#tede matthews
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gatheringbones · 1 year ago
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judy grahn, from another mother tongue: gay words, gay worlds, 1984
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queerasinfvckyou · 2 years ago
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Just wanted to say this because I feel like not enough people know this, but the sentiment behind what is perhaps RuPaul's most famous quote was originally expressed by a queer socialist poet called Tede Matthews. Iirc RuPaul was trying to quote him and misquoted. The original quote was "We're all born naked, and anything anybody wears at any time is drag."
Here's a mini bio of Matthews from the Queer Cultural Center website.
"Tede Matthews (1951–93) is perhaps best known today as the curly redhead who breaks down gender roles and stereotypes in the 1977 documentary Word Is Out: Stories of Some of Our Lives. His life, art, and activism bridged many communities. He performed with the radical theater group Angels of Light, was a collective member of Modern Times bookstore, and was a founding member of the queer anti-war group LAGAI. He was also a self-identified socialist feminist and an AIDS activist. Tede was particularly passionate about his work in solidarity with anti-imperialist struggles in Central and South America. He organized projects in support of the people’s movement in Chile in the 1970s and the Sandinistas in Nicaragua in the 1980s. He was also a poet and organizer of countless literary events around San Francisco. Tede died of AIDS in 1993."
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makingqueerhistory · 3 years ago
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Dedications from Queer Books
Some of my favourite dedications from the queer books I have come across.
*
“TO MY PARENTS,
for teaching their children about love and tolerance at an early age... and for letting us stay up to watch the ‘good’ TV shows.
TO MY BELOVED PARTNER, ED FERRY,
without whom my life-and this book-would be less complete”
-Steven Capsuto, Alternate Channels: The Uncensored Story of Gay and Lesbian Images on Radio and Television, 2000.
“For my family, blood and chosen. And for fierce femmes, fighters, haunted girls, and liars everywhere.”
-Kai Cheng Thom, Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir, 2016.
“This book is dedicated to the memory of the men who suffered at the hands of the Nazis simply because they were gay, and to those in countries around the world who still suffer because they are gay.”
-Ken Setterington, Branded by the Pink Triangle, 2013.
“The editors jointly dedicate the work of putting this collection together to Sue Cartledge, lesbian feminist sister, who died aged 34 in February 1983 after many years of spirited writing, working and campaigning for women’s and lesbians’ rights; and also to Mark Ashton, gay brother and comrade, who died in February 1987 aged 25, after many years of keeping gay issues alive on the left and in the unions, campaigning alongside lesbians and gay men in supporting the Miners’ Strike of 1984-5.”
-Bob Cant & Susan Hemmings, Radical Records: Thirty Years of Lesbian and Gay History, 1988.
“To all those seeking the courage to assert “I am”-and especially to my lesbian sisters.”
-Barbara Deming, We Cannot Live Without Our Lives, 1974.
“To Connie
Who is the reason for it all”
-Susan E. Johnson, Staying Power: Long Term Lesbian Couples, 1990.
“This book is dedicated to all the men and women who have courageously struggled against determined, sometimes brutal, efforts to keep them from being who they are.”
-William Wright, Harvard’s Secret Court: The Savage 1920 Purge of Campuse Homosexuals, 2005.
“We would like to dedicate this book to
Abel Arias
Bill Blossom
Bill Struzenberg
Bo Huston
Chris Jordan
Christian Beaver
Christopher Morrisey
Crystal May
Diet Popstitute
James Kennedy
Jeff Heins
Jerome Caja
Miss Kitty
Patrick Leach
Rick Jacobson
Rob Chop
Scott O’Hara
Tede Matthews
Thomas O’Malley
Thor Butkus
And all our other friends whose absence makes San Francisco a much less interesting place.”
-Betty and Pansy, Severe Queer Review of San Francisco 6th Edition, 1999.
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ladychlo · 3 years ago
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"we are all born naked and anything anyone wears is drag"
tede Matthews, a gay liberation activist.
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thefandomlesbian · 4 years ago
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We’re All Born Naked (The Rest Is Drag)
Summary: A series of crimes at a gay club leaves the BAU scrambling for a way to locate the unsub before they have another victim. After a surprising revelation about Spencer, he's assigned duty on stage--performing as a drag queen so he has the opportunity to spot the killer from above. While undercover with Hotch, feelings develop.
Read it here on AO3!
...
“We're all born naked, and anything anybody wears at any time is drag.” -Tede Matthews
The heady air of the club before it opened collected in thick clouds around the team. Hotch spoke with the owner a few yards away from the others. Spencer watched their conversation, unable to hear what they said, but understanding from the exchange of nods that they were making some kind of deal regarding the club and its patrons.
For the past three weeks, every Friday night, a man from this club had gone missing and turned up disemboweled two days later.
Tonight, they intended to catch him in the act.
Hotch left the owner and approached the rest of the team. Spencer fidgeted with the sleeves of his shirt. In a few minutes, the club would be opening, and he wanted to be far out of here before people began to arrive. It wasn’t a risk he wanted to take. JJ shot him a sideways glance. “You alright, Spence?” He nodded.
Hotch inclined his eyebrows as he stopped in front of them. “The owner has agreed to let us bug the place. Reid, you’re undercover with me.”
Spencer gulped. “Er—I don’t think that’s such a good idea.” Hotch frowned. He kept fidgeting with his sleeves. “I’m… not sure that’s something I can do.” Defying a direct order? He never did that. Hotch had told him, not asked; refusing wasn’t an option.
Morgan pursed his lips. “C’mon, man, what gives? You fit the type. You’re gonna be a lot more helpful on the ground than the rest of us.”
“I know, I just—I have certain concerns that my ability to do this may, uh, may be compromised.”
Emily cocked her head. “Reid, are you… homophobic? ”
“No!” Spencer bristled. “No, I’m not homophobic, I just am worried about certain things—”
“What kind of things?”
Spencer opened his mouth to respond, but across the dance floor called a familiar voice, “Spencer!” that sent cold chills running down his spine. He closed his jaw with a quiet click and closed his eyes, willing the voice to go away, but it didn’t, and he could hear footsteps trotting up behind them. This kind of thing. Peter propped up an arm on Spencer’s shoulder. “Hey, buddy! I thought you said you had to work tonight! Listen, you are gonna be so excited— Damien B is back in town. Remember the last time he was here, I was too drunk to walk, so you went up to him and tucked that wad of cash into his G-string for me? Best night ever! Plus, the drag race is on. Are you gonna roll again? Runner up last time—you’ve got a real shot.” I wish I were the unsub’s last victim. Peter’s excitable grin did not fade as he looked up at the rest of the team. “And you got us some newcomers! C’mon.” He nudged Spencer pointedly. “Introduce me to your friends!”
Some part of Spencer prayed that if he willed it hard enough, the floor would open up and swallow him whole. He reluctantly opened his eyes, gauging the expressions on each of his teammates’ faces, ranging from shock and horror to Hotch’s completely impassive poker face (Spencer was quite grateful at least one of them had the grace to look like himself). He opened his mouth again, and again, Peter interrupted him. “Oh, who’s this tall drink of water?” He pushed into the circle of the BAU and brushed both of his hands down Hotch’s arms. Peter smirked and winked. “Who’s your daddy, big guy?”
Oh, please don’t hurt him, and please don’t hurt me. If he hadn’t been paralyzed to the spot, Spencer might’ve had the willpower to turn away and run, run out of the club, down the street, to the bus stop, and take the city bus all the way to Canada where he would change his name and never return. He cleared his throat. He could not move. That meant he had to speak. “Peter, these are… my… colleagues. We are working a case here.”
“Oh.” Peter blinked somewhat surprised. Then, he withdrew from Hotch. “Well, this one can arrest me any time. ” Spencer’s entire face and neck flushed maroon. “I’m Peter! Nice to meet you guys.”
Emily was the first to find her words. “So you two are…” She gestured between them with her index finger.
Peter’s eyes widened. “Us? Oh, no, ma’am. We’re just the twinks who have to try to find a ouija board to summon the top we both need. Right, Spencer? Up top!” Peter lifted up his hand. Spencer merely stared at his palm. “Oh, don’t leave me hanging!”
Hotch coughed, interrupting the shame circulating between all of them. “Thank you, Peter, but we really need to resume our investigation.”
“Oh, sure, sure. I’m gonna be hovering around the bar all night—and your drinks are on me.” Peter pointed at Hotch, and then he swung around and trotted back toward the bar.
Spencer released a long, pent-up sigh. “That. That’s my concern.”
Silence followed. Finally, JJ broke it. “You’re gay? ”
“Mhm.”
“Called it,” Rossi said, speaking for the first time in a few minutes. Spencer’s belly did a sick flip. “Morgan, you owe me.”
Emily tilted her head. “Were you ever going to tell us?”
“Honestly? No, I wasn’t.”
Morgan countered, “I don’t owe you anything. I called Emily, remember? We’re even now.”
JJ blinked incredulously. “You guys are taking bets on who’s not straight?”
“Yeah, princess, and my money says you and Emily bang it out before the end of the year,” Morgan countered. JJ’s cheeks flushed as red as Spencer’s.
Emily piped up, “So Rossi does owe you.” Morgan fist-pumped.
“Can we get back to work?” Hotch interrupted pointedly. Everyone fell silent and fell in line, looking back toward him. “Reid, you’re not on the floor anymore.”
Rossi snorted. “That’d be a bad idea. He might end up at the glory holes.”
Hotch shot Rossi a dark warning glance. Spencer flushed with warmth, but then Hotch continued, “I have a better idea.” His gaze swept the room, the flyers on the wall, taking heed of the layout, the speakers, the stage, the bar. “You’re on stage. You’ll have the best vantage point of the whole club from up there. You’ll see more than any of us can from the floor. Drag show starts at nine. Get dressed.”
I wish I were dead.  
In a skin-tight dress, five inch heels, and a poofy blonde wig, Spencer crossed his arms and stood beside the foot of the stage. The crowd had packed into the room. I deserve a raise for this. He looked up as Hotch parted the crowd, coming up to him. Hotch hadn’t changed, and frankly, he didn’t look like he belonged, with his suit and his tie and his too-nice shoes.
“I didn’t exactly ask if you were okay with this.”
Spencer shrugged. “Less okay things have happened. This is something I’ve done before.” He hadn’t expected his team to ever know about it, nor would he have wanted them to, but now that they did… well, at least he could catch a killer.
Hotch gave him a reassuring pat on the shoulder. “Well, if it makes you feel any better, so have I.” What? Spencer wanted to ask. How? Why? ��You have a smudge in your lipstick. Hold still.” Hotch licked his thumb and wiped at it, framing Spencer's face between his two large hands, and Spencer's words died in his throat, unable to make a sound. The floodlights illuminated the room, casting Hotch's face in bright light and the rest of him in shadow, giving his hickory eyes an odd gleam, his brows drawn together as he worked at wiping away the smear of lipstick at the corner of Spencer's mouth.
When his hands pulled away, Spencer's belly flipped over. He somehow felt hot and cold at the same time. He parted his lips, wanting to ask something, wanting to say something, but he couldn't conceive of the correct words. “Um, thanks—” He tried to push the stammer out of his voice. He didn't think he succeeded.
The announcer called out, “Now introducing Miss Sparrow Wings!” and Hotch offered him a leg up, thrusting him onto the stage before he could ask another question.
Spencer’s heels clicked beneath him as he strolled down the runway. He had done this before, the costume makeup, the dress, the wig, everything—the performance and the anonymity that came with it was all part of the fun. But knowing that somewhere down there, Hotch watched him, gave him some strange and embarrassing thrill. The MC held out the microphone to him. I didn’t have time to prepare an act. The last time, he’d sung a song—badly, but still, it was better than it would’ve been if he had tried to do stand-up, which was his first choice when Peter talked him out of it.
Of course, he had public speaking skills. He could use them.
“Today, I’m going to talk to all of you about string theory.” The crowd cheered. Either they were too drunk to know what he had just said or they thought he was joking. “In summary, string theory is the framework in which the point-like particles of physics are replaced by one-dimensional objects known as strings. String theory describes how these strings propagate through space and interact with one another.” This time, they did not cheer. They mumbled in confusion. “On distance scales larger than the string scale, a string looks just like an ordinary particle, with its mass, charge, and other properties determined by the vibrational state of the string. In string theory, one of the many vibrational states of the string corresponds to the graviton, a quantum mechanical particle that carries gravitational force. Thus string theory is a theory of quantum gravity.”
He scanned the crowd, ignoring the ones sloshing beer at his feet. They had a profile to work with. The man they were looking for would hang back from the main crowd and charm the lone wolves he spotted, the ones whose friend groups had abandoned them, and eventually lead them away. He would not be among the men popping molly crowded around the front of the stage.
Hotch worked along the back walls, patrolling, failing to look inconspicuous. He chose a corner and hovered there with his arms crossed. A younger man approached him, grabbed him by the arm, and gestured in the direction of the glory holes. Spencer’s abdomen clenched with something—jealousy, perhaps?—at the sight, but he forced himself to tear his gaze away. He could not focus on Hotch right now. He was looking for a serial killer.
“Now, you may be asking yourself, how could something be one-dimensional? After all, everything we analyze in basic life is either three-dimensional—like me and you, like this feather boa—” Spencer took the feather boa off from around his neck and tossed it into the crowd. The guy who caught it stumbled and landed on his ass. “—and then there are things that are two dimensional, like the little heart patterns on my panties. You boys will see that if you’re lucky.” Like hell. It kept their attention, though, which was what he needed. “One dimensional objects exist in physics and mathematics. Like on a number line, every single spot on the number line can be indicated by a single digit.”
At the bar, he spotted Peter far below, chatting up the bartender. He sifted over the crowd with his eyes, eager to find anyone looking or acting suspicious. Anyone without friends, keeping to himself, watching the others too closely, approaching loners… There’s a handful of them down there. He spotted a tall man with dark hair clinging to the corner, sipping his own drink. This man wouldn’t be drinking. He wouldn’t compromise his own judgment. But there was every possibility he had a virgin drink to give the appearance of inebriation. It’s all part of the act. Spencer knew about the act.
“Now, the thing about these theoretical dimensions is that they’re difficult to conceive of without some kind of proof. Not easy to believe. But then again, tons of things are unbelievable…” Spencer flipped his wrists over and produced another feather boa, one that had been concealed under the jangly bands on his wrists. “If you believe in magic, the thing about theoretical physics is that everything is magical in its own right—because just like physics, magic always has a logical explanation.”
Spencer spilled a deck of cards over the floor from where he had hidden them. He watched the figure cross the floor to the bar, and he vanished into the crowd where Spencer could not spot him. Shoot. He couldn’t continue to track him like that. He checked the clock. Two more minutes. He could lecture about string theory for two more hours—but he preferred not to have to do it while he was working and appearing on stage in drag.
Running his mouth? That was his expertise.
When his time was over, he swung off the stage and headed toward the bar. Hotch intercepted him only a few steps through the crowd, pushing the surging men away from one another and away from Spencer. “What did you see?”
“Dark-haired white guy, wearing a blazer. He headed toward the bar and I lost him in the crowd.”
“He wouldn’t head into the crowd unless he’s chosen a victim.”
“Yeah, I know. Should we start canvassing?”
Hotch’s dark eyes darted around the room in the flashing lights. “No. If he spots us, he’ll startle and leave, and we’ll have lost our shot. We need to be discreet until we’re sure, and then get him away from this crowd. If we cause a panic, we’ll lose him.” Spencer’s eyes scanned Hotch’s face. “Let’s sit at the bar and wait for him.”
“Together?” Spencer questioned.
“You’re wearing six inch heels. You’re not exactly in position to give chase if we split up,” Hotch pointed out. Spencer mused on this, and then he nodded in agreement; he wouldn’t have very much luck making chase in these shoes, and he didn’t have a gun under this dress, or cuffs, either. Trying to apprehend a suspect in this getup would be ridiculous at best, downright dangerous at worst. He needed to stay with Hotch.
They sat side-by-side at the bar. Spencer reached up and disentangled the poofy, blonde, Dolly Parton-esque wig from his hair and let it fall to the counter with a dull thump. At the sight of it, Hotch gave a muted smile—or something Spencer could only describe as a smile. The disco lights reflected in his eyes, giving them a certain illustrious gleam which drew Spencer into their depths. “The wig suits you. You clean up well.” Clean up well? Spencer felt a lot of things right now, but clean wasn’t one of them. He sat in a seedy club with smoke clogging up the vents, too loud pop music, flashing lights that hurt his eyes, the stench of vomit and liquor and everything in between, and he wore an ill-fitting drag dress with six inch heels, gaudy costume makeup, and a heavy hot wig that someone else had certainly sweated in before him.
The whole thing struck Spencer as fairly bizarre—that Hotch offered him these compliments, the nature of them as a whole. Spencer wondered what, if anything, motivated him to speak in this way. If anything? Something had to be behind it. Hotch would never ordinarily speak to him this way. “Er, thanks,” Spencer said. “It gets really hot,” he admitted, “especially under the floodlights, and… well, this stuff isn’t mine, so I’m trying not to sweat in it.” He didn’t cart drag materials around to work with him in case he needed to go undercover; he’d borrowed everything from Peter, and lord knew who else Peter had loaned it out to over the years.
“I’m sure you wear it better than any of the other twinks that came before you.” Spencer’s face flushed at that. He fisted his hand in the wig on the table, trying to distract himself, and studied the men mulling behind them in the reflections of the glasses and the bottles as they passed by, trying to spot their subject. He went into the crowd around this area.
Every moment they sat here without seeing him was another moment of the possibility he had already chosen his victim, had already led him away, had already packed him up into his vehicle and driven him away to his final destination.
“See anything?” Spencer shook his head. Further down the bar, the distinct sound of Peter’s laughter crowed through the crowd, but Spencer couldn’t see him through the blur of people—nor did he particularly want to. Peter had already managed to humiliate him in front of Hotch once today (more than once, if he was being generous, since almost every word Peter had uttered had sunk Spencer to new depths of embarrassment), and Spencer didn’t care to repeat the event. “Tell me about your friend.”
Weird. Spencer knew they had to talk—they had to give the appearance that they were participating socially here. It wouldn’t look right if they sat here without speaking, and it could head someone off. “Peter? He’s… a lot.” Hotch could’ve asked him about anyone, and he asked him about Peter. Maybe… he’s interested in him? Spencer found that hard to believe, though; he found it difficult to think Hotch could ever be interested in someone like Peter. And besides, Peter had made it pretty clear that he was available for anything Hotch wanted. There was no need for Spencer to act as a liaison between the two of them. The mere thought made Spencer all hot and itchy and uncomfortable on the inside. “He’s not looking to settle down. He just wants to have as much fun as he can.” That was an accurate assessment of Peter.
“And you are? Looking to settle down.”
Spencer fidgeted with the jangly bracelets on his wrists. “Er… I don’t know. I don’t exactly have a settling down type of job, do I?” Hotch looked steadily back at him. This is a weird conversation. “I guess, if I found the right person… I just don’t see it happening, though.” What did Hotch have to gain from asking him these questions? They could’ve talked about anything and it would’ve kept up appearances. Even particle physics would’ve made Spencer more comfortable than he was right now, sharing intimate aspects of his personal life with Hotch at his request. I didn’t even want them to know I was gay.  
In a few short hours, he had gone from completely closeted to his entire team seeing him in drag from head to toe. He didn’t know how he felt about that yet. The ambivalence of the moment plagued him, the satisfaction from knowing he was doing something good to stop a killer, the shame… Oh, the shame. Logic told him he had nothing to be ashamed off, that being gay wasn’t a bad or embarrassing thing, that no one on the team would judge him, that their disparaging remarks were just jokes. But he didn’t want to face those disparaging marks anyway, no matter how teasing. And Morgan would undoubtedly dangle this over his head for the rest of his life, the moment when Sparrow Wings went on stage to spot a killer from above.
Hotch crossed his arms, resting his elbows on the counter in front of them. “You could’ve said something sooner,” he said.
“I know.” Spencer jangled his bracelets. “I didn’t want to.”
“Why not?”
He drummed his fingers on the counter and shrugged. “I don’t know. I guess… I guess JJ said it best, when she and Emily got together, that sometimes it’s easier not to have everyone up in their business. That we don’t really get to have secrets, so when there is something the rest of us don’t know about, it’s pretty sacred.” The rhythm of swinging the bands around his wrists grounded him in the moment. “And, I mean, Morgan is never going to let this go. He’s going to be making digs at me about this for the rest of our lives.”
Hotch inclined his eyebrows. “You’re right about that,” he confirmed grimly. “So you knew about JJ and Prentiss?”
Spencer nodded. “I was the only one who knew,” he said. “But… I didn’t know Rossi and Morgan were taking bets on, y’know, all of this.”
Hotch wore a somewhat grim look upon his face. “They still have one bet out on the rest of us.”
What? Spencer wanted to ask, and he jiggled his bracelets again, and finally, Hotch put his hand over Spencer’s wrist to still it and quiet the jingling. Spencer glanced down at where Hotch’s large hand covered his wrist. His stomach jumped and quivered at the sensation, the warmth of another skin pressing against his. The texture struck him, the roughness, the callouses on Hotch’s hands, the breadth of his grasp and his fingertips. His Adam’s apple bobbed in his throat. He gulped, trying to remember how to breathe and how to speak, because suddenly both of those things seemed incredibly difficult. “Sorry—” His voice sounded strangled, and he wasn’t sure why he apologized—for making the noise that had irritated Hotch, for this weird reaction, for something else, and why was Hotch still touching him?
“Don’t apologize.” Spencer’s lighter eyes darted up to Hotch’s in the shadows of the club. His tongue flitted out across his lips, wetting them. What can I say? Words failed Spencer, and he could only think of something he wanted to do, something which Hotch would almost certainly reject—
There. In the reflection of the wine bottle to Hotch’s right, Spencer saw him. He spun on the barstool, and Hotch whirled around after him. Spencer didn’t point. The man walked right past them. His gaze flicked to Spencer, and he smiled and winked a coy thing, and then he continued through the crowd. “You think that’s our guy?” Spencer asked.
“Yes.” Hotch hopped up from the barstool. “Stay close to him. He’s still rounding the floor, so he hasn’t picked a target yet. We can’t take him until we have evidence of wrongdoing.”
Spencer nodded. The crowd made room for him to pass through; after all, he was five inches taller than normal and wearing a sequin-strewn dress which made it difficult for him to miss. He stuck the blonde wig back on his head so he didn’t have to drag it around in his hand, stuffing it over his hair. The unsub stalked up behind a handful of guys chatting at the bar. Spencer grabbed the empty table directly across from them so they could keep a close eye on him—they wouldn’t risk losing him among the ocean of people again. Spencer’s jaw shifted in discomfort. “If he sees me again, he’s going to know something’s up. I’m too recognizable like this. He’s going to realize we’re following him.”
“We have to risk it.”
From the distance, they could not hear the unsub’s words or see the men he approached, nothing more than their silhouettes, but within a few minutes, it became clear he had targeted one man. He eased this man away from the others, placing himself between him and the rest of the group, secluding him. He waved his hand to the bartender and placed an order, and then his arm reached around the man’s waist, trailing over the small of his back. The unsuspecting victim sidled up close beside the unsub. He turned his head into his embrace. The flashing strobe lights of the club illuminated the victim’s silhouette. Spencer’s eyes widened. The man tossed his head back and laughed a familiar, braying laugh. Spencer upstarted from his seat—
Hotch’s arm coiled around his waist and anchored him to the spot. “Don’t.”
“That’s Peter! ” Spencer’s heart clenched in his chest.
“He’s safe. We’re watching him. They won’t get out of our line of sight.” Spencer tried to wriggle out from under Hotch’s arm, which fit all too well around his waist, like something familiar, like something meant to be there, like hundreds of millions of years of evolution had transpired just to lead to this moment where Hotch’s arm was meant to fit around his middle and hold him there, almost pressing their bodies against one another. “If you go now, you’ll blow our cover, he’ll pick a different club, and we’ll have more victims before we have a chance to catch him again. Do you want that to happen?”
Reluctantly, Spencer settled down in his chair, his face and stomach both churning. Everything inside of him constricted like a snake, tense and hot. Hotch did not withdraw his arm. “We can’t let them get out of this building.”
“And we won’t.” Hotch was making a promise—Spencer understood that. He prayed it wasn’t a promise he was going to break. “Can I trust you not to fling yourself at them like Norman Bates wearing his mother’s clothes, or do I need to keep holding you in place?”
Spencer’s face flamed. He sucked his front teeth. “Maybe,” he said softly, “you can trust me…” Or maybe I like this, the way it is right now.  
“Maybe?” Hotch arched an eyebrow, daring Spencer to say something else.
Spencer held his gaze. He did not fold. Sparrow Wings, after all, did not fold. She was a powerful woman, and she wouldn’t buckle, no matter how Hotch stared at her, and she would have no problem telling him exactly what she wanted—but she also didn’t give a flying fuck if Spencer was still employed tomorrow, so Spencer had to make some executive decisions on how much he allowed her influence to take over right now. “Or maybe… I think this is good for our undercover act. Maybe I think we blend right in, like this.”
The scent of Hotch’s cologne wafted off of his body from the proximity between them. In spite of Spencer’s layers of clothes and the heavy makeup and that damn wig (he left it on now, in case he needed to make a run for it and didn’t want to leave it behind), he craved the warmth bleeding through Hotch’s suit, the heat metabolized by Hotch’s blood and tissues through every minute of every day. Spencer found it intoxicating.
He didn’t imbibe any longer, but if he wanted to get drunk on anything, he thought he would start with the scent of Hotch’s cologne.
“Is that so?” Hotch asked, and his words sounded almost like a dare. “This is good for being undercover?” Spencer nodded. “Is that all?”
Spencer opened his mouth to respond, but the unsub began to turn, as if to glance behind him, and Spencer didn’t have a moment to think; at the first glimpse of movement, Hotch grabbed him, spun him around with his back to the unsub, and dragged him into a bruising, open-mouthed kiss. Spencer blinked hard, once, twice, This is a dream, this whole thing has been a weird dream, I’m going to wake up now and it’s going to make so much sense— Hotch’s hands intertwined in his wig, obscuring as much as his body from view as possible, and Spencer watched in the reflection of the wine glasses on the table as the unsub surveyed the room behind him and did not take note of Spencer, in spite of his colorful garb.
After all, two guys shoving their tongues down each other’s throats were pretty inconspicuous in the middle of a gay club.
The rough stubble from Hotch’s face scratched into Spencer’s, chin to chin, cheek to cheek. The unsub had turned around, but Hotch didn’t stop, molding Spencer’s mouth to his own like a potter over a lump of clay. Their tongues twisted and danced to the beat of the flashing lights and dropping bass, until Hotch pulled away and Spencer gasped for breath. His head spun. His limbs felt heavy. His stomach felt light. His head felt like butterflies had tossed out every piece of information he had ever known and now battered their wings against the inside of his skull, seeking a way out.
Arm around Peter’s back, the unsub pulled back from the bar, and they walked away from the bar, all wound up in one another. Hotch jumped up, hand wrapped around the inside of Spencer’s elbow, and jogged after them. “Do you know where they’re going?”
Spencer shook the delirium from the forefront of his mind. “Exit A, it’s the easiest way out without being spotted—”
“You stay on them, I’ll go around back, and we should be able to trap him.”
Before Spencer could say another word, Hotch vanished from sight, and Spencer trotted after the unsub and Peter, keeping them in his sights. He folded himself back between a pillar and the wall when the unsub glanced behind them, and when they rounded the corner, Spencer caught up to them, watching as they approached the exit.
The red lights from the sign marking the outlet illuminated their faces. “Before we go,” purred the unsub, “I’ve got a surprise for you.” He held his hands behind his back. Spencer spotted the refraction of light off of the blade of the knife he concealed. “Are you ready?” Peter nodded. “Close your eyes…”
“FBI!” Spencer ducked out from his hiding place in the shadows. “Put your hands up! You’re under arrest!” Hotch is right outside, he’s waiting right outside this door—
“Spencer, what the hell? We were just about to—” The knife clattered to the floor, and the door swung open. The unsub sprinted through the door out into the darkness of the night.
Spencer chased after him. “Stay right here!” he called over his shoulder to Peter.
The unsub vaulted himself over the railing of the short staircase and landed clumsily on the asphalt. Spencer hit the railing. He couldn’t climb over it—if he landed wrong in these shoes, he’d snap an ankle. Hotch rounded the corner. Spencer tore the shoes off his feet. “Where’s he going?”
Holding the heels in his left hand, Spencer jumped over the railing. “Around the block—you go that way, there’s an old plywood fence, he’ll come over that and meet you, I’ll stay behind him—”
His bare feet slapped the stony surface of the asphalt, kicking up old loose pebbles, splinters, and shattered glass, as again he and Hotch separated. In hot pursuit of the unsub, Spencer did not let the pain in his feet distract him. The shadow of the unsub up ahead circled the block, headed toward the fence, where Spencer had known he would try to climb to escape.
He flung himself up over the fence. Spencer stood there, watching him. From the other side, Hotch called, “FBI! Put your hands up!”
The unsub teetered there on top of the fence for a moment. He looked down at Hotch, then back at Spencer… and he dropped back onto Spencer’s side of the fence. Hotch discharged his weapon, but he missed. The bullet glanced off of the side of the brick wall beside them and ricocheted. Oh, shit. The unsub barreled toward Spencer.
Spencer didn’t have a weapon. He didn’t have handcuffs, or a taser, or a baton. He had himself, his wig, his bare feet, and the stilettos in his left hand—in his hand as he held up his hands to brace himself for impact as the unsub jumped on top of him.
The man intended to knock Spencer down and keep going. Spencer grabbed onto him, hands fisting into his clothes, dragging him to the asphalt. Spencer’s dress tore where it caught under his feet. “Don’t go anywhere!” Spencer couldn’t overpower him, but he could stall him long enough for Hotch to get over the fence and help.
An elbow shoved across Spencer’s face. Pain shot through his nose. White light blinded him. He tasted blood. A hand clawed its way into his mouth. He snapped his teeth together. He tasted more blood. “Get off me, you stupid fairy!” The man thrashed. Spencer took his left hand, the one with the shoes, and smacked him in the face.
The resulting shriek of agony shook the alleyway. The brick walls trembled with the power of it. Spencer, blinking through the pain, landed on top of the unsub with both knees between his shoulder blades, hands pinning the man’s arms to the ground, but he didn’t try to fight anymore. Now, he only tried to curl up into a ball, hands reaching for his own face, where the heel of one of Spencer’s stilettos had penetrated his eye, the shoe still fixed there and dangling.
Hotch vaulted himself over the fence. “What the hell, Reid?” Spencer wiped a smear of blood away from his nose, sliding off of the unsub when Hotch took him and cuffed him. “What’s the matter with you?”
Spencer stiffened. “I don’t have a gun. I had to improvise.” I didn’t exactly intend to impale his eye with my high heel, but it stopped him.
“So you weaponized stilettos ?” Hotch repeated, aghast. “Why aren’t you concealed carrying?”
“Do you see anywhere for me to conceal a weapon in this outfit?”
Hotch scanned Spencer, his heavy costume makeup sweating off, his blonde wig all askew, his skintight dress torn, many of his jangly bracelets lost in the chase, his bare feet cut and bloodied from racing along the glass-littered pavement, blood trickling down his nose. His gaze lingered on Spencer in an almost affectionate way. “Not the kind of weapon we use.”
Spencer’s whole body flushed.
The unsub turned his head from where Hotch pressed his face into the concrete. “It hurts! ” he wailed desperately. “My eye! You ugly fag, my eye —”
Hotch pressed one broad hand to the column of his throat. “If you call him that again, I’ll finish the job with the other shoe.”
A tingle rushed through Spencer as the unsub squeaked and fell into silence.
At Quantico, Spencer looked at himself in the mirror of the men’s bathroom, his face still dirty and stained from wrestling the unsub on the ground. His feet had pressure wrappings around them where they fit in his shoes; the paramedics had painstakingly dug the glass out of the soles of his feet and then treated the wounds. With gauze stuffed up the bleeding nostril of his nose, he looked worse for wear, though he had returned to his preferred clothes—his pants, his sweater vest, his long-sleeved shirt.
He stared at his reflection, hair all dirty and messy, face beginning to break out from the low quality makeup. Huh, he thought as he looked at himself. The whole thing felt so surreal. Had Hotch really kissed him? Had Hotch really put an arm around his body to hold him in place? Had Hotch really planted the heel of his hand against a man’s throat and threatened to blind him if he said another word against Spencer?
Was Hotch really entering the bathroom right now, silently nearing him, reaching for the paper towels, wetting one with warm water, pressing it to Spencer’s face, wiping away the itchy makeup and the dirt?
“You alright?” Hotch’s voice breached the calm. He smoothed the paper towel down Spencer’s face, not enough to hurt him, but firmly enough to take away most of the heavy makeup and dirt. When he’d soiled one paper towel, he wetted another one.
In the mirror, as Hotch stripped the layers of grime from his face, the rash underneath became more apparent. “Yeah,” Spencer replied. “I’m fine.” He looked away from his reflection in the mirror and glimpsed at Hotch’s face, afraid to let his gaze linger for too long—afraid of what he would or wouldn’t see. “Can I ask you something?” Hotch gave a noncommittal hum of agreement. “Why are you still here? Everyone else went home.”
Hotch ceased his ministrations, having gotten the most grime off of Spencer’s face, and he returned his gaze, a surprisingly tender expression on his face. “You made a pretty big sacrifice to catch this guy, and I owe it to you to make sure you’re okay.” Spencer grunted in response. He wondered if Hotch had something else to say. “Have you talked to Peter?”
Oh. Right. Again, Hotch expressed interest in Peter, and again, Spencer wondered if he meant to suggest something else. “Yeah. Yeah, he’s—he’s shaken up, but he’ll be alright. I think he’s thinking about taking a break from the club, though.” Hotch opened a tube of cream—anti-itch cream, Spencer noted. He squirted a small amount onto his fingertips and applied it to the rash covering Spencer’s face. “How did you…”
“You always get sun poisoning when we’re in the field,” Hotch said. The intimacy of this moment took Spencer aback, his face in Hotch’s hands as Hotch massaged a soothing lotion into his skin. “I thought the cosmetics might irritate your skin.” Spencer didn’t know what to say in response. “When will I get the opportunity to see Sparrow Wings again?” he asked as he capped the tube of lotion, having rubbed the cream into Spencer’s skin completely, leaving no residue.
Spencer puffed a short breath from his nose. “I think Sparrow Wings is retired permanently.” He spun his watch around his wrist. It didn’t jangle annoyingly like the bracelets had. “Everybody’s going to know she’s an undercover cop now. Gay people don’t like it when cops invade their spaces. The last time it happened, there was this big riot. You may have heard about it.” He crossed his arms, guarding himself—from what, he wasn’t quite sure. Was Hotch just mocking him in some elaborate joke? Asking about his drag persona, asking about Peter, cleaning his face, applying the medicated lotion, was it all some farce?
Spencer didn’t think so, but he also knew better than to trust anyone’s intentions.
A small, easy smile spread across Hotch’s face. “Then maybe I could arrange a private show.”
Spencer studied Hotch’s face in the strange, fluorescent light of the bathroom, seeking any hint of deception upon him, but he found nothing—nothing but the same steady and forthright look in those hickory eyes. Spencer’s Adam’s apple bobbed. “Are you…” He didn’t know how to finish the sentence, the question, any of it.
Yet, Hotch still understood. “I am.” Hotch kissed him again. Now, Spencer understood, too. Hotch severed the kiss. “If you are—”
“I am.”
Hotch breathed a short sigh of relief. “Rossi and Morgan break even again.”
Spencer paused. “What?”
“The last bet. Rossi’s money is on this.”
Spencer blinked in surprise. Then, he shrugged. “Guess it’s better if they don’t owe each other.” He followed Hotch out of the bathroom, feeling lighter than he had felt in years.
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Word Is Out: Stories From Some of Our Lives
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When WORD IS OUT: STORIES OF SOME OF OUR LIVES (1977) first aired on PBS, the filmmakers received letters from gay men and lesbians who said the film had saved their lives by showing positive images of LGBTQ lives. I was in graduate school in Columbus, Ohio, at the time and can recall some of my gay friends complaining afterwards that the people in it weren’t terribly attractive. Watching it again for the first time in 45 years, I was struck by the beauty of the participants, not just the men I wish I could have dated but all of them trying to live their best lives in a hostile environment. This mosaic of 26 interviews (culled from 250 shot by six co-producers over the course of five years) is snapshot of LGBTQ life between Stonewall and the discovery of AIDS. I’d like to say it’s a period piece, but a lot of the issues they deal with — rejection by biological families, rejection within the community, condemnation by religious bigots, loss of parental and employment rights — are still very much with us. Yet the film is filled with little triumphs. It features people who didn’t know love until they accepted their sexuality. Roger Harkenrider celebrates weirdness. Tede Matthews anticipates Ru Paul’s statement that “We’re all born naked, and the rest is drag.” Betty Powell explains the significance of the rainbow coalition, the interrelatedness of rights for women, people of color and LGBTQ peoples. And Pat Bond just makes us laugh (the film helped promote her comedy career). It’s shocking hearing one man talk about people telling him promiscuity is unhealthy at a time when few were aware of HIV. It’s also a bit disappointing there aren’t more people of color in the film. That’s the one area in which it seems a period piece.
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livthomasba1b · 7 years ago
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Joseph Campbell studied myths and stories from around the world and wrote the book ‘A hero with a thousand faces’ and came to the conclusion that all hero’s follow nearly the exact same story, know as ‘The Hero’s Journey’. This Video above by Matthew Winkler and TEDEd explains this well.
This video below is another that also describes the stages of the Hero’s journey and uses Pixar’s ‘Toy Story’ as an example and applies the stages to the film.
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I found this interesting to watch since it was applying the mono-myth to a familiar story I know well. This in a way helped me understand easier how I could do the same, but my film i’m researching, ‘Up’.
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renanimationnua · 7 years ago
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Character Research Week 2
For our lecture today we began looking a technique called the 2 Page technique to plan our essay. The first page is for everything I already know about my chosen character. The second page will be for everything (I can think of) that I’ll need to find out. Also contextualisation, we have to be able to understand our chosen character within the context of broader social or cultural issues. As our research continues the information from page 2 will move to page 1. We also did the difference between primary and secondary research, primary being our own sketches, observational drawings, storyboards or photographs of our work. Secondary would be taken from existing work of others such as films, Ted Talks, interviews, etc…
When it came to archetypes, (arkhetupon) a Ancient Greek word for something ‘moulded first as a model’, we had a task to raise our hands if we were things like a worrier, or a bit moody, or a good listener, etc… what I learnt from this is that everyone can be categorised but everyone is still so different and that’s our characters need to have as well, for them to be unique and universal. We had a go at some of the questions from the Proust Questionnaire and how we can do this questionnaire for our characters to help get a better understanding of them. It’s always good to use my own experiences and take aspects of people’s lives to help inspire and story and characters. The idea of using archetypes can help in creating a character that is identifiable. We looked at Christopher Vogler’s 8 character archetypes which are:
. Hero
. Shadow
. Shapeshifter
. Mentor
. Threshold guardian
. Trickster
. Herald
. Ally
We looked at an example, a TEDed Animation by Matthew Winkler called The Hero’s Journey.
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