#that ''since'' is doing a lot of work. but in general a lot of comics DO have radical jewish roots and more people should look there

[novantinuum]

Reformation ref sheet for an AU Steven (named "Astra") who's been invading my brain since like,, April. It's VERY wide, apologies. There's a lot going on here because this man is incredibly old and has poofed way too many times for varying reasons. (See This post for how I headcanon that Steven can poof and still be considered a hybrid being.)

While I will not talk in huge length about certain aspects of his AU on this blog due to some of it involving strong NSFW themes, there is a ridiculous amount of other lore I've developed over time for Astra, and I love him to death. He is my sad, lonely mans who I metaphorically hurl against the wall like a sticky hand when I need to feel something.

This version of Steven will likely never have any kind of full ass fic or comic made about him. Despite that, I do enjoy sharing some art and fun character lore for him from time to time. So, I might as well finally give followers like... literally ANY context for him. I've had this ref sheet for a while and just have never gotten around to throwing it on here, LOL.

Ridiculously long dump about my guy under the cut.

Subnote, this was supposed to be a quick post but I can't help myself and wrote you a fucking BOOK under the cut because I love my guy so much UWU

(Content warning I guess for like, extremely vague mentions of Steven/Steven later on.)

-

The huge tl;dr of Astra is as follows: he's a version of Steven who exists for SO long that he basically transforms into something of an ancient, lonely god.

He's outlived every single person he once knew as a child, and so as a result is starved for affection. At the same time, being vulnerable is the absolute scariest thing for him and he's really shit at navigating relationships, F.

The guy is THE most powerful living creature in his entire universe by the end, and yet remains a soft-spoken, (generally) benevolent soul. He dedicates himself to acting as caretaker for the vast, populous world he exists within, and to maintain the continuing legacy of Gemkind. A big discovery that occurs in this AU is that Gems are in fact susceptible to entropy over the span of millions of years and will eventually fall "inert," (but not him because of weird hybrid biology stuff he honestly sees as more of a curse than a blessing) so a huge plotline early on in Astra's lifespan is trying to either find a "cure" for this issue or to develop a means by which new generations of Gems can be created without the reinstatement of Kindergartens so Gemkind doesn't overtly go extinct.

-

But, to start... this Steven diverges off a point in canon- this is the timeline where he actually takes up the Diamonds on their offer of the throne in the movie, believing he may have a better chance of heralding true societal change working from the INSIDE rather than stepping away. Because he pours himself so thoroughly into his role on Homeworld and his mind is continuously occupied by this purpose, he never experiences the events SU: Future, nor does he develop his "pink mode" (yet...) or corrupt at all.

However, he's also so engrossed in his work that he's... kind of a shit boyfriend to Connie as years go on. (In that he's not terribly attentive... always super busy... their visits are often cut short, or few and far between.) Their relationship never really goes anywhere as a result, though Connie wants it to. To be fair so does Steven, but he's so scared that everything he's worked so hard to organize and set up in this new era will fall apart if he steps aside from his role for even a moment that he can't allow himself to follow that want.

At some point here he learns he can poof through a complete freak accident, and that's where things really begin to change in this timeline.

It takes a good few months for him to reform, but once he does he's back at it with all his work on Homeworld pretty quick.

The thing is... he doesn't have an innate physical need to eat or drink or sleep anymore, because he now consists of entirely hard light. It mimics human biology to an insane degree, so he COULD do all those things, but he doesn't need them to persist. So... he kinda takes this as an excuse to cut those activities out of his schedule entirely so he can spend more time focused on his duties as a diamond.

Connie is NOT a fan of this, and this leads to some debate and tension within their relationship. That being said, they remain an item...

Up until out of nowhere, Connie dies in an accident on Earth while Steven is off planet in a place where he doesn't have any contact with them for a few days. By the time the Gems are able to get in touch with him, it's far too late to resurrect her.

The kicker? In the autopsy it's discovered that she was a few weeks pregnant when she died.

Steven is emotionally gutted by this... and the thought of what could have been... and poofs.

The guy is understandably destroyed when he comes back in his next form, and his form reflects that- his gem flips as a sort of metaphorical severing from his own humanity.

He spends a long while in a deep depression at the loss of his childhood sweetheart... at the loss of any potential for (as far as he sees) a "normal" human life. There's a part of him that resents the choices he's made to end up in this present, but like, there's still work to be done.

And as the years move on, a LOT of that work is mitigating the growing relations (for better or for worse) between Gems and humans as humanity stretches their legs and reaches out into the stars. Humans kinda get... really aggressive in their expansion though, and quite territorial, and it leads towards some inevitable conflict between them and Gemkind. This time, with them more at fault. Things get so spicy that some groups of humans and Gems go to war.

Steven tries to mitigate one of these situations at the front lines- and gets poofed by a disgruntled Gem, speared straight through the back because she (kinda wrongly) assumed he would take the humans' side due to his ancestral ties to them.

When he reforms this time, he is glowing a perpetual pink. The Gems don't really know what to make of this, but he seems to be in perfectly fine health otherwise, so they assume it's just a normal aspect of this new neutral form.

And while this isn't something Steven has context to figure out until like... billions of years later, what's actually happened is that he's entered a permanent pink mode, pretty much. Guy's just got that much bottled up, unaddressed trauma.

He spends a long time in this form, and over all these thousands of years oversees the slow return to peace between Gems and humans... their marriage as a space age federation... and their deeper exploration of the galaxy. Beyond their home solar systems exist a bounty of alien species they've yet to meet... some friendly, some less so. There's definitely some conflict that crops up amidst the local galactic neighborhood when Gems and humans show up on the playing field here, lol.

But all-in-all, Steven develops a fairly peaceful and predictable routine during this reformation- living more like a Gem than ever before. He's still got the Crystal Gems at his side through all of this, and they are some of his greatest confidants.

And then... without any warning... Gems begin to go inert. Amethyst is among them.

Some of them simply stop reforming after they poof... especially those who were older Gems, or who have been cracked before. Steven and the other Diamonds using their powers together are able to "fix" this at first and "jumpstart" their reformation, but it's just a bandaid of a fix- these Gems will fall inert again pretty soon. And the longer they persist without poofing from alternate causes, the more unstable their form, power, and memory becomes. (Think of this as Gem dementia at its late stages,,, oof.)

The bottom line? Just like organics, Gems aren't immune to the forces of entropy. Sooner or later, their gemstones will decay from the inside out. Stubborn to find a way to save the ones he loves as he watches them slowly deteriorate all around him, Steven dedicates himself to trying to find a cure. But deep down, a part of him recognizes the futility of this. What he believes Gemkind actually needs to do is to develop a means of rebooting Gem incubation that doesn't destroy planets, so they can rebuild their quickly dwindling population and keep their legacy alive.

The big problem with this is that Gems take a SHIT load of energy and resources to properly incubate, so that puzzle will take a long ass time to sort out. There's kinda a lot of chaos that happens during this time. The reality of their own blunt mortality freaks out a bunch of Gems, and Steven has to do damage control with the heads of state for a lot of other alien species.

In the interim, all the Crystal Gems and some of the Diamonds (White is still in the picture, though) end up falling inert. Pearl is the last of the CGs to do so.

Steven is understandably SUPER gutted about this, and poofs yet again. (Lol notice a theme? Poor mans keeps poofing from friggin' anguish. Help him.)

After reforming with barely any changes, it's right back to work for this guy. He and the rest of his team of researchers are unable to find any cure for Gems decaying and falling inert, but they do end up making huge leaps and bounds in other kinds of tech. One of these advances allows Steven to finally deep-scan his own gemstone down to the atomic level to check for decay- this was previously a process that was very invasive, and came at the risk of irreparably damaging a Gem, but not anymore.

He expects to find evidence of the same micro decay that's been slowly eating away at the rest of Gemkind within his OWN diamond, but the thing is...

He just... ISN'T decaying at all? Even though the sheer age of this gemstone itself should suggest otherwise? As it turns out though, his existence as a hybridized being makes him kind of... an anomaly. When he first reformed all those thousands of years ago, all the data within his gem- data that would otherwise be susceptible to decay- was translated into genetic material. DNA that's woven entirely out of hard-light... but, DNA that has also been constantly regenerating itself thanks to a combination of all the intricate biochemistry surrounding the human telomere and his healing powers.

In other words, he is incapable of falling inert from natural causes, like micro decay. He's functionally immortal. Unless someone shatters him (or... heaven forbid... he shatters himself) he simply can't die.

Which, all of a sudden, makes his race to save Gemkind from their quickly approaching extinction all the more personal. Because if he FAILS- then he'll be the very last of Gemkind. There will be no one else left in this world who is even remotely like him. (Humanity has mixed and mingled with the galactic locals so much by now that they're very much unrecognizable from what they once were.)

His spirit is very nearly broken by this discovery, and he is severely tempted to throw all his own principles out the window and just sanction the construction of new Kindergartens again, if only to keep the dwindling Gem populations up and birth new generations. Perhaps surprisingly, it's White Diamond- the last Gem left who Steven actually knew since the very beginning- who urges him to reconsider. To not give up on his own morality, to not revert all the miraculous changes he's worked for these long few million years.

The big shift in the tides is when he discovers the means to jump to alternate timelines, and thus the existence of the greater multiverse. This allows him to gather intel and ideas from a far greater spectrum of sources.

And eventually... it's with the aid of many alt versions of himself from other lines across the multiverse that leads to him finding a suitable, eco-friendly solution to his Gem incubation problem. (This is the aspect of this AU I cannot discuss in length for discretion's sake. Use your imagination. Or don't, I don't care.)

The following two sections, I'll be talking more about the broad thematics than anything else. At this point, know that there are now new batches of Gems being created all the time. Gemkind is no longer at risk of any extinction, but now- like any stable organic species- new Gems are made at the same rate that they fall inert.

So, the BIGGEST thing here with this reformation is that this is overtly where this guy picks up the name "Astra." Why a name change? Well, after White finally went inert, leaving him the last Diamond in existence within this line, it basically just felt... upsetting to him, to continue to go by a name that every person he ever loved used for him. Thus, the new name is overtly a means to distance himself from that past, and from that pain. (It's also a name he chooses while thinking back to a meaningful conversation he had with White, back before she went inert, oOF. I'll probably yell about that at some point in another post.)

So, too, is the lack of any tangible facial features. He HAS a face, but others just can't see it. He subconsciously obscures it from almost everyone's sight as a means of avoiding vulnerability. One might also have noticed by now that this guy's proportions have gotten like, really strange and sorta "stretched out" over time the larger he becomes... and this is intentional, as it's yet another way he's just becoming more inhuman in form, yet another way he's internally separating himself from those humble human origins of his.

But here's the thing, though.

Deep, deep down, to be human and to live a simple human life is basically all he's ever craved. It's everything he feels he's lost forever, with the death of his Connie. And instead, he's kinda stuck in a hellish sunk cost fallacy of his own making, acting as eternal caretaker for this world that- no matter what he does to try and make it a better place- will never quite be PERFECT. Thus, in his mind, even though he's literally fixed Gemkind's BIGGEST problem, he can't Stop. He can't Rest. He simply can't allow himself himself to lay down and Sink Away into the unknown.

And even if he could allow himself to do so, he is so, so scared of walking that path alone.

If he's going to die... he wants that end to be at a lover's side.

How, though, is someone who's basically a god supposed to find anyone in this multiverse with experiences they can remotely relate to?

Well... ultimately, Astra finds that it's far, far easier to build up a close relationship with varying versions of himself than anyone else. He's... kinda trash at it, though. This guy has so much bottled up Gunk in his head and is so starved for any form of affection that he has a habit of throwing WAY too much of himself into the relationships he engages in, and expecting that same level of commitment in return. There's one relationship with an alt Steven he's in for a while that ends up pretty unhealthily co-dependent before it fizzles out, and then another where he assumes the individual is committing to this partnership for the long run, but then no... actually Astra was always pouring more into this dynamic than he was receiving in return.

This second relationship, when it ends, is pretty devastating to him- since it was one that lasted for like, a LONG ass time. Unimaginably long. We're talking billions of years, here.

Uh-oh! And now he's even more distanced from other people. Folks can't even parse his actual chosen name at this point- except he isn't really consciously aware of this for a while?? It's yet another silent cry for help, yet another internal defense mechanism specially intended to keep others from truly getting to know him. Because every time he does... stars. No matter what he does, he keeps getting hurt. Almost everyone he knows and loves is torn from his life eventually... if not by death, then by some form of tragedy... and he's just so, so tired.

He wants literally ANYTHING to change in his life. He craves some new form of purpose. He craves the attention of someone who might love him as passionately as he loves them.

For a while, he almost believes he's found that- in yet another close relationship he forges with an alt version of himself- but while this other Steven does care for him immensely, it's only as a friend. Which kinda kills Astra, because he's like, lost in the sauce levels of In Love with this guy. There's a LOOOOOOT of story I have here with this, oh my god. If I am thinking about this AU I am usually thinking about this Old Man Yaoi. The great bulk of it is very NSFW themed though, so y'all getting the cliff notes.

The MOST important thing to know though, is that Astra both makes intense leaps and strides in once again allowing himself to be vulnerable with this man, and ALSO kinda intensely fucks their whole mutually agreed situationship up. It's messy. I am crying and wailing at these two old dumbasses. Jesus fucking christ.

But then, it's in the aftermath of this whole deal that an individual named Orion comes into the picture.

Orion quite literally falls into Astra's world by complete accident, but it's a very lucky accident- because she is a diamond hybrid version of Connie from another universe who- beyond a few differences- has a strikingly similar history to his. The big difference, though? She never found a means to create new Gems without Kindergartens, so she was the last of just a few thousand Gems who existed in her entire line. Part of a deeply endangered species.

This version of Connie arrives in some very deep mental turmoil, and so Astra does his best to give them a stable home and a place to heal. And while a past version of him might've been tempted to throw way too much of himself into the slow building rapport they have, he's blessedly Learned a thing or two from the past few major relationship experiences he's had... and chooses to like, ease up. Just offer himself as a friend first and foremost, should they care for one. Man learns restraint, lol.

And it's a damn GOOD thing that he does, because out of the genuine friendship they foster, Orion is the one who ultimately falls in love with him first. The relationship that's established here is one that's balanced, a true partnership where they simply make each other better people. It's through Orion's encouragement that Astra eventually reconnects and makes up with that last person he had an intense relationship with, even.

In time, Astra truly grows to thrive with Orion in his life. He becomes a far more open, vulnerable person, someone who feels safe to truly exist as who he is, to bare every complicated, battered facet of his past to those he trusts. While he may have taken the LONG road to get here, he too heals. And as a result...

One day, Astra simply stops glowing entirely. Shrinks down to more reasonable proportions. He stops hovering around on automatic, stops subconsciously scrubbing the memory of his face or name from people's minds. He stops denying his truest, deepest self- the reality that he was born an organic being, and raised as a human.

The burred reality that all he's ever truly wanted since the day his first lover died is to be a father.

To live a quiet, simple life with the people he loves.

For so long it was a mirage of a future he thought he'd never chase down, but for how much he made all the wrong choices the first time around, now he has a second chance.

And so in my brain, that's exactly what happens. Astra and Orion start a family together and continue to act as guardians over this universe for many years to come, until- after they are satisfied with the long life they've lived together, and their children have moved on to start forging their own paths- they eventually pass Beyond at their own will in each other's arms, ending their impossibly long godhood at peace.

I really don't know how to end this post lmafo, so I will simply say: if you somehow read all of this, holy shit you are so brave. Thank you for engaging with my insane ramblings. Have a nice day LOL FUIHSNUFSJG

This man haunts my brain so much I missed two off ramp turns on the highway the other day while thinking about him. Help me.

[marciaillust]

hey, i hope you're doing great! i feel this may be unorthodox, but i really wanted to reach out to extend my engagement?— awe?— solidarity?— (some variant of those, anyways) with your most recent "workposting" art. i don't normally do this. I've maybe sent 3 asks in my whole life. there's no pressure to respond to this, as i mostly just wanted to cheer you on. also, I'm really sorry this is so long.

i only just recently landed my very first freelance art job, at a start-up company dedicated to making comics + DND inspired art content. I've always felt that "Its nothing to call home about", and so i really resonated with your feelings regarding your work for Brawl Stars. I felt kind of ashamed of my job, that its just a small start up— that I'm not enough and that i should be trying harder, or something like that. Specifically i resonated with your comment of "presenting brawl stars art feels like showing my anime girl oc to an art teacher" and i don't think i could have solidified any better.

Anyways. all's to say. I really found your work quite jaw-dropping. I was shocked when i read it was for Brawl Stars. I didn't know anything about it, but when i did some research i was even more amazed. they're really, really compositionally beautiful... i mean, i know its just "work" to you ultimately, but it really does feel lively, and everything about it makes it feel like you care. I think sometimes you're just able to tell when an artist genuinely cares about their work; about its end outcome. there's so many intricacies. and a lot of attention to detail. you kept the style that was necessary of you but i also can feel the warmth and the care of the artist behind it— its not corporate, or stale, it doesn't come across as "just work".

since you mentioned League, i genuinely do think it serves an equal purpose and weight to what League of Legends would produce. from a biased standpoint, i would actually value your work more. Its not even that its "more obtainable"/"more realistic" but that there's genuinely more feeling to it. Compositionally/artistically, yeah, League makes great stuff, but occasionally, the feeling or the sense of warmth and care from the creator of the art is lost along the way. I value seeing the artist within their own art a lot, which is why I've admitted to a degree of bias. either way. what you put out there is really gorgeous, and crazy impressive.

I know a stranger with a dumb, fandom-oriented art blog cant solve the self-indited art elitism (you and me both, man💀) and that you've already received plenty of love/reblogs saying similar things, but i wanted to extend my feelings anyways. Its really heart-warming, i guess. It brings me hopefulness, and deep adoration for the craft. I'm not very good with words. Anyways. don't undersell yourself. seeing your work meant more to me than you can imagine. I'm obviously nowhere near your skill level, but it meant more to me as an aspiration. i think that regardless of who you work for, your work is really valuable and downright incredible. because you bring that sense of warmth, care, time, and patience regardless of the media it portrays. and you're able to do that while being objectively talented— utilizing great compositions, colour pallets, shading, characterization, mood, etc. That is more valuable. That is much much cooler than working for Riot. imo.

Initially, i also wanted to ask you some questions about how you assembled your portfolio, if you went to school, (if so) what it did/didn't provide for you going into the art field, and just how you landed the job in general. But i respect you and your time, and wouldnt want to be a burden or anything. If you ever have time for it, i would love to ask them, among others, and we can chat in DM if you'd prefer. Absolutely no pressure. Im happy just watching from the sidelines. I dont anticipate anything from you to begin with! I just hope youll know how influential your post was to read & see, to someone like me!

Oh man. I. How. Where do I even start except

This is one of the most uplifting, touching and encouraging messages I received in my life. I read it thrice. And I still can't believe how full of love it is. This is such high praise, I want you to know I will cherish it and carry it with me for a long long time. It's not often that an artist gets to learn how their art is perceived, not to mention in such a positive light. It really means a lot to me.

It makes me so happy to hear that my work illustrations retain a piece of me that is visible to others. I myself can't see it, but I imagine my closeness to the matter at hand heavily impacts my ability to see objectively at all. There was a time where I was worried that work was overriding the me that makes my art mine, that I was becoming a corporate rendering machine and that what I did at work (the shape language and style) was bleeding into my personal art. There is a part of me that is now breathing easier after reading your message. I would love to answer any questions you have, it's the least I can do to repay you! Feel free to send an ask or even an email, I'll try to be as thorough as I can be with my answers. I wish you happy holidays! Take care! And again thank you so much for taking the time to write this message!

[signanothername]

Speaking of skuu’s work, I don’t imagine you’re familiar with The Throne, since you don’t strike me as a ship/nsfw oriented kind of gal. But there was a concept within the comic that still really compelled me. Nightmare using Nim’s corpse, the stump, as a throne. Do you think that’s a bit too far, or do you think Nightmare would do something like that? I’d love to hear your opinion.

Yeah nah, doesn't ring any bells (neither does the name skuu for that matter) but yeah you're spot on, if it's ship focused and contains nsfw then it's definitely not my thing (platonic love/relationships.. my beloved <333)

But that concept is actually pretty good oml??? (guess that's where the name "The Throne" comes from huh?)

That's definitely some fucked up shit on Nightmare's part /pos, but I mean if we actually talk about Nightmare generally, as in fully canon Nightmare, then I can definitely see it happen, he's a bitch like that, he'd probably even do it just to show his handiwork to Dream

But if we dive into how I see Nightmare and interpret him, I'm a believer in "Nightmare loves his mother a lot", and that would make it a 50-50 possibility, he's either gonna completely refuse to do that cause he doesn't wish to desecrate her corpse in such a way, or he'd actually do it on the grounds that he's honoring what's left of her in his own fucked up way, I'd still lean more towards refusing (trauma does that to a person)

[lithuanianking]

Do you have any outsiders headcanons-

@hatter-holding-tea don't know why you keep pretending i don't know it's you

I may make a little mini fiction about this cause I got the bug if there's a demand

I vaguely based this off of randomly generated headcanons because it takes me 30 years to formulate an opinion on characters I like after I indulge in my little obsessions. But dw i expanded in them alot so hopefully it won't be too Cliche

Two-bit is a very skilled artist. He's no van gogh and he can only really copy things and not create original works,it's because he drew characters from comics, mainly Archie,for his sister.

He doesn't tell anyone about it since there's really no need to and it doesn't go well with being a greaser. He can dish it out but he can't take it. But when he starts dating Marcia he starts opening up and eventually draws her.

Dallas steals a lot of his clothes,no surprise,but what is surprising is it's from his friends. More accurately those who's he's been in the house of and really less of his friends and more of their dads since he's way bigger than the rest of his friends . A pair of Darrel Sr ‘s shoes from the Curtis house,a jacket from Steve's dad,A belt from Johnny's and so on. It usually gets the last two in hot water and it was funny to the first,until Mr. And Mrs. Curtis passed away.

Steve used to have a dog. Some mutt leftover in a “free puppy box” left on some random street corner. It reminded him of Johnny in a way,and when he whined at him he couldn't leave in behind. He loved that dog and it loved him. Until one day while he was at work the dog chewed on Steve's Dada shoes. When he got back the dog was dead.

Darry is oblivious to any and all romantic interests someone may show them. There's been tons of girls (and even guys) who've come on to him. He was more aware of it when he wasn't working but now he's too busy to notice.

Sodapop sings at the top of his lungs in the shower. It's random songs and he's not particularly good at it. It's annoying every time but especially when he gets home real late.darry just turns off the lights in the bathroom whenever he'd Start so he'd think the power went out and it used to work.until after 5 times soda wised up.

Ponyboy can't sleep in complete darkness. He's always gotta have either the door open a crack or the curtains open. Luckily soda can sleep through anything and the house never seems to get too dark.

Johnny loves books and just stories in general. He enjoyed it when they read Romeo and Juliet in class and all that stuff. Unfortunately, unbeknownst to him, he's dyslexic and that's why he can't read too well on his own.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[oliveroctavius]

To reply to this without cluttering up someone else's reblogs:

I DEFINITELY have my issues with Alan Moore, but that quote has been taken widely out of context to fuel the anger machine. In context, this is commentary on the modern mass-media superhero movie, specifically how far it is from its working-class Jewish roots:

Today’s franchised übermenschen, aimed at a supposedly adult audience, seem to be serving some kind of different function, and fulfilling different needs. [...] The superheroes themselves – largely written and drawn by creators who have never stood up for their own rights against the companies that employ them, much less the rights of a Jack Kirby or Jerry Siegel or Joe Schuster – would seem to be largely employed as cowardice compensators, perhaps a bit like the handgun on the nightstand. I would also remark that save for a smattering of non-white characters (and non-white creators) these books and these iconic characters are still very much white supremacist dreams of the master race.

This is a legitimate criticism of popular superheroes, even early on. An example relevant to this quote: Alan Moore grew up with Marvelman, Britain's homegrown 1950s stand-in for Captain Marvel. Some pretty visible choices were made about who could be superhuman in their version of this story.

Not obvious from this image: Freddy Freeman (left image, in blue) was the one Marvel Family member with a Jewish co-creator (Mac Raboy). He was a disabled boy with a very personal vendetta against the Nazis who had targeted him and his grandfather. All this was left out of his (fully abled) Marvelman counterpart. But even Captain Marvel was a version of Superman made marketable by filing down the anti-establishment edges! (Unlike early Supes, Cap would never talk back to a cop.) All three publishers used racial caricatures in their stories.

All this buries the lede: Mick Anglo, creator of the Marvelman Family, was also Jewish. I don't know why he made the choices he did.

The initial image in the post you commented on is from "Superman is Jewish? How comic book superheroes came to serve truth, justice, and the Jewish-American way" by Harry Brod. It's available on archive.org and while it's ultimately a celebration of Jewish contributions to comics, it touches on a lot of these points: the popular re-capture of the underdog's dreams of righteous violence, the "de-Jewification" of superheroes in the modern movie imagination, and the idea that not all art created by [identity] people will actually express that identity, especially when writing into a different dominant culture.

Alan Moore can be dismissive of the Jewish histories to superheroism, but I don't want to throw out his argument--white supremacy has sunk its hooks deep into the genre's imagery since Siegel and Shuster put pen to paper.

[theunconcernedembalmer]

Blog directory

I finally decide to organize everything here My Count Blog (Joseph + Claude) // My Embrace Blog (Victor)

Art tag: unconcerned art / unconcerned collab Comics tag: unconcerned comic Mun tag: its me the mun / unconcerned ramblings RPs: unconcerned reply

Events 1. Exorcist event (100 followers) 2. Joseph and Mun event 3. 250 request fest (250 followers) 4. chibi muffin event 5. aesop draws 6. Exorcist 2.0 (400 followers) 7. 550 skin event (550 followers) 8. Fenix/Birdsop (700 followers) 9. mun got a new pen 10. cookie event 11. Gatto event (~800 followers)

Comic series 1. Exorcist event (intro / extra) 2. Modern Ghost AU 3. Exorcist 2.0 (intro) 4. Modern Ghost AU 2 electric boogaloo (in progress)

Miscellaneous tags I happen to have: mersop, simp au, gen/shin flavoured, modern au stuff, the drama tm

[meii-jasmine]

Hiiii! I've been a lot more active in my side blog for my webcomic, "Heliosphere: Under the Sky". (@heliosphere-underthesky)

Please check it out! It's all about personified space objects ranging from planets, stars, black holes, and more!

[spearxwind]

Hey you've probably been asked this before so I hope this isn't a bother, but is your comic Extinction officially cancelled? I really enjoyed it, it was probably my favorite webcomic I've ever read and I loved the dialogue and characters.

Hiya! And it's ok I can answer it again

I wouldnt say officially cancelled, but it is definitely on indefinite hiatus for now at least

It makes me really happy that you enjoyed the comic and that it was your favorite!! Gosh It simply became unsustainable for me to maintain, juggling my irl studies, and the comic itself, as well as my free time and social life. Comic pages took a long time to finish, and my studies demanded more and more time from me most of which I spent drawing or writing for class, so for my free time I wanted to do other things in the end

Currently my focus is on other stories, though I still love Extinction to bits. I would definitely love to return to it someday and finish it or reboot it if necessary if my life stabilizes enough, but at the moment I can't dedicate so much time to it as I used to be able to

[davinawritings]

Yandere single dad monster that sees you help one of his children once and decides you will be their new mother.

Warnings: Yandere thought/behavior

Yandere monster takes his twin children to the park so they can run around, expend some of their extra energy, and enjoy the nice weather.

He had been raising his daughter and son on his own since their mother walked out when they were still babies. Having two twin monster toddlers running around was a lot of work, but he loved his children endlessly. He would give them anything in the world and do anything to protect them, even going as far as having tiny tracking devices clipped on to them whenever they leave the house.

He had just been kneeling in front of his son to tie his shoelaces after a long afternoon of playing when he heard his daughter cry out for him. He immediately looks around, frantic, before he finally spots her sitting on the stone pathway and holding her knee.

As he stands and grabs his son in his arms, set to make his way over to his little girl, he watches as a human woman stops and kneels in front of his daughter. 

He can’t hear the words you are saying to her, but he relaxes slightly as his daughter's cries quiet down, and she smiles at you. He begins the walk over, keeping his eyes trained on the two of you, his thoughts running wild as his toddler makes her way into your arms. 

It’s almost comical watching the human woman struggle slightly to lift a toddler that must be half her size at least, but he can’t help the feeling pooling in his chest as he watches you calm and soothe her. 

He can tell you startle slightly as he appears behind you, casting a large shadow over your body. You seem to relax somewhat as you see his son in his arms, seemingly putting together the fact that the little girl you hold must be his.

“I'm sorry. I didn’t mean to impose. I saw her trip, and I just wanted to make sure she was okay,” you say, still slightly nervous about the male, who must be at least three feet taller than you. 

He gives you what he hopes is a reassuring and friendly smile as he says, “No need to apologize. I am thankful that you were kind enough to help my daughter. She seems to like you”. 

He watches you smile shyly as his daughter hugs you tighter. You rub the girls back affectionately as you say, “Well, I am just glad she is okay and happy I could help. I’ll pass her back over to you. I was actually on my way to meet my boyfriend for dinner.”  

He makes sure to mask his disapproval of you having a boyfriend with a smile, gently taking his daughter back from your arms. He reaches out one of his large hands and gently squeezes your arm as he thanks you again. You give his daughter and son a small wave before continuing your walk through the park. 

 Pulling out his phone, he checks to ensure the tiny tracking device he slipped onto your coat is working, relaxing when he sees the little mark moving through the park. He looks at his two kids, happy he finally found the perfect mother for them. 

“Alright, little ones, it’s time to go home. We have a lot of work to do to get the house ready for Mommy to move in.” As he checks your location again, he grins, knowing that you will be his.

His human, his wife, and the mother of his children.

❤️💕🖤🖤💕❤️

Let me know if you guys would like to read more on this! Also if so, do you like me keeping it as a general monster or do you want it to be a specific monster?

[m00ntunaart]

2nd STARWARS/DAEMON AU POST!!!!! This time with the CC's and the Disaster Lineage!

Obi-Wan: Maned Wolf (Kee-Ayt)

Anakin: Lion (maned female lioness) (Asieko)

Ahsoka: Gryfalcon (Tuex)

Cody: German Shepherd (Beskar)

Rex: Siberian Husky (Queen)

Wolffe: Wolfdog (Whitefang)

Fox: Doberman Pinscher (Vulpe)

Bly: American Akita (Lyra)

LORE TIME: first off! Jedi! So I thought a lot about how daemons and Jedi should work. I did end up deciding that Jedi GENERALLY have bird daemons (like the witches in His Dark Material), BUT not always. The Jedi having bird daemons is not a ‘All Force Sensitives Have Daemons Who Settle As Birds’ thing. It wouldn’t make sense in this AU since Force-sensitivity is a spectrum and at what level would someone have ‘enough’ force-sensitivity to have a daemon for certain become a bird? I didn’t like that narrative as much, it felt restrictive. So instead Jedi tend to have bird daemons, but not Force-Sensitives. Like all Jedi are force sensitive ( and have bird daemons) but not all Force-Sensitives are Jedi, make sense? This is because of how the Jedi raise children and teach them to interact with the force. Because of how Jedi are taught to view and use the force, their daemons tend to settle as birds! It’s ‘nurture’ over ‘nature’ thing. Which is why (in this AU at least) the Jedi don’t take in older children to train. Because they’ve already probably learned their own way to interact with the force (different from the Jedi teachings) and therefore will have a non-bird daemon! Hence Anakin having a lion daemon. “But what about Obi-Wan?” (Well since Obi-Wan is one of my favorites I get to spice him up lol). He was originally very Jedi like (daemon wise) but after the whole Jedi Apprentice/Xanantos enslaving him/Melida-Daan war thing, he daemon ended up settling as a Maned Wolf! I imagine he was just about the age where his daemon would settle (usually 13-15, which is the same reason this is the age Jedi initiates are made padawans), so it was a surprise that his daemon so abruptly changed and settled. Most likely the effects of being so abruptly exposed to violence and war right out of being only use to the peace of the Jedi temple his whole life. 

(Extra) The 3rd page of the post! Cody and Obi-Wan’s daemons! Beskar and Kee-Ayt! Even though in my doodles Beskar seems to be very grumpy and even hatful towards Kee-Ayt, DO NOT BE FOOLED. Beskar adores Kee-Ayt. Their relationship just mirrors how I headcanon Cody’s and Obi-Wan’s. Where they will harass and bitch at each other to hell and back. Sounding from the outsider’s POV like two people who hate each other. When in reality these two are joined at the hip and love each other. They just will never admit it because “we have reputations to uphold!’ (Anakin says “what reputation? the reputation that one of you would murder the other if it wasn’t for the fact the GAR would court marshal the other?”) But yeah, Beskar makes fun of Kee-Ayt’s long ass legs. The mini ‘comic’ is about how I imagine that since all the Clones’ daemons are dogs/canines, when they win a battles they have a ‘Victory Call’ where they all howl. Beskar offers for Kee-Ayt to join in, but Maned Wolves can’t howl. They do this thing called a Roar-Bark (look up a video it’s so loud). This is the first time Beskar hears Kee-Ayt roar-bark and it scared the shit out of her.

(Extra Extra) The 4th page of the post! This is mostly doodles of Rex, Anakin and Ashoka’s daemons (Queen, Asieko and Tuex). All three reflect the close relationship that Rex, Anakin and Ahsoka have. Hence Tuex nesting on Queen and Asieko trying to groom Queen (who doesn’t appreciate the rough lion tongue bath she’s getting). (In fact Asieko tries to groom Tuex and Kee-Ayt too, but Tuex is too small and Kee-Ayt just starts biting Asieko bcs she doesn’t appreciate the bath either lol). We also have Tuex dive bombing Asieko (a common occurrence whenever Anakin and Ahsoka bicker). Tuex also does this to literally anyone who slightly annoys him or Ahsoka. And lastly the little doodle of Rex and Queen screaming! Idk if you’ve ever seen videos of Huskies, but oh boy are they loud and dramatic. I think with all the stress and insanity Rex has to deal with leading the 501st, he and Queen often have therapy screaming sessions. They deserve to. 

(ALSO, I will be making follow up reblogs with lore/plot stuff for each individual character)

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[neil-gaiman]

HELLO MR GAIMAN MY SCHOOL IS HAVING A CAREERS TALK AND I AM MEANT TO ASK SOMEONE ABOUT THEIR CAREER.

UNFORTUNATELY, EVERYONE I KNOW IS A DOCTOR (WELL NOT REALLY UNFORTUNATELY, BUT IN THE GRAND SCOPE OF CAREER FAIR THINGS. I WANT TO PRESENT A JOB THAT WOULD INSPIRE THOSE WHO ARE INVESTED IN WRITING AND DIFFER FROM OTHERS). WOULD YOU PLEASE MIND ANSWERING THESE QUESTIONS FOR ME? THANK YOU SO MUCH, KING. YOU ARE AMAZING AND I ADMIRE YOUR WORK GREATLY.

(I WOULD GOOGLE THIS INFO BUT APPARENTLY I'M MEANT TO ASK YOU THIS YOURSELF.)

What is your job title?

Do you work for a company? If so, which one?

What does your job involve on a daily basis?

Do you have qualifications directly related to this job?

What has been your career path?

Did you do A levels at school? If so, were they directly relevant to your career path?

Did you go to university? If so, what did you study? Was your degree relevant to your current job?

Any tips to those unsure about their own career paths?

Thank you so so much !!!!!! You are an icon and I must thank you for writing the graveyard book, which helped my imagination as a kid a lot, and also in general. You are wonderful !!!!!!!!!!!

Thank you once more <3

What is your job title? Author and (currently on strike) showrunner. Also, Professor in the Arts at Bard College.

Do you work for a company? If so, which one? As a showrunner I work for Amazon Prime and Netflix, as an Author I work for myself and companies publish what I write. As a professor for Bard College.

What does your job involve on a daily basis? Writing. Right now, being on strike.

Do you have qualifications directly related to this job? Nope.

What has been your career path? Freelance journalist, to writer of books and comics and television and films. Since 2017 I've been showrunner of Good Omens as well.

Did you do A levels at school? If so, were they directly relevant to your career path? I never did.

Did you go to university? If so, what did you study? Was your degree relevant to your current job? I didn't.

Any tips to those unsure about their own career paths? Have an idea of what you want to do and keep heading towards that goal.

[bob-artist]

Hi, New People?

For some unfathomable reason, Tumblr has decided to suggest my blog to brand-new accounts to follow, so I've had a crazy influx of followers who, of the ones that are genuine accounts, probably have no idea what they've signed up for. (sorry.)

Oh, and I also have some new bittern-loving followers who have a slightly better idea but might not know the whole story!

So, here's your chance to escape, if you so choose.

Anyway, I'm Bob! I've been here since like 2012. I mostly make comics, but I also do some prose writing, game dev, and general shitposting. Should you choose to continue following me, you will be subjected to such content as

Canada geese.

Like... a LOT of Canada geese.

Also ferrets, the love of my life. And other art and general musings about my favorite animals, including but not limited to bitterns, grebes, pheasants, parrots, crayfish, eels, every single other type of mustelid, alpacas, etc.

But, because I can't be bothered to make myself a consistent "brand," I also make

Very Gay Comics.

I can't emphasize this enough, because I kinda suspect all those plumbing company blogs didn't know this before following me. I make very gay comics.

I'm working on a new webcomic called Into the Smoke that's gonna launch soon. It's about a gay medium who binds himself to a killer ghost, and I think my new follower with the car financing blog is gonna love it.

Lots more on that soon.

Anyway, I don't want to make a super long post. I just want to make sure y'all understand that if you follow me, you will get

Canada geese

and

Very Gay Comics.

Cool? Cool.