised by YouTube videos of “Saudis drifting on two wheels” in the desert, they moved to Morocco to give it a try. The end result is bright, daring and bad-ass. On its release, Bad Girls sparked debate regarding its subversion of Arab stereotypes, while also delivering the visceral pleasure of M.I.A. cruising out the window of a car that’s practically airborne. Not a lot of pop videos combine style and material similar to this one. [Jack Tregoning]
CLICK THROUGH FOR THE TOP 10
The article The 20 greatest dance music videos ever appeared first on inthemix.
The post
The 20 best Dancing music Movies of all time
appeared first on dance withme plano.
from dance withme plano http://www.dancewithmeplano.com/the-20-best-dancing-music-movies-of-all-time/
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reviverradio ¡ 7 years ago
Text
The 20 best Dancing Songs Movies of all time
From pioneers like Daft Punk and the Chemical Brothers to modern-day YouTube-breakers like Important Lazer and M.I.A., electronic music boasts lots of visionaries keen to pour a good deal of love (and budget) into bringing their music   to life.   Here, we have counted down 20 more of the ideal dance movies ever — did your favourite make the cut?
Read More
Number20 Big Lazer –‘Pon De Floor’
Back in ’09 Big Lazer constituted of only Diplo and Switch, and Pon De Floor has been the single that introduced them into the world. In these days, Caribbean noises  took center stage in the pair’s songs — that was way before Diplo would start calling on pop’s fine for toplines — it made sense that the movie to their breakthrough hit was an ode into Jamaica’s dance style-of-the-moment: daggering.
The following year, within a competitive fondness for its movement left a spate of broken penises in its wake, the Jamaican authorities would crack down on daggering by exposing all movies with “blatantly sexual content” out of television. The Pon De Floor clip stands as a bright, brash and strange reminder of this rather wonderful moment ever. (Interesting fact: it had been led by Eric Warheim of Tim & Eric fame.) [Katie Cunningham]
#19 The xx –‘Islands’
The xx’s self-titled debut album introduced us into some group that has been unshowy in each manner. From the restraint of these songs to the extreme shyness of their early live shows, those Londoners were not going to give us bombastic music movies.
It’s unsurprising, then, that the clip for Islands stands out of this record for its striking simplicity. The xx members feature at center stage, but the focus is squarely on the dancers who move around them in an unbroken loop. The repeating sequence feels perfectly suited to the dreamy depression of the vocals, demonstrating you only need one room and a smart conceit to make a video that is captivating.
There’s an additional bonus here also: watching Jamie xx, who might still be the group’s shyest member despite his impressive solo success, attempting to look invisible at the close of the couch. We view you, Jamie. [Jack Tregoning]
#18 Avalanches –‘Frontier Psychiatrist’
What an unenviable job it must’ve been to try and assemble a visual version of what you hear in an Avalanches song. The Melbourne group — who assembled their iconic debut record on samples, pinched from hundreds of disparate sources — have been already collages in themselves. How can you even start to put that into a music video?
To get Frontier Psychatrist American directors Tom Kuntz and Mike Maguire (who’d go on to do these Old Spice advertisements) approached their job with the same spirit of playfulness that The Avalanches sewed into the tune, assembling a number act stuffed with oddballs and right-fitting misfits that bring each small part of the puzzle to existence. Watch it, recall why you loved it and try not to smile. [Dave Ruby Howe]
Number17 Chemical Brothers –‘Elektrobank’
Spike Jonze — among the masters of ’90s music movie with his wild, cartoonish style — played it straight for once for this improbably moving clip, essentially a short movie starring Sofia Coppola, fellow director (Lost in Translation) and Jonze’s future ex-wife.
Coppola plays a gymnast who copes with personal turmoil at a huge contest. The graceful performance (including a pro gymnast double) is a beautiful contrast to the Compounds’ pulverising beats and squelching sound, including The Prodigy’s Keith Murray. Much like Fatboy Slim’s Weapon of Choice, what gets the clip unforgettable is its sincerity — no understanding satirical winks; it lets the attractiveness of the gymnastics be what they are. And also the melodrama is performed to the hilt; it might be a ’80s afterschool special.   [Jim Poe]
Number16 Important Lazer & DJ Snake –‘Lean On’
1,535,399,281: that is just how many YouTube perspectives the movie for Lean On had last time we checked. That’s 1.5 billion eyes on Major Lazer’s handiwork, along with a figure equal to over 20-percent of the planet’s population.   Those numbers alone could probably make Lean On a reference in this record, but the viewcount is not all that is important   about Diplo’s very prosperous minute  thus far.
Read More
As well as being a great deal of pleasure, Lean On is significant because it proved that dance fans   want to watch their own artists in music  movies — would it have been such a runaway success if Diplo, Jillionaire, Walshy Fire, DJ Snake and MØ weren’t at the movie, cutting shapes in their mixture of sportswear and Bollywood finery? Or in a even bigger question,  could  Lean On have become the undisputed song of the year with this movie? [Katie Cunningham]
 #15 Justice –‘Stress’
There couldn’t have been a much better candidate to interpret the frenzied, aggressive intensity of Justice’s Stress to movie than incendiary French director Roman Gavras.
Read More
Conceived if the French electro duo were in the peak of their powers in 2008 as “a clip unairable on television for a course unairable on the radio” Gavras’ no-holds-barred depiction of a day in the life span of wayward French youths triggering calls of racial profiling and fetishising violence in the wake of the 2005 Paris riots. Wayward is a barely fitting description though, the themes of Stress stalk the outlying suburbs/banlieues of Paris enacting casual ultra-violence and civil destruction where they move, all backed by the ominous whir of Justice’s creation.
Speaking to Flux on the controversy that the music video generated upon its release, Gavras appeared to relish his status as a provocateur — two decades before the ginger genocide of M.I.A’s Born Free clip. “For a couple of months, I had been among the most despised men in France, but it had been enjoyable. It was amazing free promo…that you can only get that much media if you have sex with children.” [Dave Ruby Howe]
#14 Huge Strike –‘Teardrop’
London filmmaker Walter Stern made his name working with The Prodigy at the 90s, when he helmed their inflammatory movies such as Firestarter and Breathe. Those credentials created Stern a somewhat unexpected choice, subsequently, to take on one of Massive Attack’s most fragile songs.
The Bristol collective recruited Stern to bring his arresting visual design to their 1998 single Teardrop, which Robert ‘3D’ Del Naja called a “period of light relief” on their brooding third record Mezzanine. It was Stern’s thought to coordinate with the tune’s dreamy atmosphere with shots inside a uterus, as a human fetus lip-synchs along to Elizabeth Fraser’s vocals.
The concept sounds unnerving on paper, but the extreme closeups produce a strangely meditative mood that is great for both Teardrop. In addition, it helps that the unborn baby is so clearly an animatronic model made of silicon rather than, you know, the actual thing. The movie won a string of awards, entered a lifetime of permanent Rage rotation and also gave Stern a much-needed reprieve from filming mad Keith Flint. [Jack Tregoning]
#13 The Prodigy –‘Firestarter’
While most of dance music’s biggest stars seem painfully embarrassing on camera, The Prodigy were constructed for songs videos. The theatrical personas of Maxim and Keith Flint are created for electrical onscreen performances, with possibly the most overblown of all happening inside the scummy ‘gator-infested flat of Breathe.
Though other videos inspired more heat for The Prodigy, there is something starkly powerful regarding the Firestarter clip. Director Walter Stern took the shameful action inside a deserted London Underground tunnel, with Keith because the central star. The frontman’s unhinged shtick was at its most persuasive in the mid-90s, and he actually dialed it up here, holding the attention with his hectic charisma. Firestarter is so much the Keith Flint Show, in fact, that the participation of Liam Howlett, Leeroy Thornhill and Maxim is restricted to operating at the shadows and giving quizzical looks.
The movie did manage to stir up controversy in britain for giving kids nightmares, with some TV channels carrying it off day rotation. Without a doubt The Prodigy also discouraged a couple of people from adventuring through abandoned railroad tunnels at night. Nobody would like to meet a dancing Keith Flint in the dark. [Jack Tregoning]
#12 Duck Sauce –‘Big Bad Wolf’
“It’s no Windowlicker,” the director behind Big Bad Wolf defended when Rolling Stone went in on 2011’s most head-turning movie. “That was disturbing.”
Duck Sauce’s most memorable clip might not be Aphex Twin-level bizarre, but it sure does push the envelope. To be able to produce their movie tour de force, collaborators A-Trak and Armand Van Helden spent just two weeks on their hands and knees at green screen jumpsuits, heads at the crotches of other men. A good deal of impressive post-production later and they came away with a traditional boy-meets-girl story, only with some — err —unusual sexual acts.
For the ideal assessment of why Big Bad Wolf wants to go down with the greats, render it Kanye West: “You shot a risk as a artist to piss out of your mouth,” he reportedly told A-Trak on email. [Katie Cunningham]
#11 M.I.A. –‘Bad Girls’
When M.I.A. tied up with director Romain Gavras to make a movie for her 2010 tune Born Free, the collaborators came up with an incendiary short movie. Over nine intense moments, we observe a violent raid of an apartment block, and with the officers targeting only residents with red hair. It turned out to be a provocative political statement, using redheads because of stand-in for oppressed and vilified groups, and the two M.I.A. and Gavras recognized the controversy.
Read More
When the singer and filmmaker worked collectively in 2012 on Bad Ladies, they picked a much more celebratory tone. Mesmerised from YouTube movies of “Saudis drifting on two wheels” in the desert, they travelled to Morocco to give it a try. The result is bright, daring and bad-ass. On its release, Bad Girls sparked debate regarding its subversion of Arab stereotypes, while also bringing the visceral thrill of M.I.A. cruising the window out of a vehicle that is nearly airborne. Not a lot of pop movies combine style and substance similar to this one. [Jack Tregoning]
CLICK THROUGH FOR THE TOP 10
The post The 20 best dance songs movies ever appeared initially on inthemix.
from reviverradio http://www.reviverradio.net/the-20-best-dancing-songs-movies-of-all-time/
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theworstbob ¡ 7 years ago
Text
yellin’ at songs: week 32
brief reviews of the songs which debuted on the billboard hot 100 the weeks of 16 august 1997, 18 august 2007, and 19 august 2017
8.16.1997
6) "2 Become 1," by Spice Girls
This is just a '90s R&B song! This song doesn't even have the courtesy to be kitschy! This is completely indistinguishable from the rest of the '90s R&B, breathy whispered vocals about sex. There's no -- "Be a little bit wiser, baby/Put it on/Put it on" -- okay. OKAY. Sure. I guess that's something. If your song has no other value, might as well throw quality actionable advice in there. I hope the next song is some milquetoast R&B beat while people sing lines like "Your stomach takes a while to tell your brain it's full/Don't have that third slice of the ‘za, baby."
51) "All I Want," by 702
Oh hell yeah, I love this. I love that this is a Missy Elliott track, and I also love that this group did the titular song for Pootie Tang. I am way into this. This is a breezy summer jam that hits all the Good '90s R&B buttons.
54) "To Make You Feel My Love," by Billy Joel
this sounds exactly like you think it would sound and is as pleasant to listen to as you think it would be and i'm just gonna bounce after 30 seconds because i get it, i see what he's trying to do here and don't want to stick around to see if he pulls it off
55) "Big Bad Mama," by Foxy Brown ft./Dru Hill
I don't disagree with this! I can't find any way to hook onto this, but I already called one thing a breezy summer jam because I didn't feel like thinking too hard about it, so I'm in a bit of a predicament here. Like, this song is OK. It has a memorable bass line, Foxy Brown's pretty great at her thing, and whichever member of Dru Hill showed up sure did the most singing of anyone in 1997!, but like I can see why we've left this behind. It's fine. No one needed this one unearthed, though. We've found some buried treasures, y'know? This is like finding a buried booklet of commemorative state quarters. Like, neat! But also, not even $15.
83) "Far from Yours," by O.C. ft./Yvette Michele
"I be the Chosen One/Beyond the Moet and Cristal/A son of King and a Queen/Therefore ability/For song run in my genetics/I gave ideas to L. Ron Hubbard to write books on Dianetics" ...Setting aside the major issues I have with this man's rhyme schemes, IS HE TAKING CREDIT FOR SCIENTOLOGY. IS THI -- IS HE SAYING THAT HE IS THE INSPIRATION FOR SCIENTOLOGY. What the fuck kind of boast. He's saying his raps are so powerful they inspired a crazy man to write books about bad science. I am flummoxed by this song. This would have been just another okay song by a rapper who honestly just seems like a normal-ass dude who somehow wandered into a recoriding studio, but HE'S TAKING CREDIT FOR L. RON HUBBARD'S IDEAS. WHAT THE FUCK KIND OF LUNATIC IS THIS MAN.
89) "Tide Is High," by Angelina
Someone went to the store and said, "OH BOY! Another new verson of 'Tide Is High!' I gotta pick up this new interpretation of this song, which is of course someone's favorite song ever because it's MY favorite song ever!" Also none of the back-up dancers in the video looked like they were trying their absolute best. They knew where they were. They knew it didn't matter. They took a few plays off and got that check. I have so much respect for those backup dancers. ROCK TO THE BEAT ROCK ROCK TO THE BEAT, ROCK TO THE BEAT ROCK ROCK TO THE BEAT and so forth
92) "Relax & Party," by Ivory
So I've been sick the past couple days, which is why this post is going up on Wednesday and why there's no Thing Journal for last week (SUNDAY DOUBLE) and real talk why this has been a weak edition of YAS so far, ‘cuz I'll be honest, I'm still in the doldrums. My back hurts, which is a fun side effect of getting sick in your late 20s, I've found. So I'm not. In a mood? Conducive to caring about this song. I'm sure this is OK, but honestly, right now, in this moment in which we find ourselves, me and this song, sharing the same space on this planet, I could not care less about the things it wants to bring to my life. It's a stupid song and doesn't do anything. It just goes on for four minutes. Great. Great! Hey, just release an album of that fucking bass line for fifty minutes, honestly, it's probably your best bet if you want me to at least respect you.
95) "Dancehall Queen," by Beenie Man ft./Chevelle Franklyn
So there are two different versions of the song "Dancehall Queen" that I could find. There is this one, but there is also one released more recently with Lady Sovereign as the featured artist. So I have a few questions about our beautiful ever-expanding dying universe: 1) What did Chevelle Franklyn do to get deposed? 2) Does Chevelle FRanklyn give input into the decisions Lady Sovreign makes? 3) Who gave Beenie Man the powers of coronation? As far as I can tell, he does not proclaim himself the Dancehall King. 4) How often does the Dancehall Queen title change hands? 5) Is there a library that has data on the Dancehall Queen history which I can look up? 6) What are some books on the Dancehall Queen succession which you would recommend? Let me know in the comments! Hit that follow button and LIKE THIS POST!
8.18.2007
28) "Me Love," Sean Kingston
This is like a song you enjoy if you've never enjoyed a song before. If you're someone who appreciates music and attends symphonies and has opinions on concertos, and you're approached with this song, you'll probably use snooty music language to say, "This is a delightful confection!" Or like, if your musical diet consists entirely of Gary Jules' cover of Mad World and songs of that ilk, if the only songs you've been allowed to enjoy in this life are Gary Jules' "Mad World" cover and other songs which could have been selected for the Donnie Darko soundtrack, and you hear this song for the first time, this is probably the most amazing thing you've ever heard. This would sound so revolutionary. But if you've even heard one other fun pop song, you know this is useless.
89) "Free and Easy (Down the Road I Go)," Dierks Bentley
it is good when things are nice! at last, a song that says what none of us are brave to say out loud
90) "All My Friends Say," Luke Bryan
I think a couple months ago I tabbed this as a semi-iconic Luke Bryan song, in the sense that it's a song I hear and immediately attribute to Luke Bryan, which is something I can't do for any Blake Shelton song. But like, this is the song that establishes Luke Bryan's persona -- he's a free-wheelin' sumbitch who's gonna drink too much and try not to drunk-dial any ex-girls. There's personality in this song, a hack and shitty personality, but hey at least he hacked up and/or shitted out an identifiable character. All Blake Shelton's songs are about a man who wishes things would either be better or remain the same, depending on how good they presently are. The song is garbage and Luke Bryan only ever got worse, sure, but it is undeniably a product of Luke Bryan’s particular brand of dunderheaded twanging.
100) "Can U Believe," Robin Thicke
There is a long list of things I need to do with my life. Near the top are items like "only wear a suit at your little sister's wedding," "learn the lttp any% nmg speedrun," and "write a whole good thing," you know, standard stuff, standard life goals, and then there's a million pages of things I will never accomplish. Nowhere on that list was "listen to Robin Thicke tell you that I don't know when someone's watching." I did not need to hear Robin Thicke tell me he was stalking me before I died. I could have learned the Blind script with this time. Maybe this is about God? But it's not even vaguley Christian, he just randomly starts saying you never know when someone's watching, which is only something anyone says WHEN THEY ARE PRESENTLY LOOKING AT YOU THROUGH A TWO-WAY MIRROR. Been a decade of garbage with this man, my gosh.
8.19.2017
(38) "You Da Baddest," by Future ft./Nicki Minaj
Beach Future is such a weird thing to consider. I'm on the record as being pro-Beach Future in general, it's not as random a pivot as the time Lil Wayne picked up the electric guitar and said "OH YEAH! THIS IS A THING!" but it's still hard to get the brain around the idea of Beach Future after, what, three years and roughly 20 albums of morose, despondent Future? All of the Future songs I know are about the nightmare of being Famous and codeine, and now he's dropped two songs that are just, "Yeah, man, chillax! Life's pretty breezy, friends, pull up a chair, let's just enjoy a sunset together!" I'm into it? But it feels like the world is imbalanced right now. Beach Future has completely thrown off my equilibrium and I am Scared.
(68) "Unforgettable," by Thomas Rhett
Ah. Balance! After making a surprisingly hot '80s jam earlier this year, Thomas Rhett just sort of bleats over an acoustic guitar for two and a half bland minutes. This song tries to turn the word "mangorita" into a stirring kick-off to its chorus, and while I recognize the enormity of the task it placed upon itself, that doesn't mean it didn't fail to accomplish its goals. "From your blue jeans to your shoes/Girl, the night was just like you/Unforgettable." I'D NEVER SEEN JEANS JUST THAT BLUE BEFORE. I NEVER EVEN KNEW THEY MADE BLUE JEANS IN THAT PARTICULAR SHADE OF BLUE. WHY, THEY WERE... DARE I SAY? TURQUOISE! ALL HISTORY'S SCULPTORS DEVOTED THEIR LIVES TRYING TO MOLD YOU
(85) "When it Rains it Pours," by Luke Combs
A lot of the reason I don’t mind Rascal Flatts and Keith Urban when we run through 2007 is because, when I was growing up, my mom would only listen to country music, and those artists are the ones I minded the least when we were on the half-hour rides to and from church. I forged deep and lasting connections with the dudes I minded the least of anyone else. This song is definitely "best song on the ride to church" quality. It has a Toby Keith-y sense of humor which is more or less agreeable -- I can't imagine any scenario that a waitress at Hooters is impressed enough by any customer at Hooters to leave their number, but here I am, complaining that my suspension of disbelief in a country song was interrupted -- and it's unique, I haven't heard a lot of "fuck her, she's outta my hair!" songs from dude country artists this year. It’s not “I’m Gonna Miss Her,” but what is? Once again, Luke Combs has made a song that's unique enough that I can appreciate its charm, but not so intriguing that I'm gonna seek him out on my own. I'll give his next album a spin, see if he takes the right lessons to heart, but the one he’s got out now, I think I’m good!
(87) "They Don't Know," by Jason Aldean
"Just another field/Just another farm/No, it's the place we grew up on." Jason Aldean is a multi-millionaire who owns several hundred acres of land in a major metropolitan area nad has the chutzpah to speak for the common man. Fuck this dude and fuck him for this Trump-vote of a song.
(88) "Honest," by The Chainsmokers
hey guys the chainsmokers made a song about how they're sensitive boys who're sad about breakup, wow what a fascinating new look for these cats, truly evolving as artists before our very eyes. see, this is the one where they go "whoa-oh." i don't think they've gone "woah-oh" in a song yet. this is a pony certainly capable of developing a second trick!
(89) "The Weekend," by SZA
"What kind of deal is two days?/I need me at least 'bout for of 'em" is one of the single-saddest lyrics 2017 has produced. This song is so good. SZA in general is so good, but I never had to deal with how good this song is, given how much there is to parse with Ctrl. When's the last time we heard from a side piece's perspective, y'know? When's the last time we heard how a booty call felt about being a booty call? We heard "Booty Call," which was about the act of engaging in a booty call, but we don't know anything about the booty call's wants and desires outside of that moment. I enjoy hearing this perspective on the events, hearing from the girl the '90s R&B dude has to apologize for seeing, because that's a person, too, that's a person who's alive and lives a life of their own. It took us until 2017 to get the side piece's take on things. What were the rest of us doing?
(90) "New Rules," by Dua Lipa
This is really enjoyable. Nothing terribly complex, just a "don't fuck your ex" jam, but it's confidently delivered (I get the sense that Dua Lipa is a much better singer than the current musical trends are going to let her be), and I love the subtle horn drop. Evidently, the producer of this song was also involved with "Bad Liar" and "Now and Later," so I'm getting on the Ian Kirkpatrick train. I approve! Great work, all.
(93) "I Wish I Knew You," by The Revivalists
oh wow fuck everything about this. where did this come from? why am i listening to this? did 13 reasons why drop another season? who wanted this. who wanted another indie band biting the hell out of franz ferdinand. they're not even biting franz ferdinand, they're biting all those bands that were biting from franz ferdinand a few years ago, except they're doing so nakedly, "the revivalists" is code for "we have no original ideas." way to revive 2013, yeah dude, it was so long since i heard the neighbourhood, i'm so happy you're reviving four years ago. also this willy wonka-ass muthafucka's hat is stupid. i'm honestly not sure i'm reacting to the song as much as i am the stupid goddamn hat in the music video. (also: i'm not into this song, despite the presence of a saxophone. i have limits. i'm not gonna go home with just any brass instrument, you guys.) white men ruin everything.
(94) "Every Little Thing," by Carly Pearce
Well, number one, it's a country music song with actual drums, so it's automatically starting with 95 points out of a possible 100. This is dope. "They say time is the only healer/God, I hope that isn't right/'Cause right now I'd die to not remember." Fuck, man. That is heavy. And this is a solidly-produced song, too, there's enough going on that the song feels rich and lived-in, but not so much so that it's distracting, it's definitely in the backseat wearing a seatbelt so the lyrics and what might be the saddest fucking voice in 2017 country music can drive in peace. More from this woman, and more from other women, look how good you are when you let women do things, country music!
(97) "Learn to Let Go," by Kesha
I think this is fine. I'm not as into EDM-lite Kesha as I am Kesha declaring her womanhood backed by a million beautiful horns, but this is fine! Three songs. Three songs is enough distance to start delivering back-handed not-criticisms. But no, like, I wouldn't mind this as the opening track to the album, this sets a tone and opens up the possibility for cooler things to come, but on its own, hey! It's just alright, and that's fine! I'm just glad Kesha's making music, y'know?
(98) "All the Pretty Girls," by Kenny Chesney
this song wasn't even released in 2016, what is it doing here, what, why would, i don't, how did we end up here? what do we hope to accomplish while we're here? did he just say "don't blow my cover on freedom night?" what is freedom night? i don't -- you know what country radio, you batted .400 this week. that's ted williams hype, right there. .400 is better than any of us ever could have anticipated, and i can appreciate that you got things as right as you ever possibly could. please tell me what freedom night is, though.
(99) "For Her," by Chris Lane
...adjust that number down to .333. i'm sorry. i saw the haircut and assumed edm, which you'll agree is a fair assumption to make. this dude sucks. he is trying his best with that falsetto but, and i hate to repeat myself, you can't make your own outsized ambition an excuse for your failure. know your limits. i'm sorry i was ever lukewarm about any kesha song. i kinda feel bad for saying those things about the revivalists' hat. this was a good week apart from the bro country! "For her I would walk a straight line/Wear out the soles of my shoes for her." WOAH! SLOW DOWN, BUDDY! LET'S NOT MAKE ANY PROMISES WE CAN'T KEEP, NOW! Careful! Girls remember things you say to them! Imagine how disappointed she'll be when every day she spends with you your shoes still shine as bright as they did the day she met you.
Who won the week?
Well, 2007′s best song was a Luke Bryan joint, so that’s out. Think we gotta give it to 2017. Four shitty country songs, yeah, but 1997 countered with Spice Girls and a Billy Joel cover of a Bob Dylan song, so those cancel out, and the cream of 2017 was much better than the best 1997 gave us this week. I’m still thinking about that Carly Pearce joint, that was really cool, and it anchors an earned win for 2017. THE STANDINGS: 2017: 12 1997: 11 2007: 9 Next week: keep your heart, Three Stacks.
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dancewithmeplano ¡ 7 years ago
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The 20 best Dancing music Movies of all time
From pioneers like Daft Punk and the Chemical Brothers to modern day YouTube-breakers like Important Lazer and M.I.A., electronic audio boasts plenty of visionaries willing to pour a great deal of love (and funding) to bringing their songs  to life.   Here, we have counted down 20 more of the very best dance videos ever — did your favorite make the clip?
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#20 Major Lazer –‘Pon De Floor’
Back in ’09 Big Lazer constituted of just Diplo and Switch, also Pon De Floor has been the single that introduced them into the world. In those days, Caribbean sounds   took center stage in the pair’s music — that was way before Diplo could begin calling on pop’s fine for toplines — therefore it made sense that the movie to their breakthrough hit was an ode into Jamaica’s dance style-of-the-moment: daggering.
The next calendar year, as a competitive fondness for the movement left a spate of broken penises in its aftermath, the Jamaican government would crack down on daggering by exposing all videos using “blatantly sexual content” out of television. The Pon De Floor clip stands as a bright, brash and odd reminder of that quite wonderful moment ever. (Fun fact: it was led by Eric Warheim of Tim & Eric celebrity.) [Katie Cunningham]
#19 The xx –‘Islands’
The xx’s self-titled debut album introduced us into a group that has been unshowy in each way. In the restraint of these songs to the extreme shyness of their early live shows, these Londoners weren’t going to provide us bombastic music videos.
It’s unsurprising, then, that the clip for Islands stands out of this list for its striking simplicity. The xx members attribute at center stage, however the focus is squarely on the dancers who move them around in an unbroken loop. The repeating sequence feels perfectly suited to the dreamy depression of the vocals, demonstrating you only require a single room and a wise conceit to create a captivating video.
There’s an additional bonus here also: viewing Jamie xx, who might still be the band’s shyest member despite his impressive solo victory, attempting to look invisible at the close of the couch. We visit you, Jamie. [Jack Tregoning]
#18 Avalanches –‘Frontier Psychiatrist’
What an unenviable job it must have been to attempt to build a visual variant of what you hear from an Avalanches song. The Melbourne group — who built their iconic debut album on samples, pinched from countless disparate sources — have been already collages inside themselves. How can you even start to place that right into a music video?
For Frontier Psychatrist American directors Tom Kuntz and Mike Maguire (who would go on to do those Old Spice advertisements) approached their job with the identical spirit of playfulness the Avalanches sewed to the song, assembling a variety behave filled with oddballs and right-fitting misfits that bring each little piece of the puzzle to everyday life. See it, remember why you loved it and try not to grin. [Dave Ruby Howe]
#17 Chemical Brothers –‘Elektrobank’
Spike Jonze — among those masters of ’90s audio movie with his crazy, cartoonish style — played it right for once for this improbably moving clip, essentially a brief film starring Sofia Coppola, fellow manager (Lost in Translation) and Jonze’s potential ex-wife.
Coppola plays with a gymnast who copes with private turmoil at a huge contest. The graceful performance (comprising a pro gymnast dual) is a lovely contrast to the Chemicals’ pulverising defeats and squelching sound, featuring The Prodigy’s Keith Murray. Much like Fatboy Slim’s Weapon of Choice, what makes the clip memorable is its sincerity — no understanding satirical winks; it lets the beauty of the gymnastics function what they are. And also the melodrama is performed to the hilt; it might be an ’80s afterschool special.   [Jim Poe]
#16 Important Lazer & DJ Snake –‘Lean On’
1,535,399,281: that’s how many YouTube perspectives the movie for Lean On had last time we checked. That’s 1.5 billion eyes on Major Lazer’s handiwork, along with a figure equivalent to over 20-percent of the planet’s inhabitants.   Those numbers alone would probably make Lean On a reference in this record, but the viewcount isn’t all that’s important   about Diplo’s most prosperous minute  so far.
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In addition to being a great deal of fun, Lean On is significant because it demonstrated that dance fans   want to watch their own artists in music  videos — could it have been such a runaway victory if Diplo, Jillionaire, Walshy Fire, DJ Snake and MØ weren’t at the movie, cutting shapes in their mix of sportswear and Bollywood finery? Or in an even larger question,  would   Lean On have become the funniest tune of the year with this movie? [Katie Cunningham]
 #15 Justice –‘Anxiety’
There couldn’t have been a much better candidate to translate the frenzied, competitive seriousness of Justice’s Anxiety to movie than incendiary French manager Roman Gavras.
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Conceived when the French electro duo were at the height of their powers in 2008 as “a clip unairable on television for a course unairable on the radio” Gavras’ no-holds-barred depiction of a day in the life span of wayward French youths triggering forecasts of racial profiling and fetishising violence in the aftermath of the 2005 Paris riots. Wayward is a barely fitting description though, the themes of Anxiety stem the outlying suburbs/banlieues of Paris enacting casual ultra-violence and civil destruction where they go, all backed by the menacing whir of Justice’s creation.
Speaking to Flux on the controversy which the audio video created upon its release, Gavras appeared to relish his status as a provocateur — two decades ahead of the ginger genocide of M.I.A’s Born Free clip. “For a couple of months, I was among the most hated men in France, but it was fun. It was astonishing free promo…that you can only get that much media if you have intercourse with kids.” [Dave Ruby Howe]
#14 Huge Strike –‘Teardrop’
London filmmaker Walter Stern made his name working with The Prodigy in the 90s, when he helmed their inflammatory videos for Firestarter and Breathe. These credentials created Stern a somewhat unexpected option, subsequently, to choose one of Massive Attack’s most delicate songs.
The Bristol collective recruited Stern to deliver his arresting visual style for their 1998 single Teardrop, which Robert ‘3D’ Del Naja described as a “moment of light relief” in their brooding third album Mezzanine. It was Stern’s idea to coincide with the song’s dreamy atmosphere with shots inside a womb, as an individual fetus lip-synchs and also Elizabeth Fraser’s vocals.
The concept sounds unnerving on paper, but the extreme closeups create a strangely meditative mood that’s fantastic for Teardrop. In addition, it helps that the unborn baby is so obviously an animatronic version made from silicon rather than, you know, the true thing. The movie won a series of awards, also entered a life of permanent Rage spinning and also gave Stern a much-needed reprieve from filming mad Keith Flint. [Jack Tregoning]
#13 The Prodigy –‘Firestarter’
Even though most of dance music’s greatest stars seem painfully embarrassing on camera, The Prodigy were constructed for videos. The theatrical personas of both Maxim and Keith Flint were created for electrical onscreen performances, with perhaps the most populous of all occurring within the scummy ‘gator-infested flat of Breathe.
While other videos prompted more warmth for The Prodigy, there’s something starkly powerful concerning the Firestarter clip. Director Walter Stern shot the shameful action within a deserted London Underground tunnel, with Keith because the central star. The frontman’s unhinged shtick was at its most persuasive in the mid-90s, and he actually dialed it up here, holding the focus with his hectic charisma. Firestarter is really so much that the Keith Flint Show, in reality, that the involvement of Liam Howlett, Leeroy Thornhill and Maxim is limited to running at the shadows and giving quizzical looks.
The movie did figure out how to wake up controversy in the UK for giving children nightmares, with some TV channels carrying it off day rotation. Without doubt The Prodigy also discouraged a couple of people from adventuring through abandoned railway tunnels through the night. Nobody would like to fulfill a dance Keith Flint in the dark. [Jack Tregoning]
#12 Duck Sauce –‘Big Bad Wolf’
“It’s no Windowlicker,” the manager behind Big Bad Wolf defended when Rolling Stone proceeded in on 2011’s most head-turning movie. “This was disturbing.”
Duck Sauce’s most memorable clip might not be Aphex Twin-level weird, but it sure will push the envelope. In order to produce their movie tour de force, collaborators A-Trak and Armand Van Helden spent two days in their own hands and knees at green display jumpsuits, heads in the crotches of different guys. Lots of impressive post-production later and they came away with a classic boy-meets-girl story, only with some — err —unconventional sexual acts.
For the very best assessment of why Big Bad Wolf wants to go down with the greats, render it Kanye West: “You took a danger as an artist to piss from your mouth,” he allegedly told A-Trak over email. [Katie Cunningham]
#11 M.I.A. –‘Bad Girls’
When M.I.A. connected up with manager Romain Gavras to make a movie for her 2010 song Born Free, the collaborators created an incendiary short film. Over nine intense minutes, we watch a violent raid of an apartment block, with the officers targeting only residents with red hair. It was a provocative political statement, using redheads as a stand-in for oppressed and vilified groups, and both M.I.A. and Gavras recognized the consequent controversy.
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After the singer and filmmaker worked in 2012 on Bad Girls, they chose a much more celebratory tone. Mesmerised by YouTube videos of “Saudis drifting on two wheels” in the desert, they moved to Morocco to give it a try. The end result is bright, daring and bad-ass. On its release, Bad Girls sparked debate regarding its subversion of Arab stereotypes, while also delivering the visceral pleasure of M.I.A. cruising out the window of a car that’s practically airborne. Not a lot of pop videos combine style and material similar to this one. [Jack Tregoning]
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The 20 best Dancing music Movies of all time
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