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#temple de paris
emaadsidiki · 10 days
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La Madeleine 🏛️ Paris
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filmap · 1 year
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La flor / The Flower Mariano Llinás. 2018
Temple de la Sybille Parc des Buttes-Chaumont, Route Circulaire du Lac, 75019 Paris, France See in map
See in imdb
Bonus: also in this location
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naphzu · 1 year
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Half The Battle colored lyrics bc this musical needs more love
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damez1979 · 2 months
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youtube
Assassin's Creed: Unity - Prologue (The Tragedy of Jacques de Molay) Walkthrough
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rosalovesdc · 1 year
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Paris Part 2...
Eiffel Tower {Photo 1}
Temple de l'Amour {Photo 2}
Paris view from the Cheval Blanc hotel rooftop {Photo 3}
Jardins du Château de Versailles {Photo 4}
Montmartre {Photo 5}
Musée d'Orsay {Photo 6}
Musée Yves Saint Laurent {Photo 7}
Panthéon {Photo 8}
Château de Versailles {Photo 9}
Sacré-Cœur Basilica {Photo 10}
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myworldpassport · 2 years
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The Temple of Love
On the grounds of the Hameau de la Reine
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📸 September 2017 ▪️Queen’s Hamlet, Chateaû de Versailles
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twistedbloodstain · 9 months
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I have two ideas for the marquis de framing that I think you’d do great writing!
1: where the reader is interrogating the marquis (meaning she kidnapped him) and through there, they start to get feelings for each other
2: reader (who had a relationship of some sort with the marquis) fakes their death because they couldn’t take the assassin world. The marquis is devastated (lots of angst hehehe). They meet again while the reader is trying to help someone (maybe John, lol)
3: reader who is part of the high table meets the marquis for the first time. Sorta like live at first sight.
vincent de gramont x reader: i could never give you peace | what’s meant to be is supposed to be
plot: the one where he finds you again.
warnings: the reader’s a medic/healer in here SORRYYY…, she knew john from before, he rats her out lolz, kidnapping except vincent doesn’t do it this time..(yay! cuz he forced someone else to do it!!!), anon im so sorry i focused too hard on one part, i will do an extra (i swear)
masterlist
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“stay still.” you mumble.
mr. wick lets out a small grunt while you sew his wound back together, nothing too fatal (at least in his standards) but without the help of any anesthesia or alcohol to soothe the pain, the assassin had no choice but to follow.
“don’t worry, it's almost done.” you whisper almost finished with patching up the flesh on his back. “and..there..”
he immediately gets off his seat and reaches for his shirt stationed on a random desk scattered with medical supplies. he digs into his suit jacket and fishes out a coin and hands it over to you, you accept it eagerly and begin cleaning up.
“you need any help with transport?” you inquire while you discard your bloodied gloves and utensils.
“yeah.”
“on your way out turn left and find the guy with a gray jacket. he’s one of winston’s men, he’ll help you out. where are you headed?” you inquire while washing your hands. he hesitantly answers before offering a reply.
“paris.”
“oh.” you stop in your movements and look at him. he stands near the door way all dressed up with blood caking his temples, he still looks rugged and in no shape to do what he has to do in pairs but your opinion likely doesn’t matter to him.
“good luck, i guess.” you mutter.
“you’ve been there.” he says.
“i..have.” you hope he doesn’t press any further.
“what’s in paris?” he questions but doesn’t take a step further.
“for you?” you uneasily say, he doesn’t reply.
“a dangerous man. i..think you’ll die trying just to get what you want, mr. wick. but hey, who knows? maybe, it’s now him.” you explain.
“the guy who had the continental demolished, was it him?” he sternly asks.
“..yes, i think it was him.” you confess, avoiding his eyes.
it had been almost three years since you left that country.
three years since you left him.
you can’t even bear to say his name because if you do, all of it will spill out. how he met you, how kept you and how he loved you. 
he nods, “and for you?”
“an even more dangerous man.”
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 ever since mr. wick entered and left your clinic. you've been in a constant state of anxiety. the mere thought and mention of him had you nervous, especially when you heard that he was in new york a few days ago. you thought it was all over, that he found you and was going to rip you from your freedom in this city.
the following news shocked you to your core, the new york continental being demolished was not in your bingo card as to why he’d be here. all because of an excommunicated assassin which you had tended to almost a day after the bombing.
although you’re horrified with the state of events, relief flooded you when you realized he wasn’t there for you. you’d still be safe from him.
but you can’t help but think what all of this means for him. at some point, you know that john wick will kill him, and you somehow played a part in it. you feel a tinge of regret for him but it’s quickly overshadowed with the horrors he’s done and you don’t feel as bad.
he did like you though, when you still worked at france for him as his estate medic. whenever he found himself wounded in the line of fire in an ambush attack, you were the one who tended to his wounds and saw him at his weakest. you don’t know why but a strong sense of trust was established between the two of you.
you thought it to be a friendship but fleeting glances of affection would seep through when you talked or when a large bouquet of flowers suddenly appeared in your clinic after patching him up. 
you toyed with a pin he gave you, his insignia. only he wore it proudly on his coat and truly, it warmed you to him. he did make you feel appreciated, small touches on your back and sometimes fiddling with your hands whenever you sewed his wounds, gave you butterflies in your stomach.
with you he was just…vincent.
soft words and touches with soulful eyes looking into yours, just gentleness and affection present in him. it made you indulge into it too, that he isn’t the cruel man people made him out to be. he isn’t heartless, that’s just how the world is.
a naive perspective.
a perspective that was easily shattered when you’d hear a bloodcurdling scream from the barn, and he walks out with blood on his hands and a disgusted look on his face from his clothes being stained. gunshots echoing beneath the servant’s staircases and thudding bodies being dragged into the secluded forests of the estate. you whisper to yourself those very same words even if all his actions sent chills on your spine.
but the truth of it is that, he is heartless. he is the man people made him out to be and you’re a fool thinking he could be better for you but at the end of the day, he is still the marquis.
it made you think. what if this is all a game to him? what if the moment he finds you uninteresting you become another stain on his suit? 
it’s not a secret that men like him love having delicate pretty things only to break them apart. that’s all you are his current delicate and pretty thing.
you decided to leave. you weren’t staying long enough to find out what would happen to you, feelings be damned when you’re easily replacable to him. you knew that the marquis was like a dog to a bone when he didn’t get the things he wanted, which only pooled fears into your stomach should he find you in new york.
he cannot have you.
you stare at the pin before chucking the pin somewhere in the room, you get up from your chair and begin closing the windows from your clinic.
a knock comes from the door, you chuck the remaining medical materials into a random desk and walk up to the door. wounded assassins aren’t a strange occurrence at this time of the evening but something…felt different.
your gut was telling you to ignore the person on the other side and stay still. you thought that maybe if you didn’t answer the person would go away. wanting to play things safe you don’t mutter a word that would alert them of your presence. it usually worked in some cases.
the knocking persists, much harder and louder now. your hands begins to shake and your eyes start looking around for an emergency firearm to help defend yourself, your actions frantically halt when you hear a voice through the door.
“doc?” a gruff voice asks.
you sight and put a hand on your chest. it’s just john wick. you eagerly open the door to let him in.
“john.” you greet, “come inside.” you invite him as you walk inside.
john doesn’t follow you and a confused expression takes your face, until you take a good look at him. for the first time, john wick doesn’t look wounded to you, his face and hands void of any blood, a new bulletproof suit adorning his body, a french one you notice but it still leaves you questioning things.
“i’m assuming france went successful.” you say.
“…it’s close.” he pauses before replying, seeming as if he’s finding the right words to say.
“what do you need?” you question.
“it’s winston. he’s been shot.” you freeze.
oh dear. you never really approved of the things he did but a soft spot was always present for him and charon. they helped you settle here in new york, but winston took you in even when he knew of your history with vincent. you swore to always help him in ways you could and now the opportunity presented itself.
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the car sped down the street with you and john in tow. you hold your medical kit close to your lap, feeling uneasy with the thought of losing the old man. charon had been so recent and you don’t think you bear to lose the friends you’ve made along the way.
you glance at john and he looks calm and composed as usual, eerily so. a week earlier he was calm but you could feel his anger and determination simmering underneath his skin. now it looked like he was taking a walk in a park. you eye him carefully, uneasiness seeping in your stomach.
“did they give it to you?” you ask, he looks at you before clearing his throat.
“just an extension.” he answers, knowing exactly what you were referring to.
“to do what?” you ask again, john doesn’t budge and continues driving, ignoring your question. your eyes stay on him but he doesn’t look at you.
silence settles into the car and you lean back in your seat. you really wish your brought your gun with you right now. you don’t know why but you have a feeling that something is wrong right now, especially with john. he’s not telling you something.
or maybe it really is none of your business. perhaps he wanted to spare the bloody details of how he’s going to win his freedom back. you relax and try to forget the uneasiness, trying to remember that winston is the priority right now, you shut your eyes. all of your fears are gathering together and it’s making you overthink your interaction with john, everything’s okay.
the loud sound of drilling makes you open your eyes, you look at the window and you see a familiar street. 
the new york continental was being rebuilt.
your apprehensiveness returns.
“john?” you look at him once again, “who shot winston?”
“he got hit during the line of fire.” this time he replies.
bullshit. winston would have an emergency plan before the shooting started.
“in new york?” you press.
“yeah.”
another bullshit. you could see through his lies, he’s clearly fresh out of france. what was he trying to do? 
“j-john.” you voice shakes almost as if you’re begging. something happened in france, something that saved both winston and john.
he looks at you with regret in his eyes. not enough to save you for what’s about to come.
“where are you taking me?” you sputter, your heart beating fast in anxiety, “i’ve done nothing but help you, please don’t do this!”
“he took winston with him and he found out.” he quietly defends.
“please help me, i don’t want to go back!” you begin crying, tears rolling down your face, “he’ll kill me!” 
he makes no reply and continues driving. with no hope left with him, you try to open your side of the door. he immediately notices this and grabs your arm trying to stop you from leaving, you begin hitting him with your other arm.
you know that he doesn’t want to do this but it feels so unfair. you’ve saved his life only to throw yours away.
“let go of me!” you scream.
“i’m sorry.” 
you feel a prick in your neck.
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you feel a heavy sensation pulling at your leg, your eyes feeling groggy still wanting to keep your lids closed. however the sensation persists and this forces you to open your eyes and sit up.
a dark room welcomes you, only a small lamp helping you take a small look of where you are. specifically, on a plush bed and a decorated room. your body feels heavy  from exhaustion which makes you lean back to the pillow behind you.
pondering what made you feel so tired when you haven’t done much for the night, you’ve sewn back together…a pair of assassins for the night? or was it three? two austrians and…who?a french? no…no..it was winston. 
that’s right.
wait.
only you didn’t treat winston.
you bolt up, your body seemingly sobers from the realization.
john brought you here in exchange for his freedom. 
you look around to see some sort of presence in the room but with the darkness it was hard to tell, nevertheless you hopped off the bed and bolted to the wooden door nearby. no wonder the place looked familiar, only the marquis would have a place as frivolous as this.
you need to leave right now. your hand reaches for the door until you find your body being slammed on the floor. a groan leaves your throat, in pain you massage your forehead and look around.
oh goodness.
a gasp leaves your mouth when you see a chain wrapped around your ankle, you inspect your foot before tracing the lines of chains, which were sourced on the thick foot of the bed you were on.
you tug it to check its strength and to see how long it actually goes. it was long enough to walk around the room but not long enough to reach the door. this is basically your fully furnished torture chamber. 
fuck. fuck. fuck.
a loud creak echoes through the room.
you really hate how things are right now.
he’s going to kill you. kill you for leaving him, how you easily made him look humiliated for being abandoned.
feeling your knees weaken you sit back on the bed and your hands shake in trepidation. the marquis’ simple presence made you scared of him, you felt tears falling down once again and you lowered your head, not wanting to look weak right now.
his footsteps are heard through the room, the door loudly closes shut, a thud echoing. he doesn’t say a word.
you feel everything leave your body. hope,freedom and life mostly.
he walks up to you until you see his shoes on the floor, a blurry sight entering your eyes due to the tears, he touches you, tilting your chin upwards and you do everything not to flinch. was he going to snap your neck?
you look at him and he still looks the same, slightly more mature.
but the same man you met a few years ago, if you jumped back into your rose tinted glasses, you’d probably see the vincent you cherished at some point if you weren’t so frightened right now.
he inspects you, his eyes wandering through your face. searching for something that’s supposed to be there, his lips part almost as if he’s about to say something but you beat him to it.
“i-i’m sorry. i’m sorry.” apologies spill out of your lips, wanting to take the chance of saving yourself, “i-i’m so sorry! i didn’t mean to.” you cry. your hand reaches up to his hand that held your chin and you grip it for mercy, his hold on you weakens.
he doesn’t say anything and leans forward to you. you need him to say something, anything, whether it meant he’d simply say he wants yuu dead.
“please forgive me, just please don’t kil-“ he cuts you off.
with a kiss.
not a firm one but a surprisingly soft kiss on your lips.
he takes your hands into his and fiddles with it, trying to find his place in them just like before, he halts the kiss and leans towards your face. the man right in front of you wasn’t the marquis, it was vincent. 
your vincent.
the one with soft eyes looking at you with relief and adoration. the gaze that looked at you as if you were the most precious thing on earth, he wipes the tears on your cheeks and the next thing he says dissolves all sense of worry out of you.
“i could never hurt you.” he whispers.
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author’s note: this kinda doesn’t make sense bc im so braindead rn to expand things but basically vincent finds medic!reader through winston and in exchange for the continental and john’s freedom, john brings medic!reader back to vincent. so basically she got ratted out lolz. this would work better if i made a vincent pov would be fun but i have a bunch of prompts to work on…(tempting) + he literally chained her down to him (hshshsh marriage allegory…) i kinda want to be funky dynamic of obsessed man + “ngl what’s wrong with this guy but i vibe with it” woman
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zedecksiew · 1 month
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Monument vs Shrine
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In "Replica, Aura, and Late Nationalist Imaginings", the political scientist Benedict Anderson (most famous for his Southeast Asia scholarship and that definitive critique of nationalism, Imagined Communities) muses on the Lincoln memorial:
Within a temple explicitly mimicking "the religious edifices of a safely pagan Greece";
Mazda Corp floodlights designed "to ward off unnatural, indifferent sunlight";
The abstract enshrinements of "Lincoln's memory" in the "hearts of the people", while neither Lincoln's actual remains or any rites for people to perform are present;
The sense that ultimately the most reverential thing to do there is to take photographs.
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The Lincoln Memorial; the Jefferson memorial next to it; both figures repeated again on Mt Rushmore; both figures repeated ad nauseum on dollar bills.
These monuments are designed to proliferate. Not only must they create a sober, stately experience for the visitor---but they must also do so consistently, because they are built for visitors: the mass audience of the national population.
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Otherwise they must be physically replicable: a memorial to a particular national hero, erected in every city.
The very format of monument-building get copied:
Post-colonial countries, in need of new myths, choose to manufacture national cenotaphs of their own, in imitation of Western models.
Malaysia has Putrajaya, a federal capital sprung ex nihilo from palm-oil agricultural land, its buildings all arches and onion domes and imitation arc de triomphes in inhuman scale, its avenues broad and utterly unwalkable in the tropical heat.
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At such monuments the citizen is cast as tourist.
Of this state-sanctioned object of devotion you are encouraged to take photographs, sell merchandise---ie: continue the process of replication. With every copy nationalism is reified.
God forbid you tweak the official monument with your own meanings, though! While writing this post, I found the following story, from December 2023:
"Lincoln Memorial temporarily closed after being vandalized with 'Free Gaza' graffiti"
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Anderson's essay cites instances where the personal and irreproducible sneak back into, or leak out from, or vandalise, national monuments:
"Early in the 1910s,"---in Manila's Cementerio del Norte, a municipal cemetery planned by an American urban designer---"a small pantheon was constructed for the interment of Filipino national heroes."
This monument was to emulate the Pantheon in Paris, where "great Frenchmen" of the national canon are memorialised.
But the Filipino version failed.
"Today, hardly anyone in the Philippines is aware of this dilapidated pantheon's existence ... What has happened is that the Filipino Voltaire and Rousseau have managed to escape, summoning devoted, often familial bodysnatchers, to convey them to home-town shrines."
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Not that the municipal cemetery itself is deserted. Custodians and their families live in the very mausoleums they care for.
Further, Anderson describes All Saints' Eve in the Cementerio del Norte, when thousands pour into its precincts.
But these multitudes adjourn to their own myriad family graves and small ancestral shrines: spending the day with immediate loved ones, "drinking, praying, gambling, making offerings ..."
Most of the Philippines' presidents have mausoleums in Norte, "but no one pays attention to them ... and only their separate descendants come to attend them."
"There is something exhilarating here that one rarely sees in national celebrations, maybe because the structure of the ceremonial is not serial, but entirely cellular."
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Hometowns re-exerting themselves within the nation; ordinary people scrawling meaning onto the edifices of the uppercase-P People. A multitude of the singular, instead of a single mass.
Despite nationalism's efforts to centralise and clone a national identity, still we mutate, still we bootleg, still we graffiti, becoming once again ourselves.
And---particular to post-colonial societies---in doing so we casually continue the work of liberation, sneaking the idea of freedom away from our own architects and elites and prime ministers, who would seek to seize its meaning for their own purposes.
The churches or mosques or temples to demos that the federal government builds are ours to transform. To take from. To ignore.
"No need. We've got our own shrines at home."
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National heroes become local saints and slip out of national control.
Does the Filipino government really control the various Rizalista sects? Karpal Singh is now a datuk kong, without his political dynasty's consent.
Across Melaka and Negeri Sembilan there once existed shrines dedicated to Hang Tuah, Malay folk hero, now a powerful figurehead of Malay-Muslim ethno-nationalism.
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One such shrine existed at Tanjung Tuan:
With a plain altar---more a porch, really---of poured cement, for folk to leave food offerings;
Sunlight mottled from the surrounding forest, and fluorescent lights from a nearby gazebo;
A large rock, with an indent on its crown, said to be Hang Tuah's actual footprint;
The idea that this was a sacred space, where you could come to ask the spirits of the place for love or children.
The shrine that existed was sited in a forest reserve. It was swept clean of leaves by locals; its adherents belonged to all faiths and ethnicities; following the transactional logic of folk religion, those who had received its blessing would've paid for its maintenance.
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"Existed".
Because the Religious Department of the State of Melaka destroyed the Hang Tuah shrine sometime in 2022, for the crime of idolatry.
A double heresy. An affront to both orthodox Sunni Islam---
But also to the Malaysian state, that sanctions Sunni Islam as its official religion; whose nationalism requires its mythic hero to have only the attributes and magics the state ulama and historians say he must have---and no others.
Local shrines are destroyed, because the nation-state intuits them to be threats to its exclusive franchise.
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Image sources: https://en.wikipedia.org/wiki/United_States_five-dollar_bill https://en.wikipedia.org/wiki/Arc_de_Triomphe https://en.m.wikipedia.org/wiki/Putrajaya https://www.facebook.com/PilipinasRetrostalgia https://www.globaltimes.cn/content/984521.shtml https://www.facebook.com/PerakPress https://en.m.wikipedia.org/wiki/Malays_(ethnic_group)
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avelera · 3 months
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What if Louis/Armand in AMC IWTV is meant to be torture... for Lestat?
Basically... what if the whole relationship between Louis and Armand, going back to when Armand first encountered him, is a deliberate "fuck you" to Lestat by Armand, and that is his chief motive for having the relationship at all? For keeping Louis in a gilded prison, for making Louis his love at all, for allowing the interview, and for little things like telling Lestat that Louis was injured, but not telling him where or how to help or passing on the "I love you" to Louis, and perhaps effectively keeping Louis away from Lestat ever since in a game of keep-away, as the most effective way to torture Lestat that Armand has in his possession.
I want to preface this theory by saying it's probably a bridge too far. That's a lot of premeditated malice to ascribe to Armand. I do think there was and is love there between Armand and Louis as seen in the show.
But at the same time... this might surprise some show watchers, but book Armand is an ancient creature of malice who uses his boyish looks to appear soft and gentle when he is anything but. He's over 500 years old and he spent 200 of those years running the Paris Children of Darkness, a Satanic organization that gave his life meaning and purpose during those years.
And even with show Armand, we've seen him capable of playing the long game, pretending to be someone else in Season 1 as he played Fake Rashid, with motives for doing so that are still inscrutable.
We've already seen as of ep 2.6 that Lestat broke up Armand's Paris Coven, the Children of Darkness. But I want to get into why Armand might have been lying about how he was fine with it, that he saw it coming for years, that Lestat was just the instrument of his own desire to move on from that squalid situation.
What if he wasn't fine with it? What if he still isn't fine with it? What if the long game, ever since, is to take everything away from Lestat that Armand can get his hands on, including Claudia, but especially Louis?
Well, to give my evidence for this I'll have to delve into the books a bit, so proceed at your own risk for spoilers.
Here's an excerpt from The Vampire Lestat, with Armand speaking to Lestat after the events in Paris, when he forced Lestat to testify in the trial against Louis and Claudia, because it was always Armand's plan to put Claudia on trial so he could get rid of her and have Louis for himself. For Louis to be buried alive in punishment so that Armand could save him and they could depart together:
"[Armand] leaned forward, and his face transformed itself as it had done years and years ago, as if his rage were melting it from within. 
“You, who destroyed all of us, you who took everything. Whatever made you think that I would help you!” He came closer, the face all but collapsed upon itself. “You who put us on the lurid posters in the boulevard du Temple, you who made us the subject of cheap stories and drawing room talk!” ...
...“We had our Eden under that ancient cemetery,” he hissed. “We had our faith and our purpose. And it was you who drove us out of it with a flaming sword. What do we have now! Answer me! Nothing but the love of each other and what can that mean to creatures like us!”"
Armand plays the long game. Armand is a creature of spite and malice, at least through Lestat's eyes in his own autobiography.
Armand was not fine with the Paris Coven being dispelled. He was not fine with Lestat's generosity or the new purpose given to him by Lestat by establishing the Theatre des Vampires. He loathed it.
And after this above exchange with Lestat, Armand picked up Lestat and flew him up high above Paris and dropped him. Armand did that to Lestat in the books, it wasn't Lestat to Louis (though that could simply be a change for the show, or perhaps even reinvented as a deliberate act of revenge on Louis' behalf for what Lestat did to him, and not some sort of mind alteration by Armand but... we'll see.)
It would be a hell of a twist to end the season on. Arguably, a twist akin to the reveal of Rashid-is-actually-Armand at the end of the first season. That this has all, all of it, since the 1940s been one long revenge play against Lestat.
Again, I think it's probably a bridge too far, too cartoonishly evil, but...man, there is that but lingering in my mind. Because this is the sort of thing Armand would do. He's done it before in the books with the trial of Louis and Claudia being one elaborate pantomime to punish Lestat and Claudia and get Louis to himself.
And it's been bothering me ever since the reveal at the end of S1 that we're in an AU where Louis/Armand stayed together instead of breaking up right after Paris like they did in the book. And if I was writing this canon divergence AU, it would be a hell of a thing to make the pivot point be, "No, Louis and Armand didn't break up because Armand wouldn't let Louis go because all of this has been one long elaborate fuck you to Lestat for destroying the Children of Darkness and robbing Armand of the purpose he'd had in life for over 200 years." 70 years of revenge by comparison? That's nothing.
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whatevergreen · 2 months
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Barricade de la Rue de la Faubourg du Temple, Paris (detail) Taken by Charles François Thibault, 25 June 1848, near the end of the insurrection known as the June Days Uprising of 22 to 26 June. This arose in response to the planned closure of state workshops for the unemployed.
These are the first known pictures showing an insurrection and complete barricades.
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thebrickinbrick · 3 months
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Index Post of Brick Illustrations
4.12 Corinthe
4.12.1 A History of Corinthe from its Foundations Part One Part Two
4.12.2 Preliminary Gayeties Part One Part Two Part Three Part Four Part Five
4.12.3 Night Begins to Descend Upon Grantaire Part One Part Two Part Three Part Four
4.12.4 An Attempt to Console the Widow Hucheloup Part One Part Two
4.12.5 Preparations
4.12.6 Waiting
4.12.7 The Man Recruited in the Rue de Billettes
4.12.8 Many Interrogation Points Concerning a Certain Le Cabuc Whose Name May Not Have Been Le Cabuc Part One Part Two
4.13 Marius Enters the Shadow
4.13.1 From the Rue Plumet to the Quarter Saint-Denis
4.13.2 An Owl’s Eye View of Paris
4.13.3 The Extreme Edge
4.14 The Grandeur of Despair
4.14.1 The Flag: Act First
4.14.2 The Flag: Act Second
4.14.3 Gavroche Would Have Done Better To Accept Enjolras’s Carbine
4.14.4 The Barrel of Powder
4.14.5 End of the Verses of Jean Prouvaire
4.14.6 The Agony of Death After the Agony of Life
4.14.7 Gavroche as a Profound Calculator of Distances
(4.15 The Rue de l'Homme Armé - omitted)
5.1 The War Between Four Walls
5.1.1 The Scylla of the Faubourg Saint-Antoine and the Charybdis of the Faubourg du Temple - omitted
5.1.2 What Is To Be Done in the Abyss If One Does Not Converse? Part One Part Two
5.1.3 Light and Shadow
5.1.4 Minus Five, Plus One Part One Part Two
5.1.5 The Horizon Which One Beholds From the Summit of a Barricade
5.1.6 Marius Haggard, Javert Laconic
5.1.7 The Situation Becomes Aggravated Part One Part Two
5.1.8 The Artillery-Men Compel People To Take Them Seriously
5.1.9 Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
5.1.10 Dawn - omitted
5.1.11 The Shot Which Misses Nothing and Kills No One
5.1.12 Disorder a Partisan of Order
5.1.13 Passing Gleams
5.1.14 Wherein Will Appear the Name of Enjolras’s Mistress
5.1.15 Gavroche Outside
5.1.16 How From Brother One Becomes Father - omitted
5.1.17 MORTUUS PATER FILIUM MORITURUM EXPECTAT
5.1.18 The Vulture Become Prey Part One Part Two
5.1.19 Jean Valjean Takes His Revenge
5.1.20 The Dead Are in the Right and the Living Are Not in the Wrong
5.1.21 The Heroes Part One Part Two Part Three
5.1.22 Foot to Foot Part One Part Two
5.1.23 Orestes Fasting and Pylades Drunk Part One Part Two
5.1.24 Prisoner
Other Posts
A preview with cat pictures
Posters
“He could be your brother.”
The retreat
The first assault
Defensive line
Places
“Think or pray.”
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emaadsidiki · 10 days
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The Church of The Madeleine 🏛️ Paris
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theetherealbloom · 8 days
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AS GOOD A REASON - CH. 3 | OBERYN MARTELL
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Chapter Three: There Will Be No Glory
Summary: You, who has made it her life's work to get retribution on those who mistreated and harassed you when you were a child. The scars on your body are a physical reminder of the suffering you endured at the hands of abusers, and they also provide the fuel for your years-long quest for retribution.
Paring: Oberyn Martell x Fem!Reader
Warnings: 18+ MDNI DEAD DOVE DO NOT EAT, MINORS GO AWAY, GoT is full of serious and harmful topics, mentions of SA, Rape (not the reader), Murder, Violence, Gore, War, Poison, Scars, Burns, Scratching, Su!c!de, AU, Age–Gap Romance, Angst, FLUFF, Eventual SMUT, Swearing, PTSD, Depression, Anxiety, Crying, Suggestive content, Flirting, Blood, War, Religion References, Nudity, Domestic Abuse, Incest, Prostitution, Weapons, Fire, Horror, Character Deaths, Rewrite Alternate Universe, Sex, Alcohol, Revenge, 
Word Count: 8.4k
A/N: I swear I’m cookin’ back here. I've been writing this series non-stop for days lmao. Idk what hit me?? I actually have the next chapter ready to post too lmao. Hope everyone is doing well!
Side note: I’m dyslexic and English isn’t my first language! So I apologize in advance for the spelling and/or grammatical errors. As always, reblogs, comments, and likes are always appreciated. Thank you and happy reading!
Song: hunter by Paris Paloma
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KING'S LANDING, THE SEPT OF BAELOR — EARLY MORNING
The Sept of Baelor was alive with a flurry of activity. Servants moved swiftly, preparing for the grand wedding of Joffrey Baratheon and Margaery Tyrell. Every corner of the grand sept was being scrubbed, every flower meticulously placed, every banner hung with precision. The sun had barely risen, casting a golden hue over the stained-glass windows, but already the heat of the day was making the air feel thick and heavy.
You were in the midst of it all, arranging the delicate floral garlands along the altar. The scent of the flowers was overwhelming, mingling with the incense that filled the Sept. Your hands moved mechanically, arranging the blooms with precision, though your mind was elsewhere. The headache that had been gnawing at the edges of your consciousness all morning now pulsed with a vengeance, a searing pain behind your eyes. It was getting harder to focus, and the heat didn’t help.
Voices echoed through the Sept as people hurried by, servants calling to one another in preparation, but it was all a dull hum in your ears. You pressed a hand to your temple, closing your eyes for a moment as the migraine intensified. The world seemed to blur at the edges, the weight of your own thoughts pressing down on you, mingling with the physical pain. 
Then, suddenly, a firm hand gripped your arm. You gasped, eyes snapping open as you were pulled away from your work, your feet stumbling beneath you. The world spun as you were dragged through the corridors, away from the main hall. 
Your first instinct was to fight back. You kicked, struggled, your heart pounding with panic. But the grip was unyielding, dragging you into a darkened alcove, hidden away from prying eyes. 
“What are you—? Let go of me!” you hissed, your voice strained with fear and frustration as you fought against your captor, kicking and trying to free yourself.
Then, in the dim light, you saw him. Oberyn Martell. His eyes gleamed with amusement, but there was something else in them—a hunger, a dangerous edge. He didn’t release you, instead pressing you further into the shadows, the cool stone wall biting against your back.
“You—” you began, breathless, still trying to regain control of the situation, but Oberyn leaned closer, cutting off your words with the intensity of his gaze. 
“Shh," he whispered, his voice a low rumble that sent a shiver down your spine. "I’ve been looking for you.”
His words hung between you like a dangerous secret. His body pressed against yours, firm and unyielding, his hands bracing on either side of your head, caging you in. Your heart raced as you realized there was no escaping him now. You forced yourself to meet his gaze, determined to maintain your composure despite the sudden surge of heat that flushed your skin. 
“What are you doing?” you demanded, your voice shaky but defiant. “We shouldn’t be here—”
Oberyn’s smile widened, the corner of his lips curving into a wicked smirk. “Shouldn’t we?” His tone was teasing, but his eyes were dark, intense. His face was so close, his breath warm against your skin. “You’ve been avoiding me. I’ve noticed.”
“I’m working,” you replied, trying to maintain control of your voice, trying to keep your heart from pounding so loudly in your chest. “And you should be—”
But Oberyn interrupted you, his hand brushing lightly against your arm, sending sparks shooting up your spine. "You carry yourself with grace, more like a lady of the court than a servant.” His gaze trailed over you, studying you, watching the way you tried to hide the tremor in your breath. “It makes me wonder… who are you really?”
Your throat tightened. The question cut too close to the truth. You had worked so hard to blend in, to be unnoticed, yet Oberyn’s gaze seemed to peel back the layers you had carefully built. He was too perceptive, too sharp.
“I’m no one,” you lied, your voice steadier than you felt. “Just a servant.”
Oberyn chuckled softly, but there was no humor in it. He leaned closer, his lips brushing the shell of your ear as he spoke. “A servant who speaks with such eloquence, who watches others like a hawk, as if you’re calculating their every move.” His breath was hot against your skin, his presence overwhelming as he whispered, “You’re planning something, aren’t you?”
Your pulse quickened. His words were dangerous, far too close to what you had been so careful to hide. Oberyn was watching you with an intensity that made your skin burn, and for a moment, you couldn’t breathe. He saw through you in a way no one else had. The facade you wore was slipping under his gaze, and you weren’t sure if you could hold it up any longer.
“I don’t know what you mean,” you said, your voice barely more than a whisper.
Oberyn tilted his head, his dark eyes searching yours, reading the fear and the defiance in equal measure. He smiled, but it didn’t reach his eyes. “You’re a good liar,” he murmured, his lips brushing against your skin as he spoke. “But I’ve spent my life around liars. And you... you are no ordinary servant.”
You swallowed hard, your back pressed firmly against the cold stone as Oberyn’s presence enveloped you. His fingers brushed lightly against your jaw, tracing the line of your face as he studied you. "There's something about you," he said, his voice soft but dangerous. "Something... familiar."
Your breath caught in your throat. He was getting too close, too close to the truth you had buried so deeply. You had to regain control, had to push him away before he uncovered everything.
“Let me go,” you whispered, though your voice lacked the strength you intended. 
Oberyn’s eyes glimmered with something unreadable as he held you there, trapped between him and the wall. He leaned in, his lips hovering near yours, the tension between you crackling like wildfire. “Not yet,” he whispered, his voice a promise, a warning. 
And in that moment, you realized you were caught.
Oberyn stood so close, his presence overwhelming, his eyes filled with that dangerous blend of curiosity and something more primal. You could feel the heat radiating from him, the air between you thick with tension, as if the entire world had fallen away, leaving just the two of you in this darkened corner of the Sept.
His voice, low and smooth, broke the silence, sending a shiver down your spine. “My sister used to write to me, you know,” he began, his lips curling into a small, almost bittersweet smile. “Princess Elia. We were always apart, but her letters kept me close to her.” He paused, watching you closely, as though he could see right through the facade you’d carefully built over the years. 
You stiffened at the mention of Elia, your heart clenching painfully. You hadn’t heard that name spoken so intimately in years. You were only a child then, but you remembered her well—kind, gentle, her presence like a soft light amidst the darkness that surrounded the Red Keep. Your hands trembled slightly, but you quickly clenched them into fists, trying to maintain your composure as Oberyn continued.
“There was one letter,” he mused, his voice softening as if recalling a distant memory. His fingers lightly traced the air, as if mimicking the act of writing. “She wrote about a servant. A girl, a child really, whose parents had given her away. She never mentioned the girl’s name, but she always said how kind she was. How strong, despite everything.”
Your breath caught in your throat. You knew he was talking about you. Elia had been the only one who had shown you kindness, who had given you a place to belong when the world had taken everything from you. But you couldn’t let him know that. You couldn’t let anyone know who you truly were. The weight of your past was a burden you had carried alone, and it had to stay that way.
Oberyn stepped closer, his eyes searching yours, as though he could find the truth hidden behind your carefully guarded expression. “I wonder…” he whispered, his lips hovering near your ear. “Was that girl you?”
You swallowed hard, every instinct screaming at you to run, to get away, but Oberyn’s presence held you in place. His gaze was relentless, burning into you, waiting for an answer you couldn’t give.
“I—” You struggled to find the words, your mind racing, but your throat felt tight, your heart hammering in your chest. You had spent years building this mask, this life as a mere servant, someone no one would look at twice. But now, in the span of moments, Oberyn was threatening to tear it all away.
His hand lifted, fingers grazing the side of your face, and the world seemed to narrow down to that single point of contact. “Who are you, truly?” he asked, his voice barely more than a whisper, but there was no mistaking the intensity in his tone.
The question hung in the air, suffocating. His proximity, the way his body loomed over yours, the way his eyes pinned you in place—it was all too much. The pressure, the closeness, the danger of being exposed—it all came crashing down on you, and suddenly, something snapped inside you.
Without warning, you moved.
Your knee shot up, connecting with Oberyn’s side, hard enough to knock the wind out of him, but not enough to cause real harm. He staggered back, his expression briefly shifting to one of surprise before it morphed into something almost amused. But you didn’t give him time to recover. You slipped out from under his arm, using his momentary lapse to dart past him, your body moving with an agility you hadn’t shown before. 
He chuckled, low and dangerous, clearly not expecting the sudden resistance. “I see,” he murmured, rubbing his side where you’d struck him, his eyes gleaming with something far more dangerous than before. “You’re full of surprises.”
But you didn’t stop to listen. You were already moving, slipping back into the main hall of the Sept where the other servants were still bustling about, preparing for the wedding. The light from the stained-glass windows bathed the room in a kaleidoscope of colors, but you barely noticed. Your heart was pounding in your chest, adrenaline still coursing through your veins as you forced yourself to keep walking, blending back into the crowd of workers.
No one seemed to notice your disheveled state, the faint tremor in your hands as you returned to your duties. You grabbed a bouquet of flowers, your fingers working mechanically as you set them in place, your mind racing with the encounter you had just escaped.
Oberyn had been close—too close. You had no idea how much he truly knew or how much he suspected, but it was clear he wasn’t going to let this go. You could still feel his eyes on you, the way he had studied you as if he could unravel all your secrets.
But you wouldn’t let him. You had survived this long by keeping your past hidden, and you wouldn’t let anyone—no matter how charming, how dangerous—pull you back into that life. 
As you worked, your mind kept replaying his words, the way he had looked at you with that knowing gaze. You could feel the danger closing in, but you had no choice but to press on. The game was far from over, and you would have to be even more careful from now on.
But one thing was clear—Oberyn Martell was not a man easily fooled.
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KING'S LANDING, THE SEPT OF BAELOR — DAY
You lingered in the cool shadows of the Sept, hidden from view, just another servant who wasn’t meant to be seen. You weren’t supposed to be part of the grand ceremony at all. Your role, after all, was to prepare for the feast that would follow this extravagant display—a celebration meant to rival even the greatest of royal unions.
But something compelled you to stay.
The air was thick with the scent of incense, and the sound of hushed murmurs echoed off the high stone walls as nobles and lords gathered to witness the joining of Houses Tyrell and Lannister. It was all falling into place, every step of this elaborate plan leading to this moment. The tension in the room crackled like lightning before a storm.
You stood, your heart pounding, as Margaery Tyrell, radiant in her flowing gown, walked down the aisle on the arm of her father, Mace Tyrell. Her golden hair shimmered in the light of the stained-glass windows, and her face was calm—serene even—as though she had been preparing for this her entire life. You watched closely, your gaze sharp, dissecting every movement, every flicker of emotion. The entire event was a spectacle, a symbol of power, of politics. It was all theater. 
Mace Tyrell paused at the base of the steps, his expression proud as he handed his daughter to the waiting king. Joffrey stood at the top, his grin smug, cruel even, as he accepted Margaery’s hand. For a brief moment, your eyes lingered on the boy king, revulsion curling in your stomach. His reign had been a reign of terror and madness, and yet, in this moment, he stood like a conqueror, basking in the adulation of his subjects. 
Margaery, ever poised, ascended the steps with him, her head held high as she moved beside Joffrey. The High Septon awaited them, his voice booming through the Sept as he began the sacred rites. You felt a strange sense of detachment, as if watching the scene unfold from a great distance. Yet, there was a thrill beneath your skin—a deep, quiet satisfaction. Everything was in motion now, and there was no turning back.
The High Septon’s voice echoed through the hall, reverberating off the stone walls: 
"Let it be known that Margaery of House Tyrell and Joffrey of the Houses Lannister and Baratheon are one heart, one flesh, one soul. Cursed be he who would seek to tear them asunder."
As the words filled the air, you couldn’t help but smirk slightly to yourself, hidden in the shadows. Cursed, indeed. The irony of it all, the pageantry, the vows, the promise of unity, knowing what was to come—it was almost poetic.
You watched as Joffrey, in all his arrogance, turned to Margaery, taking her hands in his. "With this kiss, I pledge my love," he declared, loud enough for all to hear. His voice carried the same venomous self-importance it always had, as if he truly believed himself a benevolent ruler.
The crowd erupted in applause as their lips met in a kiss that was supposed to symbolize the unity of two great houses. You watched with an unreadable expression as Margaery played her part flawlessly, the perfect bride, while Joffrey basked in the adulation.
From your vantage point, you caught a glimpse of Sansa Stark, her face pale as she leaned toward Tyrion Lannister. Her eyes were dark, her lips pressed into a thin line as she whispered, "We have a new queen."
Tyrion, ever the cynic, barely glanced at her as he muttered under his breath, “Better her than you.”
You felt a surge of something—was it pity?—for Sansa, trapped in this viper’s nest with no escape. But this wasn’t your concern, not today. Today, the wheels were turning, and soon, this entire charade would unravel. You could feel it in the air, the undercurrent of tension beneath the applause and celebration. It was almost time.
The ceremony concluded, and the newly crowned queen and her king descended the steps together, the picture of royal power. The applause grew louder, the lords and ladies of Westeros rising to their feet in celebration of this union. But all you could focus on was the bitter truth behind it all. 
Your migraine throbbed in your temples, the dull ache intensifying as you stood there, watching the farce unfold before you. But you smiled, knowing that by the end of this day, Joffrey would no longer be king. The poison had already been set in motion, and the pieces on the board were exactly where you needed them to be.
For now, you would watch. The storm was coming, and you would be ready to strike when the time was right.
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THE WEDDING RECEPTION 
KING'S LANDING GARDEN, RED KEEP — DAY
The garden was a riot of color and sound. Banners of crimson and gold fluttered in the warm breeze, the sigils of House Lannister emblazoned on every surface. Long tables stretched across the lush greenery, laden with golden platters of roasted meats, fruit, and delicate pastries. Lords and ladies of every great house in Westeros mingled, their voices a hum of excitement, laughter, and gossip, all gathered to celebrate the union of Joffrey Baratheon and Margaery Tyrell.
Jugglers tossed brightly colored balls high into the air while fire-breathers sent plumes of flames into the sky. Their movements were smooth and practiced, as if the entire performance were just another part of the show that was the king’s wedding. Some even walked on stilts, towering over the crowd, while musicians played lively tunes in the background, the melodies weaving in and out of the general din. 
You stood back, observing from the edge of the gardens, the soft perfume of roses mingling with the smoky scent of roasted meats. The spectacle of it all, the opulence, the grandeur—it was enough to make anyone feel insignificant in its shadow. You glanced down at your own hands, trembling slightly as you worked to keep them busy, adjusting a garland of flowers, though your task had long since been finished.  
The whole scene was a display of power, the ruling elite flaunting their wealth for all to see. Each lord and lady wore their finest silks, their jewels glinting in the midday sun as they danced, laughed, and raised their goblets in celebration. But beneath the surface, there was an undercurrent of tension. It lingered in the air, a brewing tempest on the horizon.
As your eyes drifted over the crowd, you spotted Bronn, Tyrion, and Podrick making their way through the guests. Tyrion’s face was hard to read, his usual wit tempered by the weight of the moment. He and Bronn exchanged quiet words, but even from a distance, you could see the unease in Tyrion’s posture. He didn’t want to be here, that much was clear.
And then, from across the garden, your gaze landed on Oberyn Martell. He and Ellaria Sand were seated near the fountain, utterly captivated by a contortionist performing impossible bends and twists before them. Ellaria laughed softly, her eyes alight with amusement, while Oberyn watched the performance with a more measured gaze. 
For a fleeting moment, his eyes found yours.
The world seemed to slow as the intensity of his gaze sent a jolt through your body. His dark eyes, filled with a mix of curiosity and something deeper, locked onto yours, as though he could see through every wall you had carefully constructed. Your heart quickened, and an unexpected warmth spread through your chest. The moment stretched between you, silent and loaded with meaning.
But you couldn’t hold it. Your pulse raced, your palms dampening with sweat as you quickly tore your gaze away, focusing on the flowers at your feet. You forced yourself to breathe, but the weight of his attention lingered on your skin, like a touch that burned long after it was gone.
You busied yourself again, rearranging the flowers though they didn’t need rearranging, anything to distract yourself from the flutter of nerves in your stomach. What was it about him? The way he looked at you wasn’t like the others. It was as if he knew something—something about you that no one else did. 
Your hands shook as you tried to steady your breath. You weren’t supposed to stand out here, in this garden full of lords and ladies, and yet… here you were, caught in the eyes of a man who seemed to see too much.
Out of the corner of your eye, you saw Ellaria lean in closer to Oberyn, whispering something into his ear, her hand resting lightly on his arm. Her eyes flicked briefly in your direction, curiosity burning behind them. The same possessive glint you had seen before was there, but now it was tempered by a different kind of intrigue.
Your heart pounded in your chest. You weren’t sure if you were relieved or unnerved by the brief reprieve from Oberyn’s gaze. Either way, you knew one thing: nothing at this wedding was what it seemed.
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The air was thick with revelry, the laughter of lords and ladies mingling with the melody of flutes and the clink of goblets. Everywhere you looked, you saw power—power flaunted by those who had it, and coveted by those who didn’t. But you played your role, dutifully present, a servant watching a play unfold.
At the head table, Olenna Tyrell moved with a deliberate grace, her hand trailing through Sansa Stark’s carefully braided hair before lingering on the stones of her necklace. The movement was subtle, her fingers deft, plucking at the polished purple gems with a kind of ease that only someone of her station could manage. It was easy to miss if one wasn’t paying attention—but you were always paying attention.
Your eyes narrowed, recognizing the faint gleam in Olenna’s fingers as she discreetly palmed something. The strangler. A crystalline form of poison, almost impossible to detect once dissolved in wine. Your heart beat faster, but outwardly, you remained composed, blending into the background of the celebration.
No one else seemed to notice. Not Sansa, lost in her sorrow, nor Tyrion, pouring himself another goblet of wine as he approached the table. Olenna’s conspiratorial smile went unnoticed by the rest, except you. You stepped closer, pretending to busy yourself with the trays of wine, ready to serve at a moment’s notice, but your ears were sharply tuned to their conversation.
You heard the last bit of Olenna’s words as she turned to Sansa, her voice low but pointed. "Perhaps if your pauper husband were to sell his mule and his last pair of shoes, he might afford to bring you to Highgarden for a visit. Now that peace has come and all is right with the world, it would do you good to see some of it." Olenna cast a glance toward Tyrion, her eyes gleaming with amusement. “You must excuse me. It's time I ate some of this food I paid for.”
Tyrion smirked, but the bitterness in his eyes was unmistakable. He raised his goblet in a mock toast, the weight of his station pressing heavily on his shoulders.
As Olenna moved away, the music changed. The musicians struck up a familiar tune, the one they always played for the Lannisters—a song of lions, of power.
"A coat of gold, or a coat of red, a lion still has claws..."
Margaery seemed to be enjoying the performance, her laughter light and genuine. But Joffrey, ever the restless king, was bored. He stood abruptly, tossing coins at the musicians as if they were little more than beggars. "Very good. Very good. Off you go," he said dismissively. The musicians scrambled to collect the coins, bowing as they backed away from the table, desperate to avoid the king’s wrath.
From where you stood, the entire spectacle felt sickening. You clenched your jaw, your hands hidden beneath your sleeves as you forced yourself to remain composed. It was all a game to them. A game of politics, of power, of lies. The poorest in King’s Landing would never see the remnants of this feast, no matter what Margaery or Joffrey decreed. You knew the truth. People like you—those without titles, lands, or coin—were little more than pawns to be sacrificed in their endless struggle for dominance.
You watched Margaery lean toward Joffrey, her hand resting on his arm as she tried to soothe his restlessness. "My love, why don't we make the announcement?" she said, her voice soft, almost coaxing. Joffrey banged his goblet against the table, the sharp clang silencing the crowd as he stood.
"Everyone!" he called out, his voice booming over the garden. "The queen would like to say a few words."
The crowd cheered, applauding the queen they had already accepted as their own. Margaery stood gracefully, her smile serene as she addressed the crowd. "We are so fortunate to enjoy this marvelous food and drink. Not all among us are so lucky. To thank the gods for bringing the recent war to a just end, King Joffrey has decreed that the leftovers from our feast be given to the poorest in his city."
More applause followed, and Joffrey beamed, soaking in the adoration of the crowd. Cersei, ever watchful, approached Margaery with a forced smile. "You're an example to us all," she said, placing a kiss on each of Margaery’s cheeks. The queen mother’s jealousy was palpable, her eyes glinting with barely concealed disdain.
You stood there, watching it all with clenched fists beneath your sleeves, your breath coming in slow, measured draws. The words, the gestures, the smiles—it was all smoke and mirrors. They paraded their generosity, their wealth, their power as if it were a gift to the realm, but you knew better. This peace was fragile, built on the bodies of the innocent, and it could shatter at any moment.
Your fingers dug into the fabric of your dress, a habit you had developed over the years. You scratched at the skin beneath, the pressure grounding you as memories flashed before your eyes—memories of pain, of cruelty, of the Mountain. The heat of the branding iron. The smell of burning flesh. Your own screams ringing in your ears until the world went dark.
You bit down hard on your lip, forcing the memories to retreat back into the dark corners of your mind. But the tension remained, a heavy knot in your chest, coiled tight like a viper ready to strike. Everything around you—the laughter, the opulence, the false smiles of lords and ladies—was part of this never-ending cycle of power. A gamble played at the expense of lives like yours.
Standing at a distance, you felt Oberyn’s eyes on you again. He lounged with casual arrogance, a wicked smile playing on his lips as Ellaria sat on his lap, delicately feeding him a grape. His gaze lingered on you, his expression one of amusement, as if he found your presence there tantalizing. His nod in your direction was slow, deliberate, and the smirk he gave you only made your pulse race. You quickly turned away, determined not to give him the satisfaction of seeing the effect he had on you.
Your focus shifted, catching Cersei out of the corner of your eye as she exchanged curt words with Brienne of Tarth. Whatever was said made Brienne visibly uncomfortable, and she soon excused herself, walking away with her usual brisk pace. You weren’t close enough to hear their exchange, but the look on Cersei’s face said it all—disdain, irritation, and a certain dangerous pleasure in making the taller woman feel out of place.
Just as you were about to step away, something else caught your attention. Pycelle, with his hunched posture and greasy fingers, had cornered a young maid—Serena, you realized with a scowl. Inwardly, you cursed. Pycelle was one of those men you despised most at court, his pretense of wisdom nothing more than a shield for his lechery. You moved closer, keeping your head down, pretending to adjust your serving tray as you eavesdropped on their conversation.
Pycelle’s voice was low, his tone sickeningly paternal as he said, "No, no, come to my chambers and I will examine you personally."
Your stomach churned at his words, but before you could intervene, Cersei’s voice cut through the air like a dagger.
"She’ll do no such thing."
Pycelle jumped, his greasy face paling as he turned to see the queen standing there, her expression cold and unyielding.
"Oh, Your Grace," Pycelle stammered, his voice trembling slightly. "Yes, well, this young lady sought my advice..."
Cersei’s smile was sharp and cruel. "You should see Qyburn. He’s quite good."
The maid, eyes wide with relief, quickly dipped her head. "Your Grace," she murmured, then hurried away, escaping Pycelle’s grasp.
Pycelle’s face contorted into an expression of disgust. "Qyburn? Deplorable man. Brought shame on the Citadel with his repugnant experiments."
Cersei tilted her head, her smile never wavering. "More repugnant than your gnarled fingers on that girl’s thighs?"
Pycelle stiffened, his eyes darting around nervously. "Your Grace, I am a man of learning."
Cersei’s eyes gleamed with dangerous amusement. "My little brother had you sent to the Black Cells when you annoyed him. What do you think I could do to you if you annoyed me?"
Pycelle’s face turned ashen. "I never meant to annoy anyone," he mumbled, his voice now a pathetic whimper.
"But you are," Cersei said softly, stepping closer, her gaze boring into him. "You annoy me right now. Every breath you draw in my presence annoys me. So here’s what I want you to do: I want you to leave my presence. Leave this wedding right now. Go to the kitchens and instruct them that all the leftovers from the feast will be brought to the kennels."
Pycelle’s mouth opened in protest, but Cersei cut him off sharply. "The queen is telling you the leftovers will feed the dogs, or you will."
For a moment, the old man seemed to consider arguing, but one look at Cersei’s smile—a cruel, dangerous curve of her lips—and he thought better of it. With a shaky bow, he muttered, "Yes, Your Grace," and scuttled away like the coward he was.
Cersei smiled after him, pleased with herself.
What a bold-faced cunt, you thought bitterly, watching her bask in her small victory. Everything about her was venomous—her beauty, her power, her cruelty. She wielded them all with deadly precision, and you hated her for it.
With a steadying breath, you made your way back toward the head table, slipping seamlessly into your role. You refilled goblets, offered plates, your presence unnoticed among the nobles. But beneath your mask of calm, your mind churned. Every move, every word, every gesture at this wedding was a lie—a careful façade constructed to conceal the rot beneath.
The clamor of the wedding feast carried on, a haze of laughter, clinking goblets, and the gleam of gold and silk that shone in the late afternoon sun. The Lannisters and Tyrells reveled in their temporary triumph, their smugness saturating the air like a sickly perfume. But you knew better than most how quickly fortunes could turn in a place like King’s Landing. The city was a pit of snakes, and the shift of power could change in an instant.
From where you stood, just close enough to watch but far enough to remain unnoticed, your eyes followed King Joffrey. He sat at the head of the grand table, restless and bored, his twisted amusement turning toward the fool juggling before him. Margaery, ever the dutiful queen, smiled gracefully at his side, playing her part flawlessly. 
But Joffrey… he was never satisfied.
You saw the glint of cruelty in his eyes before he even stood. The familiar spark that made your skin crawl and your stomach twist. His voice cut through the air, sharp and mocking.
"A gold dragon to whoever knocks my fool’s hat off," Joffrey declared, his sneer stretching wide as he stood, scanning the crowd like a predator ready to pounce.
The fool, a trembling man in motley, barely had time to react before the guests joined in. Laughter echoed as food—chunks of bread, slices of fruit, and bits of meat—were hurled at him. You could see the fear in his eyes, how his smile wavered as he danced awkwardly to avoid the barrage. 
Your hands clenched into fists at your sides. The sight of it—how quickly cruelty had become sport—set your blood boiling. You knew this game, too well. You had seen it before. You had lived it.
Joffrey’s laughter rang loud, ringing in your ears like a taunt. 
You couldn’t take it anymore.
With a sharp inhale, you turned on your heel, walking briskly away from the spectacle. You could feel your heart hammering in your chest, the fury bubbling beneath the surface, the memories threatening to overtake you. The jeers, the screams, the sound of flesh meeting stone… all of it haunted you still, and this—this senseless cruelty—stirred it back to life.
The clamor of the feast swirled around you, a whirlwind of laughter, clinking goblets, and hushed conversations. Your hands moved mechanically as you helped arrange the giant feast table, replenishing trays of roasted meats and lavish platters of fruits. Yet your mind remained a storm of its own, the anger still simmering beneath the surface from what you'd just witnessed.
This court—its twisted bets, the cruelty woven into every interaction—was a festering rot, and you couldn’t allow yourself to forget that. Not for a moment. Not here, where forgetting meant losing yourself to the madness.
As you moved to refill goblets of wine, you saw Cersei and Tywin strolling past, their expressions as cold and imperious as ever. You kept your head down, but their voices reached your ears, low and murmured.
Tywin’s tone was calm, almost bemused. “You’re in rather a good mood.”
“I suppose I am,” Cersei replied, her voice holding a faint, bitter edge.
“I won’t ask why,” Tywin remarked, his gaze never faltering as they passed by.
“Small pleasures,” Cersei added, a sharpness in her words that hinted at something more, something dark beneath the surface.
You busied yourself with the table, arranging goblets when you caught movement from the corner of your eye. Oberyn and Ellaria had entered, gliding through the crowd with a grace that seemed to draw every eye. Their presence commanded attention, not unlike the very snakes that represented their house.
Oberyn's deep, silken voice cut through the air as he greeted them. "Your Grace. Lord Tywin."
Tywin turned to face them, his expression as stony as ever. "Prince Oberyn."
"I don't believe you have met Ellaria," Oberyn continued smoothly, gesturing to the woman at his side. "This is the Lord Hand Tywin Lannister and Cersei Lannister, the Queen Regent. Or, I suppose it is former Queen Regent now." The jab was subtle but unmistakable. "Lord Hand and Lady Cersei, this is Ellaria Sand."
Ellaria stepped forward, her dark eyes gleaming as she curtsied. "My lord. My lady."
Tywin offered a curt nod, the barest flicker of acknowledgement. "Charmed."
Cersei, however, let her gaze linger on Ellaria for a moment too long. “Can’t say I’ve ever met a Sand before,” she said, her words dripping with disdain.
You stole a glance at Ellaria, whose demeanor had shifted, a spark of fierceness flashing in her eyes. Her voice was like steel wrapped in silk. “We are everywhere in Dorne. I have ten thousand brothers and sisters.”
Oberyn’s lips curled into a smirk. “Bastards are born of passion, aren't they? We don’t despise them in Dorne.”
The corner of your mouth twitched, nearly betraying a smile at Oberyn’s thinly veiled jab. You bit your lip, forcing yourself to remain composed, knowing how easily any sign of amusement could draw unwanted attention.
Cersei, however, did not miss a beat. “No? How tolerant of you.”
Oberyn leaned in ever so slightly, his eyes never leaving hers. “I expect it is a relief, Lady Cersei, giving up your regal responsibilities. Wearing the crown for so many years must have left your neck a bit crooked.”
His words were a dagger, sharp and cutting. And as he spoke, his eyes flicked to you for the briefest moment, a knowing glance that sent a shiver down your spine. He knew. He had known the entire time you were standing there, silently witnessing the exchange.
Cersei’s smile faltered, if only for a heartbeat, before she recovered. “I suppose you’ll never know, Prince Oberyn. It’s a shame your older brother couldn’t attend the wedding.”
Tywin chimed in, his voice as cold as ever. “Please give him our regards. With any luck, the gout will abate with time, and he will be able to walk again.”
“They call it the rich man’s disease,” Oberyn shot back, his tone dripping with sarcasm. “A wonder you don’t have it.”
You almost choked on your own breath at the boldness of his words, gripping the tray of food tighter to maintain your composure. Every word he spoke was a calculated strike, each one landing with precision, and you admired his audacity.
Tywin’s expression remained impassive. “Noblemen in my part of the country don’t enjoy the same lifestyle as our counterparts in Dorne.”
Oberyn’s gaze darkened, the air between them thick with tension. “People everywhere have their differences. In some places, the highborn frown upon those of low birth. In other places, the rape and murder of women and children is considered distasteful. What a fortunate thing for you, former Queen Regent, that your daughter Myrcella has been sent to live in the latter sort of place.”
Your grip tightened on the tray as Oberyn’s words struck like a whip, slicing through the false pleasantries of court. You admired him for it—for his boldness, his refusal to bend to their rules, their cruelty.
But you also knew that such boldness could come at a cost.
Without another glance, you quietly moved away, slipping back into the sea of nobles and servants. You busied yourself with pouring wine and serving food, but your thoughts lingered on the dangerous dance unfolding before you. The court was a place where words were as deadly as swords, and you could only hope that Oberyn’s sharp tongue wouldn’t cut too deep.
Yet, as you glanced back at him, standing tall and unyielding, a part of you knew that he wouldn’t be so easily broken.
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The air was thick with tension, festivity clashing with the cruelty lurking just beneath the surface. You stood near the head table, your place behind Sansa Stark’s chair, a silent observer in the midst of the spectacle. And Joffrey, the cruel little tyrant, loved his games.
From the center of the garden, you heard the familiar tap tap of Joffrey’s goblet. He rose from his seat, commanding attention as if the entire world existed solely for his amusement. His voice rang out, high and grating.
“Everyone, silence! Clear the floor,” Joffrey called, smirking as his gaze swept over the gathered crowd. “There’s been too much amusement here today. A royal wedding is not an amusement. A royal wedding is history.”
You could feel the unease ripple through the crowd as Cersei and Tywin returned to their seats. Their expressions remained impassive, but there was a shared sense of something darker brewing beneath the surface. You, too, felt the shift, your body tensing as you braced for what was to come.
“The time has come for all of us to contemplate our history,” Joffrey continued, his voice dripping with arrogance. “My lords... my ladies…”
A lever was pulled, and from the gaping mouth of a giant lion, a red carpet unfurled, rolling down the middle of the floor. The crowd leaned in, curious, and you felt your stomach twist.
“I give you... King Joffrey... Renly, Stannis, Robb Stark, Balon Greyjoy. The War of the Five Kings.”
From the lion’s mouth, five dwarves emerged, each dressed to mock the fallen kings of Westeros. They paraded around the floor with exaggerated movements and comic glee, drawing laughter and applause from the nobles. But you could feel the weight of it—the insult, the cruelty embedded in the display.
The dwarves pranced around, playing their parts. One, dressed as Renly Baratheon, twirled about the center with an exaggerated flourish. Another, playing Robb Stark, shouted, “I am the King in the North!” His wolf-head helmet bobbed comically as he danced. The Joffrey dwarf stood at the center of it all, reveling in the absurdity, while the real Joffrey watched, his face alight with sadistic glee.
You saw Tyrion’s face, stoic yet darkened with distaste, and you shared in his disgust. Every part of you was braced for the inevitable humiliation, the way Joffrey delighted in belittling those who had fought and died with honor. The scene continued, with the dwarves mocking and prancing, their movements a grotesque parody of real battle. 
“Let the war begin!” the Joffrey dwarf cried, and the chaos of the mock battle began. Robb Stark’s dwarf clashed with the others, while the Balon Greyjoy dwarf pretended to drown in an invisible sea, his gurgling cries echoing through the hall.
You glanced at Sansa. Her face was pale, her eyes wide with shock as she watched the dwarf dressed as her brother fall to the ground, his wolf helmet tumbling off. Joffrey laughed, his high-pitched cackle reverberating through the room. “Your head!” he cried, pointing at the fallen wolf.
Your fingers curled into fists, nails digging into your palms. You sneered, your lip twitching as you barely restrained the anger rising within you. You wanted nothing more than to lash out, to put an end to Joffrey’s twisted plans. But you couldn’t. Not here. Not now.
The crowd cheered, applauding the spectacle as Joffrey stood, a cruel smile on his face. “Well fought! Well fought!” he exclaimed, his voice brimming with satisfaction. “Here you are—champion’s purse. Though you’re not the champion yet, are you? A true champion defeats all challengers. Surely there are others out there who still dare to challenge my reign.”
His gaze landed on Tyrion. “Uncle. How about you? I’m sure they have a spare costume.”
The crowd erupted into laughter. You clenched your jaw, biting down on the inside of your cheek so hard you tasted blood. Every fiber of your being screamed treason. Never had you wanted more to defy a king than in that moment.
Tyrion rose slowly, his expression unreadable. “One taste of combat was enough for me, Your Grace,” he said, his voice steady. “I would like to keep what remains of my face.”
You almost smiled at the subtle barb, but it was quickly followed by another.
“I think you should fight him,” Tyrion continued. “This was but a poor imitation of your own bravery on the field of battle. I speak as a firsthand witness. Climb down from the high table with your new Valyrian sword and show everyone how a true king wins his throne. Be careful, though. This one is clearly mad with lust. It would be a tragedy for the king to lose his virtue hours before his wedding night.”
The crowd went still, the tension palpable. You could feel it, the shift in the air as Joffrey’s expression twisted into anger. He marched over to Tyrion and, without warning, poured the contents of his goblet over his uncle’s head.
You bit back a gasp as wine trickled down Tyrion’s face, his hands clenched at his sides. His voice remained calm, but you could see the fury in his eyes. “A fine vintage. Shame that it spilled.”
Joffrey, ever the petulant child, sneered. “It did not spill.”
Margaery, sensing the rising tension, tried to intervene. “My love, come back to me,” she called, her voice sweet yet pleading. “It’s time for my father’s toast.”
But Joffrey was far from finished with his torment. “How does he expect me to toast without wine? Uncle, you can be my cupbearer since you’re too cowardly to fight.”
You watched in disbelief as Joffrey dropped his goblet, forcing Tyrion to kneel and retrieve it. Your own anger mirrored the look on Tyrion’s face, your nails biting deeper into your palms as he knelt to retrieve the goblet, only for Joffrey to kick it away. The humiliation was complete.
Sansa kindly retrieved the goblet for Tyrion, silently nodding in acknowledgment. He turned to hand Joffrey the cup but sneered, “What good is an empty cup? Fill it.”
Tyrion pours wine for Joffrey in front of Cersei and hands it to him.
“Kneel,” Joffrey hissed. “Kneel before your king.”
Tyrion did not move.
Joffrey’s voice rose, venomous. “I said… kneel!”
Before things could escalate further, Margaery stood. “Look—the pie!”
The crowd’s attention shifted to the giant pie being carried in. Joffrey turned his gaze toward it, temporarily distracted. He strode forward, hacking at the pie with his sword. Doves burst forth, fluttering into the air.
But you weren’t watching the birds. No. You saw Olenna, her hand quick and deft as she slipped something into Joffrey’s goblet. A stone. A strangler stone that she took from Sansa’s necklace.
Your breath hitched in your throat, but you did not react. You acted enraptured, like the rest of the crowd. You helped serve the pie, your movements mechanical, your mind racing. Sansa turned to Tyrion, her voice a whisper.
“Can we leave now?”
Tyrion’s response was measured. “Let’s find out.”
As you continued serving, your eyes flicked back to the head table, watching as Joffrey took his goblet and drank deeply. A small smile tugged at your lips as he swallowed.
The end was coming. You could feel it.
“Mm, good,” Joffrey muttered. “Needs washing down.”
He took another gulp, arrogant and unaware, until it hit him. The first sign was the subtle hitch in his breath, almost laughable at first—until it wasn't. The coughing came next, sharp and violent, ripping through him like a wild beast gnawing at his throat. His regal posture crumbled, hands clawing at his neck as if to tear the poison from his skin. His face twisted, contorted, morphing from haughty superiority into sheer terror.
The hall shifted with his agony, the murmurs turning into gasps, the gasps into cries of panic. Chaos rippled through the crowd like wildfire, nobles scrambling, eyes wide, horrified. But you did not move. Your body remained still, a statue amidst the storm of panic, unmoved by the sight of the boy-king choking on his own hubris.
Joffrey’s sputtering, retching—every grotesque, gurgling sound—echoed through the hall, yet all you could hear was the pounding of your own heartbeat. Slow. Steady. A contrast to the pandemonium erupting around you. It was a symphony of suffering, and you reveled in the silence that enveloped your mind. His pain meant nothing to you. 
Your eyes drifted across the garden, over the faces twisted in fear, horror, and confusion, and then... there was him. Oberyn. His dark, probing gaze locked onto yours from across the hall. His brows furrowed, lips parting ever so slightly. Surprise? No, curiosity, perhaps even confusion, flickered in his eyes as he searched your face for something—anything—but found nothing. No flicker of emotion, no sympathy, no shock. Just the cold, hollow indifference that had settled into your bones like an old companion. 
You didn’t flinch, didn’t waver. Why would you? This was one of the moments you had been waiting for. The reckoning. All of Joffrey's cruelty, all of his venom, had finally come back to devour him whole. His pitiful gasping, the frantic clawing at his throat, was a fitting end for the boy who thought himself untouchable.
Joffrey gurgled, his face now a deep shade of purple, eyes bulging, lips frothing. The people around him scrambled in vain, trying to save a life that was already slipping away. You remained still, cold as ice, watching it unfold with detached precision. The world could burn around you, and you would not care.
Oberyn’s eyes lingered on you longer than they should have, as if he were trying to understand the enigma standing before him. He didn’t. He couldn't. No one could. There was no more humanity left in you for him to grasp.
Joffrey’s choking grew louder, more desperate. His hands flailed, reaching for his mother, for someone to save him from the inevitable, but no one could stop what was coming. No one could stop you from witnessing the justice you had longed for.
Margaery rushed to Joffrey’s side. “He’s choking!”
Olenna, ever the actress, called out, “Help the poor boy!”
But there would be no help. No saving the king. You watched, unmoved, as Joffrey staggered, his face turning purple, vomit spilling from his lips. Jaime rushed to him, but it was futile. Joffrey was dying.
And all you could think of was how fitting it was. There would be no glory for Joffrey Baratheon. No legacy. Only pain. Only death.
“My son. He’s gone. My son!”
Around you, the world screamed and wailed. Cersei’s frantic cries cut through the air like a knife, but you barely registered them. You were detached, distant. Untouchable. 
It was strange—the numbness. The apathy was a shield you had forged long ago, layer by layer, through every injustice, every cruelty, every wound. You were unbreakable now, untouchable by Joffrey's suffering or anyone else’s. There was a quiet power in that, a dark satisfaction, as you watched the boy-king's life wither before your eyes. 
His torment did not sway you. Not a muscle in your body flinched. Your fingers, relaxed at your sides, held no tension. You didn't care. Not anymore.
“He did this. He poisoned my son, your king. Take him. Take him! Take him! Take him!”
Cersei, her screams filled the hall, but you felt nothing. The king was dead. And soon, the unraveling of this court, this rot, would begin.
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TAGLIST:
@christinamadsen
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rendezvouz-fling · 5 months
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Celebrities you share placements with Pisces Placements Edition
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Pisces rising:
• Whitney Houston
• Michael Jackson
• Gwyneth Paltrow
• Ryan Gosling
• Richard Pryor
• Billie Eilish
• Andrew Garfield
• Ringo Starr
• Tony Hawk
• Kourtney Kardashian
• Ellen DeGeneres
• Zayn Malik
• John Stamos
• Demi Moore
• Antonio Banderas
• Jay-Z
• Brandy Norwood
• Nancy Spungen
• Amanda Bynes
• Phylicia Rashad
Pisces sun:
• Elizabeth Taylor
• Eva Longoria
• Victoria Justice
• Kurt Cobain
• Trever Noah
• Steve Jobs
• Adam Levine
• George Harrison
• Camila Cabello
• Stephen Curry
• Olivia Rodrigo
• Shaq
• Queen Latifah
• Cindy Crawford
• Floyd Mayweather Jr.
• Terrence Howard
• Rebel Wilson
• Dakota Fanning
• Becky G
• Kat Von D
Pisces moon:
• Prince
• Axl Rose
• Lacey Chabert
• Jhene Aiko
• Bad Bunny
• Erykah Badu
• Freddie Prince Sr.
• Shailene Woodley
• Jason Statham
• Dylan O'Brien
• Felicity Jones
• Robert De Niro
• Kidada Jones
• Sarah Michelle Gellar
• Luke Mitchell
• Vanessa Hudgens
• Macaulay Culkin
• Joey King
• Kevin James
• Matt LeBlanc
Pisces mercury:
• Heath Ledger
• Lady Gaga
• Lily Collins
• Reese Witherspoon
• Shay Mitchell
• Ashley Greene
• Jennifer Grey
• Joan Crawford
• Daniel Gillies
• Michael B. Jordan
• Vida Guerra
• Pharrell Williams
• Jenny Slate
• Matthew Lawrence
• Luke Evans
• Vince Neil
• Eddie Murphy
• Jackie Chan
• Jennifer Love Hewitt
• Christina Ricci
Pisces venus:
• Selena Quintanilla
• Brandi Quiñones
• Drew Barrymore
• Orlando Bloom
• Michelle Pfeiffer
• Kristen Stewart
• Barbra Streisand
• John Travolta
• Emma Watson
• Jon Bon Jovi
• Diana Ross
• Iggy Pop
• Alice Cooper
• Victoria Beckham
• Celine Dion
• Justin Bieber
• Michelle Obama
• Samantha Fox
• Dave Grohl
• Dove Cameron
Pisces mars:
• Denzel Washington
• Rowan Atkinson
• Tom Hanks
• Marilyn Monroe
• Shirley Temple
• Tina Turner
• Bob Dylan
• Phil Collins
• Heidi Klum
• Paris Hilton
• Elton John
• Enrique Iglesias
• Eric Clapton
• Ellie Goulding
• Ricky Martin
• Lisa Marie Presley
• Paco Rabanne
• LL Cool J
• Kelly Rowland
• Big Pun
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Note
Hello :)
I would like to know if you know who is behind the horrible false accusation against Marie Antoinette regarding her son. We know that Hébert presented the testimony in the revolutionary tribunal, and although he bears responsibility for it, I don't think he was alone in fabricating this false testimony.
While it is hard to know for sure exactly whose idea it was to make incest a charge against Marie-Antoinette, these are all the people involved in obtaining the information needed that I’ve been able to track:
When giving his testimony during Marie-Antoinette’s trial, Hébert claimed this ”fact” had been discovered by Antoine Simon, Louis-Charles’ caretaker in the Temple, who then told him, alongside mayor of Paris Jean-Nicolas Pache and prosecutor of the Paris Commune Pierre-Gaspard Chaumette, about it (cited in Histoire parlementaire de la Révolution française, volume 29, page 355-356):
…He (Hébert) adds that Simon having informed him that he had something important to communicate to him, he went to the Temple accompanied by the mayor and the prosecutor of the Commune. There they received a declaration from the young Capet, from which it was revealed that at the time of Louis Capet's flight to Varennes, La Fayette was one of those who had contributed the most to facilitating it; that for this purpose they had spent the night at the castle; that during their stay at the Temple, the inmates had continued for a long time to be informed of what was happening outside; that correspondence was sent to them in clothes and shoes. The little Capet named thirteen people as those who had partly cooperated in maintaining these intelligences, that one of them having locked him and his sister in a turret, he heard him telling his mother: I will get you the means of finding out the news by everyday sending a peddler to shout the evening newspaper nearby. Finally, young Capet, whose physical constitution each day was deteriorating, was discovered by Simon [while engaging] in indecent pollutions that were fatal to his temperament; that the latter having asked him who had taught him this criminal practice, he replied that it was to his mother and his aunt that he was indebted for the knowledge of this fatal habit. From the declaration, observes the deponent, that the young Capet made, in the presence of the mayor of Paris and the prosecutor of the Commune, it follows that these two women often made him sleep between the two of them, that he there committed acts of the most unbridled debauchery; that there was not even any doubt, from what fils Capet said, that there had been an incestuous act between mother and son. There is reason to believe that this criminal enjoyment was not dictated by pleasure, but rather by the political hope of annoying the physique of this child, who one still liked to believe was destined to occupy a throne, and whose morale one wanted by this maneuver to ensure the right to reign over while, by the efforts that one made him make, he remained attacked by a descent, for which it was necessary to put a bandage on this child; and ever since he no longer lives with his mother he has regained a robust and vigorous temperament.
The letter where Simon asks Hébert to come over to the Temple has been conserved and can be found cited in volume 1 of Histoire du tribunal révolutionnaire de Paris : avec le journal de ses actes (1880) by Henri Wallon:
The republican Simon to the patriot and damn patriotic Father Duchesne, The Temple, 30 September 1793, year II of the Republic one and indivisible Hello. Come quickly, my friend, I have things to tell you and would feel a lot of pleasure seeing you. Try to come today, you will always find in me a frank and brave republican.
Louis-Charles’ declaration, made on October 6 1793, can in its turn be found cited in Procès des Bourbons (1798). Besides Louis, Simon, Pache, Chaumette and Hébert, the document has been signed by Frery and Seguy, commissioners of the temple, Heousée, police administrator, and Laurant, council commissioner. According to The Dauphin (Louis XVII) (1921) by G. Lenotre, Louis-Charles’ signature is very clumsily written when compared to the handwriting in his schoolbooks, opening the door to the possibility his interrogators had threatened him or made him drunk in order to get him to put his name on the paper:
…He declared to them, furthermore, that having been surprised several times in his bed by Simon and his wife, charged with watching over him by the commune, committing indecency on himself that was harmful to his health, he admitted to them that he had been instructed in these very pernicious habits by his mother and his aunt, and that different times they had amused themselves by seeing him repeat the practices in front of them, and that very often this took place when they made him lie down between them. From the way the child explained himself, he made us understand that once his mother made him approach her; it resulted in copulation and a swelling in one of his testicles, as said by the citoyenne Simon, for which he wears a bandage, and that his mother recommended him to never speak of it: that this act had been repeated several times since.
In the same work we also find the interrogation held with Louis’ sister Marie-Thérèse-Charlotte the following day. She was then among other things asked ”if, when playing with her brother, he did not touch her where he didn’t get to touch her; if one didn’t make her brother jump on a blanket, and if his mother and aunt hadn’t made him sleep between them?” Thérèse responded with a no. The protocol then documents the following:
We immediately called for Charles Capet, and invited him to tell us if what he said yesterday, regarding the touching of his person, was true? [He] persisted in what he had said, repeated and maintained it in front of his sister, and persisted in saying that it was the truth. Asked a second time to state whether this was indeed true, he replied yes, it is true; his sister claimed to never have seen it.
This document is signed by Jacques-Louis David, Pache, Chaumette, Heussé, Laurent and Danjou. The same people plus one Séguy also signed the interrogation of Madame Élisabeth held the very same day. The childrens’ aunt was she too questioned about the incest:
Has she read Charles' statement, regarding the indecencies mentioned in the document, dated the 15th of this month? Responded that a similar infamy is too far below and too far away from her to be able to respond to it; that moreover the child had had this habit for a long time; and that he must remember that she and his mother scolded him for it several times. Charles was asked to explain on this subject: he attested that he had told the truth. She read the rest of Charles' statement on the same subject, in which he persisted, adding that he did not remember the times, but that it happened frequently. She said that as it only concerns her, she will not respond to it any more than to the rest; she believes that her conduct must protect her from suspicion. Charles asked to declare who had first instructed him in this practice. The two together. Did it happen during the day or during the night? He doesn’t remember, but he thinks it was in the morning.
The secretary who wrote the interrogations down was one Daujon. His colleague, the municipal officer Goret, wrote that he had told him the following about the incident (cited in The last days of Marie-Antoinette (1907) by G. Lenotre):
It was this same Daujon who was acting as secretary when the young prince was subjected, in the Temple, to an examination on the subject of the slanderous and infamous statements that had been circulated with in regards to the Queen. Here, word for word, is what Daujon told me on the subject of that examination, and I may say that I considered him a man worthy of belief. The young prince, he told me, was seated in an armchair, swinging his little legs; for his feet did not reach the ground. He was examined as to the statements in question, and was asked if they were true: he answered in the affirmative. Instantly Madame Elizabeth, who was present, cried out: ”Oh, the monster!” As for me, added Daujon, I could not regard this answer as coming from the child himself, for his air of uneasiness and his general bearing inclined me to believe that it was a suggestion emanating from someone else, — the effect of his fear of punishment or ill treatment, with which he may have been threatened if he failed to comply. I fancy that Madame Elizabeth cannot really have been deceived either, but that her surprise at the child's answer wrung that exclamation from her.
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IWTV Season 2 Sources & References
(The 1st 4 were cited by the Writer’s Room)
The Ethnic Avante-Garde: Minority Cultures and World Revolution by Steven S. Lee
Paris Journal 1944-1955 by Janet Flanner (Genet)
The Vampire: A Casebook by Alan Dundes
Anne Rice’s Vampire Chronicles: An Alphabettery
The Fly cited by Jacob Anderson
King Lear by Shakespeare cited by Rolin Jones
Melmoth the Wanderer by Charles Maturin
Sebastien Melmoth by Oscar Wilde
Amadeus (1984)
The Lost Boys (1987)
Gaslight (1944)
Batman
Casablanca (1942)
Now, Voyager (1942)
The Third Man (1949) cited by Levan Akin
An American in Paris by George Gershwin (1928) cited by Daniel Hart
Moulin Rouge (2001)
The Phantom of the Opera
Les Vampires (1915)
Dracula (1931) credit to @vampchronicles_ on twt
Le Triomphe de L’amour by Pierre de Marivaux
Giovanni’s Room by James Baldwin cited by Jacob Anderson
Existentialism is a Humanism by Jean Paul Sartre
Les Liaisons Dangereuses by Pierre Choderlos de Laclos
Romeo and Juliet by William Shakespeare
How to Win Friends and Influence People by Dale Carnegie
Hamlet by William Shakespeare
Vampire’s Kiss (1988) credit to @talesfromthecrypts
Les Morts ont tous le Meme Peau by Boris Vian credit to @greedandenby
The Most Dangerous Game by Richard Connell
Waiting for Godot by Samuel Barclay Beckett credit to @rorscachisgay on twt
An Enemy of the People by Ibsen
Anna Karenina by Leo Tolstoy
Vie de Voltaire by Marquis Condorcet
Simone de Beauvoir: A Critical Introduction by Edward Fullbrook and Kate Fullbrook credit to @iwtvfanevents
Nightwood by Djuna Barnes credit to @iwtvfanevents
Beloved by Toni Morrison
Artists and Salons Referenced:
R-26
Palma Vecchio
Andre Fougeron
Elsa Triollet
Fred Stein
Lisette Model
Gordon Parks
Miguel Barcelo
taxidermied Javelina by Bryan Cunningham
Ai WeiWei (wallpaper)
David Hockney (Lemons)
Wols 
The Kiss of Judas by Jakob Smits
Salome by Louis Icart
Ophelia by John Everett Millais
Shelter by Peter Macon
The Kiss by Edvard Munch
Self-Seers II (Death and Man) by Egon Schiele credit to @90sgreggaraki
The Sleep of Reason Produces Monsters by Goya
Movie & Play Posters on set (in chronological order by year):
Tarzan and his Mate (1934)
Avec le Sourire (1936)
Les Deux Gosses (1936)
Le Jour Se Leve (1939) about a man who commits murder as a result of a love triangle and locks himself in his apartment recounting the details as the police attempt to arrest him. Credit to @laisofhyccara
Nuit de Décembre (1940)
Mademoiselle Swing (1942) about a girl who follows a troupe of swing musicians to Paris.
Les Enfents du Paradis (1945) about a woman with many suitors including an actor and an aristocrat.
Fantomas (1946) about a sadistic criminal mastermind. This version includes a hideout in the catacombs where he traps people.
Quai des Orfevres (1947) watch here
Monsieur Vincent (1947)
Le Cafe du Cadran (1947) about a wife’s affair with a violinist.
La Kermesse Rouge (1947) film about a jealous artist who locks up his younger wife and a fire breaks out while she’s trapped.
Morts Sans Sepulture by Jean-Paul Sartre (play) also published in English translations as “The Victors” or “Men Without Shadows” about resistance fighters captured by Vichy soldiers struggling not to give up information.
Mon Faust by Paul Valery (play)
Musical Influences:: @greedandenby collected all music used in Season 2 here.
Henry Cowell
Meredith Monk
Howling’ Wolf
Shirley Temple
Jason Lindner Big Band
The Teeth
Carlos Salzedo
Alice Coltrane
Thelonius Monk
David Lang
Caroline Shaw
Gadfly by Shostakovich (for Raglan James)
musical career of Martha Argerich
Season 1 here (these lists are updated regularly)
Season 3 here
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