#technically the art here is actually a redraw of an older piece

[dualiti-real]

OC-tober Day 5: Relationships

I was going to do a chart but I have too many characters and I haven't introduced them all yet so instead I'll take this as an opportunity to introduce two OCs at once, my two absolutely terrible guys, Laurel and his husband Faust!

(warning for brief mentions of mind control in the context of Laurels powers, lemme know if there's anything else in here anyone would want a warning about that I missed)

Laurel is the closest thing Dualiti really has to a villain, as mentioned in his neocities blurb. but due to Dualiti's very static state of being, he's mostly been bothering the same places and people for the last 1000 years, the only thing changing being who's being sent to fight him. either way, he is extremely content with the status quo he's in, where he has a lot of control in his little bubble and can do basically whatever he feels like. He and Vex have a very complicated rivalry, but that's a whole different quadrant- *I AM IMMEDIATELY DRAGGED OFFSTAGE BY SECURITY*

His husband is Faust, a mad scientist who is the absolute worst. just about everyone who meets him is immediately repulsed by his personality, which is "I am smarter than everyone else and anyone who claims otherwise is stupid and wrong, even when I am actively failing at something". somehow, though, Laurel is absolutely charmed by his cringefail demeanor. it also helps that Faust is equally head over heels for him. they are both completely terrible but I guess somehow they cancel eachother out, so that's nice? I'm glad they managed to find eachother.

Laurel Fun Facts:

Though Laurel looks like just a really tall elf, (he is 7'6". elves in the universe of Dualiti do not get that tall ever.) he's actually a sentient magical organism that is puppeting a corpse to function as his main body. that organism is the slime, which manifests on his body as the hair coming from his head.

when Laurel (the magic organism) consumes matter, it produces more slime, which can be used as structures, weapons, and as means of controlling others.

He can make hunters by basically infecting people with himself, (someone ingests the slime, it gets into an injury, ect.) and puppeting them from the inside. once he's infected someone, they're basically already on his network, and he can step into the controls any time. (you know, like vris- *I am once again dragged offstage*) he doesn't use it a lot unless he has to, though. he likes the challenge of convincing people to work for him.

(also just to get it out there because I mentioned Laurels powers and I want to make it clear that, no, Faust isn't being mind controlled or anything. he just encountered someone who actually genuinely liked him and went full Gomez Addams about it)

He is very much inspired by my love of classic disney villains. always love a character who is awful and is having so much fun with it. Shoutout to my girl Maleficent she inspired SO much about Laurel without me even realizing it.

as mentioned, he and vex have sort of a weird rival thing going on. do they hate eachother? are they best friends? something else? fucking. I don't know man.

(shout out to Hark a Vagrant by Kate Beaton for the reference)

you can tell thats old art because laurel doesn't have his cape yet. anyway, now we're moving on to

Faust Fun Facts:

Faust is very much inspired by characters like Doctor Robotnik, or Berdly of Deltarune. basically characters that are very confident in being super smart even when they probably aren't actually.

this isn't to say he's bad at what he does, he's really good at making robots and doomsday devices and the like- he's just bad at realizing that maybe he shouldn't keep putting in the function for them to explode randomly or at the slightest interference. high intelligence, fucking AWFUL wisdom.

He and Laurel met when Faust accidentally crashed his egg-mobile type thing into Laurels mansion and DIRECTLY onto the table Laurel was having tea at.

it's honestly a miracle Laurel thought he was funny and didn't end up killing him.

Faust does smoke, even though as a hunter/undead he doesn't really like, get any of what you would get from a cigarette. old habits die hard. (maybe he just likes the taste.)

as mentioned he is absolutely hopeless over Laurel. Laurel could literally do anything and Faust would think it was great. thankfully Laurel likes him just as much right back, which means that Faust can fuck up his evil schemes as much as possible and Laurel will not even care. he loves his silly little idiot so much.

[annadiplosis]

I’VE HAD THIS BLOG FOR 10 YEARS

Here’s to many more years of fish, vampires, aliens and bird people! To everyone who follows me and/or has praised my art, in any way, at any point, thank you, from the bottom of my heart.

I’ll be ranting about art progress and style changes under the cut, but before that, just a reminder that I’m going through a complicated time in my life and if you want to support me and my art there’s a few ways to do so.

Now back to my goofy doodles.

Maybe because I've drawn ever since I can remember, I've never felt a ton of pressure to improve my art skills. It's always been something I knew was going to happen as long as I kept drawing, and that's what I've been doing. I try not to stress too much about staying consistent with my practice or achieving any self-imposed goals. I like to discover what I'm able to do, one drawing at a time.

I also believe progress is not linear, and not every single piece is better than the last. While my 2023 art shows a higher skill level than that of 2013, I think some of my older work looks perfect the way it is. I'm drawn to expressiveness, movement, and compelling characters, and that can be achieved at any level. I've gotten better at some technical aspects, of course; my linework is far more decisive than it was before, and my endless battle with color palettes gets easier every day. I'm also capable of unwillingly drawing the crappiest, most horrendous doodle you've ever seen, just as I was in 2013. Just as we all are. I'm not sure why I find that reassuring, but I do.

When I started this blog, what really worried me was developing a distinct style. I studied other artists and stole specific elements of their work, sometimes drawing and redrawing the exact same thing until I was satisfied with the result. At some point, and I can't exactly tell you when or why, I stopped caring about that. It's not that I thought I'd found My Perfect Style, because that doesn't exist. I guess I started focusing on other stuff, and that's when my actual style started coming together. I followed my instincts, tried to strike a balance between what came naturally to me and what I was envisioning every particular piece to look like, and it worked. Any alteration my style has gone through since then has been unplanned and intuitive, and I can't see myself approaching art in any other way. I'm excited to discover what kind of artist I'll be in ten more years.

Thanks for reading this far! Warm regards from me and every notebook I've used since opening this blog (#9 to #37 in my overall archive) ♡

[unproduciblesmackdown]

art asks 4-9

4. favorite thing to draw

i'm always out here drawing some Fave themself with an Expression, so evidently [expressive faces] would have to be it i suppose lol....within that, naturally eyes are fun but that can also kind of be kinda a trial sometimes like uh oh gotta get this right & really hone it. whereas i think after that i'm always using the Mouth for a lot of expression too, and there's also less pressure there as it were lol / i have fun with the like shape flexibility and lips & teeth are just details to have a good time with

5. least favorite thing to draw

me and a zillion other people across space and time like Ugh hands and/or feet....the eternal challenge can be kind of fun to wrangle in ways and it's easy for it to be worth bothering to include hands because of what all can Else can be included when that happens, but for god's sake lmao

6. warm colors or cold colors

things that make me remember like oh right i guess the like electric blues / ceruleans i love are technically cold, right. it's so Vivacious i forget it isn't warm lol, it's clearly bright/saturated colors time around here as the main thing....but i'm also pretty specific about that blue vs using Other blues nearly as much, whereas i'm more flexible when it comes to like, warmer purples, pink, breaking into some orange, maybe yellow bgs or highlights even....but it's so difficult to say lmao coz i wouldn't give up that fave blue ever. i also enjoy a good green but absolutely almost never use it lol and i feel i lean to the warmer side there lol, definitely some cool green i like, the Blue that's my fave is certainly more towards green than True Blue or whatever, but a more yellow green is v fun to me....so it's tricky lol like that particular blue & my favoring it / frequent use of it can't be denied, but other than that, it's immediately all these warm colors. this is sure a pretty straightforward question lmao, and yet

7. show us a WIP

immediately get an F in answering this question b/c this isn't a wip but just some quick sketches that sometimes unfold from like. well i feel like drawing but i'm absolutely Not actually going to end up w/anything fancy so i'm just goofin around

and here's an actual wip that i strategically walked away from for awhile in the hopes of a later Fresh Take in what edits should be made or if i should just start from scratch a third time if anything (looking at it now i think hopefully the former lol) with the concept of "i think winston should be comfy & cozy in bed"

(tayston pic is a wilft(a), wip i'd like to finish tonight (ambitiously))

8. what’s the most fun and the least fun parts about your process

hmm i can usually have a great time w/like, little details, like at any given point it's just the nature of my style like oh boy time for this one swoopy line, that's fun. or like here's lines below eyes, highlights in the eyes, here's a lil show of gumline above the teeth, enjoy throwing around the trademark Z/N scribbles, stuff that's reliably generally not that difficult to execute but i think is a rewarding/enhancing Detail....on the flipside it can be like ruh roh the curse of the Geometry and feeling the need to get it just right as per my own sensibilities when the effect wouldn't really be changed for anyone else, like "oh yep spent like forty minutes here repeatedly erasing & redrawing the tail of this speech bubble" then "tfw another half hour repeatedly erasing & redrawing these tiny radiating lines segments" lol it's not like necessarily a Torment but. also sometimes when i try for colors that aren't just monochrome / stylized it can be like wuh oh. not great at that lol and can get into trouble there like, well let's see if enough overlays can save my life

9. show us a finished piece right alongside the original sketch

think we're all having formatting difficulties w/putting images side by side so it's Sequential Only i guess lol. turns out it's wild how many older drawings just have no sketch layer lol like i'd just get in on the lineart and never look back....whereas nowadays already nigh unthinkable lmfao like absolutely we start w/a sketch....

huoughhh i was like ah jeez lmao i gotta post these, these sketches are so cute to me ;m;

[katzirrart]

Art Growth Compilation

I really enjoy doing posts about improvement in art.

It makes me feel better about my work, especially with how busy I am these days.

I wanted to compile all the comparisons I’ve made over the years and kinda discuss the posts, for myself or others.

I thought it’d be funny to start with comparing how I first drew on a tablet, using dodge and burn tools, to how I do now which is using layers and actually painting. It’s funny to look back on that, you know?

I linked the post I made, compiling all the month to month memes from 2003-2017 that I try and do yearly. And everything else is under a cut ;w;’‘/

Most artists have done a drawing of themselves and a few Pokemon, or their team. I did that in 2010, and was dissatisfied with my work...

I took a crack again in 2013 after I’d learned to draw more animals and not be so Edgy(tm) I really liked the results. I still didn’t use references though, because I was lazy. I just didn’t want to. I still was on that boat feeling like I was CHEATING. I wasn’t being CREATIVE if I looked at references.

Artists get stuck on using reference and it’s AWFUL. USE THEM. USE TWENTY. LEARN!! It’s so HELPFUL, I wish I had started sooner.

In 2014 though -

I tried again.

I had gotten better at anatomy, but most of all, I started to work off references more. I started to really focus on not stylizing so much, but to work on actually making things look like things. I started to work on caring about COMPARISON sizes. Composition!!

While Pokemon reference sizes are -wiggle hands- and while my team changed up, I was satisfied that I could draw Arbok ACTUALLY like a cobra now, Meowth is easy given it’s just a noseless cat so to speak, Haunter is literally a triangle cloud - I was satisfied having drawn that team.

My secondary team in the new games? I was excited to draw them. It was fresh and new and FUN and it turned out PRECIOUS.

I learned better how to proportion things in an image for layout, and just... making characters feel COHESIVE in the same space.

It was a nice thing to keep visiting. I have a sketch in the works for an update even hopefully.

These pieces are kind of interesting to me too, because they’re towards the end of my era of THIN lineart?

My lineart has gone from this, and THIS,  to this.

Literally I use to not believe in line weight, I can still do thin work of course, but I’m not a fan of trying to FORCE it like I use to? Even the second link, I went from the SMALLEST brush in Sai, to using a marker brush that had barely ANY give, to a custom brush on Sai that acts like a Paint Chat brush I use to use with friends online!

That’s what I mean about style too, like you may reserve yourself about things - like not coloring black in and outlining with white, or certain ways you do things. But the growth and changing and figuring FUN ways to color that black etc is where the fun of art comes in, to me??

Learn. EXPERIMENT. PUSH!

A few months ago, I did my first redraw. Of this piece from 2012.

Six years difference.

This was interesting for a number of reasons. There’s aspects I like more in the old one, but not many. I really like the pose a bit better, but I like the casual closeness that I did in the new one because that’s more my Shepard.

But technically speaking, it’s worlds better because I took time. I paid attention to details. I did fun things instead of rushing. I took time with my coloring and didn’t SMEAR it around. I had a friend who use to complain I drew so fast and they felt so SLOW, but I love what that taught me. I started taking more time on my art, and enjoying it more since I caught more mistakes and vastly improved. By leaps and bounds.

It’s amazing what a difference six years makes in not only style, which is often a FOCUS of these things? My style has come awkwardly and naturally to me over the years of critically picking certain things apart? but I really love where it’s gotten.

I have things I want to get back to, but I love... where it is, and CAN be?

But it’s wild to me how much change happens in technical handling? It’s a hand in hand thing, you can’t focus on one or the other only, or the other suffers.

Honestly this has been my favorite improvement to notice though?

Kisame was a character I felt I should be able to draw EASILY? Not so much. Itachi? ALSO EASY. Not so much??

Kisame has weird eyes to grasp how to draw? Thus focusing on them kept making them wonky to me!! On top of that, he’s everything I’ve been use to drawing for AGES because he has a muscular body, with a smaller waist? ... that was something I was use to drawing? I still was awkward getting back into the swing of that... Drawing HIS HAIR though? NOT SO EASY....

But like, Itachi should have been easy, but I have a thing about him appearing too feminine as he gets drawn because his eyelashes, and I’ve really found a nice... medium at this point?

But even still like my face styles and eye styles are finally to a comfortable point for me? I have stopped focusing on some weird things with Itachi’s hair and just... DO IT? But even still like...

The improvement here is literally just if I don’t know how to do something, or I’m not satisfied with how I do it? I just keep at it.

It’s a theme of this post honestly... repetition, persistence.

Keep drawing it. Keep trying to figure out what it is that’s catching you off about how you do it. Don’t like how you do eyes or how they fit on the face? Look at facial structures and references and figure it out. Draw them separate and figure out how to apply them to what you are.

Remember there’s a skull in there. I draw the holes in the skull like the eye sockets, and the nose area to help my proportions for SURE.

I’ve also gotten to a nice marriage in my lineart? The piece before the recent one, those lines feel HARDER or HEAVIER? The newest piece seems...softer? Like I’m lighter handed again?

I really like critiquing my own growth on what is good or working better for me? Older pieces it looks like I’m putting lineweight for SAKE of it versus where it goes now?

INTERESTING.

Like this lineup -

My style shifts so RAPIDLY, it still is noticeably MY style to people, but parts shift so VIOLENTLY because I’m constantly picking at what I don’t LIKE.

It’s funny too in the case of Kisame and Itachi because consistently I’m drawing the SAME character over and over - can make you REALIZE how you’re doing something wrong?

Like, here’s a difference of eight years, and it’s all the brush I use now, and it REALLY shows how my style has changed - in the aspect of one point of reference?

I have a childhood favorite character too, of Daisuke, and I use to be bad at drawing boys, and I use to be SUPER bad at drawing fluffy hair?

It was something I specifically started to learn to do? And I started to draw Daisuke every few months or years for a while. Especially when I started to first REALIZE I didn��t like my style that much?

But the middle one was July 2009, top left is less than 6 months later, and the last one is about a year later. DRASTIC DIFFERENCE. But next -

This one was in 2012, when I started to do more with teeth, or first dipping my toes into anatomy. I started to focus more on HANDS too, I was super bad at them. Overall I started to focus more on making my art have...ages? Like a boy versus a man. Facial features being DIFFERENT.

I can look at this boring little bust and see that he comes off more of a teenage boy to me now. I need to work more on figuring how to draw asian features especially the eyes. Sometimes I hit the mark, other times I don’t.

but between this and 2012? Not too much has changed. I do hair fluffier now, and I angle the eyes better. The teeth not being outlined doesn’t give that weird effect where I might give him TOO MANY TEETH....

People do that and it’s easy but whoof.

So there’s still learning and adapting to do in QUICK drawings, you know? but I can still see there’s good things. That took me like 5 minutes to draw? Not bad honestly.

In it’s own bracket is original characters though too?? But also divergent of STYLE shifts because like...

OKAY. Nightmare Syndicate’s story.. started for me in 7th or 8th grade, that was when I was...14? 15? I’ve been fleshing it out for like 13 years, that’s wild haha!! I love my kids and all.

But okay so SIALI. She’s still fairly similar but I restructured her face for SURE. She’s gotten less edgy, she’s.... a teenage girl.

FELIX?? CHRIST. He’s been such a long journey!! More on that later?

Rot and even Cor?? Rot and Cor are a shorter span of development, but Rot started in Highschool so almost 10 years ago, and Cor has been fairly solid - but even just DRAWING him over three years? Go look at how much he changes.. I’m not married to concepts easily. haha!

People act like making a character you’re STUCK with it. Like Oh boy, I better make this character good, from the get go!!

I only worry about that with small potatoes like my Pillar(Gods) designs I just made for the comic?? Even still, small things will change with them I’m sure.

But not only has Felix and Siali changed, but they’ve GROWN with my style and DEFINED it even. I’ve had to adjust my style to support Felix’s look honestly a LOT. Bend my rules. Break my anatomy stickler attitude - and honestly, that’s the thing.

You have to learn the rules and anatomy BEFORE you can break them. A style built upon broken anatomy will fail you down the road if you just excuse everything with style.

Learn to draw the hands. Learn to draw the feet. Figure out the face. Bones exist. You can break the FUCK out of it once you learn how to do it, you know? Like I’ve seen so many styles I LOVE who are cartoony and BROKEN AS FUCK, but there’s still some STRUCTURE to it. Most of those people can still structure a face just fine, and the reason exaggeration works so well is because there’s like unwritten rules for what works and doesn’t based on that?

Idk.

Felix has a very elongated torso, he’s like 7′ or 8′ tall so I mean?? He’s... broken anatomy, but he’s... lanky - but his muscle is LITHE and stretched. It makes contextual sense. That’s the important part.

But even designs, it’s important to understand designs YOU make, or like... to understand they’ll CHANGE and that’s growth within your art too?

Like okay, example. Felix has a millipede inspired monster form. But with designing that? I still have to know how millipedes and SNAKES work because there's bones and vertebrae in there??

But there’s also the difference of like... CONCEPT, versus execution. You can design a fucking badass character, but understanding your own concept is SOMETHING.

I had no idea how this would play out, until I was mapping out his ‘midsection’ spikes? and man. MY STYLE WAS MADE FOR THIS CHALLENGE NOW. Which is so interesting how smooth my style has always been? Felix has defined ANGLES in it, and it’s hilarious tbh?

But even too, I’ve had to work with Felix’s monster form FACE, to break the rules to make it WORK the way I need it too?

On the anatomy subject too, like when I first got into Marvel comics 6 years ago or so? I had no idea how to do muscle structures?? I was so BAD at it.

I can look at this left image and CRINGE so badly at how NONE of those are muscles?? THOSE ARE THINGS I PERCEIVE AS MUSCLES. Like...

A course I took taught me to draw what I see, not what I know. That’s the whole point of that post that goes around about drawing a shrimp. Look it up. It’s hilarious and cute.

But it’s like, asking an artist to draw a bike, you can tell who uses reference and who WINGS it. It’s funny, but like it’s what you know versus what you see.

I started to study anatomy like crazy and was seeing improvements days at a time. The right image was done like... a month later? already I can see the muscles under the pectorals? those look normal now. the abs aren’t dough lumps under the skin in a perfect 6 pack, they’re the actual plane shapes.

I was trying to find a good reference for myself of learning to make men ‘thicker’ too in terms of the waist etc since the left is really...thin.... but...

A bit better, but even still, comparing these two - they’re 2 months apart? and I can see understanding more about arms and how they connect to the body, where the planes ACTUALLY lay for the chest and obliques and such?

I can see improvements from July 2012 up there, to - WHOOPS. I FORGOT TO CHANGE THE YEAR LMAO... TO FEBRUARY 2013...omg

I mean, I could go on and on about improvements I see, when I go through my art though? Gosh.

Like I’m seeing so SO many bad hands and feet in my old stuff, and just CRINGING because tricks I learned for myself by now?

I give so many pointers and streams and screenshares on discord still to help people with art and it cracks me up?? Like...

I dunno. I’m pretty mediocre tbh, but god damn.