#terrence diable

[dance-world]

Ty Lyons Graynor and Terrence Diable - photo by Christopher Jones

[igazikutya]

Zajok a nappaliból – 2021 Grande Traxelektor – „Sense”

Ezzel zárom 2021 év összegzéseit, a 12 havi Traxelektor, kb 80 órányi zenei anyag javának szétválogatását, három kategória mentén. A harmadik válogatás a „Sense” nevet viseli, és döntően ambient, field recordings, trip hop, dub, abstract és experimental csodákat tartalmaz. Az előzőekben nem emeltem ki név szerint senkit, itt most kicsit felrúgnám ezt a szabályt. Ugyanis van pár alkotó, akik uralják a mezőnyt. Elsőként Shackletont kell kiemelnem, aki 3 művel 30 percet kapott, mindhárom a Top 12 albumok között dobogós Departing Like Rivers lemezen található, amelynek bozorgányos bűbájától nehéz szabadulni. A másik pedig a Tim Story irányítsásával, Dieter Moebiusnak szentelt különleges tribute, a Moebius Strips, amiről Eve Maret, Geoff Barrow (ex Portishead) és Yuri Suzuki átértelmezéseit hallhatjátok.

Grande Traxelektor 2021 „Sense” Spotify Playlist

(65/77,  6h15m/7h19m, 84%)

Grande Traxelektor 2021 „Sense” Playlist

96 Back & Special Request - Petrichor [Compassion, !K7] Aaron Dilloway & Lucrecia Dalt - Niles Baroque [Lucy & Aaron, Hanson] Alva Noto - HYbr-ID Oval Blackhole [HYbr:ID I., Noton] Alva Noto - HYbr-ID Oval Collider [HYbr:ID I., Noton] Amon Tobin - Phaedra [How Do You Live, Nomark] Anatolian Weapons - Mantili [Mantili, Kame House] Anthony Linell - Being Water [Winter Ashes, Northern Electronics] Artefakt - Cambium [Days Bygone, Delsin] Atoloi - Fioritura [Inflorescenze, Sure Thing] Atom ™& tobias - One Final Thing (Not Zero) [VA. - Ostgut Ton Fünfzehn + 1, Ostgut Ton] Biosphere - Angel's Flight [Angel's Flight, AD 93] Biosphere - As Pale as a Pearl [Angel's Flight, AD 93] Black Merlin - Scape One [Scape One, Artificial Dance] Broken English Club - They Burned The Villages [White Rats III, L.I.E.S.] Burial - Upstairs Flat [Antidawn EP, Hyperdub] Carmen Villain - Agua Azul [Sketch For Winter IX - Perlita, Geographic North] Carmen Villain - Two Halves Touching [Sketch For Winter IX - Perlita, Geographic North] Child Of The Waves - Escape the Limbos [Basic Moves 15, Basic Moves] Cristian Vogel - Peace La Roche [Rebirth Of Wonky, Endless Process] Đ.K. - Enlightenment Process [Gate of Enlightenment, Worship] Đ.K. - The Gate [Gate of Enlightenment, Worship] David Toop, Akio Suzuki, Lawrence English - The Quietening Of Rocks [Breathing Spirit Forms, Room40] Deep Nalström - Low Gravity Ride [Esoteric Fantasy, Nummer Music] Dekalb Works - of a [Duologue, Where To Now] Dieter Moebius & Tim Story feat. Eve Maret - Strip 31 [Moebius Strips, Curious Music] Dieter Moebius & Tim Story feat. Geoff Barrow - Segment A [Moebius Strips, Curious Music] Dieter Moebius & Tim Story feat. Yuri Suzuki - Strip 7a [Moebius Strips, Curious Music] Emeka Ogboh - Everydaywehustlin [Beyond The Yellow Haze, A-Ton] Emeka Ogboh - Palm Groove [Beyond The Yellow Haze, A-Ton] Ended with Xavei - Black Veins [VA - Tales from the Far East Vol. 2, Okvlt] Eva-3 - Théorie- Redux [La Théorie du Diable, Ant-Zen] F.S. Blumm & Nils Frahm - Puddle Drop [2X1=4, Leiter] F.S. Blumm & Nils Frahm - Sarah & Eve [2X1=4, Leiter] Gantz - Axxon N [Pusher Acid, Innamind] Gavsborg (Equiknoxx) - 11 AM with Frankie Bubbler [Equiknoxx Meets Feel Free Hi Fi, Digital Sting] Guedra Guedra كدرة كدرة - Complementariness [Vexillology, On The Corner] Haramia Tapes - Helicoid [Daydreaming, Baroque Sunburst] Heathered Pearls feat. Terrence Dixon - Salvaged Copper (Luke Slater Remix)[Cast Remixes Part I, Ghostly International] Kevin Richard Martin - Hari [Return to Solaris, Phantom Limb] Kletis - Midnight Nectar [Remixes, Diffuse Reality] Kӣr - Mandra [VA - Tales from the Far East Vol. 2, Okvlt] Leon Vynehal - Farewell! Magnus Gabbro [Rare, Forever, Ninja Tune] Li Yilei - YAN - 言[之-OF, Métron] Manslaughter 777 - I Can Not Tell You How I Feel [World Vision Perfect Harmony, Thrill Jockey] Marco Shuttle - Winds Of Cydonia [Cobalt Desert Oasis, Incienso] Martin Gore - Capuchin [The Third Chimpanzee, Mute] Martin Gore - Howler [The Third Chimpanzee, Mute] Michel Banabila - Take Me There [Wah-Wah Whispers, Bureau B] Microcorps with Nik Void - ILN [Xmit, Alter] Mouse On Mars - New Life Always Announces Itself Through Sound [AAI, Thrill Jockey] Not Waving & Romance - There's A Fountain Filled With Blood [Restoration Of Bliss, Ecstatic] O Yuki Conjugate – Antipode [A Tension Of Opposites, OYC Limited] O Yuki Conjugate - Contra [A Tension Of Opposites, OYC Limited] O Yuki Conjugate - Forgotten Summer II [Artefacts, Kynant] Om Unit - Celestial Envoy [Acid Dub Studies, Self-Released] Om Unit - Subway Track [Flux, Self-Released] One Million Eyes - Arsenale [Brama, A Strangely Isolated Place] Prefuse 73 - Pathways NonNon [The Failing Institute of the Human Voice, Self-Released] Prefuse 73 - Taped Up Low Hum [The Failing Institute of Drums & Other Percussion, Self-Released] Sam Goku - Breaking Through the Soil [Flowery Rave Tales, Permanent Vacation] Sam Goku - Earlier Forms [East Dimensional Riddims, Atomnation] Shackleton - Something Tells Me / Pour Out Like Water [Departing Like Rivers, Septic] Shackleton - The Light That Was Hidden [Departing Like Rivers, Septic] Shackleton - The Turbulent Sea [Departing Like Rivers, Septic] Significant Other - The Future Doesn't Exist [Residuum, Youth] Space Afrika - [] [Honest Labour, Dais] Space Afrika - yyyyyy2222 [Honest Labour, Dais] Tangents - Vessel [Timeslips & Chimeras, Temporary Residence Limited] The Black Dog - The Cafe Where We Met [Dubs Vol. 3. - Construction, Dust Science] The Bug feat. Manga Saint Hilare - High Rise [Fire, Ninja Tune] The Transcendence Orchestra - Satsuma Felt Slow Tomaga - Intimate Immensity [Intimate Immensity, Hands In The Dark] Uffe - Limo [Words and Endings, On The Corner] Vanishing Twin - Big Moonlight (Ookii Gekkou) [Ookii Gekkou, Fire] Verraco - Abya Yala (Konx-om-Pax Remix) [Grial Remixes, Insurgentes] Yttrandet - Capillary Wave [Yttrandet, Northern Electronics] Yttrandet - Tribunal [Yttrandet, Northern Electronics]

[lecameleontv]

Titre V.O. : The Pretender [Official Website] Titre V.F. : Le Caméléon

Projet 2024. La série a été rediffusée à partir du lundi 27 juin 2022 sur 6ter à la TV française. à 16h20. Elle a été également rediffusée (2021/2022) à la TV U.S..

Créateurs : Steven Long Mitchell et Craig Van Sickle

Création Consultant :  Rick Wallace et  Chris Ruppenthal

Scénaristes : Tommy Thompson (13 épisodes), Javier Grillo-Marxuach (3 épisodes), Juan Carlos Coto (11 épisodes), Mark M. Dodson (7 épisodes), Harry Dunn (6 épisodes), Lawrence Meyers (6 épisodes), Daniel Trully (6 épisodes), Dave Alan Johnson, Andrew Dettmann (5 épisodes), Tony Blake (3 épisodes), Paul Jackson (3 épisodes), Kimberly Costello (2 épisodes), Tyler Bensiger (2 épisodes), Chris Ruppenthal (2 épisodes) ...

Réalisation : Frederick King Keller (20 épisodes), James Whitmore Jr (8 épisodes), Terrence O'Hara (7 épisodes), Chuck Bowman (6 épisodes), Rodney Charters (5 épisodes), Steven Long Mitchell (5 épisodes), Michael Lange (4 épisodes), Scott Lautanen (4 épisodes), Michael Zinberg (3 épisodes), Joe Napolitano (3 épisodes), Ian Toynton (2 épisodes), Vern Gillum (2 épisodes), Krishna Rao (2 épisodes), Michael Klick (2 épisodes), Rick Wallace (1 épisode),  Gabrielle Beaumont (1 épisode), Jon Koslowsky (1 épisode), Jesús Salvador Treviño (1 épisode), Thomas J. Wright, Jim Charleston, Oscar L. Costo, Charles Siebert, Anson Williams, David Jackson, ...

1er Assistant Réalisateur :  Michael Klick (25 épisodes)

Producteurs : Marianne Canepa (58 épisodes), Jan DeWitt (15 épisodes), Juan Carlos Coto (12 épisodes), Daniel Trully (12 épisodes), Andrew Dettmann (12 épisodes), Michael Klick (3 épisodes), Jon Koslowsky (3 épisodes), Rick Wallace (1 épisode) ...

Producteurs délégués : Steven Long Mitchell et Craig Van Sickle , Fred King Keller, Juan Carlos Coto (22 épisodes), Tommy Thompson (3 épisodes), Jan DeWitt (22 épisodes), Daniel Truly, Andrew Dettmann, Michael Klick (7 épisodes), Rick Wallace (1 épisode) ...

Producteur co-délégués : Tommy Thompson (55 épisodes), Ian Toynton (11 épisodes), Mark M. Dodson (3 épisodes)

Producteur superviseur : Kimberly Costello (7 épisodes), Juan Carlos Coto (3 épisodes), Daniel Trully (3 épisodes), Andrew Dettmann (3 épisodes)

Producteur consultant : Tony Blake (22 épisodes), Paul Jackson (22 épisodes)

Direction de la photographie : Rodney Charters (3 épisodes)

Edition : Scott Boyd (21 épisodes), Jon Koslowsky, Javier Grillo-Marxuach Editeur délégué :  Lawrence Meyers

Direction de la distribution : Tory Herald (saison 2), Sharon Bialy (saison 2 à 4), John A. Aiello (saison 4)...

Nb de saisons : 4 Incursions/Crossovers : Profiler (3) Nb de TVfilms : 2 (Caméléon contre Caméléon / L’Antre du Diable) Nb de romans : 2 (Renaissance / Saving Luke) Nb de roman graphique : 1

Où voir les acteurs cette semaine à la TV française ?

Distribution principale :  Michael T Weiss --- Jarod Andrea Parker --- Mlle Parker Patrick Bauchau --- Sydney Jon Gries --- Broots Richard Marcus --- Dr Raines Paul Dillon --- Angelo Ryan Merriman --- Jarod enfant/adolescent Ashley Peldon --- Mlle Parker enfant Harve Presnell --- M. Parker James Denton --- Lyle Pamela Gidley --- Brigitte

Distribution secondaire/Invités exceptionnels :  Alex Wexo --- Sydney jeune Willie Gault --- le nettoyeur Willie Sam Ayers --- le nettoyeur Sam Kim Myers --- Margaret, la mère de Jarod Jason Brooks --- Thomas Christopher Tyler --- Ethan Jeffrey Donovan --- Kyle Darren Kennedy --- George Stamatis George Lazenby --- le major Charles Zachary Brown --- Kyle enfant Jonathan Osser ---  Keene Curtis --- Fenigor Kelsey Mulrooney --- Debbie Amir AboulEla --- le nettoyeur Gar Leigh Taylor Young --- Michelle Stamatis Lenny Von Dohlen --- M. Cox Leland Orser --- Argyle Marisa Petroro --- Emily Jake Lloyd --- Timmy Haley Joel Osment --- Davey Simpkins

Le Centre -

Saison 1 : Épisodes 01 - 02 - 03 - 04 - 05 - 07 - 08 - 09 - 11 - 12 - 13 - 15 - 16 - 17 - 18 - 19 - 20 - 22.  Saison 2 : Episodes 01 - 02 - 03 - 04 - 05 - 06 - 07 - 09 - 10 - 11 - 13 - 14 - 15 - 16 - 19 - 20 - 21 - 22. Saison 3 : Episodes 01 - 02 - 03 - 04 - 05 - 06 - 07 - 08 - 09 - 10 - 11 - 12 - 13 - 14 - 15 - 17 - 20 - 22. Saison 4 : Episodes 01 - 02 - 03 - 04 - 05 - 07 - 08 - 09 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 18 - 19 - 20. Téléfilm n°1 - Téléfilm n°2.

Rediffusion U.S. de la série sur H&I en 2019/2020/2021. Rediffusion Fr de la série sur 6ter en 2022, sur AB1 en 2021 et RTL9 de 2019 à 2021.

Date présentation 2001 : 41ème Festival de la Télévision de Monte-Carlo.

source : imdb

[gussolomonsjrtest]

LIMÓN DANCE COMPANY

The Limón Dance Company has survived the death of its founder for more than forty years, supplementing its José Limón and Doris Humphrey repertory with dances by Lar Lubovitch, Doug Varone, Donald McKayle, Susanne Linke, Meredith Monk, Jiri Kilian, and others. One new dance in this Joyce Theater season, May 29-June 2, is by the company’s new artistic director Colin Connor, a New York premiere, and the other is a world premiere by dancer and choreographer Francesca Harper, who performed notably with Dance Theater of Harlem and William Forsythe’s troupe in Europe.

The current dancers of the company are adept at the emotional expressivity of Limón’s dances, which was the performing mode of the era when they were created and that his pieces require – “The Moor’s Pavane (Variations on a theme of Othello”), which has never left the repertory, and “Psalms” an excerpt of a dance from 1967, which was restaged in 2002 by Limón’s successor as  company director, Carla Maxwell.

(l-r): Terrence D.M. Diable and Frances Samson in Colin Connor’s THE WEATHER IN THE ROOM. photo by Christopher Jones

Connor’s “The Weather in the Room” happily features two mature leading dancers as The Couple – Miki Orihara, from the Martha Graham Dance Company, and Stephen Pier, a former dancer with companies like The Royal Danish and Hamburg Ballet, as well as the José Limón Dance Company. They portray a couple whose relationship is weathering an emotional storm. They sit adjacent each other, he in a suit and dress shirt in a straight-backed chair, she in a flowing red dress on a boudoir stool (costume design by Krista Dowson.)

Guest artists Miki Orihara and Stephen Pier in Colin Connor’s THE WEATHER IN THE ROOM. photo by Christopher Jones

After the opening duet that reveals a failure to communicate; they dance past each other in a claustrophobic “room,” defined by the carpet they’re restricted to. They are alone together. This introduction has potential to develop dramatically, as The Weather in the bodies of six dancers enter like a Greek chorus, symbolizing the frigid emotional temperature. The women wear delicate slips and the men are in light gray jeans. They’re bare-chested, which seems gratuitous in this context; plain shirts would have more aptly reinforced the couple’s emotional distance from each other. And when the couple begins to dance the same movement as the youths, the gravitas of the pair dissipates, and we become distractingly aware of the age disparity. The couple ends up in the opening positions, rotated 90-degree, but we’re not sure how their journey has changed them.

(l-r): Lauren Twomley, Jesse Obremski, and Jacqueline Bulnes in Francesca Harper’s RADICAL BEASTS OF THE FOREST. photo courtesy of The Limon Company

“Radical Beasts in the Forest of Possibilities” is Harper’s dance, made with the dancers. The music is composed and performed live by jazz artist Nona Hendryx, improvising with voice and piano. Costumes are by avant garde designer Epperson – tones of gray with colorful linings on the women’s dresses that make the cast resemble a band of outcasts, who seem to harbor some unspoken rage – and restlessly dramatic lighting by Christopher Chambers reinforces the agitation of the movement.

(l-r): Jacqueline Bulnes, Mark Willis, and David Glista in RADICAL BEASTS OF THE FOREST. photo courtesy of The Limon Company

The dance begins with a man, lit by a woman with a flashlight – an effect overused in modern dances, and here the light is too small and too piercing to make the device theatrically effective. The piece progresses with the kind of restless aggressiveness, intended to gin up our emotions, but all the running in and out that substitutes for transitions, and the random iteration of gestural motifs feel gratuitous, as if the dance had not yet found its path through the Forest of Possibilities or specified the emotional journeys of the characters. The work feels rather like a catalog of ideas in search of structural organization. Perhaps another viewing would render it less opaque. But since the dancers’ contributions give them ownership of the material, they perform it with an abandon not seen elsewhere in the program.  

The company does the two Limón works skillfully, highlighting the expressive power he always strove for. His classic “The Moor’s Pavane (Variations on a theme of Othello)” is one of his most memorable and beloved dances. In this rendition, the women – Savannah Spratt as The Moor’s Wife, Jacqueline Bulnes as His Friend’s Wife – and Mark Willis as The Moor – are dramatically convincing; tall, muscularly powerful Jesse Obremski dances the role of The Friend with a youthfulness that misses the requisite deviousness, malice, and enviousness that would believably drive The Moor to murder himself and his Wife. All four are technically secure, opening night jitters notwithstanding.

The compositional construction of the ballet remains pristine, using the structure of Henry Purcell’s music, arranged by Simon Sadoff, and the form of the eponymous 16th century court dance. The ballet schematically depicts the interactions and relationships among the leading characters in Shakespeare’s “Othello” (whom Limón does not specifically name), capturing the prevailing emotions without the nuance of text. It remains a choreographic masterpiece.

“Psalm (Excerpt)” (1967), reconstructed in 2002 by Maxwell with a new score by Jon Magnussen, directed and staged here by rehearsal director Logan Frances Kruger, brings the program to a climactic close. Its symbolic characters are The Just Man (David Glista), Expiatory Figures (Savannah Spratt and Frances Samson), and Psalmists (the company.) The movement is passionate, angular, awkward even, with elbows and knees bent in trudging steps, curved arms framing the head, side leaps with arms raised or with elbows jutting forward. Hands clasped on heads, they stride in lunges, twisting their torsos side to side. The movement is often striking, although its stilted design stifles its kinetic flow.

Artists of The LImón Company in his PSALM (EXCERPT). photo by Douglas Cody

The vigor and rigor of “Psalm” are reminiscent of the energy of Martha Graham’s amazing political dances for her all female company in the 30s – “Steps in the Street” and “Chronicle.” Unison passages in tight formations are strikingly synchronized and the quick leaping patterns dynamically devour space, supported beautifully by Magnussen’s strident, percussive score for orchestra and vocal chorus. The group circles the hero, women traveling one way, men the other. Small groups lift and carry him, filling the space with motion and energy, and finally all hoist him aloft. And as this conflicted central figure, Glista’s enthusiastically committed performance throughout is riveting.

Gus Solomons jr, © 2019

[eliasgurrola]

It was wonderful collaborating on this project, ‘System’ for Dance Theatre of Harlem Choreography: Francesca Harper Music: John Adams Assisted by: Eriko Iisaku, Amanda Sachs, and Terrence Diable Dancers: Nicholas Rose, Jorge Andrés Villarini, Stephanie Rae Williams, Lindsey Croop, Ingrid Silva, Dylan Santos, Chyrstyn Mariah Fentroy, Da’Von Doane, Choong Hoon Lee #eliasgurrola #dancer #francescaharper

[dance-world]

Ty Lyons Graynor and Terrence Diable - photo by Christopher Jones Photo