#technically her whole story/character arc is complete now so it's easy to look back through it all and figure out pivotal points

[leafofkudzu]

1, 6, and 15 for whoever you'd like!

Spinning the roulette wheel until I get characters I haven't written about (much) before! ouo

1. Write a basic lowdown of your OC. What's their deal?

#14, Bataea!

tl;dr dog girl! She's not a Valiant or anything but one of her best friends is a Kennelmaster for the Wardens, which gave her solid access to an endless stream of fern hound pubbies to love on and help train. She's a ranger - specifically druid - which essentially translates into her being a vet alongside her partner fern hound Cornus, though she has a mischievous streak a mile wide and loves to travel doing various odd jobs and getting into all sorts of trouble as a self-described "adventurer" when her training/healing services aren't needed.

Her story is also tied into Sterasa's, another 'sylvari' ranger I have - her friendly and outgoing personality led to them being fast friends even if Sterasa was unsure at first, and entirely because of the bond they came to share did Sterasa choose to forsake her original mordrem infiltration mission and shield Bataea, her fern hounds, and their other friends from the full brunt of Mordremoth's Call.

6. How do they celebrate the holidays, if at all?

#51, Taliyah!

She's often too wrapped up in her work to pay much attention to specific dates/holidays, but the one and only exception to this is Wintersday, which also happens to be when her birthday is (though that part barely matters to her). She's very refined in her celebration of the season, usually simply strolling through Divinity's Reach in the quiet evenings after she's done with work, taking in the atmosphere with a warm cup of cocoa in hand. One thing she does every year without fail though is stop by the Queen's Heart Orphanage and Vanguard Hospital to check in on those who her work most affects, leaving anonymous donations and small gifts in her wake.

15. What would they be doing if they weren't the commander/whatever they are?

#9, Beldahvia!

Her current personality and identity hinges entirely on how she was treated after a very specific event with her ex, and so the only way she wouldn't be what she is now is if that event never happened. So, let's rewind the clock back to then and erase the attack that blinded her. Either way her relationship would've crumbled as both her and her boyfriend were horrid little shits to each other and everyone around them, and so she would've continued taking her one true friend (that in the real timeline would go on to become her girlfriend) for granted until she pushed her away too, leaving her to be ultimately successful in her dreams of becoming a high-profile fashion designer but absolutely obnoxious and miserable to be around socially. Without any kind of strong emotional connection to anchor herself to, when Mordremoth's Call went out she absolutely would've turned instantly and been lost forever as just another nameless mordrem mowed down in the campaign against the dragon. tl;dr BAD END

[gale-gentlepenguin]

ML Analysis: The Miraculous. Marvelous or Ridiculous.

So I have been asked to make an analysis on the well known Magical Jewelry of the show. The miraculous. (No I will not be talking about the Shanghai special magical gems, I won't even be mentioning anything revealed after the NY special. This is solely knowledge on season 3 and prior.)

This will be a VERY long post in which I will be discussing the merits and demerits of the magical items in question.

Now for this analysis I will be doing my best to solely focus on the miraculous themselves, this is not an analysis on the Guardians or other miraculous holders. This is about the magical gems. I will be giving some background information on certain things. But I am going to focus on the miraculous.

I think in order to organize this post I will be splitting it up as follows.

A Miraculous Lore

Kwami: Personal Pals or Pain in the Butt

Potential and Drawbacks

Power Balance: The delicate dance

Final thoughts

So lets get to it

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A Miraculous Lore

To briefly explain, the 'Miraculous' are magical jewelry created by a powerful mage which allows the powers of Kwami to be harnessed and controlled by anyone who wields it and uses it to transform.

Now when it comes to magical items, its important that these items have sort of connection to the fictional world they are in. This connection acts as a means of world building. Now there are 3 main factors to keep in mind when connecting the mystical item of power to the world itself, the history, mystery, and Impact on the present. In this section I will be talking about how the miraculous are addressed in the series, from their historical significance as well as their mysterious powers that are yet to be truly revealed.

Now history is the talk of the events of the past, and in the world of miraculous ladybug, the miraculous have a rather interesting connection to world events. In the show, we learn that the miraculous were active in ancient china, in Egypt, in greek mythology (which makes the greek myths more of history) and even events as recent as the American revolution were impacted by the miraculous. Now these reveals are information provided in the show itself, there are also confirmations from the writers regarding other points in history where the miraculous were active, such as when Joan of Arc was fighting in the 100 year war. Now this aspect works well with the second trait of world building, mystery, but it also leaves a lot of gaps for the viewer, which is where the next part of the history connection comes in, the order of the guardians. The guardians of the miraculous work as the connecting point, giving the viewer the explanation on how the miraculous became a part of human history. The guardians connection lays the ground work for the miraculous lore as it allows us to understand that an ancient order dedicated to protecting the miraculous knew when to step in and help history along. Overall, the aspect of history when connected to the miraculous seems to work well for the world building, at least so long as we focus on the miraculous themselves.

The mystery is the aspect of the unknown. What exactly are the secrets hidden about the miraculous. Now the part of the mystery is that the purpose of the miraculous and how the link between the god like beings that the Kwami are is still left up in the air. With the comics, we know that the Kwami are each based on an abstract concept like Creation, destruction and so on. We also find out that a wizard made the miraculous... for some reason. The mystery of the miraculous allows for rapid progress and power ups in the story. In the beginning we knew very little of the limitations and potential the miraculous had. We knew, Ladybug and Chat noir had 5 minutes after using their unique power and that the bad man wanted their miraculous for evil. As the mystery unveils, we find out that there are more miraculous, and that using certain miraculous together can allow for god-like power. We also learned about potions, techniques, and other such things that make the miraculous more enigmatic. What is the full potential of the miraculous? What more is there to this mystery? The miraculous brings the more interesting parts of ML to light because we as the viewer are invested in what more these jewelry sets can do.

The impact on the present. As the show's plot revolves around the two heroes that utilize the miraculous, it is easy to see how the miraculous are very crucial to the plot. The main villain wants the magical items because he wants to make his wish, the heroes need the power to fend off his villains that he creates and eventually take the miraculous back from him. Meanwhile the order that protected the miraculous are once again active thanks to Ladybug and Chat noir purifying the akumatized Sentimonster Feast (which had massive impact on the progression of story ).

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Kwami: Personal Pals or Pain in the Butt

Kwamis, best described as divine, spirit-like beings who embody "abstract" concepts. They give certain powers to people with Miraculouses, transforming them into animal-themed super beings. Kwami are the beings that make the Miraculous, well miraculous.

The Kwami have a rather fascinating role in the story as they act as they add character to this relatively cool jewelry piece. It isn't just a magical item, the Kwami are companions to their wielders and need to be judged as such. Now these beings are crucial because they play multiple roles in the show. For this part of the analysis, I will be focusing mainly on the Kwami that have had the most screen time, mainly Tikki, Plagg, Wayzz and Nooru. The other Kwami, while having personalities, do not have permanent owners or have not been out long enough to establish themselves. Now these four Kwami are important because they can be examined if they follow the indicators of a companion or specifically fit the trope known as Mentor Mascot. For this I have created 2 criteria Distinct criteria that these Kwami must meet in order to be considered good companions. These criteria are Cute Confidant and Wiser Advisor.

The Cute Confidant is an aspect that addresses two key components in the mentor mascot companion field. The first is obviously, cuteness. The Kwami must be cute, small and have tiny habits that make you want a plushy of them. In this regard, all of the Kwami pass the test because all of them are tiny and have little habits that make them adorable to the viewer. From Wayzz and his little Match box bed, to Plagg's chaotic cat tendencies, to Tikki's cute little assistant routine, and even Nooru's tiny bits of exposition and concern. The kwami capture cuteness. The second component to this is the Confidant portion. The Kwami must be entities that the wielder wants to tell things to, things that they would not tell anyone else. In short, the Kwami need to be beings that the user can trust whole heartedly. Now Tikki and Wayzz have both shown to be the most obedient confidants in this regard. Both have the best experience keeping secrets and their users trust them completely. Plagg is a bit more chaotic and it is true that Adrien does tell him everything and that he would never spill that info, Plagg has gone behind Adrien's back more times then any of the other swami (like in Sand boy, and in Kwamibuster). Though while not trust breaking, Plagg has caused his partner a bit of trouble (which actually makes him a better mascot, but less a mentor). Nooru is sort of forced to obey Gabriel so while not a willing confidant, he does listen to him monologue a LOT. In short, the Kwami do make for Cute Confidants.

The Wiser Advisor aspect comes into play in one very simple way. How do the Kwami help their wielders outside of their powers. The Advising role of the mascot mentor is truly important as with nearly every single magical girl/ superhero show, the character has an identity to keep secret and sometimes the only one that can be talked to when there is a problem is their mascot mentor. In this department, Tikki is technically the best advice giver as Marinette is suppose to learn the most lessons due to her being the main character, but I think Plagg better exemplifies the personal aspect of the wiser advisor role. Plagg goes out of his way to try and do what he thinks is best for Adrien. Plagg is seen more like the devil on the shoulder by the fandom, but Plagg is acting more like the voice of self worth for Adrien. Plagg is acting with Adrien's interests at heart. If one looks at Syren or Chat Blanc, there are times when Plagg advises AGAINST something and is often right in that regard. Plagg has a larger grasp of knowing when something is wrong more than something is right. The Kwami are still inhuman and can't relate to everything their 'Chosen' goes through, which we see more in the recent season, with Tikki's explaination. In this regard the Kwami learn just as much from the humans as the humans do from them. Though really, Tikki is suppose to be the wiser advisor but the problem comes into play when her answers are... not very helpful. Tikki has shown to either tell the lesson of the day and get ignored or have no idea how to fix a situation. There is no middle ground with her. But in the end the Wiser Advisor role is conveyed by the kwami and that is important.

The Kwami provide a very crucial aspect to the miraculous, it adds a personality to the ancient relic. We want our heroes to protect the miraculous because we want the kwami to be safe and away from evil people like Hawkmoth. The kwami add so much more to this normally typical magical item. Their roles as the cute confidant and the Wiser advisor allows for them to be crucial in the growth of the heroes as they continue down the path of heroism. And while i think the writing for the kwami can fluctuate, I think its fair to conclude that they are personal pals rather than pains in the butt.

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Potential and Drawbacks

So in this section of the analysis I will be covering the Potential of the Miraculous as well as the drawbacks. Does this potential make sense? Or is it simply another deus ex Machina. As for the drawbacks. Whats the price of utilization? Is their a fee? What are the limits? Do these limits make sense? Are there too many limits or not enough limits? Now let us progress.

As mentioned in the mystery aspect of the miraculous. The Miraculous have Kwami that represent concepts and their power relates to said concept. When we as the viewer are introduced to the Miraculous, we only know that the miraculous have a unique power and that when the ladybug and Cat miraculous are both used can have a power that the villain wants. Now as the seasons pass we see that the specific power that the villain wants is to use the two miraculous to make a wish. This concept alone make the miraculous (or at the very least the ladybug and Cat miraculous) immensely powerful. The potential of having a wish makes the two miraculous priceless. In a way, this reveal shows the max potential that the miraculous are capable of, the ability to shape the world in anyway the user desires. But that is only the case when BOTH the ladybug and Cat miraculous are utilized, what about the other miraculous? What are they capable of alone? Well by themselves, the miraculous are pretty much straightforward. They enhance the abilities of the user to super human levels and then allow the user to utilize the unique power of the miraculous, such as destruction, time travel, etc.

Now in season 2 we learn that there are potions that can be consumed to allow the heroes to traverse different environments, such as the vaccum of space, the ocean, and frozen plains, what this does is allow for the user to have an edge in any environment which makes the miraculous highly adaptable. It is unknown if potions can be stacked on top of one another, but that is debatable on whether or not that would even be useful.

In Season 3, we learn that miraculous can be used together, using unification. This allows the user to use 2 miraculous at the same time. While it is unclear if it improves the already enhanced abilities of the wearer, it is confirmed that they can use the kwami powers involved in the unification. We even see Marinette find a work around to this by using the mouse miraculous to make copies of herself and then use 4 different powers! Showing that there is a way to work around the two person ability of unification. It is also feasible that using more than two active miraculous at once in one form is possible, but that is yet to be discover.

In Season 4, we are given a reveal that embodiment of the concept of the miraculous can result in more abilities, or at the very least can be inferred from Alya's discovery. Ladybug created a new powered up form of her lucky charm and could now create Akuma/Amok warding charms thanks to this power. This aspect of the miraculous is rather new and it is unknown how far this concept can be taken. But the potential demonstrated gives the implication that the limitation of powers on the miraculous is mental.

The miraculous still seem to have more tricks that have yet to be revealed, but the potential from environmental potions, to 100's of unification combinations, and potential to push past limits gives the miraculous a massive pool of potential that make it fascinating.

When it comes to magical items, many always like to know the drawbacks with the magical item involved. The miraculous is no different. Now this is where I find the miraculous is a little murky. At the start the most well known issue with the miraculous was that after the miraculous wielder used the special power of the Kwami, the user only had around 5 minutes before they were forced back. Now with Hawkmoth we never really knew if he was subjected to that rule, since there were times he was off screen. Did he simply have a work around? Was it because he knew something the heroes didnt? That was the biggest mystery until season 3 when its revealed that adults can use the power multiple times without having to de-transform. This explanation was and is still a gripe many people have with the series. The creators gave explanations outside of the show on why that is but it was usually dismissed and still left people angry. However there were still plenty of other drawbacks that the miraculous had.

A major drawback is that the Kwami's condition is related to the condition of the miraculous and vice versa. A broken/damaged miraculous results in the kwami also being damaged. We see this in season 3 with Duusu and the peacock miraculous. Using a damaged miraculous also has an impact on the wielder, slowly draining their life force (as seen with Nathalie) and it appears that overuse can kill the wielder. (which is what happened with Emilie). A Kwami is the reason the miraculous are powerful, without the kwami present, the miraculous is useless. So being too far from one's kwami would make transforming impossible. The kwami being affected by something would also affect the user. Like when Plagg couldnt see due to Chloé's jewlery it is implied if Adrien had transformed, He would have been blind. So the kwami needs to be taken care of, which is a drawback that makes sense.

Another Drawback of the miraculous is revealed in both Silencer and Miracle Queen. The transformation and special power are voice activated. In Silencer, when she had her voice stolen, Ladybug was unable to summon her lucky charm until Silencer used her voice to say the word Lucky charm. And in Miracle Queen, Chloé couldnt utilize the other miraculous because she didnt know the names of the kwami. Without the Kwami's name, the user cant activate the miraculous. It plays on the trope of a name giving the speaker power over the magical being. Using a name also gives a level of respect and it is an interesting drawback as well as a fail safe.

Another drawback that we learn about is that using too many miraculous at once can be dangerous. While this has only been shown in Kwamibuster, when Marinette wore at one point nearly every miraculous at once. Simply transforming caused her to feel a bit woozy. Though after that it did not seem to impact her. There has yet to be seen if abusing unify (like Shadowmoth) and Ladybug have been doing will result in similar effects. But it is something to look out for.

For the most part the potential of the miraculous is put on the user where it is the user figuring ways of utilizing the miraculous that make it more powerful while the drawbacks are mainly limited to the state of the Kwami. This allows for an interesting act of balance where caring for the miraculous would allow the user to evolve, which is something we are seeing in the show, and not taking care of the miraculous or abusing it results in damage, like we see with the villains. Its an interesting parallel that I do wish was explored more.

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Power Balance: The delicate dance

People dont really understand how important balancing power is when it comes to shows. The Hero must be strong enough to save the day, the villain must be a big enough threat for the hero to take seriously. Thats why superman has foes like Darkseid or Braniac. Why Goku fights Frieza, or why Sailor moon has to fight Galaxia.

The miraculous are very bizarre in terms of balance. The strongest miraculous are claimed to be the ladybug and Cat miraculous, the concepts of creation and destruction, Together they maybe the most powerful, but in reality, they are not the strongest. The strongest single miraculous is the Rabbit. A miraculous with the ability to travel through time, it is likely the closet miraculous to being the cat and Ladybug combined. It allows one to change the flow of time. Changing events that could have lead to disaster. And we know that time travel is not multiversal travel, that going to the past DOES impact the timeline. In fact thats the reason its so rarely used, the Rabbit miraculous is a last resort, and if something is a last resort, than its clearly the most powerful. There is also the snake miraculous which has nearly infinite uses regardless of age so long as it is within the 5 minute window. The Horse miraculous that can transport the user anywhere they have in mind, including sending someone into the vacuum of space.

The miraculous power balance also has issues when one considers the two main miraculous, the cat and the Ladybug. Both miraculous are considered crucial to giving someone maximum power and are illustrated like Yin and Yang. But in reality, the Ladybug miraculous is much more powerful than the cat miraculous in nearly every conceivable way. Ignoring the users and just taking their abilities at face value. The cat miraculous has one unique power while the ladybug miraculous has 3. The cat miraculous can destroy anything but the ladybug miraculous can fix any damage done with her miraculous cleansing. The cat miraculous has one piece of jewlery while the Ladybug has two, making it still possible to use with only one earring. Looking at the powers by themselves and not the wielders, one would believe one miraculous was superior to the other.

The power balance between the heroes and the villains seems to be the only one with some care and merit. The peacock and the Butterfly miraculous are at perfect odds with Ladybug and Chat noir. The peacock and the butterfly allow for any sort of power to be created and utilized by an individual or created monster, while the ladybug and cat miraculous are able to purify and fix the person possessed. This allows for a strong balance that means one side must try and out think the other in order to win. The one balance I do think the show captured correctly is the balance between the heroes and villains. Ladybug and Chat noir always managed to foil Shadowmoth's plans but shadowmoth gets more creative and does have small victories from time to time, but never actually wins the day. It is enough to keep the viewer on their toes and keeps the power balance from being too predictable.

The miraculous in terms of balance are... a mess, and I do think that the powers given to the miraculous in some cases were not well thought out. It is hard to say that the miraculous follow a proper balance of power or even dynamic. But the balance is hard to maintain when one is trying to have over a dozen different magical items, its natural that some would be more powerful than others.

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Final thoughts

The Miraculous are incredibly interesting magical items and its understandable how appealing they are to viewers. They arent just unobtanium or a generic magic powersource that villain can pursue. The miraculous have sentience and special unique characteristics that make them so much more. While the power balance is something I find problem with, the matters of lore and kwami help keep the user invested and I feel it makes the miraculous well... Miraculous. I find the miraculous fascinating and while at times ridiculous, the potential development has me marveling at their beauty.

(thanks for this commission and sorry it took months to make. Season 4 put a wrench in this and I needed to utilize what was learned to add to it)

[lizziestudieshistory]

Books of 2021 - July

I read a lot this month! I’m not even sure how I managed it, especially when we consider I’ve read another 850 pages between Anna Karenina and Harry Potter and the Deathly Hallows on top of this lot!

I’m just going to apologise now for not proof reading this... I’m finishing this off at 2 in the morning to schedule and I’m sick of looking at my own writing at the moment.

Amnesty by Lara Elena Donnelly - Technically I read this at the end of June, however, I was on holiday so couldn’t include it in last month’s wrap up.

I’ve already spoken about the Amberlough Dossier and anyone who’s been around my blog for longer than about 10 seconds knows I love this trilogy. Amnesty was no exception. We have the return of Cyril, he and Ari working through their relationship (or not quite understandably), and the fall out from the fall of the Ospies - this world’s equivalent to the Nazi party. It’s not an easy book to read and the glamour of the first installment is completely stripped away to deal with very complex moral and political questions. I don’t necessarily agree with Donnelly’s answers, however, I do admire her for really delving into these very difficult topics. She used the speculative nature of the Amberlough Dossier to come up with a sensitive and interesting discussion on a very difficult period in history.

I’m hoping to write a proper review for the whole trilogy at some point (once I’ve finished the monstrosity that is my Words of Radiance review) so I don’t want to say too much more here. However, I do want to say I really enjoyed that Donnelly found the space to continue looking at the smaller, private, and interpersonal consequences of the Ospies’ regime, particularly for families. It’s a sensitive look into this situation and I loved every second of it - I also adore Cyril and Ari’s relationship, but I’ll dig into them in my proper reivew.

Master of Sorrows by Justin Call - this was a slightly underwhelming read for me, although I did really enjoy it. I’ve seen Master of Sorrows praised everywhere, I don’t think I’ve seen it given less than 5 stars? Yet, for me it was a solid 4 star read. I’d wanted a 5 star read (I’ve been sorely lacking them) but something was holding me back with this one - I do think the series has 5 star potential though and I’m going to read Master Artificer soon!

This is a book clearly embedded in a love of mythology and fantasy. It’s dark and gritty, especially in the second half, with plenty for the reader to sink their teeth into. I’ve also never seen such a strong focus on physical disability in a fantasy novel - it was refreshing to see and led to an interesting use of the magic system to develop ways of overcoming physical disadvantages. Although I’m hoping this is going to be explored further in later installments as, for a large part of this book, Annev was essentially able bodied due to a magical prosthetic he never takes off.

Unfortuantely the most interesting part of this book, for me, was the mythological world building at the start of each part in the book. The myths, clearly based on Norse mythology (I’m sorry but “Odar” was a bit obvious), were fascinating, particularly as they started to have an influence on the events of the main narrative. I just wanted to know more about the gods than the actual story, this is probably a me issue though... The main plotline felt generic: Annev is a boy in a coming of age story, complete with a magic(ish) assassin school, a wise old mentor, and a destiny/prophesy surrounding him. It’s a typical fantasy story, so far, and while I do really enjoy these plotlines (I read enough of them!) it’s not exactly the most original. Nevertheless, I am excited to see where Call goes with this as I do think the rest of the series will start growing into something much more interesting and I look forward to Master Artificer.

Wuthering Heights by Emily Bronte - this is one of my favourite books of all time, we all know this by now... See my full review for Bronte’s masterpiece here.

The Bedlam Stacks by Natasha Pulley - July has been the month of Natasha Pulley for me because I’ve rediscovered just how much I LOVE her books. I first read Pulley back in...what, 2017? (It’s been a while...) with her debut novel, The Watchmaker of Filigree Street which I remember loving, but I never continued with The Bedlam Stacks, the only other available book by Pulley at the time. To be frank with you, it’s because at 18/19 I wasn’t that interested in Peru. However, I now really want to read The Kingdoms, Pulley’s new release, but I felt obliged to read the books I already owned by her and hadn’t read - so I picked up The Bedlam Stacks as it’s the one I’ve owned the longest without having read it...

Not reading The Bedlam Stacks back then was the best decision I’ve ever made because I know at 18 I wouldn’t have appreciated what a stunning masterpiece this book is - it would have flown over my head because, at the time, I just wanted more Thaniel and Mori. At 23 I ADORED this book. I absolutely fell in love with the subtle whimsy and quite, understated beauty of this story. Pulley has such an elegant way of writing, it’s never overdone - she has a way of playing with words which reads beautifully but doesn’t feel like too much. She’s never flowery or purple with her prose, but she does create a work of art.

Unfortunately, The Bedlam Stacks is a book I think a lot of people may struggle with - there’s not a lot of plot, everything is a bit weird, and it’s largely a character study for our two main characters: Merrick Tremayne and Raphael. Merrick’s journey to Peru to find quinine - a cure for malaria - for the British Empire is really a set up to allow the rest of the book to focus on these two characters. It’s centred on the very slow development of their relationship together, coming to understand each other, and eventually open up about themselves - well this is more in Raphael’s case. It’s a poignant story about two people finding a home with each other that will endure across time and distance - it’s not quite a romance, but it’s certainly more than a friendship. Personally I read them as ace, but there is definitely scope here to read them in a variety of other ways depending on your own experiences. But what is certain is their deep connection, and that their love (platonic or otherwise) is what drives the outcome of this story.

It’s beautiful, poignant, and slightly tragic when you think about it... I loved every minuet of it and just wanted the book to continue, I was genuinely sad it was over! It’s not a novel for everyone, and I do think the opening section needed some more work as it did feel like Pulley was saying ‘lets get over this necessary but boring set up’. However, it was exactly what I wanted and I’m so happy I’ve finally read it.

I’m also much more interested in Peru now, so that’s something else to hold in it’s favour!

The Watchmaker of Filigree Street by Natasha Pulley - I’m falling slightly out of order here but it seems better to continue with Pulley’s books. Most of the same praise I gave to The Bedlam Stacks can be repeated here - Pulley’s writing is slightly weaker here but it’s only really noticable because I read both books one after the other and I was thinking about her prose. The same whimsical, poetic, and understated style is used in both books and it really suits the type of stories Pulley like to tell - and again it’s a style that really works for me.

The Watchmaker of Filigree Street I think is a slightly more universally likeable story - although I would argue Pulley is an acquired taste. There is a bit less whimsy, and the relationship between Thaniel and Mori is more easily quantifiable for readers. There is also a more obvious plotline to follow, whilst still developing three compelling characters with Mori, Thaniel, and Grace. Personally I don’t love Grace - I find her brash and callous - however, she does have as good of an arc as Thaniel and Mori, she’s also someone who regularly get overlooked when people talk about this book. She’s not someone I like or approve of, but I do really understand where she’s coming from and can appreciate her growth. Pulley doesn’t need us to like Grace - or any of her characters - she presents them as they are and lets us cast our own judgements on them, and I sincerely love this about her. (I’m also so up for reading more about Grace and her relationship with Matsumoto, they’re fabulous together!)

The main draw to this book is definitely the relationship between Thaniel and Mori - how could you not love them? They’re fascianting to watch - together and separately - and throughout the course of this nove you really feel them grow into their relationship. It’s beautiful to watch and feels genuine. Their bond is earnt, not just presented to us as a fact. However, what I really love about Mori and Thaniel is the slightly sinister route Mori takes to make sure he meets Thaniel. Honestly, in any other book Mori would be horrifying with his slightly callous use of his abilities to manipulate the world around him to achieve his own ends. However, with the narrative framing here he’s slightly toned down, it’s a spectacular example of framing shaping audience perspectives on a character. It’s great and I appreciate the sensitivity Pulley used to shape Mori and the relationship between him and Thaniel. I’m also really looking forward to seeing how they develope in The Lost Future of Pepperharrow.

Henry V by William Shakespeare - I don’t really have a lot to say about Henry V... I’ve never felt that strongly about this play - it’s fine? It’s a FABULOUS play to watch (I’ve partial to the Tom Hiddleston version in The Hollow Crown) but to read it’s merely okay. There are some fantastic and very famous speeches - and I absolutely adore the Chorus. However, as a whole the play is merely a decent one. I’m always left a bit uncomfortable with how Shakespeare treats the French, and I’m yet to work out where I stand on Henry as a person and the morality of the war... It’s something to ponder and maybe write something on at a later date.

Unfortunately, this one falls into a similar issue as the Henry IV plays - I just don’t like the common men plotline within this one... It’s slightly better because Falstaff isn’t in this play, except in name (I have an absolute burning hatred of Falstaff... Like we could burn him out of English literature and I’d dance on the ashes level of hatred, it’s perhaps sllightly irrational but I loathe him. I’d otherwise like the Henry IV plays but I see Falstaff and I’m immediately full of seething rage. It’s apparently very funny for my best friend.) However, I just find the common men a tedious distraction from the rest of the play. I switch off whenever I’m watching the play and they’re on stage/screen. I know why they’re there I just don’t care - it’s a me issue, I’m well aware.

Harry Potter and the Half-Blood Prince by J.K. Rowling - okay I’m not going to write much on Half-Blood Prince as a whole becasue 1. Rowling herself, and 2. I’m going to rank the Harry Potter books when I’ve finished with Deathly Hallows. Overall, I loved this book, it’s always been one of my favourite Potter novels and my reread only cemented its place. The plot is genuinely interesting and well thought out, it’s one of the best books for exploring Harry as a character (I adore seeing his darker side!), and the set up for the finale is excellent. I actually perfer it to Deathly Hallows because the promises it makes are more interesting than the actual execution of the book.

However, I do want to say that this book made Snape my new favourite character - I won’t explain why yet, I need to do a full spoiler discussion of ALL the Harry Potter books, including Deathly Hallows. But Snape is by far the best drawn character in the Potter series. He’s certainly not the nicest, kindest of most likeable. Snape’s not a moral paragon, neither has he ‘done nothing wrong’ as I’ve seen argued. But he is the most interesting and morally complex.

Everytime I’ve read Potter before, Snape’s a character I’ve not really thought about - which is shocking considering how much he’s in these books, the role he plays, and the discourse around him in the Harry Potter fandom. I’ve always just gone along with the face-value presentation of his character. Yet on this reread I’ve paid attention to Snape, not deliberately, it just naturally happened. Anyway, to cut a long story short - Snape is my new favourite character! Yes Lupin is still my irrational, undying favourite. But, in terms of having a genuine interest and reason for loving him Snape is my new favourite because he is so complicated! He’s someone I’ve come to understand and sympathise with. I don’t condone Snape, I still think he’s a piece of work who should NEVER be allowed around children. But he is a good person. Again not nice, likeable, or morally sound. Yet he does spend the best part of 20 years working tirelessly for good without praise, acknowledgement, or recongition.

He’s a fascinating character and I’ve adored diving into his mind, as much as you can in this very Harry-centric series, without the accepting bias of a child’s eyes. Snape’s one of the few characters in Harry Potter I’d like to read a book about - I’ve neber been one to want a Marauder’s spin off or Hogwarts founding story. But I think diving into Snape’s mind would genuinely be worth it and an interesting experiment, I just don’t think J.K. Rowling would be the right author to do it.

[silverskyy]

Here are some questions for the spn ask thing: 9, 14, 32, 59, 64!

9. What was your favourite Destiel moment?

(Disclaimer that I didn't actually watch the confession scene live and don't count it as an option here because it's so tied up in the rest of the Nov 5th hysteria for me). I had to think about this a bit and I reserve the right to change my mind tomorrow, but I think the start of the widower arc--the finale of season 12/premiere of season 13. I'd been fairly burnt out by season 12, so seeing Dean need to be pulled away from Cas facing off against Lucifer in Apocalypse world and his reaction to Cas getting stabbed was incredible to my angst loving heart. And then after a whole hiatus of speculating, Dean's sheer grief over Cas's body was even better than I'd honestly expected! I know lots of folks prefer the fluffier dynamic, but I feel like the times we see the Destiel dynamic at its strongest in canon are when their love shines through their grief or anger.

14. What is your opinion on Saileen?

I love it! I remember the fandom reaction when Eileen was introduced, at least in the parts I occupied, was pretty fully onboard with Saileen immediately; I think their chemistry was easy to latch onto. They were really cute before she was fridged died in season 12 and it was lovely to see them become explicitly romantic after she came back. I'd never been particularly drawn to any Sam ships before, Gabriel/Ruby/Jess/whatever, but now it's Saileen (or a little bit of Sam/Rowena) all the way. My first Supernatural fic after a 4 year hiatus was an exploration of Eileen's disability that touched on her relationship with Sam as well, check it out if you want!

32. At what point during the show did you start shipping Destiel?

Technically I didn't start shipping Destiel due to watching the show. I binged the first 4 or 5 seasons of Supernatural when I was 14, completely unaware of fandom as a concept, and didn't ship them because I didn't ship anything non-canon/didn't particularly know queer people were a thing. A short while later I discovered the existence of fanfic and eventually stumbled upon Destiel fic. Imagine my surprise! When a friend got me back into actually watching the show during season 8, I caught up without heteronormativity goggles on and realized this ship had real legs. Looking back I think it's The Man Who Would Be King that took the dynamic from a fun subtext story to something in which I was actively invested. I don't know how you can watch that episode and not be drawn in (maybe I should change my favorite Destiel moment to Dean turning back to look at Cas in the holy fire lol).

59. If you could have a spinoff about any characters other than the leads of Supernatural and Wayward Sisters, who would they be?

Hmmmm, I think I'm going to go with a show about the angels and Heaven. Back in seasons 9/10 I was very invested in the angel politics and the metaphysical elements of what Heaven actually is, but ofc Supernatural never bothered to follow up on the interesting Heaven tidbits they dropped or let any angel besides Cas have a character arc that didn't end in perma-death. That means there's a lot of room for a secret good spinoff! Hannah my beloved would ofc be an important character who totally didn't die, but maybe bringing in dead humans like Ash could provide character contrast? I'm also thinking about how the later seasons portrayal of Heaven as a bunch of minimalist corporate hallways and boardrooms sucked ass, so it would need to very much lean into the non-physicality or at least seasons 4/5 gaudiness of the space. No idea what sort of tangible plot this sort of show would have, but I'd definitely check it out!

64. Do you like any characters that most of the fandom hates?

Most of the characters that are hated in the fandom spaces I'm in rn I also agree are terrible, so this is a toughie. I'd say I'm a fan of Meg, mainly Meg 2.0, who I hear tell of people hating even if I don't see it happen myself. I also did a big 180 on Amara at the end of Season 11 when she expressed her anger at God and became the complicated figure I'd been hoping for all season, so I like her a lot now! But also don't know how many folks actually hate her either. Oh, maybe Metatron! I know back when he was still alive folks tended to disparage him, but I found his annoying elements mitigated by the fact that his appearances tended to herald great Cas moments, which I ofc hold dear. And he was funny which counts for a lot.

if y'all wanna get more supernatural rambling the ask game is here

[spookyc]

*spoilers for heathers the musical and danganronpa 2 goodbye despair*

*tw for mentions of death and suicide*

Okay so I know it's been a minute since I've posted anything substantial so here's this:

I've got an heather's au for dr 2 that id like to share. Its not a completely fleshed out one but I have a good idea of most of the main characters in the story. So the easy choice would just be to make hajime, veronica, and make nagito, JD. Especially nagito for jd with the whole, well, bomb thing as well as them both being mentally unstable and having rough childhoods. Hajime fits the role of veronica because, like veronica, he wants to fit in and not be ostracized constantly. More specifically though, it would help him become confident, which is literally his whole arc in the second game. The heathers and the rest could then be determined by a lot of different characters and so on and so forth. I respect this interpretation and it does make a lot of sense, however, I would like to propose my own interpretation.

Let's start with the two main characters, veronica and jd. So for my au, I have decided that fuyuhiko will be veronica and peko will be jd. Let's start with my choice for jd. So, after my binge of the second game's playthrough, I remember that one night I was listening to heathers, specifically the song, our love is god. And as I listened I realized how similar peko and jd actually are. Now to preface, I'm not saying jd and peko are the same character, jd attempted to bomb an entire school and peko simply made the calculated decision to kill in order for fuyuhiko's safety to be assured.

What i am saying though, is that jd and peko's thought processes are very similar, and if peko was just a tad more unhinged, they would be hard to distinguish. How are they similar? Well, first you have the whole, "I worship you" mentality. Now, peko doesn't necessarily kiss the earth that fuyuhiko walks upon but this could be connected more to their actual relationship. That of a master and his servant. I servant must serve, much like a believer would to a god.

And right after that line jd says, "Id give my life for yours." Which peko literally does in the canon story, she gives her life in order to save fuyuhiko, and even protects him with her body in her own execution. Secondly, they both are delinquents, or socially awkward. They are both standoffish and seen as intimidating by others, and they both don't exactly know how to communicate well. Thirdly, they have somewhat similar backgrounds. Jd lost his mother, and peko is an orphan, they both know what its like to not live with parents, or at least not favorable parents. For example, peko had to constantly interfere with mr. and mrs. kuzuryu fighting to insure fuyuhiko's safety. And jd and his father have a tenuous relationship, with jd's father mostly being a near non-present force in his life. Additionally, im sure the leaders of a yakuza clan weren't exactly doting parents.

And lastly, their mutual feelings of self worth, or more so, the lack of it. Both jd and peko believe their lives to be meaningless without the existence of their veronicas. The only good things in their lives are their veronicas, and they would do anything to hold onto that happiness, even if it resulted in their deaths. But enough about jd and peko, what about fuyuhiko? This may seem like an odd choice and solely made on the prospect that jd is peko, but that isn't exactly the case.

While yes it seems unlikely that fuyuhiko would bother himself with the heathers, or even have a martha, i think it fits more as a visual metaphor of his character growth shown in the game. Its just that in this au, he's a popular dick that learns to be a better person after his gf dies, which is almost what happens in the actual game, minus the popular part. But mostly I'd like to tie in fuyuhiko's role as veronica when it comes to jd. This is where the similarities really start to shine. This is shown mainly in the song, seventeen, where veronica yearns for a normal relationship and to just be normal kids that aren't surrounded by murder. Sound familiar? Well it should, that's literally fuyuhiko's whole speech near the end of chapter 2.

I doubt this needs repeating since this scene is the equivalent of the g note in the dr fandom but for the sake of the argument I will go on. Fuyuhiko in his parting words says this, "You didn't need to be a tool, you just needed to be yourself." And, "I never wanted a tool, I just wanted you....Only you." Which is him saying, "Peko I don't what you to serve me, I don't want this kind of relationship. I just want you to be yourself, and I wanted you for you, not to be a tool for murder." Which could then easily be implied that he doesn't want to murder anyone anymore. This is a near exact mirror of the feelings expressed by veronica in seventeen.

Sure im probably looking into things a bit, but still fuyuhiko's speech near the end of ch. 2 and veronica's feelings in seventeen share a lot of similarities. Both veronica and fuyuhiko simply want to have a normal relationship with their respective partners, but this ultimately fails because their partners worshiped them and this fatal misunderstanding would lead to their deaths. As for the others, I don't have nearly as deep anlaysises of them and I don't have all the characters but I'll briefly discuss my choices for the heathers, kurt, ram, and martha. Also, this is purely in the universe of dr 2, so possible better choices for characters in other games would not be possible in my au.

So heather chandler is the ultimate imposter, this was a pretty obvious choice, while the UI isn't quite as big of a dick as byakuya he's still a jerk, but more importantly, just like in the game, he is a great leader for the heathers and without him the other two descend into chaos. Now this pick is gonna be a strange one but I will explain. I chose mikan to be heather duke. Now I know yall may find that to be an unfitting choice but I personally chose mikan to be heather duke mainly for the shine a light reprise. This is because I chose heather mcnamara to be hiyoko.

Most of the other girls also didn't fit this role, akane would be hard to see as any of heathers and I also think she's far too carefree to urge someone to commit suicide. Ibuki is completely out of the question, and considering how her death looked in the game it would be quite ironic as well. Chiaki also wouldn't make sense for obvious reasons. Mahiru also would obviously not make sense either and she's already a choice for another character anyway. And lastly, sonia wouldn't fit either. I could see her having a secret nasty side but I dont think she would tell someone to commit suicide and she also was always kind to hiyoko even when hiyoko lashed out at others.

And just to cover my bases, I don't think any of the boys would fit either. Maybe kazuichi or nagito but kazuichi is too much of a pussy and nagito would be more likely to say that stuff about himself rather than direct towards anyone else. Heck I could also even consider that after the ultimate imposter dies that's when mikan reverts back to her personality as the ultimate despair, so instead of her reverting because of some disease it would be at the death of her "friend" and the role of leader getting into her head. This would then influence her to tell hiyoko to commit suicide, causing peak despair and blah blah whatever. Hiyoko as heather mcnamara was a pretty easy choice thanks to lifeboat, it also especially fits if you consider hiyoko's backstory. She's the sole daughter of the saionji family, which is a very prestigious family in dr. This along with her talent as a dancer means that she is held to a much higher standard than other kids of her age and that she goes through constant pressure each day due to this standard.

"If I say the wrong thing, or i wear the wrong outfit, they'll throw me right over the side." This is what hiyoko has to deal with on a daily basis from her family as well as her fans. She also could likely be projecting this fear onto the other students. Alright, last three. For kurt and ram, I chose mahiru and sato and if you want my honest opinion it's literally just because peko gets to kill them both in our love is god and that's pretty much canon in the actual game. I say pretty much because, technically fuyuhiko is the one that kills sato but this is an au and that's honestly a pretty minor fix.

Lastly, I haven't thought a lot about martha's role in this au, but if I had to choose it would most likely be kazuichi, he fits as the social outcast and especially as the frequent punching bag for the heathers, especially considering that hiyoko is among their ranks. And that's about it for my dr heather's au! This post definitely went on longer than I intended but I had fun with it and I think you guys deserve a lengthier post since I haven't made as many actual posts besides birthdays in a hot minute. Let me know what yall think of this, and if you'd like to hear me infodump about more of my dr aus or thoughts than I would be happy to oblige.

[zelskzerker]

Mangadex went down so I read alot 1/7

Lets review a bunch of isekai and related stuff I binged because mangadex went down. The scale will be a single thumbs up to a single thumbs down in terms of how much I would consider recommending it in general.

Legend

Chapters 1-51 Pretty straight forward in most aspects. For the best. Nothing crazy bad or good happening, making it surprisingly straight forward for an isekai. [Insert isekai startup here] but this time the MC is given a super magic body and the knowledge of ancient magic. Which he promptly uses to create a griffon buddy. Gets a THUMB IN THE UPPER CORNER for just being a nice, believable stay in a world, but I have read some stuff that really has interesting sparks the way this doesnt. MC is brutal at times and General Princess is cute. They make a good pair for each other.  Although there are no ecchi situations, that artist really knows how to slide in the lewds, whether its mid combat flourishes or pre chapter artwork.

The Black Create Summoner: Revolt of Reincarnated

All Chapters

Truly is revolting. A resounding THUMBS DOWN.  Apparently this was just an advertisement manga, which means that its intentionally incomplete and unsatisfying. Ontop of that, the sketchy artwork was generally rough and got worse to look at the more it went on. [Insert isekai startup here] but this time he has a grimoire that lets him summon stuff he draws. The power isn’t used that much though or in that creative of ways. Characters didn’t really leave an impact except maybe the elf little sister that is stubborn yet knows she is incompotent and recruits a dragon out of stubbornness. 

Minotaur’s Sweetheart

Chapters 1-16

So what if a minotaur accidentally seduced the adventurer that was assigned to kill him? This is a good romance manga deserving a THUMBS UP because the pure-hearted minotaur boy and the unmarriageable adventurer girl actually develop a relationship and progress as people. The manga is ultimately about monsters and humans interacting and is fresh due to having a plot that evolves the situation a lot beyond the initial setup of the manga.

Moon-led Journey Across Another World

Chapters 1-64

[Insert isekai startup here] but this time the god of the new world calls the MC ugly and banishes him to the edge of the world to die off. In order to help out the MC, the god of our world (Tsukuyomi) gives him a bit of power. The MC is funny to watch once you realize that he is an incredibly cautious pureboy and expecting every common street thug to potentially end him but in reality he is a god-rivaling cataclysm himself and never realizes. He is so powerful that he recruits the blue haired mist dragon, Tomoe, and accidentally turns her into a weeaboo. Tomoe can read minds and access pocket space with her mist ontop of her sick weeaboo katana skills. She really shines as the most mature person in the story, gaining information that no one else in the story has and carefully withholding it from the MC in order to protect his innocence. She is a DAMN good tomboyish waifu and sarashii is a blessing. Other main girl is yandere spider, Mio, which has shockingly good and well conveyed bouts of emotion. She has an extremely rare “can’t cook at all” joke that is explained due to her “eat literally anything” nature. In terms of plot, the MC hates the god of the world he is in and pretty much plans to do everything she doesn’t want him to. Which means mingling with humans, and eventually, god slaying/usurption. Odd think about this manga is that it’s heavily Japanese-inspired. That may sound odd because its a manga, but generally isekai are most medieval/western skinned than this one which leans in on Japanese mythos. Just look at the god of our world in the manga.

THUMBS UP.

The Unsuccessful yet Academically Unparalleled Sage ~A Cheating S-Rank Sorcerer's Post-Rebirth Adventurer Log~

Chapter 1-10 So lets set up this genre here. This is a part of the “reincarnation” genre, which is a spinoff of isekai. They generally depict a very capable mage who reincarnates themselves into the future of their own world. At which point they realize that although they were pretty strong in their day, they are now practically a god in the deteriorated modern day. This genre will hereby be indicated by [Insert reincarnation startup here]. For this manga in specific, [Insert isekai startup here] but this time the MC could only use lightning magic and was the best at it but failed the gene gacha then [Insert reincarnation startup here] and he fails gene gacha again but is still the walking thunder god. These kinds of manga are always precious when the MC can walk through the world and see the fruits of their past labor. Specifically through Merlin, the MC’s adopted demon daughter who has grown up to be his heritor and bridge human/demon relationships. Truly adorable and heart warming. Lacks a bit of spice from themeing or ongoing plot due to its short length however. THUMB IN THE UPPER CORNER.

Older Elite Knight is cute only in front of me

Chapters 1-17.1

THUMBS UP. This is an oneshota manga where shota is a chad with incredibly good tastes. A really good ecchi manga with a light hearted story featuring Haru(the shota) knight that joins Karen’s(the oneesan) knight crew. As with all good romance manga, the main plot isn’t romance. Knight shenanigins are always happening, with a big (and lewd) bad entering recently. Top tier variation on the lewds, even including a princess loli in on the fun. Must read for all oneshota fans.

Lonely Attack on A Different World

Chapter 1-91

[Insert isekai startup forma de classroom here] but this time the MC gets leftover garbage skills and has to learn to survive. Learning to survive thus makes him the most op and he can magic trick his way out of literally anything. Strong start as the whole classroom first tries to get their footing, but after the starting arc is done this manga starts spinning it’s wheels. The manga is kinda lacking in themes, overarching plot and end goals, so stuff just happens to make this a sort of slice of life trap room escape manga. Magic “just works” in this universe so its not very dramatic when the MC pulls out a new trick out of his bag of million tricks. Just kinda stagnates too much for my liking. THUMB IN THE BOTTOM CORNER.

The Unwanted Undead Adventurer

Chapters 1-34

Rentt Faina, the MC, is a good guy with no talent who aspires to be a legendary adventurer. But then he gets turned into a skeleton, giving the chance to evolve his way to greatness, kinda like in Spider isekai or Dragon isekai. The MC is most like Goblin Slayer in his serious and knowledgeable approach to the world, how characters that know him revere him. End goal so far is just him seeing how far he can evolve as he comes across other vampires and vampire hunters. Really want to see him go to the top. Fuckin great art. Girls drawn perfect. Like the hat on the guild girl, but nothing beats the witch Lorraine. THUMBS UP.

Teihen Ryoushu No Kanchigai Eiyuutan

Chapters 1-13

THUMB IN UPPER CORNER. Pretty funny comedy about a lord of a poor land who wants to be a stereotypical evil lord but can only use healing magic. Therefore he bumbles his way into accepting a heretical cult nun, beast men who hate humans, etc. All the girls are to crazy for him to want to sex them(weak. give the assassin nun your babies). Most interesting parts are aforementioned nun, his fujoshi assistant, and the MC’s willingness to use his power to commit heretical and immoral warcrimes. 

The Undead Lord of the Palace of Darkness

Chapters 1-11

Art average, don’t come to this one for spectacle. It’s strength is in the subertfuge that it’s recently-necromanced-back-to-life MC goes through to get his Master killed and to later, probably, evolve into a vampire. MC isn’t evil though, just wants to survive. Main girl on cover was born and raised to hunt vampires but has a compassionate heart. Obviously she goes easy on and relates to MC. Story is still kinda in it’s first arc so the overall trajectory of the story is a bit hard to gauge and not quite satisfying enough by its own right. Probably a thumb up with more chapters but for now THUMB IN THE UPPER CORNER.

The Reincarnated Inferior Magic Swordsman

Chapters 1-38

[Insert isekai startup here] but this time.... uh... THUMB SIDEWAYS. Usually I am patient, but 31 chapters with no goal and just barely plot? Wow. Saving grace is uh... I guess the world of “other isekai people existed but they sucked because they didn’t level uncap like MC” could go somewhere but. I take it back, lowering this one to a THUMB DOWN.

The Invincible Sage in the Second World.

Chapters 1-12

[Insert isekai startup here] but this time a pro mmo player in a game called “Broken Balance Online.” Guess what his class, the sage class, was considered in the game? Not far along enough to really pop off but it isn’t horrible. MC is moderately cautious to a healthy degree which is actually rare in most isekai. THUMB IN BOTTOM LEFT CORNER. 

The Dark Queen and I Strike Back

Chapters 1-29.5

Although technically an isekai, no isekai startup here. This a battle manga with a big mystery on the backdrop of a war. That is to say, the MC gets teleported to a world to kill the demons but he ends up defending them from the humans with all he’s got. Of special note is the complete seriousness of this manga that whiplashes into debauchery like tentacles, the above cover, oneshota, and even really dark jokes in some of the omake. That tonal lash effect will be either make or break, and it is a HUGE make for me. I love when a single piece can have both absolute serious scenes and utterly lighthearted and fluffy ones. Or in this case utterly lewd ones. May the average-human-amount-of-perverted MC one day slam some demon lord loli. THUMBS UP.

Chillin' in Another World with Level 2 Super Cheat Powers

Chapters 1-24

THUMB SIDEWAYS. Has the feeling of a nerfed slime isekai. Nerfed in all ways except romance. Art surprisingly good.

[parachutingkitten]

Dear Ninjago: Stop It With The Twists Already

An essay by Parachutingkitten

JK! This isn’t that formal. But I do have some lengthy points for you under the cut :)

Ninjago started out with a twist. The whole first season is built around the green ninja twist and the second season kinda subverted the expectation we had built up of Lloyd fighting his dad. This is the last time we had a twist framed as a sort of “big reveal” to both the audience and characters that really served the story in a productive and meaningful way. Let’s look the highlights over the seasons, shall we?

Season 4: Skylor is a villain. This one gets revealed to the audience before the ninja so it’s not really a big reveal twist, more of a suspense thing.

Season 5: Nya is the water ninja, revealed at the beginning of the season and serves more as a development than a twist.

Season 7: Ray and Maya are alive (and aren’t evil... I guess?)! This is our first real stupid twist. And pointless twist. They stick around for the season and then disappear from the show again. This was the first time Ninjago had a twist for twist’s sake. This is the beginning of the problem. 

Season 8: Pixal is Samurai X! Wu is a baby! Harumi is the Quiet One! (I know this one isn’t cannon, but they were troublingly close to including it) Mr. E is Echo! Now, most of these are okay. Just not handled well. This is where the problem becomes evident.

Season 11: Zane is the Ice Emperor. The stupidest twist of them all, and by far handled the poorest.

Now. Why do some of these more recent twists not work? Well, let’s break it down. 

Sometimes the problem is the twist itself. The twist is convoluted, and retcons information we’ve known from before, or has underlying implications that make everything more complicated. Ray and Maya are a perfect example of this. It’s been established since the pilot episode that these two are dead. Kai and Nya grew up on their own. Wu had so much trust in Ray that he gave him the map to the golden weapons. Trying to make us think he was evil was just stupid. Ray and Maya also don’t do that much in the season, besides the whole drama and reveal aspect of the story. You easily could have had them be dead and still get everything done that you needed to plot wise. Maybe have even more time for Nya and Kai to bond as siblings. It just brings up so many questions. Or rather, the one main one of where have they been? Were they really enslaved for ALL THAT TIME?! That’s darker than them just being dead! And to add insult to injury, they don’t show up in the show ever again after this. This twist left no impact on the franchise. It was a complete waste.

Season 8 has a lot of twists, and this introduces the problem of execution. Baby Wu is the one reveal that works. It has proper build up, it makes sense in the narrative, they find out mid season, they piece it together in a pretty mundane scene, and while it is a large reveal moment, the writers assumed you’ve picked up the clues before the ninja have. Compare this to the Pixal reveal. Very similar set up. It ties up a mystery from last season at a similar point in the current season. But the difference is in how they treat it. Pixal has to confess to being Samurai X. No one figures it out. Everyone is shocked and surprised and it culminates in a big dramatic “how could you?! *gasp emoji*” fight scene. I’m sure most everyone knew Pixal was Samurai X even back in season 7. She disappears right as Samurai X enters the picture, it’s really not that hard to piece together. This should have been handled differently. The audience should have been told Pixal was Samurai X ahead of time. We should have gotten a few shots from her perspective. It should have been handled like, oh, idk, Nya’s reveal in season 1. The problem is that they kept it a secret to go for shock value even though it was an easy guess. It would have been much more character enriching if they just handled it like they did baby Wu. Harumi is a little more complicated. Technically, you could argue that her arc goes through season 9, and hence we did get the reveal mid story, even if not mid season. My problem is that before the reveal she’s just such a blah-bland character that you don’t really care about that much, so when the reveal happens, that’s the point where she gets interesting. Why waste the majority of a season carrying around this dead weight that you feel obligated to give screen time to while waiting for her to get interesting? So yeah, it could have been handled a lot better, but it’s nothing compared to the mind bending twist that almost happened.

Mr. E is Echo makes no sense. It just doesn’t. It’s a character from 2 seasons prior who was physically distant to the main cast, had no connection to the villains, was established as a character as being extremely sweet, pure, and kinda ineffective, and probably worst of all, doesn’t have memories of the main cast, and most of them don’t have memories of him. There is just SO MUCH they would have had to explain away. SO MUCH that doesn’t add up. SO MUCH the main cast would have to relearn that it really doesn’t make ANY sense. And what scared me when the season first came out was that it almost made it in to the season. It doesn’t make sense on ANY logical level, so the only reason you would have done this twist is because you thought it was clever and unexpected, and you wanted the shock value. Shock value is the wrong reason to do a twist. 

But they did it again in season 11. They combined all of the problems with all of the previous twists, and mushed them together into the Zane is the Ice Emperor twist. Now, I would like to address @coleisunderrated‘s post about season 11 kinda killing Zane. It’s a good post, and another good lengthy rant to check out after this one if you’re in the mood. But a lot of the claims they made I think kinda missed the point about why this move didn’t work. They said Zane commit genocide (which I guess technically he kinda did, and even the people who were frozen were frozen for years. That's definitely not nothing) and that Zane still had some level of free will, so Vex can’t be an 100% scapegoat.  So because Zane did this horrible thing, there is no chance for him to be redeemed. (Which I kinda see your point, but also, crazy staff that pretty much makes you evil, plus merciless manipulation. Cut him some slack. If Garmadon can be redeemed, so can Zane. Devourer venom and forbidden spinjitzu staff seem to have similar corrupting powers) And though I’d agree that as it stands in the show it feels like they’re ignoring all the awful things Zane’s done and that makes him a kind of a uncomfortable character at the moment- all the set up and what he did is not the problem. The problem is what he didn’t do, and what we didn’t see.

This twist starts at the beginning of the chapter, and finally resolves itself at the very end. The writers obviously thought that Zane being the villain, while having this weird unexplainable time skip made a solid, clever twist. Again, you can tell they were going for shock value and that *gasp emoji* “It’s YOU?!” moment. Problem with that relatively simple set up to keep your twist a secret, is that you now have 20 years of time to account for. Years of people suffering and time skips that are addressed, but are straight up never explained and don’t make any sense when you sit down to think about them for more than a second. These weird ripple effects ringing a bell? They’re the same sorts of retcon problems as the Ray and Maya twist. But that’s not all. It’s also frustratingly predictable. Even if you weren’t sure of your theory the first few episodes, it becomes increasingly clear as the season progresses. The audience doesn’t find out until the characters do, even thought it’s pretty predictable, missing out on a bunch of opportunities for better storytelling- just like the Samurai X reveal. The ice emperor is also kind of a boring character until the reveal, just like Harumi. And, maybe worst of all, it just seems like a clever shock value twist that raises a bunch of questions, doesn’t make sense in character, and needs a ton of explaining, just like the Mr. E scenario. This twist has every single problem I’ve ever had with any twist in this series. 

But it even adds one more.

Even with all the random nonsensical twists in the series, at least all of them had time to resolve. To be explained. For characters to grapple with them. As random and poorly thought out as this ice emperor twist is, it would have been okay if it hadn’t been so very VERY rushed after the reveal. We needed to see his reaction after breaking free. That’s all we needed. 

Imagine this, Zane breaks out of his evil daze, you can keep the kinda cop out reason, it’s a kid’s show, whatever. He looks down at himself and is horrified. He drops to his knees, mutters some line like “what have I done?” or something along those lines. Then, in anger, he looks back up at Vex, and then insert fight scene where he saves the day. Afterwards Zane tosses the staff away, and is in this weird daze as his friends welcome him back. The episode ends with the camera zooming in on Zane’s blank expression. But wait, there’s another episode afterwards where Zane can right his wrongs in the realm, talk with the people, and tie up all the other loose ends while finding himself again. The next season (and they might still be doing this in season 12, but without that initial reaction and remorse, this part rings kinda hollow) Zane is visibly a bit shaken by intense violence and has a talk with someone about the lasting effects of his 20 year rule. The end of the season sees him getting past this fear of hurting people in order to protect those he needs to. This all sounds very deep written out like this, but you could make the dilemma pretty surface level, and it would still be effective.

You see, the real problem with these half length episodes is that ALL of your plot lines have to reach their head, your big final battle has to take place, and your resolution has to happen, all in the last 10 minutes of the season. And you can really tell that season 11 skimped the resolution part. Because Zane only becomes Zane half way through the last episode, there’s no time to explore his feelings about the matter. Even just making the last episode 20 minutes, I feel, would have done wonders for this twist because everything would have had time to breath. This wouldn’t have been too much of a problem if this had carried over directly into season 12 (kind of like the season 8-9 thing) but that clearly isn’t the case, at least from the episodes we have so far. This emperor thing should affect Zane as much as becoming a ghost affected Cole. Things like this just need time to process. It wasn’t that making Zane the ice emperor made him unlikable, it was that ignoring that Zane was the ice emperor made him unlikable.

And all of these things, I can almost guarantee, happened because the writers just thought it would be a clever twist. It’s not like the writers can’t do twists! Skylor being evil was perfectly fine! Mistake being an Oni was even okay. But they had ideas for what to do with those bits of information after the reveal. They’ve got to stop with these reveals that are just there to be the *gasp emoji* moment. They’re not all bad ideas necessarily! But if you come up with the idea, just because it would be a cool reveal, and that’s it, then it’s likely not a good idea. For example, as nonsensical as the Echo thing is, if he had become a main stay of the series, and a reoccurring villain with backstory and motive that got explained, it might not have been the absolute worst. But if they did what they did in the show and just killed him off a few episodes later, it would have been pointless, because the twist would have made no impact, changed nothing, and had no point. The green ninja reveal was good, not because it was a reveal, but because it allowed Lloyd to be the green ninja in the episodes afterwards. It served as a progression for the story and characters while also happening to subvert this notion set up from episode 1 that one of the four would be the green ninja. Zane being the ice emperor is a bad twist because it affects absolutely nothing in the plot that follows. Zane is back to his happy quirky robot self in season 12, the status quo is restored, and nothing has changed. 

The whole point of a twist is to switch your perspective of something, an action that instinctively insists change. A change in the world. A change in the situation. A change in character. Something. If a twist doesn’t insight change in your story, you’re doing your twist wrong.

Thanks for reading! Feel free to agree/disagree with me in the comments. I get that not everyone is going to agree that Zane could be redeemed no matter how they played it. Again, I think the almost mind control staff, matched with the manipulation, mind wipe, and fact that it’s a kid’s show, and they obviously didn’t mean for it to read that way, is enough for me to kinda ignore it cuz I love Zane, and Ninjago, and I’m not going to let one misstep kill my enjoyment of the show. But, I get it if you can’t get past it.

ttfn!

[svtskneecaps]

i’ve been enabled

here’s the sitch on the goddamn harry potter hogwarts mystery app game

it fucking sucks

here’s my main issues in a handy list i’ll go down later:

the gameplay

energy

art / visuals

the story

the writing

the choose your own adventure like elements (technically gameplay since there isn’t much else l m a o)

and i have receipts for most of this stuff. fun fact, i’ve been taking videos of all plot relevant events since year 1.

some context:

i’ve played up to year 3 myself. i have watched up until the very beginning of year 5 in someone’s youtube series (will bits? that was his main character [henceforth referred to as MC]’s name, however that was a year ago and it was in the background like a podcast so the details are sort of fuzzy. i have not played the game since march (it’s september, ish), but i’m loading it up as i type this just to get a feel for it

idk whether to assume my audience has or hasn’t played the game. i’ll keep my complaints as clear as possible.

i’m mainly an author so the storytelling sections are where i’m really going to pop off, since that’s something i have the most experience with and passion in, but i’ll be touching on everything else because compounded it’s all pissing me off lmao

[a couple hints at spoilers for maybe an event in year 1, and year 3, but nothing major]

let’s start with: THE GAMEPLAY

there isn’t any

literally. there’s like. zero gameplay.

you tap some highlighted figures, and then sometimes you get to trace a little shape, and sometimes you get to play rock paper scissors to fight somebody (they did manage to make duelling slightly better but it’s still not good by any standard)

sometimes you get to choose between three dialogue options, but those have barely any impact on the story or on your character. any impact they have is limited to a couple stat points, or maybe some house points, or like. some event at the end of the year. but like barely any make any real serious difference (but i’ll touch on that more later)

and then there’s the factor of stat points (and this gets kind of mathy, so feel free to skip to the bolded sentence)

for those who haven’t played the game, you have three stats (empathy, courage, and knowledge) that you can level up by taking classes, 1, 3, or 8 hours, for various rewards

back when i stopped playing, i had gained 8914 points in courage. if i recall correctly i was only about halfway to leveling up that stat. if you take an 8 hour class, you receive consistently 200 stat points, with a possibility of extra rewards that i can’t count for since those are randomly generated.

to get those 8914 points, i would have had to take 44.57 8 hour classes (while 8 hour they only take about 7, counting for the 2 hours it takes my energy to recharge to full). with 44.57 classes taking 7 hours each, to get halfway to level 24, i would have had to have done:

THIRTEEN STRAIGHT DAYS OF GRINDING, ASSUMING THAT ALL I HAD BEEN DOING WAS CHECKING ON THE HARRY POTTER HOGWARTS MYSTERY APP

and again, I WAS ONLY LIKE HALFWAY TO LEVELLING UP

I AM BARELY BEGINNING FOURTH YEAR. I AM NOT EVEN HALFWAY THROUGH THIS GAME.

i think they’ve fixed this now; it said i had 8914/1550 courage and when i got stat points it fixed itself and jumped me from level 23 to 28, so thanks for that jam city.

but it doesn’t change the fact that the grinding is fucking horrible and i’ve done my fair share of hours, and who knows what it’s going to look like when i get to a higher level again

the energy

yes, i know it’s an app game. i know they want my money. but holy FUCK the energy recharges disgustingly slowly, and every bit they expand my energy bar is an insult

“here, have another energy capacity!” they say, and then add to the amount of energy it takes to complete a task at the same time, so now shit just takes me even damn longer

it’s an insult. don’t think i didn’t fuckin notice jam city.

since it’s an app game, naturally, energy requires paying real world money or the (semi) rare in-game currency to get more if you blow through your bar. they want your money. i know they want my money, but it doesn’t make me any less disappointed by how damn blatant they’re being. app games like bakery story probably also want my money, but at least those are still fun to play.

the art / visuals

now i’m not an artist. nor am i a 3-d modeller. but if solo indie devs and 10 men teams can make video games that have to have models with a much fuller range of motion (since there’s ACTUAL GAMEPLAY and not just little cutscenes of characters moving around) and that don’t make me sick to watch, then jam city working on a HARRY POTTER GAME should be able to (jk rowling fucking sucks but her books have brought in so much goddamn money that they can afford to pay their devs enough to make the game look good; in this case i’m not entirely sure where the blame lies)

there’s like. 10 motions characters can use while in the cutscenes and talking. like 10. and i can recognize every one of them, and there is not a single motion unique to a character. the characters are something i’ll touch on later in the storytelling sections, though. just, please god give them SOMETHING even SLIGHTLY different. like make two versions of a couple of the crowd animations at LEAST, so that when people celebrate at the end of the year there’s not twenty people in the shot doing the same “pump my fists in the air in celebration” motion at the exact same time. PLEASE.

sometimes animations in story events and classes sync up too, which is. beyond distracting. like it’s completely immersion breaking and i mean please, please jam city, if you haven’t fixed that please fix it. please.

the animations that roll in flying class are fun, ONCE. when you’ve seen them eight hundred thousand times because you’re grinding up your courage stat, they get hella boring. all of the classes are like this to some extent but flying is the biggest offender since those were the longest animations. if they haven’t implemented a skip button since i last played it, they should. they fuckin should.

also the fertilizer animation in the greenhouse scenes is gross. you pick up a deformed cone of dirt with your shovel like a slice of cake and then shove it clipping through the edges of a pot, where it disappears without a trace. i hate it. jam city please make the game look good.

if you still play the game please tell me it looks better; i’ll be playing through a couple things after i post this but it’s hphm. it’s gonna take me a goddamn long time to hit all the points and confirm whether what i complained about has been fixed or not

also also, wearing dresses is so distracting, especially while dueling. the way the dress flexes around your legs is like you’re wearing clothing made from jello and when my character does the idle animation her hands clip through her skirt, and there’s all kids of glitches with hair where it clips through outfits (and why in the fuck do the necklaces float a full foot from the character’s body)

the storytelling

alright there’s a lot to cover so strap in

i’m not mad about the story having some of the same beats as harry potter. whatever, right? if it worked, it worked. having a big climax at the end of the year just works well for storytelling. having a school bully antagonist also works well for easy storytelling (it’s kinda cheap, but whatever works, right?) it’s what you DO with the archetypes you use that makes or breaks your story

jam city broke it

i don’t know how to organize my thoughts so here’s a bulleted list

it is very clearly obvious they wrote this as they went along (ex. a previously unseen character pops up in year 3 and was supposedly the best friend of your greatest enemy in previous years) and didn’t think to fix the plot holes

there’s too many goddamn characters (i love them, but with a big cast comes a whole host of problems [I WRITE FOR A KPOP GROUP WITH 13 MEMBERS, I HAVE A LOT OF EXPERIENCE WITH THAT], and we’ll get there)

there’s too much goddamn filler for the sake of forcing us to spend time and in-game energy (yes i KNOW it’s an app game and they want our money but THEY COULD BE A LITTLE MORE SUBTLE ABOUT IT)

what honestly pisses me off the most about it is that IT COULD BE GOOD

IF THE STORY WERE GOOD, I WOULD FUCKIN IGNORE ALL OF THAT OTHER SHIT

but it’s not, and here’s the biggest gripe i have:

none of the choices you make matter. none of them. to the point where it’s immersion breaking at BEST

for example, while my MC is a hufflepuff, i know a lot of people play in slytherin. scenes where snape gets upset with your character and takes away house points no longer make sense for a slytherin MC, because snape would be infinitely more likely to give you three years of nightly detentions, or pitch you off the astronomy tower, than he would be to take house points from slytherin

honestly, they should have waited. if they wanted to put choose your own adventure elements into the game, they should have planned out every single one of those story arcs in detail, and THEN released the game. they could leave some of the more basic choices in and those choices only mattering for short term effects wouldn’t irk me as much as it does right now because THERE WOULD BE CHOICES THAT MADE A DIFFERENCE.

your very first choice over how you felt about your brother’s disappearance only matters for what wand you get (which i immediately forgot which really says something about the impact of that choice :)))) ). no matter what you pick, you still end up chasing after him for the rest of the game, so who cares?

story beats don’t land different based on your house. you could absolutely play it that merula hates you regardless of your house, that’s fine. just remember that if your MC is slytherin and lives in the female dorms, she probably shares a room with merula. which makes things fucky for all kinds of reasons, none of which jam city addresses in the current game, as far as i’m aware

also, there’s the deal with rowan

rowan is a character that goes into your mc’s chosen house no matter what (and as rowan changes pronouns with your player, i’ll be using “they” [or “she” as my player is a she and that’s what i’m used to; i’ll try to refrain but i might slip up occasionally] ). as far as i can tell, rowan’s personality remains the same no matter what house you’re in. they don’t try to play up the traits that match the house, rowan is just usually a sweet bookworm. why would the hat have put them in gryffindor? rowan khanna for me has never seemed to display any gryffindorish traits; or at the very least, no traits that should be prioritized over, say, the ravenclaw traits they have VERY STRONGLY (since rowan fills a sort of hermione role; rowan knows things about things and is your go to for research)

can we just put rowan in ravenclaw? sure, it would make it hard for fans in different houses to communicate between each other about the story for a time since certain sequences of events would play out differently, but here’s the thing:

if events play out differently based on your choices, people will want to play your game multiple times to get every ending

that’s the fun of a choose your own adventure game. if events play out distinctly differently if you’re a hufflepuff or a ravenclaw or a slytherin or a gryffindor, then people will want to play through the game four times at LEAST, once for each house, to get all the fun pieces of story (WHICH MEANS, they’ll be spending more and more time and using more and more energy, so you can make the same amount of money off people buying energy and watching the ads and maybe MORE while being able to cut out some of the more shitty pieces of filler)

in the current version, your house is just, what color are your robes and who is your prefect. i haven’t watched anyone who wasn’t a hufflepuff, but i’m sure that certain scenes and conflicts play out the exact same no matter what house you’re in

as an example, your house should affect how the duelling confrontation in year one should have gone. snape and flitwick should have different dialogue based on whether you’re a slytherin, or a ravenclaw, or a gryffindor, or a hufflepuff. snape fucking hates gryffindors, so he should be far less lenient against gryffindors, and on the flip side he should be battling between himself with how strict to be if you’re a slytherin; maybe he hates your guts because of a grudge against your brother, but you’re still in his house and we all know snape plays favorites. flitwick should be more disappointed if you’re a ravenclaw, because that’s his house and he had higher expectations for you. neither of them have many ties to hufflepuff that would skew the confrontation in a drastic direction, but had this been the first version of the game, then the confrontation that plays out in the current version we have would work fine for hufflepuff; you’re one of flitwick’s favorite charms students and he taught you this skill, and he’s disappointed to see you use it in this way, but not nearly as much as if you were one of his own

AND NOW PEOPLE WANT TO PLAY THE GAME MULTIPLE TIMES TO GET ALL THE DIALOGUE, WHICH MEANS MORE TIME, MORE ENERGY, AND MORE MONEY, JAM CITY, ARE YOU HEARING THIS??? MORE MONEY!!!!! IT’S A WIN WIN FOR EVERYONE

while we’re at it, change jacob to match his house. if you’re still gonna make him have the same house as the MC, make him match it. from how all the characters describe him that bitch is as slytherin as they come, if you’re gonna make him a hufflepuff with me then give him a clear, hufflepuff motive god damnit

finally,

the characters

there’s too many.

the problem with a big cast is no one gets enough screen time and some characters end up getting shunted to the side. that’s just what happens. you HAVE to zero in on four or five side friends and let the rest of them slip to the side. looking at my friends menu there are 17 characters you can befriend, not including hagrid, the quidditch crew, dobby, talbott, and chiara (since those are, as far as i know, unlocked via side quests, which are... fine. i don’t have any particular gripes about the side quests except for the thing with lupin being twice the size of tonks which, if you’ve read the seventh book i don’t need to explain how weird that is to you)

and BECAUSE there are so many, a lot of them have to be defined by one trait. ben is a coward, rowan’s clever and booksmart, penny has her hand on the school’s pulse and makes potions, liz likes creatures, charlie fuckin loves dragons, tonks likes pranks (seriously that’s her whole personality), andre likes clothes, barnaby is a dumb jock that likes creatures

like, traits are fun. but if that’s ALL THEY HAVE, that’s when things get a little fucky

how many of these characters have dimensions? i’m in year 4 chapter 4. the first screen recording of the game i took was on december 5 of 2019, and assuming i played about a minimum of 8 hours a day (”““played”““) until the final screen recording [may 20, 2020] before i dropped the game for about six months (i know for certain it was more than that, since i had some kind of activity going on at just about all times for at least a month of that, but i’ll take the generous estimate), at bare minimum that makes 1344 hours i spent playing this game, or about 56 days (keep in mind, this is a LOW estimate)

in those 56 days of gameplay, i don’t know ANYTHING about the characters other than their utility in my quest. i don’t know penny’s favorite color or even her favorite potion to brew, or how and why she started and when [there’s a reveal in third year that i watched someone play through, but i don’t know if i ever played through it myself; i don’t have any screen recordings of the event]. i don’t know anything about ben or his family aside from the fact that he’s muggleborn. i know some basic facts about barnaby’s family, and that he’s tough and likes creatures. rowan grew up on a tree farm and i have a vague recollection of her mentioning siblings. do we know anything about them?? do i know anything about how the characters interact with each other?? are barnaby and liz friends? they both like creatures. do they talk to charlie?? do ben and penny hang out while we’re not there? are ben and jae friends?? are jae and charlie??? DO THESE CHARACTERS EXIST WHEN THEY AREN’T NEEDED FOR THE CURSED VAULTS???

why in the fuck don’t i know these characters?? why don’t we know anything about tonks other than her affinity for pranking?? there’s a sharp bias in who the writer’s favorites are (they like the characters with angsty pasts they can twist around; what do we know about ben aside from his blood status? and he’s been around since first year; he’s the second friend you unlock. i know more about barnaby and i’ve known him for a much shorter time)

if you separate the routes, you get a chance to zero in on certain characters and actually develop them. if you’re a gryffindor, you befriend ben, charlie, and jae much more quickly and they make up the closest of your friends, along with rowan, if jam city is determined to keep their tutorial character constant across all plotlines (i still think rowan should be solely a ravenclaw, but i’ll allow rowan’s house to change so long as their personality shifts to emphasize certain qualities in order to match the change in house; your house should not just determine the color your robes are)

if you’re in slytherin, maybe you befriend barnaby in place of ben in the original game, or maybe there’s an arc where you clash heads with merula (who can still be an enemy even if you’re both in slytherin; merula doesn’t like competition and the MC is exactly that) and the rest of the slytherins in your year find themselves caught in the middle; maybe there’s an arc where your MC finds themself totally alone without allies due to the conflict between them and merula (might i suggest year two, while coming up on the climax of the year?)

hufflepuffs get to focus on tonks and penny much closer. ben can also be in this plotline, but he shouldn’t take center stage (characters should cross over plotlines, but only take center stage in one, aside from perhaps rowan if rowan remains constant). maybe chiara can get implemented into the main plotline to fill out the roster, and if not, diego caplan can get implemented earlier (i haven’t met him yet and know nothing about his character)

and ravenclaws get the ravenclaw characters BUT YOU GET THE POINT, i don’t want to bore anyone by repeating myself; this is long enough as is

what i’m saying is, these characters all have a different enough base that each route will be different just by focusing on different characters; ben and jae will respond to a situation much differently than penny and tonks might, which would ALREADY shake up the storyline of each house based on which house you choose in the beginning, and then characters overlap plotlines so you could leave hints in each route to the other characters’ unique backstories and motivations that leaves the player wanting to get to know the rest of your WELL DEVELOPED CAST (((MAKE SURE THEY’RE WELL DEVELOPED OR THIS WILL NOT WORK)))

WHAT I’M SAYING IS, THIS GAME COULD HAVE BEEN SO GOOD

if they put more effort into the story then maybe i would have gunned through the hufflepuff route so quickly and then restarted to go through all the rest of them. if you want people playing your game for longer then THAT is the way to go

yes, it will take time. yes, it will take effort. but you know what?

IT’LL ALSO MAKE YOU A FUCKTON OF MONEY FROM PLAYERS PLAYING EACH ROUTE IN FULL AND THEN PLAYING THEIR FAVORITE ROUTES AGAIN SO WHAT THE FUCK ARE YOU WAITING FOR

anyway, what i’m saying is, i hate this game so much because of the potential it had to succeed, and the potential it had to be a really good game. even if they didn’t change the gameplay much, even if they didn’t change the models, i could get past ALL OF THAT if the story was interesting

so uh. jam city, if you’re reading this, please. i will let you take away all of my days of playing this. i will let you render all of my progress obsolete and send me plummeting back into my first year at hogwarts to go through the game again, if you JUST, MAKE, MULTIPLE, ROUTES!!! MAKE MY CHOICES MATTER DAMN YOU!!!!!!!!

i’m also willing to let you use the ideas i posited here without credit or payment. because that sounds like a legal hassle and i am far too lazy to deal with that sort of thing, i just want to play a good game. please. please give me a good game to play.

also, make energy take 3 minutes to recharge. please.

so uh

TL;DR : i hate this game. and i wish i didn’t hate this game.

[sineala]

Chronology of Tony’s secret identity

One of the things that often comes up in discussions of 616 Tony Stark is his secret identity. Unlike the MCU, where Tony's secret identity lasts only until the end of the first Iron Man movie, or the Ultimate universe, where it's never secret at all, one of the key traits of 616 Tony for a number of years is the fact that he maintained a secret identity: Tony Stark the CEO and Avengers benefactor and his bodyguard the Avenger Iron Man, were presented to the world as two different people.

Now, if you're a fan of Tony in the comics, none of the above is new to you. But what isn't always obvious, especially if your primary point of familiarity with Tony is other universes, is that coming out as a superhero isn't a one-and-done thing. He doesn't start out by making a big public announcement: some people figure it out over the years, some people find out, some people are told. But until he tells the world, it's still a secret. There are Avengers teams even within the past 25 years where some people know who he is and some people don't.

So I thought that it would be useful to compile a list of who learns Tony is Iron Man, and when they learn it. The list isn't complete -- and I certainly welcome additions and corrections -- and is currently limited to Tony's friends, romantic interests, and selected teammates (rather than supervillains). Basically, I just wanted to limit it to characters we might care about for fannish purposes, because I often find myself wondering if Character X knows at Time Y that Tony is Iron Man. A lot of these aren't traditional reveals in the sense you're probably picturing, in which Tony takes off his helmet; several of them are just people saying that they've figured it out. But I think they still count.

This is the raw data, ordered by year of reveal; I will then go through it with explanations as appropriate:

RETCONS:

Joanna Nivena (Iron Man v1 #224 (1989); retconned into origin story)

ORIGINAL CONTINUITY:

1965

Happy Hogan (Tales of Suspense v1 #70)

1973

Thor (Avengers v1 #113) Pepper Potts (Iron Man v1 #65)

1977

Whitney Frost (Iron Man v1 #104)

1980

Bethany Cabe (Iron Man v1 #139)

1982

Steve Rogers (Avengers v1 #216) Tigra (Avengers v1 #216) Silver Surfer (Avengers v1 #216) Janet Van Dyne (Avengers v1 #224)

1983

James "Rhodey" Rhodes (Iron Man v1 #169)

1985

Clint Barton (Iron Man v1 #193) Bobbi Morse (Iron Man v1 #193)

1998

Carol Danvers (Iron Man v3 #7)

1999

Selected friends & Avengers, again (Captain America & Iron Man 1998 Annual)

2002

Rumiko Fujikawa, and also the entire world (Iron Man v3 #55)

2006

The entire world, again (Civil War: Front Line #1)

The first identity reveal by internal chronology is actually from 1989; IM v1 #224 introduces, in flashback, a woman named Joanna Nivena whom Tony was engaged to, and who actually encouraged him to be Iron Man, and then promptly left him when she figured out that was his true calling. She is a retcon, and as far as I know she's a retcon that canon hasn't done much of anything with -- I think this is her only appearance -- but technically she's the first.

Discounting the retcons, as you can probably guess, Happy Hogan is the first person to find out that Tony is Iron Man. It happens in a relatively early ToS issue, ToS #70 (1965), in the middle of the Titanium Man fight. And if you're looking for it, it is so completely subtle that you will probably miss it. I missed it twice. Happy thinks to himself, "I'm gettin' a hunch why Stark is never around when Iron Man's on the scene! It's nutty... but it must be the answer!" Seriously, that's as much as it gets spelled out, but Happy knows. Of course, then he gets amnesia for a bit, but the amnesia goes away in ToS #83 (1966) and he remembers again.

At this point you might think to yourself that probably this means Pepper will find out soon. Ha. Ha. No. Pepper does not find out soon. In fact, Thor technically finds out before Pepper does, though it happens in the same year, 1973. There's this whole Happy/Pepper/Tony dynamic where Pepper has a thing for Tony and Tony keeps trying to push Pepper toward Happy because Tony believes in his own imminent death. And to help this along, he behaves coldly to her as Iron Man, meaning that Pepper thinks Iron Man is terrible and Tony is so great. The identity reveal, in IM v1 #65, actually happens when Pepper and Happy are fighting and Pepper says something about how Iron Man is so awful and Happy tells her that Tony and Iron Man are the same person and then shows her the armor in its case.

And then there's Thor! The Thor thing seems like it should be easy, but it isn't. In Avengers v1 #113 (1973), Vision is injured, and they need an engineer (Tony) and a doctor (Don Blake) to help him, and so Tony and Thor kind of mutually tip their hand to each other about their identity; it's a really sweet reveal. It's also completely retconned, in the same year, in the same title, in a story by the exact same writer -- in Avengers #118, the Avengers/Defenders War ends with Doctor Strange explicitly mindwiping Tony and Thor's knowledge of each other's identities out of each others' minds. The really weird thing is that this retcon doesn't seem to have stuck; Tony refers to Thor already knowing his identity in IM #108 (1978), and Thor already knows in the Molecule Man incident. Comics, man, I don't even know.

A bunch of Tony's romantic interests find out in the remainder of the 1970s and early 1980s. I don't have an issue number, but I know Marianne Rodgers figures it out pretty early on in their relationship, on account of being a telepath. Whitney Frost finds out in 1977, Iron Man v1 #104, when she becomes seriously romantically involved with Tony. (They first kissed way back in Iron Man v1 #19 (1969)... but she didn't know he was Iron Man, then.) Bethany Cabe finds out -- or rather, reveals to Whitney Frost that she'd already figured it out -- in 1980, in Iron Man v1 #139. She doesn't tell Tony she knows until Iron Man v1 #152, in 1981 -- they're captured and she urges him to change into Iron Man. (So, yeah, this means that while Demon in a Bottle is happening and Bethany is helping Tony get sober, she most likely doesn't know he's Iron Man.)

And then there's Avengers v1 #216, which I am sure we all already know about. The Molecule Man strips Tony out of his armor, meaning that his identity is revealed to Thor (who already knew), the Silver Surfer (who doesn't really seem to care), Tigra (who is leaving the team, but this will be relevant in a bit anyway)... and of course, Steve Rogers. Hi, Steve.

This is where it becomes important that Tony's secret identity is still a secret. No one he's told tells anyone else. Even now that some of the Avengers know, he doesn't, say, rush out and tell the rest of the Avengers that he's really Iron Man. Instead, in Avengers v1 #224, he starts dating Jan, and he doesn't tell her he's Iron Man. Steve and Thor both encourage him to tell her, and he does, at which point she breaks up with him because she doesn't want to date another teammate so soon after leaving Hank.

Then the second drinking arc happens, which is when we get a couple more identity reveals -- Rhodey and Clint, specifically. Rhodey finds out when Tony has started drinking again. Tony reveals his identity to Rhodey in IM v1 #179 (1983), and then he passes out in the armor and Rhodey puts it on and becomes Iron Man and goes off to fight the villain of the issue. After Tony eventually sobers up, he and Rhodey and the Erwins make their way to the West Coast. When Rhodey joins the brand-new WCA, Tigra is confused because she knew Tony was Iron Man and this guy isn't Tony, but it's all sorted out eventually. (Similarly, some of Tony's villains are confused when they run into Rhodey as Iron Man -- the Mandarin says he'd suspected Iron Man was Tony but now obviously he must have been wrong.) Anyway, Tony outs himself to Clint and Bobbi in Iron Man v1 #193 (1985); he suits up in his old armor to go talk to Clint, and when Clint doesn't trust him, unmasks himself as Tony Stark. And when Tony becomes Iron Man again, he eventually joins the WCA and stays in California.

After this... well, okay, after this is where my reading gets patchy, honestly.  Armor Wars happens, and Tony comes up with a fake identity for Iron Man and then fakes Iron Man's death at the end of it -- I think this was to fool SHIELD, but I know that Steve et al. still know who Tony is. I don't think there are a whole lot of big reveals, but I get the sense that Tony's identity eventually becomes basically an open secret in the superhero community. There's a panel somewhere from the 80s or early 90s where Natasha is thinking that they all know already and Tony should just tell them. Note that the general public still doesn't know; this is only among Tony's fellow heroes.

The latest individual reveal I know of is after volume 3 starts, when Tony reveals his identity to Carol in Iron Man v3 #7 (1998). It's the middle of the Live Kree Or Die arc, in which Carol has been kicked off the Avengers for her drinking problem. Tony shows up at her door as Iron Man and then decides that he can relate to her better in this case as Tony Stark, alcoholic. It's clearly new information to her.

And then there's the Captain America & Iron Man 1998 Annual, which actually came out in 1999, apparently. Tony cybernetically fights a villain named Mentallo. In the course of the fight, Mentallo learns Tony's secret identity, but when Tony wins he gets the chance to erase it from his mind, which he does. He then realizes he can erase it from everyone's minds. He's thinking of all the villains who have found out over the years -- he names Spymaster, The Controller, Molecule Man, and Machinesmith, and even I can add a few more to that list. (There's Kraken, at least, and the Mandarin definitely suspected.) So Tony wipes everyone's minds, including his friends'. But via the magic of Comic Science, if he retells them right away it will be like they never forgot. So he calls a meeting of a bunch of Avengers (Vision, Thor, Jan, Steve, Hank, Wanda, Simon -- and later Happy and Pepper) and tells them his identity again, and everyone takes it really well, except for Steve, who gets mad about having his mind wiped, which is the plot of the book. He says he's going to tell a few more people who "deserve the same courtesy" and mentions wanting to find Clint. I assume he retells most of the superhero community (or at least his friends), but this isn't explicitly stated.

And in 2002, in Iron Man v3 #55, Tony unmasks to save a puppy, and the entire world finds out he's Iron Man. (This includes Rumiko, who he's dating at the time.) He continues to have a public identity for the remainder of v3, but during everything that happens during Disassembled, he manages to successfully hide his identity once again and get the world as a whole believing that Tony and Iron Man are two different people.

Even during Disassembled, it's clear that the superhero community still knows who he is -- in Avengers Finale (2005), he assembles a bunch of familiar Avengers in the ruins of the mansion (he's in armor but unmasked -- which, y'know, that's a dead giveaway there) and tells them, "I was able to put the genie back in the bottle as far as my secret identity is concerned. Most people believe that Tony Stark and Iron Man are now two completely different people. I would never ask any of you to outright lie for me, but if it comes up -- if you could at least not say anything to contradict me. I would appreciate it."

So New Avengers kicks off and the team moves into the tower and so on and so forth and Tony keeps his superhero identity secret from the public until... 2006. Nope, it doesn't take long at all. Civil War kicks off and Tony unmasks at a press conference in Civil War: Front Line #1 so that he can, essentially, show he's not a hypocrite for supporting Registration. He pulls his helmet off and says, "Hello, my name is Tony Stark, and I am an alcoholic. And now it's time to come clean."

And that's the one that stuck. So after 2006, everyone knows Tony Stark is Iron Man. (Fun fact: after the brain deletion, Tony's not going to remember that he did this, so he ought to wake up still thinking he has a secret identity. I don't think canon has ever explored this fact.)

So there you have it: my best attempt at putting together a chronology of Tony's identity issues.

[murasaki-murasame]

Thoughts on Fruits Basket 2019 Episode 22: “Because I Was Happy”

In spite of how last week’s episode was kinda meh, this episode ended up being one of the single best episodes of the show thus far. It at least goes to show that this adaptation is incredibly good at drama, even if it’s not so great at comedy.

Anyway the TL;DR of my feelings right now is just a whole pile of those pictures of crying cats. You know the ones.

Thoughts under the cut [and spoilers for the manga as a whole]

To get right to the chase, this episode adapted chapter 51, which is interesting because this makes it the first episode adapting material that straight up hadn’t even been written when the 2001 anime was made, since I think that came out when the manga was at around chapter 43 or so. Even Uo’s backstory arc had already been done in the manga by that point, and they just chose to cut it in the first adaptation. So I can’t exactly fault the 2001 anime for not having adapted this chapter, but man it really goes to show how much of the story the 2001 anime was missing, and how much good stuff we’re in for here.

I think it was a good choice to put the two Hana chapters back to back like this, even though in the manga they were like 20+ chapters apart from each other. It’s by far the most standalone chapter of the manga, and it’s specific placement has always kinda baffled me, since it happens right after we meet the student council characters and Kureno, and shortly before the summer vacation arc, and none of that had to do with Hana. I think it’s just one of those things where Takaya’s nerve disorder probably impacted how she approached the story, and lead to some odd detours into side stories and backstories until the ‘main story’ kicked back into high gear. It flows a lot more naturally here, and the fact that the whole episode is a flashback with no real present-day context or framing isn’t even noticeable when it comes right after the events of the last episode. It felt like a bit more of a harsh narrative shift in the manga.

But it’s still always been one of my favourite individual chapters in the series, in spite of it’s awkward timing. The material itself does everything it needs to make it stand out. And the shifted placement in this adaptation just helps elevate it’s strengths even more.

I’ve been wondering how anime-only people might react to this episode, for lots of reasons, and I’m glad that everyone seems to love it. It really does come as a huge curveball in terms of tone and focus after how self-contained and comedic the last episode was, but it works nicely.

And even more than that, it’s fun watching people react for the first time to the reveal that Hana’s powers are actually 100% real, and the story ends up being dead serious in depicting how they impacted her life. Basically Fruits Basket suddenly turns into Carrie But With A Support Network for an episode, and I doubt any new fans saw that one coming, lmao.

Though tbh I still think it’s [intentionally] ambiguous whether or not she actually had supernatural powers. It never really comes up again, and the handful of cases of her using her powers on people can technically be written off as a mix of coincidences and a sort of placebo effect from people who think she’s seriously gonna curse them. In terms of what Takaya thought when she wrote this, I think Hana probably does have straight up psychic powers, but there’s room for interpretation, and I think this episode is really interesting when viewed through the lens of Hana having some sort of severe mental illness.

I’ve been pretty occupied recently with thinking about the topic of disability in Fruits Basket when it comes to Kyo’s arc [and oh boy do I have stuff to say about that very soon], but I’d kinda forgotten that Hana’s backstory here is another good example of that.

I don’t exactly want to jump to conclusions and start armchair diagnosing her, but the ‘voices’ Hana heard could definitely be symptoms of something like social anxiety or even schizophrenia. Depending on how literally you want to take the idea of her ‘hearing voices’.

In general there’s a sort of blurry line in this series between supernatural stuff, and things that are realistic to the experiences of disabled [or otherwise oppressed/neglected in general] people. But I’ll talk more about that later.

On a somewhat related note, one surprising thing about this episode is that in spite of the overall tone and events of this episode, Hana’s family is completely supportive of her, and never doubt the existence of her powers, or hate her for it. Instead all they care about is her safety and well-being, and they’re willing to move towns if it means removing Hana from a toxic school environment. I think I’ve said it before, but I think it’s good that this series has a whole range of types of parents/families who have their own unique feelings about their childrens’ struggles. You can’t really accuse it of being one-dimensional.

The thing that really struck me about this episode most of all was just how good the artistic direction and overall execution were. In terms of the story it was a pretty 1:1 adaptation of the manga, with nothing changed/added/removed from what I can remember, but it was just executed incredibly well. Pretty much like how things went with the Uo arc.

Specifically I really loved the way that the entire episode had a consistent cool grey tone to it all, and was filled with deep shadows and harsh, artificial-looking lighting, right up until the point where Hana admits that she wants to stay with Tohru and Uo, and suddenly everything is bright and warm and filled with light. It’s not exactly the most complicated thing ever, but it really made the climax of this episode stand out.

But the way it handled the lighting and shading up until that point was genuinely really neat in and of itself, and lead to a really atmospheric and oppressive vibe to everything. Especially scenes like the one where Hana got her arm burned by those bullies, and the whole scene was incredibly dark and shadowy and eerie. I also really liked the cut of her running down the school hallway, and how the harsh bluish lighting from the windows contrasted with her silhouette and the darkness of the hallway itself.

The way they handled the scenes of her hearing voices by having the screen be slowly blotted out by cloudy blackness and overlapping voices was also really neat.

I think it’s really neat that some of the best material we’ve gotten thus far has come from some of the most unlikely characters. Normally with a series like this you’d think that Tohru’s best friends would be disposable comic relief characters [which they kinda were in the 2001 anime, tbh], but they both ended up getting incredibly good backstory arcs that flesh them out immensely and deliver some of the strongest emotions and messages in the series. It really goes to show that this is an ensemble cast type of story that cares about all of it’s characters instead of just the core few. In the manga it wasn’t really apparent until later because of how things were paced out, but this adaptation’s really making it clear already that this series is totally willing to basically ignore it’s main trio for episodes on end in order to focus on the supporting cast, lol.

And on THAT note, to balance out the fact that Kyo in particular has been kinda absent since, like, the lake house episode I think, the next episode is gonna dive straight into what will ultimately be a three-episode story arc focused on him, his backstory, and his relationship with Tohru. I hope it lives up to the expectations of all the new fans who’ve been anxious to see more of him, and I hope they know to keep their hands inside the rollercoaster at all times because we’re about to Go Places [tm] :)

I’d been expecting for a while that the next episode would adapt chapters 30 and 31 and end with Kazuma’s introduction, so that the last two episodes of the season can focus on the meat of the true form arc, and thankfully they just outright used Kazuma’s line from the end of chapter 31 as the title of the next episode so that spells itself out, lol.

I’ve seen some people worry that this means they might be skipping the soup chapter, but I don’t think that’s the case. I think it’d actually be really easy to cover both of those chapters in one episode. You could actually splice the events of them together pretty nicely, so that Tohru getting sick is still the main thread of the whole episode even if it ends with Kazuma showing up.

I think they could at least do some things like making the part in Chapter 31 where Kyo and Kagura go shopping together be related to Kyo cooking for Tohru while she’s sick. But we’ll see.

I know some people think that ep24 will cover the whole true form arc, and that ep25 will be chapters 35 and 36, but I don’t really feel like that’d work well. The true form arc is way too much of an emotional climax all around to not be the season finale. And chapter 35 in general would serve as a nice sort of semi-recap of the true form arc to start season 2 off with.

And in general I don’t think the series has ever adapted three whole chapters into one episode, and I don’t think they’ll start with this arc. I think it’ll be like how they adapted the Uo arc into two episodes when it was also three chapters long. Either way, I think they’d be able to pretty easily flesh it out a bit to cover two episodes, whereas it’d be difficult to condense it into just one episode without it feeling rushed. But who knows. I have faith in them one way or another.

For the time being I’m just gonna emotionally prepare myself, lmao.

[lunasilvermorny]

End of year 4

(I know I’m not done with season 1 of the Quidditch story, but it seems like it’ll take a while, so in the meantime, I want to actually progress the story.)

Wait, he hasn’t came back yet? The hell is he doing?

Aww, she looks so proud.

That’s the look of- “At least it’s not Slytherin.”

(Unless you’re playing as one, but I’m not, so it works.)

Such a plot twist...

Yeah, you were only a 1,000+ points ahead. No big deal.

Me: Finally, I got to year 5!

Everyone who’s been through it:

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Conclusions:

(This is going to be a long one...)

In general:

I think year 4 was overall a good one. I liked the pace of the story (a bit slow sometimes, but never enough to make me completely disinterested.) and the fact that it was longer than the previous years made it better to really get invested in the plot.

Now for a deeper dive (with obvious spoilers):

The main plot:

I think the plot of year 4 is the most interesting we had so far. It was darker, but no too much to break the immersion. There were actual plot twists (the whole thing with Ben was very well executed.) and the new characters they introduced were really well made.

However, even though I thought the plot was pretty good, there were some really boring parts. For exampe - the part with sickleworth. I was really looking forward to it, but it was just tedious.

Let’s go search the arrowhead here. Oh, it’s not here? Let’s go there instead. No? Then let’s try this place...

Mind-numbingly boring and a waste of time.

New characters:

Rakepick:

As much as I think she’s a manipulative prick, she’s a great addition to the story. Her problematic methods are in perfect contrast to the other professors and I think it adds a lot to have an irresponsible adult around to enable MC’s behavior, when it comes to furthering the plot in a believable direction.

I don’t like the way she manipulates Merula into doing her dirty work, but again, it makes perfect sense that they would take this direction in order to keep Merula relevant as the antagonist.

Professor Kettleburn:

What more can I say? They nailed it. I love everything that has to do with him. I truly believe they made him justice the way they’ve portrait him. I went over the stuff that JKR wrote about him and they were very faithful to the source material. I think they’re way better at adapting characters that had no presence in the HP books and movies.

So yeah - great job, JC. Honestly.

Charlie Weasley:

Supported by my last statement about the way they adapt characters - Charlie is wonderful. I know that a lot of people find his obsessive talk about dragons annoying and one-dimensional, but in a game where most characters are not explored to a very deep level, I think it was smart to keep a simple and coherent character arc.

I like how calm and easy going he is and I just found myself enjoying almost every interaction MC had with him.

I really liked the fact that he was a huge part of the main story and that he automatically joined us in all the important parts, just like Tulip and Barnaby in year 3. His adventurous nature was very uplifting at times and he just made everything 10 times more interesting.

I can understand why he’s such a fan favorite. Again, great job, JC.

Andre Egwu:

I know that we technically already met him in year 3, but his presence was almost non-existent until year 4, so I consider him a new addition.

Anyway, like the rest of the new characters, I really like Andre.

At the beginning he was a bit annoying, but my impression on him changed very quickly once he had more screen time.

Proving that he’s more than a sassy background character, he showed that he’s a true friend in the main plot and the SQs. The fact that he’s our fashion-guy that always happy to help is already good enough, but his supportive nature in the main plot (giving MC his broom, join her to the forbidden forest) just made it so much better.

Liz Tuttle:

Even thought she’s still not our friend, she was in the background of a few SQ and was introduced in the Polyjuice Potion SQ. The problem is that... that’s it.

Anyone who’s been in my blog more than 10 minutes knows how much I like Liz and how her big of a presence she has in the headcanon, but she’s barely anywhere in the game and it’s such a shame.

I’d like to know her character better and I feel like there’s a missed opportunity. I adore her love and dedication for creatures and animals, and hope they wouldn’t just use it as a joke like- “look at that weird girl that cares way too much about animals” instead of showing it in a positive light.

Old characters:

Ben - I think I like the most what they've done with Ben. The fact that he was the masked “dark wizard” was a true plot twist and even though I suspected it, it still got me.

Rowan - I didn’t like the fact that Rowan was a judgemental arse and that in the end he was right, even though he had no proof and based his suspicions on gut feeling. That’s extremely out of character of him and I hated it.

Side quests:

There were many. Some were just brilliant (the Celestial Ball SQ and the First Date SQ), and some weren’t. (like the Nearly-Headless Nick one and.. I can barely remember, because they were so dull.)

But here’s a very quick recap (because I said all I had to say in the SQs posts):

Nearly-Headless Nick - So damn boring!

Unleash Your Patronus - Disappointing, but not a complete failure.

Polyjuice Potion - I wouldn’t have liked it nearly as much if Liz wasn’t in it... but she were, so I can’t say I hated it.

Celestial Ball - Brilliant! 10/10. Loved it. By far the best.

Rita Returns - Boring.

First Date - Amazing!

Become a Prefect - a bit boring at times, but in general it was a nice little SQ.

Magical Creatures Everywhere - Nice premise, I enjoyed all the creatures and characters involved, but it was just a fetch quest without anything too interesting. No stakes, very basic story. Not the best, but we had worst.

Also, I need to point out that I changed my opinion on Penny based on the SQs. (not only in this specific year.) They put her way too much in placed that she wasn’t belong and it left me more annoyed with her than anything. She was one of my favorite characters and now I just want to skip any dialogue with her, because I’m so tired of her.

The Vault:

This part was very disappointing. The build-up was promising, but there was barely a pay-off. It wasn’t nearly as interesting as the vault from year 3, even though I think it had greater potential.

Also, I hated the fact we had to fight the Acromantula instead of choosing between a fight and a conversation, like Kettleburn advised us.

Oher stuff:

Chimaera - I guess we’ll see it through next year? It felt more like a running gag than anything, but it’s a freaking Chimaera that’s running loose! There’s no way we’re not going to encounter it at some point. Anyway, I thought it was amusing as a background plot to show Kettleburn’s recklessness.

Studying - I know that most of the time it was to learn about things that have to do with the vault, but I still liked to see them sit and study, especially MC with Rowan. It’s a school after all.

Snape and Rakepiclk’s rivalry - it wasn’t written in the best way, but the presence of their rivalry was very much appreciated as a part of the plot. I like how Snape’s view of her stand in contrast to everything she did “to help” them and I think it adds a bit more depth to both of their characters.

The Weasleys - I loved all of their background plots. Such a wholesome addition.

Joking about Rakepick - it’s a very small thing, but I loved every mention of their fear that Rakepick is going to kill them. Very amusing.

Dumbledore’s absence - it just felt too convenient, so MC’d be able to do more things without supervision. It didn’t sit well with me and just felt like a cop-out.

Detention - Even though it was a shame that MC didn’t get her usual 100 house points at the end of the year, I do appreciate the fact that Dumbledore finally punished her bad behavior. Took him long enough, but it’s a start.

Quidditch:

I know it’s technically supposed to be in the second year, but since it’s started when MC was already in her 4th year, I treat it as if it’s part this year.

I think this addition improves the game significantly. The mechanics are fun and the plot is okay.

Penny’s role is very out of place and like I said before, it makes me love her character less and less. The new characters, however, are really interesting. I feel like each brings a new thing that no other character has brought before.

Skye - Although she left a very bad first impression, I think overall she’s okay. Her backstory is interesting and she makes the player want to win, for themselves and for her.

McNully - I think he’s great. Talk too much? Sure, but that’s part of his charm. He’s funny and interesting, and by far contributed the most to get MC in the team.

Orion - Again, it took me a while to like him, but his bs attitude became very comforting at times and I grew to like his weird dialogues.

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Final thoughts:

This year was interesting and much more than the previous ones, in almost any aspect. It wasn’t perfect, but if I take everything into consideration, I think it was a successful year and my new favorite.

I know year 5 is way messier and incoherent, so I don’t have a lot of expectations. I’m just glad that we got this far and the story was still interesting enough to keep me going.

[stevenuniversallyreviews]

Episode 122: Tiger Philanthropist

“It’s like the sequel no one asked for.”

Adventure Time is technically a serial, but rather than one continuous story it’s a hodgepodge of multiple meandering plots that get checked up on at random over the course of its 283-episode run. For instance, minor character Maja the Sky Witch was introduced in Episode 133 (Sky Witch), yelling at the end that she’s planning “something big,” and we got that follow-up a full year later in Episode 166 (Something Big; let it not be said that these episodes aren’t named well). Virtually no mention of Maja was made between these episodes, but Something Big served as a direct sequel, beginning in the middle of a huge battle as if we knew it was coming, and we just went with it. That, for better and worse, is the spirit of Adventure Time's long-term structure. Episodes can be about any character in its vast world, and we jump around so much that it feels like anything could happen.

Steven Universe takes a different approach, aided by a singular focus on Steven's point of view. It also has distant sequel episodes, but it’s easier to keep track of these connected stories because of a more unified through-line. I mentioned in The New Crystal Gems that I’d like to see more character interactions that are restricted by this focus (give us an episode about Peridot making avant-garde metal-powered multi-instrumental music with Sour Cream, you cowards), but it’s still generally a positive from a plotting standpoint to keep things Steven-centric. 

For the most part, I’m a huge fan of distant sequel episodes in both Adventure Time and Steven Universe despite them being such different beasts. But while the random “hey remember this storyline?” in media res variant works well in a zany show that bounces from plot to plot, Tiger Philanthropist is proof that this type of sequel doesn’t work quite as well on a show with a more traditional structure.

The premise of Tiger Philanthropist hinges on the idea that Steven and Amethyst have been wrestling this whole time. But, as we might see in an Adventure Time sequel episode, we’ve gotten zero references to this subplot between the first and second episode of the story. We never see Steven and Amethyst coming back from a gig. We never hear them talking about it in passing. We never see the tiger mask lying around to indicate recent use. The Brothers Construction and Good-Looking Gang even feel like Adventure Time one-off characters, as they’re for some reason never seen outside of a wrestling context despite Steven Universe otherwise doing pretty well at building a sense of reliable locals and background characters.

Bear in mind that we just had a whole arc about Amethyst’s inferiority complex in terms of physical ability, and at no point did the coping mechanism that she’s apparently been using this whole time come up. The thrust of Tiger Philanthropist is that she’s moved on from the need to use wrestling as an outlet for her issues, but when we haven’t even thought about Tiger Millionaire outside of a few Purple Puma cameos and maybe a poster or two early in our first season, it strains credibility to be told that she still was using wrestling as an outlet for her issues. I’m too focused on the hamfisted retconning to get invested in this story. It’s as if we got an episode about Garnet deciding to stop going to the arcade and Steven is bummed because oh by the way we forgot to mention it but she and Steven have been playing co-op Meat Beat Mania every Thursday since Arcade Mania and it’s a major part of their relationship.

Steven Universe is at its weakest when the crew seemingly forgets key plot points: episodes like House Guest forget a character’s established personality, episodes like Sadie’s Song forget Steven’s development from bratty to empathetic, and both Malachite and Bismuth go unmentioned for huge swaths of the show during times when they would’ve been relevant to discuss or feature. Underground wrestling might be less pivotal than the long-term bubbling of an old friend, it’s just as frustrating for the thread to be completely ignored until it becomes relevant again. Because it’s not like the show always does this: look at Connie’s training, which has focus episodes here and there but is also background noise in other episodes to let it feel like a consistent part of her life. Mindful Education would’ve been a disaster if Connie started training in Sworn to the Sword and then we didn’t mention it at all until she accidentally tossed a classmate.

And really, imagine if at least one of the episodes in Amethyst’s big Act II arc was in the ring. We easily could’ve had Tiger Millionaire accidentally eclipsing Purple Puma as a catalyst for her self-doubt (among many other possibilities that this crew could conceive better than I) and it would’ve made Tiger Philanthropist feel so much better. But I can’t write about that, because that’s not what happened.

What sucks is that I love Tiger Millionaire and am all for more wrestling. Despite my snotty header quote choice about unwanted sequels, I was super excited for Tiger Philanthropist, and that glorious music brought me right back into the zone as the episode began. But the wind went right out of my sails when it became clear that we’re to believe Tiger Millionaire and Purple Puma are fixtures of the wrestling scene, and that it’s an activity that’s super important to Steven as a way of bonding with Amethyst.

And there are plot elements here that, in an episode with better context, would get a chance to shine. In a world where we knew Amethyst and Steven were wrestling for around two years, this would’ve been a pretty emotional conclusion to a relationship that began in the show’s early days (not that Steven and Amethyst would stop hanging out, but it’s always bittersweet when an important phase of your life is over). It would’ve served as a great acknowledgment of how Amethyst has moved on with her life if we saw the part of her life she was moving on from. We could’ve felt Steven’s sense of loss, and the surge of relief when Purple Puma returns for one last ride. If you transported this exact episode into a series that built up to it in any way, it would be a classic. But we aren’t watching that series.

It’s a little fun that I’m unsatisfied with a follow-up where an entertainer reacts to a fan being unsatisfied with a follow-up. Much like Season 2′s Mombo Combo, two thematically linked episodes about moms separating the Week of Sardonyx from Peridemption, we get two episodes in a row about fan interaction to buffer Steven’s long day in space from the continuation of his mother issues culminating in another trip to space. Unfortunately I can’t think of as good a name for Rocknaldo and Tiger Philanthropist as a unit as “Mombo Combo” (the Fandom Menace?) but nobody’s perfect.

Lars plays a fascinating role here, because the easy option would be making him an entitled fan a la Ronaldo who wants things to go just the way he likes. And to be clear, Lars does want things to go a certain way. But he’s not dictating the terms or saying he needs Tiger Millionaire to act exactly how he wants, he’s just frustrated by a new development that seems out of step with his favorite wrestler. Even when asked directly about what he'd like to happen, Lars doesn’t know, because he hasn’t confused his fandom with the notion that he gets to dictate the specifics about the thing he likes.

(I try to be the same way, but I also definitely wrote a spiel about how Tiger Millionaire and Purple Puma should’ve been present during Amethyst’s latest arc like five paragraphs ago. Again, nobody’s perfect.)

It helps that Lars doesn’t understand that Steven is Tiger Millionaire (a repeat gag that I’d probably find funnier if I felt more charitable about the episode), so he’s unaware that he’s speaking with the creator of the content he enjoys; perhaps he’d be singing a different tune if he knew the truth. But as it is, we get a surprisingly generous interpretation of a demanding fan, allowing us to see the ethos behind Lars’s disappointment instead of writing him off as an entitled fanboy with impossible expectations. The timing of Tiger Philanthropist fits perfectly with Lars’s imminent moment in the sun, as he’s still prickly but has enough layers by now that I don’t roll my eyes too hard when he up and calls himself complex.

I don’t talk about the visuals of this show as much as I should, considering how creative the settings and weird alien vehicles and structures can get. But it bears mentioning that, aside from some weird conspicuous computer graphics for falling money, Tiger Philanthropist looks great. The stylized snapshots provide moments of goofy flair to the mix, and the heightened drama of the ring leads to some excellent lighting that shadows Steven’s face as a hooded stranger and makes Purple Puma look like an honest-to-goodness superhero. We get fun choreography and costumes befitting a wrestling episode, and some premium character expressions throughout.

And it’s funny! Colton Dunn remains a worthy successor to Sinbad, giving us not one but two great gags of Mr. Smiley joyfully defining a word to the audience (both in the ring and at home); explaining “philanthropist” is funny enough on its own for how cheesy it is, but I’m really tickled that he gives the same weight to “sea wasp.” Really, this episode has so much going for it if the central idea wasn’t such a misfire.

As you may have guessed by this review, I obviously think it’s valid to criticize aspects of art that you don’t like. So in theory, it sounds awesome to have artists respond to such criticism to make a product that you as a fan enjoy more. But we now live in an age where absolute garbage like CinemaSins allows people to pretend that productive criticism is just nitpicks, an inability or refusal to understand basic nuance, and frankly bigoted ideas about what certain people are capable of doing (if you have half an hour to spare, Everything Wrong About Everything Wrong About Civil War delightfully gets into all three!). It’s a double-edged sword, because creators listening to fans perhaps isn’t inherently bad, but a desperation to fill in “plot holes” at the expense of good storytelling is detrimental to modern storytelling (if you have another half an hour to spare, watch Lindsay Ellis’s take on Beauty and the Beast for more on this; this is a review with homework!). And this is on top of the potential of harassment covered in Rocknaldo, which not even the lousiest content creator deserves.

Tiger Philanthropist isn’t about bad faith criticism, as Lars’s views are from a sincere place, but its message of not treating fans like bosses is a valid response to fandoms who want more and more influence over the direction of an artist’s work. Which could’ve veered towards self-importance or hackneyed nods to the camera, so I appreciate that I never feel pulled out of this element of the story. We never shift from a regular episode of the show to a screed from the animators, and again, Lars isn’t villainized for not enjoying Tiger Millionaire’s face turn. Combined with Rocknaldo, we can see how important good boundaries between fans and creators can be, both for the well-being of the people involved and the quality of the art being created. Shirt Club gave us a tribute to making art, and the Fandom Menace (it’s growing on me) sees a more experienced team of animators commenting on a specific issue when creating popular art, all while not coming across as bitter or self-congratulatory. If only they’d done it in an episode with more buildup! 

Obviously the creation of a big letdown wasn’t the intent of the crew, despite how neat it’d be to demonstrate fan disappointment through a purposefully disappointing episode. Rarely do I feel like effort isn’t made to produce a good episode of Steven Universe, and as seen in its strengths, Tiger Philanthropist isn’t lazy. Which makes it a little more frustrating than if they phoned it in, because we’ve got jokes and visuals and a great message but none of it matters when the conflict they wrote requires a backstory they didn’t have. If you’re gonna make an episode about the end of a continuity, it’s critical for literally any amount of that continuity to be established beyond one wayward story over a hundred episodes ago. As it is, I couldn’t wait for this episode to retire.

We’re the one, we’re the ONE! TWO! THREE! FOUR!

Tiger Philanthropist was a huge disappointment, but I wouldn’t consider it bad enough to go on my No Thanks! list. With a different leadup of episodes it would be great, or at least fine; it just suffers from a plot that comes out of nowhere. Context can’t salvage my bottom list, which are episodes I just don’t like period. Still, if I was doing more thorough ranking, it’s probably in my bottom ten.

Top Twenty

Steven and the Stevens

Hit the Diamond

Mirror Gem

Lion 3: Straight to Video

Alone Together

Last One Out of Beach City

The Return

Jailbreak

The Answer

Mindful Education

Sworn to the Sword

Rose’s Scabbard

Earthlings

Mr. Greg

Coach Steven

Giant Woman

Beach City Drift

Winter Forecast

Bismuth

Steven’s Dream

Love ‘em

Laser Light Cannon

Bubble Buddies

Tiger Millionaire

Lion 2: The Movie

Rose’s Room

An Indirect Kiss

Ocean Gem

Space Race

Garnet’s Universe

Warp Tour

The Test

Future Vision

On the Run

Maximum Capacity

Marble Madness

Political Power

Full Disclosure

Joy Ride

Keeping It Together

We Need to Talk

Chille Tid

Cry for Help

Keystone Motel

Catch and Release

When It Rains

Back to the Barn

Steven’s Birthday

It Could’ve Been Great

Message Received

Log Date 7 15 2

Same Old World

The New Lars

Monster Reunion

Alone at Sea

Crack the Whip

Beta

Back to the Moon

Kindergarten Kid

Buddy’s Book

Gem Harvest

Three Gems and a Baby

That Will Be All

The New Crystal Gems

Storm in the Room

Like ‘em

Gem Glow

Frybo

Arcade Mania

So Many Birthdays

Lars and the Cool Kids

Onion Trade

Steven the Sword Fighter

Beach Party

Monster Buddies

Keep Beach City Weird

Watermelon Steven

The Message

Open Book

Story for Steven

Shirt Club

Love Letters

Reformed

Rising Tides, Crashing Tides

Onion Friend

Historical Friction

Friend Ship

Nightmare Hospital

Too Far

Barn Mates

Steven Floats

Drop Beat Dad

Too Short to Ride

Restaurant Wars

Kiki’s Pizza Delivery Service

Greg the Babysitter

Gem Hunt

Steven vs. Amethyst

Bubbled

Adventures in Light Distortion

Gem Heist

The Zoo

Rocknaldo

Enh

Cheeseburger Backpack

Together Breakfast

Cat Fingers

Serious Steven

Steven’s Lion

Joking Victim

Secret Team

Say Uncle

Super Watermelon Island

Gem Drill

Know Your Fusion

Future Boy Zoltron

Tiger Philanthropist

No Thanks!

     6. Horror Club      5. Fusion Cuisine      4. House Guest      3. Onion Gang      2. Sadie’s Song      1. Island Adventure

[quintessence-sentimentalist]

quintessence-sentimentalist Takes on 30 Days of W.i.t.c.h.versary!: Week One

So I’ve been way too swamped as of late to keep up with this challenge day-by-day, even with only written answers (because guys, I write long answers, even when I cut myself short). As a solution (at least to start), I’m going to lump my answers for days falling within the same week together. Here’s Days 1 through 7!

Day 1: Favorite Guardian

Well, glancing up at my username and icon, I think it’d be remiss not to say Will Vandom, at least in some respect.

Will was my favorite from the beginning, back when I only had the chapter books with comic inserts. I can’t quite put my finger on why I gravitated to her, though I get the feeling that my love of energy/electricity-based powers had something to do with it. Plus, she got the cool transformation trinket! I’m sure there are many, many more reasons why she became my favorite, but this was also a good 15 years ago and even my obscure-detail-focused memory is having a hard time tracing back.

I’m not as passionate about comics Will as an adult, just in terms of how they loaded the poor girl up with so much drama that it’s just overwhelmingly exhausting, and she has some pretty immature reactions to her problems with her mom and Matt (pre-relationship). But animated Will is still my girl, with her awkwardness and quipping (of a different sort than Irma’s) and the way she grows as a leader, to the point where she’s basically set up a long con on even the viewers as a battle strategy in the latter quarter of season 2. This was the Will I grew to love as an adult rewatching the series after many years.

Since I’ve always been a Will Girl in some form, this has to be my official answer, but very honorable mentions to Irma and Hay Lin across both media. 

Day 2: Favorite Villain

Alright, if we’re talking the animated series and you aren’t new around these parts, we all know it’s Shagon. Listen, this arc is 90% of the reason why I love the cartoon as much as I do, because they took a character from the comics with a nebulous backstory and a spooky, badass design who was relatively underused even with being Nerissa’s strongest/preferred minion, and decided to pull out all the stops. They gave a recurring character (who, okay, I already loved) with very strong ties to the girls - and who’d already evolved out of his role in the comics at the time - his own challenge/story arc about literally facing his inner demon; they gave the Guardians a deadly enemy to face off against (distract them) while Nerissa is off plucking up ex-Guardians one by one; they gave Will and Matt some brutal emotional turmoil that’s actually new and refreshing for the two of them (let’s send the repeated comics jealousy plotlines back to the kitchen, yeah?). And, uh, they made an already spooky, badass character design EVEN SPOOKIER AND MORE BADASS. 

(The darker colors all around? The brilliant gold mask? The dark angel wings? I have been in love with this design since I was 12, alright?)

But! If we’re talking comics, then I’m going with Yua. I’ve talked about this at length before in a different ask game, but I think I gravitate to Yua because a) I’m largely not about full-on villains in any media and b) she’s a beautifully complex character in the context of the third arc’s narrative. 

I’m not going to reiterate everything I said before and just redirect to that post, but I just find it fascinating that the banshee - whose species we’re repeatedly told are eeeeeevil by nature - shows more humanity than the actual human antagonists in this arc. She never wanted harm to come to Maqi, taking him away the second she’s freed as both revenge on her oppressor and a means of keeping this little boy safe from his father’s single-minded crusade. Yua even directly expresses this sentiment when Maqi falls, horror-struck and swearing that it was always about hurting Ari and never Maqi. And even when Maqi is... eurgh, “healed” (yeah, there are a lot of problems with the resolution to this arc), Yua has the opportunity to strike Ari at his happiest and complete her vengeance, but seeing Maqi so delighted makes her retreat, at least for now. 

So yeah. More humanity than Ari and his blind rage in his quest to “cure” his son, and more humanity than Riddle & Co. in abducting an innocent teenage girl on the mere suspicion that she has powers with the intention of putting her through human experimentation. Yua takes Best Villain in my heart because she’s not a villain, not really.

Day 3: Favorite Love Interest

Again, unless you’re new here, it’s no shock that - if we’re talking animated series - it’s Matthew “I’m Arguing With a Housepet” Olsen. 

As wildly different as it is from the comics, I do so adore his character design, with his dark hair (which, uh, may have been the first indication that I have a Type when it comes to my favorite male characters) and purple hoodie. His personality is so endearing too, because he’s not just the idolized older boy we initially see him as in the comics, but like... a legitimate dork. He’s sweet and plays guitar and generally exudes Cool, but you get to know him and it’s easy to see that he and Will are like souls. Not the best about expressing their feelings to the person they like, but always ready to step up and fight.

That’s another quality I love about cartoon Matt. Even before the Shagon arc, very shortly after even learning of the Guardian secret, Matt wants in on the action. It’s not in a “living out his action hero dreams” way, or even really a matter of impressing/protecting Will: it’s more about not being the guy who sits safe on the sidelines while everyone else is risking their lives, and trying to prove (largely to himself, in the end) that he’s worthy to be Will’s boyfriend when she’s a honest-to-Kandrakar warrior and he’s just “Funny Matt.”

I’m going to skip the Shagon arc for now because I assure you I could probably talk for ages about cartoon Matt, and we don’t have that kind of time now.

As for comics, I definitely have to go with Eric Lyndon and - technically a pseudo-love interest - Joel Wright. Oh, and Peter Cook!! Basically, all the sweet guys who don’t get quite as much attention with the comics and whose romantic relationships developed a bit later.

Day 4: Favorite Ship

Surprise, surprise: it’s animated Will/Matt. I’ve blubbered about them before, I will blubber about them again (please give me reasons to do so?), so I’m going to spare you all this time around. Just know that they’re my longest-held major OTP, and that it normally takes a hell of a lot to get me to full-on ship something.

(Real quick though: mutually pining dorks? Matt’s insecurity about being enough for his badass electricity-flinging girlfriend? Will’s drive to just blast shit down to find and save Matt? “If this all goes south, I’m gonna be beside you”??? Please ignore my choked sobbing.)

Anyhoo, there are a couple different comics ships I’d say qualify, though I might not be as passionate about them as I am cartoon WxM. Hay Lin and Eric are positively adorable, and I love how their relationship was slow but not agonizingly so. Hay was the only one not to get a love interest of sorts from the very start, taking us all the way to issue 18 before a guy makes her giggly. And I really appreciate that it wasn’t just a superficial crush, that while Eric was cute, it was his kindness and the time he spent with Hay that made her go, You know, I think I like this guy. It was a refreshing change of pace, they’re both adorable, and we ignore the fact that Eric was mysteriously written out and Hay has that one issue in the Dark Times late in the series where she falls head-over-heels for this rockstar-ish guy for no real reason and changes her style to try to impress him. 

Honorable mentions go to Irma and Joel, who had excellent potential and should have still been kept as friends even if they decided to give Irma a different SO (we ignore the later issue where Joel just wistfully looks at Irma with his “We used to be friends” thought bubble and no actual explanation for why they aren’t anymore); and Cornelia and Peter, who I don’t give enough credit and definitely need to reread.

Day 5: Favorite Friendship

This is a tough one - can I say all of the W.i.t.c.h. girls together? Because outside of the first arc, there isn’t really a whole lot of focus on the smaller group friendships. 

Cornelia and Elyon is a good one, though, literally spanning worlds because Cornelia is dead-set on saving her friend. I’ll toss Orube and Will into the mix as well, because Will was crucial to Orube’s initial character development and they seemed to have the closest relationship moving forward.

Day 6: Favorite Cover/Pinup/Promotional Art

Oof, giving me the hard questions, are we? I have a few favorites, but one of the first that came to mind was this one of Will. It’s the cover of the 21st chapter book, which I think is actually the pinup for issue 21. They must have changed it up for the US release in order to keep it more in-line with the actual plot.

Day 7: Favorite Episode/Issue

Hrm. Let’s change it up and start with the comics on this one. Off the top of my head, I have a soft spot for issue 32. It’s the zenith of the Sylla sub-arc, so the stakes are high, the girls get cute semi-formal clothes when they go to the opera to spring and hopefully evade Riddle’s trap, Sylla double-crosses Riddle and teams up with Medina and McTiennan (and I still think there’s a missed opportunity here with wiping that particular team’s memories of the girls), and we get the most iconic page in this entire comic with Orube beating up Riddle’s goon while brushing off a suitor and then coyly asking him to be her arm candy. 

Issue 50 is another one I like, though largely because I enjoy the futures presented for each of the girls (I particularly love the concept of park ranger Cornelia and writer Will). And as a lingering vestige of my young, comic-Will/Matt-shipping heart, issue 40 is another nostalgic choice.

As for the animated series, I routinely consider my favorites on the chance that Greg Weisman still sells scripts at cons and I get the chance to buy that of a favorite episode. But true to form, basically all of my favorites are heavy Will/Matt episodes...

“D is for Dangerous” is fun because it’s the first time Will gains her quintessence lightning (yay!), the running gag with the Sisterhood of the Traveling Mr. Huggles is amusing, Elyon’s deadpan “Barehanded folding. My one talent” still kills me, and Matt and Caleb’s epic failures of training montages are great. “M is for Mercy” is brutal, with Shagon at his absolute deadliest and taunting Will with Matt’s disappearance, the utter hatred Will has for this demon who’s taken on the form of the boy she loves (and, unbeknownst to her, is legitimately a twisted reflection of Matt), and the sight of Shagon at his lowest while at Will’s mercy and her offer to teach him just that. “S is for Self” has not one but two musical numbers for Matt, and we finally get the resolution to the Shagon arc, so of course it’s a favorite.

But what the hell: I’m going with “T is for Trauma” as my favorite. I watched this episode three times the day it aired, and I still love it to this day. We get the introduction of rejuvenated C.h.y.k.n. (who wipe the floor with the W.i.t.c.h. girls at first), the Egyptian-themed costumes for no actual reason (“Could someone tell me how that man could look at me and think camel???”), Matt getting to fight as the badass normal for the first and last time since “L is for Loser,” etc. But most of all, this is Hay Lin’s episode, and it is absolutely soul-destroying but with a magnificent payoff at the end. It hurts to see the naturally lighthearted, high hopes member of the crew with her spirit absolutely shattered by her grandmother’s apparent betrayal, Eric’s brainwashing, and Nerissa’s general existence, and it’s just as painful that this was the way they gave her character development, but I have to commend this episode for one of the heaviest lines ever: “That’s how you survive the trauma - not by knowing it will be alright, but by having no other choice. ...I don’t have the luxury of breaking down right now.”

[bitchsexuality]

@animaliae

ok first off i’m sorry i took so long to reply!! i’ve been busy in the most tedious way possible so my brain’s not exactly my best friend right now. second off: THANK U SO MUCH these were so fun to answer!!

i’m putting all of these in the same post because i started talking and i could not Shut The Up, and i think one atrociously long post is better than four long posts when it comes to like, scrollability. scrollpastability? scroll-Something. and putting it under a readmore too for the same reasons

SO, from top to bottom:

weirdest character idea for D-N-D:

it’s an idea i’ve already had because i can’t come up with anything right now dksjfgbd, but

once i made a druid for a D//N/D-based CRPG who only cast spells when they gave him something edible (in theory ofc, the game didn’t let me eat my summoned bears... thankfully...), so i ended up with nothing but goodberries and several animal summoning spells. then i proceeded to cheat my way through the game, which defeated the point sdfgsd, but it was still fun concept-wise

also made me spend too much time wondering if the entangle spell’s vines could be eaten. i mean you can’t eat the WHOLE thing but maybe you could like, munch on it a little, or try to slurp it up like a noodle. it wouldn’t be tasty, it wouldn’t be easy, and it most definitely would not be healthy, but it’s like. the principle of the thing 

if ur asking yourself WHY i did that… well there aren’t THAT many D/ND-based CRPGS out there and i’d already played that one —several times, in fact— so i wanted to try something different :0

i mean it’s not THAT weird tbh, but he’s the only OC i can think of right now that soooooort of fits? and my brain is like, a tundra of creativity at the moment. a deep tar pool that absorbs all inspiration and drags it, kicking and screaming, to its viscous doom. well you get the idea. or i hope you do because i sure fucking don’t

ideal ending for one of my characters:

hmmmm for like, original fiction characters i more or less have all their endings planned out? most of them ARE ideal because i am fully in control of their destinies and i am also a softhearted lidle bich who prefers stories with relatively uplifting/happy endings. or tbh even the ones that aren’t technically happy are still ideal in terms of character arcs, development, etc

(i might be giving myself way too much credit there though skdjgbdksjfg)

and —though this is super unlikely and mostly just me deceiving myself at this point— i do want to publish what i’m working on rn, so talking about endings would be a spoiler for something that does not exist and probably never will outside of my idiot fool head. so i’m gonna talk about an old OC that i’m not doing anything with anymore!

her name was elina and her entire deal was that she came from a family of very powerful witches who owned a, uh, i guess you could call it an archive? or a library?? idk, it was just an ABSURDLY large collection of magic-related books, and it pretty much contained all known arcane knowledge (though come think of it, “all known arcane knowledge” can’t have been THAT much because the archive was just one room. a huge fucking monster of a room yeah but like. still just One)

so anyway, her family members were very dutiful + responsible when it came to the archivelibraryroom thing, but they were also too traditional for her tastes? like they didn’t bother practicing/using magic, or experimenting, or looking for anything outside of books; they only cared about written things, and even then they did nothing but get the Very Important Books, put them in the archivelibraryroom and forget about them completely

then elina ran into a group of other magic-users who were investigating a weird phenomenon in her hometown, and she asked her family about it, but they essentially were like “oh if it doesn’t affect the books we don’t care lol anyway it’s your turn to clean the archivelibrary now”

but yeah i’m sure y’all can tell where this is going kjdfgbd elina was the typical YA protag in that she was super rebellious, so she turned her back on her family and left her house to help the group of inconveniently yet stereotypically teenage magic-users, made friends, learned about magic, blah blah blah

the issue is that i never gave that story an ending? like the closest thing to it was a vague “uhhhh elina goes back home to find the archivelibrary is burning down and pulls some kind of mysterious water magic out of her ass to save it; then her family apologizes, they begin to respect her and she stays with them to keep caring for the archivelibrary, But With A Progressive Twist”

the issue was that after writing around two chapters i realized i didn’t actually Have a plot, so i didn’t know what story that ending would be... ending... and since i couldn’t think of anything + i wasn’t THAT attached to the characters anyway i just gave up on it

but now that i’m thinking of it again, just for the sake of ending the Story That Never Was, i feel like making her earn the respect of her family just because she saved the books + proved she actually cares about that too is, idk, shallow? out of character? 

because she believed that her family’s fixation on history + Neatly Documented stuff was holding them back and making things worse for everyone. she left her home behind because her ideals re.: magic —that it should grow and change to fit the context + people’s needs, and not the other way around— were so strong

OOF THIS IS GETTING SO FUCKING LONG KSDJGB i’m just gonna stop here and say: elina’s new ideal ending is pretty much that while she ends up in friendly terms with her family —because, in spite of their fundamental disagreements, they never hurt her— she doesn’t go back home and chooses to travel around the world instead, helping people in whichever way possible and freely sharing her knowledge with anyone who’s willing to listen and, at the same time, learning from them

i mean, the concept’s not too original ksjdbg just something i thought of super quick, and that’s just a half-assed attempt at closure for an OC i made when i was like… 9

headcanons about my favs:

ok this one’s hard because i’m not into any like… fandom things right now? i haven’t found anything that rly interests me or that i could see myself being passionate about, which sucks because i do kinda miss being into stuff with Established Content :( 

so i’ve been focusing on my OCs + original stories and such. and i’m not sure if OC headcanons count as headcanons because i control canon so technically everything i come up with IS canon. then again it’s headcanon too because it’s a canon from my head because that’s where ideas come from. okay wait i’m not making any cents here x 

but uhh knowing me i might think of something right after publishing this, so if that happens i’ll come back and edit this post :0

also just saying but if any of y’all know of something i could get into then lmk, i’m open to suggestions! preferably free stuff though... i’m beset by capitalisms

a favorite scene that i loved:

i can’t remember any in particular right now, either from my #content or somebody else’s SDFKJGBDF god my mind 😔 well i mean i’m gonna be a little bit full of meself and say that i’ve written things that i really like, especially imagery-wise, but i Also want to publish those someday… like i’ve also written original/OC-related stuff that i don’t plan on publishing, but i’m not THAT proud of them tbh :/

i was —emphasis on was— trying to write a short story about jasna (one of my D-N/D OCs, a cleric of oghma) that never really went anywhere, but i did post a snippet on my OC blog, and that’s what i hate the least out of all my recent attempts at writing? so i’m just gonna put it here again ig sdfgs (not actually linking to the OC blog post because it’s kind of a mess rn, i need to fix the theme + clean it up a bit)

if you got this far and read all of this nonsensical verbal monster: i love u with all my heart and i would legitimately die for u.

[zdbztumble]

“Kingdom Hearts II” revisited: Final Thoughts

There’s an obvious logic to having the Drive Form named Final appear so late in the game, but I think it’s introduced too late. By the time I got it to trigger, the Door had already appeared, and I’d decided that there really wasn’t much left in the other worlds of the game that I wanted to do. That meant there wasn’t much opportunity to play around with the Final Form, or level it up, outside of base grinding, something I always hate doing in any game. I do like Final Form, but it should have come earlier in the game to give the player the most value.

And speaking of final - that final boss is really...lame. As in, not fun to play and not satisfying on a story level. You can say a lot about every KH game that’s come after this - and I have, and will, at considerable length - but at least each of them presents a final boss who is a primary character of that game, in a recognizable form, with (somewhat) motivated stages of transformation. Here in KH II, we have to fight buildings, blasters, reactor cores, those bomb things from the Gummi levels (which, I admit, I appreciated - bringing those into the main gameplay), the armored figure in a chair twice, and a dragon-like mecha before we finally get a shot at Xemnas as we know him (in fabulous zebra robes), in a battle full of reaction commands and triggers that seem intentionally designed to make Riku look like a badass at Sora’s expense.

None of these stages are all that hard IMO, nor are any of them that engaging. The brief section where you play as Riku is a low point for me, due to his limited moveset and trouble navigating the space. I’m not opposed to alternating which character you play as during a final boss, but the execution of the idea here is terrible. Denying any role in the final battle to Kairi and King Mickey is a bigger problem, and I actually refused to have Riku in my party until required to because of that. I’m convinced the staff behind this game want players to use him, but I say - if you’re going to ignore every possible opportunity you give yourselves to have the Destiny Islands trio together in a party, then I’m not going to play with your Creators’ Pet. (And he is exactly that. I may have softened on Riku over the years, but he - and Axel, and half the Organization - are textbook examples of a creative team letting their fondness for characters supersede what’s actually best for them in a narrative.)

Of course, the battle itself isn’t all there is to the finale, and there’s more right than wrong to the story here. For one thing, Roxas and Namine get a nice denouement, one that makes it quite clear how they feel - and what they choose - about rejoining with their original selves. As someone who was bothered by the Riku/Namine business at the end of KH III, due to memories of this game, I can concede that there isn’t a whole lot to Roxas and Namine’s relationship here. Their scenes at the beginning are emotional, and their scene at the end is sweet, but their interaction is very limited. The mere fact that they are the Nobodies of Sora and Kairi does a lot of the heavy lifting for their relationship, and that bond is strong enough - and, at this point in the series, still written well enough - to sell the idea, but only just. I daresay this is something that Days could and should have addressed, but we’ll get to that another time.

The lead-up to the final boss provides nice moments between Kairi and Riku, Sora and Kairi, Sora and Riku, and one wonderful moment between the three of them. Setting aside the fact that the whole final boss should have been a second moment for the trio, and the game’s pandering to Riku’s prowess during the fight - the scenes between Sora and Riku after defeating Xemnas are quite well-done, and very effectively illustrate how their friendship has healed and reached a new equilibrium. Even better than that, however, is the game’s final scene. From Kairi’s letter reappearing as the key to the light and the enthusiastic greetings from the Disney cast, to the last flashes of Roxas and Namine and the final exchange between Sora and Kairi (which has some of the best voice acting those two VAs have done in the entire series), it’s an absolutely beautiful finale. The bittersweet, open, and uncertain finale of KH I is still the emotional high point of the series in my eyes, and I continue to applaud the game’s staff for daring such an ending; the way KH II ends is much closer to what one probably would have expected of KH I. But the happy ending of KH II is very much an earned one, and it’s an effective cap, not just on this game, but on everything done in the series up to that point. Kairi’s past remains mysterious and Maleficent is still unaccounted for, but the chain of tragedies set off by Ansem’s research is ended, the last traces of Xehanort are defeated, the worlds are at peace, and the three friends whose lives were torn apart are finally healed, whole, and together again, ready for a new adventure.

...Or, at least that’s what should have happened.

Back when I first played Kingdom Hearts II - fresh off of KH I, unaware that CoM even existed - it was, without question, my preferred game of the two. I would’ve even called it my favorite video game of all time (which wouldn’t have meant much - even now, it’s a very short list of video games that I’ve played from beginning to end.) I would’ve said the same after the second time I played through it, even as certain nagging doubts crept into my mind. Several years and the rest of the series later, I can’t give KH II that level of praise. 

Kingdom Hearts is a series where the first truly is the best, at least so far. Like CoM before it, KH II either introduces or continues trends and ideas that would bring later games down, and they all start to grate here. Elements like the secret reports and Summons lose their motivation in-story, and in the former case become a lazy way to toss out exposition that should have been part of the gameplay and cutscenes. For the first time, certain Disney worlds are saddled with stiff and uninspired re-tellings of their movie plots, devoid of room for Sora to make a difference. The pacing is uneven and it’s easy to lose sight of the main story during certain Disney worlds. Dialogue is often clunky, and fan service and pandering to Creators’ Pets hurts significant moments of the story. A lot of potential in the backstory of Roxas and the fate of Namine is left untapped. The trend of offering Kairi the will and ability to be more involved only to ignore the opportunity continues, Riku’s reintroduction to the group has issues, and Sora is caught in an awkward transition between the hero of the first came and the idiotic and ineffectual would-be messiah of later games.

With all of that said, though...I still love this game.

On paper, entries like Dream Drop Distance or KH III might’ve had greater ambition in the amount or kind of story they tried to tell, but in the actual presentation of the story, KH II is far more daring. From the prolonged opening sequence spent with a new character to the slow burn on the revelation of the Organization’s plans, KH II is quite unconventional in its story structure, and it often works to the game’s favor. Leaving so much of the year between KH I and II untold, even with CoM, is mystery done right, in a way that feels open to speculation and possibilities rather than heavy-handed teasing and baiting for spin-offs. This is the only time in the series where Maleficent and Pete make for an equal and compelling third party, and having that third force at play makes for another off-beat structural element that’s ultimately satisfying, even with the not-insignificant lag during the back half of the first Disney pass. The Organization being a collective villain rather than a single figure (even if Xemnas was its instigator) is a nice differentiation from KH I and CoM, and how pathetic the villains ultimately turn out to be gives them a nice degree of pathos - though that pathos isn’t carried too far.

While KH II is a few steps down the dark road, it hasn’t hit the abyss yet, and things that start to look problematic here are still strong overall. Some of the Disney worlds may have stiff movie recaps, but most are loose and accommodating to the larger KH story. Some may be filler, but most of them - on both passes - are at least technically connected to the main plot, and most of them - even the filler - in a meaningful and engaging way. The reports aren’t strongly motivated, but they’re not a complete crutch either. Roxas and Namine, if unfulfilled in their full potential, are still a force throughout the game (well, Roxas more than Namine) instead of being abruptly dropped.

Kairi’s denied obvious chances to get more involved, but she does get to strike out on her own and play a more active role in the story than she did in KH I. Riku’s pandered too a little too much once he reappears, but his role behind the scenes before then makes for a strong continuation of his redemption arc from R/R and is well-woven into the overall plot. Sora’s on the road to Flanderization, but he still has many of his better traits from the first game, including his greater competence at his missions and his believable, human reactions to the events around him. While he doesn’t have the arc of growth he had in KH I, or go through the deconstruction of CoM, he does have definite goals as an individual, and a pronounced sense of world-weariness as his chances of meeting those goals - finding Riku, going home, and seeing Kairi again - get further and further away.

Most of all, Kingdom Hearts II is still manageable in its story. The two sets of villains have relatively simple (but not simplistic) goals, and they’re revealed in a comprehensible fashion. More importantly, the logistics and pseudo-philosophical notions behind the villain plots don’t override the entire game, or pull focus from the protagonists. The heroes all have stories here, and if there’s an overarching theme to this game (not as clearly presented as the themes of KH I, mind you), it’s completion and resolution. If we may break them down:

Organization XIII, having made the foolish choice to discard their hearts, desperately try to escape the consequences of that choice through evil acts, only to fail and meet their ultimate end.

Roxas, who opens the game with mystery and confusion, comes to learn who he is and completes himself and Sora with his choice to surrender to his fate, something he grows to be at peace with.

Namine, having achieved a measure of peace with who and what she is, completes her tasks from the end of CoM and rejoins with her true self, after first saving Kairi and granting (most of) the heroes an escape from The World That Never Was.

Ansem the Wise, whose curiosity opened the door to everything that went wrong later, turns his back on base revenge and works to set the worlds to right, giving his own life in the process.

King Mickey, the hero who kept a deliberate watch on the state of the worlds and sounded the alert on the danger they were in, uncovers the truth about Organization XIII and plays his part to bring them to peace and finally makes it back home.

Donald and Goofy finally find their king.

Kairi, left alone with fading memories for a year, resolves to set out to find her friends, and not only achieves that goal, but facilitates their reconciliation and provides the means for them to finally return home.

Riku, after finding some measure of peace with himself in R/R, gives his all to see Sora restored and works to help him from the shadows, but fears to face his friends after his actions in KH I. When finally forced to, he learns that he hasn’t lost them, and the last of his self-doubt is discarded as he joins forces with Sora to finish off the last trace of Xehanort and make it back home.

And as for Sora, our chief hero: he is fully restored from his trials in CoM. Though eager - even desperate - to resume his search for Riku and return home, he doesn’t hesitate to start protecting the worlds again and finish off the remainder of the threat he first faced. While an authority figure presents that threat to him, Sora chooses to take it up, and carries it out without being directed or puppeted by Yen Sid at every step. The weight of the ordeals and his constant travels wear him down, the events of the year he lost (and Roxas’s role in those events) challenge him, and he does at one point refuse the call of the Keyblade (”Not yet! I have to find Kairi!”) Yet he persists in defending the worlds, even when it benefits the villains, and he fights his way to their castle to rescue and reunite with his friends. Having set out early in KH I to rescue those friends, he achieves this, finishes off the villain who turned his world upside down, and finally makes his way home to the island, the friends, and the girl he loves.

Kingdom Hearts II’s resolutions to all of these things is so final, and so satisfying, that the series since has had to ignore its finale, and a good chunk of its story, just to keep dragging things out. That’s to their detriment, but not KH II’s. While imperfect and uneven, it is a worthy sequel to the first game - the last such entry in the series - a lot of fun to play, and an ambitious and satisfying story.

And it has, to date, Kaoru Wada’s finest orchestration for the series. I absolutely adore his arrangement of Sanctuary from this game, and it makes me wish I’d kept up with the French horn every time I hear it.

[annakie]

It took three and a half months, but I’ve finished my Doctor Who Rewatch.

It’s time to talk about seasons 10, 11, overall wrapup thoughts and some best/worst lists.  Very long post below.

I started doing this back at the end of August as more of a joke when I was going back and cleaning the terrible cringe stuff off the first few months of my blog, then ended up taking that project from when I started the blog in May, 2011 until late 2016.  I realized that I had too much going on IRL right now to revisit my life at the end of 2016 when things took a sharp turn the wrong way, so I haven’t picked that back up again.  I still might at some point.

After the start of the nostalgia tour I:

Cried about Doomsday

Still hated the Manhattan episodes but renewed my love for one of my favorite characters of all time.

Reflected about Martha Jones and being an overly-zealous defender of a fictional character

Cried a lot over meeting and losing River Song in the span of an hour and a half.

Made my way through Season 4 and found myself still mostly loving the show.

Finished Season 4 and was starting to tire of Ten but knew I had more content to get through.

Didn’t post again til I was done with Amy and Rory.  Loved Amy, Rory and River even more, especially Rory.

Watched an episode I remembered I didn’t like just because of the guest actors.  Only marginally helped the episode.

Disliked the second half of season 7 even more than I used to.  Felt meh about Clara.

Warmed to Clara more in seasons 8 and 9.  Still, was ready to see her go.  Loved Twelve, though the first half of season 8 continued to be rough.  Adored the Husbands of River Song for the 6th+ time.

 Took a brief moment to love Bill.

Full disclosure on the rewatch: I skipped most of Fear Her except the first and last few minutes, and actually haven’t gotten back to Waters of Mars or the one 11 Christmas Special with the kids who’s father dies.  I may or may not pick those up in the next week or two.

So tonight I finished rewatching all of Thirteen’s episodes and wanted to talk a bit more about Bill, and then a lot about Thirteen, and some general thoughts about the whole rewatch.

Bill Potts is too good for this world.  I remembered loving her during her season but was blown away on the rewatch with how much I loved her, and almost all of her season.  Her energy, her story, her smile, it’s infectious.  It’s infuriating that so many people didn’t watch Bill because wow she deserved a lot more attention that I feel like she got, and also I feel like the show itself turned a real corner that season.  Season 9, yes, definitely better than 8 and 7.5.  But It’s like Moffat or the writers in general kinda grocked into several important things and made the show more progressive and less cringe?  

There wasn’t an episode I thought was bad, even the more filler episodes like the one in space with the air being a commodity was tense and fun.  I’m not sure I’d skip a single episode.

And then Bill, I think, ends up getting an even shittier deal than Martha in her season.  Left alone for ten years in a shithole mopping up floors, only to be turned into a cyberman and get left extremely traumatized, and sacrifice herself.  A very good story.  A very sad and frustrating ending.  Except that she does get to “transform” and travel the universe with Heather.

Maybe she did eventually go back home and finish living her life from not long after she left in the TARDIS the last time -- it’s entirely possible.  The Memory-Bill in Twice Upon a Time (the Twelve & One crossover) remembered traveling with Heather, which means her memory was taken from some point AFTER.  So maybe she got to be an ethereal being for a long time, and then eventually went home to Earth.  Or maybe she’s still out there traveling the stars with Heather.  Either way, she deserves a good life, and a good ending, even if we never know the true ending.

Twelve -- I love him.  Again, he had a really rough start but Capaldi is an amazing actor and he owned the role. I don’t think it’s actually possible to rank my favorite doctors from the new Who era, they’re all different, all great.  And Missy -- such an amazing villain.  Paired with Simms-Master was so, extremely fun, but even on her own, I think she’s now my favorite incarnation of The Master.  (I’ve only seen a few episodes of Old-Who with Delgado, and I really love Delgado’s Master as well.)  

Nardole was also a fun addition to the season.  I know technically he was considered a full companion and enjoyed him when he was there, but tbh, to me it was all about Bill.

But hey, when Twelve left, it was a good time for him to go -- I really think three seasons is the sweet spot for length of a Doctor.  I was so ready for Thirteen and The Fam.

I remembered loving Thirteen when her episodes were airing and, I was right to.  Jodie Whittaker is so good -- I never doubt for a second that she’s The Doctor.  The show one again feels very different with a new doctor / companions / showrunner.  I honestly loved the lack of Doctor-Angst in the season.  Thirteen is so much more brightness and sunshine and I think it was a good way to swing the Doctor after Twelve.  I also liked that there were a few comments about changing genders, a little bit of frustration from noticing how people treated her differently, but it was neither an earthshattering thing that made EVERYTHING DIFFERENT nor was it a non-event.  I really think they handled it well.

I will say that I think some of the critics were right, that the season itself could have used a bit more of an arc.  Not a heavy arc, like seasons five and six had, but a bit more than Tim Shaw showing up in the first and last episodes of the season.  It looks like next season is going to have that.

The arc that was there though really came from Graham and Ryan’s grief about Grace and their relationship growing.  Honestly, I remember when we learned that one of the new companions was going to be a 60-ish year old dude I wasn’t looking forward to that at all, but honestly, I love Graham.  He’s an actual good guy, he loves deeply, he’s allowed to show his emotions, he handles things WELL.  He’s not perfect but also I felt like they wrote his character so well, he wasn’t an arrogant guy expecting everyone to follow his orders, he cares deeply for Ryan and even had some great scenes with Yaz.  

Ryan and Yaz are both also just so fantastic.  I loved getting to spend time with Yaz’s family both current and past.  I actually learned a little history in the episode that took place in Pakistan (and loved having a benevolent alien storyline there, love that episode so much).  I also loved that they allowed Ryan to show grief and sadness, and vulnerability too.  

I was definitely feeling the 13/Yaz vibes on the rewatch, and although I wouldn’t say I’d be upset if they did end up doing a Ryan/Yaz storyline, I also wouldn’t be upset if they didn’t do any romance storylines at all.  I didn’t miss it this season, and 13/Yaz seemed more likely than anything.

I also loved that they took on racism in a couple of big ways this series.  I felt like the only big swing-and-miss episode was Ker-Blam! where they were so close to really hammering down a good message in the episode and then it felt like Jeff Bezos himself came in and rewrote the last 10 minutes.

TBH there were a couple of episodes that I had COMPLETELY forgotten about, especially the one with Chris North and the big spiders.  Like while I was watching it I had a vague memory of seeing it before, but not up until then.  I’d also forgotten about the New Year’s episode last year with Ryan’s dad.  I only remembered to watch it because after the final episode I was like “Wait, wasn’t Ryan’s dad supposed to be in this season?” and so I went to hunt for the episode.

SO... that’s it.  I was actually a little shocked last night when I finished up the New Year’s episode and realized... I was DONE.  I made it back through eleven seasons and... it was worth it.  

Some final thoughts... and I’m just picking a few things out here off the top of my head, I wasn’t keeping a list all the way through so I’m sure I’m going to think of other things after hitting Post, but here we go.

---------

COMPANION RANKINGS: God Tier: Martha Jones

Faves: Bill Potts, Rory Williams, River Song

I love you so much: Donna Noble, Amy Pond, The Fam (All together!), Jack Harkness, Mickey Smith, Wilfred Mott

Very very Good: Rose Tyler, Nardole

I Still Like You: Clara Oswald

---------

FAVE SEASON: I mean, it’s still gonna be Martha’s season with an honorable mention of the second half of 4.

If you take Martha Jones out of the equation, it’d probably be either 6 through 7.0, or Bill’s season.

LEAST FAVORITE:  The second half of 7, for sure, and the first half of 8 is kinda rough.  It’d be easy to say season 1, as well, but I don’t think that’s entirely fair, as I think the age of the show really shows there and there was a lot of getting-on-their feet they had to do.  There’s still a lot of good there, you just have to look for it harder.

---------

Favorite Specials: 

The Husbands of River Song, #1 favorite no question

The Day of the Doctor a close second. 

Honorable mention to the Night of The Doctor for the canonical return of Eight.  Seriously, the first time I saw that it may have been the single most joyous moment of New Who for me.

Least Favorite:

I mean, I haven’t rewatched two of them yet since I remember not liking them.  

Also Voyage of the Damned was just even worse than I remembered it.

I Cried The Hardest:

Amy and Rory’s leaving in The Angels Take Manhattan

River’s death in the Library

The end of Doomsday

Danny’s death

The end of Vincent and the Doctor

Prem’s death in Demons of the Punjab, maybe the only single-episode character death that hit me that hard.

Happiest Tears: 

Martha leaves the Doctor

The group in the TARDIS towing Earth home in Journey’s End

Twelve and River get 24 years together

Ryan calls Graham “Grandad”

Jackie and Alt-Pete meet/”reunite”

Heather shows up and... “saves” Bill, they go off on adventures.

Best Twists: 

John Simms Return at the end of season ten.  

YANA is the Master

Oswin is actually a Dalek

Heaven is run by Missy, and the Cybermen. (Damn I really love twists concerning the Master don’t I?)

Bill discovers she IS a Cyberman

Loudest cheers: 

Mickey showing up in Doomsday

Martha laughs at the Master

Rory’s speech at the beginning of A Good Man Goes to War

The Doctor punches a racist who insulted Bill

Best dramatic moments: 

Jack and the Doctor talk about Rose in Utopia

Twelve takes several billion years to punch through a wall

Just This Once, Everybody Lives!

Turn Left

The Doctor says goodbye Idris in The Doctor’s Wife

Missy and the Master’s mutually assured destruction.

Biggest Laughs for a good reason: 

The entire poison scene in the Unicorn and the Wasp

Basically everything about the Doctor attempting to be normal in The Lodger.

Right, putting Hitler in the Cupboard.

Doctor, when I’m on a date, do not put the Pope in my bedroom.

Biggest Cringe: 

Penis-head half-human Dalek

Concrete blowjobs

Anytime a lady slapped/hit a guy not in self-defense

Old goblin Ten / Jesus Ten in Last of the Time Lords

Most of The End of Time part 1

Eleven forces a kiss on Jenny in The Crimson Horror (THAT deserved the slap.)

There’s a lot of things I could point out in season 1 but I’m grading season 1 on a curve.

Favorite non-companion recurring characters: 

Danny Pink

Brian Williams

Jackie Tyler

Worst Villians: 

“Love And Monsters”

“Fear Her” 

The eye-crud sleep monster with Twelve

I kinda wanna say the Daleks are so overdone it’s hard to get excited about them anymore, though I did kinda like what they did in “Resolution” (13′s New Years episode last year.)

OK I honestly don’t know if I want to put “A sentient universe who is in the form of a large frog and just wants a BFF” in best or worst but I feel it belongs SOMEWHERE.

Best Villians:

Missy

Whatever the fuck that thing is in Midnight

House

Got a Raw Deal award:

Adam (Seriously, he was told nothing and did nothing wrong via what he’d been told?!

Donna

Bill (Seriously, TEN YEARS SCRUBBING FLOORS? only to not be saved by 2 hours and then turned into a cyberman and killed again?)

Most Bothersome Lack of Continuity:

The rules for meeting yourself / interfering in the past.

Uh so who was the Not-Danny astronaut in “Listen” anyway?

Most Improved on a Rewatch:

The Fires of Pompeii because... ten and twelve?  It used to be one of my least favorite eps of season 4.

the Daleks in Manahattan episodes I guess just because I liked them more this time though they’re still not great. 

Seeing all of River’s timeline in such a short period of time

Gotta say I enjoyed Planet of the Dead a normal amount when before I used to really dislike it.

Best Premiere of a Doctor:  The Eleventh Hour Roughest Premiere of a Doctor: Deep Breath, since I’m grading season 1 on a curve. Best Exit of a Doctor: Honestly?  I’m gonna give this one to Nine.  He sacrificed himself to save Rose, and he died too soon.  It seemed a fitting end, if too quick.

Roughest Exit of a Doctor: I’m going to go with Eleven here.  It came at the end of what I felt was the worst period of New Who.  The episode itself was... I kind of felt like it was overwraught and didn’t pack quite the same punch as the other three.  Say what you will about the “I Don’t Wanna Go” line with Ten and Twelve needing to be convinced to regenerate at all.  Matt Smith did the best with what he was given, but he wasn’t given much in the entire last run of his episodes after having some of the BEST episodes the previous two and a half seasons.

Best Premiere of a Major Companion: Honestly?  Still gotta go with The Eleventh Hour, for both Amy and Rory and the great way they were both set up and the mysteries of the season.

Worst Premiere of a Major Companion: If you don’t count Asylum of the Daleks (which I thought was great) as Clara’s premiere, then it was definitely Clara’s “The Bells of Saint John”.  No contest.  I don’t think ANY of the rest of them were done poorly, TBH.  I guess I’d have to go with “Rose”, because the Autons themselves are pretty meh and the plastic wasn’t great.

Best (Main) Exit of a Major Companion: This one is more difficult. Doomsday deserves a nod.  Martha Jones walked the world and ended on her own terms.  Journey’s End saw the end of an entire era of companions we loved.  River showed up and died on the same day, but her final appearance is one of my favorite episodes ever.  The Angles Take Manhattan was SO GOOD.  But The Doctor Falls was exciting and tense and tragic.  Hell, even Clara’s final episodes were great.

Honestly, this shouldn’t even be a question.  I can’t choose.  I can’t think of a single one I didn’t love.

Anyway, thanks for reading this, if you got this far!  Know what?  Doctor Who is still a great show, even if it’s not an obsession anymore.  I can see myself doing this rewatch again in a few years, and I’m super looking forward to the next season starting in a couple of weeks!