#tbh if i want more people to read his books i should probably post more quotes from them on here...

[fideidefenswhore]

#prev tags#tell me more about lauren gardiner omg

Laurien Gardner is the collective pseudonym of a group of female authors writing a series of Tudor era novels about the wives of Henry VIII.[1] These historical romance novels are published by Jove Books, part of Penguin Books

The Spanish Bride: A Novel of Catherine of Aragon, 2005, written by Julianne Ardian Lee[3]A Lady Raised High: A Novel of Anne Boleyn, 2006, written by Allyson James (also known as Jennifer Ashley and Ashley Gardner)[4]Plain Jane: A Novel of Jane Seymour, 2006, written by Sarah A. Hoyt[5]

Sarah A. Hoyt (born November 18, 1962) is a Portuguese-born American science fiction, fantasy, mystery, and historical fiction writer.

She was the leader of the Sad Puppies campaign in the year that it ceased nominating candidates.

Sad Puppies was an unsuccessful[1]right-wing[2] anti-diversity[3] voting campaign run from 2013 to 2017 and intended to influence the outcome of the annual Hugo Awards, the longest-running prize (since 1953) for science fiction or fantasy works. It was started in 2013 by author Larry Correia as a voting bloc to get his novel Monster Hunter Legion nominated for a Hugo award, and then grew into suggested slates, or sets of works to nominate, in subsequent years (led by Correia in 2014, and then Brad R. Torgersen in 2015). According to the Los Angeles Times, Sad Puppies activists accused the Hugo Awards "of giving awards on the basis of political correctness and favoring authors and artists who aren't straight, white and male".[1]

What Your Favourite Tudor Novelist says about You

Alison Weir: you drink pumpkin spice lattes. There is a Live Laugh Love sign in your house.

Philippa Gregory: you believe in astrology. You unironically listen to podcasts that wax lyrical about the Divine Feminine.

Susan Kay: you compile ship playlists. You have a weakness for bad boys. You've read fanfiction about a boy band.

DL Bogdan: you're a teenage girl who spends too much time on Pinterest

Hilary Mantel: you think Rupi Kaur is an amazing poet

Jean Plaidy: you order egg and chips at an Indian restaurant.

Margaret Irwin: you have accused your favourite band of selling out

Emily Purdy: you watch gay porn on the bus. With headphones on, but still. On the bus.

Judith Arnopp: you don't understand people who think crocs are ugly.

Gemma Lawrence: your favourite hobby is to get high on weed and then go shopping at a car boot sale

Elizabeth Fremantle: you own an SUV. You believe cosy horror is a legitimate genre.

HFM Prescott: you're trying to get the smell of mothballs out of your clothes. You never use fast travel in a video game: your character must walk everywhere.

[heavenlyraindrops]

smut writing tips (TW: sexual stuff cause like. Cmon. It’s smut)

I did one for character so now I’m doing one for smut what’s wrong with smut huh so what if I’m writing tips on how to make smut so what SO WHAT HUH

Smut scenes aren’t that different from normal scenes. Probably because they’re normal scenes. Remember that.

Therefore, they should have dialogueeee because boy oh boy the amount of smut I have read where they are just dead silent is insane I could rebuild the wall of china with allat

so… dirty talk

BUT DONT MAKE IT TOO LONG! OR TOO WEIRD…

“Do you think they’d watch?” he asks. “Do you think they’d enjoy the sight of your naked flesh on display? Maybe they would get off on seeing your dripping pussy reflected back at them everywhere they look. Or the pretty flush on your chest when you come. I think they’d even enjoy watching your eyes roll to the back of your head when my cock fills you so fully, you can’t fit any more of me inside you.”

That’s from haunting Adeline… and… just.. no. NONONONO ITS DISGUSTING ITS GROSS…. WHO TF SAYS THAT BRO. Why is tHIS BOOK SO POPuLAR

more gross examples: “You want to know what I’d do?” he questions. “I would let them watch. I would let them watch me claim you as mine and own every inch of your body. They would watch my cock fill every one of your holes and then watch you cry because of how hard you came. And then I’d fucking kill them. My cock would still be wet from your cum as I’d slice their throats for even daring to look at what’s mine.”

dont write like that guys… like ew. Just ew

also.. epithets.. ok idk what they’re called because English = not my first language but

like

”his member” “sword” “love button” “seed” “her peaks/ nubs”

look my dude if you can read a smut scene like “he inserted his sword inside her cavern and spewed his seed inside her while fondling her mounds” then sure pop off I guess but tbh

no.

JUST USE COCK DICK AND PUSSY OR SOMETHING IDK WHY U GOTTA DO THIS TO ME I WILL NEVER BE ABLE TO SEE CERTAIN THINGS THE SAME WAY EVER AGAIN

“his member” I’m sorry is his dick joining a club?

anywaysysystst

research human body stuff. Like, dicks need to recharge before they get hard again yk

“Recharge” idk bro yk what I mean

cumming more than once for women do be kinda painful unless there’s an amount of time in between the orgasms

like depends on the woman, can range from a couple of hours to at least a whole day

although this doesn’t apply to everyone and some people do just go for it a bunch of times in one session so it’s a very variable thing

so yeah! Make sure to educate urself on biology

spemd more time talking about how they feel physically and emotionally than what they are doing so that the scene actually does have some depth

consistency! I have read shit that goes along the lines of “he grabbed her waist then with his other hand stroked her cheek and then she wrapped her legs around his feet and he pressed his elbow againts her knee flipping her upside down while she nibbled on his ear” how am I supposed to imagine any of that

they keep sprouting a third arm

or do things that completely contradict the position that they are in.. he can’t slap ur ass if ur in the cowgirl position..well, not very comfortably

so. Consistency! :)

that’s all for now ermmmm so yah tell me if this was helpful guys

edit: this post is super old pls ignore its existence

[chiocchi]

If you don't mind answering, why do you ship Tom Riddle and Harry Potter? Besides the whole issue that they are enemies, and the age difference, both characters are heterosexual. It's canonical fact. If it's the dynamic you like... Have you thought about Tomione's ship? They have a lot of potential together. And in the right direction, they would be a couple that could make it in the books.

JDKLJKLFJSDLKFJA This kinda feels like people knocking on your door and trying to get you to believe in their religion. It's pretty funny.

I don't know why are you calling issues to a part of the pairing's appeal lkajdsjfs (And Hermione is Harry's age and they are on the same side too?). And not sure about that canonical fact. Harry can be read as bisexual quite easily and Voldemort|Tom... idk he seems more obsessed with power, immortality, and Harry. But even if that's the case, I don't see why it should matter. We're in fandom after all.

I don't know if I'll be able to convey why I like this ship so much. For starters, I'm really into the unique connection they share. There was a piece of Voldemort's soul inside Harry's; they had a mental link; a whole language they're the only ones to speak (for the most part); Voldemort chose him and marked him; and there's even a prophecy that linked them together. There aren't two people more connected than them. They're soulmates, and the fact that Voldemort didn't intend it and Harry hates it adds another layer of complexity.

But not only that, they're like a broken reflection of each other, which I find fascinating. In his second year, Harry was worried about the similarities between them. Both half-bloods, orphans, raised by Muggles, they both considered Hogwarts their first real home. I feel like they would have really understood each other in other circumstances. They would have been friends. Because one of their key differences is that Harry found friends and adults that loved him while Tom was probably bullied and, y'know, the whole Dumbledore thing.

Not to mention that Harry would die for everyone whereas Tom would kill everyone. They're insane in their own way. I love their similarities and differences, but more than anything else, I love when they're together. The fanfics and fanarts are awesome.

And the whole thing of being enemies feels quite gay sometimes klafjdlskfja. Harry can't help but think Tom is handsome and, despite everything Voldemort did, Harry wanted to give him one last chance to show remorse. I have no doubt Harry is crazy enough to actually forgive him.

I've thought about Tomione and I've come to the conclusion that I don't like it. pinktom has a really good post about it and I agree with it. Besides, Hermione liked Ron and had something with Krum, and they're nothing like Tom. Just because she's heterosexual doesn't mean she's attracted to any man, y'know? klajdlfkdjs I don't think they would have been a couple in the books, no matter the direction. If it's the dynamic you like, have you thought about Tomarry? More believable, more intense, and a wider range of wholesomeness to fucked up in the fics. It's really interesting. Unless you don't like men being together? Hmm? Suspicious (just kidding. To each their own. So no need to go to other people's asks to try to change their minds :kek:).

Also Harry is my favorite character and he's not replaceable. I kinda don't care about any other character tbh. Thank you for coming to my Ted talk.

[xfancyuu]

~ now i draw a luxury nxde. [aemond targaryen] 18+ SMUT

because it's the beginning of spring i wanted to post for that so in universe it is also warm and flowers are blooming! reader is afab with she/her pronouns & my requests are open! this could be read as though it's in the same universe as my other bolton!reader works, though she's married to aemond and is referred to as lady targaryen. there are no appearance indicators in this fic, this is kinda canon divergence. also i didn't bold the dialogue for this one and i actually think i'm gonna go and reformat my other fics to match! this fic is also known as frolicking and fucking so yeah that's what you're in for. smut will be indicated with a different coloured line break if you do not wish to read it. [1,757 words]

this fic contains: wall sex, public sex, dressed sex, choking, spitting, voyeurism, name-calling, corruption kink, attempted dirty talk? y'all are just newly married and experimenting tbh, y'all degrade each other, slight orgasm denial, cumming inside. if i missed any please lmk!

You had never imagined life as a married woman to be so blissful. You had heard from the ladies in court that they simply did their marital duty and did not enjoy spending time with their husbands. They had told you that the bliss would wear off within the year once you had children, and they would steal your beauty.

You had all but rolled your eyes at their commentary. They were rude and bitter, seeking your own mood to be as equally unhappy as their own. They nitpicked at everything you did, from reading too much to what you ate and how you conducted yourself. Loneliness truly was more appealing than spending ceaseless amounts of time with women who were your mother's age and almost as bitter. Being surrounded with unmarried women was improper, they had told you — not that you paid them mind, as your ladies in waiting were all unmarried and far better company.

You found yourself in the gardens with your ladies-in-waiting more often than not, the weather was pleasant, and you'd much rather be outside than wallow inside without much joy. Flowers had brought you much more joy than you had anticipated, they livened your mood from the dreaded time spent with the married ladies in court. They wouldn't be seen outside without reason, whereas you did not care much for the opinions and thoughts of others in court, despite being a Princess.

The book within your lap had become much more interesting than whatever your ladies were gossiping about, you hadn't cared much for the people they were talking about, but the adventure of Lady Sunderland and her times in the Reach were too addictive to put down. Your ladies' had tried to gain your attention one too many times, but you were too engrossed in the book to care for the outside world.

The book was abruptly taken from your hands, making you both lose the page you were ready and had caused your brain to be hazy. You were both mad and irritated by the actions of someone clearly trying to ruin your day. "Do you mind?" You had asked, not expecting to see your husband as you looked up.

"Is it a crime for me to want to spend time with my wife?" Aemond had asked you, extending his hand as if expecting you to take it despite disturbing your peace.

"It's a crime when you snatch my book off of me and expect me to be happy about it." You retorted, deciding it was probably better to go along with him, and took his help to get off the grass. "Lucky for you, I like you enough not to lock you up."

"Oh how merciful." Aemond responded, not removing your hand from his grasp, "the flowers are blooming, you should be looking at the world instead of living in your books."

"I'll have you know I can do both equally," You retorted, leading Aemond away from the prying eyes and sharp ears of your ladies, "Now you're here you might as well keep me company if you won't let me read, perhaps a walk around the garden would do us both some good."

"I have a better idea than touring the gardens," Aemond had pulled you into a secluded pathway leading away from the hustle and bustle of everybody else.

"Your ideas always end up with us in trouble." You weren't entirely wrong, the disapproving look of Queen Alicent would be forever engrained in your brain.

"They may be troublesome, but you always have fun." You couldn't disagree, instead you simply followed Aemond to whichever location he wanted to show you.

Aemond had abruptly left you in the morning, leaving you needy and begging for him to finish the job he'd started yet he had left you without a thought for your own well-being. You could somewhat blame your crankiness and willingness to do such a deviant act in public with the possibility of anybody seeing and reporting such acts to the Queen.

The thought that you shouldn't be doing this had crossed your mind — the words would not leave your mouth though, you had wanted to do this, neediness had seeped in, with your skirts and underclothes raised above your waist, your modesty was damned and so were you.

The carnal need and desire you felt within yourself had put all your thoughts out the window, if you were in your usual mind frame you would have told Aemond no, that it was improper but words would not form in your throat. Instead, you kissed him back with almost as much longing.

The insatiability you had felt was consuming you, yet it felt more so annoying, Aemond hadn't truly done anything to you to make you feel this way, little touches and long stares did not warrant you feeling so flustered by the man so much you'd let him take you any which way he wanted.

You were expecting the current position you were in — being in public had never been a boundary you crossed with each other, yet he had so little patience when it had come to you, not even checking if the garden was secluded enough not to have prying eyes follow you, "Who knew my lady wife could be such a whore?" Aemond had whispered in your ear, though you could not form words of your own, "Wanting me to take her right now with not a care in the world who witnesses it."

"I think you can only get your cock up with the thought of an audience, you leave me so frustrated when we're alone in our chamber."

"You may come to regret that, wife." Aemond had always had to get the last word, "Your tongue may be sharp, but I will fuck you until you can't form another sentence." He'd begun unlacing his trousers, and you truly knew you were in for it — whatever it entailed, you weren't sure.

"You keep saying what you're going to do, but you haven't even stuck it in yet, tell me husband, are you struggling? Do you need me to help you stick it in? Can you not find the hole?" You couldn't finish your light-hearted taunting Aemond had entered you with little care, it was sloppy and lustful as though he felt as much need as you did.

You couldn't stay quiet, not with how intoxicating Aemond had felt inside, thrusting himself as far as he could inside of you, the slow pace was comfortable but irritating, you wanted it fast and hard, you wanted Aemond to show you the side of himself he hid away, the side which would make you blush if you so much as thought about it.

You were so used to being in control, Aemond had ensured you always felt comfortable and could stop at any moment but seeing him so dominant had made you tingle, then gasp as you felt a hand around your throat. "You've got to be quiet, you don't want the world to hear you, do you? Don't want the world to hear what a whore you become for cock."

The sight of your ladies seeing you in such a position had the opposite effect than what you thought it would, the idea of corrupting them as much as you had been corrupted had you clenching around Aemond's cock.

"Not so fast, princess," Aemond spoke, his pace slowing and causing the momentum and build-up to your own orgasm to be depleted. "Good girls get to cum, you've not been a good girl, have you?"

You couldn't respond, the hand wrapped around your throat had become tighter, "Going to cum inside you, princess, have you got a problem with that?" You had tried to shake your head, but with the grip Aemond had on your throat, your head hadn't moved an inch.

Aemond had increased his speed, and you knew he was close to his own peak despite ruining your own, the pettiness within you had decided if you didn't get your release neither was Aemond. As if sensing your plans, Aemond thrust into you harder, keeping you in place as though you were a doll he could do what he pleased. "You're going to take my seed, and you're going to thank me for it."

Your orgasm was too sudden for you to realise what was happening, from the words Aemond spoke to the way he was fucking you, it was far too much to process and your body reacted entirely by itself. You knew disobeying Aemond would have consequences but in the depth of your own pleasure and Aemond continuing to fuck you, you didn't care. You'd take any punishment to feel a moment of the pleasure you were currently feeling.

"Naughty girl." Aemond whispered in your ear as you came down from your high, "I thought you'd finally be a good girl, though I suppose I set my standards too high for you. Open your mouth."

You did as he commanded, not wanting to make him more upset with you. However, you weren't prepared for him to spit in your mouth — or to like it as much as you did. "You belong to me and you do as I say."

It hadn't taken long for Aemond to spill his seed within you, his grip on your throat loosening and his teeth biting into your skin. It wasn't often you had allowed him to cum inside you — the prospect of what would follow being in the forefront of your mind. "I'm yours." You reassured Aemond as he came down from his climax.

"Are you okay there?" You had asked, not used to such an intense reaction from Aemond, "I really enjoyed myself." You reassured him, you were so close and the euphoria of the situation had you cradling Aemond within your arms.

"It was just a bit... much, I didn't hurt you, did I?" He asked, pulling out of you. At that moment, you knew you'd need to bathe. The feeling of his seed coming out of you had you almost recoiling.

"Trust me, you'd know if you were hurting me." You didn't want to approach the subject of being witnessed in such an act. "Your mother may be expecting more grandchildren soon."

"Moontea exists, my dear." You hadn't been married a year yet, it wasn't entirely suspicious that you had not shown signs of being pregnant. "And for what it's worth, I enjoy our time just being the two of us."

as always, thank you for reading this! i really appreciate it. i really enjoy writing for aemond so if y'all have any requests send them my way. my next hotd fic will be for helaena so if that interests you just message me! crossposted on ao3 under the name hedonism!

[cupcakeslushie]

Hi there, I love your stuff, I hope you don't mind but I wanted to do an ask the artist

Where are you from?

What's your favorite color?

How long have you been creating art for?

What drives you to make art?

What is your favorite piece of artwork of yours?

What is your favorite fan artwork that was done for you?

What character of yours is your favorite?

If you could go to any fictional world which one would it be?

Do you consider what will please your audience or do you just do your own thing?

What made you want to start your AU?

1. American! Southern girl, specifically.

2. You’d think it would be green with how it’s been my hair color for three years, and I’ve made it my signature on here, but it’s actually yellow! Like the really saturated, sunny kind! 💛

3. Oh lord. Um, since like 1st or 2nd grade.

4. I never really thought about it. I think I’m just a visual person. So if I have an idea, I need to get it on paper to really see it. I’m the same with movies, especially adaptations. I could never picture characters by reading them in books very well, but seeing them in movies I’m like, “oh okay, now I see what they were going for!” It’s also just fun. It’s my own story-telling method.

5. Fav piece of anything I’ve ever made would be one of my stained glass pieces, like my lemon one, that took me three weeks, and was one of my first bigger pieces. Digitally it would probably be my most recent dtiys cause I just don’t like looking at my older stuff.

6. Noooo!! I have so many, especially recently, that I’ve been gifted! I can’t choose just one!!! Seriously! I love everything I’ve ever been sent! I will say, I’ve been gifted a few fan fictions by now, that have had me like, mind blown—just because writing is such a thing that I’ve always admired and never really been able to fully grasp. If you’ve sent me art, it’s more than likely been my phone or iPad wallpaper, and if you’ve sent me fanfiction, I’ve probably read it no less than five times, and will continue to go back to it.

7. I mean, it’s Donnie. It’s pretty clearly Donnie. I try and be fair and love all the boys equally, but I’m not gonna lie, you all know it. It’s obvious. Just know, I’ll never ignore the others story wise 😜. But Donnie gets the most of my attention and my evil creative plots 😈.

8. Any world ever? Probably Fullmetal Alchemist—if I could actually be an alchemist. I mean, like come on—how cool is that? And like, yeah, you’ve got Father and the homucuous running around, but for the most part, the world is pretty chill and has the coolest rules.

9. The main chunks of my stories are really just what I want to see, but sometimes I can hear a suggestion and think about changing the trajectory of things. I’m always open to ideas, especially if I’m stumped on how it should go. I even change my opinions on the things I’ve established myself, I’m very open to changing a story if a better idea comes to me. I don’t think I’ve ever been like, scared to tell something because I think someone wouldn’t like it. If they don’t, that’s fine, not everything is for everyone, and some things only click with a few people. If I really want to tell a story, then I’m going to tell it.

10. It’s really so funny, because at the time, I was working on this short, post-movie aftermath comic about Leo learning to find a healthy middle ground between being the silly guy and a serious leader. But I was having trouble with the next part, so I decided to watch Arcane and doodle. I posted that little concept sheet, and it feels like…within days my inbox was full with people wanting to know more, and the more I answered, the more I was like, wait I wanna actually explore this. Tbh pretty much all my AUs have started this way. With just an idea jotted down, and then turning into something I couldn’t stop developing.

[scintillyyy]

Hi. I love every second of your blog going "Fuck Chuck Dixon. All my homies hate Chuck Dixon." concurrent with "Dixon could often be remarkably competent as a writer with legit interesting ideas." Please never stop writing metas.

listennnnnn i hate dixon he's awful. he's also written stuff i really enjoy despite the many glaring faults.

the thing with dixon that i'm always trying to suss out tho. like, i think because current day dixon has been radicalized in a truly awful and horrendous way, there's a lot of desire to place his current day radical beliefs onto every aspect of his past works and blame everything on him and him alone as this one terrible writer who ruined all characters for ever and ever just because he's a conservative. but like. i think that because he's an awful person it's easy to place blame on him retroactively for some things that weren't necessarily solely a product of his conservatism or his fault alone.

and mmm. i never ever deny the conservatism present in his works. it's present in his robin book with tim, it's present in his nightwing book with dick, and it's present in his batman books with bruce. but people sometimes act as if he was working in a batoffice that had the current day issues it does where writers are given a carte blance to do whatever they want with all characters with little regards to continuity or character growth. that did not happen during his tim under denny in the 90s--denny o'neil was known for running a fairly tight ship (i can't find the interview but there's an interesting retrospective interview he does wrt jason where he talks about his failures as an editor and how he was too hands off and not firm enough allowing writers to do what they pleased which led him to become a much stricter and firm editor following jason's death because he learned from the experience). dixon in that interview i posted made it clear that o'neil wouldn't even let dixon touch the joker until dixon had demonstrated to o'neil he had a grasp on the character that o'neil approved of. dixon would not have been allowed to do whatever he wanted with characters like robin/tim. without o'neil putting a stop to it if he had gone too far. and for the record, o'neil was a big old bleeding heart liberal that, at the time at least, dixon is noted to have gotten along with very well despite their political opinion differences even at that time. dixon says he was an avid read of grant's work on batman. he's awful now, but at one point he was probably younger and a bit more willing to entertain ideas that weren't his own too.

so when i look back on his work as a historical work, i'm always trying to tease out the following - is this representive of dixon's brand of conservative views in particular or is it representative of a different, overall more conservative time era. and there's a lot of things that fall under the second umbrella that get attributed to the first tbh. listen i love no man's land and understand that despite my love it is full of copaganda and downright conservative ideals by today's standards. but NML wasn't written solely by dixon to push a uniquely conservative pro-cop view--o'neil approved of the story and was the editor of the office at the time. rucka was a huge player in helping tell this super pro-cop story (he even wrote the novelization!!) and nobody ever really puts blame on him for these things the way they do dixon afaik. NML being written in a 'democrats trying to be tough on crime' era absolutely means it's not solely the fault of dixon and his evil conservatism, but he often gets the flack as if it were despite the fact that he was getting these stories okayed by people on different ends of the political spectrum than him + these stories were not his evil conservative brainchild alone.

so these are the things i'm thinking when i read through his works. and maybe that gives me a rosier view than it should, but a lot of my thoughts come from "what can reasonably actually be attributed to showcasing what dixon's views actually are" vs "what might actually not be his fault and his fault alone".

and when i say that tim generally isn't the one who showcases his personal views, i'm not trying to minimize the fact that there is inherent conservatism baked in to his character along with everyone else written by dixon, i'm saying that we need to be realistic and realize that dixon did not have as much freedom to do with tim what he had freedom to do with tim's side characters. tim, after all, had to ultimately fit in o'neil's batbible framework of what he was supposed to be because tim was ultimately an IP character who was part of a batman and robin mythos that o'neil was very, very protective of in the 90s given his previous failures to maintain control of the ship. so when you consider dixon's particular conservatism in tim's books you need to consider that the vast majority of it came from the characters surrounding tim (such as his dad, dana, steph, etc) because dixon had more freedom with those sorts of characters, rather than tim himself who often doesn't have any particular opionion of his own--he's just reacting to all the different opinions being presented to him. and that's not to say that those character should be evil conservatives forever and ever--in fact, i personally think they shouldn't. but take the racist and classist inner city kids are bringing guns to school storyline in robin #25-26. as a whole it's a conservative story. o'neil allowed dixon to do the story in the first place when he could have said no. in the story tim wanders around not knowing what to do about karl bringing a gun to school--which is why he has to go to his dad and dana, who represent "go to the cops/don't be a narc options"--his dad is the one who tries to talk to karl's dad--karl is the conservative one who thinks that they need to protect themselves from inner city kids compared to tim who thinks that guns shouldn't be in school. but tim also thinks that they shouldn't go to the cops and wants his dad to handle it by himself, but eventually comes to the realization that he should have gone to school administration to begin with. in these issues, steph is also the one who dixon uses to link karl's shooting to the inner city kids who are getting bused in to the suburban schools--we talk about that panel of steph declaring herself the protector of the suburbs, but also that panel in context is within the confines of the story--steph is essentially saying "maybe the suburbs need a spoiler (to protect themselves from the inner city people coming to bring crime out to them)" which absolutely is a conservative dixonism that you can pinpoint to his particular kind politics in comparison to the milquetoast of tim's "i don't know what to do/talk to a trusted adult to get help before tragedy happens PSA/overall conservativeness" that happens. that the story itself that exists in tim's book is conservative, yes, and i won't deny that tim also has a few conservative dialogue here but to me the difference is that o'neil would not let dixon use tim drake to go on any overtly political rants or represent any specific ideology *himself* that could make him controversial with readers of the time given how protective o'neil was of not repeating his previous mistakes. you're generally going to find the more egregious dixonisms outside of tim. like "robin 1993 is a conservative book that has a pro-life storyline" (true) =/= "tim goes on an anti-abortion rant" (not true, literally never happened). tim shares blame because ultimately it is his book that presents a conservative worldview but tim as a character tends to exist as a more moderate (not completely, but more) character to have other characters present options and opinions to him rather than he himself saying he has those opinions. robin cannot take sides like that. o'neil wouldn't have let that happen.

and like. when discussing dixon my goal is never to completely absolve tim of dixon's writing. i just don't often see a need to completely rehash the tim-conservatism points because it's been discussed already over and over again to the point there's a pretty widespread misconception that tim is the ultimate dixon conservative mouthpiece who is solely at fault for all of robin 93's conservatism when actually there's a lot of other interesting places dixon's conservatism presents that are almost never discussed in comparison. my goal is not to be "tim's not at fault" or anything but it is to seriously consider and think about where i see dixon's personal opinions shining through more overtly based on what i know of the conservative mindset (as much as i don't agree with it). dissecting dixon and how he writes in consideration of his beliefs is fascinating and fun to me.

anyways he's awful.

[fumifooms]

Don't really reblog or leave comments all that often, but I've been reading your Delicious in Dungeon deep analysis posts for a few days now and honestly I can't wait for that Kabru (& Mickbell) party rundown. They're a fine set of adventurers, if in dire need of people more capable of handling monsters.

Speaking of Mickbell's relationship with Kuro in particular – I think it does generally tend to be perceived from Mickbell's side, whether positively or negatively (which makes sense to some degree, since Kuro's perspective wasn't presented in full until the World Guide), as if Kuro isn't himself a maladjusted adult who spent an unspecified amount of time starving in a cage, his family situation unclear beyond "permanently out of contact", and is yet as overprotective of Mick as Mick is of him. I do recall a panel where he furrows his brows at the sight of Mick sitting on Inutade's shoulders, but other than that he is less aggressively isolating and self-insistent and more... coddling, I'd say, or overtly abiding. Kabru should have found Mickbell some books on kobold language tbh.

This is not intended as a criticism of the earlier webweaving post so I apologize if it does have shades of passive-aggressiveness – it's an incredibly on-point assessment of Mickbell's relationship with Kuro and his reasoning. Thank goodness Mickbell isn't a master magician, or else he'd make for a rather tasty dungeon lord (and Kuro would probably end up in a cage again, if not worse).

[context: ask sent on april 14th, soon after I posted my Canines web weaving]

Don’t worry, I loved getting your ask and didn’t read in any hostility! I didn’t want to reply before finishing my party masterpost-analysis (🤡 man it’s been too many months) but Kuro fans are begging for scraps and clamoring for Kuro meta and content everywhere I look including my askbox and man. Man yeah I should throw a bone you guys’ way at least in the meantime. The thing though you see is, one does not simply talk about Kuro without trying to cover every ground and every single piece of info we get. I’ll end up repeating myself a lot on this in my longer upcoming post but that’s just how analysis tends to be, so flash Kuro segment focusing on the Mickbell-Kuro dynamic

In a way I talk less about Kuro because compared to Mickbell his situation feels more straightforward to me somehow, the abused is usually the one who gets empathized with and liked more over the abuser so I don’t feel the same need to explore and explain. But… Kuro is not only generally hard to read but has so many layers. Kuro is both a self-effacing follower who’s communicative but polite & behaved and somewhat stoic, making it hard to gauge how much he’s voicing himself or even repressing, and functionally devoid of the ability to speak most of the time. He emotes in doglike ways but mostly because, lacking words universal body langue and cues like growling are the only way he can emote and communicate, not unlike how tone of voice is what’s important when talking to say, a pet dog. Kuro’s extra where he talks with Kabru is truly the Kuro bible, without it we’d have a much kess clear vision of how he lives his situation with Mickbell. And… It’s whiplash inducing and disconcerting when we see then that Kuro has everything rationalized, that Mickbell is still an angel in his mind and this is normal, just a guy who’s a little insecure that he must bend every which way for if needed.

Mickbell & Kuro’s relationship is fascinating because they each have a totally different view of the relationship. Mickbell thinks he holds the reigns, he’s the employer, the master, he’s manipulating Kuro consciously to some degree and withholds things like salary or permission to talk with others from him, and he thinks this is how he gets Kuro to not leave him. Kuro has seen through the matrix and pinpointed Mickbell’s insecurities and has decided he must do everything in his power to never make him anxious or upset and be his emotional support, EXCEPT that hilariously he seems to genuinely think Mickbell is a kid. He’s 22. Like, tallman equivalent of 27. Kuro is 18. Kuro has chosen to stay consciously and keeps choosing to stay because he wants to, because he’s chosen to devote himself to Mickbell’s wellbeing. In Kuro’s eyes, before being employer and employee, Kuro is the guardian and protector of this sensitive kid that he must follow and protect at all costs. What everyone is seeing as wage slavery doesn’t even register to Kuro because he’s never really thinking about the money, he dgaf. Kuro could choose to snap Mickbell in half with his jaw at any second and is more emotionally mature than Mickbell, but otherwise the power imbalance both financially and manipulation wise and using whatever he can to keep Kuro where he wants him is 100% tipping the scale towards Mickbell.

The amount of miscommunication they have for being each other’s most important person + person they spend most time with is insane, but tbh I think part of it is that Mickbell is terrified of what would happen when Kuro becomes fluent in common. Not only because Kuro would have the whole world of opportunities open up to him then (and in Mickbell’s mind, who would pick him over the world?), but because then the relationship would inevitably shift, Mickbell would lose some of that power imbalance, he would have to do more listening and both of them would have to learn to know each other better, and rectify wrong assumptions. It’d remind Mickbell that Kuro is truly his own person with a lot of thoughts and it’d make him feel less safe in being able to keep the relationship secure…

This all is why I’m less into mickuro in general, because unless Kuro puts his foot down one day for both their sakes, the status quo would just… Keep going, on and on. Canon supports this too, since Kuro’s profile in the complete adventurer’s bible in the post-canon blurb mentions very pointedly he’s still being worked for peanuts by Mickbell. Kuro being able to speak fully would make it a bit healthier I think like I talked, but Kuro would still be complacent to Mickbell’s unhealthy obsessive needs and man… Man……. Mickbell feels safe only when taking and Kuro wants nothing more than to give, if that makes sense, and that might be a shaky decent enough way to live for them but it also is far from healthy the way it is. I also don’t think getting that house he wants would fix Mickbell. Could even be a huge breakoff point if Kuro mentions his dreams is travelling around.

So yes I definitely agree with your assessment of Kuro being coddling and overly abiding. Both of them are very protective of each other like you said, the difference being that Kuro is selfless and even self-sacrificing with it meanwhile Mickbell is more selfish and possessive. (Although his overcontrolling nature does to some degree come from a protective place. Which would especially if he sees Kuro as helpless because of his language barrier or the way they met. But moments that go towards this is him being worried for Kuro after the chimera fight, after being stung by an aquatic monster in a monster tidbit, Mickbell often mentioning being worried the union or Kabru will steal Kuro away in a borderline trafficking undertone. Beyond just the care he shows him on the regular like washing and brushing him for hours ofc. Mickbell is not uncaring, his worrying and insecurities just bring his worst instincts out of him. Ehem Mickbell tangent over, my apologies.)

I know Kuro also being possessive is a common reading, but I don’t think I really agree 🤔 The support for this is the way he frowns at Mickbell being on Inutade’s shoulders, but I think that and the other hostile over Mickbell behavior he shows fall more in live with being protective. From Kuro’s perspective, Mickbell (the kid who must be protected who might fall and break his neck at any moment or something) is now on the shoulders of this very tall stranger he just witnessed pull off a sneak attack Laios’ party with ease, not something considered particularly honorable or trustworthy, and now she’s handling Kuro’s most precious thing in the world? Yeah better watch them like a hawk. Also remember, this is on top of his language barrier meaning he hasn’t had the same opportunity as others to converse with them and understand what they’ve been saying and thus form bonds outside of "my party trusts you for now so I’ll follow their lead." He also explicitely distrusts Izutsumi. I’ll also say though, I don’t think it’s an exaggeration to say Kuro doesn’t know what to do with himself when he’s not looking after Mickbell, there’s the secret studies sure, but his whole life is always centered on him otherwise, so I can definitely imagine this being out of a restless feeling as well, though if that qualifies as possessiveness depends on the behavior it causes imo.

Other times where he growls or such is also defensive in nature. If anything, Kuro unlike Mickbell with him seems very alright with Mickbell making friends with the party and forming relationships outside of him. This does go in line with his "Mickbell is just a sensitive young lad I must do my best to protect until he feels safer and better, I want him to be happy and healthy" mentality. Near the end, we even see Kuro encouraging Mickbell to go towards other half-foots and implicitly join the half-foot union, the very same that Mickbell has told him would take Kuro away from Mickbell. So if it’s for Mickbell’s sake, even if Kuro might feel afraid of change or losing him to some degree (I don’t think he feels threatened bc he doesn’t think Mick would leave him), Kuro is even willing to endanger his situation/relationship/status quo with Mickbell.

Kuro is peak guardian angel……… 🥺😭

You’re also right Kuro is very maladjusted, with his past it feels very unsurprising Kuro would end up like this. Having a language barrier alone is extremely isolating: not being able to really communicate with others is his default with or without Mickbell, so it isn’t innately alarming or anormal to him, even when someone actively tries to make it harder for him. This is of course without mentioning the experience of being taken away from your homeland suddenly, and brougth against your will to a country you know nothing of and have no resources or knowledge to live in. Who knows how long he’s been in a cage— and as we see the living conditions were awful, similar to Izutsumi’s when she was part of a freak show. He was visibly starved and food was all the payment he could have wished for and that + following this guy who got him out of his chains were all the motivations he needed. And this makes sense for the overprotectiveness on both ends, Mickbell is all too aware of how particularly vulnerable kobolds are as targets and Kuro’s second interaction was mauling a guy who was trying to hurt Mickbell. Mickbell did "hire" Kuro as a bodyguard first and foremost, after all. Mickbell was scared of Kuro at first, echoing how he reminds Kuro during canon that his snarling is scary and not to do it. Even at first, the professional aspect to their relationship is a very shaky facade, it’s always been more like mutual aid that evolved into life partnership. Kuro was used to being alone, Kuro was used to having nothing and being starved and beaten, Kuro was used to having everyone dismiss him as a beast that’s not worth even trying to talk to, so of course Mickbell seems heavensent.

Man. The fandom has been so scary esp with the anime wave, Mickbell discourse is something I never expected would be so divisive 😭 Sometimes I hear things about Kuro like "he’s too smart to be abused" which is not only as a broad statement untrue but also harmful and vile. Abuse is complicated!!! You are bending over backwards to justify literal Mother Gothel behavior!!! No one is telling you you can’t sob over Mickbell and want mickbell & kuro fluff oh my god let’s just not normalize well known abuse tactics such as isolating them and controlling their finances and social circle.

Ok fun last ending note, it’s also interesting to note their dreams for the future and directly contridactory. When they have some money saved up, Mickbell wants to settle down with a house with Kuro, and Kuro wants to travel the world with Mickbell. Ohh to be a guy who’s been denied ressources all your life and has lived in constant danger who now wants nothing more than to have the ideal of a stable peaceful life, vs being a guy who’s been kidnapped and traded around and denied your freedom for so long who wants to see the world you’ve always been kept away from…. They’re each other’s world but they’re not a place they can live in, not sustainably not while thriving…….

Ahh, mickuro, mickuro, the ouroboros of codependence…

[lucky-draws]

btw hi guys. [blows a cloud of dust into your face]. i miss being on here regularly but such is life. hope everypony is continuing to sparkle on. a few updates from me and the team. (?) longtime followers may be mourning the mgs content. as am i. but unfortunately i think i need at least another year before i can start to feel insane about mgs again. im kind of all metal geared out. those 2-3 years i spent being obsessed with it are kind of a distant fever dream now. it remains always in my heart brain and pussy forever but i'm just not in mgs mode right now. the ocie that lives in my brain is hibernating for a while. don't worry he's nice and warm and i have stocked up on tuna and wet food.

i guess my current interest is iwtv so you can expect to see some more of that. (a while back i watched the show then watched the film then read several of the books and now that ive recently caught up with s2 im back in vampire mode. i prefer the tv show versions of the characters so sorry but you won't be seeing me draw t*m cru*se lestat or ginger armand. i do enjoy the books though. when i go home at xmas i'll have them to hand and flicking though them again might spark me into feeling even more crazy.)

i keep wanting to draw more dr who stuff but never getting round to it but i remain optimistic that i will do at some point. who knows. "WHO" knows ! . ha ha.

i also very recently got into bbc cult sci-fi sitcom red dwarf (1988-present) and im feeling the urge to draw some red dwarf stuff (for the handful of people who care) because it's extremely silly and what this blog and indeed myself need is a return to silliness. so if i suddenly start drawing d lister and gay rimmer and their funny friends you've been warned.

i sort of want to draw more random stuff outside of frequent interests tbh. like ive been watching/rewatching a lot of movies lately and id kind of like to draw bits and bobs pertaining to various movies whenever the whim strikes. so if i suddenly put withnail and the titular i on your dash you have also been warned of this.

however i should say that regardless of what i am drawing i might not be able to post often because unfortunately i have a bit more of a life now than i did previously. i socialise a bit and go to the pub with friends sometimes this sort of thing. it's quite jolly id recommend. i also might be working after xmas on top of uni work so i don't know if ill have time to draw much. i want to though. so i probably will anyway. fuck my grades. #cool

anyway i think this concludes my message. basically thank you to all followers old and new for being here. let's continue to stay silly together. happy holidays etc.

lucky

Lucky D. Raws | CEO of SillyBlogging

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[can-of-w0rmz]

This is not an attack on you at ALL I’m sorry for moving this to it’s own post I just have Opinions™️ and I need be weird about this book rq I’ll tag you anyway in case you’re interested like at all in my dumb little opinion @adrianfridge-main

I just woke up but DISAGREED Victor’s complaining was completely and utterly justified tbh (bro fucked up astronomically big time and as a result his entire family is dead, I think he’s earned the right to be in despair), Victor’s biggest flaw was the fact he stitched together a mass of corpses and brought it to life and then told nobody, Victor’s biggest flaw is avoidance – and part of that is understandable, it’s a common trauma response, but Victor should have been open about how he felt about Elizabeth, he should have worked through his feelings about his family and expressed them, he should have confronted what he did with the creature and told someone, told Clerval, Victor’s biggest flaw isn’t that he’s in despair, it’s that he rarely explains that despair to others – and it’s understandable why he doesn’t, but it’s still wrong, because that’s how he hurts people.

He keeps parts of himself hidden – as arguably represented by the creature himself. He begins to isolate himself for really the first time, he has a lot of space away from people he’s been around his entire life for really the first time, and it’s fairly safe to say that psychological things begin to build up, as he builds the creature, almost represented by him – whatever interpretation you have of these knew-found realisations can greatly vary depending on the reading of the book you have, but personally I think it’s mostly how he feels about himself and his family.

I don’t think Victor wanted to marry Elizabeth at all – and I’ll probably make a whole catch-all rant on that point soon enough, but I think once he actually begins to get some time in isolation to think about things, he starts thinking about his mother, he starts thinking about Elizabeth, he starts considering all these complicated feelings, that he genuinely does love his mother, but that she’s effectively forcing him into something he doesn’t want to do at all, surely she’d understand if he just explained – but she’s dead, he can’t explain, it’s too late for that. Would she have accepted his explanations in the first place, or would he have disappointed her? This was his mother’s only dying wish, the last thing she left to him, the last thing he had to remember her by – and I do believe Victor genuinely loved his mother, even if I’m also absolutely of the opinion that she was a terrible person. Instead of coming to a conclusion about this, Victor spirals, it builds up, he tells no-one – I don’t believe he would’ve told Henry – and this coincides with the creation of the creature. His dead mother’s final wish being the definitive thing haunting him, and the representation of his spiral and all of his emotions about that being a mass of sentient corpses – seems accurate.

Following this argument, Victor sees Clerval again after all those years, and he collapses from the weight of it all – he rants about it vaguely, but he hides it, and he continues to do so, ignoring it, and that’s when it slowly begins to become harmful, purposefully picking off the people he loves and hurting them.

It’s important to remember still, of course, that the monster isn’t metaphorical, he is real – it’s just that a lot of heights of Victor’s despair and tendency to spiral into his own thoughts coincide well with the “building” of the creature, or with him becoming more vocally demanding of Victor or harmful to his loved ones, so he tends to be a pretty good approximation for a physical representation of Frankenstein’s mental state and guilt. And effectively, Frankenstein desperately trying to hide the creature, fumbling with promises to make further mistakes to push him away only to come to the realisation that they’re wrong, but still having to deal with the consequences of them, instead of just from the start being open and honest, even if that honestly was “I need some time to think, and I don’t know how I feel right now.” – that’s his biggest flaw. And the people Victor hurts is really best represented through Elizabeth herself – I hold the very very strong opinion that Victor and Elizabeth are both victims of what was pretty basically just grooming, and again, avoidance is a very common trauma response, but Elizabeth tried to confront Victor on multiple occasions, sending that letter asking about how he feels about the marriage, saying it doesn’t need to happen if he doesn’t want it to – instead he misinterprets this as his poor dear cousin in despair second-guessing his affections for her, (very likely because of things his mother probably told him as a child), and decides to “put her mind at ease” by telling her that he will marry her, despite his actions saying completely otherwise and Elizabeth herself pretty openly not really wanting to marry him.

He’s gone through so much at this point, feels himself responsible for so many deaths, and decides the final thing he needs to do before he dies is not to be a disgrace to his parents as well, or any more of a disgrace than he already is, in his eyes.

And I also definitely have a queer reading of the novel – I genuinely do really hold to the interpretation of Frankenstein and Clerval’s relationship being romantic, and from there and concerning the creation of the bride, Henry really is effectively murdered as a punishment for Victor doubting the role given to him – almost like his doubts and guilt, as embodied by the creature, overwhelm him in that way. “Ah! my father, do not remain in this wretched country; take me where I may forget myself, my existence, and all the world.” He’s pushing away the memory of Clerval’s death, repressing it, avoiding it, and that is extremely important for how he shifts his tone with Elizabeth and puts up that fake demeanour of wanting to marry her, because he thinks it’ll make her happy even though both of them describe dreading the wedding, even given the context for Victor and even by Elizabeth, who doesn’t know what he dreads – in order to forget Clerval, he assigns himself to the role given to him as a child by marrying Elizabeth and gives up whatever he hope he had.

All possibly discouraged from Clerval being murdered as a response to Victor refusing to finish the Bride and subject her to the same fate as him and Elizabeth to the Creature, a pact made without her knowledge or consent, an arranged marriage. Where has spiting that tradition led him? Where has him standing up to the shroud of his mother’s dying wishes, hanging over him the entire novel thus far, led him, by refusing to force the Bride into an arranged marriage with the Creature, as he was with Elizabeth? To the death of the one man he truly loved. So, can at least “make his dear cousin happy” and not die spiting the one thing he was meant to do – make his mother proud from beyond the grave by marrying Elizabeth.

And even then, adding to my argument of the creature being a physical embodiment of Frankenstein‘s guilt and dread – that building tension approaching the wedding, Victor being convinced the creature is going to kill him, but he kills Elizabeth – that’s a metaphor if I’ve ever seen it.

Even on the subject of grieving Clerval, Victor won’t sort his feelings, he spirals and tries so desperately to avoid them. “We had resolved not to go to London, but to cross the country to Portsmouth, and thence to embark for Havre. I preferred this plan principally because I dreaded to see again those places in which I had enjoyed a few moments of tranquillity with my beloved Clerval. I thought with horror of seeing again those persons whom we had been accustomed to visit together, and who might make inquiries concerning an event.”

I wonder what would happen if he did go through London, if he did meet those people again. Would things have turned out differently? Would he finally have been given a sense of comfort and clarity through mutual grief, as nobody so far since Henry’s death and for the rest of the book, except the creature, ironically, has grieved for Clerval except for Frankenstein. If he met people who took as fondly to Clerval as he did, at least on meeting him briefly, who would have sympathy towards Victor – would he finally have that space to grieve for him in a healthy way, to be comforted by people who at least vaguely understand a fraction of his anguish?

But he doesn’t, and instead he avoids the subject – confining himself to his union with Elizabeth, and hurting her because of that.

And even to his grave, Frankenstein doesn’t stop to consider his feelings properly, and by that I mean he doesn’t sort them with anyone, he doesn’t admit the dread he feels surrounding his family and his late wife, he doesn’t stay with Ernest and talk through things with him, bonding to his last remaining family member in his grief – instead he spirals again, chasing the monster and telling no one, except for Walton. And even then, he doesn’t discuss, he monologues – he doesn’t talk through his emotions with a trusted friend, he “tells his story” to an eager man who is mostly overwhelmingly curious, rather than genuinely concerned.

Victor Frankenstein’s biggest flaw is not that he complains. It isn’t that he’s in despair – it’s that he won’t articulate that despair properly. It’s that he avoids it and keeps it hidden out of pain, but he shouldn’t. Because the subject of that despair actively effects the people around him, and by extension, his despair actively effects the people around him. Elizabeth is left hanging by a man who doesn’t truly love her and won’t talk to her, forcing her into a marriage she doesn’t really want out of duty. The creature is cast aside and abandoned, viewed mostly by Victor as a representation of his guilt and shame, of his worst mistakes, although he expresses feeling pity for it fairly often, he still hides and shuns it, fearing it. Clerval is murdered as a representation of that hope for a better future, the one man who ever truly loved him being snatched away, and instead of standing his ground, coming to the conclusion that he won’t abide by his mother’s wishes, that he was right in his destruction of the bride, grieving Clerval with those people in London and using his death as a catalyst to not let it happen again, perhaps then meeting Walton at a later date if he chose to stay in England or otherwise by chance under different circumstances, writing to Elizabeth telling her his true feelings and confronting the creature properly, pulling a Christine Daaé there except like. Parentally instead of romantically. and showing his creation sympathy and compassion rather than just feeling it, and being open about everything; instead of that, Victor spirals, and Victor hurts everyone left.

And it’s understandable why he does – it’s realistic. The hero doesn’t always know exactly what to do and magically save the day by making all the right decisions – people don’t know what do do or how to make all the right decisions. Victor isn’t just complaining “woe-is-me” style, Victor is in genuine severe psychological torment and distress, and his actions reflect that. He is, to an extent, a victim of circumstance – and his circumstances haven’t made things easy for him. In his grief over Clerval, he’s led back to Geneva by his father instead of through London, and follows easily. He’s forced into a situation where he has to marry his cousin by his mother, since young childhood. When he tries to be assertive in what he wants, he’s punished for it every time. In real life, people don’t fix their situation easily like a superhero and pull themselves on their feet like that. They don’t get over everything that’s ever happened to them easily. They need space – and Frankenstein did not have space. If he wanted to fix his life, he would have had to actively fight for it. And he didn’t have any fight left. He didn’t want to live. He didn’t have any idea of what to do next. He didn’t see a future. Any time he tried to fight against what was expected of him, he was punished for it, so now that his life was effectively over, all he wanted to do was assign himself to the roles he was “meant” to perform, and not disappoint his family.

But it’s still a flaw, and it still hurts people. Victor was still in the wrong for what he did. For avoiding everything, for building the creature to begin with, that was Victor’s fault. But it’s understandable why he does what he does, and he’s a very sympathetic character because of that.

Me waking up to immediately write an entire Frankenstein essay I shit you not I’m still in bed finishing this I literally just woke up and started typing half asleep until I finished it (haha funny Nosferatu reference):

[xostrawberrymlk]

I used to think my fav sibling duo in twilight was Alice and Edward

then once I started reading fanfic (since smeyer wouldn’t grace us with what would be amazing content of this) Alice and Edward came second to the Hale twins; Rosalie and Jasper

I don’t know why but I think it’s how tragic both of their backstories are (despite Jasper being a LITERAL PROUD CONFEDERATE) and how people write them like - well, obviously it’s quite canon for Rosalie to be “cold and standoffish” but having her be able to understand she relates on some kind of level to Jasper and thus letting him in is such a fucking adorable and sweet dynamic that I wish we got to see in the books (but thank god for fanfic cuz yall really saved this cursed series, tbh I think we should band together like CPS and take Twilight away from smeyer cuz yall fr saved the series and the characters)

but upon reading Tales of the Years (I’m in the middle of 1950) I have actually come to really love not only Edward and Emmett’s relationship, which seemed so natural to me that they’d get along almost immediately right off the bat like they did in this story but I think my fav so far is Edward and Rosalie

@jessicanjpa has written them to be such an interesting sibling duo, their vicious love and hate for eachother is so strong, and so passionate, I love reading about Edward’s reflection on his life with Rosalie, also how protective he is of her - even if they fight a lot, and also how much he does geniuenly love her and how complicated they both are, it’s just so… I don’t know how to describe it. but as I continue on through this series and the outtakes etc, I have come to love Edward and Rosalie’s compelling sibling relationship, arguably the most.

Alice and Jasper will probably always be my fav, but I have found a new love for Edward reading this series.

as well as a new love for not just Rosalie and Emmett, but Rosalie and Edward.

I’m also enjoying how much Edward bases literally everything around Carlisle, their codependency has always been so interesting to me. (I actually saw a post on here once that says something along the lines of “Edward be like I know a place, then just takes you to an altar to worship Carlisle” and that couldn’t be more true)

anyways, I can’t say enough good things and about how much I love Tales of the Years, I’m almost wanting to slow down my reading bc I don’t want it to end 😭

[3ratsinatrenchcoatanon]

the 'would they be popular on tiktok' tierlist because it should get banned in the us again. as said by an american who used to like the app.

explanations as always under cut!!

keiji n kai smn recording egg stuff. leiji also duers cop stuff n debunks/makes fun of it. idk.

YES

gin - he has one of those 'collection' tiktok accounts and he shows off his stuffed animal collection. they all have names and a complex lore that's explained.

mai - she makes different recipes and even shares different stories from her bakery.

kurumada - he specifically uhhh stitches/duets videos of people recording in the gym and makes fun of them. he gets popular for this.

kai - he’s popular due to someone else, either sara or joe, recording him and keiji's whole egg thing. i don't know. all i know is that there's something about eggs between them. someone please elaborate.

keiji - same as above. he also duets those police thirst trap tiktoks and calls out their inaccuracies. (he has to use his time in the force for something other than trauma.)

joe - he is shitpost central. he makes those tiktoks that are so out of pocket they leave the app because they're genuinely funny.

reko - 1. popular band tiktok acc for samuri yaiba/skullnutz. 2. also has a faceless cover tiktok for piano/keyboard covers.

alice - 1. samuri yaiba acc like reko. 2. i think he'd have a tiktok where he talks about classic literature because i want him to be a book nerd so bad he already speaks like one. and also i think it'd be funny if he did one of those 'reading a popular booktok book' out loud videos and he gags every couple sentences. (you can tell who my favourite is.)

q-taro - 1. iirc he was a decently popular baseballer. 2. he made one video. it's of his team. i want him to be proud of and friends with his team please. please i want more q-taro content where he's actually got a connection with his baseball team.

nao - she just records herself sketching and it gets really popular because she's super good!!!

mishima - one of his classes is recorded and he gets famous for being a really cool eccentric and awesome art teacher.

ranmaru - he makes faceless skateboarder content and those parkour videos. he gets specifically popular for a video where he jumps between some stupidly large gap and almost falls.

rio ranger - grwm true crime videos. that's it. it becomes increasingly obvious some of the fits are based on the victims.

maple - she talks about tea brands and how different teas are made. (because she specifically asked about the tea when you try to get the ID card. And I like tea.)

NO.

sara - she has a tiktok specifically to see what joe's posting and to make sure he's not being stupid online. (he is.) and also so joe can send her tiktoks.

hinako - she's a diehard tiktok hater. <3

miley - she doesn't have tiktok.

kanna - kanna lurks on tiktok. that's it. she has no posts.

safalin - i just can't see her running a tiktok account. if she had one, it would be purely to know what tiktok is like.

anzu - she deleted her account because posting her street performances caused a split of comments, both making fun of her and not. idk.

midori - he tried running a 'social experiment' account and it flopped so hard.

shin - only experience on tiktok was above. his only social medias are probably discord and tumblr tbh.

hayasaka - that is a businessman with social anxiety. there's no denying that. he doesn’t have tiktok. if he did it wouldn’t be popular.

gashu - he doesn't know what tiktok is.

[we-keep-odd-hours]

tagged back by @hex6rcist! Thank you!

under a cut since I also rambled.

1. How are you!? I hope your day is going well.

ehhhh. I'm working not a great job, but its from home and if everyone is going to be insufferable, every single second i get of downtime I'm going to be on tumblr to stay sane.

2. What are you currently working on? Any little projects of any kind you’re excited to share?

I have an original novel in the works, I'm in the brutal final stages of tying off the loose ends of the rough draft (while this advice is some that I struggle to accept, to all writers I'd like to share this: the only thing that a first draft has to be is done.), I have two on-going fics (an Aliens one that's posted anonymously but tbh you could probably find it easily) and one of Diamondback's origin story.

Her origin story is more or less done (posting new chapters as I edit) except for a few plot points I'll make my decision on as I get to them in editing. There's details from my next project, a full follow up to the movie, that I kind of want to include in an epilogue to her story, since they're scenes/plot threads tied on her character arc.

3. What have you been watching lately? I just finished Righteous Gemstones and I need a new show lol.

I'm halfway through my rewatch of Hannibal right now, and I SHOULD rewatch West World next so I can finally watch the last season, but I've been itching to rewatch X-Files for a year now....the only problem being that X-Files is nine seasons, a mini series, two seasons of Millennium (IMPOSSIBLE TO FIND), and one season of Lone Gunmen (ALSO IMPOSSIBLE TO FIND). I never technically finished Millennium either, because they [spoiler] and it made me so angry at Chris Carter that I rage quit.

4. (A Near Dark one because how can I not) what’s your favorite small detail in the movie that other people might overlook?

When they first walk into the bar, Jesse kind of surveys the layout, but Diamondback immediately looks over to her right--at the bartender and the waitress, she then smiles, holds onto Jesse's arm and sets her head on his shoulder--and looks over the waitress again. Between that and her grin when the woman walked over, that whole weird thing seemed like some continuation of whatever game they were playing when she kissed the hitchhiker, which....guys, get a room. Homer and Mae are right there.

There are others, but this is the first one that came to mind.

5. What blog should I follow right now?

I'm bad at this; most people I've followed on here for literal years, or else picked up along the way when we had the same media obsession of the day.

6. Best piece of advice you’ve ever received?

I said it above already, but THE FIRST DRAFT DOESN'T HAVE TO BE GOOD, IT JUST HAS TO BE DONE.

7. If you could add one fantastical element to the real world and have it be a commonly accepted and known about thing what would it be? (Ie make Santa real)

This is asking for trouble: I believed in fairies at an age that was much, much too old to do so. I think it would be fun, or at least interesting if the fair folk were commonly known to exist. Dangerous, unwise, but fun.

8. What’s the last book you didn’t just read, you DEVOURED?

In the Valley of Sun by Andy Davidson. It was nasty, infuriating, full of characters I didn't like for but occasionally felt bad for, and it's about a wandering killer turned vampire living in an old RV just outside of Waco, TX in the 1980s. Yeah, that's what I thought too.

It was a break-neck paced mystery, not exactly of ''who'' did it, but of what happened, how did they do it, and are they going to get caught?

9. What are you most passionate about?

Art, literature, zoology. The order of those items changes frequently.

10. What do you think is your best quality?

oh I hate this question. Passion, I guess? It's not easy to get interested in something, but when I am, I can learn fast, pick up on details, and make weird connections. I'm literal minded and frequently get over-detailed on things, but I can think on multiple tracks at once and have caught things that even our Risk department at work didn't notice because they disrupted something.

[poltergeist-coffee]

people actually responded to my last post which i didn’t expect so i’ll ramble a bit about it kaminfinamw

PERCY JACKSON AU BUT I FOCUS ON SLIMERIANA!!

it's under the cut tho because im shy adsvnkjasdn

Mariana is a child of Aphrodite because i think that’s fun and yes he gets charmspeak because he is Aphrodite’s favorite <33

Slime is a son of Poseidon and he hangs out by the water nearly all the time

I cannot explain it to you but me and my friend agreed that AU! mariana has two moms (aphrodite and mortal mom) it’s important to me that you know this

Aphrodite is probably a big fan of Mariana and Slime’s relationship, she’s like “aww look classic enemies to lovers :)) Look at my son go”

Mariana would probably charm speak Slime to do dumb shit tbh and Slime can retaliate by drenching him in water

Mariana would use his magic?? or demigod powers on Slime at some point and realize that Slime has a crush on someone and sulk for days after (he doesn’t know the crush is on him. give him a minute)

Slime has lost countless pairs of glasses from jumping into the water because he is a wet goopy guy

Mariana would use permanent makeup on Slime and one time he accidentally makes Slime really pretty and he’s never regretted a prank more in his life (plagued with daydreams of kissing him under the moonlight)

BONUS!!

Juanaflippa in this au would be a hunter of Artemis (in training ofc)

when they visit camp halfblood she loves to hang out with slime and mariana :)) they are her favorite people in camp!!

there is no doubt in my heart that she would try and get them together because she loves them both so like…what’s better then having her two favorite people TOGETHER and also GETTING ALONG???

Flippa: i like you both so you should just parent me together smile

okay uuuh that’s all for now knxkhfhina if u want more let me know!! if YOU have thoughts PLEASE LET ME KNOW!!! I WOULD LOVE TO HEAR YOUR THOUGHTS!!!!

also if anything is weird/inaccurate to pjo please forgive me i have never read the books and go solely off of my friends knowledge and the wiki

[calamari-minecraft-corner]

See I just read the echo your name spoilers that you posted and I have no idea how to express how I'm feeling about them because you are breaking my heart (in a good way!) and at the same time it's so deliciously sad and tragic and he doesn't even remember her properly!!!!!! Ahhhhhhhh it's so tasty and so painful and auodbqijztajzbuaiafisgshn

But either way it's a brilliant choice

100/10 will probably make me cry

And I can just imagine Cala and Dream are going to be going through the ringer in terms of emotions

Oh! Actually I do have a question! How long has it been since Dream died when he's revived? And how are you going to do limbo's time dilation? Like how much time will Dream have spent in limbo?

HEHEHE YOU GET IT!

Cala and Dream will defintiely go through the wringer a lot and they would both cope with it in different ways to be honest— especially since after seeing Dream she does want to fulfill her promise to Tommy so she tries to go home but uh-/ Dream really doesn’t let her HEDKD

But on with your question ! :3

I was thinking back and forth on how long it’s been since Dre died when the events of the Ghost AU start— so I decided when basically Cala summons him it’s probably right around a year/a little after. And then Dre stays in Cala’s world for like… 8-9 months before they both hop into the DSMP. And then Cala’s stay til his revival would be like 3-4 months.

So I would say Dream has been dead for a little over 2 years!

As for how long Dream has spent in limbo- it’s actually part of the reason why he’s more unhinged tbh

When Dream died, he knew it was gonna take a small bit til Punz revived him. So he was very patient. He has to be in this situation— so he was honestly expecting to be there for at least a month or two real time til Punz brought him back. So Dream waited around 5 years in limbo time patiently—

And he started to slowly lose his nerve after that.

He was getting impatient, he was getting paranoid; why wasn’t he alive by now? He should have been! The only thing really keeping him sane was him counting the days and it honestly felt like the prison all over again but more lonely.

So he kept counting. And counting.

Until the years began to turn to decades in his point of view. And he was really doubting everything.

Meanwhile uh— there’s a reason why Punz couldn’t revive Dream! The main one being after Dream’s death, Quackity and Sam tracked him down and basically took the book from him.

Everyone in the server knows Dream had died by that point- because Quackity told everyone what happened:

That Dream apparently killed himself trying to escape and his plan fell through.

And majority of people believe it!

Majority ;)

So really by that point everyone really moved on… until Dre popped up and was basically ‘hidden’ from Q and Sam.

But back in limbo Dream was just waiting. And I figured out the math I think

Dream has been in limbo for 60 years until he came back!

The longest he has ever been in limbo— not as long as Wilbur or Schlatt but long enough for him.

And Dream is not happy about that at all.

[georgeapolloorion]

hi hi hi!!!!

my name is george-apollo!!! (pronouns: he/they/she/anything you want tbh) welcome to my little side of the inter webs! i mostly use this account to repost things, but every so often i want to make my own posts like this one and just yap my little heart out to strangers on the internet (works better than therapy! /j)

for a little more context, i’m a chronically online chronically ill fella who was introduced to tumblr like 6 months ago (at the time of posting) and has become obsessed with using it lol so i thought a little introduction post would be a cutie way to start! lets start with some likes, dislikes, a little bit about some of my current hyperfixation(s), important links, and my DNI list! ﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒ ﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧ likes: musical theater, harry potter / marauders, bracelet making, my fiancé <3, animals (specifically sharks), the color red (i've dyed my hair red 4 separate times now), hair dye, making pinterest boards, yapping, stephen king books, horror movies (my favorite is Hell House LLC!), and listening to music (some of my favorite artists are Hozier, Lemon Demon, TV Girl, Laufey, Glass Animals, and Noah Kahan)! dislikes: math, deadlines, neil patrick harris (that bitch), the fact that inside job never got another season, the cold, the heat, regulus/wolfstar haters, taking notes, the color neon yellow, orange gatorade, orange flavored anything actually, and people who judge others without a good reason to (i.e. those people who are like "ew look at their hair/outfit/etc!" like ... it is not affecting you, be quiet.) ˙ . ꒷ 🪼 . 𖦹˙—˙ . ꒷ 🪼 . 𖦹˙—˙ . ꒷ 🪼 . 𖦹˙—˙ . ꒷ 🪼 . 𖦹˙—˙ . ꒷ 🪼 . 𖦹˙—˙ . ꒷ 🪼 . current hyper fixations & special interests list (will be updated irregularly) 1. Falsettos! falsettos is a musical about the AIDs crisis and how it affects one specific family. my descriptions of it never do it justice, its a 2 hour complete sing through full of the most gorgeous vocals and gut wrenching songs, and you should definitely watch it if you can!!!! 2. Sharks! i've always loved sea life, but i specifically love researching sharks. wanna know something about a shark? i probably know it! 3. Musical & Technical Theatre! i LOVE researching the backstory of musicals, and figuring out how aspects of sets work and how to recreate them, even though i know i never could. 4. Writing! i'm currently writing a play (possibly a one act play, possibly longer), if you want to know more about that don't be afraid to ask! i love yapping about it, but i'm terrible at bringing it up first lol. end of list! ୧ ‧₊˚ 🍮 ⋅ ☆୧ ‧₊˚ 🍮 ⋅ ☆୧ ‧₊˚ 🍮 ⋅ ☆୧ ‧₊˚ 🍮 ⋅ ☆୧ ‧₊˚ 🍮 ⋅ ☆୧ ‧₊˚ 🍮 ⋅ DNI LIST DO NOT INTERACT WITH ME IF YOU ARE ANY OF THE FOLLOWING!!! ableist, transphobic/homophobic, racist/sk1nhead/etc, a generally mean person/a bully, make fun of peoples interests because you "think their weird" (i.e. bullying furries or theatre kids), and especially don't interact if you have nothing nice to say! ༄˖°.🍂.ೃ࿔*:･༄˖°.🍂.ೃ࿔*:･༄˖°.🍂.ೃ࿔*:･༄˖°.🍂.ೃ࿔*:･༄˖°.🍂.ೃ࿔*:･

IMPORTANT LINKS !!!

﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧﹒⌗﹒🦇﹒౨ৎ˚₊‧

so thats it for now!!!

if you took the time to read all of this, thank you!

and, if you just skimmed to the bottom, still, thank you lol

feel free to ask me anything using my ask button, or shoot me a message!

until next time,

george-apollo ❤️

[microwaving-tesilid-argente]

Honestly i have so much sympathy for Ailette and the way she mischaracterises Tesilid.

like i myself also fixate on certain parts of the story and extrapolate maybe a bit too much - although in my defence i've only read like half the story.

-but the same can kind of be said of Ailette? This Tesilid is having a new, currently-being-written chapter of his life. In fact she kind of has things even worse, because her characterisation of Tesilid is based off OG!Tesilid, but current Tesilid had his life and outlook irreversibly changed when they met aged 10. But they never really interacted enough afterwards for Ailette to realise just how much of an impact she made on him. She hasn't really had a strong reason to rethink her characterisation of him. Not to mention that she first read the book with her middle school reading comprehension, which. Probably coloured her interpretation for the worse, at least a little.

I really wish Ailette would go into more detail about her own experience as a reader, to really see better how she's viewing this world and its people.

Which paragraphs are the ones that she thinks defines Tesilid's character? (Mine is "I'm praying that they'll all fail the test and go home".)

Which are the ones that made her cry? (Mine's "Right... you're on the side of this world.")

Which are her favourite silly Tesilid moments that make her so fond of teasing Tesilid? (iliac bones)

Which are the ones that reverberate in her head and which won't leave her alone? (Mine is "Please... show me some of that petty mercy too.")

I feel like the fun part of these kinds of isekai story is that. Whatever reaction you had towards Tesilid, be it "wow what a cute kid" or "i'm going to cry, i need to wrap him in a blanket where the world can't hurt him anymore" or "actually he should just destroy the world tbh i would support him", she's been there first and has been doing for at least 10 years, she's the OG. And she's super intense about it too. Like she can say "I need to save him because the story dictates it" all she wants, but the way she reacts so intensely and immediately to Tesilid in danger really speaks volumes of how much emotional investment she has in this guy. Like idk if she really rotates him in her head as much as I do - that might be a me problem - but if you rotate a character in your head enough times while fixating on certain moments and not others, you probably would end up with a biased interpretation of the character. Especially if you don't have someone else to bounce ideas off. And this gets worse if you're actually living in the character's world, because characters in stories serve certain narrative functions, so all their actions which get included in the narration are inherently biased towards portraying them in a certain way that serves said narrative function. But humans are a lot messier and more dynamic.

i just. shakes her up and down. love the concept of an isekai protagonist and the OG protagonist that they love so much.

anyway this whole post is a testament to how much Omniscient Reader's Viewpoint changed the way I interpret fiction and especially isekai stories. Not me anthromorphozing Ailette as if she's really a person and fellow fan who exists and isn't a character lmaoo, i'm definitely not having a "we're all fragments of kim dokja" moment, no sir. i definitely didn't subconsciously draw connections between ORV's isekai'd MC and myself and S-Class Heroine's isekai'd MC and our commonalities as readers who rotate the same story in their heads very many times, and suddenly make a realisation that's actually more relevant to ORV than the actual story that prompted all this. one whole year after i last read ORV, because ORV's story is So Much and so monumental that i'm still haunted by it and figuring it out and it lowkey never left my mind, even after a whole year. (please read orv.) like there are a lot of otome isekai stories about isekai'd MCs realising that the people in their lives don't line up with the OG characters, but none of these stories ever made me viscerally realise what it was probably like for kim dokja, because none of them had isekai'd MCs be that unironically obsessed with their OG protags, and more importantly none of them made me constantly rotate the OG protagonist in my head the way S-Class Heroine does. Han Sooyoung was right, you get as much out of a story as you put in to reading it and re-reading it and re-interpreting it. By putting so much time into S-Class Heroine I accidentally made some relevations about the other story that I was always trying to figure out at the back of my mind. Holy shit.