#telomers

[amplexadversary]

@roadsidebrambles we can save his life *and* get him pregnant it's a win-win!

[gay-sohbet]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[taksimgaysohbet]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[taksimtravesti]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[gaydatingturkey]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[antalya-gay]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[ankaratravestimodel]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[ankaragaysite]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[ankara-gay-siteleri]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[aktifgayler]

Anti-Aging Sektöründeki Son Gelişmeler ve Yaşlanma Üzerine Bilimsel İlerlemeler

Yaşlanma, biyolojik mekanizmaların karmaşık bir etkileşimi olup, son yıllarda bu süreci yavaşlatma veya tersine çevirme konusunda önemli araştırmalar yapılmaktadır. Bilim insanları, hücresel yaşlanmayı hedefleyen ilaçlar, genetik müdahaleler ve beslenme stratejileri gibi çeşitli yaklaşımlar üzerinde çalışıyor.Bu yazıda, yaşlanmayı yavaşlatma veya tersine çevirme konusunda yapılan en son…

[estherax]

Disco Elysium creative team VS Studio ZA/UM: the complete(?) timeline (updated on March 24th)

Recent news confused a lot of people, including me, so I made a timeline of events to understand the situation better! If you have any corrections, more info and sources feel free to reach out to me or add to this post!

Important parts are highlighted in orange, names and organizations to keep in mind are in italics, the newest corrections and updates are highlighted in green, other information elaborating on the situation is in (brackets).

October 1st, 2022. Martin Luiga puts out a Medium post announcing the dissolution of ZA/UM cultural association and confirming that Kurvitz, Hindpere, Rostov no longer work at ZA/UM studio "since the end of last year and their leaving the company was involuntary."

October 3rd 2022. Kotaku published an article, claiming "the studio hasn’t been transparent about what exactly happened with staff either." According to "two sources familiar with the situation, the studio’s internal announcement of Kurvitz’s departure late last year [2021] also contained a threat of possible legal action against him. Any split would have been made messier by Kurvitz and Rostov being shareholders in the studio, the sources said. It’s also clear ZA/UM has gone out of its way to try and keep the situation quiet. Kotaku reached out for an interview with Kurvitz in February [2022]. The studio declined on his behalf, but provided no indication the developer had already left the company." Kotaku also mentions a tweet from Martin Luiga announcing the dissolution of ZA/UM cultural association. One of Martin's tweets (further elaborating on the dissolution) was quote tweeted by user nob69691 with caption "the suits have killed disco", to which he responded with pictures of the game’s executive producers, Tõnis Haavel and Kaur Kender.

October 25th, 2022. Kotaku Australia reports Kurvitz’s company, Telomer, has filed an application against Studio ZA/UM to "obtain information and review documents." Court date is listed as November 28th, 2022.

Kotaku also reached out to Martin Luiga for a comment; when asked if the case’s purpose was to regain control of the Elysium IP, he responded, “What else could it possibly be?”

November 9th, 2022. Studio ZA/UM puts out a statement detailing the dismissed employees (unnamed) "had limited to no engagement in their responsibilities and work, created a toxic work environment, demonstrated misconduct towards other employees including verbal abuse and gender discrimination, and attempted to illegally sell ZA/UM's intellectual property".

In an Estonian newspaper, Estonian Ekspress, ZA/UM CEO Ilmar Kompus has further accused Kurvitz and shareholder Saandar Taal (Rostov's alias) of "humiliating colleagues and intending to steal IP" as well as "belittling women and co-workers."

Kompus added that their dismissal was demanded and carried out by Kaur Kender, executive producer on Disco Elysium and their direct manager at the time. Kender was placed on a leave of absence on medical grounds in late August according to Kompus.

Speaking to the Estonian Ekspress, Martin Luiga said he was "driven to drink by the unnatural work arrangement" at the studio. "The work was organised in such a way that the goal did not seem to be to make games, but rather to make people quarrel with each other."

(I am also adding anonymous claims, take them with a grain of salt)

One source that spoke to GamesIndustry.biz, who asked to remain anonymous, described the situation as "not black and white," and said that long-term staff were reluctant to speak out about Kurvitz’ behaviour because they respected him, and felt like they owed him for their positions. Sources that spoke to the Estonian Ekspress described a clash of two visions between the business team of ZA/UM led by Kompus, and the creative team formerly headed by Robert Kurvitz, which considered profit "secondary." This was corroborated by our sources, one of which described the situation as "CEO corporate scheming on one side, a toxic auteur on the other."

On the same day, Kurvitz and Rostov shared a Medium post explaining their side. Kurvitz and Rostov are minority shareholders in Studio ZA/UM, while "the majority of this company’s shares were initially held by Margus Linnamäe, who provided the initial capital. In 2021, Linnamäe was bought out by another minority shareholder," a company called Tütreke. They say this company "is a vehicle for two Estonian businessmen — Ilmar Kompus and Tõnis Haavel." Kurvitz and Rostov described Linnamäe as a trusted majority shareholder, but didn't share the same sentiment regarding Kompus and Haavel. "As soon as they became majority shareholders, we were quickly excluded from daily operations, our employment was terminated and our access to the company’s information was shut off. Our firing came weeks after we started asking for documents and financial data, which is still being kept from us. We have now learned that Tütreke OÜ must have obtained control over Zaum Studio OÜ by fraud. We believe the money used by Tütreke OÜ to buy the majority stake was taken illegally from Zaum Studio OÜ itself".

Studio ZA/UM denied any claims of fraud and insisted that dismissal of wokers "was a decision that had to be taken for the wellbeing of the collective."

Correction: Ilmar Kompus's statement came out first on Estonian Ekspress on November 8th 2022 21:06. His statement and Studio ZA/UM's statement given to GameIndustry.biz were reproduced and published in a GameIndustry.biz report on November 9th. Rostov and Kurvitz's Medium statement came out later on November 9th. GameIndustry.biz report added an excerpt from Medium on November 10th. (i used Wayback Machine to check this, the report was updated between 11:08 and 11:53)

November 9th 2022. Kotaku puts out an article, summarizing the above statments from Studio ZA/UM, Kompus, Kurvitz and Rostov. "When asked by Kotaku, a spokesperson for ZA/UM declined to elaborate beyond its original statement [about dismissal of employees over misconduct], including whether the allegations also applied to Rostov as well as Helen Hindpere."

23rd of November, 2022. PC Gamer reports a hearing was held in Harju County Court in October, where Kurvitz and Rostov argued that Kompus had allegedly sold four concept sketches (for Disco Elysium sequel), to Tütreke for just over €1 and then immediately bought them back for €4.8 million using Studio ZA/UM's money. This amount is what was apparently used to buy Linnamäe's large stake, and put it in the hands of Kompus. "Kompus allegedly hoped that ZA/UM and Disco Elysium could be resold quickly. [...] But there remained a problem: Robert Kurvitz is the creator of Disco Elysium, still owns a piece of it, and has the right to block any acquisition."

The latest legal battle was lodged by Kaur Kender, executive producer and marketing manager of the game, "who claimed in court that Kompus cheated him out of just under €1,000,000." At Kender's request, the court seized Kompus' stake in Studio ZA/UM to prevent a sale or transfer of holdings during the proceedings.

Haavel is also accused in the lawsuit of following Kompus' actions. The filing pointed out that the holder of the IP rights to Disco Elysium is a subsidiary called YESSIRNOSIR LTD, which is owned by ZA/UM UK. The director of ZA/UM UK is Anu Reiman, who is also reportedly a partner of Haavel's. Kender claims that Haavel's involvement is being "kept secret" because he's €11.2 million in debt as a result of his 2015 conviction.

Speaking to the Estonian Ekspress, Kompus denied the existence of a lawsuit against him, and Haavel called the allegations "completely absurd." Both were shown legal documents by the outlet and did not respond.

December 8th, 2022. According to GamesIndustry.biz article, Kaur Kender has withdrawn a lawsuit against Tütreke.

Studio ZA/UM provided a statement from Kompus, but could not provide a reason for Kender's withdrawal. Kompus says: "We are pleased that Kender and his attorneys have chosen to withdraw their lawsuit – one that should never have been filed in the first place. Their decision affirms there was no basis for their accusations and that I have acted appropriately and responsibly, as underscored by the corporate records I provided."

The article also mentions Studio ZA/UM was unable to provide an update on the suit's progression against Kurvitz's company, Telomer.

PC Gamer reached for comment, Kender stated that his lawsuit against the owner of Studio ZA/UM proved to be successful and provided a timeline of the lawsuit:

Kaur Kender's lawsuit against the owner of ZA/UM was successful.

Kaur Kender's (his company, Chromed Investing OÜ) lawsuit against the owner of Zaum Studio OÜ proved to be successful.

On October 25, 2022, Kaur Kender's company filed a lawsuit against OÜ Tütreke (Ilmar Kompus company), in which was demanded the seizure of Zaum Studio OÜ's share belonging to OÜ Tütreke.

On October 29, 2022, the Estonian court secured the action and shares belonging to OÜ Tütreke were seized.

On October 31, 2022, the order securing the action was forwarded to Nasdaq and the Estonian Business Register.

On November 1, 2022, Kaur Kender sent a letter in English to contacts, including Ilmar Kompus and Tõnis Haavel, stating that the minority shareholders demand the convening of a general meeting.

On November 4, 2022, Ilmar Kompus' company OÜ Tütreke paid a total of 4 million euros to Zaum Studios OÜ in two payments.

On November 11, 2022, Ilmar Kompus' company OÜ Tütreke paid 800,000 euros to ZA/UM Studios OÜ.

Ilmar Kompus referred in the corresponding payment orders: "Return of the amounts received on the basis of the contract on 12.2021-01.2022 due to the nullity of the contract".

To the extent that Ilmar Kompus returned the illegally taken 4,800,000 euros, Kaur Kender achieved the goal of the lawsuit filed, and the court proceedings in this case will be terminated.

PC Gamer also provided commentary and an excerpt from Estonian Ekspress: "Eesti Ekspress reports that Kompus "paid back" €4.8 million to Studio ZA/UM in November. The outlet says that the reason provided for the transaction was that the €4.8 million "was received on the basis of a void transaction." Eesti Ekspress points out that Kompus "controls both sides" of that void transaction. [...] By now transferring €4.8 million to the company to repay it for a "void transaction," the intended message seems to be that he didn't use company money to buy his shares. But why did he have the €4.8 million in the first place?"

Robert Kurvitz told PC Gamer that his party is aware of "Kompus’s view that the money taken from ZA/UM Studio was 'repaid'." Kurvitz says he's seen a "partial bank statement allegedly confirming such repayment," but remains unclear on the "source and legal nature of this repayment, and the further use of the allegedly repaid funds."

"Further, any 'repayment' of the company’s money which was used to illegally acquire a majority stake does not erase the main consequence of the initial injustice⁠—which is that Kompus remains the majority owner, a position that he was only able to attain by using the company’s money as his own," said Kurvitz. "In light of this, there has been no material change in our situation, and we continue to consider our legal options. We cannot comment on the decisions taken by Kaur Kender with regard to his claim, to which we were never a party."

March 14, 2023. GamesIndustry.biz reports legal dispute between Studio ZA/UM and the game's producer Kaur Kender has been resolved.

"ZA/UM has announced that ex-staffer Kender has repaid all debts owed to it. Also, per a court order, Kender has repaid CEO Ilmar Kompus for legal fees from a lawsuit that was eventually withdrawn back in December. Additionally, he's divested all his shares in the games company.

Studio ZA/UM says both Kurvitz and Rostov have dropped their "unfair dismissal" claims due to lack of evidence. However, the company says it continues to face a "series of baseless allegations from former employees" and expects more claims to "fall apart under legal and factual scrutiny."

March 16, 2023. In a statement sent to GamesIndustry.biz, Kurvitz and Taal (alias for Aleksander Rostov) said the press release is false in multiple areas. The pair maintain they are the remaining minority shareholders of the studio. The developers explained, "The press release implies that our employment claims against the studio were withdrawn for lack of evidence. They were not. We see our dismissal as part of a larger campaign against us and will pursue legal options accordingly." The statement adds that they disagreed with Kender admitting the lawsuit he withdrew in December 2022 was misguided.

"Kender's lawsuit was based on the misuse of ZA/UM's funds (€4.8 million) by the majority shareholders [Ilmar Kompus and Tõnis Haavel] to increase their own stake in the company. In the press release, Kompus and Haavel admit to this misuse, arguing only that the money has been 'paid back to ZA/UM,' " the duo explained.

"Paying back stolen money, however, does not undo the crime; here, it does not undo the majority that Kompus and Haavel have illegally gained in ZA/UM."

Additionally, they described that, unlike Kender, they will not be silenced in this ongoing legal dispute. "Unlike Kender, we have not participated in the looting of ZA/UM, and Kompus and Haavel have no power over us."

March 23rd 2023. GamesIndustry.biz updates initial post with a reply statment from ZA/UM. The studio reiterated that Kender admitted that the lawsuit was misguided on his part. It said, "In addition, as part of a court order, he also paid the legal fees for CEO Ilmar Kompus, who had to respond to that now-withdrawn claim." ZA/UM adds, "Using details like 'looting,' 'stolen money,' and 'crime' make for riveting reading but are far from reality. The actual harm to the studio is not from some fictional 'looting,' but rather from Mr. Kurvitz and Mr. Taal, while employed by the studio, refusing to do their jobs, creating a toxic workplace, demeaning colleagues, and attempting to misappropriate Studio IP."

Additionally, the studio explained that Kurvitz and Taal are welcome to challenge these facts in court.

(The next court hearing is scheduled for September 11th.)

[thesleeptokenarchive]

Social Media Update: Telomeres

From September 18 to 23 2021, Sleep Token released multiple posts teasing the songs on their forthcoming sophomore album, This Place Will Become Your Tomb

On this day, Telomers, the tenth track, was teased with the below video and caption.

‘Telomeres’ shall be yours. September 24th - ‘This Place Will Become Your Tomb’. http://sleep-token.com

[FB | X]

[turianhumanclient]

ZAUM vs Telomer part 2

New court hearing scheduled for September. Kurvits didn’t take the judge’s deal then.

[leonsleftbicep]

ok im being a little silly right now

WHY IS THE GUITAR SOLO IN TELOMERS SOO GOOD

AND THE BREAK DOWN AT THE END OF WHEN THE BOUGH BREAKS

AND DONT FREAKING GET ME STARTED ON JERICHO

i love these three songs with my heart and soul

[tvoja-tt]

Soba

1 deo

Vreme;

Veče 12 na 13.8.2013 utorak, u sobu ulazim u sredu ujutru.

Nije ovo klasična soba na koju smo svi navikli sa krevetom tv-om, soba u kojoj imaš plakat, police, postere, PS5 konzolu, kompijuter, veliki prozor onako upuškana između dnevnog boravka, kuhinje ili kupatila, pored roditeljske sobe ili bratove, sestrine. Ovo je soba, sa krevetom na sprat, jednim jastukom i plavim dušekom, ovo je soba greha, emocije tuge i sreće, ovo je soba u kojoj imaš tv-e a od kanala za gledanje samo muzika, filmovi i dokumentarci, vesti su strogo zabranjene pojačava se do 40 dalje ni oktave. U sobi imaju dva taburea nalik na malu kućnu kantu bez dna sa tri rupe na vrhu toliko koliko bi mogao da je pomeriš kao što imaju kugle za kuglanje, wc šolja bez daske, lavabo, polica za hranu i garderobu, jedna daska ispod prozora duž cele sobe na kojoj u desnom uglu stoji tv-e i pribor za jelo (plastična čaša, nož, viljuška i kašika) Prozor je izlepljen civom folijom 5 centimetara na vrhu nije taman toliko da se probiju sunčevi zraci i da se vidi svetlost dana. Sa strane prozora sa obe strane širine 10 cm se otvara krilo prozora koje je sve u sivom limu i rupicama kao od konfeta. Zid kod svakog kreveta ima tablu da se utisnu rajsinglama drage slike, crteži, pisma i slično. Ulazna vrata od sobe su kao sefovska vrata sa kvadratnim prorezon na sredini, sa leve strane od vrata u zidu postoji radio i zamisli hvata radio (Beograd prvi program) , tu je dugne za prvu pomoć, tu se pali i gasi svetlo u sobi, pojačava i smanjije radio i traže stanice, tu je spiker za obaveštenja smešten u malu kutiju.

U toj Sobi nastaju vizije, emocije, dela, vriske, udarci, krš i lom, kroz tu sobu prolaze razni ljudi, tu te dočeka cimerka, koja zamisli ima Bosansko poreklo i na tvoju srću govori Srpskim jezikom onako malo kroz zaborav ali razume sve, odgovara ti na Italijanskom, Francuskom ili Nemačkom ali razume i kad joj opsuješ mater na Srpskom besna jer si zapala tu jer si verovala da imaš drugaricu, iako ti je majka lepo govorila da drugovi i drugarice ne postoje, da je to samo bilo u ratu četrdesetprve...ok ni ja nisam baš bez razloga tu gde jesam.

Kako se sve desilo, pitate se?

Juto kao i svako pre toga, otvaramo lokal, gledamo kameru, pijemo kafu i konzervu neke energije, doručkujemo sendvič. Ni ne slutimo da smo opkoljeni, žandarima da je ceo naš kvart blokiran maricama i policiskim vozilama i da samo čekaju trenutak kad će nam upasti u pretres i kad će nas sve pohapsiti. Negde oko 12h pre podne, drug na kameri vidi kako se vratima približavaju dva lika u crnom sa onim lancem oko vrata od kuglica i ne konta da na tom lancu visi policiska značka da su to policajci, pošto je kamera jedna snimala celu figuru ljudi, a druga koja je bila umesto svetla lažno svetlo snimala je samo vrat ljudi baš iz tog razloga on ni ne poglada tu kameru već samo ovu i kaže; Nove mušterije, ja pogledah u drugu kameru i primetih nešto čudno, primetih taj lanac i to da su telom nabijeni na vrata da imaju fantomke i da im se faca ne vidi u trnutku se izderah i reče mu ne to je policija ne otvaraj on je otkučao oni su nogom i telom razvalili vrata i on je pao na pod upali su i rekli Kriminalpolizei - (Kriminalna policija) pasoš molim vas. Drugo pitanje je bilo; Wer hat hier das Sagen? ( Ko je ovde glavni? ) Ich - (Ja) odgovorih. Staviše nam lisice, i mene postaviše da sedim na stolici do vrata. Drugara ostaviše sa lisicama tako��e da sedi za stolom. Jedan od glavnih policajaca reče; Es ist Ihnen nicht gestattet, miteinander zu reden. - ( Ne smete pričati međusobno ) u fazonu da se ne bi dogovorili šta da kažemo. Ćutimo i gledamo kako nam prevrću stvari, na sto poredali 11 telefona i pitaju čiji su drug pokazao na svoja 2 ostalih 9 sve moji. U frižideru u sosu od paradajza zabodeni su ključevi od hale i vikendice. (To nisu našli) Problem sa njihovim ključevima je to što je svaki čipovan ili kodiran i po čipu ili tom kodu oni mogu da nađu adresu a sa adresom lako i vlasnika objeka. Ali sam ja taj podatak znala unapred pa sam ključeve od bašte tj. te vikendice i hale sakrila u paradajz sos u frižider. U taletu iznad wc šolje imali smo napravljen boks od gipsane ploče gde je bio jedan plastični boks u njemu je bilo; oko dvesta grama trave, vagica, vekika vaga koja važe kile, pakovanje medicinskih rukavica, pakovanje od sto komada zip kecica belih-(providnih), crvenih i zelenih sa znakom marihuane, sto grama hašiša u tabli kao čololada, ispod stola ispod kompa bio je okrugli boks u kom je bilo negde oko dvadest i pet grama marihuane u pakovanjima po pet grama, u belom pik apu na parkingu bio je boks u kom je bila kila marihane u pakovanju po pet grama što bi značilo od 135 do 142 kesice ovisi negde naravno nije bilo čistih pet grama bio je koji gram manje negde više išlo je i do 2 grama plus i 1,3 manje po pakovanju negde je bilo 7,1g negde 4,7g negde 5g bilo je i onih pakovanja po 15g. U tom momentu meni je zvonio jedan od telefona, zvala me Majka. Dok je meni kroz glavu prolazilo da mi moji ljudi moji dostavljači ne banu u lokal po još robe i da mi predaju pazar i uzmu svoju stnicu od 500 evra. Oni su mi na terenu ali znali su oni ako se ne javim u toku 45minuta da nešto nije uredu da smo pali. Dva auta su razvozila kao dostavu na kućne adrese u tom momentu na dve različite strane, od 100 i 200, 300g a bome i više prodavala se do 4kg na dan u celosti, a ono sitno po 5, 10, 15 i 20 g u lokalu da ni ne govorim po mojoj evidenciji jedno vreme smo u maju mesecu prodali 40kg čistog skanka. Marihuana se deli na Skank (koja ima viskoki stepen thc-a) ta je išla u crvene kesice, Domaju (sa salo niskim stepenom thc,) ta je išla u zelene kesice, a ova naj lošija je išla u providne kesiće znate tu je bio onaj odpad bila je to i muška biljka puna smenki, mrvica svega i svačega i bila je naj slabija, uradi ona tebe ali ništa konkretno.

Naspaviće se....

Tvoja. t.t.

[l0wk3eyn]

Maják - autor mne nie neznámy

Stojím sama na okraji priepasti zúfalstva. Je tmavá chladná noc, bez jasného svitu a ligotu miliónov hviezd. Hviezdy sú na plamienky nádeje niekde tam, tam hore vysoko nado mnou nad temným mračnom krutého sveta. Sú tu od nepamäti, keď ešte boli ľudia len bezduché telá a umierali po pár hodinách stvorenia. Zmenil nás posol z ďalekých svetov, keď priniesol na svojich anjelských krídlach lásku stvorenú z prachu prvej hviezdy. To láska vdychuje ľuďom dušu a zmysel života, vďaka ktorému sme prežili kruté osudy prinášajúce len trápenie a bolesti. Aj on – ten najväčší z ďalekého – priniesol špirálu nádeje, hviezdy tu zostali celú tú dobu s nami ako pripomienka lásky, ktorú nám dal a pre ktorú zomrel. Teraz je však tma. Tma a zúfalstvo, že niet tu nikoho, kto by ma zachránil a dal mi zmysel, silu, nádej na návrat k životu. Stačí, keď nájdem ten malý svetelný lúč – ten maják, ktorý by mi ešte dal silu dostať sa z tejto beznádeje a zmierniť bolesť môjho srdca. Pretože moje srdce je opustené, nemá nádej. Hviezdy zmizli, a ja tu zostávam sama. A možno je to tak správne – možno som len tieň niekoho, kto sa narodil, aby bol zabudnutý. Pretože nič na svete nemá pre mňa zmysel, nič pre mňa nie je. Hľadám zmysel v každom kroku, ale zmysel tu nie je. Každá stopa, ktorú zanechám, zmizne ako piesok v mori. Potom to príde. Moje oči sa zatvoria a ja padám. Prebúdza ma chlad. Vidím len tmu a cítiť vôkol len mrazivý vietor. Zimomriavky mi prechádzajú po celom tele a ja sa chvejem. Pomaly otváram oči a vidím len prázdnotu. Sama. Tak veľmi sama. Akoby môj život už ani neexistoval. Čakám. A znovu čakám. Ale nikto neprichádza. Zima je stále ostrejšia a ja nedokážem ovládnuť svoje telo. Chveje sa od chladu a prázdnota ma úplne pohlcuje. Všade je len mráz, ľadový dotyk noci, ktorý preniká hlboko do duše. Každý nádych je bolestivý a nedokážem nájsť úľavu ani len v myšlienke. Čas plynie pomaly a ja len čakám. Zase čakám. Až napokon sa zdá, že svet vôkol mňa zmizol. Zmizol. Nie je tu nikto, kto by ma zachránil. Zima a samota sa mi zarezávajú hlboko do srdca a prenikajú celým telom. Je to bolesť, akú som nikdy predtým necítila, keď moja doráňaná duša bude ustupovať a prejde závoj čiernej prikrývky. Až potom mi dá lásku, ktorú hľadám. Ale útržky zeme mi povedia ten príbeh o láske. Bude však už neskoro to pochopiť a vrátiť sa späť, aby som ten príbeh mohla porozprávať svojim deťom zrodeným z lásky, ktorú som za celý ten pozemský čas – čas srdca – hľadala.