#textile exhibition india

[gartexindia]

Gartex Texprocess India 2023: India's Premier Textile Expo

Unveil your innovations at India's premier Textile Expo, Gartex Texprocess India 2023. Seize vast business opportunities in Garment Machinery and Textile Manufacturing. Book your stall now for unparalleled exposure!

[gttfair]

Global Textile Trade Fair is one of the best international trade fairs taking place in May 2023. If you are a textile designer, this is a fantastic opportunity to showcase your work and expand your business in the best way possible. Join this Trade Fair International today for the best trade fair experience. Register now.

[expobazzar]

Expobazaar at HGH India 2023: Empowering Businesses Beyond Face to Face

Join Expobazaar at HGH India 2023 for an empowering business experience beyond face-to-face interactions. Explore innovative solutions, network with industry leaders, and discover new opportunities for growth. Don't miss out on this exciting event!

[comtessezouboff]

Paintings from Buckingham Palace: part I

A retexture by La Comtesse Zouboff — Original Mesh by @thejim07

100 followers gift!

First of all, I would like to thank you all for this amazing year! It's been a pleasure meeting you all and I'm beyond thankful for your support.

Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.

Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle, Kensington Palace and the most remarkable of them, Buckingham Palace are both residences and open to the public.

About 3,000 objects are on loan to museums throughout the world, and many others are lent on a temporary basis to exhibitions.

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This first part includes the paintings displayed in the White Drawing Room, the Green Drawing Room, the Silk Tapestry Room, the Guard Chamber, the Grand Staircase, the State Dining Room, the Queen's Audience Room and the Blue Drawing Room,

This set contains 37 paintings and tapestries with the original frame swatches, fully recolourable. They are:

White Drawing Room (WDR):

Portrait of François Salignan de la Mothe-Fénelon, Archbishop of Cambrai (Joseph Vivien)

Portrait of a Lady (Sir Peter Lely)

Portrait of a Man in Armour with a red scarf (Anthony van Dyck)

Portrait of Alexandra of Denmark, Queen Consort of the United Kingdom and Empress of India (François Flameng)

Green Drawing Room (GDR):

Portrait of Prince James Stuart, Duke of Cambridge (John Michael Wright)

Portrait of Frederick Henry, Charles Louis and Elizabeth: Children of Frederick V and Elizabeth of Bohemia (unknown)

Portrait of Infanta Isabel Clara Eugenia of Autria and her Sister, Infanta Catalina Micaela of Austria (Alonso Sanchez Coello)

Portrait of Princess Louisa and Princess Caroline of the United Kingdom (Francis Cotes)

Portrait of Queen Charlotte with her Two Eldest Sons, Frederick, Later Duke of York and Prince George of Wales (Allan Ramsay)

Portrait of Richard Colley Wellesley, Marquess of Wellesley (Martin Archer Shee)

Portrait of the Three Youngest Daughters of George III, Princesses Mary, Amelia and Sophia (John Singleton Copley)

Silk Tapestry Room (STR):

Portrait of Caroline of Brunswick, Princess of Wales, Playing the Harp with Princess Charlotte (Sir Thomas Lawrence)

Portrait of Augusta, Duchess of Brunswick With her Son, Charles George Augustus (Angelica Kauffmann)

Guard Chamber (GC):

Les Portières des Dieux: Bacchus (Manufacture Royale des Gobelins)

Les Portières des Dieux: Venus (Manufacture Royale des Gobelins)

Les Portières des Dieux (Manufacture Royale des Gobelins)

Grand Staircarse (GS):

Portrait of Adelaide of Saxe-Meiningen, Queen Consort of Great Britain (Martin Archer Shee)

Portrait of Augustus, Duke of Sussex (Sir David Wilkie)

Portrait of Edward, Duke of Kent (George Dawe)

Portrait of King George III of Great Britain (Sir William Beechey)

Portrait of King William IV of Great Britain when Duke of Clarence (Sir Thomas Lawrence)

Portrait of Leopold I, King of the Belgians (William Corden the Younger)

Portrait of Prince George of Cumberland, Later King George V of Hanover When a Boy (Sir Thomas Lawrence)

Portrait of Princess Charlotte Augusta of Wales (George Dawe)

Portrait of Queen Charlotte at Frogmore House (Sir William Beechey)

Portrait of Victoria of Saxe-Coburg-Saafeld, Duchess of Kent (Sir George Hayter)

State Dining Room (SDR):

Portrait of Charlotte of Mecklenburg-Strelitz, Queen Consort of the United Kingdom in Coronation Robes (Allan Ramsay)

Portrait of King George III of the United Kingdom in Coronation Robes (Allan Ramsay)

Portrait of Augusta of Saxe-Gotha, Princess of Wales (Jean-Baptiste Van Loo)

Portrait of Caroline of Ansbach when Princess of Wales (Sir Godfrey Kneller)

Portrait of Frederick, Princes of Wales (Jean-Baptiste Van Loo)

Portrait of King George II of Great Britain (John Shackleton)

Portrait of King George IV of the United Kingdom in Garther Robes (Sir Thomas Lawrence)

Queen's Audience Room (QAR):

Portrait of Anne, Duchess of Cumberland and Strathearn (née Anne Luttrel) in Peeress Robes (Sir Thomas Gainsborough)

Portrait of Prince Henry, Duke of Cumberland and Strathearn in Peer Robes (Sir Thomas Gainsborough)

London: The Thames from Somerset House Terrace towards the City (Giovanni Antonio Canal "Canaletto")

View of Piazza San Marco Looking East Towards the Basilica and the Campanile (Giovanni Antonio Canal "Canaletto")

Blue Drawing Room (BDR)

Portrait of King George V in Coronation Robes (Sir Samuel Luke Fildes)

Portrait of Queen Mary of Teck in Coronation Robes (Sir William Samuel Henry Llewellyn)

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Found under decor > paintings for:

500§ (WDR: 1,2 & 3)

1850§ (GDR: 1)

1960§ (GDR: 2 & 3 |QAR 3 & 4)

3040§ (STR, 1 |GC: 1 & 2|SDR: 1 & 2)

3050§ (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6)

3560§ (QAR: 1 & 2|STR: 2)

3900§ (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7)

Retextured from:

"Saint Mary Magdalene" (WDR: 1,2 & 3) found here .

"The virgin of the Rosary" (GDR: 1) found here .

"The Four Cardinal Virtues" (GDR: 2&3|QAR 3 & 4) found here.

"Mariana of Austria in Prayer" (STR, 1, GC: 1 & 2|SDR: 1 & 2) found here.

"Portrait of Philip IV with a lion at his feet" (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6) found here

"Length Portrait of Mrs.D" (QAR: 1 & 2|STR: 2) found here

"Portrait of Maria Theresa of Austria and her Son, le Grand Dauphin" (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7) found here

(you can just search for "Buckingham Palace" using the catalog search mod to find the entire set much easier!)

Drive

(Sims3pack | Package)

(Useful tags below)

@joojconverts @ts3history @ts3historicalccfinds @deniisu-sims @katsujiiccfinds @gifappels-stuff

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[fashionbooksmilano]

The Art of Textiles

Spink & Son, London 1989, 167 pages, 21x29 cm, paperback

An exhibition for sale Spink & Son Ltd at St James's, London, SW1Y 6QS December 1989

euro 30,00

email if you want to buy booksinprogressmilano@yahoo.it

Textiles from China, India, Turkey, Europe

Japanese and Chinese Textiles 10th-19th century

Chinese Textiles for Export 17th-18th century

Indian Court and Export Textiles

Islamic Textiles 7th-19th century

Costumes from Uzbekistan and Chinese Turkestan

European Textiles and Ecclesiastical Vestments

Silk and Velvet from Spain,France and Italy

English Figured Silk,Velvet and Chimoiserie Embroidery

19th and 20th century European Woven,Embroidered and painted textiles

09/02/24

[harvardfineartslib]

"Beginning in the 16th century, the golden age of European navigation created a vigorous textile trade, and a breathtaking variety of textile designs subsequently spread across the globe. Trade textiles blended the traditional designs, skills, and tastes of their cultures of origin, with new techniques learned through global exchange, creating beautiful new works that are also historically fascinating. From the elaborate dyed and painted cotton goods of India to the sumptuous silks of Japan, China, Turkey, and Iran, the paths of influence are traced westward to Europe and the Americas.” (From Publisher’s website)

Examples shown in this post are:

1. Samples of printed cottons (Indianilas) from Mexico, detail, 1793

2. Buddhist vestment (Kesa) from the 18th century Japan using textile from China for the European market, detail

3. Bedcover or hanging from India (Gujarat) made with silk satin and embroidery with silk for the Portuguese market, detail, 17th century

Interwoven globe : the worldwide textile trade, 1500-1800 Edited by Amelia Peck ; with contributions by Amy Bogansky ... [et al.]. New York : Metropolitan Museum of Art ; New Haven : distributed by Yale University Press, 2013. Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014. HOLLIS number: 990137795200203941

[top-leaders-in-india]

A Global Celebration of Heritage and Excellence for Rising rajasthan 2024

Rajasthan, a land of majestic palaces, vibrant culture, and timeless traditions, has long been a beacon of India’s rich history and diverse heritage. But in 2024, the state took its global spotlight to new heights with Rising Rajasthan 2024, a grand event that beautifully intertwined the old and the new — celebrating Rajasthan’s heritage while showcasing its ambitions for the future.

Held in Jaipur, the event marked a defining moment in the state’s journey towards becoming a global hub for investment, culture, and innovation. With the theme of “Heritage and Excellence,” Rising Rajasthan 2024 was not just an exhibition; it was a global celebration that brought together policymakers, business leaders, artists, educators, and cultural ambassadors from across the world to explore opportunities for mutual growth and cross-border collaboration.

A Vision of Rajasthan’s Future Rooted in Tradition

Dr. Rajvardhan Rathore, the State Minister for Sports and Youth Affairs, played a central role in organizing and leading the event. A champion of both tradition and progress, Dr. Rathore’s leadership was evident in the event’s execution, where Rajasthan’s historical treasures were celebrated alongside its futuristic ambitions. Through Rising Rajasthan 2024, he sought to reinforce the message that while Rajasthan cherishes its heritage, it is equally committed to embracing new technologies, sustainability, and global partnerships.

The event opened with a grand inauguration ceremony that blended the old-world charm of Rajasthan with cutting-edge technology. Traditional Rajasthani music and dance performances, adorned in royal costumes, set the stage, followed by a digital showcase highlighting Rajasthan’s development in sectors such as infrastructure, renewable energy, education, and tourism. The juxtaposition of culture and innovation painted a powerful picture of a state that honors its past while confidently advancing toward a brighter future.

Celebrating Rajasthan’s Rich Heritage

Rajasthan’s rich cultural heritage was at the heart of Rising Rajasthan 2024. Known for its royal palaces, fortresses, handicrafts, and vibrant festivals, Rajasthan is a state that continues to captivate the world with its color, history, and art. The event’s focus on heritage celebrated these cultural treasures in a way that showcased their global relevance today.

One of the most captivating highlights was the curated “Rajasthan Heritage Pavilion,” which featured an extensive display of traditional arts and crafts, including the world-famous block printing, blue pottery, tie-and-dye textiles, and intricate jewelry. Visitors from across the globe were able to engage with local artisans, learn about the centuries-old techniques passed down through generations, and appreciate the deep cultural significance behind each creation.

In addition to crafts, Rajasthan’s architectural marvels were given due recognition. A series of digital installations highlighted the state’s iconic landmarks, such as the Amber Fort, City Palace, and the Jantar Mantar, all while promoting the preservation of heritage through sustainable tourism practices.

Global Conversations on Innovation and Excellence

While Rajasthan’s heritage was a central theme, the event also brought a powerful emphasis on excellence and innovation. Rising Rajasthan 2024 served as a platform for global dialogues on the future of technology, sustainability, education, and business.

Among the prominent sessions were panel discussions featuring experts from industries like renewable energy, smart cities, digital transformation, and urban planning. These discussions focused on how Rajasthan could build on its traditional strengths — such as craftsmanship and tourism — while embracing new technologies in sectors like clean energy, artificial intelligence, and digital innovation.

Key speakers from international organizations, such as the United Nations, World Bank, and global companies, spoke about how Rajasthan could become a model for sustainable development. Dr. Rathore highlighted in his address, “The key to Rajasthan’s success lies in leveraging its heritage as a catalyst for innovation. By preserving our traditions and simultaneously embracing the technologies of tomorrow, we can create a sustainable, prosperous future for all.”

Cultural Diplomacy: Rajasthan’s Role on the Global Stage

Perhaps one of the most exciting aspects of Rising Rajasthan 2024 was its role in strengthening international ties. The event attracted a high-profile list of international delegates, ambassadors, and dignitaries, all eager to explore the immense opportunities in Rajasthan. Notably, delegations from Saudi Arabia, Denmark, Japan, and the UAE were in attendance, signaling growing global interest in the state’s development.

For Rajasthan, this was an opportunity to showcase its diverse strengths in sectors such as renewable energy, textiles, agriculture, education, and technology. The presence of international dignitaries reinforced the message that Rajasthan is not only a cultural destination but also a fertile ground for global collaboration. Business-to-business meetings were held, creating a platform for networking and forging partnerships that could lead to long-term economic benefits for the state and its partners.

One of the most memorable moments was the cultural exchange session, where Rajasthan’s art and dance performances were shared with international audiences, followed by a showcase of international arts brought by delegates. This session fostered deeper cultural understanding and showcased how the blending of global influences can create an environment of mutual respect and cooperation.

Sustainability at the Core of Rajasthan’s Vision

The 2024 edition of Rising Rajasthan also focused heavily on sustainability, positioning the state as a model for environmentally conscious growth. With Rajasthan’s vast land resources, abundant sunlight, and commitment to green energy, the state is leading India’s renewable energy revolution.

A dedicated sustainability pavilion at the event showcased Rajasthan’s initiatives in solar power, water conservation, and green infrastructure. Panels and discussions focused on how Rajasthan’s innovative energy projects are not just transforming the state, but also offering a scalable model for other regions of India and beyond.

Dr. Rathore emphasized, “Sustainability is not just a goal; it is a core value that will shape Rajasthan’s future. From solar farms to sustainable tourism, we are creating a blueprint for a world where progress and nature go hand in hand.”

The Future of Rajasthan: A Global Vision

As Rising Rajasthan 2024 concluded, the overwhelming sense of optimism was palpable. The event not only highlighted the immense potential of Rajasthan but also reinforced the idea that the state’s future lies in forging strong, mutually beneficial relationships across the globe. Rajasthan’s leadership, innovative spirit, and commitment to preserving its heritage while embracing modernity have made it a beacon for investment, culture, and progress.

With a clear vision for sustainable growth, a rich cultural legacy, and a firm commitment to global collaboration, Rajasthan is poised to make its mark as a global leader in heritage, innovation, and excellence. Rising Rajasthan 2024 was more than just an event; it was a testament to the incredible journey ahead, where tradition and technology come together to create a future that is as inspiring as Rajasthan’s past.

In every corner of Rising Rajasthan 2024, visitors found a perfect balance of heritage and modernity, of tradition and progress. From its cultural exhibitions to its forward-thinking discussions, the event showcased Rajasthan’s potential to shine on the world stage. As the state continues to rise, it stands as a powerful example of how the preservation of heritage and the pursuit of excellence can go hand in hand, lighting the way for future generations of innovation, collaboration, and success.

[longlistshort]

Last year Tampa Museum of Art installed work by fashion designer Naeem Khan, including the two pieces above,  Floating Flowers Fuchsia and Gold and Floating Flowers Pink and Silver.

From the museum about the work-

As part of its ongoing exhibition series exploring the intersection of art and fashion, the Tampa Museum of Art presents a series of paintings by globally renowned fashion designer Naeem Khan. Khan works independently, as well collaboratively with artist Stanley Casselman as the collective KACE, to create large-scale works inspired by his ongoing exploration of flora, light, and color. Five monumental works, comprised of paint and sequins represent Khan’s inaugural museum exhibition.

The Khan Family, steeped in the tradition of fashion and textiles for over 100 years, is renowned for their atelier in Mumbai and their luxurious couture worn by luminaries and India’s royalty. Khan arrived in New York at the age of 17, travelling to the United States with his father. A business appointment with Halston changed the course of his life as the famed designer decided on the spot that Khan would be his protégé. With Halston as his mentor, Khan became immersed in Manhattan’s art and social circles. From the atelier to Studio 54 and Andy Warhol’s Factory, Khan emerged as a designer at a pivotal moment in the 1970s where the lines between art, fashion, music, film, and celebrity were often blurred, further signifying New York City as the epicenter of creativity.

While working with Halston, Khan met Andy Warhol who frequently collaborated with Halston on his projects. Khan participated in their collaborations by drawing the flowers for their designs, specifically poppies. Warhol, like Halston, took Khan under his wing and once told the young designer, “You shouldn’t hold your pencil that way. Let me show you how to draw.” Flowers, inspired by his work and friendship with Warhol as well as the flora in his home country of India, anchor Khan’s visual language. In 2020, painter Stanley Casselman introduced himself to Khan at one of his fashion shows and was immediately struck by the beauty and power of the designer’s work. Casselman observed that Khan’s designs could be translated into painting. Conversations lead to collaboration and today the two artists work both individually and together under the name KACE. Works, such as Jardin Chrome and Jardin d’Or, feature Khan’s elaborate sequined blooms in concert with Casselman’s gestural paint strokes. The compositions reveal the signature elements of each artists’ practice. Here, Khan’s ornate craftsmanship and Casselman’s abstract mark making unite in dazzling effect.

Khan’s solo works, Floating Flowers Pink and Silver and Floating Flowers Fuchsia and Gold, nod to his familial history with fabric, color, composition, and texture while pushing the boundaries of contemporary painting. Each flower is comprised of hundreds of sequins and beads. Delicately sewn onto silkscreen material, Khan suspends the panels one over the other, creating a sculptural quality to the paintings. Fabricated in a range of petal formations and size, Khan’s blossoms both capture and reflect light. As if suspended in space, the flowers come to life, symbolizing Khan’s creative past and his burgeoning artistic future.

[mybeingthere]

Beautiful landscaps by Eleri Mills.

Eleri Mills lives and works in rural Mid Wales, where she was born and brought up. She has exhibited widely in the UK and abroad including the Museums of Modern Art Kyoto and Tokyo, Museu Textil d’Indumentaria, Barcelona and the Museo Nacional de Artes Decorativas, Madrid.

“Landscape has remained at the heart of my work from the beginning – there are often mythic and cultural associations in my mind as I create, whether the inspiration is my familiar ancestral landscape here in Mid Wales, or a distant far off landscape such as the Himalayan foot hills I recently encountered during a residency in India. These can be real or imagned places – landscapes of the mind – landscapes without borders….

My instinct has always been to embrace different materials and methods i.e. painting, textile and printmaking traditions and enjoy working in all these areas. However, I regard the process or medium as incidental in the end, as it is the content of the work which is my main concern.

The recent series of ink drawings on paper, challenge me in terms of scale, technique, emotional content and tempo. In these works I am representing a layered landscape, and a sense of belonging to a place. There are risks involved when working with ink with no room for error – my concern is always dealing with balance and rhythm. It is an intensely physical and gestural process…..a form of choreography and personal mapmaking which celebrates an old familiar landscape.”

“… Eleri Mills stands alone as poet painter. Eleri records her love of her native land and she records it with great sensitivity and talent: for she is a superb draughtsman and this is at the heart of all that she does. In her art Eleri Mills has a voice which is seldom heard, for it is a tender voice and far removed from the cacophony of the art world today.”

Sir Kyffin Williams RA

[gttfair]

There are numerous Clothes Manufacturers in India. Many of them want to attend the Global Textile Trade Show in 2023 to expand their businesses in the United States as well. Get this great chance to grow your business by reserving your stall at GTT Fair in the USA

[clearholidaysindia]

Himachal State Museum Tourist spot in Shimla, Himachal Pradesh

The Himachal State Museum in Shimla, Himachal Pradesh, is a remarkable destination that offers a deep dive into the region's cultural and historical heritage. Set in the historic Inverarm house, this museum was established in 1974 and showcases an extensive collection of artifacts, including traditional art, textiles, and sculptures. The museum itself is a part of the rich history of Shimla, with the building dating back to the 1860s. For those looking to explore offbeat places near the Himachal State Museum, this location provides a perfect starting point for discovering the area's unique charm and historical depth.

Aside from the museum, there are several other interesting places to visit near Himachal State Museum. A short walk from the museum is the famous Christ Church, known for its stunning neo-Gothic architecture and beautiful stained glass windows. Another nearby attraction is the Viceregal Lodge, a grand colonial building with beautiful gardens and historical exhibits about the British era in India. Both of these sites offer a glimpse into Shimla’s colonial past and are perfect additions to any visit to the museum.

If you are interested in exploring more of Shimla, you can also visit the nearby Jakhoo Hill, which offers panoramic views of the city and is home to the Jakhoo Temple, dedicated to Lord Hanuman. Additionally, the Mall Road in Shimla is a bustling area with shops, eateries, and vibrant street life, making it a great place to experience the local culture. These places to visit near Himachal State Museum will enrich your travel experience and provide a well-rounded view of Shimla's attractions.