#team bach

[vuelode-irbis]

Last minute attack for @firnmist !!

I came across new brushes and textures, and have been having a good time!! I decided to do some doodles of their sona and a proper drawing. Quite happy with the results, I might do more in this style

[ID: drawing and sketches of an hybrid creature that resembles a carnivore mammal, they're brown with paler details in the legs and face, spotted fur and striped tail, they have wings sith the same colors and sometimes, horns. In the drawing at the left, they're laying down in tall, green grass, they seem to be having a good time. The sketches in the right resemble doodles made with a pen and felt-pen. In one they're sat down, the next one is a head-shot in which they look mischievously to the side; in the bottom one, they're flying with a smile in their face. End ID.]

[starcrosscat]

Bleach x Pop Team Epic

[msfangirlgonewild]

This is the perfect match for Francesca and Michael’s romantic dance scene.

Then…the intensity between them…almost (as Francesca refuses to remarry Michael)

The steamy Franchael love scene (as Francesca finally accepts to remarry Michael)❤️🥰…

…then the private wedding ceremony scene. 💍

Enjoy their romantic escapade whilst lusting in Austria!

And finally it’s Team Franchael’s romantic and poignant dance/waltz scene finale. 🥹❤️

Thanks to Hannah Dodd in her first appearance as the matured Francesca on season 3, I hope there’s an diverse actor across the globe who plays Michael in future seasons 5 or 6: German actor Rick Okon who plays Michael someday as a German/Austrian (besides Scottish) orphan with a tragic past was brought to the Stirlings as a family member.

Time rewatch season 3, dear gentle listeners 🐝🌹

𝔼𝕟𝕛𝕠𝕪, 𝕋𝕖𝕒𝕞 𝔽𝕣𝕒𝕟𝕔𝕙𝕒𝕖𝕝!

[the-witching-ash]

⚽️ + my new son Floyd?

He doesn’t really do that many sports, probably just Bassketball & Track?

[fuckyeahgoodomens]

Ooh! A wonderful interview with Rich Keeble who played Mr. Arnold (the one with the Doctor Who Annual :)) in S2! :)❤

Q: In Good Omens 2 you play Mr. Arnold, who runs the music shop on Whickber Street. Were you a fan of Good Omens before joining the cast, and is it challenging to take on such an iconic story which is already loved by a huge fanbase?

A: “There’s always pressure if you’re working on something with an existing fanbase and people might have an idea already as to how you should be approaching something. To be honest I was aware of the show but I hadn’t actually seen it before I was asked to get involved. I knew it was something special though! I remember talking to Tim Downie [Mr. Brown] about how when you tape for certain things you know if something’s a “good one”. Of course by the time I was on set I’d watched Season 1 and read the book. 

I had an interesting route into the show actually: I was asked at the last minute to read the stage directions at the tableread on Zoom, and Douglas [Mackinnon] the director called me up to discuss pronunciations of the character names etc. To prepare further I quickly watched the first episode on Prime Video, and I was very quickly drawn into it. A couple of hours later I was on a Zoom call with David [Tennant], Michael [Sheen] (with his bleached hair), Neil [Gaiman], Douglas and the whole team, including Suzanne [Smith] and Glenda [Mariani] in casting. After that readthrough I asked my agent to try and see if she could shoehorn me in and she came back with a tape for Mr. Arnold saying “you play the piano don’t you…?” They wanted me to demonstrate my musical playing ability, so I rented a rehearsal studio room in Brixton for an hour and filmed myself playing piano (and drums just in case), then I did my scenes a couple of different ways and I guess it wasn’t too terrible!”

Q: During episode five you mimed to music written by series composer David Arnold alongside a real string quartet – this must have been very immersive! How did it feel to work with David, and bring the ball to life?

A: “I actually didn’t meet David Arnold sadly, but I did work with Catherine Grimes, the music supervisor who is lovely. David was at the London screening but I missed an opportunity to go and say hello to him which I kicked myself about. 

I remember before I was in Scotland there was a bit of uncertainty as to whether I would need to play anything for real or not, so I practised every day playing loads of Bach and other music I thought was era-appropriate just in case they asked me to do anything on the fly. So yes, it was very immersive as you say! They sent me three pieces of music to learn which I practised in my Edinburgh apartment on a portable folding keyboard thing I bought. They introduced me to the string quartet (John, Sarah, Alison and Stephanie) and I tried to hang out with them when I could. On the day we all had earpieces to mime to. I had to mime while listening out for a cue from Nina [Sosanya] from across the room, then deliver my dialogue and carry on playing, which was tricky! The quartet and I helped each other out actually: Douglas would say something like “let’s go from a minute into the second piece of music”, I’d look at the sheet music and whisper “where the hell is that?” and one of the quartet would say “we think that’s bar 90” or something. Here’s a little bit of trivia: the shooting overran and the string quartet couldn’t make the last day, so they found some incredible lookalikes to replace them for the scene when we get lead out of the bookshop through all the demons, although I think they also kept them deliberately off camera.” 

Q: What did you think of your music shop when you first saw the set? Did you have a favourite poster or prop?

A: “I thought it was incredible! It could’ve been an actual music shop with all the instruments hanging up with the “Arnold’s” price tags on. The attention to detail was incredible, well IS incredible as I understand it’s all still there. It’s hard to pick a favourite to be honest. I did a little video walkaround on my phone at the time so maybe I’ll post that if I won’t get in trouble. Interestingly the shop interior itself was elsewhere on the set to the shop entrance you see from the street. You walk out of Aziraphale’s shop, over the road, through the door of the music shop and… there’s nothing.” 

Q: Mr. Arnold is tempted into the ball by a Doctor Who Annual and is playing the theme in the music shop scene – are you a fan of Doctor Who in real life? And what was it like making those jokes and references in front of the Tenth Doctor David Tennant?

A: “I’ve always dipped in and out of Doctor Who over the years since Sylvestor McCoy, who was doing it when I first became aware of it when I was growing up. Even if you’re not a fan it’s one of those shows you can’t really get away from, so doing that particular scene in front of David was really fun, and of course Douglas had directed Doctor Who as well. Apart from the amusing situation of two supposed Doctor Who fans talking about Doctor Who without realising they’re in the company of a Doctor Who, I also seem to remember Michael being the one to suggest that he would deliver his “due to problems at the BBC” line directly to David.

Oh, and I think it was actually my idea to grab the annual off the harpsichord before joining the queue behind Crowley at the end of the ballroom scene (which we’d shot weeks earlier at this point). When we were blocking it out and rehearsing I knew I had to leave my position and get to the front for my “surrender the angle” line, and then later it just felt like I wouldn’t leave without the annual so I ran back through everyone to grab it. Nobody seemed to have a problem with me doing that so I just carried on doing it when we shot it! I do remember it being a fun set with Douglas and the team being very open to suggestions.”

Q: How did you balance filming both Good Omens and BBC Ghosts at the same time?

A: “Luckily both shows were a joy to work on, and everyone seems to know about both of them. We were shooting them in early 2022 and I also had a little part in an ITV drama called ‘Stonehouse’, starring Matthew Macfadyen. I usually never know when I’m working next so to have three great TV jobs at once was very unusual. There was all this date juggling and I actually almost had to turn down Ghosts due to clashes. Luckily both shows had to move some dates so it worked out. But yes, I spent two weeks up in Scotland shooting all that Good Omens ballroom stuff, then I came back down to London to do Ghosts, knowing I’d be back up to shoot my scenes in the music shop in a couple of weeks. Now, when I found out who was playing my wife in Ghosts I couldn’t believe it: Caroline Sheen – Michael Sheen’s cousin! She was amazing and that was another great set in general. I say “set”, but it��s all filmed in that house which surprised me. I’d worked with Kiell [Smith-Bynoe] and Jim [Howick] before, and Charlotte [Ritchie] was in the Good Omens radio play a few years ago and a big fan of the book. Charlotte’s very musical of course and we got talking about my folding keyboard I had for practising my Good Omens stuff, and she ended up setting it up in the house for us to have a play on!

Now, when we’d shot all our internal scenes there was this big storm forecast, and our external scenes were scheduled for the day of the storm, so that had to be moved into the next week. It meant I ended up shooting those scenes outside the house, then going straight back up to Scotland to shoot the Good Omens music shop scene the next day! When I mentioned to Michael I’d just worked with Caroline he said “ooh she’s in Ghosts is she!” and revealed that she’d texted him about me which was rather surreal. Then later after the Ghosts wrap party Kiell gave me a part in his Channel 4 Blap, so at the time I felt like I was killing it career wise, but the industry quietened a bit after that and my workload eased off over the year so I was in my overdraft by November.”

Q: What are your plans for the future – can we expect to see you in something else soon?

A: “This year, after a bit of a quiet start, I was very fortunate to work on a Disney+ show called Rivals which stars… David Tennant! I think I’m allowed to say my character is called Brian, and I shot five episodes so that was another really amazing job, and great to work with David again (I told him he must be my good luck charm, although I hope he’s not sick of me). That should be out at some point in late 2024. Other than that I’ve filmed a few other bits I presume will be out next year, one of which is called Truelove on Channel 4 which actually looks really good. That starts early January. Of course now Season 3 of Good Omens has been greenlit, I would love Neil and the gang to have me back on that… but I can only keep my fingers crossed!”

[g-xix]

Chaos Crew MASTERLIST

(っ◔◡◔)っ ♥

ᴡʀɪᴛɪɴɢ ꜰᴏʀ: ᴀʀᴛʜᴜʀᴛᴠ, ɢᴇᴏʀɢᴇ ᴄʟᴀʀᴋᴇʏ, ᴀʀᴛʜᴜʀ ʜɪʟʟ, ᴄʜʀɪꜱᴍᴅ, ᴀʟᴇx ᴇʟᴍꜱʟɪᴇ, ᴄᴀᴍ ᴋɪʀᴋʜᴀᴍ, ᴀɴᴅ ɪᴛᴀʟɪᴀɴʙᴀᴄʜ!

☁️= fluff, 🔞= smut, 💢 = angst

REQUESTS ARE OPEN!!! Send litr anything in thru the inbox n i'll write it (or not)... No promises it'll be done any time soon tho :DD

Arthur ATV Frederick

☁️"Pub golf forfeit" - Chippo catches wind of your little YouTube crush on ArthurTV and decides to put you in a team with him to try and set you up- but when Harry, Chris and the rest of the boys do their best to embarrass you in front of your crush, how will the night really end as you fight the cameras, pints and awful pub gold forfeit cards... | ChrisMD half-sister!OC x ATV

💢☁️"Caught" - Months of sneaking around behind your brother's back with his best friend gets exposed as you and Arthur get a bit too careless and get yourselves CAUGHT...

📸Zesty University ATV

🔞"Submissive" - pwp (porn w/out plot), desperate, whiny, sub!Arthur x dom!reader

☁️Head Scritches" - Short 800 word blurb of Arthur just kinda realising that he likes the feeling of your hands between his hair a lot.

🔞"Locked In" - Xtra long 7.3k word smutshot set in S3 locked in house. Y/n is set the strenuous task of ignoring Arthur all day by Sugarlips - yet when Arthur realises this, he does everything in his power to break her... Will you successfully pass your challenge or succumb to Arthur's antics?

🔞"Eating Out HC's" - headcanons of what the Chaos crew would be like giving head

☁️"Return from Sri Lanka" -inspired by Chip's Sri Lanka vids w ATV, a hyper-fluff oneshot of what it's like for gf!reader, seeing Arthur after a whole week of being apart

"Harry Potter x Chaos Crew HC's" - what these goofies would be like in a Harry Potter/Hogwarts Alternate Universe ✨

🔞"SuperMilker3000" - don't be scared by the title. Silly lil 800 word drabble on using a toy w Arthur... taken from my ArthurTV NSFW alphabet that's currently in the works!

📸ATV getting zesty w G Clarkey in a Camden Bar

🔞"Same Time." - when stranded in a little village after a platform roulette with George Clarkey n ArthurTV leads to all three of you sharing a hotel room with one bed and loosened inhibitions... xtra long 6.1k wordcount and very smutty.

🔞"ArthurTV NSFW Alphabet"

📸ATV n G Clarkey Nasty Girl TikTok

🔞"Boxer" - In which Arthur has a certain predilection for the coach's daughter who is subsequently the first aid woman that drives him feral, especially after a boxing match whereby he's got a lot of pent up testosterone to take out...

"Where would the Chaos Crew give you hickeys?"

🔞"Thigh Riding" - When Arthur's playing a game whilst you're horny, you come to an agreement to ride his thigh... But with Arthur keeping his mic on whilst he plays with the boys - will Chris, George and Bach head you on the other side of their call whilst you fuck yourself on your boyfriend's thigh? | part of [KINKTOBER]

🔞"Edging + Overstimulation" - In which Arthur pushes you to your limits, seeing how much you can truly take - completely merciless in his pursuit of your pleasure, using vibrators, fingers and his cock to get there | part of [KINKTOBER]🎃

"Pervy Co-worker" - short blurb on pervy ATV as a colleague at work... [KINKTOBER]🎃 - no smut but mature themes inc.

☁️"Drunk Lover" - Coming to pick up Arthur after a particularly boozy Fellas shoot, you come to realise just how much of a drunk lover, Arthur really is

Chris Chrismd Dixon

🔞"ChrisMD NSFW alphabet"

🔞"Threesome" - W2s x reader x ChrisMD in a post-pub drunken mess of horny brains and hard cocks

🔞"Eating Out HC's" - headcanons of what the Chaos crew would be like giving head

🔞"Piercings" - in which gf!reader gets nipple piercings as a surprise for Chris, which leaves Chris battling his inner demons and resisting all urges to pull or touch those sensitive buds to see you scream whilst he pounds you | part of [KINKTOBER]

"Harry Potter x Chaos Crew HC's" - what these goofies would be like in a Harry Potter/Hogwarts Alternate Universe ✨

☁️💢"Gone, Gone/iloveyou" - Sharing the sadness that comes with your best friend, first love, absolute world, leaving you <3 (tw: mildly cringe if u dont deep it)

☁️🔞"Señor Frogs HCs" - Inspired by Señor Frogs driving team getting their first podium: headcanons of what it'd be like returning to each of the drivers as gf!reader after each of their stints.

"Where would the Chaos Crew give you hickeys?"

Cam Kirkham

"Where would the Chaos Crew give you hickeys?"

Arthur Hill

🔞"Eating Out HC's" - headcanons of what the Chaos crew would be like giving head

"Harry Potter x Chaos Crew HC's" - what these goofies would be like in a Harry Potter/Hogwarts Alternate Universe ✨

"Where would the Chaos Crew give you hickeys?"

🔞"Cunnilingus" -Arthur Hill as a munch brainrotted headcanons | part of [KINKTOBER] 🎃

George Clarkey

🔞"Rodeo Ride" - Something about George riding that bull machine at the pub just looks so sinful, and the alcohol gives you an extra buzz of confidence when you're talking to him afterwards, leading to a good night with George...

☁️"Nights out" - Just a plain, fluffy cuddles n kisses style oneshot reflecting on what it'd be like when George came home after a night out- a huggy, touchy drunk bf ༼ つ ◕_◕ ༽つ

☁️"Christmas Imagines" - A note-form story of getting Christmas decorations out and celebrating alongside boyfriend!George... V fluffy and wholesome :)

☁️ "Snow!" - Friends to lovers, featuring ATV, ChrisMD, WillNE, Mia, Immallexx, Alice, Cam n Chloe all celebrating in the apartment when the snow starts covering the London streets which they race down to play in. Super fluffy G Clarkey x y/n festive Winter vibes

🔞"Eating Out HC's" - headcanons of what the Chaos crew would be like giving head

"Harry Potter x Chaos Crew HC's" - what these goofies would be like in a Harry Potter/Hogwarts Alternate Universe ✨

📸ATV getting zesty w G Clarkey in a Camden Bar

🔞"Same Time." - when stranded in a little village after a platform roulette with George Clarkey n ArthurTV leads to all three of you sharing a hotel room with one bed and loosened inhibitions... xtra long 6.1k wordcount and very smutty.

🔞"Hate Sex" - basically porn w/out plot, in which you hate George Clarkey yet somehow end up with him between your legs, fucking you like he's your worst enemy.

📸ATV n G Clarkey Nasty Girl TikTok

☁️"George Clarkey Crying HC's"

"Where would the Chaos Crew give you hickeys?"

🔞"Cunnilingus" -George Clarkey as a munch brainrotted headcanons | part of [KINKTOBER] 🎃

🔞"Mask Kink + Knife Kink" - You hadn't anticipated that telling George to wear a Halloween costume for your party would have such an effect on you... But with a few drinks and horny thoughts, you were acting on the kinks that you never thought you'd let see the light of day. | part of [KINKTOBER] 🎃

Isaac ItalianBach Smith

"Where would the Chaos Crew give you hickeys?"

ALL!! - silly little drabbles

"Chaos Crew as lawyers" "Chaos Crew on a Roadtrip" "Chaos Crew Cooking" "Chaos Crew as good mornings" "Do they kiss the homies goodnight?"

Cutesy lil platform roulette moments (1),(2),(3)

POLL: Which of the Chaos Crew do the masses wanna see more written for?

looking for someone you can't find?

Head back to the main masterlist to check out the other masterlists to see if the person you're looking for is there! Don't be scared to send a message via DMs or thru the inbox if you need any help xx

p.s. Customise which Oneshots YOU want to be tagged in by submitting your preferences on THIS GOOGLE FORM!

[choosingwhatmatters]

Music in The Loyal Pin, Episode 1

My goodness, what a beautiful chocolate brownie of a first episode! There are already wonderful posts about the way in which the funds of the series have been put to good use. One aspect that has not been highlighted yet (please correct me if I'm wrong) is the music. And oh!, the music we get in this series.

My ears perked up from the very beginning of the show. We get an orchestral score! All the instruments of magic welcome us at the palace: strings, a harp, a glockenspiel, woodwinds, bar chimes, a piano - I was smiling within seconds.

Tv shows very rarely receive a score like this because arranging, recording and mixing music for twenty different instruments is time-consuming and complex, by which I mean expensive. One trick you can use to lower the costs is using synthesised instruments. The strings we can hear are not real. However, a brilliant thing the scoring team does here is mix in real instruments. For example, we can hear real flutes, if I am not mistaken. Some cello and violin pieces throughout the episode have also been recorded with real instruments. For me, the whole soundscape is simply beautiful!

What about the music itself? There are three things I would like to talk about: the pentatonic scale, Pachelbel and a melody that I hope will become one of Pin and Anin's.

1. The very first thing we hear when Anin has landed on Pin is a melody comprised of five different notes. For Western ears, these fives notes are inevitably associated with music from South-East Asia. The scale resulting from these notes is called a pentatonic scale, and if you ever feel like playing it: look for the black keys on any piano keyboard and go wild. The cool thing about the pentatonic scale is that it's fantastic for improvising. In Western music, it's used all the time because these notes simply sound good together.

We have a lot of ambient music in this episode. Music that blends with the peaceful atmosphere onscreen, and often the pentatonic scale is used to do just that.

2. Which brings me to another piece of music I want to talk about: Johann Pachelbel's Canon in D major. It's the first and the last piece played at the dance. While the king discusses Anin's future with the rest of the family, we can see Pin and Anin dancing to this piece. I find this significant because most music scholars believe that Pachelbel composed the Canon as wedding music (for Bach's brother, no less).

I haven't read the book the series is based on. I have avoided spoilers as best as I could. Logically, I KNOW that it is very unlikely that we get a happy ending here. But I get to see two women in a historical setting dancing to a wedding piece and this fact alone makes me very, very happy.

3. Off to my last point. Even though most of the episode features music, I have noticed very little repetition. There is, however, one piece of music that comes back.

We can hear it when Pin and Anin have their first meeting, and again when Anin discovers her windmill and her ribbon in Pin's bedroom. (What do you call those tiny windmills? And, more importantly, what is it with these two and tiny windmills? Thank you, creators, for the nod to your GAP fandom.)

The piece sounds somewhat like this:

The harmonies are more intricate, but this gives us an idea what we can listen out for in future episodes. The melody is simple and sweet. It could be connected to childhood and adolescence. I'm curious to see if we encounter it again.

And I'm very excited to see whether the score team continues with motives and reprises. I love straining my ears for these because they give us even more clues about the happenings onscreen.

Thank you for riding along with me! I am so excited to see what the show has in store for us!

[mysticstronomy]

WHAT IS BEYOND THE EDGE OF THE SOLAR SYSTEM??

Blog#383

Wednesday, March 13th, 2024.

Welcome back,

Earth is the sixth planet from the edge of the solar system, meaning we're none too near this cold and inhospitable frontier. But we've sent out various spacecraft over the years, so do we have any idea what the edge of the solar system looks like?

The answer is yes, but it's a work in progress. One of the latest developments, a 3D map of the solar system's edge that took 13 years to create, revealed a few more secrets about this mysterious boundary, called the outer heliosphere.

The outer heliosphere marks the region of space where the solar wind, or the stream of charged particles emitted from the sun, is "deflected and draped back" by the interstellar radiation that permeates the empty space beyond the solar system, said Dan Reisenfeld, a space science researcher at Los Alamos National Laboratory in New Mexico and head of the team that conducted the research on the 3D map. In other words, solar wind and interstellar particles meet and form a boundary at the far reaches of the solar system.

Earthlings first got a glimpse of the solar system's outer edge in 2012, when Voyager I, a NASA spacecraft that launched in 1977, crossed into interstellar space, according to NASA. Voyager 2 was not far behind, repeating the feat in 2018. Equipped with golden records full of Bach, Louis Armstrong and humpback whale songs, in addition to their scientific instruments, Voyagers 1 and 2 reported a sudden dropoff in solar particles and a substantial increase in galactic radiation when they left the solar system, according to NASA's Jet Propulsion Laboratory at the California Institute of Technology.

The new 3D map reveals even more about the heliosphere. The inner layer — where the sun and its planets are nestled — is roughly spherical and is thought to extend roughly 90 astronomical units (AU) in all directions. (One AU is the average distance between Earth and the sun, about 93 million miles, or 150 million kilometers.) The outer layer is much less symmetrical. In one direction — that in which the ever-moving sun plows through the space in front of it, encountering cosmic radiation — the outer heliosphere extends about 110 AU, but in the opposite direction, it's much longer, at least 350 AU, according to Reisenfeld.

That lack of symmetry comes from the sun's movement through the Milky Way, as it experiences friction with the galactic radiation in front of it and clears out a space in its wake. "There's a lot of plasma [charged particles] in the interstellar medium, and… the inner heliosphere, which is pretty round, is an obstacle in this stream of plasma which is flowing past it," Reisenfeld told Live Science. "It has the same effect as water going around a rock in a stream," with a rush of water crashing into the rock in front and a sheltered calm behind it.

Measurements for the 3D map were gathered using the Interstellar Boundary Explorer (IBEX), which was launched in 2008 and is "the size of a bus tire," according to NASA. It's pronounced "like the animal," Reisenfeld said, referring to the ibex mountain goats known for their gravity-defying treks up alpine cliffs. But the animal that IBEX really takes after is the bat.

Many bats hunt insects, such as mosquitoes, by emitting a pulse of sound and using the time delay of the echo to figure out the distance to their prey. Likewise, IBEX detects solar-wind particles that have bounced back from the edges of the solar system, allowing Reisenfeld and his colleagues to determine the distances involved by measuring how long their round trip took.

"The sun will send out a pulse … and then we passively wait for a return signal from the outer heliosphere, and we use that time delay to determine where the outer heliosphere must be," Reisenfeld explained.

As the sun circles the outer rim of the Milky Way, the solar wind keeps cosmic radiation at bay, forming a protective bubble. This is good for us, since "that radiation can damage spacecraft and it can be a health hazard for astronauts," Reisenfeld said.

Originally published on www.livescience.com

COMING UP!!

(Saturday, March 16th, 2024)

"WHAT IF WE ARE TRULY ALONE IN THIS UNIVERSE??"

[slutforpringles]

that article just seems like regurgitated information though

uhhhh??

It's official: Red Bull and the junior team Racing Bulls today announced the departure of Daniel Ricciardo. Today, Red Bull is making a decision in the case of the second Racing Bulls cockpit: F1-Insider.com learned: In the course of the late afternoon, Red Bull will announce the separation from Daniel Ricciardo (35).  According to F1 insider information, Ricciardo has been offered the opportunity to continue working as a kind of marketing ambassador for Red Bull. However, insiders say he still needs time to think about it.

Look it certainly wouldn't be the first time F1 Insider has got something wrong, but it's founder Ralf Bach is good friends with Jos Verstappen and he was the one that broke the story about Checo being saved by Liberty post-Spa. I fervently hope the article's wrong but it's not looking great 😞

[meduseld]

This is going to sound crazy but hear me out: The three Terror Lieuts would absolutely crush trivia night.

I know, it sounds impossible, they're a sweaty nervous wreck of a trio but they are actually the best possible team due to their improbable combinaton of knowledge:

John's got all the religious stuff down but also since the Bible inspired Western Literature he's really good at that, while also being a talented math and physics nerd. He also lived in Australia, raising animals, so his font of odd knowledge is deep.

George also knows more religion than you'd think but between the autism fixations, research spirals and the insane amount of music knowledge he has because he Plays he's also got his front covered. From Bach to Ariana Grande, okay. And horror films <3

Edward is the only one of the three of them that has any idea how the government/politics/country functions, has sent things via mail, knows laws rules and regulations (for a court martial, anyone?) but also being the Middle Child means he has secondhand knowledge of all his siblings' interests and such.

They accidentally on purpose obliterate the competition, largely because the other teams suck for a variety of reasons, and the awkward way they accept the trophy becomes a meme among the sailors.

[theseshipsshallsail]

Summary:

The unapologetic scrutiny sees Oliver shivering right down to his toes; the risqué thrill leaving him desperate for more as he pictures the sight they must make from the rooftop garden opposite. His ruminations don’t last long, however, and the sudden emptiness at his core incites a flustered whine, even as the low rasp of Elio’s zipper proves a slow-motion herald of what’s to come.

THE PROOF OF THE PUDDING (IS IN THE EATING)

With its three spindly legs and sleek, curving edges, the reconditioned baby grand is a great deal sturdier than Oliver first assumed, watching the fastidious moving team guide it up three flights of steps to their East Village brownstone apartment. It’d earned him a smirk: that absent-minded observation. Unsuccessfully hidden behind the blue, Columbia Lions mug Elio’s long-since claimed for his own. Yet seeing is believing - as his much-missed bubbe liked to say - and if the past four years have taught him anything, it’s that in order to trust in the improbable, one must first be prepared to embrace the absurd.

Hence the reason he finds himself bare-assed naked on the stately instrument’s cool, mahogany lid.

Grey tracksuit bottoms hobbling his sockless ankles.

Hitching gasps misting the lacquered surface as Elio’s nimble digits scissor his spit-slick rim.

The splayed-wide pads of Oliver’s fingertips are smeared with sweat: the tense muscles of his torso even more so. Gaining leverage is nigh-on impossible, and when Elio strums a ruthless staccato against his screaming prostate, the incoherent plea that spills from his throat has the other man chuckling exaltedly; eyes mischief-bright where he hooks his chin over his straining shoulder.

“You’re doing so well…” he murmurs into the riotous clatter of his pulse. “Uno spettacolo così bello. Tell me: how does it feel?” 

Oliver groans at the unexpected bite to his earlobe. “Sacrilegious,” he pants, all thoughts of structural integrity forgotten as a soothing hand cards his bedraggled hair. “Whatever would Bach have to say?”

Elio flashes a thousand-watt grin. “Oh… the Old Wig was pretty creative,” he answers sagely, angling his face for a clumsy kiss. One that tastes of Yakisoba chicken from the Japanese shokudo on the corner, yet dissolves like powdered sugar upon his tongue. “He’d probably suggest we try it andante.” A beat. “Or maybe a lively allegro,” he adds, skimming the jutting vertebrae of Oliver’s spine. “With a brisk vivace to finish.”

Oliver sniggers. “You’re a menace, Perlman…”

“Always,” he allows, mapping the field of goosebumps that adorn his flank. “But presented like this?” The floorboards creak as a jean-clad thigh urges his trembling knees apart. “All stretched and pink? Taking my fingers so nicely…” 

“Sweetheart, please…”

Elio tugs him impossibly closer. “You’ll take my cock too,” he says then, a simple statement of fact, then proceeds to squeeze his buttock once, twice, three times firmly; opening him further with his thumb. “You’re beautiful, mon amour.” 

The unapologetic scrutiny sees Oliver shivering right down to his toes; the risqué thrill leaving him desperate for more as he pictures the sight they must make from the rooftop garden opposite. His ruminations don’t last long, however, and the sudden emptiness at his core incites a flustered whine, even as the low rasp of Elio’s zipper proves a slow-motion herald of what’s to come.

“Siete pronti?” he asks, painting the sticky pearls of arousal around his greedy hole.

“I’ve been ready,” Oliver protests, the gentle nudge of his glans making him clench in vain.

Chapped lips return to the hinge of his jaw.

Sharp teeth worry the mottled bruise at his collar.

“Elio…” he hears, a blatant provocation before he’s breached properly, and Oliver grunts, choking expletives into the crook of his elbow as his tormentor huffs a bubbling laugh. “Elio… Elio… Elio…” 

His hamstrings are taut where he’s held spread-eagle. His scrotum growing ever tighter at the sense of utter fullness. Over and over, his lover thrusts within him. Over and over, Oliver chants the words in concert: hiccuping the other man’s name until the syllables blend together. Until he’s shuddering - splintering - his brain damn-near convulsing as Elio reaches to stroke his leaking shaft. 

“I’ve got you, mon chéri,” he whispers, circling the spongy tip through each rolling wave, and when Elio buries himself balls-deep - collapsing like a rag doll as he climaxes thereafter - the erratic thrum of Oliver’s racing heart beats a perfect accompaniment to the breathless I love yous peppered between them. 

[viir-tanadhal]

Pet Shop Boys' song picks for various radio interviews for Nonetheless

BBC Radio 2 with Jo Whiley (April 25, 2024)

Chris

Black Beauty theme (childhood song)

Bedsitter by Soft Cell

Ain't No Stoppin' Us Now by McFadden & Whitehead (death song)

Neil

The Young Ones by Cliff Richard and the Shadows (childhood song)

Bedsitter by Soft Cell

Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams (death song)

BBC Radio 6 with Lauren Laverne (April 26, 2024)

Chris

Was That All It Was by Jean Carn

This Time Baby by Jackie Moore

Native New Yorker by Odyssey

Neil

Borderline by Madonna

I Want You by Marvin Gaye

Born Slippy by Underworld

Greatest Hits Radio with Jackie Brambles (April 28, 2024)

Chris

Baby Love by The Supremes

For Once in My Life by Glen Campbell

Rhythm is a Dancer by Snap!

Neil

Girl Don't Come by Sandie Shaw

Whole Lotta Love by Led Zeppelin

Unfinished Sympathy by Massive Attack

BBC Radio 3 with Jess Gillam (June 8, 2024)

Neil

Ich Habe Genung (Cantata No 82) by J.S. Bach

Générique by Miles Davis

Symphonia Virginum: O Dulcissime Amator by Hildegard von Bingen

September Song by Kurt Weill; sung by Lotte Lenya

Tracks of My Years with Vernon Kay (June 9, 2024)

Chris

Stop! In the Name of Love by The Supremes

Fame by Irene Cara

Never Give You Up by Sharon Redd

Let Me Love You For Tonight by Kariya

A Love So Beautiful by Roy Orbison

Neil

I Am The Walrus by The Beatles

Papa Was A Rollin' Stone by The Temptations

Do Anything You Wanna Do by Eddie and the Hot Rods

This Is Not America by David Bowie

Unfinished Sympathy by Massive Attack

Artists in Residence - Queer (Nov. 11, 2024)

Homosexuality by Modern Rocketry

Smalltown Boy by Bronski Beat

Walk On The Wild Side by Lou Reed

I Was Born This Way by Carl Bean

Dizzy by Olly Alexander

Shoot Your Shot by Divine

Menergy by Patrick Cowley

Streets of Philadelphia by Bruce Springsteen

Never Give You Up by Sharon Redd

Hideous by Oliver Sim (ft. Jimmy Somerville)

In the Evening by Sheryl Lee Ralph

If Love Were All by Judy Garland

Artists in Residence - Producers (Nov. 12, 2024)

I'm So Hot For You by Bobby O

Hey DJ by Worlds Famous Supreme Team (Stephen Hague)

Slave To The Rhythm by Grace Jones (Trevor Horn)

I Like You (Shep Pettibone Mix) by Phyllis Nelson (Shep Pettibone)

Point of No Return by Exposé (Lewis Martineé)

Axel F by Harold Faltermeyer

Hold That Sucker Down - Builds Like a Skyscraper Mix by OT Quartet (Rollo)

Balcony Scene from Romeo + Juliet by Craig Armstrong

So Hard - D Morales Red Zone Mix by Pet Shop Boys (David Morales)

The Loving Kind by Girls Aloud (Xenomania)

Say You Will by Kanye West (Andrew Dawson)

It's Automatic by Zoot Woman (Stuart Price)

The Meeting Place by The Last Shadow Puppets (James Ford)

Artists in Residence - Miserablism (Nov. 13, 2024)

Has Anyone Ever Written Anything For You by Stevie Nicks

One Day I'll Fly Away by Randy Crawford

Please, Please, Please, Let Me Get What I Want by The Smiths

Baltimore by Nina Simone

Alfie by Cilla Black

Everybody's Got To Learn Sometime by The Korgis

Nothing Compares 2 U by Sinéad O'Connor

Parlez-moi de Lui by Françoise Hardy

By The Time I Get To Phoenix by Glen Campbell

Mercy Mercy Me (The Ecology) by Marvin Gaye

I Don't Want To Hear It Anymore by Dusty Springfield

I'm Not In Love by 10cc

Let's Stay Together by Tina Turner

I Can't Give Everything Away by David Bowie

Artists in Residence - Remixes (Nov. 14, 2024)

Girls & Boys (Pet Shop Boys Remix) by Blur

Young Offender - Jam and Spoon Trip-O-Matic Fairytale Mix by Pet Shop Boys

Hallo Spaceboy (Pet Shop Boys Remix) by David Bowie

Flamboyant (Michael Mayer Kompakt Mix) by Pet Shop Boys

Insanely Alive (Pet Shop Boys Radio Edit) by Wolfgang Tillmans

Miserablism (Moby Electro Mix) by Pet Shop Boys

Queen of Ice (Pet Shop Boys 7" Mix) by Claptone

I Don't Know What You Want But I Can't Give It Anymore (Peter Rauhoffer's Roxy Anthem Mix) by Pet Shop Boys

Think Of A Number (Pet Shop Boys Magic Eye 12" Remix) by Noel Gallagher's High Flying Birds

Can You Forgive Her? (M.K. Remix) by Pet Shop Boys

Love Comes Quickly (Shep Pettibone Mastermix) by Pet Shop Boys

Dancing Star (Solomun Remix) by Pet Shop Boys

A Red Letter Day (Trouser Enthusiasts Autoerotic Decapitation Mix) by Pet Shop Boys

[hephaestuscrew]

Thoughts on the patterns of who speaks the episode title phrases in Wolf 359

This analysis is based on the data I gathered in this spreadsheet and summarised with graphs in this post. Basically I've been looking at which character first says the episode title phrase (i.e. the exact words which form the name of that particular episode) in every episode of Wolf 359. Go and look at the spreadsheet if you want more context.

I think we can view the episode title phrases as often expressing the key problem or question of that episode. (I might talk about this in relation to individual examples another time.) Through this lens, the consideration of who speaks the title phrase is about which character gets to frame the key issue of the episode for the listener. This doesn't necessarily mean we are meant to share that character's view of the issue, but it's why I think there is some potentially significant analysis to be done on this topic. (See below the cut...)

The proportion of title phrases said by Eiffel reduces with each season. 69.2% of the Season 1 title phrases are (first) spoken by Eiffel, compared to 46.6% in Season 2, 22.2% in Season 3, and 20% in Season 4.

This is perhaps unsurprising. Eiffel is very much the main perspective character and the primary narrative voice at the start of the series. And, as someone with unusual speech patterns, he is excellent at coining a good memorable title phrase. However, while I'd argue that he never stops being the main protagonist, over the course of the series, the narrative focus broadens away from a singular emphasis on Eiffel's perspective. This perspective shift is reflected in episode titles being spoken by a greater range of characters.

I think the decreasing proportion of Eiffel title phrases also reflects the podcast's shift towards a generally more dramatic rather than comedic tone. While Eiffel is capable of being serious at times, I'd argue that his mode of speech is particularly well suited to generating amusing unusual turns of phrase that work well within a more comedic context (e.g. Succulent Rat-Killing Tar, What's Up Doc?, Bach to the Future). As the stakes become higher and the tone becomes less humorous, characters other than Eiffel, who are more often inclined to take things very seriously, are more likely to speak the title phrases.

There's also just the fact that as we get more characters involved in the action on the Hephaestus, the opportunity to speak the title phrase is spread between more characters.

Although Eiffel is by far and away the most common speaker of title phrases in Season 1, in the first three episodes of the whole show, we get all the characters of that season represented in the title phrases. Minkowski speaks the title phrase in the second episode and Hera does in the third episode - but probably quoting a phrase from Hilbert. This gives us a good early indication that, while Eiffel may be the focal point particularly in this season, this is going to be an ensemble show and all of these characters are going to be significant.

Hilbert's only title phrase is in Ep12 Deep Breaths, in the first stage of his mutiny, arguably the only point in the show where he appears to clearly have the upper hand while acting alone.

After the SI-5 are introduced at the beginning of Season 3, we get five Kepler or Jacobi title phrases in a row, which solidifies the SI-5's presence in the show. It also highlights the fact that the SI-5 have taken over the Hephaestus and are now (at least ostensibly) the ones determining the aims of the Hephaestus mission.

In addition, these patterns might be seen to reflect the shift in the show towards a more conflict-focused tone (related but not identical to the movement away from comedy). While Wolf 359 has always been a show full of conflict, the balance of this conflict shifts with the arrival of the SI-5. For the first team, our protagonists are facing a unified team of antagonists. The potential for violence feels higher, as do the stakes. This might explain why, while we only had one antagonist-spoken title phrase across Seasons 1 and 2 (Hilbert in Ep12 - Lovelace doesn't get a title phrase while she's serving as an antagonist), 44.4% of our Season 3 title phrases are first spoken by antagonists.

The only title phrase spoken by Maxwell is spoken by her in a recording that we hear after her death. This isn't even the only posthumous title phrase spoken from the past in Season 4 - we've got one from Commander Zhang of the Tiamat as well. It's an interesting kind of legacy, an interesting way to emphasize the questions characters leave behind after death, recalling similar themes to those explored in Ep46 Boléro.

[beebeesiims]

y'all also know dallas! but as a reminder, he's tiffany's husband, a running back for the stallions and the co-thrower of the group's annual halloween party. and caiden plays for the brindleton bay bears, the team desmond was first traded to out of college. he's not in the wedding because his kid was due then, but he came early! so the boys surprised desmond and flew him out for the bach party.

caiden, abram & quentin are all townies by @cowplant-snacks !