#tenement funster

[evachuart]

Queen Songs Where Roger Taylor Sings LEAD!!!

These are all the songs I found where he sings lead on ~half or all of the song.

I was trying to find this but couldn’t really so I just figured it out myself lol. Includes B sides & deep cuts. I didn’t include anything from the Flash album or live albums. The songs are also in chronological order! Lmk if I missed anything. Brian May version posted here.

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1. Modern Times Rock And Roll - Queen - 1973

2. The Loser In The End - Queen II - 1974

3. Tenement Funster - Sheer Heart Attack - 1974

4. I’m In Love With My Car - A Night At The Opera - 1975

5. Drowse - A Day At The Races - 1976

6. Sheer Heart Attack - News Of The World - 1977

7. Fight From The Inside - News Of The World - 1977

8. Fun It - Jazz - 1978

9. More Of That Jazz - Jazz - 1978

10. Rock It (Prime Jive) - The Game - 1980

11. A Human Body - B Side - The Game Deluxe - 1980

12. Hijack My Heart - B Side - The Miracle Deluxe - 1980

13. Ride The Wild Wind - Early Version - Innuendo Deluxe - 1991

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Honorable Mentions

Let Me Live - Made in Heaven - 1996 (just bc he has a solo part :)

No One But You (Only The Good Die Young) - Queen Rocks - 1998 (mostly Brian on lead but I still count it)

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[freddie-mercury-rising]

Day 23: Tenement Funster from Sheer Heart Attack

Rogah Taylah! 

Okay, I have to say, this could very well be in my top two of Roger Taylor songs. Well, we’ll see as we go along, but this one just is so freaking good. 

This is, in my opinion, but what do I know, very autobiographical of our lovely blond drummer. Who is he if not THE tenement funster. He was the little charming shithead of the neighborhood who could charm the pants off of people but also worry the balls off of them in the process. He was the doe-eyed, blond cherub who had a sharp mind and fiery wit. His poor mother! 

This song starts so freaking good, too, and it gives some sort of dark, or rebellious tone from the jump. Roger’s lyrics start, daring you to say anything about it. This is where the charming little ‘tenement funster’ is now an adolescent and he’s having lots of thoughts and challenging authority for the first time.

“My new purple shoes, been amazing the people next door. And my rock and roll 45s been enraging the folks on the lower floor.” 

This is youth in rebellion. This is ‘we are young, the world is ours, watch out.’

“I got a way with the girls on my block, try my best be a real individual.” 

He’s popular with the ladies, and it’s easy for him…but he’s craving more that his small town, or his small tenement, can offer. 

“Give me a good guitar. And you can say that my hair’s a disgrace. Oh, just find me an old car. I’ll make the speed of light out of this place.” 

This guy will take your bullshit, as long as you let him rock. He’ll take it only so long, though…until he’s able to get the fuck out. Then, you’ll never hear from him again.

“I like the good things in life. But most of the best things ain’t free.”

Hey, we can relate to dreaming of all the best things…but knowing that your current situation ain’t gonna provide you with those things…it’s a daunting feeling. 

“It’s the same situation, just cuts like a knife, when you’re young and you’re poor and you’re crazy…” (young and you’re crazzyyy)

Here’s that hopelessness of being an adolescent with hormones raging, your heart pounding, and your soul restless, living in a small town with no power, no currency (either monetarily or otherwise) and feeling like you’re the only one who has ever felt that way in the world. Ah, the glorious turmoil of youth. 

This is a brilliant song, and I think it shows just how much Roger is still getting used to the band and the sort of fame it can offer. They were still brand new rock babies at this point, just on the cusp of worldwide recognition, so he was probably still a little bit in his old headspace of being that smalltown boy. I think he carried a lot of that his whole life, tbh. 

ANYWAY, enough of my two cent interpretation of Roger’s lyrics that could be utterly and totally wrong. The song itself is really a jam, and it’s got lots of unique elements and rocking riffs. Roger’s raspy voice is perfect for rock and roll, and what I love about Queen is that we get to have three very unique voices for the songs. 

[stesichoreanpalinode]

‘Drummer Roger Taylor has contributed a song provisionally entitled Tin Dreams’

Wow, Tenement Funster was a relatively late title for it, I’d love to know the story

A month Before the release of Sheer Heart Attack, journalist Harry Dogherty got a pre listening ….. Disc oct 5th 1974.

From the Queen Rare Archive on Facebook.

[not-the-coffee-machine4]

The 20th anniversary of Queen (album) was in 1993…the 20th anniversary of Made In Heaven was 2015…..

sorry that’s just kind of blowing my mind and I can’t really articulate why

[thatlittlesentientfox]

I can literally tell how well my life is going by how much Queen I listen to

like if I realize I haven’t heard Freddie Mercury’s voice in a few months I’ve got to be like are we doing well darling? And no we aren’t

[murdermost-foul]

me listening to my spotify wrapped (songs i've consciously had on repeat for the past year): wow her taste is immaculate!

[scarymonsters-andsupercreeps]

Happy birthday Roger!!! 🥁🔆

[queenofclogs]

can we talk about THIS VERSION of Tenement Funster?

his voice has me weak on my knees

[waitwtfismylife]

so some of you wanted my queen discography post translated into the songs so here:

bohemian rhapsody, innuendo, untitled, the prophets song

the album is queen ll

i'm in love with my car

bicycle race

don't try suicide

death on two legs

love of my life, mother love, you take my breathe away, and more

liar, stone cold crazy, sheer heart attack, death on two legs

put out the fire

fat bottomed girls, get down make love ig

long away, 39

i want it all, princes of the universe, gimme the prize, don't stop me now, tie your mother down

tenement funster, the loser in the end, hammer to fall, misfire

good old fashioned lover boy

[haveyoulistenedtothisalbum-poll]

Tracklist:

Brighton Rock • Killer Queen • Tenement Funster • Flick Of The Wrist • Lily Of The Valley • Now I'm Here • In The Lap Of The Gods • Stone Cold Crazy • Dear Friends • Misfire • Bring Back That Leroy Brown • She Makes Me (Stormtrooper In Stilettoes) • In The Lap Of The Gods... Revisited

Spotify ♪ YouTube

[allthe-queens-men]

Check out the playlist

[forensicbec]

15 Questions, 15 Mutuals

Thank you @thepondstogether I am so sorry this took so long to do

1. Are you named after anyone?

Yeah! A mole from the book Duncton Wood (fun fact My mum originally wanted to name me after the lead singer of Frankie Goes To Hollywood but went with the mole)

2. When was the last time you cried?

Not too long ago after I had a break down due to stress at work (Feeling way better now)

3. Do you have kids?

Nope But maybe one day

4. What sports do you play/have played?

I played a bunch in school I was on the school Rounders and Hockey team and played Tennis after school Now I don't play anything

5. Do you use sarcasm?

Like a second language

6. What's the first thing you notice about people?

Hmmmm probably how they hold themself

7. What’s your eye colour?

Green with brown rings

8. Scary movies or happy endings?

Both please I like being scared but only if it ends happily Life is depressing enough

9. Any talents?

I like to think I'm really funny, I'm good at improv and singing

10. Where were you born?

Same town I still live in Only the hospital I was born in no longer exists

11. What are your hobbies?

Art, reading and playing video games (currently playing Baldur's Gate 3)

12. Do you have any pets?

Yeah My beloved dumbass daughter aka my dog

13. How tall are you?

5'5

14. Favourite subject in school?

I had a bunch because I was a nerd (Like History, English, Drama and triple Science)

15. Dream job?

Actor or singer But both are very hard to get into and I'm happy with my current job

Tagging: @johann159 @mortemania @tinypeckers @lanmandragoran @bluelipsblueveins-blue @tenement-funster @jacobbathead @thetruesaint @elder-schraderham @soft-butch-cassidy @deckleedgehater @tangys-crispy-pajimmyjams @calculustics @toonirl @sibillascribbles08 and anyone who wants to do it

[pointless-ghost]

sheer heart attack by queen

rating:

⭐️⭐️⭐️⭐️⭐️ / 5

one sentence review:

a pop-rock masterpiece!

find the album here and a detailed review under the cut

1. brighton rock

2. killer queen

3. tenement funster

4. flick of the wrist

5. lily of the valley

6. now i’m here

7. in the lap of gods

8. stone cold crazy

9. dear friends *

10. misfire

11. bring back that leroy brown

12. she makes me (stormtrooper in stilettos)

13. in the lap of god…revisited

48 / 52 points

longer review:

queen never misses. never. truly this album shows that. such a good record, full of emotional moments and also nonsense. the diversity of moods is much appreciated on my part.

[selbstverbrennung]

jim + it/its + 21 + rivethead + 🇵🇸🏳️‍⚧️ + eng/de

last.fm

be 18+ before following

delusional substance abusing pseudo-intellectual and annoying faggot. enjoyer of the geriatric, avid reader of bad manga, and lover of music.

columbiner / tcc freaks kys

~~~

previously: tenement-funzter > tenement-funster > self-immolating > sparklyjim

edward richtofen irl

~~~

me kin id about etc.

[everysongineverykey]

and now, what no one's been waiting for: junie's official ranking of every (original) queen album, from favorite to least favorite! it's fucking long. have fun, if you're interested!

-the works: ah, this one is a fucking classic. peak queen, in my opinion. to me, this is the culmination of their sound and style as a band. this is the album that took priority in their iconic live aid performance (mostly because it'd just been released, but still), and for good reason. there isn't a single song on this album that isn't at least pleasant to listen to- even some of the less Good tracks like man on the prowl and i go crazy are at least still decent and have some good lyrics and a nice backbeat. and the hits on this record- my god, who can hear i want to break free and NOT start dancing? it's one of the best examples of john deacon's pure songwriting genius. roger taylor really shines on this one, too; radio ga ga is a powerful, touching tribute to the radio medium that actually has genuine emotion behind it. every time i hear "radio, what's new? someone still loves you" my heart aches. the boggles could NEVER. brian may writes some of his best social commentary in hammer to fall, which never fails to leave me moved to my core- it's so passionate, and the fact that it still holds up to this day really says something. none of the megahits on this album were penned by freddie mercury, but he still produces his share of bangers. it's a hard life is a passionate and earnest ballad about heartbreak that turns hopeful in the end and genuinely makes me want to fall in love, and keep passing the open windows is a simple yet beautifully uplifting song with some fucking amazing guitar bits. underrated gem, in my opinion! really, really picks you up. the whole album does, in fact. my favorite forever and always- it doesn't get more "queen" than this.

-sheer heart attack: this one's so so good. the overall sound of the album is really eclectic and varied, jumping from vaudeville to heavy rock to campy from song to song. it features the first song john deacon ever wrote for queen, the underrated bop misfire which i just adore- there's something about the energy and the earnestness of the lyrics and vocals that just make it. obviously we have freddie mercury's (and the band's) first ever megahit killer queen, which needs no introduction- the lyrics are some of the most intricate, cleverly worded ones he's ever written, and the song as a whole fits perfectly with the rest of the album's refined yet playful style. "drop of a hat, she's as willing as / playful as a pussycat / then momentarily out of action, temporarily out of gas / to absolutely drive you wild"- those lyrics perfectly describe sheer heart attack as an album to me. it pulls you in and then hits you with the wildest bait-and-switches ever, from the cheery, upbeat misfire straight to the long, emotional she makes me. it does that thing where almost every song segues perfectly into the next and doesn't really "end" properly, which probably isn't to everyone's taste, but i personally adore that the final line of flick of the wrist crosses over into lily of the valley- it sets the tone, in a way, because lily of the valley is far less shouty and angry, and opening it with a softer version of that classic "baby, you've been had" before breaking into a sweet piano melody really helps build atmosphere. roger taylor has one of his first vocal spotlights in tenement funster, and while it's not my favorite song ever, the lyrics are quite clever, and he sings it well, and it really shows you his potential as a lead vocalist and songwriter- potential he comes to fully realize in later albums. favorites of mine from this one include the classic brighton rock, misfire, flick of the wrist, the bouncy vaudeville bring back that leroy brown, and stone cold crazy (which has such fun lyrics). some of their strongest work!

-a day at the races: now, most would probably put this one below night at the opera, which is completely fair- the latter is one of their most famous albums, and that isn't at all undeserved, so it often ends up overshadowing its smaller-scale companion/sequel album. i personally think that's a crime, though! a day at the races has all the satisfying vocal arrangements and song styles as its predecessor, in my opinion, and what's more, it doesn't try to be the second a night at the opera- it's simply a more lowkey continuation of that type of music. standouts (to me) include roger taylor's drowse, which i believe is some of his most pleasant lead vocal work ever, with really good lyrics about burnout and midlife fatigue, and brian may's long away, which is so sweet and longing and melancholic it makes my brain go "we need to go home!! we need to go home RIGHT NOW!!!" even when i am at home. then, of course, there's freddie mercury's two hits, somebody to love and good old-fashioned loverboy, which. i mean, come on. these two songs were once described by a critic as "mercury's baroque one-two", and i think that says it all. they really ARE a one-two punch- somebody to love knocks you OUT with its passionate vocals and lyrics about loneliness and city-living burnout, and good old-fashioned loverboy finishes the job by surprising you with some of freddie's best lyric writing since killer queen and an addictive melody to boot. as for john deacon's work, he produces another sweet, earnest love song with you and i, again showcasing his talent for passionate love songs just as brian may deals perfectly in melancholia and roger taylor gives us one small town burnout anthem after another. as for freddie mercury, well, what doesn't he do? this album, i think, really shows you what each member is all about. it's their fifth album, but if you wanted to listen to it first, i wouldn't stop you at all.

-a night at the opera: well, this one was bound to be near the top, wasn't it? you know this one- even if you're not a serious fan, all i have to do is tell you it's the one with bohemian rhapsody, and you'll probably go, "oh. oh, THAT one." even if you don't know any of the other songs, i mean. it's the one with bohemian rhapsody. regarding that song, like. what can i say that hasn't already been said? it changed contemporary music history. it basically invented the music video. it became a mandatory north american white people party song for the rest of time. yadda yadda yadda you don't need me to ramble on about bohemian rhapsody. as famous as it is, it's actually not my favorite song on the album, which has a lot more to offer than just borhap- this album is home to my favorite queen song ever, you're my best friend, which is some of john deacon's best ever songwriting work. the man doesn't miss basically ever, but this one is particularly special. the beat's so damn bouncy and addictive, and the lyrics are the sweetest and so fun to sing- you can tell it was written out of genuine love and passion. listen to that "oooh, you make me live" and tell me you don't want to jump to your feet. it never gets old! besides that banger, we've also got '39, which is another brian may melancholia masterpiece- the lyrics tell a perfect story, and roger taylor's falsetto during the bridge is really, really something to behold. it's not even really edited, if you listen to a live version- he can just do that. men with high voices i love you. anyway, another standout is death on two legs, a delightfully angry and vitriolic song that is so mean to the band's asshole former manager that freddie mercury's bandmates were initially shocked when he showed them what he'd written, and he later actually questioned whether they should actually release it because it was so hateful. you can tell it's genuine, too- mercury's vocals have a rough, legitimately furious edge to them as he sings, which is something i LOVE in songs. it's so fucking fun to sing if you're angry, or even if you're not angry. incredible lyrics include "feel good? are you satisfied? / do you feel like suicide? (i think you should)" (yes they told him to kill himself in a song they released to the public. yes he sued them for defamation. yes all this did was reveal to the public that he was the bastard they were talking about and damage his reputation so bad he wrote an autobiography defending himself titled "life on two legs". anyways), "was the fin on your back part of the deal? shark!", and "insane, you should be put inside / you're a sewer rat decaying in a cesspool of pride". this song fucking rocks. three more underappreciated gems from this flagship album are lazing on a sunday afternoon, which is short but oh so sweet, seaside rendezvous, which is heartwarming and upbeat, and the prophet's song, an eight-and-a-half minute-long behemoth (yeah, you thought bohemian rhapsody was their longest song? you ain't seen nothing yet) about the biblical apocalypse that absolutely fucking slaps and makes you want to shake your fist at god. would recommend!!! i don't have much else to say about this album. it's an all-in-all really cohesive and well put together record that gets an unfair amount of focus put on its most famous song when it's got lots more to offer besides that. i like it!

-jazz: a delight through and through! the ones you're bound to know from this one are fat bottomed girls, bicycle race, and don't stop me now, which all rock, but i think it has a really steady groundwork of less well known songs holding it up besides the megahits. my personal favorite is if you can't beat them, another john deacon jam, but not about love this time- instead, it's about people trying to take your money. fun times! it's genuinely so fun to sing. i also like mustapha, though i can't really sing along to it since most of it's just gibberish (side note, it's really funny how freddie mercury clearly saw the opportunity to write a vaguely persian-sounding gibberish song that didn't actually mean anything but that would be believable to the average white person as meaning something in part because of his parsi background, and took it. get it king fool us we are stupid). jealousy is another really nice mercury piano ballad, and helps give the whole album a nice smooth, confident feel, as do songs like dead on time and leaving home ain't easy. the whole record gives off a very nonchalant "yeah, i know i'm cool, what of it?" vibe, but not in like an obnoxious way- in a completely deserved way. you can tell that they've really become confident in their style as a band by this point in their careers from the way every song fits together like puzzle pieces. they all sound so right!

-the miracle: this one's interesting. their third-to-last album, the miracle was released in 1989, around the time when freddie mercury's aids was beginning to take a turn for the worse, and i believe the first album written after his bandmates had found out about it. as such, it marks queen's first major forays into reflective songs about life, death, humanity, the impermanence of beauty, and abstract subjects like that. the eponymous single "the miracle," for which the album is named, is the perfect example- freddie mercury's (and the band's as a whole, but the chords were primarily mercury and deacon) declaration that there are miracles even in the smallest things in life, that everything in the world is beautiful, that one day we'll all get over ourselves and achieve world peace. you have other songs like that, too- scandal, written by a frustrated brian may annoyed at the tabloid press' hounding of his own declining marriage and the ailing freddie mercury, with some genuinely good lyrics ("today the headlines, tomorrow hard times, and no one ever really knows the truth from the lies"), and was it all worth it, written mainly by freddie mercury, asks just that, and concludes that in the end, everything that's happened has been for the best, and that the singer wouldn't change a thing. so all in all, the miracle is in concept a very good album- it's just such a shame that i only really like two of the songs on it. lol. i'd like to like the album as a whole, but... i don't know! although i recognise that it's objectively good, most of it doesn't do much for me. two songs i adore, however, are rain must fall and breakthru. rain must fall is a fun, cleverly written collab between freddie and john, who i would say are my two favorite songwriters in the band overall, so it really works marvelously well. breakthru is a primarily roger taylor-written piece that doesn't have the deepest lyrics ever, but the chorus is really really good- freddie mercury reaches a heavenly high note in the second chorus that reminds you with a start that oh yeah, this guy has a four-octave vocal range and can sing as a baritone, a tenor, and even practically a soprano if he wants. insane. this album also features a decision of the band's to credit all their songs to the band as an entity instead of the individual members who wrote them, taking away some of the competitive nature and making them closer as a group. it's a nice show of collaboration and teamwork! again. i want to like this album better. i really do. but aside from the ones i listed above and the invisible man, most of it's just okay. i wouldn't not recommend it, though. different tastes for different people.

-made in heaven: ohhh this one. this one. their last album as queen, released years after freddie mercury's death and made up of songs he had recorded vocals for before death without instrumentals because he knew he wouldn't have time to wait for the rest of them to play all together. as such, it's... an emotional record. most of the songs are about the impermanence of youth and beauty, such as it's a beautiful day and a winter's tale (which i believe was the last song freddie mercury ever wrote), which both exude a sense of peaceful finality. they give "i'm satisfied, and i'm ready to go." it touches me deeply when i think about it- i only wish the actual songs did the same. there are some really good ones, of course- mother love is a classic, with the final verse being sung by may because mercury died mid-recording- and that vocal change really really adds to the turbulent, haunted atmosphere of the song. as far as i know, that's one of only two queen songs that share two lead vocalists with relatively equal amounts of singing time (the other one is the tribute song they wrote for freddie after he died. so.). it's really powerful, and even at death's door, freddie sings his fucking heart out and delivers some spine-chilling vocals ("i don't want pity, just a safe place to hide! mama, please, let me back inside..." haunts my dreams). too much love will kill you is another favorite- it's passionate and emotional and i was legitimately shocked when i found out it wasn't written by freddie. you will see why if you listen to it. all in all, made in heaven, like the miracle, is so so fucking good as a concept, but in reality, i can only really get into one or two songs. i love the vibes, though- peace and love and finality and acceptance and hope.

-news of the world: this one's okay. it's not BAD, by any means- most of them aren't- but it's always felt very generic rock to me personally. to be clear, i'm kind of biased, since i like their more unusual stuff. this is a big album. it's the one with we will rock you and we are the champions, for god's sake. and there ARE songs i like on it- john deacon's classic songwriting shows up again on the tango-y who needs you, which is very sweet both lyrically and musically, and it's late goes so fucking hard and stirs definite emotion in me. it's got good stuff- ballads as well as their typical rock tunes, and all recognizably distinct from each other. i love the album art, and everyone does a great job individually and produces some great work, but if you like their more eclectic work, i wouldn't say this album's for you- it's much more down-home type rock.

-innuendo: their second-to-last album, and the last one freddie mercury was alive to record. despite being sandwiched between two melancholy albums focusing on life and death and acceptance, this one takes a break from that- it gets a little experimental with it, with tracks like innuendo and bijou being the best examples. of course, the best songs on it are i'm going slightly mad and these are the days of our lives, which are also the most famous ones- i'm not pretending to be unique here. honestly, it's not my thing- the album art's cool, and the funky, more electronic vibes are nice, but other than the aforementioned two songs, none of it really makes an impression on me. delilah's sweet, though. sometimes you just gotta write a song about your favorite cat who you love so much even though you have like six. freddie mercury was so real for that

-queen ii: i'll be honest, their really early work is not for me. it's far more folky and has a recurring fantasy theme to it, with songs talking about fairies and ogres and rats and the like. freddie mercury's vocals are a bit higher in a couple songs, giving him kind of a fey-ish sound, so i guess i like that that works with the theme. i do like one song from this record- funny how love is is a very sweet little ditty about love in all its forms, and it's where i get my url. march of the black queen is also interesting, though it runs a little long for my taste. this is from the time where they were still figuring out their style as a band, and though you can tell they had fun with it, it obviously didn't really last past the third album. on the whole, it's fine. nevermore is fine. some day one day is fine. funny how love is is very good. i approve! but i don't really like listening to it all the way through.

-a kind of magic: ehhhh. the two albums that immediately follow and precede this one are both better (the miracle and the works respectively). it's got a specific sound to it, but i can't really explain it- i don't have the fancy music words. you have to listen to it to get it. the only track i really like is friends will be friends- it has a nice guitar riff and it's about friendship, so of course i approve. i honestly don't have much to say about this one. at the very least it stands out as audibly its own album and clearly distinct from the others (but again, for the life of me, i can't explain how. it's not super electronic or disco-y, but it's not old-fashioned heavy rock either. it's a nice blend of the two). the song a kind of magic itself is nice, but not really nice enough to get this album a higher spot on the list. sorry besties this one just isn't it :(

-queen: again, from the era where they were really into the tolkien stuff. it's a small album. it's all okay. i have nothing to say about it. they have a song about... jesus. cool. at least keep yourself alive is good. now that's got staying power! it shows hints, i think, of how the band's sound will develop in the future, and it's still nice to listen to. yeah!! we SHOULD keep ourselves alive!! other than that, though, entirely unremarkable album. sorry

-the game: okay i. i'll be honest i don't get the hype. this one seems to be generally pretty well-liked and i don't get why. is it because it has another one bites the dust (once again courtesy of our man of the hour mr deacon)? like what else has it got? crazy little thing called love? i'm sorry i really don't get why that song's so beloved. it's fine! it's a normal rock song! nothing special! and yet it's somehow my uncle's favorite queen song. the only song i actually kind of like from the game is need your loving tonight (john deacon again! he does not miss), but it's not quite enough of a saving grace to bump it up to third from last. it's even more generic rock than news of the world. maybe i just need to listen to it again, but last time i did, i found nothing at all interesting about it. i liked need your loving tonight, but that's it. however, it still isn't as bad as

-hot space. you knew this one was gonna be last. you know under pressure? that awesome fucking song about societal divide and how we need to reach out to others and open our hearts to fix things but we're scared of that vulnerability deep down? yeah, great song, right? well, the rest of the album kinda sucks. SORRYYYY i'm sure it's to some people's taste but it's not at all what you want from queen. it's entirely electronic disco 80s funk- which isn't inherently bad, just... again, not what queen fans want to listen to, generally. in fact, it caused such discord within the band that they all split up for like a year and took a break from each other because they kind of all hated each other for it for a while. then they came back and produced their best album, the works! so that makes up for it :3 this album is still. not good. though. the songs all sound the exact same, and it's not even a good sameness. it's the exact same bland 80s disco song over and over again. there are one or two glimmers of hope in there- las palabras de amor is a nice effort, as is life is real, freddie's touching tribute to john lennon, and brian makes a nice attempt at some social commentary with put out the fire, a song about gun violence. the lyrics aren't really thought-provoking, just kinda "aren't anti-gun law people stupid?", not really the most revolutionary stuff in the world, but it's kind of fun anyway. very sad that the actual melody is not interesting in the slightest. if you are wondering why queen suddenly decided they were all about disco in 1980, well, it's in large part because the album was heavily influenced by freddie mercury's then-manager (boyfriend as well? i think? he was in the movie but they could've made that up) who hated rock and loved disco. why they let him convince them to make this album i cannot figure out. hot space 1980 why. your best song is one that wasn't even written for you. under pressure was written like a year before they got any ideas of r&b or dance music in their heads and it shows. thanks but no thanks