#thank you to everyone involved in the original post for your contributions to making this idea refuse to leave my brain

[homoeroticgrappling]

Based on the community effort in this post, I decided to do a quick sketch of Jack and Darby as my favourite internet famous lesbian photograph

Junglecorpse as Smith College Girls for i-D Magazine 2004

[mae-i-scribble]

Hi, I hope you're having a nice day - in your author's notes for chapter 2 of The Long Way Home, you mentioned the idea that the story HSY wrote is different from the ORV that we know. I wanted to ask if you've ever written any posts expanding on that? I would love to read more about your thoughts on this (KDJ in your story's last memory being about reading that instead of WoS. Gutted me.)

Hello there! I have unfortunately not written a post detailing this (if you are the very nice anon who has asked me to elaborate on this i am very sorry, if you're not anon i am still very sorry), in large part because doing so in a way that I would be happy with would involve combing through the last 1/3rd or so of the novel. Since the major thematics about authors and characters and readers as one aren't really gotten into until that point. To be honest, I just haven't had the energy for that.

The idea that the novel HSY wrote not being ORV is one that I've always had since first finishing ORV- I can't say where exactly it originated from. Now to be clear, it's an undisputed fact that HSY and kimcom *are* writing about the events they lived through, and I do 100% both understand how and why HSY writing ORV is the more widely accepted theory (them including lines from early orv scenes, the way that it loops right back around into ORV's very meta theming, the way it would match up with the ideas of loop of fate, etc.) I just don't agree with it.

One of the greatest takeaways for me on the author/character theming in ORV is that an author will never fully understand a character they write. HSY and YJH live this out in real time, alongside HSY learning the origins of WoS vs the YJH she has come to know as a companion. In writing WoS she straight up admits that she fudges her memories of him because it isn't as if she could know everything about him- she just wrote the story she thought KDJ needed to hear. (I swear I have a point I promise). HSY as intimate knowledge in how while writing someone, you both grow to understand them intimately while simultaneously remaining clueless. With the experiences she goes through, combined with the fact that KDJ's narration in ORV is so specifically *him* with all its unreliability and the glimpses we get into his past/bits of him on his own without kimcom around, I just don't think ORV is something HSY would have written. To me, she wouldn't have tried to write from KDJ's perspective, already having far too much entanglement in obscuring people and characters with KDJ (and possily from that one scenario where she's almost taken over by the character she's incarnated into, but again, i would need to reread).

Then we reach the point where she writes this novel for the KDJ's across worldlines- or rather, kimcom does. Which I think is another very relevant point, HSY is compiling and spinning this into a narrative, but *everyone* is contributing to it and writing bits and pieces. Now that I type it out, I think that might be part of what makes me so happy with the thought that instead of ORV, HSY is writing that same story but told from kimcom's perspective, not KDJ's like ORV is. The image of everyone coming together to give their own perspective and accounts while HSY compiles and sorts those varying viewpoints into a narrative with KDJ as the focus just warms my heart. In a post I made about the epilogues, I brought up that with this interpretation, you can see it as kimcom writing KDJ as they see him, so that he can understand just why they love him so dearly- which I think is especially poignant considering this novel's true purpose isn't even to bring KDJ back, its to help everyone else heal from the trauma of losing him.

So basically, I can't really give you much of a textual basis for my argument besides for the fact that ORV doesn't straight up say HSY is writing ORV, it's more just was my first takeaway that has forever stuck with me as my preferred interpretation.

(P.S. thank you for taking the time to read my fic, I also loved writing the bit where KDJ remembers that story.)

[curio-queries]

Hi I'm reaching out re. your post on the bts-polls blog, since you redirected people to contact you here. I'm not the same anon who sent the other ask. I understand your reasoning for personally choosing to continue engaging with HP fandom, that's your choice and it's fine as long as you don't contribute to JKR financially. I guess I'm just adding one more trans ARMY voice to say that seeing casual references to HP and other Rowling works immediately gives me a bad feeling and makes me feel unsafe and alienated in the community. I'm also Jewish, so JKR's recent holocaust denial and her support of neo-nazis like Kellie-Jay Keen-Minshul add to this feeling exponentially. This issue is related to so much trauma and ongoing abuse that it's honestly triggering to see 'fun' references to that material as if nothing's happening.

I know it's probably 'not that deep' to most people, but small things like this mean there's one more space where the majority can be comfortable, but I automatically can't take part... in the end it's your choice, but since that blog seems to be aiming to be somewhat of a 'community' space rather than a personal blog I thought it might be relevant for you to hear how people feel.

You seem like a thoughtful person, and I appreciate the arguments you made in your other post. I hope this doesn't come across as attacking you or trying to stir up drama, these are just my honest feelings. Also I'm not saying you should personally cut HP out of your life, I understand there are ways of engaging in a fandom that don't involve supporting the original creator. Thanks for listening!

Hello Anon,

I apologize that this has taken me ages to answer. I haven't been able to spend much time in tumblr-land recently but this topic deserves more than an off-the-cuff response.

For any of you that are not familiar, anon is referencing this post. I'll put the rest of my response below a cut so that anyone not up for further discussion on this topic can bypass:

First, I want to thank you for reaching out. The only way most of us learn how deeply affected by events is if we share, but I know it can be a very difficult thing to do. I don't know if I'm the right person to really do anything specifically on this topic, but I can absolutely share a little bit more about my thoughts.

So, professionally, I'm a technical systems subject matter expert. And it's impossible for me to hear about something without trying to narrow it down to the root cause to resolve there. Yes, there are also actions to be taken to fix the immediate problem, but if the source is left alone, it's going to continue happening.

So, if that won't resolve the problem, what will? In my mind there are two possibilities:

To me, the root cause of the issue isn't this specific woman, it's much bigger than that. Because if we were to remove her specifically as an issue, there would just be someone else spouting the same junk, maybe with less of a following, maybe more.

1. Not allowing people to form and share their own opinions on issues like this. After all, if we HAD to comply to a collective moral standing, then we'd all be on the same page and there wouldn't be all this suffering, right? Hopefully everyone reading this knows why that would be a BAD IDEA even if was possible. I'm not going to go into detail here but if anyone reading this has any doubts, we definitely can!

2. Stop giving power to the words of people that have no authority. This is honestly one of my biggest issues with celebrity culture. Period. Why on earth do the opinions of someone who has absolutely no expertise on an issue carry so much weight in our society?

I'll give y'all an example: Let's say BTS states that they enjoyed seeing the purple streetlights so now we should repave all roads everywhere in the world purple. Not only would this be a logistical nightmare there would be significant ramifications regarding safety and economically. BTS has no expertise in city planning or road safety. 'But they've been all over the world and seen how happy people are when they're surrounded by purple, we should listen to them!' No, we shouldn't correlation is not causation. If there is to be any benefit gained from such a change, it would need to be researched and trialed by actual subject matter experts. Idk, this example is pretty convoluted but hopefully you get my point?

Anyway, now that we've established that fame is not a good enough reason to give weight to someone's opinion, it just becomes a skill issue of recognizing when to listen/disregard and how to implement it on a large scale. Let's face it, both are difficult issues to tackle. The lines definitely get blurry about who has valuable contributions vs who is just the loudest voice. Especially with the ease that anyone can have access to a platform, there's very little threshold to finding countless individuals sharing 'facts' about issues of which they have absolutely no knowledge. I think all of us have seen that first hand in the BTS fandom so I won't list any examples.

So, the first challenge is how we discern the value from the noise. I am personally a huge believer in non-traditional education, so you can't just rely on the alphabet soup of degrees list after people's names either. The next hurdle is getting the majority to start doing this as well so that value is attributed to the correct people and not those who have no business with it. And that is what SHOULD be society's goal overall (in my opinion).

I truly believe that everyone is entitled to have and share their views and opinions but that doesn't mean we have to continue to listen or give value to what they say once we've realized they don't align with what is actually good for us.

To finally circle back to this before-named woman and the hateful ideas she shares, I genuinely don't understand why anyone continues to listen to what she's spouting, with one exception. When a creator shares a viewpoint that is malicious of intent, I think the created work should be evaluated to determine if there is an ulterior influence that can be gleaned from new audiences. Like I said in my post before, personally the effect that the Harry Potter world has had on me and the people in my immediate circles has done far more to foster overall inclusion and understanding of marginalized groups than pretty much anything. It was one of the few things to get past the heavily conservative religious viewpoints in the community that became a gathering point for those of us who didn't conform to the norms.

The great irony in all of this is the parallel that can be drawn between the author and the main villain who literally went insane breaking his soul apart for the gain of power. Perhaps she should spend more time reading her own work?

Anyway anons, I hope both of you are able to find some healing from the trauma these issues keep bringing up. I'm grateful you've entrusted me to share your concerns. I do think it's important to keep learning and growing from each other's experiences in a positive way rather than the heavy handed 'how dare you not comply to my specific viewpoint and conclusions on a nuanced issue' approach.

[radblrthemeweeks]

Thank you to everyone who voted on the topic for the next theme week!

The community has decided the theme topic for January 2023 is ‘Separatist Swaps (suggesting equivalent female artists/musicians/creators/etc to support as well as or instead of men)’. This could include examples of swaps or additions you’ve already made, such as female youtubers who create similar content to better-known male youtubers, or requests for swaps or additions you’d like to make, such as suggestions for female musicians similar to male musicians you currently listen to. This theme is not a reference to, or element of, any discussion around separatism overall - it’s just a catchier title with the alliteration.

Please consider posting your swap suggestions and requests over the next week and ‘@‘ing this blog @radblrthemeweeks - all original posts (besides spam) that @ this blog will be shared over the next week (21-28th January). Alternatively, you can share this post to make suggestions or requests in the notes.

Everyone is welcome to contribute to the theme, regardless of your experience, how established your blog is, or how many followers you have, so please don’t hesitate to get involved, by creating original posts or interacting with others’ posts. Please remain civil and polite with suggestions, in order for everyone to get the maximum benefit, and to develop ideas as much as possible. Please consider sharing this post, so more women can see the prompt. Also, please engage with other people’s theme posts!

As always, a reminder - if you don’t make the posts, the posts don’t get made.

Looking forward to seeing everything you all create, suggest, and share! Any questions, please get in touch!

[thesherrinfordfacility]

Longwinded anon again (thanks for the kind words!): You've brought out a few things in your last posts that crystalized some of my thoughts about the hole I complained about in one of my first posts here, left by the decision to never acknowledge that Crowley successfully tempts Aziraphale to try to kill the Antichrist. After S1 aired, Gaiman commented in an interview that Crowley does not have an actual character arc in S1. He is at the end what he was at the beginning. And my response at the time was, well, wait, he does have a transformative moment in the novel, this is strange. I think S2 in fact explores that lack of arc in an interesting way, and it /does/ think about the larger moral issues involved in the Antichrist temptation without referencing it directly.

Both S1 and S2 rely heavily on mirroring, included warped mirroring, to approach narrative structure and character development. In S1, after Aziraphale's discorporation, Crowley tries to reconstruct their normal dynamic--Crowley plays the white knight, Aziraphale the damsel in distress--on his arrival at the airfield, when he swaggers over from the burning Bentley and assures Aziraphale that he'll take care of the soldier ("Leave it to me"). Then the script /literally/ blows up the dynamic when the Bentley explodes, Crowley gets distracted, and Aziraphale has to take care of the soldier himself. And, of course, at the end the dynamic has been altered, because they save each other in the bodyswap. This looks like the relationship is now on a mutual egalitarian footing! Hooray!

...except S2 demonstrates that Crowley /liked/ the original dynamic, and he spends the season trying to manhandle (demonhandle?) Aziraphale back into it. Aziraphale asks for help with Gabriel, but Crowley interprets "help" as an excuse to play the strong protector again, through a combination of forced innocence (Crowley spends this season /not/ telling Aziraphale some important things about Gabriel and Heaven that Aziraphale needed and deserved to know) and, in the lead-up to the demon attack, outright dismissiveness of Aziraphale's ability to handle the situation. You referenced the dialogue there, which mirrors the "Leave it to me" of S1. But in S1, Aziraphale /was/ willing to leave it to Crowley, whereas here Aziraphale tries to assert his own capability and Crowley brushes it off. Nina, the character self-aware about being trapped in an abusive situation, temporarily stops the plot to call this out, and while Aziraphale cheerfully admits to being aware of what's going on (something left ambiguous in S1), unlike Nina he doesn't admit or doesn't see that what makes Crowley "happy" rests on perceiving Aziraphale as less capable and less powerful. Both physically (Aziraphale needs Crowley to fight for him) and psychologically (Aziraphale needs Crowley to protect him from full knowledge of his execution and from any knowledge that Heaven might murder him for helping Gabriel). I know that the fanfic community has quickly glommed onto "Aziraphale must apologize to the poor wronged demon" plots, but Crowley's inability to think himself out of this inegalitarian dynamic contributes directly to the break-up at the end of ep6, not least because we see him /help/ maintain Aziraphale's innocence about the extent of Heaven's malice.

good morning (well, it was morning when i started) LWA!!!✨ no problem at all, you're very welcome!!!

(further ask screenshots under the cut).

oh gosh yes i remember the ask you mean (everyone else, i believe it's this one). stating the obvious, if my previous posts criticising him are anything to go by, but the whole scene where crowley tempts aziraphale re: antichrist really does unnerve me, and was one of the key reasons why I think - although I do genuinely think crowley is a very empathetic character - i've always gravitated to aziraphale more. the parallel narrative of nina, with her story of surviving and escaping psychological and emotional abuse, really puts the spotlight on the level of aziraphale's naivety and indoctrination with anyone or anything that he believes confers any kind of worth onto him.

trauma from abuse does not stop when one escapes it, because it truly does alter your brain chemistry and emotional make-up into being more susceptible to finding any alternative that will give you a sense of value again. others have clearly remarked on it, but that is the most revelatory moment as concerns nina, for me; her knowledge of self and that she knows her own value, despite her recent abusive experience, is what diverts her parallel storyline with maggie into an adjacent position to aziraphale and crowley's.

and that's a really powerful point; i know that many people have remarked on the correlation between aziraphale and religious brainwashing (especially as concerns its relationship to queer identity, which is very, very valid), but i think what some may be refusing to also see is that aziraphale, in a very unique and particular way, is potentially experiencing some small, or large depending on your perspective, level of similar abusive behaviour (bracing myself for impact re: that statement).

i despair for aziraphale throughout most of the show, in that i interpret him as not only feeling that he's not enough ("that's okay, as long as i'm enough for crowley to see any worth in me") but also because he can't seem to see that anyone that wholly cares about him should be making him feel that he is more than enough, and accepting of every part of him - even his shortcomings. he shouldn't need to be manipulated into anything; he is by large an inherently good and loving person (as far as we've been shown), is shown to gravitate towards those that might need his help (*cough* crowley), and that the fact that he can't seem to see that if others do not trust or like him enough to be honest and vulnerable with him, when he hasn't really done anything to make them believe that they can't, that is entirely their issue/failing, not his.

such, to me, is why his decision to break away and follow his own path to heaven, following an opportunity to do something not only largely altruistic but also something that might help him develop a sense of value entirely on his own, is exactly the right decision for him to make when taking all of this emotional and psychological context into consideration.

as discussed in the last ask, crowley does appear to have a tendency for making aziraphale seem or feel lesser than him, by way of the dance (humiliation), disingenuous apologies (gaslighting), keeping secrets (imbalanced power dynamic) and constantly saving him and dismissing his ability to save himself (removing agency). crowley in contrast to aziraphale has his own brand of insecurity but that is in my opinion not rooted in a lack of self-worth. it is rooted in knowing that he had and has much to give, but it being rejected.

i hate to defer to psychological terminology that is innately human when referring to supernatural beings, but for lack of a better option; crowley's cognitive dissonance in ep6 of his belief ("helping to improve heaven is useless and they'll never change") and his action (manipulates aziraphale into trying to stay with him, ignoring aziraphale's own wants and aspirations) result in his choosing to believe that aziraphale doesn't love him for who he is - choosing the rejection narrative - rather than choosing to trust in aziraphale that they have the ability, together, to make a change that will benefit them as much as everyone else (which is what aziraphale is inviting him to).

the fact that this is rooted in rejection is key. i think it's fairly clear that crowley thinks himself to be of a higher status than aziraphale, harking back to his angel era (or at least purposefully tries to maintain the illusion that he is, rather than accept that they're - you know - equal). the overwhelming need, it seems, to plough on ahead and force aziraphale to keep pace with him whether he likes it or not, speaks to me of his committing to a 'failsafe' action that will protect him from being rejected, regardless of whatever good or clever thing he does, and this will naturally originate from the fall. as you say, aziraphale is similarly wrapped up in asserting his own superiority, especially where morality is concerned and thinking that he knows best for crowley in offering him restoration, but again - I feel like this stems from insecurity, especially in the face of a demon that is, to him, utterly brilliant and smart and sly, but also good and kind and brave.

neither are in the right - both are very much in the wrong - for even entertaining this mindset, but i do feel that once again crowley tips the scale on the morality front here. both were made to suffer from various trauma at the hands of heaven and hell, but the fact that crowley seems to perpetuate it with aziraphale (however much with original good intention, and perhaps without malicious intention) and so successfully to the point that aziraphale a) doesn't even really see it until ep6, and b) if aziraphale does see it, he possibly feels that it all that he deserves, is incredibly alarming.

in terms of a resolution, LWA✨, you've beaten me to the point i was going to make when your first ask came in! we are seeing two characters that were originally conceptualised as one, and now broken apart (both literally by way of the character design as well as in the narrative). i therefore find that the body swap in s1 was indeed the big hint to the audience (and should have been a big hint to aziraphale and crowley) that they are reflections of each other, and that is by extension the solution.

them simply forgiving each other and having meaningful communication is not going to be the Big Solution that makes them connect again. to me, there needs to be - after an actual, heartfelt apology and subsequent communication - a full, complete acceptance of each other, of their individual and conflicting minds, fears, wants, and ideologies, and understanding that they do not need, in fact, to be in conflict with each other, but instead are literally built as being complementary halves of the same coin✨

edit because i didn't address it: in my mind, my own personal, metaphorical jury is out on why the joint miracle had the result that it did, but the concept of it being literally because it's aziraphale and crowley working in harmony together is really intriguing!!!

[blackandwhiteandrose]

Trivia Tuesday -> What-the-fact Wednesday

Creators: give a “behind the scenes” look at one of your works. This could be things that got removed or changed, the origins of ideas/details, whatever you like!

thanks for the tags @mostlyinthemorning and @hippolotamus!

In the past, I’ve seen/gotten comments about how many people I thank/acknowledge in my author’s notes. I guess some people think it’s excessive or something. If you can make it through the entire writing/posting process alone, you are a far stronger person than I am. 

Being creative is awesome, but it’s also exhausting. I’m a good writer, but I also really appreciate having a group (team?) of people that I know make me better.

So, this is my explanation:

When I thank someone in my author’s notes, it’s because they’ve contributed in some way and I’m big on giving credit where it’s due. Whether it was a line or an idea or answering some weirdo questions I asked them - whatever it may be - I’m grateful that person was involved.

I have my CFOs (chief flailing officials) who are legit necessary to my accomplishing anything ever. Like most of the characters I love, I have a praise kink that can be seen from space. At various intervals or when I get stuck, I need someone to get in the doc, take a look around and go “this doesn’t suck, please proceed”, give me a headpat, and send me on my way to make more words.

I love to get opinions from someone who looks at stuff/processes differently than I do because they’re going to notice things that would never occur to me. As much as I need validation, I also need someone to tell me something isn’t working/sounds weird/feels out of place. 

And a grammar wrangler. I’ll be the first to admit I’ve never met a comma I didn’t want to stick somewhere unnecessary and you can try to pry my em dashes out of my cold, dead hands. I finally (basically) trained myself out of ellipses (you’re welcome). I’ve even gone back and removed probably thousands of them from my earliest fics. So I’m thankful to have someone who actually understands punctuation and is willing to wade through all of my extraneous commas. 

Very honestly, I would encourage everyone who writes to find someone (or several someones) that you trust to be collaborators. More eyeballs and brains produce better results and I’m so glad there are people who are willing to be my  creative process partners in crime. 

[somedaynotsoon]

Super-Small Stardust Saga, Prologue

Hey there! You're reading an archived, imperfect version of a post originally from my Cohost!! Rest in peace to the best website. This version of the story will be missing some essential formatting aspects. Otherwise, I'll do my best to archive everything textwise and image-wise. Anyway, the text originally read:

~~~

I'm hosting chapters on this second page so as to avoid clogging up my main page with chapters AND allow folks to follow specifically the CYOA if they're so inclined!

This will be a unique Interactive fiction project in my micro-oriented sci-fi kink setting, the Punyverse! I'm going to be hosting it here on Cohost, and taking advantage of css and Cohost's unique page layout in order to try and create something that I couldn't really fit on other sites like Twitter or Tumblr or what have you.

Most importantly, while I'm certainly planning to be writing most of it myself, I'm going to leave "unwritten" paths and branches down the Choose-Your-Own-Adventure path as "open" slots, so that collaborators can contribute in a way similar to Writing.com Interactives (though obviously with a stronger grip on quality control than WDC!) I encourage folks to reach out and DM me in the future if you're interested. You can reach me on Twitter, Discord, and Tumblr.

Before we start, be aware that while this prologue is tame, future chapters can and will contain kink/fetish content, including but not limited to macro/micro, nano/giga, furry, anthro, non-anthro (quadrupedal, serpentine, etc), genitals/sexual content, situations of ambiguous consent, feet/paws, butt, vore, dom/sub, humiliation, boobs, peril/destruction, and more.

As with all stories of mine involving non-human characters, all parties pass the Harkness test, being of human-level intelligence, 18+ or equivalent sexual & mental maturity for their species, and involving themselves of their own free will.

This first part is simple scene-setting. As always, if you notice a formatting error, typo, or other problem, please let me know!

Hope you enjoy, and thanks for reading!

Year 2212. Also known as Collective Calendar 3-42-15-8999.

With the Earth giving out in terms of resources, humanity decided to leave its nest into the wider universe. That’s the simple version of that bit of history. The fleet, carrying just over 9 billion people, made quick tracks out of the solar system. Once past the Kuiper Belt, the ESS Bifrost activated the wormhole gate, and humanity entered, to be taken faster than light to the next place they would call home.

In retrospect, they could probably have remained on Earth a few more decades to test wormholes with some extra rigor.

Humanity emerged on the opposite side of their galactic neighborhood with no viable route back, no idea where they were, and, of course, lest any of us forget: pulled through a pocket of spatial compression that effectively reduced the size of their entire fleet and everyone in it to 1/12000th scale. Humans that were once 5 foot 11 inches were now 5 thou and 11 subthou tall, .15mm tall. Paltry. Microscopic. Blissfully Ignorant of just how small and in need they all now were. The fleet would rapidly have depleted all of its power and resources in no time at all, had it not immediately been intercepted by the Interstellar Collective.

Integration was tough those first few years.1 But eventually, humanity was able to carve out some small – very small – niche within the pangalactic community. And despite all the new difficulties of this new frontier, at this new size, humanity climbs ever further.

That’s where You come in. You’ve spent the last several years achieving the credentials necessary to become a ship captain. It wasn’t easy – especially making boot camp at the size of a fleck. Even getting approval to pursue a spot aboard Academy Station took a few favors. But today, at last, is the day you graduate and become one of only four or six-ish human captains of a multi-member vessel to exist!

Your itinerary for today is quite simple. First, you need to meet with Academy Station’s Director, to complete the final steps of ceremony and receive your badge (very important!). Second, a Lieutenant-Captain whose name eludes you (temporarily!) wanted to meet to requisition your leadership aboard a cruiser. Third, you would then have to go down to the Large Vessels Lot and introduce yourself to the crew and vessel, and then presumably tomorrow morning you would leave on that vessel for a grand adventure through the galaxy.

You look over your graduation documentation once more to verify that everything is in order. At the top is your basic personal information. It reads…

Option 1: Fem Captain At the top, in neat print, the document reads:

Name: Justine Sieva Skylor Species: Human (Sellan) Dimorphism: Female DOB: 3-38-04-9001. (1/29/2217) Mass: 0.2 micrograms* (See Addendum) Height: .144mm* (See Addendum)

Followed by copies of that same information in a few other formats. Near the bottom of the page are a few addendums and notes explaining the conditions of humanity's size issues.

Since this information is accurate, you decide to head off to go visit the Director and get yourself recognized! Yup, this is me! {To Prologue Part 2.}

At the top, in neat print, the document reads:

Name: Septem Vel Septendecim Lis (Preferred Name: Sep) Species: Viable Hybrid (Human / Soldrakanoid) Dimorphism: Male DOB: 3-38-04-9001. (1/29/2217) Mass: 0.24 micrograms* (See Addendum) Height: .150mm* (See Addendum)

Followed by copies of that same information in a few other formats. Near the bottom of the page are a few addendums and notes explaining the conditions of humanity's size issues.

...Yup, looks correct, you think. You decide to head off to go visit the Director and get yourself your badge.

{Note: This chapter wasn't written/complete yet at time of Cohost's shutdown}

Footnotes

Joining the Collective was easy enough – their extraterrestrial neighbors were more than happy to offer humans shelter and assistance. A lot more than happy, to put it gently. Aliens meeting each other in groups tend to experience a wave of social and emotional euphoria – that is to say, aliens naturally develop crushes on other species at first sight. And humanity, as the smallest species in space and the newest member of the Collective, was quite a hot topic for months. Many, many species met humanity during that initial acclimation to the cosmic lifestyle – and almost as many saw humanity as playmates, toys, objects of affection, pets... and so on. To this day, the wormhole research project that is the primary lead on possibly fixing humanity’s size drags at a snail’s pace due to just how much the other species assisting the project ‘love’ their human coworkers. To say nothing of the Collective’s nickname for humanity – the Sellans – or the numerous “research projects” with massive embarrassment for mankind as primary consequence. Many new prospective city-type colonies have been relocated to humiliating circumstances in the care of relative giants.

[tonkipages]

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Matplotlib is an open source project with limited resources, we encourage The Matplotlib developers will give feedback on the feature proposal. Thank you for your help in keeping bug reports complete, targeted and descriptive. We have preloaded the issue creation page with a Markdown form that you can _version_ '3.4.1' > import platform > platform. YouĬan grab the version with the following commands: The Matplotlib version, Python version and platform that you are using.

#Devdocs github code#

The expected outcome of the code snippet. In most cases, this should be 1-2Ī short, self-contained code snippet to reproduce the bug, ideally allowingĪ simple copy and paste to reproduce. If you are reporting a bug, please do your best to include the following:Ī short, top-level summary of the bug. If you find a bug in the code or documentation, do not hesitate to submit aĪlso welcome to post feature requests or pull requests.

#Devdocs github free#

Unresponsive, feel free to open a new PR referencing the old one. PR is an outline, unlikely to work, or stalled, and the original author is Submitting reviews of their code or commenting on the PR rather than openingĪ new PR duplicate PRs are subject to being closed. If there is, try to work with the author by Please check if there is an existing PR for the If you have opened such a PR, please comment on the issue thread toĪvoid duplication of work. "assigned" or "claimed" by opening a PR there is no other assignment In general, the Matplotlib project does not assign issues. Have subtleties due to our implementation decisions. It involves Python features such as decorators and context managers, which It has less clearly defined tasks, which require some independentĮxploration, making suggestions, or follow-up discussions to clarify a good The issue is in areas of the code base which have more interdependencies, Though not necessarily all at the same time: This could be for a variety of reasons, among them, Difficulty: Medium and Difficulty: Hard require more Difficulty: Easy is suited for people with little PythonĮxperience. The issues may additionally be tagged with aĭifficulty. TheseĪre well documented issues, that do not require a deep understanding of the Particularly suited for new contributors by the label good first issue. While any contributions are welcome, we have marked some issues as We

#Devdocs github how to#

Or a blog post, how to get involved in community work, or get Works, technical questions about the code, what makes for good documentation Questions about anything: how to use git, github, how our PR review process Get guidance and support for your first few PRs. Is a private gitter room moderated by core Matplotlib developers where you can The incubator is our non-public communication channel for new contributors. Take a look at the next sections to learn more. When in doubt, we recommend going together! Get connected with our community ofĪctive contributors, many of whom felt just like you when they started out andĪre happy to welcome you and support you as you get to know how we work, and There are so many ways to contribute to our community. Get Connected # Do I really have something to contribute to Matplotlib? #ġ00% yes. This project is a community effort, and everyone is welcome toĬontribute. MEP28: Remove Complexity from Axes.boxplot MEP15: Fix axis autoscaling when limits are specified for one axis only Making your own copy (fork) of Matplotlib

[riverlethe]

(via Sailor Moon Usagi GIF - Sailor Moon Usagi Balancing Pen - Discover & Share GIFs)

Fic Authors Self Rec

When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love! 💖

Thanks to @areptiledysfunction1107 for the tag!

Here are mine, in no particular order.

1. Once More, with Feeling! This is my ongoing WiP, a re-write of the Dark Kingdom arc in which Usagi and Mamoru begin dating before learning each other’s alter egos, and then navigating a relationship in secret afterwards. It’s mostly Manga-canon from Mamoru’s perspective, and I took some liberties with Mamoru’s psychometry and plot. There’s angst-galore (who doesn’t love angst?) but also plenty of tenderness and romance.

I purposely didn’t age them up because I am a sucker for the “high school sweethearts thing” (yes, she is in Jr High, but you know what I mean) so while their relationship is very physical, (as teens tend to be), there is nothing explicit.

This was my foray into writing, if you will, because I needed a mental distraction from my health care worker job during COVID back in 2021. OMwF! has changed so much since I originally started posting it, and I just couldn’t be prouder of it considering it is my very first fanfiction, even if a few of my other stories were posted first.

Rated M

2. Home My Day 2 Contribution to UsaMamo week 2021 was supposed to be about Post-Stars Usa and Mamoru while he is at Harvard for his Study Abroad 2.0, but the story took itself in another direction. What was originally intended as a sweet story about how Usagi is “Home” for Mamoru, instead transformed into an emotional Usagi-centric introspection about the events of Stars.

And I just love it. All aboard the Feels Bus!

Rated T

3. Interlude Full discloser, this story was written for 2 reasons: 1. Because of a discussion on the Moonlight Legends Discord back in August or Sept of 2021 in which we lamented the lack of Dark Endymion and Usagi/Sailor Moon fics, and 2. Because I wanted to push myself out of my M-rated comfort zone and write some actual smut for the first time.

Now, for some, the smut-level of this story is still pretty low (I referred to it as “Diet Smut” when I originally posted it), as it wasn’t overly explicit. But when I reworked it a bit for @dendyweek, I did make it a tad more explicit. I also made the story a better a companion for another I wrote later called Consequences, a Princess D Masquerade fic inspired by @areptiledysfunction1107′s Deja Vu (and posted with her approval) that became an unintended prequel to “Interlude” (funny how that happens)

Rated E

4. What Dwells Within My Day 4 contribution for @dendyweek 2022. I really wanted to try my hand at a psychological horror inspired piece, and I had so much fun writing it. As we move further and further away from Dendy Week I find myself wishing I had done even more with this concept, perhaps even a short multi-fic, but I am so very proud of this story as it is.

Rated T

5. The Morning and Evening Star My Day 1 contribution to @sailormoonrarepairweek is all about Sailor Venus!

SilMil Venus makes an interesting proposal to Kunzite to blow off some steam, and the rest is history. While I don’t have anything against any ships involving the senshi, I just don’t really ship them with anyone. But if I did have to choose one SenShi pairing, it would be Venus/Kunzite.

This could very well be the only non-UsaMamo story I write, and I love how it turned out.

Rated E

Tagging @goddessalthena @moonchildoh8 as many others I know have already been tagged, but please feel free to share your own favs! This is open tagging! I don’t know everyone who writes, so please introduce yourself and your works!

[howelljenkins]

As a muslim Iraqi American with a significant tumblr following, I feel as though I should let it be known exactly where I stand when it comes to Riordan’s statement about Samirah. I have copied and pasted it down below and my reaction to it will be written down below. This will be the first time I have read it. If you want to engage with me or tell me that I’m wrong, I expect you to be a muslim, hijabi, Iraqi American, and from Baghdad. If you are not, I suggest you sit down and keep quiet because you are not the authority on the way I should be represented.

Like many of my characters, Samirah was inspired by former students of mine. Over the course of my middle school teaching career, I worked with dozens of Muslim students and their families, representing the expanse of the Muslim world and both Shia and Sunni traditions. One of my most poignant memories about the September 11, 2001, attack of the World Trade Center was when a Muslima student burst into tears when she heard the news – not just because it was horrific, but also because she knew what it meant for her, her family, her faith. She had unwillingly become an ambassador to everyone she knew who, would have questions about how this attack happened and why the perpetrators called themselves “Muslim.” Her life had just become exponentially more difficult because of factors completely beyond her control. It was not right. It was not fair. And I wasn’t sure how to comfort or support her.

Starting off your statement with one of the most traumatic events in history for muslim Americans is already one of the most predictably bad moves he could pull. By starting off this way, you are acknowledging the fact that a) this t*rrorist attack is still the first thing you think of when you think of muslims and b) that those muslim students who you had prior to 9/11 occupied so little space in your mind that it took a national disaster for you to start to even try to empathize with them.

During the following years, I tried to be especially attuned to the needs of my Muslim students. I dealt with 9/11 the same way I deal with most things: by reading and learning more. When I taught world religions in social studies, I would talk to my Muslim students about Islam to make sure I was representing their experience correctly. They taught me quite a bit, which eventually contributed to my depiction of Samirah al-Abbas. As always, though, where I have made mistakes in my understanding, those mistakes are wholly on me.

As always, you have chosen to use “I based this character off my students” in order to justify the way they are written. News flash: you taught middle school children. Children who are already scrutinized and alienated and desperate to fit in. Of course their words shouldn’t be enough for you to decide you are representing them correctly, because they are still coming to terms with their identities and they are doing this in an environment where they are desperate to find the approval of white Americans. I know that as a child I would often tweak the way I explained my culture and religion to my teachers in order to gain their approval and avoid ruffling any feathers. They told you what they thought you’d want to hear because you are their teacher and hold a position of power over them and they both want your approval and want to avoid saying the wrong thing and having that hang over their heads every time they enter your classroom.

What did I read for research? I have read five different English interpretations of the Qur’an. (I understand the message is inseparable from the original Arabic, so it cannot be considered ‘translated’). I have read the entirety of the Sahih Bukhari and Sahih Muslim hadith collections. I’ve read three biographies of Prophet Muhammed (peace be upon him) and well over a dozen books about the history of Islam and modern Islam. I took a six-week course in Arabic. (I was not very good at it, but I found it fascinating). I fasted the month of Ramadan in solidarity with my students. I even memorized some of the surahs in Arabic because I found the poetry beautiful. (They’re a little rusty now, I’ll admit, but I can still recite al-Fātihah from memory.) I also read some anti-Islamic screeds written in the aftermath of 9/11 so I would understand what those commenters were saying about the religion, and indirectly, about my students. I get mad when people attack my students.

And yet here you are actively avoiding the criticism from those of us who could very well have been the children sitting in your classroom. 

The Quran is so deep and complex that its meanings are still being discovered to this day. Yes, reading these old scripts is a must for writing muslim characters, but you cannot claim to understand them without also holding active discussions with current scholars on how the Quran’s teachings apply today.

When preparing to write Samirah’s background, I drew on all of this, but also read many stories on Iraqi traditions and customs in particular and the experiences of immigrant families who came to the U.S. I figured out how Samirah’s history would intertwine with the Norse world through the medieval writer Ahmad ibn Fadhlan, her distant ancestor and one of the first outsiders to describe the Vikings in writing.  I knew Samirah would be a ferocious brave fighter who always stood for what was right. She would be an excellent student who had dreams of being an aviator. She would have a complicated personal situation to wrestle with, in that she’s a practicing Muslim who finds out Valhalla is a real place. Odin and Thor and Loki are still around. How do you reconcile that with your faith? Not only that, but her mom had a romance with Loki, who is her dad. Yikes.

First of all, writing this paragraph in the same tone you use to emulate a 12 year old is already disrespectful. “Yikes” is correct. You have committed serious transgressions and can’t even commit to acting serious and writing like the almost 60 year old man that you are. Tone tells the reader a lot, and your tone is telling me that you are explaining your mistakes the same way you tell your little stories: childishly and jokingly. 

Stories are not enough. They are not and never will be. Stories cannot even begin to pierce the rich culture and history and customs of Iraq. Iraq itself is not even homogenous enough for you to rely on these “Iraqi” stories. Someone’s story from Najaf is completely unique from someone from Baghdad or Nasriyyah or Basrah or Mosul. Add that to the fact that these stories are written with a certain audience in mind and you realize that there’s no way they can tell the whole story because at their core they are catering to a specific audience.

Yes, those are good, but they are meaningless without you consulting an actual Baghdadi and asking specific questions. You made conclusions and assumptions based on these stories when the obvious way to go was to consult someone from Baghdad every step of the writing process. Instead, you chose to trust the conclusions that you (a white man) drew from a handful of stories. Who are you to convey a muslim’s internal struggle when you did not even do the bare minimum and have an actual muslim read over your words?

Thankfully, the feedback from Muslim readers over the years to Samirah al-Abbas has been overwhelmingly positive. I have gotten so many letters and messages online from young fans, talking about how much it meant to them to see a hijabi character portrayed in a positive light in a ‘mainstream’ novel.

Yeah. Because we’re desperate, and half of them are children still developing their sense of self and critical reading skills. A starving man will thank you for moldy bread but that does not negate the mold. 

Some readers had questions, sure! The big mistake I will totally own, and which I have apologized for many times, was my statement that during the fasting hours of Ramadan, bathing (i.e. total immersion in water) was to be avoided. This was advice I had read on a Shia website when I myself was preparing to fast Ramadan. It is advice I followed for the entire month. Whoops! The intent behind that advice, as I understood it, was that if you totally immersed yourself during daylight hours, you might inadvertently get some water between your lips and invalidate your fast. But, as I have since learned, that was simply one teacher’s personal opinion, not a widespread practice. We have corrected this detail (which involved the deletion of one line) in future editions, but as I mentioned in my last post, you will still find it in copies since the vast majority of books are from the first printing.

This is actually really embarrassing for you and speaks to your lack of research and reading comprehension. It is true that for shia, immersion breaks one’s fast. If you had bothered to actually ask questions and use common sense, you would realize that this is referring to actions like swimming, where one’s whole body is underwater, rather than bathing. Did you not question the fact that the same religion that encourages the cleansing of oneself five times a day banned bathing during the holiest month? Yes, it was one teacher’s opinion, but you literally did not even take the time to fully understand that opinion before chucking it into your book.

Another question was about Samirah’s wearing of the hijab. To some readers, she seemed cavalier about when she would take it off and how she would wear it. It’s not my place to be prescriptive about proper hijab-wearing. As any Muslim knows, the custom and practice varies greatly from one country to another, and from one individual to another. I can, however, describe what I have seen in the U.S., and Samirah’s wearing of the hijab reflects the practice of some of my own students, so it seemed to be within the realm of reason for a third-generation Iraqi-American Muslima. Samirah would wear hijab most of the time — in public, at school, at mosque. She would probably but not always wear it in Valhalla, as she views this as her home, and the fallen warriors as her own kin. This is described in the Magnus Chase books. I also admit I just loved the idea of a Muslima whose hijab is a magic item that can camouflage her in times of need.

Before I get into this paragraph, Samirah is second generation. Her grandparents immigrated from Iraq. Her mother was first gen.

Once again, you turn to what you have seen from your students, who are literal children. They are in middle school while Samirah is in high school, so they are very obviously at different stages of development, both emotional and religious. If you had bothered to talk to adults who had gone through these stages, you would understand that often times young girls have stages where they “practice” hijab or wear it “part time”, very often in middle school. However, both her age and the way in which you described Samirah lead the reader to believe that she is a “full timer,” so you playing willy nilly with her scarf as a white man is gross.

For someone who claims to have read all of these religious texts, it’s funny that you choose to overlook the fact that “kin” is very specifically described. Muslims do not go around deciding who they consider “kin” or “family” to take off their hijab in front of. There is no excuse for including this in her character, especially since you claim to have carefully read the Quran and ahadith.

You have no place to “just love” any magical extension of the hijab until you approach it with respect. Point blank period. Especially when you have ascribed it a magical property that justifies her taking it on and off like it’s no big deal, especially when current media portrayals of hijab almost always revolve around it being removed. You are adding to the harmful portrayal and using your “fun little magic camoflauge” to excuse it.

As for her betrothal to Amir Fadhlan, only recently have I gotten any questions about this. My understanding from my readings, and from what I have been told by Muslims I know, is that arranged marriages are still quite common in many Muslim countries (not just Muslim countries, of course) and that these matches are sometimes negotiated by the families when the bride-to-be and groom-to-be are quite young. Prior to writing Magnus Chase, one of the complaints I often heard or read from Muslims is how Westerners tend to judge this custom and look down on it because it does not accord with Western ideas. Of course, arranged marriages carry the potential for abuse, especially if there is an age differential or the woman is not consulted. Child marriages are a huge problem. The arrangement of betrothals years in advance of the marriage, however, is an ancient custom in many cultures, and those people I know who were married in this way have shared with me how glad they were to have done it and how they believe the practice is unfairly villainized. My idea with Samirah was to flip the stereotype of the terrible abusive arranged match on its head, and show how it was possible that two people who actually love each other dearly might find happiness through this traditional custom when they have families that listen to their concerns and honor their wishes, and want them to be happy. Amir and Samirah are very distant cousins, yes. This, too, is hardly unusual in many cultures. They will not actually marry until they are both adults. But they have been betrothed since childhood, and respect and love each other. If that were not the case, my sense is that Samirah would only have to say something to her grandparents, and the match would be cancelled. Again, most of the comments I have received from Muslim readers have been to thank me for presenting traditional customs in a positive rather than a negative light, not judging them by Western standards. In no way do I condone child marriage, and that (to my mind) is not anywhere implied in the Magnus Chase books.

I simply can’t even begin to explain everything that is wrong with this paragraph. Here is a good post about how her getting engaged at 12 is absolutely wrong religiously and would not happen. Add that on to the fact that Samirah herself is second-generation (although Riordan calls her third generation in this post) and this practice isn’t super common even in first generation people (and for those that it DOES apply to, it is when they are old enough to be married and not literal children). 

As a white man you can’t flip the stereotype. You can’t. Even with tons of research you cannot assume the authority to “flip” a stereotype that does not affect you because you will never come close to truly understanding it inside and out. Instead of flipping a stereotype, Rick fed into it and provided more fodder to the flames and added on to it to make it even worse.

I would be uncomfortable with a white author writing about arranged marriages in brown tradition no matter the context, but for him to offhandedly include it in a children’s book where it is badly explained and barely touched on is inexcusable. Your target audience is children who will no doubt overlook your clumsy attempt at flipping stereotypes.

It does not matter what your mind thinks you are implying. Rick Riordan is not your target audience, children are. So you cannot brush this away by stating that you did not see the harm done by your writing. You are almost 60 years old. Maybe you can read in between your lines, but I guarantee your target audience largely cannot.

Finally, recently someone on Twitter decided to screenshot a passage out-of-context from Ship of the Deadwhere Magnus hears Samirah use the phrase “Allahu Akbar,” and the only context he has ever heard it in before was in news reports when some Western reporter would be talking about a terrorist attack. Here is the passage in full:

Samirah: “My dad may have power over me because he’s my dad. But he’s not the biggest power. Allahu akbar.”

I knew that term, but I’d never heard Sam use it before. I’ll admit it gave me an instinctive jolt in the gut. The news media loved to talk about how terrorists would say that right before they did something horrible and blew people up. I wasn’t going to mention that to Sam. I imagined she was painfully aware.

She couldn’t walk the streets of Boston in her hijab most days without somebody screaming at her to go home, and (if she was in a bad mood) she’d scream back, “I’m from Dorchester!”

“Yeah,” I said. “That means God is great, right?”

Sam shook her head. “That’s a slightly inaccurate translation. It means God is greater.”

“Than what?”

“Everything. The whole point of saying it is to remind yourself that God is greater than whatever you are facing—your fears, your problems, your thirst, your hunger, your anger.

337-338

To me, this is Samirah educating Magnus, and through him the readers, about what this phrase actually means and the religious significance it carries. I think the expression is beautiful and profound. However, like a lot of Americans, Magnus has grown up only hearing about it in a negative context from the news. For him to think: “I had never heard that phrase, and it carried absolutely no negative connotations!” would be silly and unrealistic. This is a teachable moment between two characters, two friends who respect each other despite how different they are. Magnus learns something beautiful and true about Samirah’s religion, and hopefully so do the readers. If that strikes you as Islamophobic in its full context, or if Samirah seems like a hurtful stereotype . . . all I can say is I strongly disagree.

I will give you some credit here in that I mostly agree with this scene. The phrase does carry negative connotations with many white people and I do not fault you for explaining it the way you did. However, don’t try to sneak in that last sentence like we won’t notice. You have no place to decide whether or not Samirah’s character as a whole is harmful and stereotypical. 

It is 2 am and that is all I have the willpower to address. This is messy and this is long and this is not well worded, but this had to be addressed. I do not speak for every muslim, both world wide and within this online community, but these were my raw reactions to his statement. I have been working on and will continue to work on a masterpost of Samirah Al-Abbas as I work through the books, but for now, let it be known that Riordan has bastardized my identity and continues to excuse himself and profit off of enforcing harmful stereotypes. Good night.

[tblrthreadtracker]

RPThreadTracker Is No Longer Shutting Down - But It Needs Your Support! <3

Hello, everyone of the Tumblr RP community!

As I mentioned in my previous post...I’ve been really floored and touched by the response to my original intention to shut down RPThreadTracker. I’ve gotten plenty of extremely kind messages from so many of you saying that it’s been a critical part of your roleplay experience, and I’d be lying if I said that enthusiasm hasn’t helped rekindle my own for the project (and programming in general, really; 2020 has been a tough year...)

However, a number of the things I said in the original shutdown post do still stand. I have other projects which are becoming a conflict for my development time, and hosting the tracker is (sadly) not free. With that in mind:

RPThreadTracker is not shutting down! But it could really use your support in the following areas.

Patreon Support

I have a Patreon for my web app development now! With Patreon, you can contribute a monthly amount of your choice to help support the site’s hosting fees and development time. If you can contribute, you will really add to the likelihood that I can keep supporting RPThreadTracker, and other applications, long-term.

You can sign up to be a Patreon patron here:

https://www.patreon.com/blackjacksoftware

Every bit of support definitely helps - and I have some perks offered in return! Definitely open to suggestions on other perks as well. (I don’t know if people, for instance, would be interested in merch with “RPThreadTracker” or my business logo on it. :D But I can make that happen.)

Even if you can’t contribute, I would very much appreciate anyone sharing this to get more eyes on it.

Development Support

RPThreadTracker is fully open-source, located in three projects on GitHub:

https://github.com/blackjackkent/RPThreadTrackerV3.FrontEnd https://github.com/blackjackkent/RPThreadTrackerV3.BackEnd https://github.com/blackjackkent/RPThreadTracker.BackEnd.TumblrClient I welcome anyone with development interest or experience to contribute to fixes or feature development on any of these projects. They are all furnished with documentation regarding how to set up a local development environment (ReactJS for the frontend, C# and SQL Server for the backend) and should hopefully be accessible to new developers interested in getting involved.

I will over the next few days/weeks be using the Issues tab on these projects to start collecting a list of outstanding issues and feature ideas that I have for the site, so that should be a source of ideas going forward for anyone who wants to contribute coding time. I will also be phasing out the contact form in the application in favor of redirecting users to log bug reports on GitHub as well to make it easier for contributors to address them as well as me.

Please feel free to get in touch with me if you are interested in contributing but don’t know where to start or have questions. You can also join the Discord server linked in my GitHub bio - it’s primarily oriented towards my Twitch gaming community but I also discuss programming stuff there and would love for it to be more of a forum for web development chat.

Again, Thank You

I really did not expect the support and response that came out of my previous announcement, and I hope that I can keep counting on your support in the future. Please contact me with any questions or suggestions, and best of luck in your writing adventures!

- Roz (Trackermun)

[lgckian]

hiya, everybody !!!  soooo, as i’m brand spankin’ new here and still need all the plots, threads, and interactions i can get, i decided to throw kian’s hat into the ring for the special valentine’s day festivities !!! i’m still getting settled in and i’m reading up on all the fun events to partake in, but i’d adore for kian to be involved in the cute little lovefest goin’ on, so here is a plot call !!! if you want some candies or chocolates from kian, you can like this post to let me know and i’ll work on getting everything submitted to everyone as soon as i can !!! 🖤🖤🖤

oh, and before i forget, he still needs vlive partners, as well, if anyone’s up for teaming up with him for that, too. as far as what he contribute to the gift-making experience, my guess is he can pair up musically with someone who’s good at lyrics, etc. and accompany them with a guitar for an original song, or he could make a thank you playlist [ if that’s doable, ofc ] with someone, or he can do a flower arrangement if he can get his hands on some flowers, or they can throw together two pieces of original wall art ??? i’m not sure, so i’m up for any and all suggestions / ideas you may have since kian’s not the most crafty person ever !!!

also, on the topic of love... thanks to everyone who’s been so welcoming to me over the last day or so !!! it’s been really nice talking to you all, and getting to know you and all of your muses, and i hope to continue plotting with all of you as time goes on. 🖤 kian’s b-day is coming up, too, so i’d also love to try and get some birthday-related threads going on as he’ll be eighteen [ international age, he’s 19 korean age right now ] and he’s stoked !!! that was kind of random, but i just thought about it and thought i’d mention it, too. anyway, you’re all great, and i look forward to kian’s future here at lgc with all of you awesome people !!! 🥰

[radblrthemeweeks]

Thank you to everyone who voted on the topic for the next theme week!

The community has decided the theme topic for November 2022 is ‘Methods of Managing the Psychological Impact of Misogyny/Feminism’. Please consider posting about it over the next week under the hashtag #radblrthemeweek5 - all original posts (besides spam) under this hashtag will be shared by this blog from the 21st November, a week from now. Please use the #radblrthemeweek5 hashtag first, before any other tags, or it may not show up under the tag.

Everyone is welcome to contribute to the theme, regardless of your experience, how established your blog is, or how many followers you have, so please don’t hesitate to get involved, by creating original posts or interacting with others’ posts. Please remain civil and polite in discussion, in order for everyone to get the maximum benefit, and to develop ideas as much as possible. Please also consider sharing this post, so more women can see the prompt. 

Contributions can take any form - original ideas, excerpts/quotes from theory or literature, anecdotes, study evidence, articles, creative efforts such as poetry or art, and more, are all welcome and valued. Most particularly, new contributions, even if they’re not fully formed or directly relevant, would be ideal - this is an opportunity to discuss possibilities, share work from less known theorists, and gain understanding from different contexts than what is typical of radblr. Also, please engage with other people’s theme posts!

As always, a reminder - if you don’t make the posts, the posts don’t get made.

Looking forward to seeing everything you all create, suggest, and share under the hashtag #radblrthemeweek5! Any questions, please get in touch!

[veliseraptor]

got tagged for two fic writer memes yesterday! the one from @ameliarating first:

How many works do you have on AO3?

509.

What’s your total AO3 word count?

3,432,24. dang! that’s a lot of words

How many fandoms have you written for and what are they?

I have written for...counting the MCU as one fandom, on AO3 I have written for 32 fandoms, including at least one work in:

MCU, The Sillmarillion, Caliban Leandros, both DC and Marvel Comics, the book Barebacked by Kit Whitfield, Doctrine of Labyrinths, Doctor Who, Buffy the Vampire Slayer, Star Wars, Black Jewels, Dragon Age, Lucifer, Dexter, Temeraire, Gentleman Bastard Sequence, Supernatural, A Song of Ice and Fire, Greek Mythology, Lymond Chronicles, Merlin BBC, Code Geass, Good Omens,  Death Note, and White Collar.

this is not a comprehensive list of every fandom I’ve ever written for, because it is not including ones that live only on FFN or Livejournal.

What are your top 5 fics by kudos?

Life In Reverse tops the list (11066), aka my 200k Loki-centric post-Thor AU fic that I wrote between 2012 and 2018 and with which I have a decidedly complex relationship at this point. I love it but also I no longer think it’s my best work but also I credit it with teaching me a fuck of a lot about writing and writing longer projects in general.

With Absolute Splendor is rapidly catching up, to my astonishment (6559), despite having been posted for less than half as long. Aka the wedding planning fic that’s really just me mucking about in my Jiang Cheng and my Jiang Cheng and Wei Wuxian feelings, at length.

some good mistakes (4618) was my first foray into the Untamed version of “characters who hate each other going on resentful roadtrips together, feat. Lan Wangji and Jiang Cheng.” I have gone on to write others and will continue to write more.

Unraveling (3069) is a little bit of a surprise but also not - it was originally just sort of WWP stuff for my ‘what if people remembered that blunt force trauma is a really bad thing actually’ problem that pops up sometimes, re: Loki at the end of The Avengers, and then it kind of turned into a whole thing. I personally think it’s the weakest of the installments of the series it belongs to, but it is the first one and also the one that gets least into the broader family dysfunction and depression stuff that probably is less everyone’s thing (but is what came out this fic that mattered more to me, personally).

I am a little surprised to see Steve Rogers’ Halfway House for Notorious Supervillains (3068) here too! I was expecting one of the more...idk, mainstream concepts from the MCU to win out? But I also wasn’t expecting two Untamed fics to make it here, either. But I am stupid proud of this fic even if it is very extraordinarily unfinished. This is one of those unfinished fics that will nag at me unless and until I finish it, at least a little, because the concept - if I do say so myself - is so goddamn good and I think I was executing it pretty well, too.

Do you respond to comments, why or why not?

Pretty much never. I was never very good at it and now I’d feel like I had to go back and reply to all of them and I just. I can’t do that. and when I do try to just start at the beginning I get overwhelmed very fast and start avoiding it.

Basically I decided that if it’s a decision between wrestling with myself to reply to comments versus actually doing more writing I’m going to end up landing on the latter as feeling both more doable and more productive.

What’s the fic you’ve written with the angstiest ending?

probably it’s The Worlds Forgotten, the Words Forbidden for sheer level of “so then what was the point” of it all. but like. I’ve definitely written a few extraordinarily miserable fics, and by “a few” I kind of mean “a lot.” Other nominees I’d put down might be nor autumn falter (for currently personally making me suffer most), once there was a way to get back home (for I think having the ouchiest summary), and Waiting for the Summer Rain (which remains one of my personal favorite Supernatural fics I wrote).

but like. there are 43 fics I have marked with Major Character Death warnings and every single one of those, pretty much, has a downer ending.

Do you write crossovers? If so, what is the craziest one you’ve written?

I have written several though not in a long time! My craziest probably remains the Morgoth/Cthulhu short I wrote that actually got sporked because someone took it seriously (???) enough to do that. But the craziest that actually has any merit, (I’d argue) is probably the Maeglin/Viserys one.

not linking to either, if you want to go find them I don’t think it’ll be that hard.

Have you ever received hate on a fic?

Yeah, a few times on a few different things. More if you count “people who seem to like the fic but love telling you how much they hate the female characters you’re writing about in it” as ‘hate’ which I would but isn’t, you know, quite as straightforward. If I had a nickel for every time someone bitched about Jane in Life in Reverse, though...lots of nickels.

Do you write smut? if so what kind?

Sure do! But what does ‘what kind’ mean, I don’t know how to answer that question. I feel tempted to just put in my “Mike’s Hard Kinks” image edit in this space.

I guess usually I tend to write smut that at least involves a little bit of a kink? I don’t think I’d feel comfortable writing entirely kinkless smut. I think I’d feel weird about it, the same way I do when I write really nice fic, generally.

Have you ever had a fic stolen?

I think I did back when but I don’t remember anything about it. I feel like it was one of those mass data scraping things where my fic happened to be among those caught up in it.

Have you ever had a fic translated?

I have! several actually, mostly into Russian and Chinese. every time it happens I’m immensely flattered that someone wants to put in that kind of work on something I wrote.

Have you ever co-written a fic before?

I think I’d be very, very bad at it.

What’s your all time favorite ship?

Depends on when you ask me! I could probably give you a top five but then I’d remember six that I forgot to mention five minutes later. I guess if I were to think about ships that feel like they hold very special particular places in my heart... Xue Yang/Xiao Xingchen, Steve Rogers/Loki, and Min/Rand come to mind.

What’s a WIP that you want to finish but don’t think you ever will?

oh god do you want the whole list cause honestly I could just like. screencap the entirety of my “in progress” folder with a crying emoji watermarked over it. and that’s not getting into the fics that are like...half formed babies in my consciousness but not anywhere on paper.

and also I just hate to admit that I might not finish something.

you know what? the Lucifer/Good Omens crossover I started would’ve been a lot of fun. I’m probably never going to finish it, but it would’ve been great if I had. I know other people did it too but my contribution could’ve been amazing.

I can say this very boldly with the near certainty that I’m not going to finish the fic so no one will be able to disagree.

(...also the Last Herald-Mage fix it. that was going to be a good fic too, and also will probably languish unfinished forever.)

What are your writing strengths?

I’m pretty sure dialogue is my strongest point. Dialogue and emotions, which is why I always end up just wanting to write about characters talking and having feelings at each other.

What are your writing weaknesses?

Writing action sequences throws me into conniptions every time I have to do it and I will take drastic actions sometimes to avoid doing it at all, which probably weakens the work as a whole.

Also, I don’t plan ahead and this means I write myself into corners kind of a lot. If I wasn’t writing long, dense fic it wouldn’t be a problem but here we are.

What are your thoughts on writing dialogue in other languages in a fic?

I tend to avoid it unless it’s in the context of, as in CQL/MDZS fic, leaving certain terminology untranslated. I’m pretty sure I almost never write full exchanges of dialogue in a different language than I’m using for the narration within a fic, and generally speaking my reaction to other people doing it is at least mildly negative.

What was the first fandom you wrote for?

Harry Potter was technically the first fandom I wrote for, but it was a crack fic I wrote to make my friends laugh more than anything; I tend to count Wheel of Time as my first actual fandom for which I wrote my first actual fic.

What’s your favorite fic you’ve written?

some days the answer is “all of them” and some day the answer is “I don’t like anything I’ve written in my entire life” and I never like giving this a definitive answer. yesterday I reread efforts in a common cause (the bound copy!! thanks @spockandawe) and you know what, that was a good fic and I’m proud of it, so I’m going with that one, for this meme, today.

tagging: @mostfacinorous, @jaggedcliffs, @silvysartfulness, @mikkeneko, @kasasagi-eye, @curiosity-killed, how many people am I supposed to tag for this one anyway

[vvanite]

Art Deco and TAZ Graduation

- Episode 30 "Take your Firbolg to Work Day

I know Travis probably made his choice to have the H.O.G. headquarters be designed with Art Deco for aesthetic purposes and didn't think of its function to the world of Nua BUT his choice is a really great accidental component that adds onto the world building in Nua and to one of the core problems that Graduation addresses involving the systemic nature of Nua. In this essay, I-

(And then I proceed to actually write the essay hidden below. FAIR WARNING: This is extremely long. If you want to learn about Modern Art History and how it ties into Graduation, this is your lucky day.)

This analysis/essay is going to be meta in terms of using evidence from real world events but it is needed to explain the history behind Art Deco and help us relate to the themes of Graduation. I think it’s clear to see how the systems and people in power in Graduation are influenced from the way our governments are now so I don’t think these connections are distant, rather closer together than we think.

Also, before we continue, I want to direct you to this lovely post made by a dear user and friend, Michelle/ fitzroythecreator, LINK HERE

She explains what she believes to be a core theme of graduation that I agree with and have integrated into this essay. Check it out <3

Before I can explain how Art Deco is tied into Graduation's core theme, I need to lay out definitions and context to art movements in the early 20th century. Along the way, I will make connections to the world of Nua and how real-life events in the early 20th century actually can relate to Graduation and its worldbuilding.

Let’s address what is Art Deco. Art Deco started as an art and architecture movement during the early 20th century (1900s). Most people are familiar with its aesthetics of geometric designs and influence of industrialization because of the roaring 20s era and many media influenced by it. Do you wonder why it was popularized in the US? It’s because during the great depression in the US, public buildings, more importantly federal government buildings, were commissioned to have this aesthetic thus it would have more publicity and access to the public. The H.O.G. headquarters could easily be compared to this event because it shares similar attributes of being a public government building.

With this information, it would be really interesting to imagine the timing of Graduation being set around the early 20th century. Art Deco gives us a time period to compare what kind of social events Nua could have faced similar to the real world. The modern period of the 1850s-1950s was a time when people were disinterested and scared of the changes that industrialism made in their daily lives. People were frustrated with the changes made in their lives and sought out ways to cope with the changes through escapism. In Graduation, I would argue that we see this skepticism and wariness in the characters about the changes Nua’s Socioeconomic systems made in their lives and society in general. A good example would be the student NPCs and their insistence that their hero and villain titles are just labels since they have been stripped from their original meanings. They still somewhat criticize the structure while upholding it. As the campaign progresses, we meet various characters who are very critical to Nua’s current orderly system such as Order and Gordie. In fact, despite their roles in society being vastly different, they both share the same opinions that the system is unjust as it hurts people thus there needs to be a push for change. I am not trying to label the time of Graduation to be around the 1900s, rather whatever year Graduation happens is in parallel to the events of the 1900s.

When I first heard Travis say, Art Deco, I was interested but disappointed it wasn’t Art Nouveau. My original thinking was because of Art Nouveau’s elitism of making the architecture more artistic and complex that only educated rich people can understand and less functional for the average citizen. A lot of the art displays during the art movement were held in house museums that were limited to rich eyes. I thought this reasoning made sense in terms of the H.O.G. headquarters being this elite building common people can’t comprehend. However, with continuous thought, it clicked. Art Deco fits so well.

Art Deco was meant to be a direct response to Art Nouveau and the Arts and Crafts movement. (And many more but for the sake of simplicity, sticking to these two major ones) Both movements share similarities of the desire to make total works of art.

____________________________________________________________________________________________________________________

For art Nouveau in architecture, that is more on its aesthetics of stylized curving forms, thus it creates uniqueness with the architecture. For the Arts and Crafts movement in Europe, they focused on the importance of the craftsmanship and quality. The thing about the movement is that it’s heavily influenced by socialist values and the distaste for industrialism. Both art movements were diverse in style and locations globally. Because both took place internationally, there was no determined manifesto or structures for artists to adhere to. Another thing is both movements had lots of ornamentation which takes great skill and time to put into the works. By doing this, it would make the works more unique aspects to its character, however more time consuming and difficult to replicate.

Art Deco takes response to this because critics felt like these movements were outdated for the growing industrialism happening during the early 20th century. Art Deco focuses on sleek geometric design meant to be reproduced easily thanks to industries and have more emphasis on its function rather than aesthetics. It’s meant to be functional to accommodate for the new technologies of the 20th century.

So, let’s recap, in the late 19th century, two movements, focused on the style which had no concrete structures to adhere to and had the goal to make total works of art that is reliant on itself, are then replaced by Art Deco, a movement focused on its aesthetic to be mass produced easily and have a stronger focus on the form of the architecture to serve its functions. Does Art Deco sound similar to a number of Socioeconomic systems placed in Nua?

One of the key ideals of Art Deco is Functionalism. Art Deco is one of the many architectural movements in the early 20th century that decided to focus on function rather than aesthetics. What is functionalism? It is the idea that everything works as an integrated whole and that all the different components of a larger system are designed to work together. It is orderly. Architecture in the early 20th century was designed to suit the needs of the space. For example, each element of an office buildings would be designed and organized to suit that place. This ideal is more emphasized after the Great Depression in America where architects shifted their focus on the Streamline Moderne, where they aimed to make structures practical to the demands of real life and remove the emotional aspects of expressionist art.

Travis’s little choice to pick Art Deco is tied to a core theme of Graduation of dismantling the standards and structures set in Nua. It’s so brilliant yet unintentional. I know Travis hasn’t read up on modern art history. I hope by reading through, you can spot Art Deco’s need for creating limitation to focus on the functions and how it benefits the whole system. It doesn’t allow for the emotional aspects that Art Nouveau and the Art and Crafts movements held. Nua’s system follow the same thing. Everyone has a function in the socioeconomic system that has limitations meant to exploit the work labor and functions of the individual. The system leaves no room for indivduals to have growth to create real change. That’s not a flaw of the system. The system is literally designed to be that way with its many rules and standards. It's impossible to break away from it without being punished by the system itself. You need to function within its rules and have practical skills to contribute to the system. Your independent nature is stripped away. By having Art Deco be a core aesthetic design for the H.O.G. Headquarters, Art Deco ITSELF is just another element in the architecture meant to serve its function of upholding the ideology of order that H.O.G. and the world of Nua has. This orderly system has replaced the wild world that Higglemas in episode 12 remembers.

“I remember... the world when it was wild. Not sophisticated and ordered and... bureaucratic, like it is now.”

[justiceraffles]

"Hey, what if MK was a horribly written telenovela with a poorly conceived mystery storyline that's tied together in the most precarious of ways with nonsensical plotpoints and was also endgame Hakukai" So here's the start to my Hakukai longfic! I have a lot of things to say about this story so I'll just ramble about it at length beneath the cut if anyone's interested in my nonsense notes. Otherwise,

Read Here

I've been working on this thing on and off for a year and a half now, it lives rent free in my head every day and has been editted, restructured, and rewritten a lot. I've been very apprehensive about sharing it. ...To be honest, I still am! It's a chaotic story where I just allowed myself to write the most self-indulgent thing I could muster. This entire plot is an amalmagation of random things and ideas I like. It feels like a niche concept that is very messy and ???¿¿¿¿??? why did I make this

But, I guess that also makes it a very "me" story, so having fun with it and writing something that just brought me joy is what matters most, ultimately.

(aaaaaaaaaaAAAAAAAAAAAAAAAA)

I'm very thankful to everyone who has read the outline and concept for it or just listened to me ramble about the incoherent plot and characters or cheering me on when I've been kinda anxious about it— it's thanks to that support despite this being such a specific and ¿¿¿ idea that I've found the courage to actually share it. I'm very grateful and I hope you guys can enjoy something in it o)-(

So, about the fic,

It's a story about Hakuba! I think we are all well aware that jokes about his long absences and infrequent appearances are very commonplace (where in the world is hakuba saguru??? TT) and it unfortunately leads to him being forgotten and overlooked often. The initial concept that inspired this fic was "Hey, what if Hakuba stopped showing up for real?" and explore the implications this would have on the MK storyline (and Kaito, by extension). I wanted to make a plot where he was allowed to be the protagonist of his own story, highlight his worth as a detective, his role in the main narrative, and the depth of his relationship with Kaito. It's a Hakuba Saguru Appreciation fic, first and foremost!

So, the romance itself is very slow burn. There is a lot of plot, because I have a lot of fun with ridiculous, contrived stories haha. It takes a while for the story to be fully set up, and Kaito doesn't make a proper, official appearance until the end of Chapter 2.

Chapter 1 is rather lengthy and sets the context and plot from Hakuba's POV, Chapter 2 focuses on establishing where his relationship with Kaito (as well as Aoko and Akako) stands at the moment, and Chapter 3 onward starts seeing the first proper developments in the relationship.

It's a bit rocky at first and they have a lot of ups and downs but I promise they work it out (I promise!!! I swear!!!) I tried my best to maintain a balance between the fluffy and angsty moments, but I have to admit it's quite dramatic at parts lol I enjoy stupid, trashy drama a lot sometimes— this is the reason I'm calling it a bad telenovela.

Despite the fact that this is very plotty, their feelings for each other are the guiding force behind the storyline, and their relationship does take center stage later on. The romance is in no way secondary, it just takes a long while to fully develop. They most definitely get a happy ending, but you can expect this to be 95% pining.

The story starts out some years after the current events in the MK manga. Pandora hasn't been found yet, and KID is still active. On the other hand, the DC canon is used very loosely; the conflict has long since been resolved. The BO was taken down years before the start of this story.

The two plots aren't too deeply intertwined here, they just intercept at parts. References to DC events appear here and there and some elements and character interactions overlap, but they tend to be minor for the most part. This is primarily a MK story and I wasn't too worried about completely integrating both plotlines (or staying 100% accurate to the DC plot, for that matter).

Of course, because this is MK-centric, Aoko and Akako are involved with the overarching story and have major roles to play.

In terms of DC characters, Masumi, Shiho, Heiji and Shinichi play semi-prominent roles in the story. I've tagged Masumi from the getgo because she appears in the first chapter, but I'll add the others when I get to the little arcs they show up in. Save for some specific contributions they have, they aren't too deeply involved with the overall plot progression, but the interactions Hakuba has with them are important for his character development and his better understanding of his relationship with Kaito. Basically each of these characters gets some sort of little story arc in which they interact with/help Hakuba in some way. I arbitrarily chose who I wanted him to interact with, lol.

Speaking of arbitrary decisions— Miss Masumi!!!! She's the first character that shows up in this and interacts with Hakuba. I understand this is probably a strange choice. Because I really wanted to flesh out Hakuba's detective methods and life in London a little more, I decided to use the very what if headcanon of Hakuba's maternal family and the Sera family being acquainted with each other. Like I said before, I didn't really want to connect DC and MK plots thoroughly, so the Akai family plotline isn't at all relevant here beyond a couple of passing mentions. I was mostly interested in Hakuba having an MI6 connection without the need of using another OC and I just wanted to imagine what a hypothetical dynamic between him and Masumi would be like.

And then, OCs. There's a couple of OCs with pretty major roles here as well. Really major— probably in equal measure to Aoko and Akako. I apologise in advance! I really needed them to properly build the detective/mystery aspect of the plot, and the more I wrote, the more they became involved with the story and relationship progression TT I really enjoyed writing them a lot, and I'm satisfied with how they turned out here. I understand OCs with prominent roles aren't everyone's cup of tea, though. Even though I enjoyed writing them, I'm a little self-conscious about how relevant they ended up being when they were originally just going to be there as a plot device to kickstart things ;;; Hopefully someone can find enjoyment in them nonetheless. They are most heavily involved with the story after the midpoint, but they appear all throughout.

I'm really nervous about the choices to have Masumi and major OCs in this story...I understand it is likely these things will make this story a little too niche. But!!!!!!!!! Again!!!!!!!!!!!!! Having fun with it is what matters most Raffles!!!!!!!!!!!!! Get that through your thick skull!!!!!!!! GRRRRRRRRRRRR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Also, please expect the most convoluted explanation to Pandora. There is a lot of made up lore I had a blast writing but it's all probably needlessly complicated.

In summary, it's a detective story starring Hakuba that somehow ended up reading like a dramatic post-breakup/getting back together soap opera.

A significant portion of this has been prewritten, so my (ideal) plan is to have weekly or biweekly updates (but hmmmm let's see how long that lasts until I decide to scrap and rewrite everything out of embarrassment— this is very likely, I second-guess myself a lot)

I keep dragging it through the mud, but I've actually had a blast writing it, even though there's A Lot going on and I'm not very confident in it being decent enough to share.

With all that, I hope someone else can maybe find some enjoyment reading it.