#that and another fact when I was first working on this it was around the time cyberpunk 2077 first came out
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can you write the batfam going to amity due to *reasons* and alls well until Jason feels like he SHOULDNT go near since it’s Danny’s Haunt? Like how Crime Alley is ‘his’ Haunt? And batfam thinks he’s just being dramatic but uh, yeah he isn’t.
"I'm not going in there," Jason repeated, standing on the side of the highway, arms crossed over his chest and a stubborn scowl on his face.
"Jay, please get back in the van," Bruce sighed while the rest of the Waynes stared from their seats. They had originally all gotten off, but when the second eldest had started yelling, Bruce herded everyone back inside, including Dick.
No one knows why Jason was acting like this.
A few minutes earlier, he had napped comfortably in the far back of the large van Bruce had rented. The family had been on a cross-country road trip, where they all piled in together and let the GPA lead them to their final destination- Wayne Mountain Hotsprings. Alfred had the idea to practically kick everyone out of the manor to bond.
Members of their various teams would watch Gotham for the three weeks they would be gone. This week, Kon and Bart texted Tim updates. At first, the Waynes were not entirely up for the trip, but after a few hours of driving, they all enjoyed singing random songs and researching their vacation pick.
They each got to pick one random spot they wanted to stop at one the way- tourist trap or not- and Damian had been excited to go to "America's most haunted town." He had even been able to contact local ghost hunters who were excited to give them a tour. The Waynes would spend the night at the only hotel in the city and leave tomorrow morning.
That was the plan until Jason woke up screaming at the top of his lungs, "Pull over! Pull over! I can't go in there!"
It gave everyone a heart attack. Bruce had nearly driven into the other lane as Jason had been attempting to unbuckle himself and- were it not for Cass's quick reflection- fling himself from the moving vehicle. As soon as they found a safe spot to pull over, Jason leaped from the van and placed himself in front of the Welcome to Amity Park sign
A little up the road, they could see the city's outskirts. The Fentons, the acclaimed ghost hunters, were expecting them in twenty minutes. Damian was getting angsty.
"Can you explain why you can't go into Amity Park?" Bruce questions, stepping closer. "I won't make you go in there. I just need to know what's going on."
"Don't you feel that?" Jason asks, gesturing to the air around them. "It feels unsafe."
"What does?"
"The vibes," Jason said straightly, and Bruce's left eyebrow was spammed. "The vibes are choking."
Bruce takes another step closer, voice lowering into the familiar tone of comforting a scared civilian. "Jay what do you mean by that."
Jason opened his mouth only to snap his head upwards with a scream. "He's here!"
Everyone looked up—or at least those in the van by a window—only to see nothing. There was nothing there that could have freaked out Jason so much. The sun, maybe? Gotham wasn't known for its sunlight, and perhaps the fact that he grew up without it made it extra terrifying to the Gothamite.
Jason leaped behind Bruce, hiding like he did as a child. Now that Jay was taller than his father and buckler, it was a strange sight. "I'm sorry! I swear I wasn't going in!"
"Jaylad, what-"
"Ghost detected." The robotic voice of Damian's official ghost-hunting equipment made everyone freeze. The boy had opened the door of the van, escaping Duke's attempted grasp, but whatever he was going to say was cut off by the little machine in his hand.
It came from the Fentons' online store, and although it didn't work, Damian enjoyed walking around with it, searching for the paranormal. The rest of the family saw it as an age-appropriate make-believe, sighing in relief when he waved his little box around before deeming the area safe.
As it were, Damian waved the box again, letting the machine hum and bling as it landed on a particular spot in the sky. "Ghost detected. Ghost detected. Ghost located. Ghost is ten feet before you."
"Oh wow," An unknown voice said over the sound of rushing cars on the highway. Damian's eyes widen. "Haven't seen that design of the Fenton Finder in years. First edition, isn't it?"
Damian eyes are practilly sparkling as he puffs out his chest "It is! Are you a ghost?"
"Yeah." Suddently a glowing flouting transparent boy pops into thin air. No sound, no portal, not rush of air. Just one second he's there. He offers Damian a wide warm smile, that somehow makes his glowing green eyes menecing. "I'm Danny Phantom."
He turns his eyes back to Jason as Damian gapes at him. The boy had thought Phantom was a local urban legend. He has been decorating his room with "captured" images of Phantom for years. He turns to Tim, hissing for a pen and his photo binder.
"You." Phantom points at the cowering man. "Feel strange. You're overshadowed, but at the same time, there is no foreign soul in your body. What are you?"
"Um, I'm just here on vacation with my family-oh!" Jason words are cut off as Phantom flings himself at the pair. Before Bruce or Jason can react the ghost has his hands inside of Jason chest, ramaging around like it's a bag. Oddly enough, this makes Jason blush.
"Hmm. Yeah, there is no other ghost here. Are you haunting your own corpse?" Phantom floats upwards to stare into Jason's eyes. "Or are you a Halfa?"
"My own corpse," Jason gasps, but Bruce decides he's not about to let whoever this bothers his son, pushing Phantom back. Only somewhat surprised by the fact he made contact the hero's grunts
"Kindly keep your hands to yourself."
"Sorry," Phantom mutters, flouting back. He fidgets with his glowing white hair while shifting his feet. "I just wanted to be sure he was safe. You may enter."
And with another pop, he's gone.
Damian makes a sad whine in the back of his throat, holding a picture of a blurred image of Phantom and a pen. He flipped through the binder, attempting to find the clearest one while the ghost chatted with his father and brother. "I didn't get an autograph."
"There's always next time," Tim offered, patting the boy back as he led him towards his seat in the van again. You should keep that on your person so if you run into him again, we can get it signed for you quickly."
"Okay"
"Phew," Jason breathed, wiping the cold sweat from his forehead. "That was terrifying. Anyway, we should get going, I don't want to be late for the Fentons."
He ignored Bruce's look, walking back as if he hadn't held them up for nearly forty minutes because the vibes were bad.
Bruce stared as Jason skipped back to the van, feeling very old and single. Maybe he should try calling the blind date Alfred had attempted to set up for him. He needs some support in raising his children. He has too many white hairs as it were.
#dcxdpdabbles#Access Granted#Part 1#Jason feels off to Danny#It's because he was dead for months before coming back#The others just dipped in the pit and didn't come back on their own#Bruce is a tired dad'#Phantom is Damian's version of a celebrity
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Dancing with ENHA as their Secret-Girlfriend!Idol!Reader
summary: enha dancing with their secret significant other
word count: 4.2k
warnings: suggestive at times, not proofread, fem reader
Lee Hee Seung:
It was public knowledge that you and Heeseung were friends since you had trained together at one point
However it was NOT public knowledge that you two actually ended up becoming a couple after you both debuted
With that being said, fans were overjoyed any time you were seen together, always thinking your interactions were so cute and wholesome
One day a video of the two of you pre-debut got leaked
It was a clip of a practice video of you dancing to “Bonnie & Clyde” by DEAN
The choreography was good and you both danced well, but anyone watching could tell that the two young trainees were nervous to be dancing with each other
Fans of both groups thought the video was pure gold though since it showcased how much you’d both grown as performers, and the fact that it was another interaction between their favs
The video trended on social media for about a week or so before the chatter and excitement was redirected to a NEW dance practice video…
which just so happened to be of you and Heeseung recreating the choreography from so many years in full
It was a well filmed, high quality performance
The two of you had even gone the extra mile and re-recorded the song as a duet, making it a full cover
Any trace of the awkwardness from your trainees days had been nowhere to be found
You and heeseung were dripping confidence and sex appeal as you danced together
A majority of the dance was spent with the the two of you in close contact- his arms around your waist, your palms trailing down his chest, him hands tracing the outline of your body
you were practically in your own little bubble and that shit read very clearly on camera
Of course your fans went even more feral
Twitter was full of praise for your growth and everyone was saying how you and heeseung must be so much closer now than back then
(if only they knew just how close👀)
And of course there were some smart fans (that unfortunately probably got called delusional) who could sense the thick sexual tension between the two of you
✪ ‘Y’all- there is absolutely NO WAY these two aren’t fucking😭’ ✪ ‘I genuinely feel like i’m interrupting something’ ✪ ‘Heeseung… if you’re not gonna get to work please step aside so i can have my turn with y/n’
It definitely was added to every single “top kpop moments of 20XX” video and thread
And since you’re both evil-
You each had made casual posts on sns about the process after
‘Did engene enjoy our little throwback collab?’ and the bitch posted a mirror selfie of the two of you sweaty and half dressed🧍♀️
Park Jong Seong:
Jay always loved watching you dance
Tbh jay loved to watch you do anything- but dancing was one of his favorites
Any time you had a comeback, he always wanted you to teach him the choreography as soon as possible- whether it was cute, sexy, or fierce- that boy was gonna learn it
Which meant when the song actually dropped he’d be the first to make a tik tok with you every time
And of course the opposite rang true as well-
Whenever enhypen had a comeback you were the first to learn the new choreo
The tik toks are always so cute too-
Like- that’s your man so of course you’re gonna be cute with him lmao
It’s mostly because you know he gets flustered so easily when you tease him or flirt with him in front of the other members or staff
It’s especially hectic when your comeback schedules overlap because trust their will be new tik toks every other day
You guys got especially brave when enha was promoting “bite me”...
Instead of just doing the pre-chorus together and posting that like the others, you did the whole pre-chorus AND chorus… WITH THE PARTNER WORK
If fans weren’t already going feral over the boys dancing with partners before, they definitely lost their shit at your mini collab
✪ ‘Oh my god… there’s no way this is real’ ✪ ‘Jay… your hands are a little low there buddy😅’ ✪ ‘So they just casually covered half of ‘Bite Me’ on a random Thursday? Okay cool’ ✪ ‘THE WAY JAY LOOKS AT Y/N OMFG’
It actually took fans longer than expected to realize you were filming together even when your promotional schedules didn’t lineup, so of course rumors started eventually
However it seemed like your fans were just rolling with it since your interactions were fun an cute (they’ve been praying for a collab stage between your groups since debut)
There was one time you filmed with heeseung instead of Jay and it lowkey threw everyone for a loop
Was it intentional? Absolutely not! Well- maybe slightly
You and your members were curious to see if anyone would react- had your fans even noticed that you only ever film with Jay? (yes, they noticed it right away)
So you can imagine the comments when you posted of you and Heeseung doing the choreo for “brought the heat back”
✪ ‘Uhmmm?? What happened to your man???’ ✪ ‘Omg no mom and dad are fighting‘ ✪ ‘HEESEUNG PLZ TELL ME YOU CAN FIGHT BRO’ ✪ ‘Peace and love but where is Jay…”
Yeah… it gave y’all a good laugh
There have also been plenty of time where you’ve posted your own little dance covers without Jay, or even just danced to his songs casually on live while jamming out, which always excited fans of both groups
Basically his fans and yours know SOMETHING is going on between you two and for some reason no one really talks about it like you’d expect them to…
Sim Jae Yun:
You and jake had been invited to be part of an end-of-the-year collab stage
It was supposed to be a fun little performance between a few different male and female idols
At the time- the only people who knew about your relationship were your groupmates, meaning it was especially hard to see each other without getting caught
However when your manager gave you the news that you’d be collaborating with a few different idols, and that your boyfriend just so happened to be one of them, your heart started to race
You attended a meeting with your manager in which you were informed that you’d be working with Lee Isa, Kim Gaeul, Kang Minhee, Park Jisung, and of course Jake
The stage would have three parts- a section for the girls, a section for the boys, and then one where you all came together
The overall vibe was fun and flirty, and you’d each be partnered with someone
The second the idea of “partners” was introduced, you and jake immediately made (what you thought was subtle, but was definitely not) eye-contact
The meeting wrapped up and you were immediately conversing with you were manager, trying to subtly convey how you thought it would make most sense for you and Jake to be partners
Unbeknownst to you, Jake was doing the exact same thing
Luckily, it worked and both of your managers were able to get the two of you to be partners
You all began preparing immediately, and since some of the partner work was different for each pair you’d all broken off to learn separate bits of choreography
You and Jake had begun working on a few different combinations, since the song decisions hadn’t been entirely finalized yet
The first one you worked on was to “Invitation” by JUNNY and Gaeko, which totally fit the vibe of the overall stage concept
Except it was maybe a bit TOO flirty (or perhaps that was just you and Jake)
You were easily able to connect and play into the each other’s artistry
Your relationship had always been full of playful energy and putting a smile on the other person’s face, so dancing together just felt like another extension of that
The choreography was intense and fast, hitting every accent and ad-lib, requiring a lot of texture and groove
but after learning the steps and running it once or twice to get the moves down it felt like second nature, especially since all your charisma and stage presence was really just you having fun with your boyfriend
Lots of behind the scenes content was filmed and unfortunately… some got leaked to the public
Somehow yours and jake’s first dance practice got leaked, as well as Jisung and Isa’s and the video of yours, Gaeul, and Isa’s section
This was before anything was announced to let the public know a collab was even happening so fans were shocked on so many levels
✪ ‘We’ve got (your group), enhypen, ive, nct, stayc, and cravity members doing a collab?? Where did this even come from???’ ✪ ‘Gaeul, Y/n, and Isa dancing to “greedy” by Ariana Grande was not something i knew i needed- welcome back “wow thing” collab group’ ✪ ‘Jake and Y/n look like they’re having so much fun together i love them :(‘ ✪ ‘I feel like I've never seen Jake have this much fun while dancing! You can tell he really feels comfortable dancing with Y/n’ ✪ ‘The way they look at each other, oh i feel sick’
Unfortunately after that all the songs and choreography had to be changed :/
Park Sung Hoon:
Close by Nick Jonas
As the main dancer of your group, your company loves to highlight you any chance they get
This resulted in you doing frequent dance videos, collabing with other idols in order to reach outside your normal audience and hopefully attract some new fans
Sunghoon, ever the supportive boyfriend, makes sure you tell him every time a new video is going to be released so that he can have youtube open and ready for when it drops
texts you immediately after about how talented you are and how proud he is of you for taking on the challenges of choreographing and coming up with new ways to showcase your skills as a performer
Sometimes will just randomly pull up your videos and start watching them while y’all are hanging out
You had always told him beforehand who you’d be dancing with and he never expressed being bothered by any of your idol partners-
until he realized you yourself were picking them
You were sitting in his bed one day (watching one of your recent videos lol) when he suddenly looked up at you with the saddest puppy eyes ever
“How come you’ve never asked me to dance with you☹️”
Oh he’d be so pouty and sulky omg
You’d been expecting that question for a while honestly
“Baby I’d love to dance with you, but would your company let us?”
sunghoon hated that you had to be logical all the time, so he just rolled over to bury his face in your stomach, and groaned in despair
(This drama queen)
He eventually just wrapped his arms around your waist and lifted his head to rest his chin on your tummy, peering up at you
“Can we ask them tomorrow…”
You couldn’t stop the affectionate giggle that left you as you played with his hair and nodded softly
The next day, you talked to your manager first- proposing your next idea
Now you see- your manager loves sunghoon, your whole staff does really
They all think the two of you are perfect together, and would honestly probably announce you were official right this second if hybe let them
So it wasn’t a problem convincing your team to let you dance with your boyfriend
Of course that wasn’t exactly the case for Sunghoon’s team
It definitely made sense why they weren’t totally onboard with the idea- being worried about dating rumors and such- but you and hoon hadn’t had a single rumor involving each other up to that point!
They eventually caved and agreed, realizing it would be a good opportunity since all the other idols you had invited so far were all known as well-respected dancers in the industry
You ended up decided on going for a more intimate and contemporary vibe than you had done so far
“Close” by Nick Jonas and Tove Lo was the song you had agreed on using, having had already talked about choreographing to this song together just for fun at some point
You had worked with a choreographer from hybe, expressing your vision and showing some of the ideas you had, and the process went extremely smooth
The dance ended up being sensual and emotional, highlighting both of your skills as contemporary dancers
A good chunk of the choreography was spent with the two of you having very little physical contact, but being so close to each other that it delivered such a feeling a yearning
However, the last chorus totally changed the vibe
You two walked backward, facing away from each other, and right as you were about to bump into each other sunghoon abruptly turned around gripping your shoulder and whirling you to face him- leading to a sequence of quick spins and paired movements, finally breaking the pattern of avoiding physical contact
And the rest of the dance spent with you two practically glued together
The performance continued with sunghoon pulling you in toward him, you running your hands up his chest and neck and landing softly on his face before pulling him down to almost meet your lips
The two of you slowly walked together to the beat of the music until sunghoon’s back was hitting the wall
It came to an end with hoon sliding down into a seated position on the floor, leaning against the wall- you sliding down in sync, landing on his lap- his face still in your hands, his hands on your hips, foreheads leaned against each other’s
The choreography was so intimate that unfortunately hybe’s fears came true
The dating rumors were instantaneous…
✪ ‘This is such an unexpected pairing but it makes so much sense’ ✪ ‘Oh! My bad y’all i’ll just- i can just- uhm- lemme just leave the room and come back later’ ✪ ‘I know y/n said this performance was gonna be a bit different from her other’s but i didn’t think THIS is what she meant😭’ ✪ ‘Soooo, is this a safe space to say I wholeheartedly believe Y/nHoon is real?’ ✪ ‘Girl Y/nHoon BETTER be real after THAT’ ✪ 'the thoughts i'm thinking... i feel like my account would get suspended if i shared them👀'
And if that wasn’t enough to get them going, there was all the behind the scenes material as well
Both your company and hybe had released behind the scenes videos of the project, except they couldn’t have been more different
While the one posted to enhypen’s channel was mostly sunghoon being interviewed and shots of him practicing individually, with the occasional partner shot or interaction between you two
Your behind the scenes video had plenty of shots of you and hoon laughing and playfully bickering together
Clips of you finishing the choreography and falling against him, with him wrapping his arms around you and swaying back and forth circulated twitter immediately
There were plenty of other moments that had fans fawning over your relationship
Such as when you wrapped up filming and sunghoon slid his hands from your hips to fully wrap his arms around your waist and pull you down to lay on top of him on the ground
Let’s just say hybe had to release a statement pretty soon after that
Kim Seon Woo:
Sunoo and you always post together
vlogs, lives, story posts- you name it
Most fans never really thought anything of it since a majority of the time it was just you two shopping, trying new snacks, or talking about skincare
But there was also so much content you didn’t post
Like the countless couples tik tok trends that are sitting in your drafts (his favorite is the one where you put on lipstick and accidentally smudged it, then the camera turns to him covered in lipstick kiss marks)
But there are also surprisingly a lot of random dance videos you have of the two of you
Sometimes when you’re hanging out at one of your company’s studios you’ll just turn on a song and come up with fun random choreography
One of Sunoo’s favorites that you guys have come up with was to “Wildflower” by 5 seconds of summer
It was sensual and flirty, but still fun and cute- and the video conveys that perfectly with how much the two of you are giggling and clinging to each other
It started off really well! Both of you were locked in, hitting the snaps and beats perfectly, your expressions nothing short of perfect and professional
But the second it got to the chorus your smiles were overtaking your faces as you tried to stay focused on the choreography and not burst out laughing
You still danced the routine perfectly! There just came a point in the dance where neither of you could stop smiling at each other
By the final chorus you were fully teasing your giggly boyfriend by mouthing the words with an overly flirtatious expression while running your hands down his neck and chest, causing him to squeeze your waist and teasingly pull you into him making you burst out laughing, before finishing out the dance with the biggest smiles anyone has ever seen
You both often rewatch the video and your smiles end up being almost as big as the ones you had in the video
You were sitting with Sunoo one day and asked him if it was okay to post it to your personal account, and he excitedly agreed
However- for some reason you didn’t check to make sure you were on your private account instead of your groups account before you hit post, and without realizing, uploaded your choreography to your groups official instagram with the caption ‘me and my wildflower sunny baby☀️🌺’
It was only about 15 minutes later when sunoo was scrolling through his own instagram when he turned to you panicked
“Baby… you posted it on the wrong account”
“WHAT?????”
You immediately called your manager crying and freaking out, while sunoo called jungwon trying to explain the situation
Both your management teams came to the agreement that no one would say anything about the video unless it got severely out of hand
They thought it would be best to keep the video up to avoid suspicion, However, you did have to change the caption
Aside from the crazies, most fans were eating it up!
✪ ‘I love that they’re so comfortable with each other, this is so cute’ ✪ ‘Their smiles and giggles🥺’ ✪ ‘I feel like we never get to see sunoo’s dance abilities highlighted, so i’m honestly grateful that y/n shared this’ ✪ ‘Oh they’re so in love don’t even try to deny it’
Yang Jung Won:
You had been hinting to your fans about doing more dance content, but the last thing they expected was for a video of you and jungwon dancing to “two hands” by Tate McCrae to randomly show up on your groups youtube channel one day
The video was professionally recorded in a cool location and the two of you had on cool but comfortable outfits
Basically y’all looked cunty asf and everyone was losing their shit over it but we’ll come back to that
The choreography involved the two of you being in some sort of physical contact for almost the entire thing
And when you weren’t touching, you were face to face staring into each other’s soul
It was lowkey like you were leading the dance at times and jungwon was hypnotized by your movements (which let’s be honest, he totally was)
By the last chorus, you and your boyfriend were in full contact
Jungwon’s hands had pulled you in closely, your hands resting on his chest with his low on your back
There was a moment where you just sensually gazed into to each other’s eyes, caressing each other while you mouthed the words to the song
Jungwon leaned in closing his eyes, fully preparing to kiss you, but you teasingly turned your head back toward the camera right as your lips were about to meet, giving a flirtatious wink and smile
The turn caused jungwon’s lips to brush your neck, but the way it was captured by the camera made it hard to tell if he actually made contact with your skin
The rest of the dance consisted of one or both of you having your hands on the other without a break, never breaking the connection
There was even a part where you had your hand on your boyfriend’s face and he followed your movement, seemingly hypnotized by your touch
Jungwon’s hands quickly found their place on your hips shortly after
The dance finished with two posing- you in front of him, reaching behind to place your hand on the back of his neck, as he placed his hands on your hips
Won gently rubbed your hip as he waited for the director to call cut, ad when they did he collapsed against you, fully wrapping his arms around your waist and tucking his face into your neck
(That cute moment was captured and posted on your instagram story after the official video dropped)
Speaking of social media…
The thing is, both you and your boyfriend are chaotic and slightly evil, so the second the video dropped y’all were refreshing twitter to see people’s reactions
✪ ‘Oh okay so they’re a thing’ ✪ ‘Yang Jungwon and L/n Y/n… WHAT IS THIS????’ ✪ ‘So like- do y’all need a third or…’ ✪ ‘HIS LIPS WERE LITERALLY ON HER NECK I’M NOT CRAZY’ ✪ ‘Need whatever they’ve got goin on real bad’ ✪ ‘Jungwon heard the lyrics “your two hands on me at all times” and took that shit literally wow’ ✪ ‘Y/n turning to look at the camera right as won is about to kiss her… GIRL MOVE IF YOU’RE NOT GONNA KISS THAT BOY’ ✪ ‘The hand placement, oh i’m so fucked’ ✪ ‘L/n Y/n the woman you are…’ ✪ ‘The way Jungwon’s movements get obviously more desperate at the end of the choreography when Y/n has her hands on his face… WALK HIM LIKE A DOG MAMA😛’
You and Jungwon were giggling and saving posts were a good two hours
Nishimura Riki:
It wasn’t unusual for you and ni-ki to hang out in a practice room and just jam, coming up with random choreography combinations for fun
It also wasn’t a secret that the two of you knew each other and hung out, but most just assumed you were friends since you had also hung out with other members of enhypen before
However neither of you had ever posted anything together aside from mayne a couple of tik toks
So it came as a shock to his fans (and yours) when Ni-Ki went live, only for everyone to see him cozied up in one of hybe’s practice rooms with you
The live started with the two of you laying on the floor with the phone propped up against the mirror wall at the front of the room, just chatting and giggling over random stuff (losers in love)
In fact Riki was so chatty that fans were even starting to comment on it
‘The only time Riki has stopped giggling or yapping has been to listen intently to y/n..’
‘I swear these two are so chatty together, what's going on??’
Eventually you guys started getting antsy and decided to turn on some music and jam again
It was just some ciphering back and forth for a while until “pour up” by DEAN came on and you froze and made eye contact
“Should we do it?” Ni-Ki asked in regard to the choreography the two of you had come up with to the song earlier that week
“I mean… why not?” you shrugged with a mischievous smile
“It’s a little… risky- don’t you think?” he giggled while unconsciously moving closer to you, but you just giggled in return before starting the choreography while holding eye contact
He laughed a bit in shock, watching you dance for a few more seconds before joining in
By the time the chorus arrived the two of you were locked in, facing forward again toward the camera
It seemed like pretty tame choreography at first with a slightly sensual
Until the second verse came
You and Riki started crossing paths and interacting more within the choreography, showing off just how much chemistry you have together as dance partners
There were plenty of little moments with little flirtatious touches here and there but the connection was on full display by the last few seconds of the song, with Riki’s arm draped casually around your waist as the two of you swayed side to side
You pretended to walk off as the song ended, still feeling the vibe, but as soon as the next song started playing you screamed dramatically and fell to floor in a heap of embarrassment, leaving your boyfriend to laugh at you from behind
Ni-Ki walked past you back to the phone to check the comments and he noticed the viewer count has tripled since before you started dancing
✪ ‘They way they just casually match each others vibe like it’s nothing’ ✪ ‘So can we all agree we need more Y/n and Riki dance content??’ ✪ ‘I would 100% be asking “what are we?” after this…' ✪ ‘Y/n falling to the ground and screaming after, she’s so real’ ✪ ‘OMG LOOK AT HOW RED THEY ARE NOW AWWWW BABIES’
Neither of you could look at each other without giggling for the rest of the live
notes: hey y'all... i'm back (kinda)
#riki x reader#nishimura riki x reader#jungwon x reader#yang jungwon x reader#sunoo x reader#kim sunoo x reader#sunghoon x reader#park sunghoon x reader#jake x reader#jake sim x reader#sim jaeyun x reader#jaeyun x reader#jay x reader#jay park x reader#jongseong x reader#park jongseong x reader#heeseung x reader#lee heesung x reader#enhypen x reader#enha x reader#enhypen scenarios#enha scenarios
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Hey OP everything I'm about to say I'm saying out both kindness and frustration.
I'm guessing that you are not Jewish because what you wrote really does not reflect the reality of life for Jews in the USA at that time.
Jews would not be socialites or rubbing elbows with wealthy and elite. And no matter how much any Jews would have stripped away any their Jewish identity they still would have been viewed as classless and lesser by the upper echelon.
Jews were immigrants who primarily did not speak English and mostly were on the east coast.
Fun fact about Jews during this time: Jews who kept Shabbat would have to look for a new job ever week because they would be fired for refusing to work on Shabbat.
As for San Fransisco Jews only came there due the California Gold Rush which happened the mid point of the 1800's.
Jews were heavily involved in Unions and were a major backbone of the Labor movement.
The Triangle Shirtwaist Factory fire of 1911 is something that is major keystone is labor rights and movement history. You can not learn about unions and labor laws or anything to do with that without hearing about this. But you know what always gets glossed over, ignored, and often outright erased? The fact that the majority of the workers were Jewish girls and women.
In fact if you look at pictures of many labor marches you will notice that the signs are in Yiddish.
The Jewish identity of the Jewish contributors the unions, labors laws, child labor laws, and labor rights get erased and they become immigrants of X country when their Jewishness played a important role in why they fought for what they did, but also why they faced the discrimination and unfair labor practices they faced.
Also Oscar Wilde would not have had anything to do with anything related to Jews because he was a massive antisemite.
There is this thing that people often do, such as what you have, where they write Jews as having wealth, privilege, and access thinking that they are being inclusive when really what is happening is the furthering of antisemitic tropes and stereotypes as well as a revision of history when this happens in historical settings.
You want to make the Jewish character the prince of the story no problem. Have them be an organizer for a Union and the ball can some kind event or even march or something related to unions.
That can be a connection point between the two of them. The prince title can be a nickname or another connection point where her name, either first or last, is mispronounced by non-Yiddish speakers.
You could even have it be that she is going out and doing out reach to different jobs to get them to unionize/help unionize.
as for views towards their child being gay honestly it would vary with how religious the family was, but also the fact that she was a girl and not a boy it would not as much as a deal due to religious understandings.
While a lot of parts of Yiddish culture has been lost due to the loss of many Yiddish speakers their has existed within this culture a whole queer culture/world though they had their own words to describe it.
This idea has merit and could work it just need to fix the historical inaccuracies and cultural insensitivities in regards to the Jewish parts.
I'm not Chinese so I can't speak to those parts and I don't OP if you are Chinese so again I don't feel it is my place to speak on any of those parts.
Because I do not want Sephardim to left out or forgotten I want to point out that Ashkenazi Jews are not and have not been the only Jews in the USA.
1934 saw San Francisco's first Sephardi Synagogue.
So while yes there was in the 1800's a large influx of Jewish immigration of Ashkenazi Jews to the USA that doesn't mean that there were no Sephardim in the USA already or Sephardim who at the time who were moving around the USA or immigrating to the USA.
I don't want Sephardi history to be ignored or erased.
There is nothing wrong with having the Jewish character be Ashkenazi, I just want to make sure that if I'm accounting for proper historical record in regards to Jews then I'm doing that and leaving out Sephardim.
cinderella remake set in 1880s san francisco where cinderella is a chinese immigrant with bound feet and also she’s a butch lesbian and the prince is a butch lesbian too but she’s a paris-educated german-american socialite and a darling of the transatlantic arts and literary world so the connotations of her gender nonconformity are completely different. oscar wilde is there
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(a thanksgiving ficlet that got away from me lol. Happy thanksgiving to those who celebrate, I love you all! )
Holidays were never really all that special to Tommy. When he was a kid, holidays were tense affairs. Thanksgiving dinners made by his mom that his dad would nitpick at. The man didn't even sit at the table with him and his ma, his face turned towards the football game as he shouted that the turkey was too dry, the mashed potatoes too lumpy, the gravy too watery.
Tommy had never really thought there was anything wrong with the food, but his dad was never really happy about anything to begin with.
Tommy never really existed during the holidays. It was like he was a ghost. At first, when he was younger, he tried to decorate and cheer his parents up and help around the house. Anything to make them smile. But it didn't work. So eventually, when he was a teenager, he just stopped trying.
He either stayed in his room or he got out of the house, taking his bike to the river and just sitting on the river bank, looking across the water. By the time he got home, the food would be packed away as leftovers. There wasn't a plate set aside for him.
Then his ma passed and there was no one to make thanksgiving dinner.
Once again, the river was his friend. He contemplated getting a fishing license, so that he could actually do something other than stare at the current of the river as it crashed against the rocks and mini island formations.
By the time he got home, the house was dark, his dad passed out on the couch surrounded by empty beer cans. Tommy had felt the urge to clean up, maybe mitigate whatever possible anger his dad would build up in the morning. But he didn't really care. His dad would be angry regardless, and he'd still feel as alone as ever even with his dad screaming in his face and threatening him with punishments he was too old for at this point.
Eventually he enlisted. Anything to get away from his dad and the metaphorical ghost of his ma haunting the kitchen.
In the army, there was no river to bike alongside. No riverbank where he could sit down, and stare across the water. Just dirt and noise and shitty MRE's. Somehow it didn't feel all that different from the thanksgivings of his childhood.
Then, he was out of the army. He had a choice. Go back to his shitty town on a shitty river, haunted by his dad and his ma. Or go somewhere else. Somewhere different.
Different won out, for once. So he packed up what little shit he had and made his way to LA of all places. Signed up to a firefighting academy. He needed the structure the army gave him, and he'd actually get to help people this time.
Once he was out, he got assigned a firehouse. The 118. Gerrard was just like his father, minus the alcohol. Cruel, exacting, looking for a flaw in everything you did. Tommy knew how to handle Gerrard, and that was to just ride him out. Let him yell, let him get angry and threaten you. Don't react, don't talk back. Just let it happen until he tires himself out.
Thanksgiving with the 118 once again was the same as any other year. Shitty takeout instead of MRE's or leftovers, but other than that, it was all the same. Thankfully the job kept him busy.
Too many people thought they were immune to flame and oil and their own general stupidity, and the amount of turkey induced fires they had to put out was steadily climbing. Each year they seemed to break a new record.
Every year was the same. Tommy was alone or lonely or both, he scarfed down shitty food, and it was just another day to him.
And then Evan came around. Evan with his bright smile and warm demeanor. Evan with his endless facts and his strong hugs. Just...Evan.
And Tommy had been certain that maybe this thanksgiving was going to be different.
And maybe that was his mistake.
He was a coward, after all. All his life he had just run away. To the river, as a kid. The army, as an adult. The West Coast, after he was discharged. All he ever did was run.
And so, here he was. His first thanksgiving off, staring at the takeout he bought, trying to remind himself that this was normal. For him, at least. He was used to this.
Granted, the guilt was eating him up. He'd stared at his phone for what felt like hours, trying to figure out what to say. I'm sorry? I miss you? Take me back, I'm miserable without you? None of those were acceptable. He broke things off. He ran away. Ev-Buck deserved better.
But right as he was about to sit down, maybe watch a movie or two, his doorbell rang.
As he walked to the door, he wondered on who it could be. A neighbor? Someone asking for charity donations? A Mormon?
But it wasn't any of those.
It was Evan.
Hands shoved in his pocket, looking nervous but determined.
"Come on, you're missing out on dinner." Evan pointed to his jeep, waiting for them.
Tommy was, understandably, fucking baffled. "Wait, what?"
Evan sighed, rolling his eyes. "I'm mad at you." Fair. "But I also miss you and I don't want you to be alone on Thanksgiving. So you're coming with me, you're eating Bobby's turkey, and the five different pies I've baked." Evan baked? Since when did Evan bake? Five pies? Tommy was so confused.
Tommy was honestly speechless. Because, what? "I miss you too." Was the only thing he could really get himself to say. And it was true, at least. Tommy had felt Evan's absence like an actual hole in his heart. Heart pumping over time to accommodate the wound and failing.
"Good. Because I'm not letting you go. And I'm not letting you let me go. We're going to actually talk after this, got it?" Evan had grabbed onto Tommy's hand, pulling him towards the jeep as he spoke.
"Got it." Tommy wished he could say more than two syllables at a time, but how could he? What could he even say? I love you? I'm sorry please let me spend the rest of our lives groveling? Nothing would be adequate.
But as they got into the jeep, Tommy blinked and reality settled in. Evan was here. Evan was bringing him to Thanksgiving dinner. Evan. Evan. Evan.
"I'm sorry. For being a coward." He finally let out. "You didn't deserve that."
"No, I didn't. But I get it. I came on too strong, I went a little insane and overcorrected. You also went insane, and we both should have talked. But we'll do that later. After we have a perfectly normal Thanksgiving together. Howie is probably gonna punch you a little for not texting him back, by the way."
Yeah, that was all pretty fair, honestly. "I didn't think Howie really wanted to talk to me, after everything."
Evan rolled his eyes. "Yeah, you tend to make decisions for othe people without actually considering what they want. We'll work on that though."
We. Evan kept saying we. And it felt good. It felt so good to be a we again.
"You're right. I've been an ass. And, I'm going to work on it. For you. Me. Us. Our friends. I mean it, Evan."
A warm, gentle smile. "Good. Now come on. Everyone's waiting for us."
Everyone meaning. Everyone. Bobby and Athena. Maddie and Howie and Jee. Karen and Hen and Denny and Mara. Everyone.
No one was angry, there were no tense silences. Just joy and forgiveness and thankfulness.
And as Evan held Tommy's hand as he lead them through Maddie and Howie's place, Tommy was starting to see how special the holidays really could be.
It wasn't perfect, and like Evan said, they had a lot to talk about afterwards. But as Bobby carved the turkey and placed some on his plate, as Howie grabbed the mashed potatoes and passed it his way with a joke and smile. As Maddie punched his shoulder (fairly hard, he had to give her that) but then hugged him the next second. As Hen gave him a searching look, like she was waiting to see if he was gonna make a run for it again, but then a satisfied nod when she saw the resolution on his face. Tommy realized this was what he had been missing out on, all those years ago.
And he wasn't going to let it slip past him again.
#bucktommy#tevan#wrote this both right when i woke up and just now#might post this on ao3 if ppl like it enough but idk
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In the crooks of your body (I find religion),
mid-seasons Spencer Reid x afab!reader
SMUT!! (and fluff, lots of fluff. no angst this time, mostly for damage control) ─── soft love & early mornings. idk it’s just domestic bliss for a change.
Warnings: light d/s dynamic (sub spencer, im predictable), low-key praise for both parties, pre-established relationship, they’re soooo in love, they’re also domesticated, morning sex (but there’s no penetration, just oral), they’re both nerds, their pillow talk is science, autistic spencer always (it’s canon to me) greek mythology references, probably the nicest thing i’ll ever write.
w.c: 3k
a/n: post-prison (as requested by many) is still being worked on. it makes me sick. i wrote this to improve my mental health. i’d apologise for being inactive recently but it was necessary, ohmygodihavesomuchcoursework.
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Saturdays are for this. Waking up to no obligations, work tossed aside, Spencer’s state of impending doom reduces to something distant, untouchable. Barely dawn, there’s a level of domesticity to the art of sleeping together.
Sure, he could go on tangents, disbelieving that he’s allowed to attain this. But it’s futile, he’s long grown tired of exhausting the how to your dynamic, the statistic improbabilities, he always thought you would be reserved to his fantasies. Pandora’s box, a hypothetical kept under lock and key.
But no— he’s willing to accept that, on this one off occasion, he’s made an error in his calculations. An illogical anomaly.
Draped in the mantle of sleep, he feels the soft push of cotton sheets first, then the warm-blooded body curved around him. There isn’t traces of a case lingering at the forefront of his mind when he shifts, drawing himself closer, almost subconsciously, by guided instinct.
Touch. Touch, a natural, biological need. Something Spencer has always shied away from, finding nothing but hurt at the double-edged sword of intimacy. It’s not like he has much experience to base this on. And yet, right now, he’s not thinking factually, from a logical standpoint. Because, okay, there’s comfort in knowing the person that touches you is in fact supposed to touch you.
His hands find your body, his movements still slow and weary, thumb brushing the edge of your vertebrae, the divot just below your shoulder blade.
Spencer is many things. He’s obsessive, incessant, obstinate on occasion. Difficult, to put it bluntly. But despite all that, despite his complications, he’s here, touching, trusting, because for the first time in his life, it feels good.
“Moonless earth theory,” he says, moving to accommodate when you decide to lie on your side. Face to face, in hazy, dimmed light. He stares. “Okay, Abian, Alexander Abian, claimed that blowing up the moon would solve every problem in existence.”
Selfishly, unabashed, he slips his hand beneath your top to trace halos across your skin. “It’s so dumb. If that happened, tides would decrease. And, and, the moon's presence has a partial correcting effect on any instabilaties that arise in a non-homogenous, non-symmetrical—“ he sighs, presses his lips together for a moment, “Basically, the earth would wobble. Which… uh, isn’t very good?”
You’re still half-asleep, dreary to his random information. It takes a moment for your brain to settle, to comprehend what he’s saying, and then another, longer moment, to respond.
“Mhm. Days would be shorter,” you respond before laughing. “This is what you think about when you’ve just woken up? I’m basically a walking lobotomy until at least 10AM. And that’s providing I have a shower, feed my caffeine dependency, et cetera et cetera.”
You look at him, observe the sight: tousled hair, swollen lips half-parted, dilated, heavy-lidded eyes that stare back back back.
“I think about a lot of things in the morning,” he mutters, “A lot of things in general.”
When he leans in to kiss you, it’s languid, slow, he’s still in stasis, a state of suspended animation. Tenderly, as if the contact could break, he parts your lips with his own, his breath warm against your mouth, slow, like he wants your touch burnt into him.
Inevitably, your tongue slides against his, and he moans. Hot. It’s so slow, slow enough that time feels warped, nonexistent, like the universe has just stopped without warning.
He feels you shifting, the movement subtle, legs intertwining, hips flush. Good. So good. His lips break away, only to find their way across a cheek, along the column of your throat, further, over the curve of your collarbone.
He’s pressing kisses anywhere his body allows, touch lingering against your skin, tracing invisible imprints. “Sometimes, well.. um, most of the time, I think about you.”
He laughs, shifting to press his forehead against yours. “It’s a huge interference on my routine. And yeah, there’s also the facts, and the statistics. But then my mind will betray me, and i’ll just think about how you might respond, if I told you them.”
This information isn’t exactly new; you’ve woken up to random, impromptu messages regarding space, earth, philosophy, facts that you can never quite place at such an early hour. Then, there’s the phone calls, the dumb, domestic phone calls, ringing you just to over-explain some new hypothesis he’s studying.
Starry-eyed ambition. Sometimes it hurts to think that the job, the BAU, the nature of the cases, will inevitably warp his softness.
You cup his face, palm pressed against cheek, watching as he melts, molten gold, into the contact. “Yknow, I’d really like to study you in a lab.”
“Mm,” he hums, a sound that translates to please don’t put me in a lab.
His hand wraps around your wrist, preserving the contact, holding onto it like there’s a possibility, an actual chance, fact and figure, that he could lose it.
“I’d just be your lab rat? And they say romance is dead,” he scoffs, “You would commit so much medical malpractice.”
“Pft, medical malpractice. That’s made up,” you silence his protests before they can leave his lips. “I think it would be fun to preform experiments on you. Though, i’m not sure I should be trusted with a scalpel. A law probably needs to be put in place. Yknow, for the safety of the people.”
“Ah, ha.” he’s quick to respond, “It’s the scalpel you’re worried about? You’re forgetting the needle, the drugs, the restraints? You cannot be trusted, you’re a danger to society,”
Spencer pouts, features creased. “And your idea of a fun Saturday morning is committing violent acts against your oh so innocent boyfriend. I see, I see where your priorities lie.”
You grin, press a light kiss to his cheek. It’s soft, tentative contact, and yet he still shivers. No dignity. “Sorry, sorry. What was that last part of your sentence? I zoned out after you said restraints.”
“Right. That’s uh, well. That wasn’t the point I was… trying… to make?”
“Yeah, yeah. Medical malpractice. Evil girlfriend. I get it. You’ve made your point. I am very very ashamed of my hypothetical actions.” you say, hooking your leg around his waist, drawing him onto his back. Spine meeting mattress, your body on top now, straddling him.
You hike up his sweater, running your hand across his torso. There’s something obscene to the way he blushes, draping an arm over his face, as if your movements physically pain him.
“Stop acting coy. I’ve seen you in this position before. Worse ones, if we’re going to be honest here—“
“Hey, hey, hey— I’m not acting coy!" he protests, unconvincingly. He’s breathless, attempting to hide the way his body reacts. As if the slight friction warranted from the movement doesn’t grant him fleeting bliss.
The contact is intense, fervent, your body flush with his. “We really really don’t need to talk about the other occasions.” his eyes shut, head falling back against sheets, lips parted, hands gripping the skin of your hips.
“You’re uh, you’re really unfair,” he mumbles, “And beautiful. I should tell you that more often.”
“You tell me every day.”
Moving off his lap, he’s accommodating as you help to untangle clothes from his body, raising his hips when needed, lifting his arms when necessary. Your touch has him compliant, obedient, eager to fall pliant, beneath you. The sight, god: slender, pale skin, faint blemishes staining his thighs from previous nights, matching with the few that adorn his neck.
“I don’t say it enough, then.”
You laugh, “Oh, you’re such a sap.”
It’s a process: getting Spencer to sit up. Because he doesn’t seem to comprehend your intentions, to realise what you’re trying to imply here. Still, when he’s finally perched on the edge of the bed, you rise, shifting to stand between his legs, to look down at the picture of him, bare, undone, so pretty just for you.
He stares up, eyes wide like marbles. “Hi.”
You card your hand through his hair, strands falling between crevices in your fingers. It’s soft, the movement, the gesture, you’re not sinking down to the root yet. “Hi.”
Your name falls from his lips. And yeah, there’s something reverent to the way he says it, the pained whisper. Something that dissolves into a messy, unrefined whimper when you sink to your knees.
“Oh, god. I—,” he swallows, his voice rough. “I, I love you so much.”
There’s this repeated question on your mind, the same one that loops into existence every time you’re in a compromising position: how loud is Spencer going to be today? Because, objectively, he’s loud. It demeans, ruins the chances of abrupt, clandestine touches in semi-public places. In sneaking around. Even when you’ve got your palm against his mouth, he somehow manages to combat, to prevail the suffocation.
Your lips press soft kisses along his thigh, touching those marks now, the ones you must’ve left last night. No? Maybe yesterday afternoon? It’s hard to keep track. “I love you.”
He melts.
“Such a pretty cock. All for me, hm?” jesus christ. You’ve always been so blunt, outward, inherently shameless. Spencer thinks he might die, divine madness. Theia mania.
When you drag your tongue along the length of his cock, there’s a current, sharp, sending his hips bucking. They arch forward, into you, into the contact. Sight shuttered by swollen eyes, he thinks about regulating his breathing, inhale, exhale, the concept falls on deaf ears.
“All yours,” he whimpers, “Yes. Only,.. only you. Always.”
It feels like devotion. The way he confirms vocally, the way you sink down, take him deep into your mouth. His head spills backwards, baring his neck, indiscernible noises bleeding through the open air, sunlight touching his skin, highlighting his intemperate demeanour in diluted canary.
He’ll apologise to the neighbours later.
Shaky, fumbling hands reach out to brush loose strands of hair from your face, to grip, the pads of his fingers meeting your scalp. He would never push, he just needs something firm, solid, tangible to hold onto.
And when you hum around him, just to mess with him, just to hear those sounds, to draw those pleasure-soaked, beautiful noises out of his mouth—
“Oh, oh oh— that’s, yeah. Mhm, yeah. Just… ruin me.” he’d probably thankyou after. Because he’s polite.
You draw back from the contact to catch your breath. Lips stained, now bruising, emitting soft little gasps. There’s tears gathering in the corner of your eyes, reducing your vision to a distorted haze. Blurry traces of reality that all seem so inconsequential now, now that you’re here.
“I love the way you sound for me, Spence. So pretty.”
“Well,” he huffs out a breath, “I’m uh, being taken care of… very well.”
You lean forward to press a kiss against his tip, as if that’s the most innocent, innocuous gesture imaginable. “You deserve it.” your nails run across his thigh, leaving faint white lines in their path. “Exploding that genius brain of yours yet?”
“That shattered the moment you got down on your knees. Maybe, um… okay, possibly earlier.”
“Earlier?”
“Way earlier..”
He whimpers when you drag your tongue across his tip. There’s a plethora of please please please he shamelessly emits, only somewhat satiated when your lips are wrapped around his cock, when you’re demolishing his sanity, and everything else in the process.
He doesn’t even realise how lewd he is, most of the time. It’s not like he’s making a deliberate effort, he’s not sure he’ll ever be able to attain that skill anyway. It’s just… him, raw and unbridled, so delirious from pleasure.
His eyes, dilated, gone, are half-lidded, watching you through thick curls of messy hair, damp with sweat and morning light.
“I’m trying, I’m trying so hard,” he moans, and then words are destroyed, obliterated, as you gag, taking him down to the hilt. “Oh,” he says, “Oh.”
It never lasts long. Not where he’s concerned. Features creased, pleading, you have to restrain him from bucking, nails burning crescent marks into his skin. “Please— please, ‘m gonna…”
He looks done. You hum, oh, silent confirmation, the vibrations stimulate his cock, and then he’s shapeshifting, morphing, transcending into something blissfully gone, releasing deep into your throat.
The orgasm has him ruined, undone. Barely conscious, just floating like something inviolable.
Afterward, he’s urging you to drink water, soft kisses pressed down the curve of your neck as you both readjust. When his phone, his outdated, underused phone lights up, artificial haze, he curses Prometheus for giving humans fire, for hiding it in a stalk of funnel and allowing them to inevitably create technology.
The phone gets locked away in his drawer. He’s half-scared of it anyway.
Spencer has never quite understood the appeal of mornings, but he’s starting to see the merit in them, with you. He’ll tell you that sometime, maybe. One day. Soon.
Right now, however, he descends down your body, lips dragging a path from collarbone to the space between your thighs, where he actively groans.
“Best Saturday morning ever,” you remark, helping him to remove your shorts, then the offending panties that prevent his mouth from working you to ruin.
It’s almost domestic, the way you mirror his actions, feeding your hands through his hair, supporting him as he slips a pillow beneath your hips. Sprawled out across tangled sheets, flushed and restless, you let out an appreciative sigh at the reciprocation.
“Definitely,” he agrees, blowing cold air against your core, just to watch the way you curve, contort. “Though, uh… every morning with you is the best morning ever.” It’s dumb, and god he’s blushing between your thighs.
But, Spencer likes to thank you. Because all in all, he considers himself a well-mannered person. So this, he parts your thighs further, applies slight pressure to your clit, is completely necessary. Mandatory, he’d argue. Something that needs to be embedded into daily routine.
Usually, it’s a slow, methodical process. He can be a perfectionist, a completionist, but he doesn’t mind. He trails his tongue across the inner sections of your thighs, to catch the wetness that stains your skin there.
“You are so perfect,” he regards, pressing a kiss to your clit, mirroring your actions. “So pretty. The prettiest— i’m going to, yeah..”
His tongue moves in languid circles, in soft, calculated motions, before finally delving inside of you, tasting you, drawing a moan, a plea, a muffled prayer from your lips. Okay, alright, maybe his lips too.
“I could do this all day, I want to, I—“ And he doesn’t really have to finish the sentence, because you know him too well, and it’s implied. Implied that he’d spend ceaseless hours here without complaint, oh far from complaint.
He likes to have something to focus on. A task to preform. It distracts his mind, and this one? Yeah, it reduces his thoughts to only you.
If he had it his way, his current mental state would be permanent.
“On your back, pretty boy..” you watch with soft eyes as he mindlessly obeys. Legs bent, pressed against the mattress, you sink down onto his face, getting off from a new angle. Your back instinctively curves, arches, a series of warped moans ripped straight from your throat.
“Just like that— mhm..” you mutter, gripping his hair tighter now, mostly for stability. It’s hard to look down, to see the obscene sight he’s been demeaned to.
His thoughts are always haywire, spitballing off one another. It’s a constant cycle of overthinking, over-analyzing, brain fried beyond reason. But you? You make him feel grounded, tethered, to the very world itself. You’re the one constant that he can predict, and yet, oxymoronically, still so unpredictable in the same breath.
So human..
When you begin to rock against his face, to take the initiative, using him, he simply reaches down, hands trailing across his overstimulated body to stroke himself because of course he’s hard again. How could he not be? He’s at the altar of your body, and god he knows how to serve.
Spencer’s pretty certain he’s forgotten how to breathe, and it’s a hard, harsh gasp when he has the chance to drag air into his lungs — before diving back down to you, because yeah he needs it, he needs you.
It’s messy, muffled whimpers, and desperate sounds emitted from both of your mouths. A constant onslaught of him, his tongue working halos against your clit. When he comes, he’s got his face buried into your heat, obstructing all of his senses. Delirious. Pussy-drunk.
There. There. There. He makes sure to prolong the pleasure, to work you through the bleeding mess of stars, and cosmos, and heavenly bliss, until you’re squirming away from overstimulation.
There’s a set routine when it comes to aftercare. One that both of you fail to adhere to, every. single. time. You’re both firm, assertive, in the belief that you should be the one to look after the other, so it ends up being a lazy, mutual act. Showering, the way he buries his face into your shoulder, naked body pressed against naked body. Hydration, soft touches, muttered words that help you return from the astral plane.
“I can’t believe we’re getting back into bed,” you say after you’ve changed the sheets, traded your ruined clothes for fresh pyjamas. You’re wearing Spencer’s shirt, fumbling buttons, half sealed, exposing your collarbone, draping over your shoulder when you preform any sort of physical movement that requires arms.
“No complaints though.” by nature, your body finds his beneath blankets. “I’d happily rot here. They could make a shitty reality show, it would be good entertainment.”
“I think I’d get fired from the BAU,” he protests, “You know, the first reality TV show aired in 1948. Candid Camera, on ABC, the premise was uh… hidden-cameras? So, yeah, the usual invasion of privacy, sounds entertaining.”
“Mhm. Sounds like something you’d hate.”
You’re lying face to face, arms draped over each other. The Lovers of Valadro position, he calls it. You’re not sure if that’s romantic, or slightly morbid.
“Here’s the plan,” you press your forehead to his, staring at those doe-wide eyes, “We’re going back to sleep. Then, I guess you can be a rule-abiding FBI agent, or whatever, and finish up your reports. As long as you’re done by 4. Because I want to see a movie,” he laughs, in that knowing way. “Yes, yes, i’m aware it’s your turn. Which means we’re gonna end up watching some documentary. Just uh? Make it space themed, yeah? Or, dinosaurs. I can settle for dinosaurs.”
His lips meet yours, abruptly, and he’s grinning into the contact. “I love you so much. I, we, still need to watch MoonWalk One. The Mars Underground, um.. The Valley of the T-Rex? There’s another that I read about yesterday. The Universe at the Edge of Knowledge. Oh, or Dark Universe. You’ll really like Dark Universe, and Edge of Knowledge has this, this cool segment on —“
“Okay, nerd.” you laugh, “Whatever one you want, we’ll watch. I’m still halfway through Paleoworld right now, 30 episodes in.” he knows that, because you’ll message him through the duration, make use out of that untouched (borderline) dusty phone he neglects.
He intertwines your fingers, presses a soft kiss to the back of your hand. “Yup. Yup. Whatever. Can we nap now?”
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Peter frowned a bit at Willow's remark, but he decided not to ask for an explanation of what she thought was so easy just in case it wasn't directed at him specifically.
"Deviants have the same issue, if they get too stressed they'll self destruct... Not like explode, but bash their own brains in on whatever they can find. So far Vincent is the only one I've seen hit one hundred percent stress and not self destruct, we theorize his fear of loud noises overrides the self destruct protocol." He still had yet to find what the cause of self destructing was, as it was hard to find out what goes on during the event when the android effectively destroys the one thing that would hold the answer. And he didn't want to trigger it in a monitored android, it was too risky as he had no way to stop it once it began.
"But I understand the importance of keeping this from getting out, so don't worry about that." He knew it wouldn't lead to anything good if other found out about the existence of human brains in a digital format, and he didn't want to be asked about it as he wouldn't be able to provide any kind of suitable answer.
"And I don't really care to know why you have digital copies of human brains, something tells me the reason isn't something I would like to know." If someone had felt the need to do such a thing, and if the people the scans belonged to were no longer around, he had a feeling something terrible had happened. And he really didn't want to know what that something was, as Strasky's appearance made it clear just how terrible whatever had happened had been, and he didn't want to randomly start thinking about it.
Nines turned to look at them again when he heard his model mentioned, he had been listening as Brent hardly ever spoke well he was working so there wasn't much for him to do well he waited. "It is not the first time I've heard a threat on Kamski's life, nor will it likely be the last. Gavin makes them regularly, and I have heard androids say such things as well." He commented, hearing the creator of Cyberlife be issued death threats wasn't new to him, in fact he felt it was just a common thing to hear at that point in time.
"But if you must, try to not make it obvious it was you. I am a detective unit, so it would likely fall on me or my predecessor to solve it." Nines knew he shouldn't say such a thing, but after hearing stories from humans and androids alike of their experiences with the man he could care less what happened to him.
Peter looked away from Nines once he realized he was being spoken to again, answering with a small shrug. "He just kinda showed up and made himself at home. He hasn't done anything worth kicking him out for, and he seems to be friends with Vincent even if he refuses to admit it." Sure the android was rather odd and strange, but so were quite a few who also lived in the house, so it wasn't anything too surprising for Peter. And it was nice to see Vincent socializing with anyone that he wasn't initially forced to acclimate to, which felt like a good step in the right direction for the AP700 and he didn't want to risk compromising that. "Sure, he makes demands of me, but I promised never to make another android like Dan." And that wasn't a promise he planned to ever break as he trusted Dan to never hurt someone just because he had the ability to do so, and Dan would get upset if he broke it which he really didn't want.
Dan glanced at Peter before some movement out in the hall caught his attention, the movement being Sixty and a Jerry messing around with something he knew they shouldn't be. He carefully removed Peter from him before getting up and approaching the two, who quickly noticed him and took off. Dan gave chase as he saw they were still holding something they likely shouldn't have.
Nines watched the scene looking mildly amused to witness the PL600 have to chase down androids behaving like children. Peter seemed indifferent as it was a very normal occurrence to him, he was already looking at the pictures Strasky was showing to him on the Omnitool well listening to him explain the role of each person so he'd know how to build the custom units.
"That would be the RK800 that was mentioned earlier and a EM400, a hivemind android. EM400 are naturally child-like as they are used at amusement parks, and now some are finding other ways to entertain themselves like what was just seen." Nines explained as Peter was busy jotting down notes and getting the photos he needed from Strasky to explain the function of an EM400, and why one would be following around Sixty. "They call themselves Jerry, and as of right now there are only two present on the property. The other is likely with Ralph, a damaged WR600, to keep him from getting into any danger."
Whatever joke Rook had planned to make was set aside as she eyed the two. She obviously saw nothing wrong with hanging out with alternative versions of herself. It was kind of like meeting a distant cousin, expect they were unlikely to disappoint like most relatives do. Even Bishop had little to complain about his. They both acted the way one would expect from the likes of him.
Really, it was his fault for being an asshole. She glanced at the agent, then turned to Nines. It didn't seem like a smart idea to make android cops, but that world didn't exactly shine for its bright ideas.
"Oh, you have it so easy around here." Willow scoffed, rolling her eyes, "Those engrams have a tendency to destabilize. I'd prefer to resolve any compatibility issues myself. Whatever funding you may need, consider it covered. Again, feel free not to question the source. Not every corner of the world is as content with the existence of digital beings, it'd save me some extra work."
"You should consider moving here." Bishop suggested, a faint grin on his face. He found the concept of adopting androids amusing. Some people truly went through great lengths to find humanity in everything.
Not that he cared to understand it when he hardly contemplated showing basic decency towards the aliens he had captured.
"Having to share the planet with Kamski is miserable enough. I have no intention of moving any closer."
"What about your plans to murder him?"
"Please, do not quote me in the presence of the RK900."
"Oh, he really wants a katana up his ass." Rook mused, before turning to Peter, "I think it's cool that you've got brothers. What I don't get is why you're keeping the Bishop shaped one around."
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To Share the Space with Simple Living Things - Hozier x Fem!Florist!Reader
Chapter One: Blue Hydrangeas- Gratitude
Summary: Your job as a florist has been the highlight of your day for years. It becomes even more exciting when a certain new customer becomes a regular.
Word Count: 2286
Author's Note: Hey guys! My first multi-chapter fic, i'm so excited!!! i don't have a strict posting schedule, but I won't go more than two weeks without an update. please bear with me here because I have no idea what it's like to be a florist. I hope you all enjoy!!
p.s. special shoutout again to @deprivedmusicaljunkie for beta reading, i can't thank you enough!
fic below the cut :)
You were a part of the small minority of people who actually loved their job.
The concept of this was strange to most people — strangers making small talk, men asking introductory questions on dates, even your own parents. Maybe because it wasn’t exactly a career; more so a job that someone has as a way to make rent while getting their degree, which is how you originally began to work at Earth's Laughter Florists. College had been years ago for you now, and yet you stayed behind the counter, making bouquets for customers with a genuine smile on your face. It got to the point that when the old owner decided it was time to retire, she chose you to take over. Of course, you immediately accepted; this job was the best part of your day. While all of your friends were going insane with their office jobs, you… admittedly still went insane from time to time, just in a much prettier workplace.
You had even taken it upon yourself to learn flower language: different types of flowers having different symbolic meanings. It was almost like extra credit. It gave you a new challenge of arranging flowers while keeping both color and symbolism in mind, and helped you create bouquets and arrangements with more meaning. This, in turn, gave your customers a new incentive to buy different flowers for different occasions based on what they meant. More business for you, more smiles on people's faces, and more money in your pocket. Everyone wins.
Another benefit of the job — your favorite part — was that it gave you small glimpses into the lives of other people. Flowers had a multiplicity of sorts. They were so versatile that people bought from you for almost every occasion. Weddings, funerals, birthdays, dance recitals, you name it. It made you more appreciative of others. Every day was a new insight into whatever your customers had going on. And today was no exception.
You arrived an hour before the store opened, as usual. You went into the back and threw on your apron, adjusting your name tag. Thoughts of everything you had to do before opening ran through your head, and you quickly began to busy yourself with everything from giving some flowers new vases of water to following up on an order for a wedding. Your two coworkers came in around a half an hour after your arrival, donning their aprons, saying their hellos, and also beginning their day. When the time finally came, you flipped around the sign hanging from the door, telling everyone outside you were open. You stood behind the counter and waited.
And waited.
And waited.
One of the only downsides of your job was that it required a lot of patience.
It's not like you were just staring at the clock, biding your time until a customer entered. You still had work to get done, mostly tying up loose ends from what you didn't finish before. Your coworkers were occupied with a tall order of arrangements, so they stuck to the back, with the occasional popping in to ask if you needed assistance. Politely, you declined.
Mundane was the word that kept repeating itself in your head as you did your odd jobs around the store. Not necessarily a bad thing. In fact, mundane meant nothing horrible was occurring (even though it meant nothing was occurring). Of course, mundane never does last long.
You had just finished creating an arrangement to put on display when your first customer of the day walked in.
The bell above the door rang, and you quickly walked back over to where you were supposed to be standing, not even bothering to see who had walked in until you were behind the counter.
The first thing you noticed was that he was taller than you had expected, with long brown curls that fell down to his shoulders. His outfit, a black turtleneck, a brown leather jacket, and black jeans, was the right mix of formal and casual; you could tell he had somewhere to be, but with people that wouldn't mind if he laughed a little too loudly.
To top it all off, he was handsome. You couldn't pull your gaze from him if you tried.
He walked forward, slowly looking around at all the flowers on display until his gaze locked onto you. He broke the silence between you.
“Hello. I need some flowers.”
You maintained your composure and brushed off your previous thoughts. You started your usual routine, asking him the same questions to get to know the situation (and him) better.
“What's the occasion?”
“It's my mum’s birthday.”
“Does she have a favorite flower?” You asked. He replied with no hesitation.
“She loves hydrangeas. Blue hydrangeas. She always has.”
His immediate answer brought a small smile to your face. You nodded intently and began to think of all the possible combinations of flowers that would work well.
“You're specific. I like that. That makes my job easier. Usually guys say something like ‘I don't know’ or ‘the purple ones’ or just ‘roses’. It's like some people don't even pay attention.”
“Well, that's all I know how to do.”
“A blessing and a curse, I imagine.”
“More of a blessing, believe it or not.”
“I have a similar blessing, though it seems to be laser-focused on plants of all things.” You joked. “Speaking of plants, let me start on your bouquet.”
You left your spot, walking over to the wall of flowers on display for you to pick from. You stopped and stood next to the man, fixated on the wall as you tried to decide what flowers would go well together, in meaning and in visuals. Mumbling, you thought out loud.
“Alright. For his mother. Blue hydrangeas… that's gratitude. What can go with that?”
The customer tilted his head in confusion, clearly having heard you.
“I don't mean to interrupt, but what's with blue hydrangeas and gratitude?” He asked. Your eyes widened, and you turned to face him as you started your explanation.
“Oh, it's flower language. I learned about it to help me make more symbolic bouquets. Back in the Victorian era, people would use bouquets of flowers to convey messages they couldn't say out loud. Most of the time it was a love confession, though you could also reject someone if you picked your flora wisely. Individual flowers have meanings, too. Blue hydrangeas, your mum's favorite, symbolize gratitude. There was even a change in the meaning based on which side the ribbon was on, or if they were given upside down, and…” You cut yourself off when you realized you’d been talking for much too long, your excited expression dropping. “I’m rambling about something you definitely don't care about. I’m sorry.”
He gave you a confused look, and a small laugh of disbelief escaped him.
“What? Don't apologize. That was fascinating. I don't know if I’ll ever see flowers the same way again. In a good way, of course”
The fact that he was actually invested in what you had to say pleasantly surprised you. People — not just customers, people you actually choose to surround yourself with — would often tune you out after the first two sentences.
You knew this man for two minutes and he was already raising your standards.
“Well then, I’m happy to give you a new perspective. I’ll get started on your arrangement.”
You stepped back to get a better look at the flowers lining the walls of the room. You already had a vague idea of what you wanted, you just needed to put it into action. Hydrangeas were grabbed first, and made the focal point of the bouquet immediately. Other flowers were picked up and put down, a trial-and-error of sorts until you found which ones truly matched.
Occasionally, you looked over your shoulder to find your customer still standing there, spectating you from a few feet away. He watched you with a certain gleam in his eye, one you would attribute to admiration if you didn't know any better.
Once your selections were made, you picked out a plastic sheet and took the flowers into the back, where there was a smaller room with a much larger table surface for a workspace. The wrapping was laid out, and meticulously, flowers were laid down. Rearranged. Shifted around. After a few small touches, everything was in the exact place you wanted it.
You finally finished up, wrapping the flowers in the silver plastic and tying it up with a blue ribbon. You went back behind the counter and held the bundle of flowers up, pointing at each one as you described the meaning of each specifically selected flower.
“There's the blue hydrangeas for gratitude, white roses for loyalty and beauty, and belladonna delphinium for protection and well-being. You're basically showering your mum with compliments with this thing.”
“It's gorgeous,” he replied, the look of astonishment from before lingering on his face.
“As nature tends to be.”
“I mean, you can't argue with that, but the way you’ve arranged them, it's… stunning. She’ll love it.”
His compliment surprised you; it wasn't too often you got such a compliment for a simple bouquet. It caused your heart to flutter in your chest in a way that definitely crossed the border of the employee-customer relationship you had going on. Frightening. Maybe if you kept acting unaffected, it would magically stop.
“Let me ring you up.”
There was no true cash register, and you instead relied on a pen, a yellow legal pad, and mental math for customers’ totals. It took a moment, but you calculated what he owed you.
“That'll be $54.”
He muttered in agreement, and you watched as he reached into his coat pocket. His hand stayed there, fiddling around. After a moment, he reached the opposite hand into the opposite pocket. He felt around for a second, pulling his hands out and placing them on his hips. His content expression was replaced by one that was much more panicked.
“Shit. Shit, shit, shit!”
Your brows furrowed in confusion.
“What’s the matter?”
“I…I forgot my wallet back at my house. Do you take any online payment?”
You shook your head.
“No, sorry. We're old school. That's alright though, I can put these to the side and you can run home and get your wallet.”
He let out a frustrated sigh in response, angry more at himself than anything else.
“That's the thing. I live thirty minutes from here and I’m meeting my mum in fifteen minutes, and I have specific instructions to be on time. I might just…”
He stopped his sentence, paused, and took a deep breath to calm himself.
“I’ll find something else. Thanks for all your help, though. You have a gift.”
You caught the sincerity behind his now bitter tone, and it made your heart ache. He turned to leave and took a few steps forward. You didn't process that you had said anything until his reaction.
“Wait.”
He immediately stopped in his tracks and turned around, and you realized your impulses led you to call out for him even though you had no plan whatsoever.
Biting at your lower lip, you thought of an idea. You genuinely wanted to help this man give his mother flowers… The fact you found him attractive was merely an added bonus. Besides, the pity you felt for him overrode that. Once the metaphorical light bulb lit above your head, you spoke again, leaning in closer and lowering your voice so only he could hear.
“Okay, I’m not supposed to do this, and this definitely isn't a good business practice, but I can tell you're not just doing this to steal flowers from me, so I’ll make an exception.”
He leaned in as well with a look of intrigue. You continued to explain.
“You can take the bouquet for now, and then within… I don't know, two days, you have to pay me back. I’d just need a name and phone number so I can contact you if you don't show up.”
You snatched one of your business cards from the display and flipped it over so the blank side faces upwards, leaving a pen in front of you so he could write. He picked up the ballpoint, seemingly scribbled for a moment, and then slid the card back over to you. Written in surprisingly beautiful handwriting, you read his name aloud.
“Andrew… Nice to meet you. I’m Y/N.”
“I know.”
This caught you off guard. For a second you wondered if maybe you did accidentally give a free bouquet to a shady guy.
“Excuse me?”
Andrew’s mouth went agape as he realized the connotation behind what he said, and he quickly muttered an explanation, flustered. “Oh my god! No. Not like that. You… your name tag.”
A sigh of relief escaped your lips, and you gave him a nod.
“Right. Forgot that was there for a second. Alright, take your bouquet. Happy birthday to your mother. And remember, two days.”
He gave you a gesture showing his gratitude, pressing his hands together.
“Thank you. So much. I don’t know how I’ll repay you.” He said, grabbing the bouquet.
“Hopefully with money in two days,” you joked.
He let out a laugh.
“Money would do the trick. I’ll see you soon.”
“See you soon.”
You watched as he left, the smile of your face growing as you noticed his appreciation of the flowers you had arranged by the doorway. He paused for a moment before opening the door and leaving, and you caught him humming a tune you'd never heard before.
You hoped he would come back much sooner rather than later.
#hozier#hozier x reader#andrew hozier byrne#hozier fanfic#hozier fanfiction#writing#fanfic#writeblr#writers on tumblr#divider#to share the space with simple living things
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hiii! I was wondering if I could request MK having a crush on his coworker?? For example like- Reader works as a waiter in pigsys and Mk admires them a little too much
Can you make it spicy too in a way?? Sorry if that sounds demanding 😭😭
Yhank you!! Have a nice day<333
waiter, waiter! one serving of my heart, please (mk x reader)
content warnings: gender neutral reader, second pov (you/your), reader and Pigsy's relationship is strictly professional/no solid relationships between them, mk is in love
author's notes: twas a bit hesitant to write this cause it kinda reminded me of an asshole i once met in my older server bleghhhhh :< also sorry, i couldn't make it spicy agh
MK remembered when you first walk through the door. It was another Tuesday afternoon, bored out of his mind after another day of delivering noodles and saving the city. He'd only just returned, filling in Tang about the demons he came across while Pigsy made something in the kitchen.
And you were there. A bit dull-eyed compared to what MK remembered, but still wearing that smile he'd grown so fond of. You'd raised your hand in greeting, asking for the owner of the establishment you'd enter.
He remembered being too dazed to really focus on the conversation. All he knew was that he'd call for Pigsy, then spent the next hour or so watching you from a corner. It wasn't until you had taken your leave did he realize to ask, and he turned to Pigsy for answers.
“Oh, don't look at me like that.” Pigsy had sighed, sliding a bowl of freshly cooked noodles towards him. “You've been busier than ever with your training. And since we don't want a repeat of last time―” Last time meaning the clone incident. He still couldn't get over obese Delivery Clone trying to eat Pigsy… “―I figured a helping hand around here would do the trick.”
MK pretended to pout. “So you're replacing me?”
“No, dumbass.” Pigsy threw a wet cloth at Tang. It landed with ease, and the scholar whined. “Just that you don't have to stress too much about not doing enough around here. (Name)’ll work in your free time, and you theirs.”
It didn't seem like too bad of an arrangement. There were days he couldn't be around, swamped with training or some monster that wouldn't leave the city alone, and Pigsy would need an extra hand to help around. He could've asked Mei though, but he figured that the pig demon also wanted to offer employment to anyone in need of it.
It's just that, while MK had eaten his noodles and stared through the window to past the time, he really thought you were interesting, and the plans Pigsy had meant that, most likely, neither of you would get to speak together.
And that sucked. Because, once MK had the idea (and mere audacity, to quote a certain hot tempered bull prince) of befriending someone, not even the Buddha could pry the thought from his head.
Which in turn, lead to certain events, as of now. Hanging around during his own breaks to catch a mere glimpse of you, trying to play off the ‘cool’ hero act only to have his own staff knock him over in the process, god awful flirting attempts (seriously, those lines were bad bad), to name a few of the things he'd done. That wasn't even mentioning the times he accidentally held you up during rush hour, earning a scolding from Pigsy and customers that were completely rude to you and made MK feel so guilty in the aftermath.
With that last one, you'd think that such behavior would be enough to put anyone off. No sane adult liked getting yelled at for actions that weren't their fault, especially from their boss.
By the gods, you were a literal saint. And MK would be damn well lying if he said he wasn't head over heels in love, and that was saying something.
But, no. You still smiled at MK every morning when clocking in for work, and you still laughed at his bad jokes and horrible flirting lines. The rare off chance you two spoke, you were always so nice, not even bringing up the fact he'd gotten you into so much trouble over and over again.
“You're going on your lunch break?” He asked, waiting outside for you to show your face once again. Today had been his day off, but with Mei busy and the city surprisingly peaceful for the time, what better way to spend it than with you?
The question was a bit…too obvious, honestly. Of course you'd be going on your lunch break at this hour, how would he not know when he worked for Pigsy at the same time?? Plus, it's not like he hadn't hassled Pigsy before about your work hours and the time you'd take your breaks so…
You raised your head and glanced at him, nodding slightly. “Yes. Would you like to join me?”
In his head, MK was jumping for joy. He had been planning on asking you if he should join, but then you went right ahead and invited him first. This was progress at its finest, and MK was nabbing at this opportunity faster than lightning.
Just as quickly, he responded, “I mean, if you wouldn't mind me, I don't mind! Like, if you want me, haha….”
He could imagine Mei looking down at him in disappointment. <Seriously, confidence is key. You're the Monkie Kid, what do you have to be worried about!?
That was easy for her to say! She was always cool, unlike MK who'd embarassing himself in front of you so many times….
Lost in thought, he hadn't realized you'd stopped walking until he nearly tripped over a table. You had the kindness to grab at him before he fell, offering your sweet, signature smile while he took a seat, nervously laughing.
“So….”
“So…”
How awkward. MK played with his sleeves, watching you pop open a box of noodles from Pigsy and eat. How the fuck do you even start conversations again?
As if you read his mind, you raised your head and gave him another smile. How he wished he had a notebook and pen around, if only to sketch you with such a peaceful expression.
“You can speak, if you'd like,” you said assuringly, picking up a mushroom from your bowl. MK was never a fan of vegetables, but watching you stick it into your mouth made him wonder if he should try eating some. “I'll listen. ‘kay?”
So thoughtful. “O..okay…”
And boy did MK speak. He chattered endlessly about anything that came to mind, gauging how you reacted carefully. Sometimes, you'd finish chewing to comment or too, other times, your expression would change with whatever he was talking about, nodding along in agreement with his peeves and then shaking your head when someone else supposedly did him wrong.
At some point, he'd completely trailed off topic, staring at your lips wrapped around your chopstick. He was technically still yapping, except that now―
“What did you just say?”
He blinked.
What…..what had he been talking just now? Was it something that upsetted you!? Fuck, he's such an idiot, allowing his mouth to blabber―
“You…like me?”
….
…
MK stood to bolt.
It turned out you were a lot faster than you gave him credit for. You had already grabbed him by the collar, yanking him backwards and onto the seat―this time, next to you.
“MK.”
Dear god, he wanted to disappear. Why hadn't Monkey King taught him one of his 72 transformations?? Fleeing from this situation would be a whole lot faster….
“MK.” You repeated his name, turning his head to look at you. “I heard you, you know.”
MK sighed. “Listen, I'm so sorry―”
“Why? Who said I didn't like you too?”
“―like, I know, I know, you're not here for relationships or any of that sort, and I shouldn't―what did you just say?”
You smiled slightly. “I said, I like you too.”
“Oh.”
“...”
“...”
And then MK fainted.
“MK? Are you alright?”
@lotusarchon , 28.11.2024, all rights reserved. do not copy, repost or translate my works without permission. comments, reblogs and likes are appreciated!
#𓍯𓂃usagii's penpals🎐#lego monkie kid#monkie kid#lmk#lego monkie kid x reader#monkie kid x reader#lmk x reader#lego monkie kid x y/n#monkie kid x y/n#lmk x y/n#gender neutral reader#second pov#lmk mk#mk lmk#lmk mk x reader#lmk mk x y/n#mk x reader#mk x y/n#lmk qi xiaotian#qi xiaotian#mk#qi xiaotian lmk#lmk mk/qi xiaotian#mentioned !!#lmk pigsy#lmk tang#lmk mei#platonic relationships
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PLEASE FEED US MORE JUST AS DOWN BAD GOLDEN CHEESE. PLEASE MORE YANDERE CHEESE
Did you send two asks in a row screaming for more Accidental Yandere Golden Cheese lol. Calm down brotato, Merchant is here. Merchant sees you (and everyone else in my inbox I swear to God Almighty I will address you all eventually). Let me see what I've got in my noodle for you
Under the cut because this is fucked and gets a little extra graphic at one particular point lol
Golden Cheese actually has tried to gather the identities of those Burning Spice has murdered. What she wasn't able to glean on her own, from her own personal knowledge of other lands and peoples (i.e. noticing certain traits she knows to be endemic to certain cultures, like a hair accessory or something), she found in books and scrolls in her kingdom's library that gave her a better idea. Whatever she couldn't find in those, she found via sending cheesebirds to travel far and wide in search of any kingdoms, cities, villages, families and friend groups with confirmed missing persons. They would report back to her and, with all the knowledge she's gathered, she's able to find a name, which she then wrote onto a label and placed under the person it belonged to. She's managed to eventually give all the heads their identities/personhood back, at least to some degree. And now, knowing who these people are/were, she can get them back to their loved ones easier. Right? ...Right? (She tries not to progress beyond being proud of herself for going that extra mile, because it just leads back to "ok so why are the heads still here, why haven't you returned them". In trying to do the right thing, she ultimately just does the WRONG thing again and reinforces her preexisting guilt and shame, because... she knows exactly why she hasn't returned them...)
Golden has started... experimenting with Spice, for lack of a better term. After she was proven correct about him paying attention when she mentions someone she doesn't like and later killing that specific person for her, she starts testing him in other ways. She makes subtle suggestions about how he ought to kill people, to see how he responds in the moment and if he actually ends up doing it later. She tries to coax him into going into detail about how the killing went, just to see if and how he does so (turns out he really does like to brag about his crimes, especially to her). She tries to hint at him giving her other things besides body parts, like certain trinkets (it... sort of works. If she asks for a watch, he... brings her a severed arm with a watch attached to it still, for example). She's observing how far he'll go and in which direction he's willing to travel in at her suggestion. (...And she revels in how much power it turns out she has over him. She really does have him at her beck and call. It's lovely.)
When her friends ask her how she's been managing her Beast (they are aware that hers is still actively targeting her, but that's it), she acts as nonchalant as possible. Burning Spice is nothing. He's just a fly buzzing around her head. She handles him just fine. When they ask her how they can help, she tells them she doesn't need it, because she doesn't want them anywhere near him she really is fine. It's fine. She's fine. When they suggest going after him themselves... thank goodness she's a good actress and a quick thinker, because her very first REAL reaction was seething fury that she had to keep under control until she was alone again - but then, when she finally is, she just has another crisis of conscience, because now she has to confront the fact that she can no longer tolerate the notion of him being harmed by anyone besides herself. She used to want him dead or imprisoned by any means necessary, but now... now, she lies about his whereabouts to everyone who asks (and she always knows where he is, she snuck a tracking device onto him), because she doesn't want anyone coming near him for any reason anymore, least of all to harm him. Because only SHE can harm him now. He still comes to fight her, not just to give her things. And she obliges him, albeit begrudgingly (never mind the sick satisfaction she feels when she hurts him or takes him down. She wonders if this feeling is what he's referring to in those letters about him reveling in their battles and how he enjoys her suffering). She... she won't let that end. She won't let anyone get in the way. In his way. In THEIR way. She can handle him by herself. Everyone else can stay home. They won't take him away from her. She cannot guarantee their safety if they try.
She once idly wondered about his past. About the people he likely once had in his life. About... if he'd ever been fond of any other women. She could hardly fathom the hatred that utterly overwhelmed her senses when the thought entered her mind. So angry was she that she broke the glass of water in her hand in said anger and injured herself. So haunted by this notion did she end up, that she tried to ask him about it the next time they met (as subtly as possible; she understands the implications of asking such a thing). He just shrugged and said he didn't recall; the only woman that mattered to him was her. She hated how relieved she felt when he told her that...
...but after that day, and for a good while, he only targeted women. He kept killing adult women and bringing their heads to her, and no one else's. She quickly surmised that he might have noticed her jealousy (or at least imagined she was jealous) and immediately set out to prove his devotion to her further than before by destroying those she feels threatened by - even if the threat does not exist, for she is all he ever wanted. He never told her directly, but she figured that's what it was. And she allowed herself to believe it. Because it made her happy.
(When the women-only killing spree eventually ended, she was struck with morbid curiosity and asked him about the men he killed. Was there anything behind the ones he chose? He revealed to her that, though his targets were mostly random, he would go out of his way to kill any man that he thought she might find attractive. He was capable of feeling threatened, just like she was. It was quite the surprise... a surprise she welcomed, a surprise she found deeply amusing. Because really, what was left for her to find attractive in anyone anymore, when no one went as far as he did to earn her favor?)
She actually does find him handsome. She always has, from the beginning. It was something she considered to be a great shame; such good looks squandered on such a horrible man. But now... with her greed slowly spiraling out of control thanks to him constantly overfeeding it the way he does with his violent extremism... she's starting to dare to find that extremism handsome, too. She's slowly but surely ceasing to find any shame in the circumstance. She's starting to think he's handsome... and that's it, that's the end of the thought. He's handsome, with all of that blood coating his face and body. He's handsome, puffing his chest out and beaming with such sick pride at the handiwork he performed for her. He's handsome, in his maddened, unwavering dedication to her. He's handsome... no asterisk, no addendum, no ifs ands or buts. He's handsome. Burning Spice is handsome. It weighs on her like a stone. And it only gets heavier each time he sees him and his handsome face again.
Sometimes... just sometimes... she'll reread those letters that are particularly... steamy. There's something rather fascinating about them, in a different way than the others. They're so... uniquely visceral. She believes him when he tells her he's starving; his hunger practically lunges at her from the page, claws at her, sinks its teeth into her, sets her body alight. Pure, unashamed, blistering hot lust and sexuality, with some of that same addiction to violence mixed in (he's a sadomasochist, go figure). People have flirted with Golden before... but not like this. No one on earth has ever dared to speak to her so brazenly, not even after several pints of liquid courage. He talks about wanting to break her bed as well as she herself. He tells her how often he touches himself to the thought of her. He details exactly where he wants to put his hands. Where he wants to put his mouth. What he intends to say straight into her ears as they go, and what he wants her to say back to him. How he doesn't want to stop until they both collapse with exhaustion. Just neverending feverish rants about he wishes to destroy her in more ways than one, and how he expects her to scream and beg either way. She won't admit it, not even to herself, the thought tried to make itself known inside of her head once and she shoved it down and tried to bury it under concrete instantly, but... she's almost... intrigued. She's flattered, of course. She relishes this aspect of his insatiable appetite for her alongside all the others. (She likes being told she's pretty. He does that and then some.) But... some small part of her is... curious. Curious about... if he really would follow through on what he says he wants to do, if he really had the chance. How it would feel. How HE would feel. What the difference would really be between him overpowering her to win a fight and him overpowering her to... to...
...there are nights where she lays awake, drilling holes into the ceiling with her bloodshot eyes, wondering where it all went wrong. There are nights where all that succeeds in putting her to sleep are the warm, bitter tears that stream down her face when the guilt and shame grow too powerful. There are nights where she just gets up and leaves, throws herself out of her own window and flies off somewhere, anywhere, it doesn't matter - it just had to be somewhere she couldn't feel dozens of empty, lifeless eyes watching her through the walls. Judging her. Condemning her. Damning her to Hell, where she and the monster who ended their lives belonged.
...and then, there are nights where she feels... strange. Where she notices how... big her bed really is, and how small she feels laying in it. She wonders how it would feel if he was there. If she could nest in his thick, strong arms instead of thin bedsheets. How much more comfortable his chest would feel, compared to her pillow. If his hair was as soft as it looked. How he'd react if she started tracing his tattoos with her fingertips. If sharing a tender moment like that would awaken something in him. If it would somehow help him realize how wrong all of this is.
...Or maybe it would just make it worse.
Maybe she doesn't care anymore.
#y'all gotta stop encouraging me like this lol#i TOLD YOU I love writing dark shit and crazy people. Stop enabling me#jk keep enabling me please this is fun#cookie run kingdom#burning spice cookie#golden cheese cookie#burningcheese#goldenspice#yandere beasts#suggestive
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Finally answering this:
Thank you, @saintjustitude for asking me to rant—I adore doing just that :]
(First of all, thank you to everyone for waiting. I know I took a lot of time to write this, but I had only around an hour free every day, and I usually spent it searching for sources. My knowledge is limited; the play isn't available. I rely on memoirs, interviews, and reviews.
My inbox is always open, and if anyone has any Wojtek questions, I'd be absolutely delighted to answer them. And I mean it. It can be anything.
Every quote was translated by me. All my sources are listed.
Unfortunately a part of it wasn't saved, and I don't have access to some info anymore but this post will probably serve as the beginning of a longer thread.)
And now: “Sprawa Dantona” (1975).
1. How did it all come to be? Why was ‘The Danton Case’ and not any other play?
When I say ‘Danton’ directed by Wajda, most probably think of the 1983 version, a political metaphor: Comsal representing the Polish government, Dantonist representing Solidarity. Was it like that originally? Was Wajda just calling for a fight with the government, transforming Przybyszewska's work to fit his own narrative?
In short: No! (At least if we're referring to the 1975 version, the film is completely another story; I'll gladly make another post about it.).
Zygmunt Hübner (I have mentioned him already in this post) chose Wajda to direct the play even though the latter was a relatively young director; something was telling Hübner that giving the play to him would be absolutely necessary. Pszoniak later referred to that event as Wajda being cast in it as much as he himself was.
The play was simply a way to introduce the artistic team Hübner created. There was none of some “noble patriotism’ or 'anti communism'. (None of what Wajda described as the purpose of the later film.)
Why was that play in particular chosen? That is unknown.
“The idea [of exhibiting that play] came from the fact that Hübner was looking for a play (…) that would present his artistic team as a whole, which he assembled with great imagination and intuition.”
At first, Pszoniak laughed into Hübner's face when offered the role. He thought it fine, intruiging, but the character of Robespierre was so foreign to him that he couldn't give anything from his own person or his own experiences to his Maximilien.
He asked for the role of Danton; that role seemed to fit him way better with "his [Danton's] sensuality, his dynamic physiognomy, and his balls."
Wajda and Hübner were quite insistent and more or less forced Pszoniak into the role.
“Hübner and Wajda were so stubborn that they did not take my objection into account. Nothing there [in the role] suited me; there was no starting point for the role. I had no right to play it. But they convinced me for so long that the whole situation with ‘The Danton Case’ became a dead end.”
The transformation from simply a good play to something entirely political in Wajda's eyes was very slow but steady. On that a little later.
2. Pszoniak wasn't ready to play Robespierre? How did he prepare for the role then?
It's very important to note that it was not bad will that made Pszoniak initially refuse the role, but the theater typecast he was put into and which he almost got used to. All of his power and stage presence were connected to his own physicality, to this sort of mobility and expression that he had to (presumably at Wajda's request) abandon while playing Robespierre.
Wojtekspierre getting his hair cut from a man with surprisingly modern glasses
Whether he was in a tragedy or comedy, it was the unique liveliness that made him so different. Suddenly he was offered the role of Robespierre, a man he only knew from unfavorable history books, portrayed a certain way by Przybyszewska, and he's made to stand before the expanse of that character's personality in a try to make him someone physical.
While it might seem quite shocking, when preparing for the role, Pszoniak didn't even read any Robespierre biography. Why? According to him:
“I didn’t think at all about a historical figure, and besides, you can’t play any historical figure. I put aside the books on the French Revolution. I read them much later, when, years later, in Paris. (…) I didn't want to portray a historical figure, so I didn't judge or evaluate him. I simply tried to get closer to him, to understand him as a person. Przybyszewska herself made it easier for me. The text of the play clearly indicated that she was fascinated by him. (...) Przybyszewska constructed this character in an unusual, enigmatic way. I clung to this fascination, it was a reason for treating Robespierre with empathy. This is a necessary condition for creating a character, without empathy you will never be able to get closer to the man you are to become on stage. Wandering through the labyrinth of his emotions, motives for action, opinions he expresses, I became so strongly attached to him, he took over me so much, that as a result I became Robespierre-Pszoniak.”
Pszoniak admitted he didn't want to play a politician [but, of course, as we all know, he was later forced to in ‘Danton’ (1983)].
The preparations took time and patience (especially from his wife - Barbara). Pszoniak tends to describe it as a painful process. Robespierre's physical expression was compared to being bound tightly by his own flesh, almost imprisoned by it, but freed by his mind. Pszoniak realized that all of the power in portraying Robespierre could only be gained from a deeper reflection. How to show a mind on stage?
That Pszoniak didn't know, and so he made the decision to show Robespierre's determination and faith instead of simply a calculated brain. To show a path, an objective. That's why the last scene was so hard to play (conversation between Robespierre and Saint-Just after Danton's death); he even asked Wajda for a white cloth as a makeshift shroud. To Pszoniak, that scene meant the symbolic death of his character. Robespierre (described by Pszoniak as a “very intelligent man") feels that inevitable peril awaits in the near future. The actor often described a feeling of mourning something or someone after the performance.
The challenge of creating the role, in the words of Wojciech Pszoniak:
“I started to control all my reflexes morning till night; from waking up to falling asleep, I was destroying myself. In everyday life, even the smallest activity, I slowed down; I was reducing and cleaning up [every one of] my habits. Torment, the absolute torment of controlling yourself, of managing yourself. Zero spontaneity, the phone rings, my first reaction—run to answer it—I stop myself calmly, in control of every slowed-down gesture. I imitated Zygmunt Hübner's focused gait; I noticed how he placed his feet. And I started walking like that myself. That's how I set a different, more controlled way of moving. After that, I turned to gestures, head movements, the way of getting up, and gesticulation. I felt that I was different. Acquaintances and friends both asked where this change came from. I suppressed the dynamic, extraverted myself.”
And
“I was pushing the boundaries of supervision [over myself], checking how I would behave after drinking a larger amount of vodka. One day I went out with Basia [wife] and friends (...) After a few bottles, at four in the morning, they were amused, cheered up, asking if I was sick because I was behaving like a machine. After three weeks of suffering, I reached ground zero. This happened during the rehearsals. A conversation about Robespierre and Danton. I joined the discussion, exclaiming, 'I disagree!’ - and suddenly I saw that my hand was no longer my hand, that it was not the hand of that Pszoniak that I am, but that it was already a hand—the beginning of someone else.”
3. What of Danton?
Here the problem with the play began. The man cast as Danton, Bronisław Pawlik, was just... terrible.
He was a good actor in general, definitely, but in short (explanation for the anglophones), it was like casting Danny DeVito as Danton.
He was short of stature, weak of voice, much older than Pszoniak, and simply unfit for the role.
He didn't have a stage presence; his voice was silenced by the other people on stage, and Pszoniak kept acting as if there was some great, dangerous opponent when there wasn't—the audience seemed to notice it.
It all added to a kind of feeling of resentment after preparing so long for the role of Robespierre.
Danton (Bronisław Pawlik), Camille (Olgierd Łukaszewicz) and Westermann (Franciszek Pieczka) celebrating
Pawlik was more concerned with the position of the props or the costume instead of conversing and shaping their roles. To Pszoniak it was the role of a lifetime, to Pawlik it wasn't.
“The audience was sitting on the stage because the entire theater had been transformed into the Revolutionary Tribunal. Here, a powerful voice and a [kind of] broad gesture were needed... Pawlik's charm disappeared in the feverish crowd. What consequences did this have for the play? Enormous, Danton was deprived of the strength [for both the audience and actors] to believe that he posed a deadly serious threat to the revolution. And this lack bothered me terribly...”
4. How did it become political then?
As I have previously mentioned, it was a slow, steady process. Even Wajda himself didn't think much of the play; it was the audience that began the change.
As the first example, Pszoniak recalls a scene when Eleonore comes in with tea but not sugar—in the audience at first only a few laughing, but gradually along with the many performances it turned into the whole audience cackling. The play was exhibited just when a time of increasing problems with sugar supplies began in Poland (food stamps for sugar were introduced).
Pszoniak admitted that the cast would often laugh along with the audience. It seemed almost absurd—a tragic play blending with the real world.
When it comes to Pszoniak himself in that time, the more he played the role, the more it felt like “punching the air.” Instead of having a genuine conflict, he had no support, no reference point in Pawlik as Danton or the audience. For the role to have meaning, to be something, it all had to be a matter of life and death. His co-actor was slipping into comedic grotesque while playing the second main role.
"The success of the play was huge, but the audience was eager to read the play [only] in the context of political allusions. (…) The audience felt that something was happening [on and off stage], (…) the tension grew."
The audience's reaction seemed to be a direct answer to the Danton shown on stage. Instead of a political opponent, there stood a sad, tired victim of the committee who seems completely and utterly innocent, all his words said with a kind of saddened charm (doesn't that remind you of a certain film Wajda made later?).
5. What of the other actors?
Here is where I have the least information. If anyone has any more sources of information, actor memoirs, etc., feel free to reblog this post with additional info or simply contact me about it so I could make Part 2. :]
The cast.
I have to tell you something shocking... Wajda is capable of giving actual, normal characterization to secondary characters (gasp, thunderstrike, wolf howling).
Or perhaps that was just the actor/Zygmunt Hübner (I guess we'll never know).
The most information I could gather was about Saint-Just (played by the excellent Władysław Kowalski).
Based off the limited amount of reviews I could gather, he was a positive character in general. Described as “a man gifted with exceptional warmth and [someone] unconditionally devoted to his cause” or “full of raw passion."
AND HE GIVES MAXIME FLOWERS IN THIS VERSION AS WELL, EXCEPT IN THIS ONE ROBESPIERRE (KIND OF) SMILES!
I couldn't find much on Eleonore, Louise, or Lucille, though I've searched and searched for a few days. All I could find is that the actresses were excellent—that is, unfortunately, no source of any relevant information. Frankly speaking, since Wajda, in kind words, doesn't excel at writing women, I don't have much faith in their characterization on the director's part.
Camille played Łukaszewicz is usually called a “complicated youth"—that is, of course, an opinion—or “spontaneous in reflexes"—that's a bit better of a description. As you can see, I am limited by the fact the play isn't available, and I must depend on biased or subjective sources.
Worried Camille Desmoulins (Olgierd Łukaszewicz) - I do think this Camille looks quite nice.
6. And did the critics like it? Was it well directed?
In short, it was a very, very liked play by both the critics and the audience. It ran for 5 years; it ended around 1980, when many of the actors simply left Poland.
About critics and reviews written by them: What surprised me immensely is the fact that most available reviews (written before the release of the film ‘Danton’) of the play weren't anti-Robespierre. The play is often described as something of a moral discussion, something for the viewer to assess, a work that doesn't suggest one solution to understand the conflict, or revolution (in other words, a great play).
A thing I've noticed is that along with time, the descriptions of the main characters seem to change. Danton—in earliest reviews described as “absolutely repulsive," then later as a tragic man, someone who adores life. Robespierre—in earliest reviews described as an absolute “marble statue," an idealist, someone pure, then in later reviews as just a fanatic.
7. What about Wajda? Did he change the text much? What about the scenography?
I was surprised to learn that Wajda absolutely could make a good, Przybyszewska-accurate play.
From all I could find, there is not much I can accuse Wajda of when it comes to ‘The Danton Case’ stage adaptations. It was made very well. What most likely contributed to the later change in people's mentality when met with the play is the fact that the audience was sort of a part of the performance. How? Like this:
“It [the play] takes place on a stage placed in front of the audience; on the actual stage and in the rest of the audience sit in rows of chairs rising upwards. Everything encompassed by the scenography is one theater. This played out brilliantly in the second parts, in the beautifully composed group scenes, where the audience not only looks at the stage but is drawn into it as an extra audience at the hearings of the revolutionary tribunal.”
And
“Wajda made "The Danton Case" as if against himself—against his previous self: he gave up on visual effects, music, and symbolism. He built a spectacle—a spectacle indeed!—raw and beautiful. (…) During the (…) presentation of "The Danton Case," seats for viewers were also installed on the stage, which was fortunately spacious, the audience surrounds the actors, the actors are among the audience, on the balcony, in the passages.”
If Danton or Robespierre were so close to the audience, I think it really did influence the people's opinion of it later on. Pawlik was terrified, jumping like a fish out of water from one audience member to the other, and there was Pszoniak, white and still under his shroud just a few meters away. That did certainly change the performance's reception.
8. Where can I watch this?!
As I have mentioned here: the play isn't available online, but most certainly is somewhere in the archives (confirmed by Pszoniak), when it was supposed to have a TV debut the martial law was introduced, and a few years later everyone seemed to have forgotten about it.
So, erm… Who's raiding the archives with me? (By the way, fragments of the play exist online, but only 10-20 minute excerpts, so if I find the time, I'll try to track them down.).
Sources:
Books:
Aktor. Wojciech Pszoniak w rozmowie z Michałem Komarem, Wydawnictwo Literackie 2009;
Maciej Karpiński, Pszoniak, Wydawnictwa Artystyczne i Filmowe Warszawa 1976;
Małgorzata Terlecka-Reksnis, Pszoniak. Fragmenty, Wydawnictwo Poznańskie 2024
Photos used and play reviews (pardon the rhyme):
http://encyklopediateatru.pl
#wojciech pszoniak#frev#pszoniacology#wojtekspierre#sprawa dantona#the danton case#stanislawa przybyszewska#stanisława przybyszewska#the french revolution
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This is scheduled to be posted at exactly midnight in my timezone, EST
Anndddddd now I’m doing this because I can, since it’s thanksgiving, this is my small way of showing thanks to my mutuals of whom I love dearly
I’ll probably schedule this post so that I don’t forget
To all of my mutuals/people I follow
You are all amazing people, people who even if I do not talk with a lot, I enjoy being your friends.. and I’m happy you’re here!
More detailed stuff under the cut for some friends ♥️♥️
Now just know these are the very very very small and short compressed versions, YOU BETTER WATCH OUT FOR WHEN I HAVE THE CHANCW TO DUMP THE WHOLE ESSAYS ON YALL!!
@lilithloves-you - the mutual of whom I know irl, I love ya, sis! You’re amazing, and you’ve always been here for me— I’m so sorry I unintentionally ghost like the majority of our roleplays- but just know I love you and I wish I could be anywhere near as cool as my big sis
@dia-smthidk DIAAAAA the fact you use ibis paint and your stuff looks so good inspires me to work more on it— you’re my silly little twin who I love very much and I shall give you platonic headpats
@neptunestoast You’re awesome! I’m so happy I met this silly blob, you’re so supportive and nice and you’re always checking in on me and others and shshsjsjsj you’re so nice and talentedddd
@bixell-pixell SILLY PERSON SILLY PERSON— very talented silly person who does amazing 3D stuff and is also funny and amazing- they are very talented and fun, they’re also good at art
@anxiouschoco SOMEHOW THEYRE GOOD AT BOTH TRADITIONAL AND DIGITAL ART AND FUCKING ANIMATING??? GURL YOURE AWESOME
@gummy-axolotl One of my older friends who ended up becoming my friend because of silly things I wrote, I’m happy I met them! Even if I don’t talk much with them, it’s nice to see them having fun and just being them
@ark-fork COOL ADULT, cool adult that apparently some people are afraid of, but I am apparently the alarm clock for bedtime for them/silly anyways they’re so talented and have taken some of my shitty ideas for designs and- aa— they’re fun
@candy-ac3 jzjsjs Hrgh I barely talk to you ever but aaaaaa I love you and your stories, I hope you’re still doing good on others and your stuff is awed on and dear lord you’re silly/pos
@creativehomicide I BARELY EVER INTERACT WITH THEM BUT LIKE THEYRE ONE OF THE REASONS I JOINED TUMBLR BC LIKE I SAW THAT THEY USED IT AND I COULD EASILY SEE MEDKA I LIKED
@iguessimfished I still question why cool people like this are friends with me but anyways- they’re fun! I love all fish’s silly little stories, and at least this shows me I ain’t the only one with like fifteen thousand stories
@moshieee One of my first actual ‘friends’ I met on tumblr, I met them through another creator, and I saw h their traditional art and got inspired! I thought this was an all digital art world and my traditional stuff would be seen as crude and unwanted, because at that point I hadn’t seen any other traditional art at that point… but they inspired me, and now we’re like really good friends! I’m unintentionally on their same brainwave a lot
@nightmaretherabbit urgh I barely interact with them but their Fnaf stuff is cool, it’s awesome, they have cool art and stories
@onimusha095 silly little dude, very silly, I like hearing the stories and such, even if we don’t talk much, I enjoy talking with you
@picturejasper20 Yeah I barely talk to you either but- I see you around and I enjoy parallel playing with someone who has such good ideas and I also just LOVE seeing them around-
@randompony03 another one of the first people I went onto tumblr for, I loved their au stuff and I found them later on in tumblr, but I still enjoy seeing their art around!
@rayofmisfortune met them through Danny phantom aus, and even if we also don’t talk as much, I love seein em! I know you’re taking a break from media right now, and good for you! I hope you’re doing well :>
@unfunnyaceartist amazing person who I unintentionally charmed into being my platonic wife, she’s not online right now and can’t be here right now, but I love her! Even if she ain’t perfect, I’m happy to struggle through life at the same time as her, we’ve got some issues in common.. and I’m happy I can help someone who’s struggling through similar things as me
@vexation-816 I also really liked his traditional art! Before we even met, I always liked his art and ideas, he’s nice and I’m so happy I’ve been able to see his stories and things evolve into much more than they were before
@yunfox00 LITTLE SIS!! You’re awesome and you can do things like edits and animating stuff and AA it’s so good, and you’re perfect the way you are, anyone who judges you is a DUMBASS and they can talk to the complaints department *holds up trash can with “complaints department” written on it*
@pink-pkmn-trainer You’re also an awesome little sis! It’s nice to see you around, it’s especially sorta comforting to see another writer since like I feel like I’m more of a writer than an artist.. though you’re also just cool in general
@chaos-ace you’re just nice and fun! I love how you add into our stuff, and I like seeing your art, it’s nice to see your comments on things, and I really admire your sense of justice!!
@theautumnaldemon YOURE FUN AND A GAY LITTLE GUY/aff/silly I barely talk to you but you’re REALLY fun and talented like holy shit what
Nerfyyyyyy @ner5y I barely talk to you but like I enjoy you being here. It’s funny to watch the odd panda bear and their robotic sibling be silly— also they’re so fucking talented like the ART THEY MAKE?? HELLO??? WHO FUCKING GAVE YOU THE RIGHT TO BE THAT TALENTED???
@schnee-gheist I haven’t talked much with you since I stopped doing as much Danny phantom stuff but- I enjoy seeing you around and seeing your work! You’re very fun to talk to and your stories are amazing!!
And… even you. Yes, the person, or people, I really.. really wish I could fully hate. Even if I dislike you.. I can’t hate the memories. You helped me find great people, even if I can’t like you for my own personal reasons, my own stubborn prideful reasons.. I can’t change how much your actions or words have personally hurt me, but, I appreciate the time we had together, the memories, and the people we’d met through each other.
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No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.
I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.
I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.
**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**
Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."
Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.
This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.
All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.
I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.
This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.
No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.
"I wish the companions were meaner to each other in this game, like in DA2."
While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:
DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.
There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.
Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.
They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.
Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.
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›› sugar and spice
sypnosis -» sophia was nervous to introduce you to the rest of the girls especially since she has been sorta hiding you
beware -» fluff , swearing , mentions of dating , established relationship
talks -» this got requested on my main acc , but requested by @artrizzler19 !! ty "could you please do one with sophias gf (preferably masc) meeting the girls"
taglist (open): @nyssalvr @ohmyhaely @vrtualstar @jellaaa @c-yerim
"hey if they ask you anything feel free to not answer it alright?" sophia says her hands are sweaty as she opens the front door towards the shared home
"don't worry — it's not like they'll kill me...I think" you replied chuckling , honestly you were excited on the other hand though sophia seemed worried
the door opens and you were greeted with the members sitting down on the sofa , it looked like they were gonna interview you for a position
"it's a boy?!" yoonchae asks confused , before megan hits her shoulder muttering something about being masculine
sitting down the first question that was rung up was from lara , "when did you guys meet?" she asks her eyebrows lifted as if analyzing you
"it was a few months before you guys debuted" you replied calmly looking beside you as sophia looked happy with your answer
"anyways can I start? — we met because she was working in the café near our studio and at first I thought she was a he" sophia giggles as the rest of the girls quietly listened
"and then she asked for my number and I quickly found out that in fact she was well a girl, y/n was confident with me and was very caring so one thing led to another and here I am introducing her" sophia takes a deep breath waiting for the girls to ask more but nothing came
"wait that's so cute" daniela pipes up , and suddenly you were now family as well nothing was awkward , "hi y/n I'm yoonchae! sorry about what I said earlier, I like your style" yoonchae says as she approaches you , "it's alright really" you replied
" 'sup! lara , I think you already know that but I actually need help dressing like you — ugh I've wanted to try being masc for so long" lara sighs and obviously you agreed
the house was now loud yet very home-y , the girls were all sat on the sofa watching twilight since manon chose what to watch — sophia and you on the other hand were preparing some snacks for the rest
"this was better than I thought" sophia says referring to you meeting the girls , "told you not to worry" you replied snaking your arms around her nape placing a kiss on her lips as she smiles into it
click!
you and sophia hear a camera shutter only to see daniela and manon taking a picture of the two of you , "hey!" sophia says running after the duo leaving you to laugh your ass off in the kitchen
#katseye imagines#katseye x reader#sophia laforteza imagines#sophia katseye#sophia laforteza#sophia x reader
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If James chose a muggleborn as his longterm partner, why not Sirius? After all Sirius had a tendency to parrot a lot of the stuff James did.
But Sirius is not James. Sirius saw James as a moral compass because he likely thought James, being from the same social class but belonging to a “progressive” family, had the right ideals—first to annoy his mother, and later to serve as a guide for his behavior. However, a guide is one thing, and the essence of a person is another.
James could justify being an absolute piece of trash to Severus by making all sorts of political excuses: he was a Slytherin, hung out with shady people, liked the Dark Arts, and so on, convincing himself that bullying Severus wasn’t personal (even though it was) but instead served some higher purpose. He probably needed that justification because rich kids with hero complexes need to believe they’re serving a greater good to excuse the terrible things they do.
But Sirius didn’t. Sirius grew up in a family of sadists who taught him from an early age that he was above others and had the right to step on anyone he deemed inferior. James’ moral compass helped Sirius identify muggles and muggle-borns as people not to touch, but that guidance stopped there. If Sirius thought someone didn’t fall into that category, he had no remorse in torturing them and didn’t seem to care about their life at all.
For me, a very telling example of this is The Prank. Sirius didn’t just not care if Severus died—he might have even found it amusing because he had completely dehumanized him at that point—but he also didn’t care that his supposed friend, Remus, could have committed murder and been judged and condemned for it. James, on the other hand, did care. If James saved Severus, I believe it’s because he didn’t want Remus’ secret to be revealed and because, honestly, I think James drew the line at death. James wasn’t raised in sadism, and while he could be a piece of trash, he knew that killing was wrong, even if it meant killing someone he despised. He knew Remus could face severe consequences, and he didn’t want that. James was raised with a certain conscience—Sirius wasn’t. James wanted to perpetuate the public image of a hero, a role model, someone to admire. Sirius didn’t. James wanted the spotlight. Sirius didn’t. Sirius wanted to piss off his mother, make her seethe with rage, and maintain his friendship with James, but beyond that, he didn’t care about anything else.
(Except for Harry, whom Sirius only loves so much precisely because he is James’ son, in a way very similar to how Severus only protects Harry because he is Lily’s son. It’s quite funny how these two hated each other so, so much but have such similar ways of loving people. It’s also quite amusing that Severus is often called obsessive when it comes to Lily, yet Sirius was exactly the same in his relationship with James.)
Sirius’ fixation on James is similar to Bellatrix’s fixation on Voldemort: only James could stop Sirius, just like only Voldemort could stop Bellatrix, because both Bellatrix and Sirius gave them that power. But this doesn’t mean Sirius shared James’ values—he absolutely didn’t.
James, with his image as the pure-blood hero of the people, benefited greatly from marrying a muggle-born. And the fact that Lily not only was muggle-born but also from a working-class background further reinforced that image. James’ personality is built around not being like other pure-bloods, coming from a family of progressive wealthy people—upper-class but concerned with worldly causes. Having a partner who embodies the values he so publicly champions is the perfect fulfillment of the heroic archetype he aspires to and works hard to perform. No one could doubt him now, no matter how arrogant, idiotic, or abusive he was. How could they? His partner was at the very bottom of the magical social hierarchy, right?
But Sirius didn’t need that. Sirius didn’t base his personality on being the knight in shining armor, the king’s first man, or the kingdom’s hero. Sirius’ identity revolved around wanting to piss off his mother and doing everything he could to enrage her while remaining perpetually tied to the attitudes and tendencies he learned from his family. Sirius wouldn’t feel comfortable sharing his intimacy with someone who wasn’t from his world.
The clearest example is that his best friend, the one whose house he fled to after leaving the Black household, was equally magical, equally pure, and equally rich as he was. Sirius viewed muggles as something exotic or as a means to annoy his mother; beyond that, he didn’t care. In fact, it would make perfect sense for him not only to end up with someone pure-blooded and from a good family but also someone who reminded him, in certain ways, of his mother. Someone rather authoritarian, who could keep him in check.
He’s textbook Oedipus, sorry.
#sirius black#sirius orion black#sirius black analysis#sirius black meta#james potter#james potter analysis#james potter meta#pro severus snape#severus snape defense#severus snape#lily evans#lily potter#bellatrix black#black family meta#voldemort#harry potter#harry potter meta#harry potter headcanons
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"Awakening the Sleeping Giant"
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flings my creation into the unknown
the brain worms have gotten too powerful and I’m simultaneously dying of skystar disease of so have this 1400-ish-word Fucking Thing™ based on @keferon's mecha AU featuring human!starscream as the the little bastard you can't live with but also can't live without, and skyfire/jetfire as the unfortunate victim of Fate Being a Real Bitch Sometimes and accidentally deciding the outcome of the Space Race
"ulchtar" as a name for human!Starscream was borrowed from starscream's early name (and also Skybound)
also i don’t remember if the corporation that produces mechs in this au was ever properly given a name so i just kinda. gave them a generic one lol
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Ulchtar is a mechanical engineer working on developing spacefaring mecha. He’s climbed through the ranks based on his expertise (and, occasionally by sabotaging other peoples’ work). Nobody really likes working with him; he’s kind of an ass at the best of times. But his experience with these systems makes him a danger if the company ever lets him go. He could sell his knowledge to anyone else in the world, creating new competition in a sector they’ve more-or-less monopolized. This keeps him from being kicked out…up until Mecha-Corp’s first voyage into the stars goes horribly wrong. After the disappearance of Jazz, the fingers are pointed at him, even though—for once in his life—he’s actually not to blame. It’s decided that he’s no longer useful, and he needs to be disposed of.
Ulchtar doesn’t know this, of course. Not until—after being called into a meeting in one of the downstairs labs—the door to go back upstairs locks itself, and he hears the telltale, unholy screeches of alien beasts around him. The beasts he has helped contain for years.
“…shit. Shit shit shit shit shitshitshitshitshit—”
He starts running. Not upstairs, that’s not an option, but maybe there’s another way out of here. He finds that the door upstairs is locked, but not the way down, and that means there’s still a chance, because if there’s anything the higher-ups here right about, it was the fact that Ulchtar knows way too much.
In a last, desperate attempt to survive (or at least go down swinging) Ulchtar decides to unleash his final gambit. He runs down long-forgotten halls, hurls himself downstairs until he reaches the lowest floor of the facility—a floor where nobody goes. It’s down here that he’ll make his stand and wake up an old “friend.”
The few who know it exists call it the “Sleeping Giant.” Corny name, but it made sense, given it's…well, fucking gigantic, maybe even bigger than Vortex. It was found buried in the Arctic in the mid-1950’s—what looked to be an ancient, alien shuttle, lost under the ice for perhaps millions of years. It was all kept hush-hush, but in secret, its discovery had turned the tides of the Space Race…and when it fell into the hands of what would soon become Mecha-Corp, they quickly learned it was much more than a vessel. It was alive.
Some of the earliest mechs? The huge, bulky ones that never ended up getting mass-produced because it wasn’t economical enough? They owed their design to the Giant. They owed their existence to the many times it had been torn apart and put back together to see how it worked, to the many years it had laid on a table inert, unaware of what humanity had done to it. It was their greatest trade secret.
And the Giant owes its currently-intact state to Ulchtar, who’d thought studying it as a whole was more useful than research on individual parts. Which is the only reason he knows, at least in theory, how to power it on. Hell, he’d even done some refurbishments when nobody was looking. He runs across a table far too big for him, pulling out cables and unlocking restraints. He doesn’t have time for final checks, not with a horde of kaiju bearing down on him. He just has to hope, to scream until he makes the stars hear his name—or he dies trying.
"COME ON!" He shouts. "WAKE UP, YOU OVERSIZED SUNOVA--"
At that moment, the stars respond.
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He can’t move.
He’s freezing cold.
Is he dead?
How did he get here?
He’s…he was…looking for something, he’s pretty sure. Something very important.
Something so important he’d risk getting trapped under an ice sheet over it.
Who is he? He's not sure.
He wants to go home, but he can’t remember where that’s supposed to be.
Trying to remember hurts too much.
It’s hard to think like this, when he’s so cold and everything hurts and he’s so tired.
He lets himself drift, fluttering in and out of death-dreams that he can barely recall.
Eventually, after he’s lost count of the cycles, something happens. The dim light filtering through the ice gets brighter. Small creatures—the lifeforms of this planet, he thinks—peer down at him, pointing, shouting, but he is too weak to respond.
He has hope, for a brief moment, when he sees the sun again, but those hopes are quickly dashed—once more he’s trapped in walls and ceilings of white and gray. This time, the prison is own body. He’s escaped the glacier, only to find himself paralyzed and comatose. Occasionally he laspses into consciousness just long enough to steal a few kliks of awareness before he falls back into darkness.
At some point, he feels himself revert to ‘bot mode, which is something he'd forgotten he even had until then. He’s vaguely aware that he is being picked apart and put back together by the scavengers, again and again and again. The dull ache of not being whole is the only reason he knows he’s still alive, if this can still be called living.
And then…something changes. Everything goes dark for a very long time. The next time he’s aware of anything, his first realization is that he doesn’t hurt. He doesn’t feel broken. His arms respond when he tries to move.
What?
He sits up, still in something of a daze, taking in the surroundings. It’s a room seemingly sized for mechs, and yet the furniture strewn about is far too small—maybe meant for the scavengers? He has little time to wonder about the whole situation, because he soon hears them—the distant, telltale sounds of Quintessons approaching. He remembers what those are, in a way that’s almost instinctive.
To his right, though, he hears a small screaming noise. A lone organic is shouting something at him almost hysterically, pointing at the entrance before gesturing wildly, and then pointing up at the ceiling. It runs over to a set of controls, pushing at buttons furiously until the ceiling begins to open up. Once again, he sees the sky and feels something like hope.
Then tentacles lash out from behind the entrance, and he remembers this is no time for sentiment. He picks the organic up, deciding to just plop the creature inside his cockpit where’s it’s relatively safe and jump for it. He doesn’t trust the creature, not for a second, but he needs someone to explain what’s going on. Engines flare to life for the first time in millions of years, and he hears horrific screeches as Quintesson flesh is cooked under the heat from his thrusters.
They sail up and up and up until there’s no walls anymore and that feeling of suffocating is gone and it’s warmer than anything he’s felt in millions of cycles and he’s alive.
He lets himself spin a few times in the air. He’s above the clouds and the sun feels like fire on his still-frigid wings but somehow that’s good, it feels right. He wants to just hover here and bask in it forever.
He realizes why the creature is kicking him when gunfire whizzes past his face, followed by a pair of aircraft piloted by the scavengers.
Are the scavengers after him? Or the one he’s holding onto? He’s not really sure, but he also really doesn’t want to find out.
He transforms, looking for any way to shake them off. It becomes a mad, spiraling dance as he tries to avoid getting shot, to mixed results.
He considers the enemy’s design—these aircraft don’t look like they’re meant for spaceflight. Knowing that, he climbs higher and higher, looking to get above these things’ maximum operating altitude. He flinches as a few bullets scratch and tear at him, but doesn’t stop. This eventually pays off, as he sees his pursuers begin to stall out, dropping away behind him.
He hopes his scavenger didn’t get too sick in the cockpit. That’d be a mess to clean up…
…Primus, why am I worrying about that at a time like this? He laughs to himself, though this high up, the air is so thin that it’s barely audible.
He looked down at the planet below—dusk was soon to fall on this side of the world, and he needed to find somewhere to hide.
“…where do I even go from here?”
A knock from the organic, who held up what looked like a tiny datapad with a nervous grin.
Maybe they had an idea?
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part 2
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AYYYYYY it's me your neighbourhood florist girl with the flower knowledge again!
of COURSE the hydrangeas in the opening credits of the first episode of Spare Me Your Mercy caught my eye and i went "hmm if there's more flowers in this episode then i'll have to make a post" then we just got more hydrangeas but with an obvious focus on them so here we are!
hydrangeas are native to both Asia and the Americas, and while Japan is notorious for having cultivated them, there are ancient fossils of hydrangea blossoms from North America which means they grew in a variety of places and spread from there.
in Japan, hydrangeas traditionally symbolize heartfelt emotion, apology and remorse, because of a legend about an emperor giving hydrangeas as a gift to apologise for neglecting a lover. in Europe, where they were brought in the 18th century, they symbolised boastfulness, bragging and vanity because they produced many blooms but few seeds, and were sent by men to women who had rejected them. in Korea, they represent perserverance and resilience.
the general meaning of blue hydrangeas specifically now lays somewhere around serenity, apology, gratitude and understanding.
hydrangeas are a neat flower in that some varieties can act as a pH gauge for your garden soil- higher acidity leads to blue petals, but alkaline soil will change the petals to pink. by changing the acidity of your soil, you can adjust the colour of the petals. (white varieties can't be manipulated because they don't have pigment.)
they grow from early spring to late autum, and though most grow as shrubs around 1-3m tall, some are small trees and others grow as lianas, which are a long stemmed woody vine that climbs other trees; these varieties can reach up to 30m tall.
if you have cut hydrangeas at home, you can help maintain their bloom or restore wilting by immersing them in hot hot HOT water- even boiling- to help them freshen. the petals can also absorb water since they're technically actually a type of leaf, so you can also dunk your hydrangea blooms into room temperature water petal-first to help them rehydrate. this is a thing i've done at work as a florist- at the grocery store chain i started doing floral at, we always put our hydrangea bunches into buckets of steaming hot water, the hottest we could get from the faucets, when we processed incoming shipments and had given them fresh stem cuts before putting them out for sale.
in both Japan and Korea, some varieties of hydrangea are used for tea, while in the Americas, the Cherokee used the root as a diuretic and the bark as pain relief for muscle pain and burns, and as a remedy for stone and gravel in the bladder.
hydrangeas are also known as hortensia. the name "hydrangea", which derives from the Greek words for "water vessel", comes from the shape of the seed capsules, which resembled a water pitcher. they're called hortensia, supposedly for the name Hortense and after French astronomer and mathematician Nicole-Reine Lepaute, who was not actually named Hortense at all. she was named Nicole-Reine. someone tried to name them Lepautia or Peautia after her, but since they ended up being called hortensia (probably from hortus, which means garden) it's reversed into people thinking Hortense was her name instead of them being actually named after her.
so yes, with the associations with apology, remorse, serenity, understanding.... i'm not surprised to see them here, especially in the episode itself, but i am very intrigued, especially since being in the opening credits means we'll see them there at least through the whole show even if they don't show up again in the actual narrative. the fact that they symbolise remorse and grow around Tiu's mother's house, when he wasn't able to be there to see her before her death, is not lost on me.
hope this knowledge dump was fun and interesting to at least someone! i'll be back with another of these posts next time i catch some significant flowers in another show 🌸🌼🌹🌺🌷
#this show is already so good and i can't wait for more of it#two sammon shows at once and one of them with flowers in it i am truly blessed#spare me your mercy#spare me your mercy ep 1#flowers in bl#flowers in ql#flowers in dramas#mia talks about flower things#mia watches things
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