#ted is living in a lighthearted but moving comedy

[loverboybrightsideghost]

i'm a big fan of tv shows where they do an episode from the POV of a side character and they're living in a completely different genre than the main character

[the-study-of-fun]

The books Ted gives to his players (I could only catch 4)

Sam: Ender’s Game by Orson Scott Card.

It is about a child genius selected by military forces to save the world from destruction. He is a brave and determined person. Ender is given a special teacher to help him reach a top division. Through a series of tough obstacles, Ender becomes a better tactician. He was so young when he started training and was sent into battle to kill the ‘buggers’.

Parallels: Sam is from Nigeria and is picked to move to England to join Richmond’s first team because of his playing skills and potential. One of the main conflicts is between Ender and his brother, Peter, who was not selected for the elite training program. Maybe this is a reference to Jamie? I think the message Ted wants to give to Sam through giving him this book is even though Ender was successful in battle, he did not make any friends during training. Sam should take the initiative to make more friends. Also, in the book, everything was treated as a competition, and people were not above manipulating each other. This could be a warning to Sam to be cautious and avoid manipulation as his success grows.

Jamie: The Beautiful and Damned by F. Scott Fitszgerald

The Beautiful and Damned tells the story of Anthony Patch in 1910s New York, a socialite and presumptive heir to a tycoon's fortune; his complicated marriage to Gloria Gilbert; the couple's troubling experience with wealth and status; his brief service in the Army during World War I; and Anthony and Gloria's journey through alcoholism and partying. Gloria and Anthony's story deals with the hardships of a relationship, especially when they are each pitted against the other's selfish attitudes. Once the couple's infatuation with each other fades, they begin to see their differences that do more harm than good, as well as leaving each other with some unfulfilled hopes. (From Wikipedia)

Parallels: I honestly think this can be about Jamie’s relationship with Keely. Jamie is obviously Anthony, as the superstar of AFC Richmond. Throughout the book, Anthony is greedy and consumed with dreams of wealth and glory, until he reaches his lowest point (financial ruin, cheating on Gloria, alcoholism). That is when he regrets the decisions he made in his youth. The purpose of giving this book to Jamie is to remind him that maturity is important and he needs to start growing up. Jamie needs to work harder to achieve his goals of becoming a great player, instead of waiting for success to come to him and ending up wasting his youth.

Ok I’m going to add another point. I feel like Jamie throwing away this book could be some foreshadowing that he won’t fit into Richmond. He is ultimately not given the choice to improve because he is traded back to Manchester City. Or perhaps he just hated the idea of reading something given to him by Ted. I’m reading too much into this “lighthearted” comedy. Oh my god.

Robbie (thank you for telling me who this is!): Miss Peregrine’s Home for Peculiar Children by Ransom Riggs

Sixteen-year-old Jacob Portman grew up listening to his grandfather tell him stories of living on an island in a children's home where each child had a supernatural ability of some sort. He goes to the island, fails to find the home a couple of times, and is taken by six children to a stone cairn. He travels back in time to 1940. The school is run by a headmistress named Miss Peregrine, who has her own peculiarities. As Jake learns more about her and the children at the orphanage, he starts to uncover some very dark and scary secrets.

Parallels: From what I know of Robbie, he might like the fantasy adventure element. It’s a book about a group of society’s misfits (with special powers, even the main character eventually discovers he’s special) coming together to get out of a time loop. Or maybe defeat some monsters. I don’t remember the plot, but this could be a message to Robbie to become an important part of the team under the guidance of wise teacher.

Roy: A Wrinkle in Time by Madeline d’Engle

A young girl’s struggle with leadership. Meg is a girl who struggles at school and cannot fit in with the crowd, although she is a smart person. Together with her friend, Charles Wallace, they save Meg’s father from IT. It is about a battle between good and evil, and the eventual triumph of love. This book can be spotted in 3 episodes, including one where Roy is reading it on the treadmill.

Parallels: Let me start off by saying Ted and Beard got it spot on with this book. The need to recognise one’s limitations in order to grow? Roy’s task of being captain of a ‘mediocre’ team. How to distinguish between good and evil? Roy trusting his instincts to make judgements, help the others around him, and choose love instead of hate. (Perhaps have a more cordial relationship with Jamie.) The message that even though conformity brings a sense of peace, it is still so much more worthwhile to embrace the unexpected? This is Roy Kent, a once powerful midfielder going to a middling club to end his career quietly, but then being inspired by Ted and Keely to be a better version of himself.

[aunti-christ-ine]

‘Love Boat,’ ‘Mary Tyler Moore’ star Gavin MacLeod dies at 90

By Associated Press 

| May 29, 2021 at 2:44 PM CDT - Updated May 29 at 5:15 PM 

LOS ANGELES (AP) — Gavin MacLeod, the veteran supporting actor who achieved fame as sardonic TV news writer Murray Slaughter on “The Mary Tyler Moore Show” and stardom playing cheerful Capt. Stubing on “The Love Boat,” has died. He was 90. 

MacLeod died early Saturday at his home in Palm Desert, California, said Stephanie Steele Zalin, his stepdaughter. She attributed his death to his age, saying he had been well until very recently. 

“He had one of the most amazing, fun blasts of a life of anybody I know. He enjoyed every minute of it,” Steele Zalin said. “I don’t even think in his wildest dreams he dreamt of the life that he ended up having and creating.” 

She called him the “best, sweetest, purest guy.” 

Ed Asner, who played opposite MacLeod on “The Mary Tyler Moore Show,” said on Twitter that “my heart is broken. Gavin was my brother, my partner in crime (and food) and my comic conspirator.” 

Known to sitcom fans for his bald head and wide smile, MacLeod toiled in near anonymity for more than a decade, appearing on dozens of TV shows and in several movies before landing the part of Murray in 1970. 

He had originally tested for Moore’s TV boss, Lou Grant, the role that went to Asner. Realizing he wasn’t right for playing the blustery, short-tempered TV newsroom leader, MacLeod asked if he could try instead for the wisecracking TV news writer, his jokes often at the expense of the dimwitted anchorman Ted Baxter. 

“The Mary Tyler Moore Show” was a smash from the start and remains a classic of situation comedies. It produced two spinoffs, “Rhoda” and “Phyllis,” starring Valerie Harper and Cloris Leachman, respectively, who had portrayed Mary’s neighbors. 

It was still top-rated when Moore, who played news producer Mary Richards, decided to end it after seven seasons. 

MacLeod moved on to “The Love Boat,” a romantic comedy in which guest stars, ranging from Gene Kelly to Janet Jackson, would come aboard for a cruise and fall in love with one another. 

Although scorned by critics, the series proved immensely popular, lasting 11 seasons and spinning off several TV movies, including two in which MacLeod remained at the cruise ship’s helm. It also resulted in his being hired as a TV pitchman for Princess Cruise Lines. 

“The critics hated it. They called it mindless TV, but we became goodwill ambassadors,” he told the Los Angeles Times in 2013. 

Among his final TV credits were “Touched by An Angel,” “JAG” and “The King of Queens.” 

MacLeod’s lighthearted screen persona was in contrast to his private life. In his 2013 memoir, “This Is Your Captain Speaking,” MacLeod acknowledged that he had struggled with alcoholism in the 1960s and 1970s. He also wrote that losing his hair at an early age made it hard for him to find work as an actor. 

“I went all over town looking for an agent, but no one was interested in representing a young man with a bald head,” he wrote. “I knew what I needed to do. I needed to buy myself a hairpiece.” A toupee changed his luck “pretty quickly.” By middle age, he didn’t need the toupee. 

In a 2013 interview with The Associated Press, MacLeod frequently invoked the word “grateful” as he reflected on his born-again Christian faith, surviving two heart attacks and his robust life. 

“That’s a big word in my life. I’m just so grateful I’ve had another day, another day, another day, and that my kids are doing so well,” he said. 

MacLeod, whose given name was Allan See, took his first name from a French movie and his last from a drama teacher at New York’s Ithaca College who had encouraged him to pursue an acting career. 

After college, the native of Mount Kisco, New York, became a supporting player in “A Hatful of Rain” and other Broadway plays, and in such films as “I Want to Live!” and “Operation Petticoat.” 

He made guest appearances on TV shows throughout the 1960s, including “Hogan’s Heroes,” “Hawaii Five-O” and “The Dick Van Dyke Show.” He also appeared on “McHale’s Navy” from 1962 to 1964 as seaman Joseph “Happy” Haines. 

The reason MacLeod reluctantly signed up for the 42 weeks of guaranteed work on McHale’s Navy was because he was anxious about how he was going to make the payments on his new house in Granada Hills .

“I had like two lines a week … I started to feel sorry for myself, I started to drink and I became very, very unhappy,” he said in the TV Archive interview. “As an actor I felt I was going down the tubes.”

MacLeod said he put his foot on the brakes moments before driving his car off a cliff near Mulholland Drive.

He implored producer Eddie Montagne to let him off the show. “And then Robert Wise called me to do The Sand Pebbles in China with my old friend, Steve McQueen,” he said. “So my career started again, I had an identity, and I started to feel good about myself.”

One major role he auditioned for: Archie Bunker in “All in the Family.” But he quickly realized that the character, immortalized by Carol O’Conner, was wrong for him. “Immediately I thought, ‘This is not the script for me. The character is too much of a bigot.’ I can’t say these things,” MacLeod wrote in his memoir. 

Other movie credits included “Kelly’s Heroes,” “The Sand Pebbles” and “The Sword of Ali Baba.” 

MacLeod had four children with his first wife, Joan Rootvik, whom he divorced in 1972. He was the son of an alcoholic, and his drinking problems helped lead to a second divorce, to actor-dancer Patti Steele. After MacLeod quit drinking, he and Steele remarried in 1985. 

Raised Catholic, he credited Steele for their shared born-again faith. The couple hosted a Christian radio show called “Back on Course: A Ministry for Marriages.” 

Besides his wife, MacLeod’s survivors include his children, three stepchildren, 10 grandchildren and his first great-grandchild, who arrived in December, Steele Zalin said. 

___

The late AP Entertainment Writer Bob Thomas contributed biographical material to this story. 

Copyright 2021 Associated Press. All rights reserved. 

Enjoy!  ↓ 

💙  https://www.metv.com/videos/metv-originals/MeTV-Presents-The-Best-of-Gavin-MacLeod  💙 

[tbhwhocaresanymore]

Nancy Drew 2x6

As promised I am done with my most stressful finals and am now posting my review albeit two weeks late, and let me say to start off that this episode would have made a fantastic season premiere.

Ghost kiddies: 1 Lamia: 0

Speaking of things I need to get off my chest wow I can’t believe the arraignment for the morgue break in finally happened. I assumed it had happened and she got off, or that everyone just forgot about it but more the fool am I. Because it is back and kicking off our second season.

And for the record as someone who despises insects and all forms of creepy crawlies with a passion this episode was a teensy bit horrific and not in the fun way.

Like I said at the top though, this episode would’ve made an amazing season premiere. It set up a whole bunch of fun new season plot lines in addition to being a killer episode in its own right. For example I’m assuming with Nancy’s 443 hours of community service to go we’ll be seeing more of Connor the Surly Coroner, and what if his flower shop wife works at the place the gang scammed a few weeks ago to get AJ Crane’s address? I mean be real how many flower shops can one small town have.

In other news I continue to yearn for Chief McGinnis to return. Like WHY in the name of all that is holy would you throw away a perfectly good, lovable book character, not to mention Native American rep, in favor of this new asshole that nobody likes? (This is only 10% me being bitter about my Tamura being AJ’s son theory not panning out.) The only (ONLY) upside to Tamura being here is that Nancy and McGinnis were becoming friends, and now we have a very rude cop for Nancy to be sassy to. “Not a real holiday.” “Not a real necktie.”

Speaking of lovable book characters, it causes me pain how Hannah and Nancy’s relationship was like shot in the head and dumped in a ditch. Like must she eternally be at odds with one of her book parental figures? For those of you who don’t know, in the books Hannah Gruen is the Drew’s housekeeper/cook, and a surrogate mother to Nancy. Like I’m thrilled that Nancy and her dad are back on good terms and working their way towards being the iconic father/daughter duo we all know and love, and I understand that Hannah has every right to be furious with Nancy, but the pain is still there.

Moving onto more lighthearted aspects of the episode, I love the balance this show has found between comedy and horror. Riverdale could never. The scene with the five of them in Nancy’s kitchen and the autopsy was comedic gold. Ace and Bess and George, fairly quickly getting on board with it, Nick convinced they all want to send him back to prison in possession of the group’s one brain cell. But then he immediately loses the brain cell because when somebody shows up AT THE FRONT DOOR, NONE OF THEM THINK to hide the body in plain view in the kitchen??? Guys! Oh and that absolutely iconic bit of dialogue: “No, we are not performing an autopsy in your kitchen!” “No you’re absolutely right Nick, we should do it in the living room there’s more space.” *wheeeeze*

So that’s the comedy now for the horror. So many little delightfully creepy moments sprinkled throughout the episode. George drifting off and singing in French, when the body in the back of the van opens its eye, when the dad stops the car and gets out and it SITS UP, when Charlie and Ted see something outside and all you can see is its silhouette, when the lamia is like sucking their souls out looking like a skeletal cretin straight from the depths of hell. Delightful.

Getting back to season long arcs, my writing sixth sense is tingling and it’s telling me the Women in White are going to be important. How? I don’t know. But there is sooo much potential. What if they’re all comatose a la Sleeping Beauty waiting for someone to call them back once some sort of evil reawakens? What if they’re immortal and walking the earth solving problems in secret? What if they were corrupted and had to be killed by their loved ones? The possibilities are endless and I’m here for it.

Time for my Drewson shipper talk so if you’re not into that skip this paragraph. Ooooh Lordy the scene with Nick and Nancy in the seamstress house made my heart do a happy little tap dance. Really any time they share the screen at the same time, but they had lines directed at each other and it was beautiful. And that gorgeous line of dialogue, “Hey, you can still fix this. No one’s gotten hurt yet.” aeexoijxoij

Now I will close out with some thoughts I had while watching.

Nancy can be so smart but also so dumb, like she hears a mysterious thumping sound and Hangs Up The Phone??? Girl it could be a human killer!

And is it just me or does it seem like if twelve children in a small town were all murdered on the same day and the killer was never caught that would be the sort of thing that lives on in town legend

Nick has the absolute WORST British accent oh my GOD. Understandable, because the actor is Scottish, so at that moment he was a guy with a Scottish accent pretending to have an American accent faking a British accent but still.

Cannot believe on their way to the Claw to stop a soul sucking spirit they had to stop at the grocery store for caramel apples and candy canes like them all running around must have been a hell of a sight for whatever sleep deprived Safeway cashier was on duty

Finally, what in god’s name is George going to tell Jesse? Not the truth I imagine, but I have no idea what possible lie she could sell. Personally I think I’d just tell her I drugged the water as a joke and gaslight her until she forgot about it.

Normally this would be the part where I theorize about what could happen in the next episode but at this point you already know what happens in the next episode so I’ll sign off with my typical schtick instead. Ahem

Writers give me Lucy Sable

[angelofberlin2000]

by Natalie Finn | Fri., May. 17, 2019 3:00 AM

When Keanu Reeves was asked the other night, "What do you think happens when we die?" interviewer Stephen Colbert probably wasn't expecting such a deep—or assured—answer from the movie star.

"I know that the ones that love us will miss us," the 54-year-old actor said sagely, rendering the Late Show host unusually speechless.

It was a sincere, thoughtful response—vintage Reeves, really—from someone who's had reason to think about such things.

"I haven't really thought about my career future, or what was going to happen, until really recently," he also told GQ in February. Asked why he started thinking about it, he replied, "Death!"

Watch https://www.eonline.com/videos/289305/how-keanu-reeves-training-for-john-wick-3-compares-to-the-matrix

How Keanu Reeves' Training for John Wick 3 Compares to The Matrix

The still eerily youthful-looking Reeves, who's back in theaters Friday in the third installment of the blockbuster John Wick franchise, has become a brand unto himself, the name "Keanu" signifying not just movie stardom but also a certain kind of performance and even a state of mind: chill, zen, blissfully checked out ("Sad Keanu" meme notwithstanding). His name—which has lent itself to a comedy about a cat and a recent hit song by Logic, and which of course a studio exec wanted him to change when he first came to Hollywood—does mean "cool breeze over the mountains" in Hawaiian, after all.

But still waters run deep, and despite being in the public eye for more than 30 years, he's one of the least-known people whose chiseled face you would recognize anywhere. Few play it as close to the vest as Reeves, who, though he does the occasional interview and shows up to fulfill his side of the bargain in promoting his films, does not talk about his personal life. And not in the way that most celebrities don't really talk about their personal lives.

As in, it's entirely unclear if he even has one, although—look at him—he must.

"I came to Hollywood to be in movies," Reeves told Parade recently. "I feel really grateful that I've had that opportunity, but I'm just a private person, and it's nice that can still exist."

He doesn't even publicize his charity work, but his causes include children's hospitals, fighting cancer, the arts and the environment. 

"I always find it surreal that complete strangers come up and ask me personal questions," he told Parade back in 2008. "I don't mind speaking about work, but when the talk turns to 'Who are you?' and 'What do you do off-screen?' I'm like, 'Get out of here.' I've been in situations where people have felt they had a relationship with me or something and I didn't even know who they were."

Not that Reeves is an anti-star. He lives in the hills above West Hollywood, spent plenty of time enjoying the local nightlife in his youth and has starred in countless quotable action movies—and gets paid handsomely for them, enough so that he can take off and do passion projects like his first (and only, to date) directorial effort, 2013's The Man of Tai Chi, or show up unheralded on a Swedish sitcom (Swedish Dicks, now on Pop) or in any indie film he so desires, like the recent Destination Wedding, an acerbic comedy that reteamed him with Bram Stoker's Dracula co-star Winona Ryder.

He's perfectly congenial yet usually looks somewhat serious, but not because he's taking himself seriously—more as if he wants to answer even the most lighthearted of questions with respectful gravity. But hey, as Stephen Colbert just found out, if you ask Reeves a potentially loaded question, prepare to get an answer.

Asked by Parade in 2008 if he believed in aliens, because he was playing the alien Klaatu in a remake of The Day the Earth Stood Still, he replied, "Some days I do. Some days I don't. There's so much unexplained and unexplainable phenomena that's presented to us. But beyond that, the cosmos is so vast. We can't be the only sentient entity. It might not look like us, but it's going to be out there."

His signature Keanu cadence used to be mistaken for a sign of vacuity, but Reeves attributed however he came off in interviews to his overall discomfort with talking about himself.

"I've never played stupid to keep someone distant," he told Vanity Fair in 1995. "I don't play stupid. Either it's been a failure on my part to articulate, or my naivete, or ingenuousness, or sometimes it's the nature of the form... And you know, I find myself more able to give an explanation of a project five years later than in the middle of it. It's so present-tense! I can tell you how I feel, but its context is harder to explain... Sometimes when I'm interviewed I'm not ready to do that. So you say...'excellent!' And you know what, man? It's OK."

It certainly was.

Ted Theodore Logan, Johnny Utah, Jack Travern, Neo, John Wick: all characters that had to be played by Reeves. He's done everything from Shakespeare to sports flicks to A Scanner Darkly, and soon you'll be hearing his voice as Duke Caboom, a motorcycle-riding stuntman with a wistful backstory, in Toy Story 4, which will probably sneak in to top The Matrix Reloaded, which made $742 million worldwide, as his single highest-grossing movie.

"So I made Duke a little more gravelly but still tried to give him energy and a big personality," Reeves shared with Entertainment Weekly in March. "I just thought that Duke should love what he does. He's the greatest stuntman in Canada! I wanted him to be constantly doing poses on the bike while he was talking, to have this great extroverted passion."

He turned down Speed 2 to play Hamlet onstage in Canada. He was one of the first big stars who memorably jammed on the side with his own band, Dogstar, in the '90s and now he co-owns a custom bike shop called ARCH Motorcycle in Hawthorne, Calif, because he loves motorcycles as much as you think he does.

"Riding can be a place to think and feel. It's a way to work things out," he recently told Parade, noting that inclement weather doesn't stop him. "I like riding in the rain. It's a little more sketchy." He rides mainly alone, but he and the ARCH crew cruise Pacific Coast Highway on Sunday mornings.

And if motorcycles provide one soul-soothing salve for Reeves, acting provides another.

"In acting, you're constantly discovering new feelings and thoughts and exposing yourself to them," he told Parade in 2008. "I guess it could be considered psycho-therapy. All I know is that, as an actor, I can tell you a story that you'll listen to. Maybe it won't just entertain you, it might also teach you something. I think film has the power to change your life if you want to let it.

Combine his real-life inscrutability with his is-it-genius-or-does-he-just-do-the-same-thing-every-time approach to acting, and he's become more myth than man—and that, too, is a huge part of his appeal. He's just so Keanu.

"I don't own a computer and I don't e-mail," he said in the 2008 

Parade

interview. "I'm fascinated by people who freak out when they don't get an instant response to an e-mail. It's like they expect as soon as they send an email to get the answer back and if they don't it's like awful. I just hope people won't totally lose the ability to write letters because it's a good way to communicate."

He preferred typewriters, Reeves said—and we can only hope he and Toy Story star Tom Hanks had a chance to talk about typewriters together.

"I only have good things to say about him," Swedish Dicks star Peter Stormare, who met Reeves doing Constantine in 2005, which led to the actor's role on his show, told GQ. "Once a year, we'll have a beer together and talk about life and things. He's very private. He leads his life the way he wants to lead it. And I guess it can be lonely sometimes. But I think he's just like me. There's a comfort in being alone sometimes, especially when you're working on something."

"We bonded over motorcycles, bass guitar, and Harold Pinter," Alex Winter, the Bill to his Ted, also told the magazine. "Reeves had a really good book collection."

Reeves was born in Beirut, to a Hawaiian father and English mother, but they divorced when he was about 2. Mom Patricia remarried in the US., but after that didn't work out she settled with a 7-year-old Keanu and his younger sister, Kim, who was born in Australia, in Toronto. Reeves reportedly hasn't spoken to his dad since he was 13. 

"We were latchkey kids," he told Esquire in 2017. "It was basically 'leave the house in the morning and come back at night'. It was cool." But, he told Parade, "Even for a runaway English girl, my mother gave us a proper upbringing. We learned manners, respect for our elders, formal table settings. I also learned a nonprejudicial, nonjudgmental acceptance of other people."

His favorite part of school was doing plays and studying Shakespeare in English class, so he dropped out at 17 to try his hand at acting.

"My attendance record was very bad. I was lazy," Reeves told Vanity Fair. "I knew I wanted to act when I was halfway through grade 11, I guess, and school wasn't important."

His first acting job came on the Canadian series Hangin' In in 1984. Then he moved to Los Angeles and made his big-screen debut in the Rob Lowe-starring drama Youngblood in 1986. Later that year he won his first major role in the gritty teen crime drama River's Edge, which went on to win Best Feature at the Independent Spirit Awards.

So it was off to the races for Reeves, who in the next five years made a wildly diverse array of movies, including the very-'80s comedy The Night Before, Dangerous Liaisons, Bill & Ted's Excellent Adventure (and its sequel, Bogus Journey), Parenthood, Point Break and My Own Private Idaho.

He was very much living the fast Hollywood life, and it wasn't all charmed.

In 1993, River Phoenix died of an accidental drug overdose—another painful thing Reeves didn't want to talk about, but he spoke fondly of his friend and My Own Private Idaho co-star.

"I enjoyed his company. Very much," Reeves told Rolling Stone in 2000. "And enjoyed his mind and his spirit and his soul. We brought good out in each other. He was a real original thinker. He was not the status quo. In anything."

As for Phoenix's death, "It's something he thinks about all the time, something he never really talks about," a friend told People. "Friends know not to go there with him."

In 1994 his estranged father, Samuel, was sentenced to 10 years in prison for drug possession in Hawaii, but was released in two. "Jesus, man. No, the story with me and my dad's pretty heavy. It's full of pain and woe and fucking loss and all that s--t," he told RS around that time. In 1995, he told Vanity Fair, when asked why he didn't want to know more about his dad's case, "Why would I want to find out what I didn't know?" He called the situation "pretty incredible," and that was that.

Reeves has a massive scar on his abdomen from when he suffered a rupture spleen in a motorcycle crash while riding in L.A.'s Topanga Canyon in 1988. He went into a hairpin turn going about 50 mph.

"I call that a demon ride," he reflected to Rolling Stone. "That's when things are going badly. But there's other times when you go fast, or too fast, out of exhilaration...I remember saying in my head, 'I'm going to die.'"

"I remember calling out for help," he continued. "And someone answering out of the darkness, and then the flashing lights of an ambulance coming down. This was after a truck ran over my helmet. I took it off because I couldn't breathe, and a truck came down. I got out of the way, and it ran over my helmet."

Also while his star was on the rise, his sister Kim battled cancer for years starting in the late '80s. "He helped me through," she told Vanity Fair about her brother. "When the pain got bad, he used to hold my hand and keep the bad man from making me dance. He was there all the time, even when he was away."

Actor and Dogstar bandmate Roger Mailhouse told Rolling Stone about Reeves in 2000, "He's a really giving person. He'd give you his last shoe. Really smart, too. He's incredibly booksmart. He's a really interesting person who doesn't talk a lot of s--t."

Asked how his friend had changed over the past decade, i.e. the '90s, Mailhouse said, "I don't worry about him as much. I used to worry about him. Because I think of him as one of my best friends in the world, was he going to crash his motorcycle, or this or that. We did some wild things. I guess it's just growing up. I don't know—maybe it had something to do with River Phoenix, maybe. Losing someone close to him. But now I'm just proud of him. He's getting to do it the right way."

For years you'd be much more likely to see Kim or Patricia on Reeves' arm at a premiere or other big event—such as when he got a star on the Hollywood Walk of Fame in 2005—than any girlfriend, and the actor hasn't been publicly involved with anyone for years.

Not that he hasn't been linked to a bevy of his co-stars, including Sandra Bullock and Charlize Theron, but if he's in a serious relationship, it's not with a celebrity.

On The Tonight Show Starring Jimmy Fallon in 2013 he was wearing what anyone would take for a wedding band on his left ring finger, but no revelations ever sprang from that accessory choice.

When Parade asked recently if he remained a bachelor, Reeves replied (squirming a bit, according to the magazine), "Well, I'm not married."

Through the interviews he's given over the years, a theme running through them is the visible discomfort he starts to evince when the conversation veers toward the too-personal. And some topics are just off-limits altogether.

Reeves started dating actress Jennifer Syme after meeting her at a party in 1998 and they were expecting a baby together—but the child, a girl they named Ava, was stillborn at 8 months. They laid her to rest in January 2000, according to People, and broke up weeks later.

Read

Sandra Bullock Almost Starred in The Matrix Instead of Keanu Reeves

They remained close up until Syme, who suffered from severe postpartum depression, died in 2001 when she crashed her Jeep Cherokee into several parked cars on a L.A. street and was thrown from the vehicle. In 2002, her mother, Maria St. John, sued Marilyn Manson, who had thrown a party that Syme attended that night, for wrongful death, alleging he had given Syme  the cocaine that an autopsy found in her system. 

"After Jennifer was sent home safely with a designated driver, she later got behind the wheel of her own car for reasons known only to her," Manson, who knew Syme through filmmaker David Lynch and had worked with her on Lost Highway, said in a statement.

The rocker continued, "This lawsuit, which is completely without merit, will not bring back Jennifer's life. It serves only to reopen the wounds and the pain felt by all who loved Jennifer. It is a pity that St. John sullies her own daughter's reputation by filing this baseless claim."

They reportedly reached a settlement out of court, but Manson maintained he had nothing to do with Syme taking drugs that night. 

Reeves has never spoken publicly about his relationship with Syme, which certainly fits right into how he was before, let alone since. But he grieved. And he eventually had something to say about that.

"I think, after loss, life requires an act of reclaiming," he told Parade in 2006. "You have to reject being overwhelmed. Life has to go on."

The actor continued, "Grief changes shape, but it never ends. People have a misconception that you can deal with it and say, 'It's gone, and I'm better.' They're wrong. When the people you love are gone, you're alone. I miss being a part of their lives and them being part of mine. I wonder what the present would be like if they were here—what we might have done together. I miss all the great things that will never be."

So he knew exactly what he was talking about when he told Colbert, "I know that the ones that love us will miss us."

Calling it "unfair" and "absurd," Reeves told

Parade

, "All you can do is hope that grief will be transformed and, instead of feeling pain and confusion, you will be together again in memory, that there will be solace and pleasure there, not just loss."

"Much of my appreciation of life has come through loss," he concluded. "Life is precious. It's worthwhile."

He said at the time that he would like to have a family, and reiterated the sentiment a couple years later, but Reeves told Esquire in 2017 with regards to "settling down": "I'm too… it's too late. It's over." Asked to clarify, he added, "I'm 52. I'm not going to have any kids."

Famous last words from a litany of 50-something men, and he was reminded of that. Reeves just said, "That's a whole other… But no. I'm glad to still be here."

"I'm every cliché," he continued. "F--king mortality. Ageing. I'm just starting to get better at it. Just the amount of stuff you have to do before you're dead. I'm all of the clichés, and it's embarrassing. It's all of them. It's just, 'Oh my God. OK. Where did the time go? How come things are changing? How much time do I have left? What didn't I do?' I'm trying to think of the line from the sonnet… 'And heavily from woe to woe tell o'er / The sad account of fore-bemoaned moan / Which I new pay as if not paid before.'"

"So, yeah," he added, reportedly with a smile. "I'm that guy."

In turn, Reeves can't help but come off as the solitary figure he so often plays in his films, from Constantine to The Matrix to John Wick. Heck, even Duke Caboom sounds a little melancholy.

At the same time, you're just as likely to see him in a romantic tear-jerker or a quirky comedy as a shoot-em-up. He's played heroes and hustlers, sweethearts and cruel villains, teachers and  slackers, doctors and lawyers.

"For me, it's just continuing to be able to work with great artists and tell stories that people enjoy," Reeves told Parade. "I was always hoping, even when I was young, that I could do different things," he says. "I'm really grateful for that. I'm

Though he had no idea John Wick would be such a hit, Reeves was in top form in the 2014 action extravaganza as a retired hit man who goes on a revenge spree after gangsters kill the beloved dog that was a gift from his late wife.

It made almost $89 million on a reported $20 million budget. Sequel time!

"You hope and you dream but the reality is even sweeter," he told E! News in 2017 about the first film's surprise success when he was promoting John Wick: Chapter 2. "It's great to be involved in a project that has so much affection."

Chapter 2 made $172 million worldwide.

Now back for John Wick: Chapter 3—Parabellum, Reeves has revealed that he started training heavily about three months before filming began to get back into dynamo shape, and he still goes whole-hog (or horse, in this movie's case) in the action sequences, right up until a car runs into him.

"I'll do some fight scenes and then John Wick will get hit by a car," Reeves explained to Colbert on The Late Show, "and that's Jackson Spidell, who's an amazing stuntman." Spidell has been Reeves' stunt double in all the John Wick movies. "He gets hit by the car, then I'll get up from the car, then I'll do a whole bunch more of, like, gun-fu and whatever, jujitsu, judo—and then, if I get thrown off something, Jackson does his thing."

Even more exciting for some fans, however, depending on whether you like your Keanu dark or more dude-like, is the news that he and Alex Winter are finally set to start shooting Bill & Ted Face the Music, the much-discussed follow-up to 1989's Bill & Ted's Excellent Adventure and sequel Bill & Ted's Bogus Journey, which came out in 1991. The years-in-the-making comedy is tentatively due out in 2020.

And so on his latest press tour, Keanu Reeves left his usual trail of breadcrumbs. They may not lead you straight to his door, but they'll definitely keep you on the path.