#tbh i enjoyed that one

[cj-the-random-artist]

Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.

I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!

(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)

The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.

That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.

[hinamie]

thank u canon plant nerd megumi for my life

bonus:

[scaradeus]

(not a ship art)

og post

[butch--dean]

the confession (jensen's version) | the night we met

"In my mind, I was sitting there thinking that... you know, it was like this flashback—you know they say that when you're about to die your life flashes before you. In my mind, I was flashing back to Lazarus Rising and seeing him walk through the barn with the sparks flying and all of the sudden all of these clips in my mind of Castiel and walking into the lake, and all of these things that are ingrained in my memory and seeing this now character have to say goodbye, but also knowing that my friend was in there having to struggle with this as well and I just thought he did such an artful job and such an incredibly nuanced performance in that moment that I was really proud of." x

inspired by @drulalovescas's post | watch it on youtube

[raepliica]

priest guy sending mixed signals, what is he up to?🤨🕶🤏

~~~

[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]

[chiricat]

assorted wips again

1. anchan space buns!!

2. emo arisato twins + ryomina and akiham

3. mzen x p3

4. suzalulu sketch dump

5. suzalulu + souyo (eng voice actor joke)

[formulanni]

Thunderstruck!

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls @brawngp2009

[nobleriver]

Rick and Michonne Grimes - Their Journey Over the Years

It's a broken world, Michonne. And you're the only thing that puts it back together. Til my last breath I am yours.

[svnnnne]

[daeyumi]

Resuscitate.

[2022]

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[ruporas]

good mornings throughout the travel

[ID: Two comics of Vash and Wolfwood from Trigun Maximum. The second is underneath the read more.

The first is in four panels and follows Vash and Wolfwood through hotel rooms. First, Vash and Wolfwood exit adjacent rooms, and Wolfwood has sparkles floating around him as he exclaims, “Rise and shine! Ready to go?” Vash frowns, displeased, and says, Urk— Good morning to you too.”

Next, they’re in a room with two beds. Wolfwood is awake and fully dressed. He’s sitting on the bed and smoking, back turned away from the viewer and he says, “Wake up already, sleepyhead.” Vash sits up with his eyes still closed and yawns before saying good morning. After that, they’re sharing a bed, and Wolfwood gets up and says, “Morning, sunshine. Time to get up.” His body shadows Vash from the sunlight. Vash is still lying down with a blanket draped over him as he mumbles good morning.

Finally, they’re embracing in bed, both shirtless. Sunlight shines on them, but their contact allows their shadows to drape over their faces. Vash smiles, kisses the top of Wolfwood’s head, and says, “Good morning, Wolfwood.” Wolfwood sleepily says, “Mph, g’morning, needle-noggin’,” snuggling into on Vash’s shoulder. End ID] ID CREDIT

TRIMAX Vol. 10 Spoilers under read more // bonus comic

[ID: The bonus comic starts with Vash asleep in bed, fully clothed with his hair half-black. Someone says “Good morning,” and Vash says, “Morning, Wolf—w...” He trails off as Livio, holding a plate of food, stares with abject shock.

Livio says, “I’m sorry.” Vash, smiling but sweating, says, “No, it’s my bad...” Livio repeats, “I’m sorry.” Vash says, “Geez, stop apologizing,” and cuts off Livio’s “I—” with a “Good morning, Livio.” Livio quietly mumbles, “... Good morning...”

Vash sits up from the couch he was sleeping on and looks down, thinking, “... That’s right. I won’t wake up to you anymore... I have to get used to that...” End ID]

[hinamie]

someone asked if i had ever drawn gojo with his scars, now i have :>

[flickering-nightfall]

Experiments with pupils and mouths that devolved into shenanigans :)

[britomart]

Bruce Springsteen ↳ I'm on Fire (Paris, 1985)

[ID: Two black and white gifs of Bruce Springsteen from the side as he sings "Sometimes it's like someone took a knife, baby, edgy and dull / And cut a six-inch valley through the middle of my skull". /end ID.]

[tritoch]

i know a lot of people (very understandably) dislike the paladin job quests in ffxiv, particularly HW, but i do think it's fun that, now that the pre-ShB MSQ revamp is complete, paladins now have a very cool and thematic in-game storyline that happens without a word being spoken: the development of passage of arms.

none of the below is directly stated in the script, but imo it's a fairly obvious gloss on what the game presents, if you assume a paladin warrior of light. spoilers for all expansions through the end of 6.X.

in the new version of steps of faith, as vishap breaks through each ward protecting ishgard from attack, lucia mounts a final desperate effort to hold him back, with a very familiar looking animation:

but even lucia can't hold back vishap's flame alone, so the temple knights surge forward to assist her. their efforts make the shield visually more powerful and larger. the temple knights here band together in defense of ishgard, and their knightly resolve to protect their home is the difference between victory and defeat.

lucia and the knights do ultimately succeed in defending the last ward, as you have to defeat vishap before their shield falls or you lose.

later in heavensward, obviously, we will get ffxiv's most famous (failed) attempt at blocking something with a shield.

this moment can be read as fairly impactful on the warrior of light's development; as i've noted elsewhere, after the trauma of watching haurchefant bleed out in their arms at level 57, at level 58 paladins learn to channel their magic into healing (and it's called "clemency," or mercy. mercy for whom? who was guilty?), and as someone pointed out on that post, at level 58 dark knights used to get "sole survivor", letting them heal in response to a marked target's death.

for a time, you literally carry haurchefant's shield with you, and 3.3 very much literalizes in genre fashion the idea that even when you are standing alone, your fallen friends stand with you. you don't need to call any allies to stand at your side and raise their shields with you because they are already there, in spirit.

stormblood marks a pretty important turning point in the warrior of light as a combatant, in my opinion, and the text makes this clear in several ways. first, in pretty much all your jobs, you've now far exceeded your trainers and are pioneering new techniques. this is no less true of paladin, which for 60-70 abandons any trainers at all for you to show off your peerless skills in a tournament.

second, stormblood is straight up a story about you getting stronger. at level 61, zenos kicks your ass. at level 70, you kick his ass. why? because you fought and got stronger and developed incredible new techniques and became a one-man army.

for a lot of classes, this story lines up nicely with the big rotation changes or flashy new finishers on the way from 60 to 70. SMN is now busting out bahamut and casting akh morn; RDM gets verflare and verholy; DRG starts harnessing nidhogg's power directly through dragon sight and nastrond.

the tanks are divided in two: warriors and gunbreakers get huge damaging upgrades at 70 in the form of inner release and continuation, each of which lets them hit the same button many times for lots of damage and satisfying animations. paladin and dark knight get more protective abilities; dark knight gets the blackest night, and there's been plenty said about that already by pretty much everyone.

paladins get passage of arms. instead of a relentless new attack (and you get requiescat at 68, which is a way bigger deal for your dps rotation), your big reveal at 70 for zenos in your fight in ala mhigo is a superior way to protect your party, a shield that lets you stand for your allies so they never have to fall for you again. it's lucia's same shield, except you need no allies' shields to reinforce you, proof of your martial prowess and your ability to transcend limits, and perhaps in truth a reminder that you never really stand alone.

in many respects passage of arms should really feel like a paladin signature move to you now if you are playing it at this point, because you should be popping it in pretty much every fight (you are using your mits, right...?). basically every FFXIV fight has at least one big AOE with downtime that warrants passage of arms usage, usually after the mid-fight add phase with slowly filling bar. since that AOE usually drops during downtime, there's no reason not to pop passage of arms (which otherwise restricts your movement and actions), and even on normal, sometimes every little bit counts on a damage check even if it means dropping DPS (thinking here of harrowing hell P10N on release, which was...less consistent for a lot of roulette parties than you might hope).

so from 70 onward, passage of arms is in a sense a paladin warrior of light's signature move, and certainly the one a player gets to most actually enjoy (since if you're using it, you're by necessity not doing anything besides moving your camera and admiring your sick animation). it doesn't have any competition in terms of spectacle until confiteor, and those you're usually throwing out in the middle of movement.

it's such a signature, in fact, that the only other person shown using your one-person version of passage of arms is your greatest admirer, who studied your legend for over a century.

and it's when he fails (should've popped arm's length, bud) that the warrior of light decides they can't let their friends fall for them, and sends them away with the transporter beacon. this is all wrong: you were meant to die for them, not the other way around. yours is the shield that stands between your allies and defeat. it is you who will win this passage of arms and break your opponents lance. and you do.

and then later, when they need to quickly establish zero's domain as a place of fallen grandeur, the home of someone who once believed in heroes but is now a cool and cynical vampire hunter d, what do they use? a decayed statue of someone in the paladin endwalker gear doing the passage of arms animation, of course.

from a visible instantiation of knighthood as a joint effort to defend what is sacred, to a tribute to the fallen friends whose memories stand by you and animate you, to a symbol of the wol's power as emulated by their allies or darkly mirrored in other shards.

not bad for a mit button you hit once per fight and otherwise never think about!