#telesketcher

[marearte]

[telesketcher]

[elnoticierouniversal]

[hoopclown]

Sin duda uno de mis juguetes favoritos de la infancia fue el "telesketch" que por desgracia se rompió y no pude conservar. Ahora se unen dos de mis juguetes favoritos y esto loco por pillarme uno... @etchasketch_usa rubik's cube limit edition😍😍😍😍😍😍😍 https://www.instagram.com/p/CAqjB8Lqm9Q/?igshid=13q9gp06y4hli

[cinema-radio]

On June 20, the fourth installment of Toy Story was released, and in November next year it will be celebrating its 25th anniversary. There are plenty of reasons to talk about one of the biggest hits on the film scene and animated films. For its production they invested 30 million dollars and raised more than 350 million, becoming a cinematic success.

 It was supposed to be the starting point or the beginning of the Pixar era, it is that so many good times and magnificent works have given us. Therefore Toy Story can proudly boast being the first animated film in history to be nominated for the Oscar for Best Original Screenplay. She was also nominated for Best Original Music and won the Oscar for Special Achievement. And today it's time to comment on 20 curiosities about Toy Story and how they were shaping it.

1. The first Pixar movie, 20 curiosities toy story, the governing film.

Toy Story was the first official Pixar movie and the first to be created entirely by computer. What was a before and after in the history of cinema.

2. Tin Toy as the protagonist, 20 curiosities toy story, the governing film.

At the beginning the idea was to have Tin Toy, the character of a Pixar short film created in 1988, as the protagonist of the film. But the producers thought that this character was somewhat outdated, so they started despite what types of toys children would use at that moment. That was how Buzz Lightyear was born.

 3. You are a toy, 20 curiosities toy story, the governing film.

The original name of the film was You Are A Toy, which has been "You are a toy". That by the way, we could hear it in the form of a phrase within the film itself. Woody tells Buzz.

 4. The voice of Tom Hanks, 20 curiosities toy story, the governing film.

Tom Hanks is the one who puts the voice to Woody in the original version of Toy Story. The funny thing is that the actor did not finish reading the script, and what they did was to draw dialogues from other films in which the actor worked.

 5. Tim Allen as Buzz Lightyear, 20 curiosities toy story, the governing film.

The one in charge of interpreting Buzz at first was going to be Jim Carrey, but due to the lack of budget they opted for Tim Allen. While in the Spanish version, I imagine that most of you already know it well, it is José Luis Gil who gives him a voice.

6. In honor of Andries Van Dam, 20 curiosities toy story, the governing film.

It is rumored that Andy's name is in honor of Andries Van Dam, a pioneer in animation and computer science, as well as vice president of research at Brown University in Providence. And by the way, he taught many of the creators of the film.

 7. Inspired by a real character, 20 curiosities toy story, the governing film.

Sid Phillips' character is inspired by a real person, specifically a former Pixar employee. In addition to the last name, they share the “mania” of dismantling toys to create really strange creatures with the pieces.

8. The short Luxo Jr.

We have a clear reference to the 1986 Pixar short Luxo Jr. Well, we see the lamp appear on Andy's desk and also the famous yellow and blue ball with a red star.

9. Tribute to Pixar short films.

When Woody climbs on the "lectern" to speak at the meeting that the toys have, we see several books placed on the bookshelf behind him. As it turns out, the titles that can be read on the back of the books belong to different short films developed by Pixar. What's more, even the name of the film's director appears.

10. Giving movement to the soldiers.

To create the movement of the soldiers we see in the film, the animation team did paste several shoes on a sheet of wood. Then they tried to walk with them on, so they would get an idea of ​​how soldiers' dolls should walk.

 11. Buzz Lightyear inspired by ...

Buzz Lightyear colors were not chosen at random. Green and purple were the favorite colors of the director's wife. Likewise, the animators to design Buzz's face were inspired by Lasseter himself. And the detail of Woody's back rope is due to a Casper doll that Lasseter had in his childhood.

 12. Wink at Jurassic Park.

An obvious that not everyone has to know, is that Rex was included in the film because at that time everyone was talking about the success of Jurassic Park.

 13. Negotiations with Hasbro and Mattel.

Pixar contacted the Hasbro toy company, to include the G.I. Joe in the movie. But of course, when they revealed that the idea was that Sid was going to blow one of them up, they refused. They also called Mattel to include a Barbie in the movie, but as they thought the feature film would not succeed they scrapped the offer. What happened after? That was a success, so when the sequel to Toy Story was announced it was Mattel who called Pixar and asked him to include Barbie. Of course, if there was a toy that benefited from Toy Story was the telesketch board. And it is that the company was on the broken bench before the premiere of the film, but after the premiere they increased their sales and saved themselves from ruin..

  14. The origin of Pizza Planet.

The original idea was that Pizza Planet be called Pizza Putt and be a restaurant with the theme outside of miniature golf. It was supposed to be a parody of the Pizza Hut franchise, but later they decided that the theme was space and called Pizza Planet. In this way Buzz might think that he could really return home in a spaceship.

 15. The participation of John Lasseter.

The voices of the Martians were put by the director himself, John Lasseter, who to get that effect in his voice decided to suck a little helium.

 16. Julie Macbarfle.

In Sid's backpack you can see that there are several drawings made in pencil. In one of them specifically you can read: "Julie Macbarfle has cooties" - what has been "Julie Macbarfle has lice". It is a tribute to the camera manager, since he kept insisting that his name appear in the film.

 17. Cinematic references.

We can find a clear reference to The Shining on the carpet in the lobby at Sid's house. It is inspired by the one in the Overlook Hotel. There are also a couple of references to Alien on Pizza Planet.

 18. Wink at a fudge at home.

Another reference, this time to a series, is the toolbox on the plastic box in which Buzz and Woody are trapped. It belongs to the fictional brand Binford, which is the same as Tim Allen used in the series A fudge at home.

19. The Pixar seal.

Here comes that little wink that appears in all Pixar movies. In the license plate of Andy's mother's car, the famous A 113 appears, which was the number of the classroom in which many of the animators who work at Disney and Pixar studied. If you look we can also see the registration NOV and the number 95, referring to the date on which the film was released.

 20. The Mickey Mouse cameo.

As you know, a Mickey Mouse appears in every Disney movie. Well, in Toy Story we see it inside the giant clock that is hanging in Andy's room.

- Dylan Rivera

[safakz]

IP Kiss by telesketch

[retrokmiz-blog]

¿Un mini telesketch? Si ya era complicado... Voy a ver si me sale el dibujo como en la foto. 😂 #telesketch #retro #retrokmiz #80s #90s #friki #juguete

[copy-girl]

Telesketch

submitted by /u/el__espantajo [link] [comments]

source https://www.reddit.com/r/toys/comments/v7pcvn/telesketch/

[childrenofdarklight]

𝗨𝗿𝗯𝗮𝗻 𝗖𝗶𝗿𝗰𝘂𝗶𝘁𝘀 • 𝗟𝘂𝗰𝗲𝘀 𝗱𝗲 𝗠𝗮𝗱𝗿𝗶𝗱 :: by Frodo Álvarez DKL Brand Ambassador at Light Painting Paradise . One exposure (Olympus live composite), no post-edition. Camera Rotation Photography⠀⠀⠀⠀⠀⠀⠀⠀⠀ . 🇪🇸 Anoche fui a buscar a @patry.diez a la salida del teatro, y ya de paso hacer alguna rotación por el centro de Madrid con las luces navideñas. ¿Quién se apunta a la próxima? . Esta es la segunda publicación del primero de los dos spots (os los muestro en historias). Se trata de nuestro efecto Telesketch que componen estas imágenes que nos recuerda circuitos eléctricos urbanos 🤯🤘 . No olvidéis dejarnos vuestros comentarios. Nos gustaría saber qué emociones os provocan estas imágenes. . Si quieres saber más acerca de cómo lo hicimos, visita nuestras historias de IG ✨ 🇬🇧 Last night I went to meet @patry.diez at the exit of the theatre where she is working, with the intention of doing some camera rotations to the Christmas lights at the center of Madrid. . This is the second publication of the first of the two spots (I show them in stories). It is about our Telesketch effec, and these images remind us of urban electrical circuits 🤯🤘 . Do not forget to leave us your comments. We would like to know what emotions these images provoke in you. . If you want to know more about how we did it, visit our IG stories ✨ . 📸 Photography: @childrenofdarklight 👨‍🎤 Assistant: @patry.diez ⠀⠀⠀⠀⠀⠀⠀⠀ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖⠀⠀⠀⠀⠀⠀⠀ 💡Supported by: @lightpaintingparadise @lumipopfr @esolympus @matteria.creativa @ledlenser_spain . ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖⠀⠀⠀⠀⠀⠀⠀⠀⠀ 📸 #lightpainting #childrenofdarklight #dkl #lightjunkies #lightpaintingparadise #lightpaintingblog #lightpaintersunited #lightpaintingphotography #lightpaintersdotcom #lightandshadows #lightandshade #fotografianocturna #fotografiadeviajes #fotografiadecalle #entresombraslp #noctografia #litbyhand #nightcrafters_art #longexposurephotography #longexposureoftheday #longexpolite #camerarotation #christmas #christmaslights #lucesdenavidad #madrid #telesketch (en Madrid, Spain) https://www.instagram.com/p/CIxyE-5Ftys/?igshid=j7yqt41awdka

[conexionmovil]

Telesketch como dispositivo único https://ift.tt/2tZJBEu

[marearte]

[cinedel1al1001]

890. Toy Story (1995)

No hay palabras para describir el impacto que esta cinta tuvo en el mundo del cine en general y en el mundo de la animación en particular. Fue el primer largometraje animado íntegramente por ordenador y abrió las puertas de una nueva era. De pronto, los computadores ya no eran unas herramientas exóticas del departamento de efectos especiales sino que podían generar universos completos a bajo coste. Los ordenadores podían crear películas por sí mismos. Y pensar que eso ocurrió apenas un año después de El Rey León -870-, el pináculo de la animación tradicional que Walt Disney ayudó a desarrollar más de 50 años antes... es como si estuvieramos hablando de décadas distintas, de siglos distintos.

Al nivel personal ambos años (1994 y 1995) parecen también abarcar un periodo de tiempo mucho mayor. Cuando fui a ver Toy Story yo tenía 12 años, estaba empezando la adolescencia y alejándome de mis padres. Cada vez hacía más cosas con mis amigos y menos con ellos. Sobre todo, no quería tener nada que ver con "cosas de críos". Pero ellos me arrastraron a ver la "peli de los juguetes" a un cine de verano. No quería estar allí, yo ya era mayor, no tenía tiempo para esas tonterías. Sin embargo, cuando la proyección comenzó, me hipnotizó. No es solo que los juguetes parecieran reales es que la historia resultaba familiar. Básicamente, era la materialización de los sueños de tod@s aquell@s que alguna vez hemos jugado con juguetes. ¿Cuántas veces no me había imaginado yo, durmiendo en mi cama, que los juguetes vivían aventuras por su cuenta mientras estaban todos metidos en su arcón? Además, el cuarto de Andy se parecía bastante al de cualquier chich@ occidental de clase media. Había muchos juguetes de muy distinta procedencia: un mister potato, un t-rex, un telesketch,... Muchos correspondían a modas pasajeras que yo también había vivido (yo también tuve dinosaurios, ya lo sabéis). Ningún set estaba completo y a la mayoría le faltaba alguna pieza o tenía algún desperfecto. Sin duda, la magia de Toy Story partía de esa conexión que los desarrolladores supieron crear entre la película y los juegos que cada un@ de nosotros desarrollábamos en nuestras habitaciones.

Pero la cinta también es un historia llena de aventuras, acción, humor y valores positivos como la amistad. Es también una historia adulta que no trata a los espectadores como si fueran críos, que no habla de princesitas ni contiene canciones ridículas. Fue una revolución y consiguió algo que parecía imposible: que yo, que había empezado a abandonar mi arcón de juguetes por el ordenador, me entusiasmara con aquella aventura protagonizada por Woody y Buzz.

Mi vida estaba empezando a cambiar y parecía que el "cine de dibujos" estaba cambiando conmigo.

6 de Agosto de 2017

[stylebystoll]

#72

[upyro]

No me pude #resistir ... #mini #telesketch #etchasketch #pequeñito #miniatura #supermini #chiquitín #cute #dibujo #sketch #draw #drawing #dimensions

[retrokmiz-blog]

¡Pero como alguien puede hacer esto con un telesketch! 😳 #80s #90s #retro #telesketch #recuerdo #infancia #retrokmiz

[8dpromo]

Ands Mega - Hypermanic EP (Roam Recordings)

Ands Mega (AKA Andrés Gómez) is a young music producer from Puebla City, Mexico, who specializes in chuggy techno and creative electronic music ‘without limitation’. After releases on Logical Records, as well as cuts for Nein, Play Pal, and others as part of the duo FLXXX, Ands Mega makes a bold statement on Roam Recordings with “Hypermanic”. The track is awash in dark synths and throbbing bass, building steadily over seven minutes with its delightfully foreboding groove. The cut is dynamic and special, evoking John Carpenter film themes and the European underground in sound and melodic flavor. Two remixes accompany “Hypermanic”, led by a version from Madrid-based producer Telesketch (Logical, Nein) who adds a more insistent rhythm and a gloriously huge mid-song breakdown. El Fulminador (Fulmen Records), hailing from Berlin-via-Argentina, follows with a version of “Hypermanic” that gets into a spacier and sexier zone. The original’s ‘chug’ is there, enveloped in obscure pads, gentle keys, and mysterious vocal snatches. It’s another captivating release from Roam Recordings, signaling an ambitious 2017 release schedule.

Nick Warren (The Soundgarden / Hope Recordings) – “3 cracking chuggers!” Rusty / All Good Funk Alliance (Super Hi-Fi) – “Love the Renegade Soundwave vibes of the original, very cool stuff.” Tronik Youth (Nein Records) – “Cool package. Live the Telesketch Remix.” Stereo 77 (Plimsoll Records) – “The remixes are very good.” Ulysses (Neurotic Drum Band) – “Solid EP of downtempo groovers.” DJ Red Eye (Beauty Bar Dallas) – “Wow! Giving me those EBM, Front 242 and Cabaret Voltaire feels! I dig it. It’s a toss up between the Original Version and the Telesketch Remix, depending on the situation. Gold!” Ilya Santana (Eskimo Recordings) – “The El Fulminador Remix is a nice track. Heavy!” Kosta (Vibe FM) – “Bombs Away! Super nice, will support.” Javier Busto (Logical Records) – “Awesome release. It’s not possible to choose just one track.” Dr. Best (Radio Z – Germany) – “Three nice versions of "Hypermanic" on this release. The El Fulminador Remix is my favorite.” Jon Fugler (XLNT Radio Show) – “Loving all three of the mixes. This is very much what I am playing at the moment. Fine work Mr. Mega, many thanks!”

Available Now From: Beatport, Traxsource, iTunes, And Spotify.