#that I've thought of all these things about a character

[foul-z-fowl]

In the immediate aftermath, I felt very numb. I was thinking of all the things I had planned for the future, the shows I had wanted to watch and the books I had wanted to read and I thought, what's the point?

Who cares if I add this book to my goodreads? What does it matter that I read a million fics for a new fandom? But slowly, my mindset went from 'I need to be worried about this' to 'I need to take care of myself.'

I'm a political science student. I've been following this election SO closely and been worrying and stressing for SO long. I need to take these last few months before the orange is inaugurated to breathe.

And I need to feel joy. Their entire platform is to make people like me, people who are queer, people who are trans, people who have a uterus, people who are studying to be a librarian because they oppose book bans, miserable. And people who aren't like me too. People who aren't white. Immigrants. Teachers. Poor people. Disabled people.

Joy has always been a form of resistance. In the queer community especially (a community I'm part of and thus whose experiences I feel more comfortable speaking for). To be happy is an act of resistance. To watch shows that may seem fluffy and silly and unimportant, like Heartstopper or Red, White, and Royal Blue is an act of resistance. To read books that seem like unattainable fantasies, because their characters are happy, and not crushed by the existential dread that so many of us are facing, like the Prospects or literally anything by F.T. Lukens.

We're here. And we're not going away. And one day, maybe not today, but one day we will be happy again.

Maybe I'll be able to look back at this post in four years and know I got through it, or that it wasn't that bad. Maybe I won't. But either way, joy is more important now than ever. When we are sad, it means they are winning. When we are dying, they are winning. Surviving and creating happiness for yourself is resisting.

Make yourself the pebble in Donald Trump's shoe, make yourself the fly in JD Vance's ear, make yourself the pothole of Samuel Alito's road, by living.

*gripping your shoulders and shaking you* you gotta promise me one thing, if nothing else. you have to promise me to live, do you hear me. and if it's for nothing else but spite, LIVE. donald trump wants you to feel defeated and alone. let's show him and all the americans who voted for him that we will not stay quiet, we will not be devided and we will LIVE. we will survive that 78-year old asshole, we will OUTLIVE him. so please reach out to friends and family, reach out to each other and STAND TOGETHER.

PLEASE, LIVE!

[go-fornicate-yourself]

Every day I am in the trenches fighting for my life defending this poor man. He was going through so much and people online demonize him and say he's as bad as his abuser

(I've got a lot of thoughts about this so I'll make sure to separate things to make it easier to look at lol)

Curly is a victim of abuse. Jimmy is his abuser. This is something that I feel a lot of people tend to brush over or don't acknowledge it often.

And I'm not just talking about post-crash. Jimmy's abuse of Curly is there pre-crash too. The party scene where the crew learns about the company going under is a huge example of this. Jimmy verbally abuses him, he gaslights him, he blames him for their (his) misfortune. Jimmy accuses Curly of thinking he's better than everyone (better than him), that he doesn't care about them (about him). That he's going leave them (leave him). Which is not true. Curly tries to explain himself but Jimmy shuts him down and he just takes it.

The fact that he just allows this to happen makes it seem like he's used to this... That this kind of behavior is a recurring thing with Jimmy. And the fact that nobody else tries to defend him or stands up to Jimmy just normalizes it for him. When Anya tells Curly what Jimmy did it catches him off guard. Bc he genuinely didn't think that his friend was capable of that. It wasn't something that was obvious to him. There were absolutely many red flags in the past but they were subtle enough for him to not see them bc he cares for Jimmy, he trusts him. Jimmy's the only one he feels he can open up to, who he can let his guard down with. Jimmy's his home. That's how close they are.

Because of this deep love for his friend and the subtlety of Jimmy's cruelty, he doesn't see the constant verbal and emotional abuse as what it is: abuse. Which is why he finds Jimmy's abuse towards Anya so shocking and jarring.

He isn't a man covering for his rapist friend bc of the 'bro code'. It does look like that from a certain angle and it's understandable why people see it that way but that's not what his character is really about as much as it makes sense otherwise.

He's essentially a battered housewife who's still in love with her husband but is realizing for the first time that the man she loves is a monster. That the man she loves and devoted her life to has been hurting her this whole time and she didn't even realize it. That the man she loves and spent so much of her life caring for has gone and hurt someone else. That he's most likely hurt others before and she's been utterly unaware of it the entire time she defended him and made excuses for him when he wasn't the best or the fairest or the most responsible or when he screwed up yet again solely bc of how much she loved and cared for him.

And Curly barely had any time to process ANY of that before Jimmy decided to try and kill them all to avoid the consequences of his actions. It was ultimately a selfish act even if he thought he wasn't just doing it for himself. Jimmy is selfish and needs to be in control or he loses it. He cares for Curly. He loves him. Curly's done so much for him. Curly's the only one who understands him, who doesn't hate him. Curly's his home. He resents how 'successful' he is but that's only bc he thinks so highly of him. He constantly puts himself down and put Curly on a pedestal and worships him while simultaneously mistreating him.

He treats his best friend like shit, he's awful to him. But he's not aware that this is the case or maybe he's in denial about it. He can't or just refuses to see how he's doing all of what he does for himself in the end. He justifies his attempt to kill them all (to himself and to Curly) by claiming he's doing this for them both. That if they were to get back to earth it would all be Curly's fault, that it'll ruin his life and career... despite the fact he had basically nothing to do with Anya's abuse. Jimmy's shifting the blame on him while acting like he cares for him. Well, he does genuinely care for him but clearly not nearly enough to not mistreat him or use him as a scapegoat for his own guilt.

Jimmy is the rapist, Jimmy is the one who does all of these horrible things. And yet it's highly likely that Curly would just blame all of it on himself bc that's exactly what Jimmy did to him. He's in so deep he can't see the facts of the situation.

It takes abuse victims so long to come to terms with their abuse. It takes time and reflection to see things with an unbiased and healthy perspective. Abuse (especially years of it) isn't just something you can just escape. It consumes you and can twist your reality. Curly had about a week or less to process all of it and then take action in a way that protected his crew and abided by Pony Express' guidelines. Dealing with something this serious in a setting that makes resolving it extremely difficult in a practical sense is already hard.

There were no locks on any of the doors except for medical and the cockpit. They couldn't just kill him. There was nowhere they could detain Jimmy that wouldn't involve corporate potentially penalizing the entire group. They could have used the cryopods but then there'd only be three available for any actual emergency and there were already five crew members and four pods in total. Also, I doubt corporate would be 'okay' with them using the cryopods for anything other than their intended purpose. Hell, even if they were able to make it back to earth without any incidents there's a good chance that corporate would consider the situation 'poor team synergy' and collectively punish the entire crew for Jimmy's actions.

So on top of having to deal with an already difficult situation, Curly has to grapple with the realization that Jimmy a: abused Anya, b: has been abusing him as well (for a very long time too), and c: has probably abused others before Anya and he had no idea about it. He needed to act but he didn't and it doomed all of them.

But it's so unrealistic (maybe even cruel) to put that much pressure on someone, force them through an utterly earth-shattering realization, and then expect them to do the correct/right/responsible thing in that moment. It's a little ironic how people vilify him for that when other characters do the same thing that nobody blames for it.

Anya is the ship's nurse. Curly is the ship's captain. They both have duties and responsibilities on board the Tulpar. She has to keep the crew healthy and safe and is the only one with enough medical knowledge to do so. He has to make sure that everything goes well and goes according to procedure. He's responsible for the crew, the cargo, and even the ship itself. Both positions are integral and require a lot of responsibility to do properly

They're both put through distressing and traumatic situations where due to them being human people with emotions and fears that make them essentially avoid their responsibility/doing what's required of them.

Curly has a freeze response and doesn't act when he should have when it was crucial to have done so. Anya has a fawn response and essentially puts her patient in danger and harm's way. She knew full well what Jimmy was capable of. She experienced it herself and she witnessed it happening to Curly as well. And yet she allows Jimmy to be alone with Curly while being fully aware of how dangerous he is. Which she shouldn't have, that wasn't the 'right' thing to do. Keeping him safe was her responsibility.

But Anya's human. She's going through a lot at the moment. She's terrified of Jimmy and she's trying to appease him so he doesn't hurt her again. It's a natural very understandable thing to do even if it's not the 'right' or 'responsible' thing. They failed each other when they needed each other most and I think that's the most tragic part of it. If anything, all of them failed each other in some way, shape, or form.

So it's incredibly frustrating to see people give Anya so much sympathy and grace for doing something so human yet still 'wrong' but then turn around and give Curly none of that for doing essentially the same thing she does.

I don't know for sure if it's actually because Curly is a man or if it's only part of it or maybe some people just lack that sense of awareness but it's depressing and frustrating as fuck as a male victim of sexual violence and abuse to see this kind of behavior and this much victim blaming towards a character who is undeniably a victim of abuse like I am.

[bokutosbabe]

It Always Leads To You

( bllk boys as situationships )

a/n — girl whose never had a situationship writing about them? what could go wrong? (they progressively get longer lol)

content — some nsfw but not explicit, pining, GN! reader, some characters repeated, all characters are 18 or 18+

synopsis — what kind of situationship the bllk boys would be

⋆.˚✮🎧✮˚.⋆ ' and the heart i'm breaking is my own ' ⋆.˚✮🎧✮˚.⋆

✩₊˚.⋆☾⋆⁺₊✧ the... ' but you're best friends! '

you'd rather spend money on a hotel than stay at home 24/7 for the next week. how could you walk into your house when you knew he'd be there, chatting with you family as if nothing had changed?

maybe you should've pretended you had to work.

that would have saved you the grief of having to see, who was supposed to be, your best friend. how could you face him when the last thing you two talked about was being a couple and that...not going as planned.

well, maybe that wasn't the last thing you two talked about with each other. however, does defiling your families bathroom really count as 'talking'? ( most awkward easter ever afterwards ) you didn't really think so.

whatever, he was a pro-soccer player now, he may not even be at home this christmas. you'd just have to put up with his family, who you'd always loved, and then you could go home and avoid the situation until the next big holiday.

but of course, when you stepped into your childhood home you realized that you'd never get that lucky. there he was, just as handsome as ever, sitting on your families couch.

in your eyes, he looked like he belonged with your family more than you, but you supposed he earned that. he came home every holiday, unlike you who continuously came up with different reasons to stay as far away as possible.

if you left now, maybe no one would know you'd even shown up-

" woah, y/n! it's you! " or...maybe not. " i haven't seen you in forever, what have you been up to? " the voice that plagued your every waking thought crashed its way into your ears.

your best friend ( could you even call him that anymore? were you still his best friend? ) got up from his spot on the couch to come wrap his arms around you in a hug that felt more like home than home did.

" i've missed you, ya know? " he whispered in your ear, hands caressing your back in what felt like much more than what a 'friends' hug would be.

just a week. you could survive and coexist with him for a week. your resolve to never sleep with him set in stone now.

you just wished your resolve wouldn't have crumbled only two days later while your family was downstairs watching christmas movies.

✩₊˚.⋆☾⋆⁺₊✧ REO MIKAGE, isagi yoichi, AIKU OLIVER, rensuke kunigami, TOBITO KARASU

✩₊˚.⋆☾⋆⁺₊✧ the ' you cannot date them '

you’re a good person... or at least, you want to believe that. But how can you when your best friend sits in front of you now, talking about their ex?

she’s raving about how much she misses him, how everything fell apart at the worst time, how she’s still holding onto the hope that maybe they can fix things.

you try to smile and nod, pretending that you’re not dying inside. how can you even look her in the eye when he’s blowing up your phone right now? when you know exactly how he feels about you?

“it’s just so messed up, right?” she laughs nervously, like this is all just a bad breakup, nothing that can’t be smoothed over. “i’m not even sure what I’m supposed to do anymore.”

she doesn’t know that you already did something. You already did the one thing that could ruin everything. the one thing that she told you you could never do.

your phone continuously buzzing while she's talking, hoping she wouldn't notice you reach for it to silence it while she takes a sip of her drink.

your phone vibrates again, and you try not to look at it. you’re not sure if you’re worried that she’ll see, or that you’ll see what he’s saying. you’re scared of both.

him <3 ; are we still on for tonight? can’t wait to see you.

that familiar ache forms in your chest, and you can feel the betrayal to your friend, the confusion about your own feelings, but worse—there’s nothing you can do about it. you keep smiling, even though it feels like your heart’s sinking with every word your friend says.

" god, if you don't want to listen to me, just say so. " your friend says coldly. " i would have turned off my phone if it was you crying right now. "

" sorry, it's just my mom...talking about some new present she wants to get my brother. " you apologized. "oh, okay. is your brother a cutie?" you didn't even have a brother, showed how much she knew about you.

“whatever, what should i do?" your friend asks, her eyes bright with hope (or maybe delusion). "do you think I should text him? do you think we could still fix things?”

you want so badly to tell her the truth.

you want to be honest, to say what she needs to hear so that she doesn’t get her hopes up.

you want to tell her that he is already texting you, that maybe you are the reason he won’t talk to her.

but instead, you bite your lip and offer a shrug. "i don't know, honestly. maybe he needs time to figure out what he wants too."

"he doesn't need time. he needs me." she mused, staring at you like your answer was just the stupidest thing she'd heard all day. "no wonder you've never dated anyone, who'd like a ditz like you?"

The whole time, your phone is buzzing, buzzing, buzzing, like a constant reminder of your lie.

you; see you tonight :)

✩₊˚.⋆☾⋆⁺₊✧ OTOYA EITA, ikki niko, RANZE KURONA, reo mikage, RYUSEI SHIDO

✩₊˚.⋆☾⋆⁺₊✧the... ' you'll never be first '

he's leaving soon, and you feel like you're dying.

you’d known for a long time that ‘casually’ seeing a pro soccer player would only lead to being left alone, especially someone like him—someone whose work always came first, and whose heart was as unreachable as the trophies he collected.

he’d said it more times than you could count: “love doesn’t come before soccer. It never will.” and you’d laughed, maybe even agreed at some point, understanding it was just the way things were.

so why does it feel like you’re drowning now, with him leaving just around the corner.

it doesn’t make sense. you’d known the deal from the start.

still, here you are—sitting in his bed, in the quiet of his room, the familiar hum of the city outside reminding you of how little time you really have left with him.

his suitcase is by the door, already half-packed, his jersey draped over the chair where he’d left it, as if he couldn't get out of here fast enough.

you’re almost sick to your stomach at the thought of him walking out that door in just a few days, never looking back.

you’ve spent enough time with him to know that when he leaves, he doesn’t look back. he doesn't look back at stadiums once he walks out, and he wouldn't look back at you either.

"it’s only a few months," he’d said, trying to make you feel better when the topic of him leaving first got brought up. “i’ll be back before you know it.”

but that’s not the point.

it’s never been the point.

you know he’ll be busy with games, traveling, sponsors,...women, all the things that make him too far to reach.

and yet, here you are, sitting in his bed, heart pounding, overwhelmed with the thought of it all ending. you thought you could handle this.

you thought you could be just another notch in his belt. but the truth is, you’ve been fooling yourself. you care too much. you’ve fallen for him, hard, and the worst part is—he doesn’t even realize it.

or maybe he does. maybe he’s known all along, and you were too scared to admit it.

the sound of his voice pulls you from your thoughts.

"hey, you okay?"

you glance over at him, watching him fiddle with his phone, one hand propped up on the headboard. his eyes meet yours, something in them that almost makes you believe he could stay. maybe, you're enough of a reason for him to stay where he is now.

but he won’t. you know that. his life is bigger than you. bigger than this city, this bed, and every memory you’ve shared together.

you nod, forcing a smile, trying to keep the strange bitterness from slipping into your voice.

"yeah, just thinking."

"don’t think too much." his lips curl up into that calming grin that’s made you feel better on several occasions. how could something that used to calm you make you feel like your heart was in your throat? “you’ll drive yourself crazy.”

it’s easy for him to say that. he’s used to moving on. he’s used to leaving. you? you're used to him being here.

his fingers tap absently against the screen of his phone. you can see the notifications lighting up—his agent, a few teammates, probably his parents, all reminding you of the inevitable: he’s leaving soon.

you want to scream. you want to ask him why he doesn’t care. why it’s so easy for him to slip away from everyone who loves him.

but instead, you pull your knees to your chest and keep your eyes fixed on him, as if the longer you look, you could magically gain telepathy to make him want to stay with you.

"how’s your flight looking?" you ask, hoping his answer would be that he cancelled it.

"all set."

and you can't breathe.

the casualness in his voice is what stings the most. the way he talks about leaving as if it’s just another day at the office, another game to be played.

he doesn’t get how you feel. maybe he can’t. maybe he’s just too busy not feeling anything.

The silence is deafening.

"do you... do you ever wish you could just stay?"

It’s a question you didn’t mean to ask, but it escapes before you can stop it.

You wish you could take it back the second it leaves your lips.

he looks up at you, and for the briefest moment, his eyes soften. for one second, he looks like he is completely and utterly yours.

he sets his phone down, sliding it onto the bedside table, then turns his full attention to you.

"i told you, didn’t i? love doesn’t come before soccer."

The words hit you like a train, but it’s not the truth that hurts—it’s the way he says it, like it’s not up for debate. as if it’s always been this way, and it always will be.

why can't he just try? just try to come home every so often...to you.

you feel like a fool. as if you've put your heart on display for him just to not even glance your way.

you know where you stand, even if it’s tearing you apart.

he doesn’t lie to you, doesn’t promise you things he can’t give, and maybe that's why you fell for him in the first place—he was the first person who didn’t play games with you.

"i’m gonna miss you," you say quietly, knowing that admitting it aloud makes it even worse.

his eyes flicker with something, but it’s gone as quickly as it came. he shifts, pulling his knees up to match yours, as if to say he’s close, but still so far. he rests his head back against the headboard.

and for a moment, you almost forget he’s leaving. you forget about the suitcase by the door. you forget about the plane ticket he has. you forget that in just a few days he wont be yours anymore.

"i’ll miss you too," he says softly.

but that’s it. that’s all he says. it’s not a promise, not a declaration. just another passing remark to fill the silence.

he doesn't mean it. it's more of a kindness thing for him to say it back.

you can feel the weight of everything unsaid.

you realize—he doesn’t know how much you care. He can’t understand you.

he’s never been asked to stay.

you’re not even sure you’d want him to. you can’t ask him to change his life for you. and you couldn't keep up with the lifestyle he lives.

the idea of him walking away—of losing him to something bigger, to something you’ll never be able to keep—feels like it will break you.

so you just lie down on his bed, for the last time, you tell yourself.

'after tonight, he'll be free of me'

after tonight, you'd walk out that door and not look back.

✩₊˚.⋆☾⋆⁺₊✧ ITOSHI RIN, nagi seishiro, SAE ITOSHI, isagi yoichi, RENSUKE KUNIGAMI

⋆.˚✮🎧✮˚.⋆ ' to leave the warmest bed i've ever known ' ⋆.˚✮🎧✮˚.⋆

[ + your faves ! ]

again, i've never experienced this, so i hope the research i've done (looking up different types of situationships) has done it justice!

likes, comments, and reblogs appreciated!

[aritsukemo]

There goes my baaaabyyyy | Multiple Characters

Characters: Isagi Yoichi, Bachira Meguru, and Sae Itoshi

Summary: After seeing an abundance of tiktoks about the Usher trend, you decide to try it out on your unsuspecting boyfriend after a while of not seeing him

Warnings: This is the author's attempt at being funny so crack ahead. I apologize in advance.

A/N: Idk what came over me today, but I decided to waste my time writing this anyways after getting inspired by this amazing slideshow on tiktok talking about how each Haikyuu character would react to you doing the Usher trend. This is also my first time writing for Sae ( and I also know virtually nothing about him as I've only seen season 1 of Blue Lock ) so I'm sorry if he's ooc. I just realllyyy wanted to add him as I've been thirsting over edits of him ( and Reo ) for the past day or so.

A sigh of relief escapes through the chapped lips of the soon-to-be world cup competitor Isagi Yoichi. After hard fought battles during the preliminaries and all the stress and trials that come with it, it was finally the time for Isagi to return to his safe haven. He was hesitant for a time as he was still riding the adrenaline rush and wanted to stay back and train with some of the others, but since Bachira was returning to Japan to visit his mom and celebrate with her, it reminded him that he also had someone to return home to; you.

And so, after the longest thirteen hour flight of his life, he was now walking, suitcase in hand, alongside his best friend as the two of them exited the baggage claim and was nearing the lounge where you were allegedly waiting for him.

It had been so long since he's seen you, touched you—held you.. He finds himself wondering, how much has changed? Has your laugh changed at all? Have you switched up your sense of style? Maybe your hair? Do you still taste like the honeyed, buttered pancakes you used to make him every morning? Is your smile still so wide that it creases your cheeks and makes them pudge out more? Do your eyes still gaze at him as if he was made out of gold like they used to?

As he dwells on his thoughts, the yearning for you seeps in more and more like oil filling up a tank. It's heavy and it's only when he's just about to succumb to the weight of it all that he realizes just how much he's truly missed you.

And it seems that he wasn't alone in this feeling.

As he stepped into the lounge, he's met with his first and only warning. A warning that came in the familiar tune of the audio of a certain tiktok you had sent him a week prior before you came sliding his way on your knees. Your voice raised to match the exact pitch of the audio as you sung the infamous lyrics until you came to an abrupt halt when you collided with his stomach, nearly knocking him over with the force you hit him with.

And the only thing he could fathom to do was to stare like a deer in headlights and say, "Uh...what in the world?!"

Bachira couldn't possibly hope to contain his laughter any longer after that.

After seconds of Bachira's wheezing and airless chuckles, it was only when he was beginning to grip his stomach from the pain of his amusement that Isagi finally realized what just happened. And when he did, his entire face flushed a cherry red.

"What- Why are you doing this right now of all time?" He asked, semi-shouting as he grabbed the upper part of your arms—which were wrapped around his waist.

"I missed you, baby~!" You said in a sing-songy voice. And, as you looked up at him with your eyes shining with the familiar gleam he knew just as that same trophy-awarding smile stretched across your face, he found himself faltering for a moment. His shoulders slumping as he began mumbling shyly..

"I- I.. I missed you too.. But please, get up! People are starting to give us weird looks.."

Three months. That's how long it's been since you've last seen him.

Well, that's technically not true. If you wanted to be less dramatic, you could admit that you saw your boyfriend just last week on tv doing his signature dribbling moves and if you wanted to really be frank, you had seen his gorgeous face up close just the other day when he facetimed you and informed you that he'll be home that following afternoon. You could also make it sound much less extreme by simply confessing that you had regularly spoke to Bachira throughout these three months via text and that he'd facetime you at least one a week.

But you didn't want to count any of that.

I mean, sure you got to see him, but you didn't really get to see him. You weren't able to kiss his cheek whenever they perked up and flushed pink. You couldn't run your fingers through his layered hair and watch the satisfying transition of his brown strands turn yellow between your fingertips. You weren't able to hold his chin and watch in awe and fondness as he laughed toothily like a baby kitten..

You haven't seen him, not in all his glory which, to you, was like not seeing him at all. That said, three months of that torture was unbearable.

But all of that pain was forgotten in a matter of seconds at the odd sound of drums playing in the distance.

You didn't have any time to react to—or rather, process—what was happening or prepare yourself before Bachira got a running start towards you and soon dropped to his knees, sliding the rest of the way up to you with the biggest smile on his face—all while Usher's voice boomed behind him from his back pocket.

You had no choice but to accept fate and allow the love of your life to crash into you and completely knock you to the ground.

As the biting cold of the airport's tiles crept up your skin and all the air was just about knocked from your lungs from unexpectedly hitting the flat surface, Bachira stared down at you from above, cheeks dusted pink which made him look like an excited little kid.

"Hey, babe! It's been so long!" He chirped before coming down to press all his weight onto you as he caged your torso with his arms, his face immediately nearing yours to press a big, wet kiss to your cheek.

If it had been any other situation that he had done this in, you'd probably be annoyed from the embarrassment of having basically half the airport staring at the two of you like you were a bunch of buffoons or, at the very least, the fact that his team was laughing up a storm in the background...but having been as starved of him as you were, all you could do was laugh while relishing in the feeling of his warmth consuming every part of your body as he leaned down again to plant a feverish kiss to your lips.

Feet tapped against the small tile floors of the elevator, thumping against the marble in a rhythm that embodied the very dread of its owner.

After months of dreading this day, Sae had, once again, stepped foot in Japan; a notion he refused to even utter aloud from just how much he despised it.

For a man with such negative opinions about his homeland, his reasons for coming back were quite frivolous in comparison. Though if asked, he lie and say that his passport expired—which wasn't wrong—but deep down he knew the real reason for his return; his partner who he was too prideful to call the love of his life.

It had took some time, and for a while, Sae was forced to come back here every other year or so in secret to visit them per their request, but at last, they had decided that so much time waiting for his semi-yearly visits were too much for their poor heart and that they were ready to take the next step and leave with him to Spain.

Sae had pushed the thought to the very back of his mind, but he was more than glad—overjoyed, even—when you told him of your decision over the phone as he himself was starting to grow restless without you by his side at times.

He had already went through the process of renewing his passport so all that was left was to pick you up and drive to the airport—well, get driven to the airport—where he could finally leave this horrendous country, this time with you snuggled up by his side.

But he should've known that you wouldn't have let things be so simple.

As the doors to the elevator opened and allowed him to, at last, step foot into your lavish home, the symphony of his demise began to rang throughout it and bounce of the walls. Sae paused, face contorting into one of visible perplexment before his eyes widened at the sight of you sliding on your knees towards him, mouth opened as you sang to the beat of the music blasting throughout your home.

Your performance was short, glorious, and came to an end when your face was buried into the smooth fabric of your boyfriend's clothing and you smoothly wrapped your arms around your boyfriend's waist.

And it was only a full minute after such an amazing performance that it finally dawned on him what you were doing. And to that, he simply sighs disappointedly.

"I've changed my mind. You're not going anywhere with me," He said, and despite the blunt tone he douses his words in, it does little to your dazzling smile as you knew full well his words held little weight to them. You find yourself playing into your own bullshit anyways, though, as you begun to whine out in a high pitch you just knew he couldn't stand.

"Aww, but why? All I did was greet my pookie--" "Finish that sentence and I will actually leave you in Japan for another ten years."

You promptly shut your mouth after that, much to Sae's relief.

Dividers were made by me, pictures used are from Pinterest, post formatting is inspired by @xxsabitoxx

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[curtins]

DITTO — Gojo Satoru a rewrite of this post.

prologue. → brave, lucky, courageous. these are the words that people bestow upon you when the dust has cleared, and the king of curses is no more. you disagree, for if you were lucky, gojo satoru would still be standing at your side. instead you've been left to stare at the ocean shoreline on your own, without your best friend (the love of your life) by your side.

pairing. gojo satoru x afab!reader

warnings+. unfulfilled/unresolved love. angst, hurt, comfort, fluff. your usual shenanigans. sfw! implied, minor satosugu (mb because geto is my beautiful sad princess and i love him so he has to be a part of everything). pining, idiots in love. grief, and what you do after you've lost what you treasure the most etc u get it. reader is from an unnamed clan, has a younger brother. reader also wears skirts, dresses sometimes, character death + injury

word count. 11k! 😭 song inspiration. ditto — newjeans / 뉴진스 (2022) a/n. i wrote rough headcanons and posted them yesterday but i woke up thinking dang i should actually write something better about that lmao. update: i thought i'd finish this in a few hours, why did this take me like 2 days? update #2: dawg this is long as fuck...this kinda depressed me to write CROSSPOSTED ON AO3 <3 💙

mp3. do you think about me now, yeah. all the time...

✉️ — 1995. 💬 — gojo.

these meeting rooms were hushed, grand, and the kind of place that simply swallowed up any sound and echo; where the wood-panelled walls were lined with the tapestries and polished symbols of his clan.

and in the hush, gojo had sat cross-legged on the tatami mat, trying to listen to the conversation of the adults, with their low and steady voices that droned on. this was so boring. they were always speaking of things that he just couldn't understand, but his parents said these meetings were important, and so he was dragged along - much to his eternal chagrin. still, he shifted in place, glancing around at the detailed screens painting around the corners of the room, in varying shades of blue.

across the room, there was another kid. one who sat beside her father, fidgeting just as he was. and gojo could tell by the way that you kept glancing towards the door that you, too, longed to escape. your gaze caught his, and there was that flicker of mutual boredom that sparked between you two. you had scrunched up her nose, as if to say 'this is so boring, isn't it?'

gojo grinned, stifling a giggle. he had leaned back, just a little, surveying the adults who paid no heed to him, before letting himself inch across the rough texture of the mat towards the door.

"do you want to see the garden?" he mouthed silently, his words exaggerated and slow, so you would understand.

your eyes had lit up, and you nodded, just as your father (well, he assumed it was her father) leaned down to whisper something in your ear, his voice a low rumble that was far too quiet for gojo to catch. you were nodding obediently, but your eyes were now fixed with the glimmer of excitement, and he quickly held the door open for you as you scrambled out the door, following him quietly as they creaked down the long hallway.

and soon, they reached the back of the estate, where the garden stretched out like a hidden oasis, filled with the flowering bushes, the winding stone paths, and the pond that glistened in the morning light. suddenly, he stopped by the edge of the pond, brushing pale hair out of his stinging eyes, "i'm satoru, by the way."

you had sat down quickly, as though the long walk had winded her (gojo had barely needed to stop to catch is breath), and your robes dipped into the pond, letting the water seep up slowly, "i've heard of you. my parents say you're an only child."

gojo shrugged, trying to think of something important he could tell you, "it's not so bad. one day, i'm going to be the head of my clan," puffing up his chest a little.

you had nodded, "i would like to be too, but my younger brother would get it. because...you know."

gojo didn't quite know but he nodded like he understood, and he tried to think of something smarter to say, "well the job isn't that fun anyway. it's just sitting around reading papers, and telling people what to do."

you had pouted, frowning, "i want to tell people what to do all day. and i would get the nicest robes too as clan head."

and you had looked so unhappy at the prospect that you were being robbed of a stellar wardrobe that gojo made up his mind, right then and there, "tell you what, when i become my clan head, i'll make sure you get the nicest robes, how's that?"

your face had lit up, holding your little pinky up to his, "promise?"

gojo linked his finger with hers, sealing this silly vow and laughing, "why not?"

✉️ — 1996. 💬 — you.

when you're seven years old, you’ve resigned yourself to trailing behind gojo, watching as your friend takes on the world with the same reckless, eager energy that he seems to pour into everything that he does.

his voice has picked up a confidence that you haven't felt yet, and there's a permanent, flashy grin on his face that says he doesn't care what anyone thinks about him, not his parents, nor his clan.

and today, gojo's decided that the old shrine on the edge of your family estate needs exploring. you're a little less certain, especially since your father had told you that this shrine was haunted, but you find yourself following the boy anyway, and there's that silent agreement in place: he leads, you follow. you're alright with that, that's just the way it's always been.

he's dressed, as usual, in a loose grey hoodie that's two sizes too big for him, and his jeans have a hole in the knee; some small rebellion against his clan's strict sense of tradition. even his hair is awfully emssy, tousled and getting a little too long, and you know he hates it when his mother tries to comb it down, and you easily suspect that gojo just ruffles it on purpose to get a reaction out of those around him. he probably does everything on purpose for a round of reactions, honestly.

you, on the other hand, have your nicest lilac skirt on, and there's a small bow in your hair that the maidservants had pinned themselves (your mother had been too deep in her cups all morning). but you had fluttered around, feeling quite pretty in your skirt; like you were a fairy that would sprout wings and live in the clouds.

gojo glances back at you, and rolls his eyes, "you know, you look like you're going to one of the clan meetings," he mutters, but there's a playful glint in his eye. he's pulled a twig from the ground, and he's waving it around like a sword, slicing through imaginary enemies as he marches forward like an idiot.

you just shrug, quietly watching him cut through the tall grass ahead, "i like looking nice," you mumble, a little embarrassed. you can feel the careful way the sweet, old servant (she turned seventy last week!) had arranged your hair, and the press of the bow keeping it every lock in place.

"well, if you ever decide to look like you're not on your way to sit for a court painting, let me know," gojo says, smirking (he thinks he's funny) as he waves his 'sword' around, battling on the false frontlines.

but despite yourself, you laugh, and quicken your pace to keep up with him, and so, gojo slows just a bit, enough that you're walking side by side now, and his arm brushes against yours.

"did you know that they say that this shrine is spooked?" he asks, his voice falling to a dramatic whisper.

"i live here, satoru. obviously, duh," and the shrine comes into view, and it's small, weathered with age, but to you, it looks grand and mysterious, even magical, "do you believe it's haunted?"

gojo shrugs, unfazed, "nah, probably just an old rock. but it would be cool if it was. maybe, we'll see a ghost."

now you've taken a hesitant step back, but gojo just grins, grabbing your wrist and pulling you forward, and his hand is warm and steady in yours.

"c'mon, don't be a chicken," he teases, laughing as he drags you closer, and you plant your feet firmly in the ground, watching as clouds begin to roll over the sky, ominous and gloomy.

oh, this place is definitely haunted. your father was right, it's so over for you now. a massive, ugly curse is going to pop out and eat you alive, and steal your pretty hair bow. you mutter a small prayer under your breath. gojo satoru, you will pay for this.

✉️ — 2000. 💬 — you.

you'd always heard whispers about yourself from the other kids, how you were too quiet, or you tried far too hard to be perfect — unwilling to roughhouse the way they did. perhaps they were right, and it was true that you preferred to sit alone. you think it was the feeling of order you enjoyed, of a world you could control, even if it was just through lines on a piece of paper.

but today, their voices were louder than usual. a small group had gathered near the cherry blossom tree where you'd settle yourself, and they circled around like hungry wolves sniffing out something they could tear apart.

one girl wrinkled her nose and called you prissy (well, okay) and another boy had snickered and muttered that you were so boring, and it was a wonder that you even had a friend like gojo.

ouch.

their words felt like small, precise cuts, sharper than expected. you had heard these things before. after all, everyone had reached the age where they were aware of their abilities, their techniques as jujutsu sorcerers.

you didn't mind your own technique, making sure to channel time and energy to learn so you could grow up and be as good as your father one day (a well established sorcerer in his own right, if a bit out of shape).

but you didn't have to be very smart to know that gojo's abilities stood out entirely in a different way, and you heard your parents whisper in hushed tones at how lucky his clan was to have a child like that. with the right training and moulding, he could be the most powerful man to walk the earth.

how silly. gojo was all laughs, and smiles, and stupid jokes and bright, clever eyes. you thought it was dumb how they all spoke about an eleven year old boy like he was a weapon, kept in its sheath until it was ready to be drawn.

but of course, all the kids wanted to be friends with him instead. and today, these barbs hurt more — and you kept your eyes down, clutching your books a bit tighter, willing for these supposed 'friends' of yours to go away.

but before you could say anything, you heard his stomps.

"hey!"

gojo's voice was unmistakable, sharp and sudden as he clamoured over, all brashness and bravado. he had gotten a bad haircut recently (entirely his own fault for thinking he could put scissors to his own hair, but you had laughed so hard as he swore curses) so white tufts stuck out all over his head, making him look like he got stuck in a wall socket, even crazier than usual.

but gojo didn't look at you, just planted himself between you and the group, bruised fists clenched (they trained him too hard), and shoulders set, "what's your problem?"

the other kids stammered, clearly surprised, but that didn't stop him, he who looked like a small, lanky and angry polar bear.

"you think you're so funny? talking like that? say it again, and i'll knock your teeth out."

"ah, satoru -" you ran your tongue behind your teeth, the last thing everyone needed was another fight of bruised pride, and yanked hair, rolling around in the dust.

but one of the boys had muttered something under his breath, taking a half-step back. the others followed, shuffling, rolling their eyes and looking anywhere but at you and gojo.

and your best friend didn't move until they had scattered completely, leaving behind only the faint echos of their derision as they fled. and then he turned to you, his scowl fading into something kinder (good, you didn't like seeing him so upset) as he dropped onto the bench, beside you, pulling his knee up onto the bench so he could rest his chin against it casually.

"they're just idiots," he said, rolling his eyes, and his voice was softer, playful again, "don't listen to them."

you gave him a small smile, nodding, as the knot in chest loosened a little, "i wasn't really listening to them," you murmured, even though you probably knew that was a bold-faced lie.

gojo released a loud laugh, much too loud and forced, as he nudged you with his elbow, and he must have known it too, but he was smiling, "good, that's the spirit."

You managed a small smile, nodding, the knot in your chest loosening a little.

the world was quiet again as you both sat in silence, the soft breeze ruffling the grass and the cherry blossoms overhead. and then, with a shyer glance, you managed to look over at your friend, watching as messy tufts of his snowy hair moved ever so slightly in the breeze.

"thanks, 'toru," you said, quietly, but he just shrugged it off, brushing it away as though it was nothing.

"hey, what am i here for?"

✉️ — 2003. 💬 — you.

gojo was sprawled across your wide bed, looking at you as if you were the most ridiculous person in the entire world. his own suitcase sat beside him, already paced with the very few things he needed, and now he watched you with that eager, restless gleam in his blue eyes, like he could barely sit still.

"you're so overthinking this," he said, bright voice full of impatience, "just throw some stuff in a bag, and we're good to go. it's just tokyo, not the end of the world."

you scowled at the boy, holding up two sweaters; one sensible in a shade of pale blue, and the other thick, deep red and woollen, "but what if it gets cold? or rains?"

gojo rolled his eyes, throwing his head back dramatically onto your pillow, hands behind his head as he sprawled around like a snooty prince with all the time in the world.

"it's summer, it's tokyo, and it's not like we're moving to america," he smiled, "besides, if you pack any slower, we'll miss our first year."

you tried to brush it off, and something about his easy confidence made you feel a sharp twinge of nerve. this was really happening, you were truly leaving the bounds of your family estates, stepping out into the world, to attend jujutsu tech, a school in tokyo that you had heard so much about. well, there was another school here, in kyoto, but god, it would just be nice to get out of these ancient walls.

and yet -

gojo simply looked like he couldn't wait to shake the dust of his home off his sneakers, you felt something pull at you, like a sudden-appearing string that tied you to your home city, and it wouldn't let you go.

your best friend had caught the look on your face, and softened — just a bit, as he twiddled with a brand new pair of sunglasses, and he sat up closer, watching you carefully, "you're really going to miss it here, aren't you?"

and you shrugged, fidgeting with the sleeves of the red sweater, "i don't know. maybe, i suppose. don't you feel that way at all, satoru?"

he shook his head, resolute, "not even a little," but he saw your uncertainty, "listen, you'll be fine. you'll love tokyo. and hey," he nudged you gently with his knee, "i'll be right there with you anyway."

you appreciated that his confidence felt like a promise, something that you could at least hold onto, even in the big capital, and with a big, exaggerated sigh you tossed both sweaters into the suitcase.

"finally!"

✉️ — 2003. 💬 — gojo.

the both of you had arrived, bright-eyed and tired, as he clambered off the tall bus that had parked on the outskirts of tokyo, where jujutsu high was located.

gojo stood beside you, hands stuffed in his denim pockets, plastering a disinterested expression on his face. but he couldn't help how his eyes flittered to the sid,e underneath the dark shades of his glasses, watching you fawn over another new student, another boy who had arrived from some small town, who-knows-where, from a non-sorcerer family.

geto suguru.

well it was no lie that gojo liked him a lot too. there was no denying that he seemed polite, clever, maybe a bit shy. and effortlessly cool.

gojo had grown up in the stifling, grand estates of the big clans, constantly fussed over, and robed in fine silks printed with his clan motifs. all of those stuffy rules would sit, push around and make space in one's head, like a constant mantra from the elders.

he didn't need to look at you too closely to see what was going on, and he could tell right away, just from how you reacted. your smile stretched wider, and your eyes lit up like you were meeting someone who you really wanted to talk to.

geto who hadn't even changed into his uniform yet, with his stray strands of dark hair falling out of the knot on the back of his head, looking politely aloof, but cheerful, in worn black jeans and converse, and some baggy band t-shirt that would get gojo scolded by his mother for even wearing that inside the estate.

gojo noticed everything, especially the way your fingers slipped up to tuck your hair behind your ear when geto grinned at you (all because you’d recognised the band on his t-shirt, so what?) he saw how your eyes brightened, like geto suguru had unlocked some hidden code only you could decipher.

it annoyed him to realise that geto's calm, quiet charm was exactly the kind of thing you’d be drawn to. that’s what you liked, wasn’t it? the understated, thoughtful types who let the world come to them. not the loudmouth who cracked jokes at every opportunity, hoping to pull a laugh from his best friend.

well, fuck, he had to be a part of this too now.

✉️ — 2005. 💬 — both.

gojo's new obsession had a sleek, silver body and an olympus logo stamped on it in black, a camera that he'd been itching to buy; refusing to settle for anything less than the latest model. suddenly, he was determined to capture tokyo through his own eyes, and you and your friends had quickly become his reluctant muses on an impromptu day trip to the ameya-yokocho market.

"stop! stay right there, don't move! fuck, no! a little to the left!"

he waved his hands around, motioning for everyone to gather just as he wanted. you all exchanged amused glances, with shoko huffing around dramatically, as gojo crouched down on his long legs, then stood back up, and then crouched down again, as one of jujutsu high's most powerful sorcerers struggled to bring a camera into focus.

eventually, geto had laughed — raven hair falling over his beautiful face, and had gotten up to help gojo, fiddling with the lens as the rest of you milled around.

and then, suddenly gojo turned the camera directly on you. he pointed his finger your way, wide grin half-hidden but unmistakably earnest, 'c'mon, turn that frown upside down!'

he needn't have said a word, just seeing your best friend there, with his hair tousled and carefree grin, with the camera strap hanging off his neck, was enough to make you laugh, the kind that felt as bright as it sounded.

and so, you found yourself standing in the middle of the bustling market street, surrounded by friends and fellow students, and the lively hum of the weekend crowds, as you looked directly into the lens, with your smile softening under his gaze, as though the rest of the world had blurred into the background.

afterwards, gojo had taken a good look at the photo, and he didn't say much, but the look on his face lingered, almost like he was seeing something that he wasn't sure he was allowed to hold onto. you had shyly asked him later, coming up beside his shoulder, whether he had printed a spare copy of the photo, but he shook his head with the lie rolling off his tongue.

love was a selfish endeavour, to its core. he wasn’t about to tell you that he wanted to keep that photo for himself. and later, when no-one was looking, he slipped the small print into his wallet, right between his train pass and some spare change.

✉️ — 2006. 💬 — you.

your best friend, your dear satoru, had always been resilient; the kind of guy who threw himself at life with reckless energy, shrugging off injuries like they were just a part of the ride. he'd laugh off a scraped knee or a bloodied lip, flashing that cocky grin and a shrug as if pain was something for other people.

life for you went on, with your own routines and small moments. you learnt long ago that you didn't quite possess the natural, raw sheer jujutsu power that gojo had (or geto for that matter) but you could certainly hold your own in a scuffle. regardless, you had chosen to turn to academics, flitting between classes and study sessions, arm in arm with sweet shoko.

there was joy in sneaking off campus with friends, or scrolling through lists of new albums to download onto your mp3 player (you had been partial to the south korean boyband, tvxq!).

and so, life seemed both incredibly mundane and slightly electric, with days marked by shy smiles and inside jokes, with walks home on the streets wet from the spring rain.

but it had been late summer when gojo had returned from that last mission, when the days were still long and hot and the afternoons were bathed in a thick, heavy amber. and he had come back...different.

he moved carefully, as though each step was suspicious and took more effort than he'd let on, and his usual bright glimmer was dimmed, his laughter quiet, and his smiles withheld like a rare currency. he'd sit through the long evenings with you, in silence more often than not, hands stuffed into his wide pockets as he stared at a place that you just couldn't reach.

when you'd catch him alone in the courtyard after class, he'd be training hard, working through his cursed techniques with a relentless focus, perfecting each hand gesture as if he could shake off whatever shadow lingered behind him. and sometimes, he'd stay for hours after school, practicing beneath the dying and dusty light of the last days of summer, as if he could not afford to stop, to rest.

“gojo?” you called, hesitating as he finished a strike to some poor unsuspecting pile of soda cans, leaving them obliterated in the heat. “what's going on with you?”

he paused mid-motion, glancing at you, his face carefully blank. and you hated that, you hated how the flicker of distress would pass from his face before being schooled into that carefully constructed mask of 'the strongest.'

i love you, idiot. i love you, i love you, tell me what's bothering you and i will help, you're my best friend.

but these words never saw the light of day, always curling up and choking up in your throat, and instead being twisted into feigned, casual interest. losing the cloak of deep devotion that you held for a friend of ten years.

"oh - hey! nothing," gojo replied, too quickly, with that half-cocked smile that painted over his pink lips, "nothing that deep."

lately, this repeated lie had been hanging in the air between you, clear as the last streaks of summer sunlight that would soon give way to fall.

you crossed your arms over your uniform, dark fabric crinkling, "you're not fooling anyone, you know. geto told me about the mission, he said that you —," you swallowed, with the words just as heavy as the steadfast beat of your heart that you kept under lock and key, "he said you shouldn't have come back. what does that even mean?"

gojo's face flickered again, just for a second, before he barked out that irritating, false chuckle, "guess it's a good thing you weren't sent on tengen's fuckin' mission then," before reaching out and snatching your strawberry milk carton from your hands with a grin.

after a few punctuated slurps and lip-smacking (just to watch your face redden in fury, gojo would admit) he spoke again, voice strained, "you'd probably be crying about it still."

"hey!" you protested, grabbing for the carton again, prying his slender fingers off your sweet treat, "i don't cry that easily."

"could've fooled me. you cried during that american movie about zoo animals."

"madagascar was a sad movie about displacement and the loss of home! i know animal rights activists hate to see your ass coming to the zoo."

gojo snickered, drawing out the words, "fuck that zebra," but now, he was looking off into the golden haze of a beautiful sunset, with that frayed grin, "seriously, though. it's fine, it's all in the past."

over time, gojo never spoke many a word about what happened to the star plasma vessel, but he just seemed to move forward, like he always had. his resolve somehow sharper, tighter, and his laughter more intense when it finally did return. there were moments when you'd catch him staring into the great expanse of nothing, haunted (but beautiful), though he'd just shrug and smile when you prodded him about.

✉️ — 2007. 💬 — gojo.

gojo thought he was astoundingly self-aware, in his own humble opinion. he never let anything get to him, that was the trick, you see. to take life as it came at you, to carry that fire and stubbornness and throw it back in the face of the trouble.

and so he wanted to be angry, to be furious. why had suguru done this? why?

he had known that geto, one of his dearest friends (one who always been so sure of himself) had fallen into disquiet lately, and even gojo had prodded him on whether he had lost weight through sleepless nights. but suguru would have just turned his head back to his book, lost in thought, with his dark hair loose around his face.

had he been blind? how had suguru's silence been covered by what gojo (privately) considered his own loud, defiant return? no, he knew of ghosts. he knew that some spirits and spectres could not be shaken, and sometimes when gojo himself closed his eyes, he could feel the sharp sting of an assassin's blade ramming through his throat, leaving him for dead.

but to murder over a hundred innocent people...

you had found him alone that evening, where he had sprawled over the stairs as the sunset blazed, painting them aglow in dusky hues. but gojo could barely notice any of this beauty, and so he just stared, lost in his thoughts that wouldn't settle.

(are you the strongest because you're satoru gojo? or are you satoru gojo because you're the strongest?)

he didn't hear you approach, until you placed a gentle hand on his shoulders, causing him to flinch, surprised out of his sorrowful reverie.

the warmth of your touch steadied him, and he glanced at you out of the corner of his eye, and he wondered how you could always seem to know exactly when he needed you most.

but the thought twisted, sharp and bitter, for what if you would follow suguru the same way? had you not often looked at geto with light in your eyes? and you had never looked at him like that.

what if, someday, you left him the same way? what if you turned around and saw someone else worth following? he couldn't help his fists from clenching, tension rippling down his shoulders and painfully gripping his head.

"suguru..." his voice came out quieter than he meant, with a crack that he couldn't quite hide, and he heard you sharply inhale, "i can't believe he's gone. i don't know if...if i'll ever see him again. why would he -?"

you still didn't say anything, just tightening your hand on his shoulder. and satoru hated it. hated that he wanted to lean into the weight of your touch, hated that this is what being the strongest now entailed. that now he was plagued by fear, of losing you, of watching you slip through his fingers into another's orbit.

i'm only seventeen. what happened to my youth?

the thoughts are acidic, cynical and they leave him angry (with the world, with the higher ups, with himself, with his parents) and he can't help himself from blurting out the next question.

"did you like him?"

gojo tries to keep his tone light and casual, but he loathes how he sounds pleading, heavier. he feels the embarrassment of vulnerability shroud him as you meet his eyes, and he hates how your eyes are teary too.

you shouldn't cry. ever.

"like? as in like?"

"as in love," gojo mutters, "shoko said you did."

you sniff, and now your head is leaning on his shoulder and he can inhale the scent of your shampoo (apples? caramel?) and despite the crick in his neck, he lowers his shoulder further down so you are more comfortable.

"shoko talks too much sometimes," you laugh weakly, "but probably. i think i did."

gojo tries to tamper down the acrid lurch in his stomach, but you continue, "i think i did love him. but so did shoko. so did nanami, and haibara back when, -" you sigh, "and so did you. we all loved him. he was our friend."

his fingers had been hovering close to your hand for a while, almost as if he couldn't help himself, the pull. finally, he slid his smallest finger to let it curl around yours, drawing out a memory from over a decade ago.

"tell you what, when i become my clan head, i'll make sure you get the nicest robes, how's that?" "promise?" "why not?"

how silly that the hardest things in life had once been a bored child, and his new friend who fretted about her future wardrobe.

and when you clasped in hand entirely in its return, gojo's breath caught, his throat tightening. the words that he wanted to say, to spill from his throat, hovered in his mind but there was no infinite word strong enough to bring them out.

he wasn't an idiot, he wasn't daft and unobservant, he knew exactly what he wanted to say to you, to tell you from his lips to yours. but the way his heart laid itself bare in that moment unsettled him deeply, not the yearning itself, but how fierce it was. it disgusted him, the rawness of his desire, exposed right there in the open, where anyone could see it, including you. especially you.

with a realisation that was long coming, beneath the golden wash of the setting sun, he sighed deeply. if he ever lost you, if you ever looked at him with the same betrayal that he'd seen in suguru's eyes, he didn't know if he could survive it. it would cut deeper than his infinity could bear.

he tried speaking again, "if you ever -" but he doesn't get the chance to speak before you're leaning further into him, a quiet sniffle punctuating the silence.

"i won't."

✉️ — the next decade... 💬 — you.

"sweetheart, honey, my precious pumpkin pie."

you shot gojo a death glare, his attempt at flamboyant charm bouncing right off you, "i hate you. never speak to me again."

and your gaze dropped to what was left of your beautiful hermès scarf, once a beautiful concoction of cream-white silk, now reduced to tatters that fluttered pitifully in your hands, stained with some suspicious green goop.

you had cherished this pricey product, but gojo, in his infinite wisdom had decided to pick it up as a perfect blindfold right before a gnarly mission. and so, it got tangled with a nasty curse, and met its tragic, shredded end.

gojo raised his brows, feigning the innocence of a cherub, blinking his long lashes, "i'm sorry, i'll get you a new one, baby."

he drew out the pet name with exaggerated gusto that made you snarl, "enough with the pet names. you are a grown ass man."

and you gave him a first shove in the ribs that made the strongest sorcerer in the world stagger dramatically, only to catch himself with that easy grin still plastered on his face.

but before you could storm off and mourn whatever was left of your one-million yen possession, gojo darted in front of you, blocking your path with his ridiculously long arms. "come on, let me make it up to you, what if i had died on that mission?" he pleaded, looking at you with mock sincerity.

"i wouldn't have even come to the funeral," you sniffed, sticking your nose in the air, ignoring the fake choking sounds that came from the man as he clutched his chest.

months had turned into years, where you and gojo had grown up and graduated jujutsu tech together, carrying triumphs (you won valedictorian, out of a grand total of eight students), losses (gojo was a notoriously bad driver and almost crashed the car that the two of you were in) and countless moments in between.

the two of you had returned to your alma mater as teachers, and mentors, guiding younger sorcerers who were much like you'd once been; eager, impatient, and a little rough around the edges.

gojo took to teaching like he did most things, with his own reckless charm and devil-may-care attitude. he'd joke about skipping staff meetings, but he'd be there anyway, leaning back in his chair with his legs sprawled underneath him, mouthing snarky comments that only you could hear.

you'd like to think you'd grown more confident, no longer the uncertain teenager who used to glance at herself twice in the mirror. time had given you the chance to learn your strengths, and exorcising curses had left you all the more enduring.

gojo had noticed, though he'd never say it outright. he'd make some teasing comment about the way you would boss around a room, and you'd roll your eyes as you nudged him telling him that you had learnt from the biggest ego in tokyo. but sometimes, he'd watch you a little longer than he should, with that flicker in his gaze that he thought you hadn't noticed.

some things hadn't changed at all, and he still came back to you after every mission, every right. you'd hear him shuffling in from down the hall, his paper bags of desserts swinging as he tried to balance it along with his jacket, and whatever ridiculous trinket he'd picked up for you that week (you kept every single one).

and there the two of you would be, sitting cross-legged on your apartment floor, sharing sweets straight out of the boxes. he'd pass you a slice of cheesecake that he insisted that you simply must try, nudging your hand until your fingers enveloped his.

wouldn't it be a lie to claim that you didn't bask in the warmth of your best friend's gaze, even as he feigned interest in some story that he had overhead from the students on his way over from the school, with his low laughter filling the quiet around you.

sometimes, in the silence that would fall after the conversation ebbed, he’d reach over and trace circles absentmindedly on the back of your hand with his thumb, as if it were the most natural thing in the world. neither of you would move or speak. gojo would be looking anywhere but at you, yet his hand wouldn’t let go, tethering you to him in a way that made the apartment feel smaller — almost as if you’d already crossed some line neither of you dared to talk about.

what a pain to be haunted by someone who was already living and breathing right in front of you. sometimes, it left you nauseous, ill, and even screaming into your pillow after he left, and dialing shoko's number so she could give you an earful.

✉️ — october, 2018 💬 — you.

your car idled at the curb, the sounds of the city filtering in through the barely open window, with the faint chill of the october night brushing against your skin.

gojo looked up from his phone, tapping his fingers on the screen, and there was a sober look on his face that made your stomach twist. you watched as he ran his head through his white hair, and sighed, his eyes still on the screen.

"apparently i was summoned by name," he said quietly, "to shibuya. whatever curtain's been set up is only allowing sorcerers through."

you kept one hand on the wheel, "ijichi reached out to me too, but he wants me covering the perimeter on the other side, away from the metro. but who would summon you by name?"

"i know. do you think it's...?"

"the traitor everyone's guessing about? who else?"

gojo scoffed a little, "fuckin' surprise," he muttered, casting you a glance that spoke volumes of protectiveness, one that made you lurch ever so slightly. his eyes met yours, an unspoken worry passing between you. you bit the inside of your lip to keep yourself from blurting out the words that lived in the forefront of your mind.

and so, gojo reached for the door handle, and you saw him hesitate as his fingers drummed against the door, before pulling his blindfold up, "well, stay safe, yeah?"

you swallowed, trying to find some false platitude to offer back, "hey, i will if you will."

he gave a short laugh that must have not fully reached his eyes, but it softened the rest of his beautiful face in that way that you loved, "y'know, we could have been going trick-or-treating. dressed like idiots, stuffing our face with candy."

"tweedledee and tweedledum?"

gojo snorted, "next year then."

you hummed, "i'll keep that idea then, tweedledumb."

the bow of his lips quirked, and he looked away again before pushing himself out of the car, stepping out onto the suddenly cold, quiet sidewalk (too quiet, where was everyone?)

he paused, turning back to you through the window, as he lifted his hand up in a small wave, and you could tell he wanted to say something else — but the moment passed, and he closed his mouth, smiling instead in that way of his that said everything without a single word. and he pushed his hands back into his pocket, strolling away as you sat there, suddenly ever so lonely in your silent car, as chills went down your spine.

✉️ — october, 2018 💬 — you.

"gojo satoru has been sealed."

what the fuck?

the world has slowed down, every sound muffled as if you'd been submerged underwater. shibuya had left gojo sealed in the prison realm by...no. it couldn't be.

suguru geto was dead. dead, executed. had it not been almost a year? you had mourned, gojo had grieved. and yet, the impossible had clawed its way into reality, leaving you feeling like you were teetering on the edge of something dark and unknowable.

soon the shock twisted into dread, an icy grip that clenched tight around your chest, left the blood draining from your face. god, your hair must just turn as white as his from the stress alone. your best friend, the one who had been beside you in sickness and health.

it was cruel, you thought, to not even be allowed the time to fall apart, now now. there was little space for it in the chaos that had erupted the next day, when waves of curses crashed through the city like nothing you had ever seen. what fresh hell was this, you wondered as you nursed a nasty set of wounds, trailing after (tormented, sweet, far too young) itadori yuji, and his supposed older brother, some blood manipulation user that had done his fair share of damage throughout the night.

the culling games.

the brutality of it shocked you, and several times during the upcoming days, you had to blink back hot tears as sorcerers were summoned, drafted, and thrown into what was quickly a gladiator spectacle, some devilry concocted from geto's, no, kenjaku's mind. and the stakes were not just your own survival, but the students you had mentored — the young souls who had grown under your watch, and needed you now more than ever.

it quickly cost you an eye. a clash with a fierce, blood-thirsty wayward sorcerer had left you bloody and bruised with a clean gash that ran through your right eye, and you had screamed, taken a life even. only the baritone, dulcet tone of the yuji's half-curse brother (choso? a member of the kamo clan? since when did half-curses even exist?) had pulled you away from launching the contents of your stomach over the pavement, as you stared at the crimson dripping off your hands. were you supposed to be grateful that you had survived this, when so many others had not? yuji's tears had kept you awake in the night, his sobs when he thought that no-one could hear him.

gojo's absence had become a wound, raw, with a side of constant ache that you could feel with every waking heartbeat. and so you tried to fight hard with his voice echoing in your ears, remembering the half-smile he'd flash when you'd land a difficult hit, or the grateful look in his eyes knowing that his students were safe.

days blurred together, and nights bled into ceaseless combat, of the terror of being on the run, and still gojo was with you. the thought of finding him, the thought of him being unsealed from the prison realm almost had you blurting false, desparate promises to the sky that you would tell him exactly what you felt for him, bare your heart out in its entirety for him to hold in his hands.

like it had always been.

✉️ — november, 2018 💬 — you.

it was surreal seeing him again, unsealed and standing there against the burnt umber of the sky, rough around the edges but undeniably gojo. nineteen days of living with the ache of his absence, of waking every morning with a hollow flower blooming in your chest, he was here — alive, breathing, real.

but god, it had been so beautiful to meet his blue gaze once more, and that fleeting smile cross his face before he rushed to pull you into his arms, closing the distance and pulling you into his arms with a new strength that almost lifted you off your feet. and if you closed your eye, you could pretend that nothing had happened, nothing at all. that it was just you pressed against the warm, beating heart in gojo's chest, unrestrained and fierce as thick arms pulled you close, filling your senses with smoke, and earth, and long-spilt blood.

"don't you look eye catching?"

you huffed and leaned away from him, slamming your fist on hard muscle in exasperation, but if you hadn't turned your gaze away, you would have seen gojo's eyes twitch as he took in your battle-worn appearance, the scar that ran underneath bandages where an eye would have once been. if you had paid more attention, you would have heard his intake of breath as he ran his tongue behind his teeth, with a vow, a promise.

"guess who's going to kick sukuna's ass so far back to the heian era," gojo murmured, and you let out a shaky laugh that echoes all the way down to the marrows of your bones.

"yeah, i thought you were just all talk."

"i'm still alive, aren't i?" he shot back, cocky and boyish once more, and your eyes traced over him, drinking in every small change, the sharper clench in his jaw, the tautness in his frame, the way his shoulders seemed broader, like he had been carved up in the prison realm anew. and it leaves you melancholic.

in another universe, the two of you were still young, hand in hand underneath the blue sky as the cool breeze ran through your hair. but battles had turned to war, and the night had no time for what ifs.

"hey, don't go worrying about me," gojo murmured, almost as though he had caught the shadow in your heart, and he plastered a grin on his face, stretching his toned arms in some show of nonchalance, but his gaze lingered on the ruins too long, on the mottled group of assembled sorcerers who seemed to brim with new-found confidence at his return.

and when he finally looked back at you with a new dullness in your eyes, a heaviness you hadn't seen in a long time. it left a dead weight in your chest, but you forced yourself to return his own bland smile, playing along with the front he was trying to maintain, "well, i guess i'll have to keep you out of trouble from now on."

✉️ — november-december, 2018 💬 — you.

the month began to stretch and pass in a blur on the endless horizon, complete with the aching and unbearable waiting where you knew something was going to happen, and yet you did not know when and where. shoko had forgone her own exhausation to see to the rest of the wounds, the ones that had festered under bandages and grimes, leaving faint trails over your skin but she had shaken her head sadly when it came to the socket on your face, even she could not restore an eye.

gojo had swapped his suits and jackets for loose martial pants, and a tight black top that had clung to the muscular frame that he'd honed over the years, laughing off your concerns like they were nothing more than passing clouds.

"don't fret," he'd say, "how bad could this be? you know i told yuji once that even if sukuna was at his full power, i'd still wipe the floor with him. you believe me right?"

you weren't sure if his question was cocky, or a plea, and the fatigue had caused you to snap, "and now, yuji flinches when he hears loud sounds, and he's just another kid who can't fuckin' stop wringing his hands in blood! look what you've done to him!"

gojo's eyes had twitched afterwards, the corner of his mouth pulling down, but he hadn't gotten angry. and you hated it. you hated it all.

but you had wanted to believe in him, in his optimism. you wanted to let his smooth words settle into your bones like the warm comfort they should have been. but how could you feel at ease when everyone was now playing a role? each sorcerer in this building was feigning whatever mask or persona that they had painted and drawn across their face, just as you had. just as gojo did.

but nothing was the same anymore.

and neither were you.

the loss of your eye, the streaks of scars on your skin haunted you. it felt cowardly to say, but this was not the life you should have lived. you simply just didn't see yourself as strong enough, and your eyes watered thinking about the days when you dallied under a clear sky, skirts swaying along the grass as you trailed after your best friend, catching fireflies, exploring shrines, falling to the earth in child-like innocence.

the hollow space on your face, the empty socket served as a reminder of what you had survived, of the world that had fallen into pieces. was there anyone here who would recognise themselves in the mirror anymore?

some nights, the world felt impossibly still, and you would sit at the window and press your hands to the cold of the glass as you watched a scarred city sprawl ahead of you.

you didn't turn at the sound of footsteps at first, and you sat there, with your fingers still dancing on the edge of the window. you closed your eyes as you felt him approach, close, but not enough — you wished he would sit by you, press his soft head to your own, close enough for you to hold him in your hands, curl into his skin.

"satoru, can you make another promise?"

gojo's steps had paused, just a breath but it was enough to know that you had his attention. but when he spoke, "please tell me we're not doing theatrics right now," his voice was laced with that same dismissive edge that he always used when he was trying to push the truth far away.

"can't you shut up, just once? promise me you won't let sukuna kill you, i can't even imagine -" and how irritating, and how melancholic (fuck, this was like a bad soap opera) that your throat was already tightening, your voice wavering with tears that you had been holding back for weeks.

for a moment, gojo didn't respond, and he just stood there and you needn't have turned around to know that there was no trace of laughter nor joy on his face. no easy smirk to deflect the gravity of your well-founded fears. and the silence left you cold.

for the first time, you were suddenly hoping that he might say something blasé, to tell you to stop worrying, to brush it off and just reassure you. but he didn't, he was quiet.

and so you turned to face him, and you felt almost villainous for verbalising your future grief like this, to one who must already have carried such an eternal, heavy burden.

no longer did the blue of his eyes shine like a spring sky, with feather-like clouds that danced in his iris. now, there was only a fractured storm. and god, you loathed that for the first time in what must have been years, his own face was reddening, his eyes suddenly teary, clouds gathering torrential rain.

you knew he hated being seen like this. over a decade of holding him close to your heart had made you privy to his ways, to the way that he'd furiously rub at his face when upset, as if he could will the distress away and hide his tears.

gojo had outstretched his little finger towards you now, hooking it with your own, and your heart stuttered as he brought your finger to his lips, so quick that a ghost may have brushed your skin, with the seal of a promise.

"i will try. god, i swear, i...i promise, i will try." and you knew that gojo satoru was scared, terrified even of what december 24th would bring.

"i -"

you wanted to say it all, wanted to tell him everything. but the words stuck in your throat, love and want and need and ferocious, capricious grief all sat lodged within your beating heart that was so tightly bound in iron chains.

it was a shameful thing. you should have sat there, and comforted him instead. should have told him that it was alright, and you did not know a more powerful and capable sorcerer than he, that he'd leave sukuna in ashes. should have laid your hand on his brow to soothe the lines away from his pale, streaked face.

but you had always been selfish, held onto your heart like a being of folklore, guarded and self-assuming. you wept heart-aching tears, feeling them pool in your sleeves, and run hot salt trails over your lips. maybe it was a testament to how much gojo satoru loved you too, that he could not bear to see you in such grief, and he hesitated.

then he turned to leave you by the window.

✉️ — december 24, 2018 💬 — you.

the turn of the year felt cold, far too chilly, even though the night was still young. the city lights twinkled in solitary clumps outside, but they were just as dim as the heavy weight in your chest. the walls seemed to close in as gojo prepared to leave, to face sukuna — the king of curses. and you couldn't shake the feeling that something was slipping through your fingers, something that you would never be able to grasp again, no matter how tightly you gripped.

everyone had wished him luck, calling your their bravest words of encouragement as he walked past them, their voices echoing through the hall, as they slapped him on the back.

they all cheered the same platitudes.

"go fuck sukuna up!"

"language!"

"sorry, choso."

"show him what you're made of!"

"prove that you're not just a pretty face, gojo!"

and so you had plastered the same smile on your face, hoping that it would reach your eyes as gojo winked at you, "hey, before you start telling me off, now it's your turn to promise me something."

you had cocked your head up at him, ignoring shoko's narrowed, tired eyes, "yeah?"

"mhm," satoru nodded, pulling his arms around you, "after this, after all this bullshit, we get to take a vacation."

a barked laugh escaped you, before it collapsed into a giggle, "you want paid leave? that's all it is?"

your best friend's large hands gripped you, flat against your back, "yeah, that's all there is. we're gonna go take a holiday, sit by the beach, watch the ocean. keep it simple."

"a picnic too, eh?"

gojo nodded, humming, "we'll plan everything. about time we got to take a break. i'll be back before you even know it."

you felt his voice hitch against your ear, and your heart twisted painfully in response, he wasn't saying it but you both knew the cold truth, there was a real chance that he may never come back. before your vision could blur, you pressed his lips to his cheek, letting them linger for a moment on smooth skin (and you felt his arms tighten around you) and hoped that whatever you hoped to say, whatever spine you lacked, could be expressed so swiftly.

"come back then, please. i'll be ready." you whispered between his skin and your lips, the tremble leaving no space for air in your lungs.

for a moment, he didn't answer, just held you, and you tried to focus on the feeling of his chest rising and falling in slow, measured breaths. then, just as you were about to pull away, he spoke, the words falling from his mouth, so familiar and so effortless.

"of course i will. i always do."

there was a flicker of something raw there in his eyes, and you had seen it both before and after shibuya. his lips parted as if he were about to say something, but whatever it was, it never came. instead, he just nodded, a silent promise — unspoken, but felt deep in your bones.

without another word, he turned toward the door. and just before stepping out, he looked back one last time. that smile, that arrogant, confident smile that always made your heart race —i t was there, but it wasn’t the same. it was stretched thin, fragile. his blue eyes were tired, haunted, and for a moment, you saw the truth — the part of him he always kept hidden. the fear. the doubt.

"i'll be back," he repeated, but this time, it didn’t sound like a joke. it sounded like a prayer. a desperate, half-broken promise from the closest thing that the world had to a god.

you couldn’t speak. your heart was lodged in your throat, and the words that you needed to say just wouldn’t come. you wanted to tell him that you loved him, that you always had, that you were scared to lose him, that the world without him in it felt like a hollow echo of what it could be. but you couldn’t.

instead, you just nodded, your face a mask of emotions you couldn’t express.

and then, with one final look, a look that held everything neither of you had the courage to say — he stepped out into the cold, his footsteps fading into the distance.

✉️ — december 24, 2018 💬 — you.

gojo satoru was dead.

dead. killed.

for a moment, you stood frozen in the doorway of shoko's office, numbness seeping into your bones with a furious grief as you stared at the cold, unmoving form that was once satoru.

fuck, there was bile in your throat as a once lively boy now lay in four pieces, cleanly sliced by sukuna's unforgiving technique, and the sight was a nightmare made so real, something that you just couldn't reconcile with the man who had once been so vibrantly alive.

the warmth that had always clung to him had vanished, leaving his skin pale in the grasp of rigor mortis, and his lips were still flecked with dried blood that had painted a stark contrast against his stiff skin.

and his eyes, those striking blue eyes that used to glint with love and hope and dreams, were now dull, and still open. you had not the heart to close them, for once your hand pulled his eyelids down, you would never see them again, never look into his eyes until it was your time to pass from the circles of the world.

the last thing you’d seen of him had been that cocky grin, that wink that seemed so unbreakable, that laugh that lingered even as he left your embrace. he’d held you, promised you that he would come back, but now, as you stood there, that promise felt like a cruel lie, something that should’ve warned you but instead gave you nothing but hope.

you choked on a breath, your hand coming up to your mouth as you felt the weight of your unspoken words sink down like lead. i should have told him. you’d wanted to say it all, to let him know how much he meant to you, to tell him that he was your everything. but the words had died in your throat, held back by fear, by the delusion that there’d always be another chance, that he’d always come back.

you’d believed him. you’d believed, with every part of yourself, that he’d make it out alive.

but here he was, torn apart, the last shreds of life stolen from him by the king of curses. you had seen him being cut down, like a sheaf of wheat under a god's sickle, how sudden and gut wrenching it had been, and for the second time in a month, you had been on the edge of hurling onto the stone. but this time, the half-curse beside you, choso, hadn't stopped you from losing the contents of your stomach, as instead he had pressed his younger brother's cries to his broad chest, the grief swallowing the entire room.

gojo hadn’t been given the chance to fight back, hadn’t even been able to draw a breath before he’d been torn apart. and that final thought — that he’d been caught off guard, helpless, alone in his last moments — left you feeling shattered, grief clawing at you with merciless hands.

your knees felt weak as you moved toward him, your trembling fingers reaching out to touch his face, cold and unyielding beneath your hand. you traced the lines of his face, memorising every detail, as if somehow, through touch alone, you could keep a piece of him with you. a tear slipped down your cheek, landing on his lips, lips that had once murmured promises, had brushed against your skin in fleeting, unspoken moments. the tear brought moisture once more to the blood that splattered his face, but quickly, it disappeared, drying and taking away any life.

"i should’ve told you,” you whispered, your voice broken, raw, laced with the pain of regret, "i don't know if you ever knew how much i loved you."

you closed your eyes, the silence thickening around you, pressing down until it felt like you couldn’t breathe. your mind replayed every smile, every laugh, every word he’d ever spoken to you, each memory twisting the knife of grief deeper into your chest. the emptiness of the room swallowed you whole, and all that was left was the aching, unbearable reality that he was gone — that the man who had been your best friend, your confidant, your everything, was nothing more than a memory now.

you stayed there, your hand resting on his cold cheek, as if the warmth of your touch could somehow reach him, bring him back. but he was gone, and with him, he’d taken the words you’d never been able to say, the love you’d never been able to give.

and as the silence closed in around you, suffocating and absolute, you knew that part of you had died with him.

✉️ — not so long later. 💬 — you. it could only be you now, for you are the only one left.

the sun was beginning to set as you reached the shore, casting an amber glow over the ocean. the waves lapped quietly against the sand, as a gentle roll becoming a reminder that the world was still moving, even when the battles were done.

even though everything within you felt like it had come to a standstill. you clutched a folded piece of glossy card, and a box. two things that shoko said she found on him, things that she thought you should keep, she added quietly.

and so, you sat down on the sand, letting the evening wind sweep over you as you gazed out at the endless stretch of water. the ocean had always been something you had dreamed of seeing together, an endless horizon that was wild and untameable, just like gojo satoru had been. but he was gone, gone, and that promise would forever remain unkept.

you opened the folded glossy card, wincing as you tried not to press the faded creases further, brushing over the faded edges. it was dated to the fall of 2005, and you bit your lip as you saw your own image stare back at you. when the world had felt endless, and you had two wide eyes to see it with. there you were, that day in the market, laughing in the photo with your head thrown back sweetly, and you wetly laughed as you saw geto suguru's confused expression in the background, clearly exasperated with gojo's photography skills.

a choked sob escaped you as you traced your smile in the photo, so oblivious to what would come. you’d been so happy then, wrapped in a moment that had felt simple and whole. gojo had teased you relentlessly that day, snapping photos every chance he got, and you’d thought he was just being his usual, silly self. you’d never realised he’d kept this one one, never knew it meant enough for him to carry it all this time.

with a shaking hand, you opened the box, revealing the ring nestled inside. fuck.

it was beautiful, impossibly beautiful, as if he’d carefully chosen each detail with you in mind. the diamond glistened in the fading light, flecked with small blue stones that reminded you of his eyes, the eyes that used to light up every time he looked at you. this ring was supposed to be a promise, just as the ones you made when you locked little fingers — a promise he never got the chance to make, a life together that you’d both been too afraid to admit you wanted.

the first tear fell, splashing onto the sand below, followed by another, and then another, until you were trembling, the grief tearing out of you in waves, raw and unstoppable. you held the ring to your chest, clutching it as if somehow, by holding it close, you could feel him, hear his laughter, feel the warmth of his arms around you.

you could almost hear his voice on the wind, that playful edge mixed with tenderness as he called you by one of his ridiculous pet names. sweetheart, honey, my pumpkin pie, followed by your irritated huff telling him to drop those names.

but truly, here was nothing. just the sound of the waves, relentless and indifferent, echoing the hollow ache in your chest.

the what-ifs clawed at you, memories replaying over and over in your mind: moments when you’d almost reached for him, almost whispered the words, almost let your heart break free. but each time, you’d held back, too afraid to disrupt the delicate balance between you, too certain there’d be another day. but now, those moments were gone, scattered like dust in the wind, and the weight of those unsaid words felt unbearable.

you pressed the photograph to your lips, closing your eyes as if you could summon him back, if only for a moment. but when you opened your eyes, all that greeted you was the empty horizon, stretching out into nothingness.

"i love you,” you murmured, voice broken, barely more than a whisper. "i love you. i always loved you."

the words hung in the air, unheard, unanswered. it was too late, too late for confessions, too late for promises. the life you’d wanted with him, the life he’d carried in his pocket with a ring and a photograph, was gone, lost to the cruel twist of fate that had taken him from you.

you stayed there on the sand as the sky darkened, the weight of his absence pressing down on you like a storm. the wind whipped around you, cold and biting, and you shivered, clutching his ring, his memory, as if that alone could keep you grounded.

as night fell, the stars began to appear, dotting the sky with fragile points of light, distant and unreachable. and you sat there, letting the grief wash over you, lost in the silent, aching expanse of the ocean and the memories of a love that would remain forever unspoken, forever unfulfilled.

wasn't love the greatest curse of them all?

[madlori]

Sometimes the delulu IS the solulu.

After some thought, and reading a lot of really insightful thoughts here and on Discord, I think I've reached a conclusion.

I'm going full tinhat. Not in an unhinged way, though.

I don't think this is the end.

I'm not going to count on it. I'm barely going to hope for it. But I am going to...keep an eye out for it.

The one common refrain we've heard from each other is that this did not feel like a permanent breakup. It felt so obviously and blatantly like a setup for Buck to fight for the relationship. It was that "one partner freaks out a bit and the other has to show their commitment" relationship hurdle which is so common it's a trope. In fact, most of us assumed that's just what it was...until those interviews

Now, I do not put Tim Minear up on some kind of pedestal of writerly greatness - far from it. And he did not write this episode, but the plotlines all go through him.

BUT.

He has always been very attached to Tommy as a character and to this relationship. He loves it. He loved red string theory so much that he wrote it into this episode. And I'm about halfway convinced he's in love with Lou but that's beside the point. (I mean, we get it, Tim.)

Tommy's what he always said he wanted to get for Buck. Firefighter, integrated into the 118, yadda yadda, we've been over this a lot. Someone he chooses, someone he works to build something with. Someone who shows up for him. He had Buck SAY in this episode that he'd never felt like this since Abby.

The thread of Tommy wanting a found family like Buck's. The intense settled/caregiving vibe of 8x05. It all felt so...purposeful. And yes, I agree that this could have been done just to punch up the angst for Buck when it ends. But that's not the only explanation.

The many, many comments of wanting to move Buck along in his personal life. Oliver wanting to do settled, domestic storylines with him. Giving Tommy the big hero romcom entrance in that hospital.

And what now? Cycle Buck through another love interest? It's hard to imagine recapturing what he had with Tommy with anybody else, or for the GA to embrace it as much as they did. What little we can see of the GA reaction (because the official socials are weirdly quiet and have not posted) is that they're not happy about this. Tim knows this.

I can buy Tim making some dumb writing decisions but he's not stupid. I find it very hard to swallow that he'd voluntarily toss away all this, and this potential, and what they'd already established, and a pairing/character/actor he loves, for what? For nothing.

So I think that it's not for nothing.

I think the plan IS to reunite them...

...they just don't know when, or how.

For some reason he wants to give it a break for awhile. I don't know why. There could be off-camera reasons. But I think it happened recently. Two weeks ago we got interviews talking about hurdles being overcome, relationships deepening, etc etc. It's a great episode for them, came out of Oliver's mouth. Not important, not consequential - great. And hey, what happened to that very important Bobby conversation where he gave Buck important advice? It wasn't there.

I think a change was made in the last two weeks. And yes, I know the loft stills were dated 9/17.

Two weeks is plenty of time to reshoot one scene, between when those interviews came out and last night. The stills could be from the first time it was shot, in September. Put the guys in the same wardrobe, we'd never know the difference, or that those stills weren't from the scene we actually saw.

OR

The scene was always the one we saw, but was always meant to be temporary, and the change was in how they talked about it in the interviews from last night. That is a simpler explanation, as it doesn't involve reshoots, but it doesn't explain those very incongruous interviews we got two weeks ago that do not match the scene we saw. Now, they have always vagued it up, and talked around things in interviews, but this was an entirely new level of misdirection and outright lying that isn't typical.

I'm really tinhatting it up now, but hey, what have I got to lose? I'm not investing anything in this. It's just...a thought.

If you think the network interfered (I don't, at least not for plot-related reasons, see below) or Oliver demanded the relationship be cut (I don't - I know lots of you are mad at him but I'm not), whatever it was...I just get a vibe. It could be as simple as money. It could be a ratings thing. Honestly? It could be that they've found out they're getting cancelled, and were ordered to cut bait on guest stars. They could be kicking the can down the road to goose ratings for spring when they do bring it back. There are lots of reasons I can think of and probably more that I can't.

I read a thoughtful and reasonable post about how it was more or less a mercy killing to post those interviews - most showrunners like to keep viewers guessing and coming back, so for them to say definitely BT was dead meant it's really, really dead (although how definitive they actually were is another question).

They might be right about that. I don't know.

Or they just might not know themselves. Even if the plan IS to reunite them eventually - if they don't have a plan for how or when, the safest course is to shut it down. No guarantees they can make it work, so play it safe. Oliver and Lou might not be looped in on this.

It's pretty thin. They probably would be, although we have ample evidence of actors not knowing stuff until the last minute. The other option is that they are looped in and are intentionally lying but I think that's very unlikely - although Lou has demonstrated a keen skill in keeping his mouth shut when necessary.

I'm not going to get nuts about this and neither should anybody else. I'm not going to be scouring socials or the internet looking for support or clues. I'm not going to be holding my breath waiting for a sign.

The only thing I'll keep an eye on is how they handle any flirtation or dating Buck does in the near future. How they handle it might be telling.

This is ALL very unlikely, let's be real.

I'm still tinhatting, though. Why not? What have we got to lose?

But if I'm right, I expect that red dodgeball in my inbox toot sweet.

(And Buddie still isn't going canon, btw.)

[nostalgebraist]

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

----

One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

----

Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)

[eff-plays]

Long Taash storyline rant, by an enby

Listen. At first I was honestly not that offended/upset with the Taash enby stuff. And having an enby Rook who was able to help them out was honestly pretty fun. It was definitely the first time any video game engaged directly with nonbinary identity like this, and while it's not really 1-1 with my own experiences, I thought that it was. Fine? Ya know? I thought it was a very novel experience to finally have a fellow enby NPC that you could talk to about being nonbinary. It's never happened in any other game I've played.

But then it just ... kept going. And on one hand I get it, because you don't just decide your nonbinary and that's it -- it's a process. But the way it's handled is absolutely insane to me. First of all, how old is Taash supposed to be? They give off whiny teen vibes, and it's very off-putting. This is the character that's meant to represent me? Why are they written like a child?

Second, why are we using modern terms? The word "nonbinary" IRL exists because it is a rejection of the Western gender binary. It's a specific term that isn't universal, and since no previous game bothers to engage with the gender roles of Thedas to begin with, it's absolutely insane to hear these hyperspecific terms used in this made-up fantasy world. Especially since the Qun already has words and concepts for their gender roles -- why didn't BioWare just base this story on those? Why not try to contextualize this in-universe? There are other nonbinary characters in the game, but they just popped up in this previously unequal and often sexist world and are just vibing. With no explanation. Who's out there doing thedosian gender studies? How are they spreading these revolutionary concepts so far and so quickly that the terminology becomes universal?

Side note on that, why does Taash have a little counselling session with the other two trans people that sounds like something they'd do in sex ed class (in Sweden, anyway)? Why is this happening during a magical apocalypse? Hello? Look at this fucking codex entry and try not to cringe

Like. Who is this for? This doesn't make me feel good as a nonbinary person. This makes me feel like a freak, out-of-place, and like I'm a fucking baby that needs my existence validated by some fucking bitchass video game codex entry preaching at me about how totally valid I am. This doesn't feel like respect, or inclusion -- it feels patronizing. It feels corporate, like we're ticking off boxes. "Look everyone, we're using the appropriate terminology! We're so inclusive!" And you know what? The fucking anti-woke chuds are gonna look at this and think THIS is me. That all I care about is having my terminology and identity carelessly stuffed into places just so I can feel good about who I am.

And before tumblrinas get upset, I'm not saying I don't want rep, or that I'm one of the "good ones" who wants video games to be free of "ideology." I am one of the bad ones. Taash should be nonbinary and I should be able to play a nonbinary Rook and I want both of those things to be explicit and accepted in-game! But I want those in a way that respects me and my intelligence, and the world BioWare has created that I've come to love. Who is preventing BioWare from actually, ya know, unwrapping the sexism and misogyny that they started in Origins? Who's stopping them from actually tackling the gender politics of Thedas? Why don't we ACTUALLY sit down and figure out how a society like the Qun might approach somebody not willing or able to conform to their particular rules? Especially the Qun. Like, they had so much potential for something actually interesting here, and instead it's "mom it's not a phase, respect meeeeee!"

Third, and this is my favorite fucking part, they tie Taash's gender to their background, where the Qun represents conformity and Rivain represents freedom. (Which is an entire can of worms in itself that I won't go into here.) I don't actually mind this? I have some extra special boy insight on this part of the quest, because I am also an immigrant who was born in one country and grew up in another. Being nonbinary and being an immigrant, while separate, have both had a similar effect in my life. It's left me feeling like I don't belong anywhere at times, like I'm something different and strange, and at times like I'm a kaleidoscope of expression and freedom, with unique experiences not everyone has. There is an absolutely valid intersection there that could have been explored and would've been very impactful if done right.

But instead we get this

Hello? Oh my god HELLO?

Why is there a BINARY CHOICE in a story where a character embraces being NONBINARY? Why are we now equating Taash's background and cultural belonging to the demands of their mother? You can reject what your parent is forcing you into without completely rejecting your culture! Am I fucking taking crazy pills right now?

The idea that Taash, upon discovering they're nonbinary, has to now say goodbye to being a Qunari? When they weren't even ever shown to care about the Qun in the first place? WHY IS THIS A CHOICE THAT HAS TO BE MADE? WHY ARE THEY ASKING ME WHETHER THEY SHOULD CONTINUE FOLLOWING THIS CREED THEY DO NOT CARE ABOUT? (Side note: why did their mother escape from the Qun only to enforce it herself?)

Like? You can't spend a whole fucking subplot deciding you're neither a man nor a woman, but then equate being nonbinary to being Rivaini, and thinking you need to pick that or being Qunari. I'm sorry? I'm sorry? I'm sorry?

Why is there no third choice? Why is there no "Hey you can be both" or "Hey just pick whatever from either culture you want to keep and throw away what you don't?"

I am going insane. The game sits you down and condescends at you for ages about basic contemporary gender theory, but then tries to inexplicably tie that to Taash's cultural background, but then doesn't bother examining how those cultures treat gender at all, and then finally forces us into a binary choice ... for a character whose entire fucking personality is "nonbinary."

The Qun is a misogynistic society. Rivain is a matriarchal society. (This was true for the previous games, at least.) The way these cultures approach gender is vastly different. But instead of examining how such a person would struggle with their background and how that would tie into their gender identity, it's just "Rivain good" and "Qun bad." Pick one or the other. Conform or rebel. Pick one or the other.

And that's the storyline of the nonbinary character.

The reactionary chuds will hate this and blame nonbinary people for how much this fucking sucks. While I can't claim or enjoy it because it's corporate nonsense and fucking sucks. All this does is show people that when games include enby rep, it's hack shit like this, so why include it if it's gonna suck ass, right? This bad writing will just make your game worse, so don't bother!

So yeah. Cool.

Thanks, BioWare. I hope whatever you were trying to prove was worth it.

[primediscipleofthekingofthieves]

So this is an excellent way to express something I've been struggling with recently. Therapy can be incredibly helpful when you have things you want to fix about yourself. And I mean therapy in a general sense, using things like talking over trauma with your friends, expressing repressed thoughts and feelings in safe environments, and in my case, roleplaying very angsty characters. Where therapy starts causing harm is when you try to fix things that don't need fixing. When the symptoms of anger or discomfort with the actions of others is addressed, fixed, taken care of. It can feel like care, it can feel like help, but it's appeasement.

I had a falling out with a friend recently. Of course I blame myself for everything, because cptsd and all kinds of maladaptive shit, but their parting sentiment was "go to therapy." "Fix yourself." "I hope you find Love and Grace and" it's just the most insidious shit.

I struggle to express when someone is hurting me.

My response to this is to surround myself only with people who won't hurt me.

Is that something that needs fixing? Is that a problematic pattern of behavior? Well, according to some people, yes, because they want access to me. I have alienated coworkers, family, even close friends, because I will not change, I will not mold myself to them. Of course there's things I need to work on. Of course, you think I don't know that? But I'll never, ever fix that part of myself. The part that says I deserve to be safe.

i don't know how to communicate to people that therapy is not an ontological good-- that, when performed "correctly," it's still harmful and coerces the patient into expressing and processing their emotions normatively so as to make them more suited for labor under a capitalist system

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[thestrangestthlng]

Thoughts and prayers rants...

So, now that I've had almost 48 hours to marinate on this and cycled through my emotions, I am in a much better headspace to talk on the whole 9-1-1 of it all.

But this bears repeating: We fell in love with Tommy because he made Buck fall in love with Evan.

So, first and foremost, I've decided that canon stopped for me at 8x05. lol. I am going to continue with my BT train like that shit show didn't happen. And for me, for a while, I am going to let the show end there. I will go back, probably after the hiatus, but not how I was. I do love all the characters on this show (some more than others) and I still want to be able to see their journey, but I need a break from that manipulation stunt. I'm still going to share all the positive BT stuff I see and all the beautiful Lou content I see.

Secondly, now that I am over the initial hurt of the breakup, I'm just mad. We were manipulated intentionally with 8x05 for us to feel worse when the break up happened. That was unnecessary. And that was cruel. And I know that a lot of this is because it was the icing on a shit week. Emotions were already raw due to the election and it was reallllllyyyy bad timing for this, but that doesn't make the way they did it okay, just that it can explain why there was such a strong reaction for many of us, on top of the completely justified anger.

Breakups happen, and that's okay. If it was the end of Tommy's time on the show, that's okay. I am a Buck girlie and I always will be. But... the breakup was reductive, stereotypical, and just poor storytelling. I get they want to leave doors open a crack, because you never truly know, but turning him into an OOC stereotypical biphobic gay man is disgusting. You had this beautiful thing and you shat on it. I am going to do another post about my personal relationship with groundbreaking storylines next.

That was a miscommunication. That was a breakup where someone chases after you and is like wtf actually just happened. It felt like whiplash, because that is not how breakups are formulated in media. You know how else you could have written him out of the story?

At the date (and the basketball tickets are actually a really sweet touch when you think about it) Tommy could have told Buck that he got a job offer in another city or state or that his parents are ill and he has to go home to take care of them and asked Buck to go with him. At the apartment, it could have been buck telling him that as much as he could see a future with him, he can't go with him.

Would it have sucked? Yes. But it wouldn't have induced this amount of rage.

For over six months Lou and BTs have been at the receiving amount of a ton of vitriol. And that's not to say that there weren't antagonizers on this side of the fence or that BTs never did anything wrong, but this isn't a both sides bullshit piece. People can suck everywhere, but only one "side" harassed an actor and his family with death threats, he read about the "stoning" calls, used slurs on a regular basis. All of this persisted for months for it to turn out that he was the only one who seemed to give a shit about the story and it's representation. There honestly doesn't seem like there would have been anyone better for it.

You know what's ironic? It was the Buddie's hate and vitriol that pulled me into fandom and made me love Tommy and then Lou. When they would run their mouths, I would look into it and I found a man who genuinely seems like (he is still someone we don't know) a wonderfully kind, sweethearted, genuine man. He looks like a bundle of light and his smile can warm even the coldest hearts. So their vitriol made me a fan. So thanks BoBs.

Buck and Tommy wasn't just about Buck's queerness and definitely not about "wanting to see two white men kiss". It was about our love for Buck. We saw him happier and more fulfilled than he's ever been. We see his life being lived and full of love and stuff and joy.

Again:

We fell in love with Tommy because he made Buck fall in love with Evan.

And you know what, not matter how reductive and all the phobics that breakup was, they can never take that away from us.

[loulovingho]

I 100% agree with you that that was lazy writing. What was the point of deliberately picking someone the audience (and the 118) were familiar with to be Buck's LI when they could have picked some random. What was the point in delving into Tommy's history and his feelings, what was the point of showing him head over heels for Buck in the last ep, of getting a gift for their 6 month anniversary only to say "oh well, I figured we wouldn't last, so I'm gonna get out now before you break my heart". Why let him get that involved if Tommy's ideology was to never allow himself to move forward in the relationship because ultimately he thought it wouldn't last? It's whiplash for the audience after you saw how INVESTED Tommy was in the last ep! And how exactly is this Buck getting off the hamster wheel? This relationship has ended pretty much exactly like all his others - he gets invested, they leave! They had so much potential as a couple - seeing what it's like for two fire-fighters to date knowing they're both in risky jobs, maybe Buck having to meet/deal with Tommy's homophobic father, getting to explore a "new" character's back story instead of rehashing the same story lines from the mains as well as seeing more of how Buck deals with being in a same sex relationship. All wasted.

And since they referenced Glee, if the plan is for it to echo the Kurt/Blaine relationship in that show where they broke up so they could "explore" before getting back together, by doing so they ruined that relationship so much that by the end it wasn't satisfying that they WERE endgame - they weren't the couple we fell in love with. (And also, way to reinforce the negative stereotype of "you can't ever be long term with your first". I should let my sister, my cousin and my aunt know even though they've all been married for years to their husbands - all their first.) Even if they do decide to bring Tommy back down the line, would it even be the same relationship we fell in love with? Would we even trust the writers to stick with it and treat it well? Or if they did a final episode reunion so Buck doesn't end the series alone, how is that satisfying for the audience?

I have been watching 911 since it started, and I have always been part of the general audience up until S7 where I joined the fandom because I thought Buck/Tommy were adorable. It's the first time in years I've become invested in a couple on a show. It's the first time in years that I've dipped my toes back into a fandom. Like you, this ship inspired me to write fic again. I have a bunch of wip's waiting to be posted on ao3 and I honestly don't know if I'll finish them now. And if they have broken them up for Buddie to get together I think I'll stop watching. And not just because I never saw them as a romantic couple (I only ever saw a deep friendship) but because logistically I don't see it working. Besides the fact that I think that while they work as friends, they probably wouldn't gel as a couple, two people on the same team in a relationship? That will screw up the 118 dynamic, especially as this show looooves relationship drama. If they get in a fight, or worse, break up, then what? How would that work within the 118, unless someone transfers out, but then it's bye bye the 118 we love. And not to mention, in the only 4 months I have been in this fandom I have seen some VILE crap from the buddies, and from what I understand it they've been like that for years. And the show runners know about it, so if they go with Buddie, congratulations, you've rewarded toxic behaviour and given them a license to be worse (look at them already, going in the bucktommy tags and gloating).

I told myself after Glee ended and they royally screwed everything up that I wouldn't watch another Ryan Murphy show because he has a history of doing that sort of thing. When 911 came along I was cautious, but it looked like it would be different - more grown up if you will, especially since Ryan Murphy hasn't really been involved since season 1. I should have just gone with my gut. I just hope that, knowing these last two eps were filmed weeks before they aired, the showrunners see how popular they were and realise crap, we've made a BIG mistake. (Everyone should flood instagram and especially Facebook, whoch is more GA than most social media platforms, with RESPECTFUL comments about how devastated they are, and who knows, it might make them consider bringing Tommy back sometime in 8b - I believe they're still writing the back half of the season.)

Side note, I feel really sorry for Lou. Yeah he's going back to SWAT, and I love him in that (even though his character can be a dick sometimes) but he's said in interviews how he's tired of always being cast as "the muscle" due to his size and he seemed genuinely happy to get this role, which was exactly what he was looking for - the sweet, caring, romantic love interest role where he could show some depth, and they screwed him over (sounds like he even thought Buck and Tommy were doing well and wasn't expecting the break up until the end).

(Apologies for the long rant. But what you've been saying really resonated with me and I needed to share your sentiments.)

.

[tamilhobbit]

Speaking as an Izzy hater - I found his character racist, homophobic and despicable in S1, did not see any appeal at all, and then copped a lot of shit from racist Izzy stans on Twitter (I used to enjoy fic that gave him a good arc, but those fandom experiences led me to start avoiding basically anything to do with him). Maybe the demographics are different on Tumblr, but Twitter was overwhelmingly pro-Izzy in a way that didn't acknowledge any of the bad he'd done and was hostile to anyone who disliked him.

I also thought his 'character growth' in S2 was too rushed. Him showing up in drag and singing felt more like Fandom Izzy. Canon Izzy had made a very very big leap there that, to me, didn't feel earned or justified. But I'll freely admit that my poor fandom experiences have soured me against him.

Otherwise, I agree with most of these points. I'm very much a Gentlebeard shipper and I still did not like the portrayal of their relationship this season. I have many of the same criticisms you expressed.

And it's gross that the 'talk it through as a crew' show refused to deal with everyone's PTSD, and even gave Lucius SA-related PTSD and played it off as a joke. Pete was horrifically cruel to him about it. That is one of my biggest issues with S2.

I think the writers suffered from being too involved with the fandom, to be honest. And it affected their own vision of their characters.

I've already said that to me, someone who is not an Izzy stan, the Izzy we got in S2 was much more like the Izzy I saw in fanfics and fandom than the Izzy we met in S1. Yes, Izzy could plausibly have become that person, but it takes a lot of work and growth that I feel they skipped over.

There was also just way too much going on. They crammed too much in and didn't have the time to treat any of it with the detail and respect it deserved. Given the show had to be cut down to 8 seasons, the writers desperately needed to be ruthless in cutting and editing. They needed to take out anything that didn't serve the plot or character growth, so they could focus on the important things.

They didn't.

Anne and Mary, for example. They don't actually add anything concrete to the storyline beyond being a backdrop for Stede and Ed! They serve as symbolism and foreshadowing, sure, but... of what? If we take them as foreshadowing of Stede and Ed, all it tells us is that this idyllic retirement that they end the show on won't actually be a happy ending for them. That they won't be happy with it. Which is a weird choice. Or do they serve as narrative foils of Stede and Ed, as a dark mirror? The narrative isn't very clear about that, to be honest.

The feeling I got was that that they were fanservice. Fans were clamouring for Anne Bonny and Mary Reed, so they gave us pirate lesbians, regardless of whether it was useful. The writers should have cut them and focused more on the plot, or made them relevant to the plot. They didn't.

Fans wanted Zheng Yi Sao, so we got her. Even though the plot ended up making her look a little foolish and incompetent by the end, in contrast to the first half.

Fans wanted Izzy to embrace his queerness, so we got that, even though it seemed like a rather abrupt shift.

Fans wanted more women and POC, so we got Archie. Who just shows up and isn't very well fleshed-out tbh, and ends up breaking up Jim and Olu. (Are they poly? It's only ever hinted at. And then Olu leaves for Zheng Yi Sao anyway. If they then become a polycule, it is entirely up to the fans.)

Fans wanted Stede to become competent and famous as a pirate, so we got that. Fans wanted Gentlebeard sex, so we got that. Fans discussed a soft shore retirement for Gentlebeard with Oluwande captaining the crew, so we got that.

This was some Monkey's Paw bullshit. We got a everything that we'd mused about on Twitter and Tumblr. It just wasn't executed well.

And yeah, even though I dislike Izzy, I do think his death was stupid. And in my opinion, a cop-out. It was like Shadow Weaver in She-Ra - you don't need character growth or redemption if you sacrifice yourself instead! With the double whammy that both Ed and Izzy have been toxic and awful to each other, and this narrative choice basically wriggles out of having to deal with that in any meaningful way.

Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

[justin-chapmanswers]

Justin! How hard was it to fully commit to The Reveal™️? Did you and the team ever go back and forth about if MePhone creating the contestants was a good idea or not and was there ever a point where you thought about not including it?

Just clarifying that I LOVE the reveal so much and it's changed my thoughts on the show in a very positive way, but I'm just really curious especially because so many things in the stories I've made have gone through changes

Honestly- no! I don't exactly remember the call in which I pitched it to Adam but I generally recall a vibe of "okay, yeah, interesting, let's play with this and see where it goes." And some immediate enthusiasm from Brian, as well. I think once the can of worms was opened and we realized where we could take the story from there, there wasn't any interest in taking that off of the table and limiting ourselves. Perhaps if we had any contradicting ideas that we felt passionate about, but that didn't come up. We were so interested in exploring how the reality show could affect these characters, and then to have the reality show TRULY not be reality? Or, at least, their perception of what reality is? We had to push that forward. It also put MePhone and Cobs in much more interconnected roles with the contestants which helped tie the story together more cleanly. It gave us something more tangible to work through emotionally in the finale. I think we were all very jazzed about the possibilities.

On the flip-side, committing to how the finale plays out outside of the twist was always way up in the air, constantly changing. Early-on plans of an ending that was fairlyyy similar to how episode 17 ended, a short-lived version with a final three, a finale that started with a winner reveal, long-time concepts of the finale being presented more like a contestants vs Meeple war on a battlefield around Hotel OJ, a version that was contestants vs Meeple vs Shimmers/Phenomse (way earlier on when our alien pals were more like a third-party antagonistic threat) in space, etc etc etc. And I'm so very glad that we landed where we did. And I'm excited for y'all to see how things come together.

[inawickedlittletown]

Oh boy. This is the last text post I write tonight. I swear. I just...I have a theory.

First off, Oliver Stark...what the hell is wrong with you? Those interviews...and the IG story he already deleted. eek.

And okay so people saying he wasn't happy with bucktommy and even with working with LFJ...maybe you were all right about that. But I think this is actually deeper.

I think something changed as late as this week.

We know that 8x06 was shot before 8x05 and every interview coming out after 8x04 about both 8x05 and 8x06 (yes the ones from Oliver) had some pro-bucktommy stuff in them. He was vague and he talked about how much he enjoyed those episodes. He said "if Buck and Tommy were ever on a break" and he talked about not knowing if Tommy was his forever partner or something...everything was there's hurdles and things for them to deal with and it just didn't imply break up or that things wouldn't be worked out...

So here's my theory now that I've had time to think about it.

I fully think the break up in 8x06 was written as temporary. I think we weren't going to see Tommy in 8x07 or 8x08 and we were going to be left wondering about Buck's decision on if he wanted Tommy back over the winter hiatus. And Oliver sort of says that too...that Buck will struggle with blocking his number or reaching out type of thing...so maybe we'll see that.

I think the decision was made...and maybe it came from the network...maybe it was the writers and Tim who knows but I think sometime between last episode and this one they decided to shift paths and not go forward with the bucktommy storyline...the romcom. This could even be as a result of the election. It's possible.

LFJ in his interviews comes off like he didn't expect it to end here. But if those interviews were already set before the decision came down then he had to do them and firmly close the door and explain his exit. It's what he was probably told to do. Doesn't change how odd it is for a non-main actor to do an exit interview. Has anyone else ever done one for a side-character?

As for Oliver...I find it very interesting how he went down the line of Buck is free to sleep around. Like it's such an interesting talking point. In no way am I condoning what he said or defending it, but it is a big switch from how he's talked about Buck being bi before...it feels a little like since bucktommy isn't happening Oliver is jumping at the only non-buddie thing for Buck to do. And as a straight white guy why wouldn't he say something like that without a second thought.

So yeah...I think they pulled the plug on bucktommy for one reason or another and that's why the interviews are like that. But narratively...they'll do some hand waving and make Buck decide he actually didn't love Tommy instead of following the threads they've left there.