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ccorinnef · 5 years ago

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Tattoo Art: Living Galleries Through History

Tattoos have existed for millennia. Currently, the oldest known tattoos are from the Alps mountains on Ötzi which date from 3250BC and the oldest known decorative tattoos are from Egypt dating to 3351 - 3017BCE. They existed as a form of magic or medicine or branding for slaves and criminals, before becoming a form of identity, expression and artwork. Since around the 1800's, though, tattoos have been increasing in sophistication, design, artform and popularity. Tattoos are now incredibly popular and probably every city in the world has at least one, if not many more, tattoo shops and artists. Tattooing was by no means 'discovered' by white people but since the practice had been through phases of popularity in Europe, they were quick to forget and quick to become fascinated by tattoos. Following the age of colonialism and ideas of European superiority, tattoos were often labelled as barbaric or primitive and were used as a way to further discriminate against people in 'discovered' lands. A really surprising fact that I discovered while researching this topic was that in Latin the word used to refer to tattoos was 'stigmata' which is also the root word for stigmatise, tattoos often literally were symbols of stigmas.

Tattoos Through Ancient History

One of the most common misconceptions in the history of tattooing is that tattoos were brought back to the UK and the West on the Cook voyages of the 1790s. As can be seen from tattooed mummies across the globe and dating from across almost the entire history of humanity, tattooing as a practice has been recurrent. Whatever the context or purpose of the tattoo, whether for identity, medicine, status, religion, or whatever tattoos have been used across many cultures and times. The cook voyages simply brought back the word tattoo - from the Polynesian tatau or tatu. Before Cook's journeys introduced this word tattooing was known as 'painting' 'scarring' 'staining' stitching' and a host of other words were used to describe the practice. Tattoos have been used as a means of identifying people and animals, along with branding, for centuries: facial tattoos to denote punishment for crimes or to indicate status as a slave were used in the Chinese Zhou and Roman Empire time periods - until Emperor Constantine banned the practice of facial tattoos in AD330 and the Second Council of Nicaea banned all tattooing as 'pagan' in AD787. Runaway slaves were commonly tattooed on their face with 'FUG' for fugitive. In ancient Egypt there is evidence of medical tattooing first 'discovered' by Daniel Fouquet in 1898. He found mummies with tattoos and scarification which didn't appear to be decorative and speculated that they were "an established treatment for a condition of the pelvis, very probably chronic pelvic peritonitis."

The negative European influence on the Maori population of New Zealand first started with trading for moko tattoos, which were acquired by Maori people hunting and decapitating each other, and later by imposed Christian values by missionaries who discouraged and disliked the tattooing practice, something that has been repeated the world over. Tattooing was practiced widely in the Austronesian region, thought to have been developed before 1500BCE. 'Needles' were commonly made from Citrus thorns, fish bone, bone and oyster shells. Other ethnolinguistic groups who observed a practice of tattooing include the Ainu of Japan, some Austroasians of Indochina, Berber women of Tamazgha, Yoruba, Fulani and Hausa of Nigeria, Pre-Columbian Native Americans, and Iron Age British Picts.

Throughout history from around the 1500s to 1900s many many people were kidnapped or tricked into travelling back to Europe by early explorers and were often presented at the royal court or put on display as 'curiosities' to be gawked at, especially if they had tattoos across their bodies. Many of these are terribly sad stories of exploitation by white Europeans and often end in death by being exposed to illnesses their immune systems could not handle. "In 1565, French sailors abducted from Canada an Inuit woman with facial tattoos and her daughter. They put them on public display in Antwerp, the Netherlands, drawing crowds for money. Sir Martin Frobisher, an English privateer, also abducted an Inuit man from Baffin Island, putting him on display in London before he died from European diseases. Frobisher returned to Baffin Island and abducted a man, a woman, and a child, also taking them back to London for public display. They also died from illness shortly afterwards." William Dampier, a member and financier of Captain Cook's famous voyages bought a slave called Jeoly from Miangas Island in 1690. Jeoly, nicknamed the 'painted prince' was put on display across Europe and Dampier described his tattoos as covering most of his body with a 'great variety of lines, flourishes, chequered-work, &c.'

Tattoos Through Cultural Context

The methods of tattooing are varied and extensive, but they all involve puncturing the skin to insert a pigment into the epidermis where it remains trapped as the body heals the wound. Some cultures created tattoos by fashioning 'needles' out of shell or bone and creating lines by joining punctured dots of pigment together. Some cultures cut the design into the skin first and then rubbed the pigment into the wound. Today, the tattoo machine is most commonly used to insert pigment into the skin which utilises modern hygiene methods to reduce the risk of infection.

Among men of Austronesian societies, such as the Ifugao and Dayak, tattooing was an integral part of head-hunting culture where they served as a record of the number of kills a warrior had done in battle. Tattoos were also used in initiation rites into adulthood across Austronesia. A warrior's status was inscribed into his skin; the design, placement and number of tattoos indicated prowess and success in battle. Among Austronesian women, facial tattoos denoted status, skill and beauty and were often used as a symbol that a girl had reached marriageable age. Among Visayans of the Phillipines, tattoos were worn by nobility and warriors as records success in mangayaw raids.

Tattoos were also commonly used across the globe as magical wards against dangerous spirits or illnesses. Among the Ainu of Japan, who have mythology of tattooing practice coming from the sister of the creator god, Turesh Machi, and who faced much persecution by the Japanese authorities for continuing this culturally significant practice, tattoos were believed to stop evil spirits from entering the body and causing illness or misfortune. They also had specific tattoos placed around the body to serve as charms against illness and disease. Tattoos were used by Ancient Egyptians to depict dedication to a God and protection from evils. As Vanishing Tattoo states, "Largely administered by holy monks, sagacious tribal elders, and layman tattooists, the esoteric art was not only believed to provide its wearers with indelible protection from a variety of misfortunes, but also the mystical power to influence other peoples’ behaviour, carry the deceased safely into the afterlife, or simply increase a person’s 'luck.'" It could also be argued that the Catholic Croats in Bosnia tattooed women and children to protect them against a perceived 'evil', that of conversion to Islam during the Ottoman rule.

Native Americans, such as Seminole, Cherokee, Cree, Yurok, Tolowa, Hupa, Chimariko and Creek, used tattooing as a form of identity and belonging to their tribe. Obviously there is a huge range of cultural differences between each Native American community: the Cree had men covered entirely with tattoos while restricting women to only three or four lines on the face; for the Yurok tattooing was more popular among the women than the men, where a woman's age would be indicated by a line tattooed on the chin roughly every five years. Some communities even had tattooed size guides for seashells which were used as a form of currency. The Yuma used tattoos to denote status and community as well as to decorate warriors to appear more fierce - "they believed access to the afterlife would be denied to those who wore no tattoos."

Because tattoos were used to mark criminals and slaves, tattoos themselves, and by extension the people who have them, often face stigma and discrimination - the ink in their skin being culturally associated with criminality and deviance for centuries. In many cases, tattoos are considered an integral part of gang and mafia culture - often specific images and words are used to indicate membership and allegiance. Since the 60s and 70s tattoos have also been associated with social outcast groups such as bikers and prisoners, which has further played into the stereotypes of people with tattoos. Many prison inmates still tattoo themselves today, using whatever materials they can get their hands on. In China, tattoos are still considered taboo. The association between criminals and tattoos was a huge influence on this. Criminals were often tattooed to mark them and ostracise them from society. In Japan, tattoos were outlawed in the 19th Century by the Meiji Government - this wasn't repealed until 1948. In the city of Osaka employees are forbidden from getting new tattoos and all pre-existing tattoos are required to be covered completely, or removed. There is a strong and prevailing cultural link in Japan between tattoos and organised crime, yakuza. A project by Fukushi Masaichi's tattoo association was undertaken to collect and preserve the tattooed skins of dead Japanese people. A similar project to promote the art of tattoos was an exhibition by the Museum of Croydon called Beyond Skin.

Tattoos are often used symbolically to represent everything from a loved one, to a favourite sport, to prison sentences. For example, the teardrop tattoo has been said to represent murders committed or the death of a friend. US military personnel have an equally symbolic use of tattoos to mark identity, membership of particular regiments, battles participated in, murders and loved ones. Many companies now are trying to promote diversity and inclusion in employees, and many people are seeing less discrimination based on tattoos and their negative stereotypes.

Many different religions have expressed as many different viewpoints and levels of acceptance or tolerance towards tattoos - some completely prohibit their followers from getting tattoos, such as some Jewish traditions and Sunni Islam, while others, such as Hinduism and Neopaganism, show acceptance. Others still, such as Christianity remain undecided and some religions like Buddhism incorporate tattoos into their spiritual practice, known as sak yant.

Tattoos Through the 19th and 20th Centuries

Tattoos have been used administratively as a very literal form of identity. In 18th Century Thailand, tattoos were used to denote administrative identity - army officers, couriers, grass cutters, slaves and criminals all had distinctly unique tattoo designs and placements to denote their profession and to distinguish themselves from other departments. There were even different tattoos for corvée exemption due to illness or old age. As is commonly known, tattoos were used by the Nazi's in Auschwitz to identify registered prisoners with a complex numerical system. Many people alive today still bear this mark of their horror and trauma from life under the Nazi's. The SS were also tattooed with their blood group in WW2 to aid in any necessary medical treatment. Many SS members later shot themselves in the arm so as to remove the very identifying symbol of their Nazi involvement.

In Britain the first person to define their profession as 'tattoo artist' was Sutherland MacDonald in London in 1894. Prior to the 1870s tattoos were still very much associated with the 'lower classes' i.e. criminals and sailors, however the practice was soon coveted by the wealthy upper classes of Britain. Many of the royal family sported tattoos as a symbol of their wealth and style - since tattooing in the late 1800s was still a very time consuming and expensive practice. The invention in 1891 by Samuel O'Reilly of the tattoo machine, an adaptation of Thomas Edison's electric pen machine, meant that tattoos became cheaper and easier to produce so the practice dropped out of fashion among wealthier citizens. Tattoo art didn't really become considered as a legitimate career choice until the 1980s. More than 5000 people declared 'tattoo artist' as their professional title when in 1975 there had only been 40. In Australia, Fred Harris was considered the only tattoo artist in Sydney between 1916 and 1943. Throughout Harris' career, he tattooed mostly sailors but he also saw a trend of women getting their legs tattooed so the designs could be seen through their stockings. Throughout the 20th Century there is evidence of women getting tattoos, often ones that could be hidden well under clothing. There are even records of a female tattoo artist from the 1920s called Jessie Knight. An interesting exhibition which really put her work and career on display was held in Cornwall in the Maritime Museum.

The use of tattoos as a distinguishing identification feature was established in the 1800s as part of the 'protection papers' as a way for American sailors to avoid being impressed to the British royal navy. Prior to the use of tattoos as identification in the papers, the descriptions of the named individuals were too generic and often not accepted by British Captains. "In the late eighteenth and early nineteenth centuries, tattoos were as much about self-expression as they were about having a unique way to identify a sailor's body should he be lost at sea or impressed by the British navy." Until the onset of World War One there was a huge demand by sailors, usually British and American, for tattoo artists in ports across the world. This demand was addressed by the the first recorded professional tattoo artist German born Martin Hildebrandt who opened a shop in New York City in 1846. His career mostly consisted of travelling between camps of soldiers in the American Civil War. Following the 1960s and 70s there was a marked increase in bikers' groups and tattooing became a strong marker of identity for these groups - similar to other groups like gangs and prisoners.

Tattoos Today

In 2006 the results of a survey by the Journal of the American Academy of Dermatology found that 36% of Americans aged 18-29, 24% of 30-40 year olds and 15% of Americans who were 41-51 had a tattoo. A similar survey by the Pew Research Centre found that 40% of Americans aged 26-40 had a tattoo. "They concluded that Generation X and Millennials express themselves through their appearance, and tattoos are a popular form of self-expression." Tattoos have even been used as the basis for, and advertisement of, logo designs. For example, Macy's logo is based off of a tattoo that the founder had on his hand. The practice of "skinvertising" has been used by brands such as HBO, Red Bull, ASOS and Sailor Jerry's.

Growing popularity can be seen for permanent makeup tattoos and for artistic tattoos to be used to cover up scars, such as from mastectomy, and perceived imperfections, like stretch marks. There is also high popularity for tattooing nipples after breast reconstruction following mastectomy. Permanent makeup includes tattooing pigment on eyebrows, lips and eyes - usually done with very natural colour shades to enhance a persons appearance. More recently, there has been a marked increase in the trend of 'stick and poke' or 'DIY' tattoos - with a few companies even offering complete kits to ensure hygienic practice. There is a motive for girls and women with low self-esteem and negative body feelings to get tattoos as a way to reclaim control of their bodies and search for their own identities. The increase of women getting tattoos, especially visible tattoos, is helping to change the stereotypes and stigmas associated with tattoos. Beverly Yuen Thompson interviewed many women across America in 'Covered in Ink' to look at the interaction between reactions to tattooed women in the general public and within families. She found that younger generations tend to be more accepting and generally unbothered by other's tattoos as compared to their older counterparts. Within family units, the reactions that women faced after getting a tattoo ranged from acceptance to disowning. Thompson noticed a correlation between the existing familial relationship and the post-tattoo reaction - those that were emotionally accepting of their female relatives were able to maintain close relationships despite a personal dislike to inked art.

In 2006 the results of a survey by the Journal of the American Academy of Dermatology found that 36% of Americans aged 18-29, 24% of 30-40 year olds and 15% of Americans who were 41-51 had a tattoo. A similar survey by the Pew Research Centre found that 40% of Americans aged 26-40 had a tattoo. "They concluded that Generation X and Millennials express themselves through their appearance, and tattoos are a popular form of self-expression." (wiki/tattoo) Tattoos have even been used as the basis for, and advertisement of, logo designs. For example, Macy's logo is based off of a tattoo that the founder had on his hand. The practice of "skinvertising" has been used by brands such as HBO, Red Bull, ASOS and Sailor Jerry's.

Further Reading and References

Tattoos

Tattooing Among the Ainu

Tattoos in Indochina

Berber Womens Tattoos

Last Batok Artist in the Philipines

Lady of Cao

Ta Moko of New Zealand

Tattoos in the Arctic Circle

Tattooing History

Permanent Makeup

Medical Tattoos

Religious Perspectives

Tattoos in Papua New Guinea

Cook Tattoo Myth

Nazi Prisoner Tattoos

Mastectomy Tattoos

Nipple Reconstruction Tattoos

Tattooed Mummy

Otzi’s Tattoos

Egyptian Mummy Tattoos

Indian King’s Tattoos

Religious Opinions

Tattoo Gallery

Psychology of Tattoos

Why Do People Get Tattoos

Jessie Knight - Britain’s First Female Tattoo Artist

Native American Tattoos

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darkshimmeringworld-blog · 7 years ago

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Dreams

She's finishing her smoke and staring out of the window. She thinks she sees a bat, but then it becomes apparent, it is actually a spider, right in front of her face, skying across the night canvas on invisible web. Oh the tender exaltations one feels, when alone with the secrets of the night. The communion of dark thoughts, in the trembling moonlight. The time for emergence and disappearance. The dark shimmering world that opens all doorways.

Inside the still house, which is surely empty, he watches from what might be an alcove, but could also be the beginning of some extended tunnel system, that riddles into deep, beyond places.

Once I had a dream, she says to him straight, I was walking down the street, and this small, bald man, missing both the two legs, making quick in a wheel chair, rolls up and past me. He goes, Happy, Happy, Happy, Happy, Happy, and as he passes, I whisper, Happy Cunt, in the derogatory style, and he hears and the wheels tip, and he's lying there spokes whirling, like a broken record, going, Happy Cunt, Happy Cunt, Happy Cunt . . . What's that about?

One interpretation would be that the man in the wheel chair is you, or represents your happiness, a happiness you feel you aren't entitled to, and so you sabotage it.

Ha, she rubs her nose. But what about that insect, did you see it?

Underneath the house?

Recording everything we say, writing down it's manuscript.

But that was in my mum's house.

We are in your mum's house.

Fuck. We are.

8.15 alarm. Strange dream. Dreamt of her again. And the recurring insect motif. What was he watching last night? Why always bugs? The Dreamer rubs his eyes reluctantly. Coffee time. Commute. Work. Dreams. He works at Dreams. The bed store. Mattresses, pillows, headboards, sofa beds, free delivery, 40 night guarantee, “because your sleep matters”. The Dreamer enters the building, and chooses the outside path, the route which best avoids Martin’s substation, over by the Superkings.

Martin, is an unfortunate man. Unfortunate like the man, who can only sustain an erection, by clinging to the swinging udders of a cow, in mad, desperate embrace, whilst being dragged through a field of mud, and then similarly, can only lose said erection, by clinging to the same bemused creature, whilst being dragged in the reverse direction, across the same rotten field. Who traipses hedgerows, up and down the land, looking for negligent farmers, slow moving cows and sympathetic women. A trifecta of which, is very rare indeed.

Watching the Dreamer from behind a Double, Martin makes an excited inhalation of breath, and leaps to intercept. He is young in the face but clearly in his mid 30s, a perpetual potential person, who will find himself too late. His mum drops him off, and picks him up. On his lunch break he sits alone, eating Pickled Onion Monster Munch, reading Emil Cioran. One time the Dreamer caught him alternating the Monster Munch, with a rolling replenishment of mint chewing gums, whilst flicking through pages of On The Heights of Despair. He delivers everything he says, with an intimation of dormant, violent tendencies, and is drawn to the Dreamer, like a slug attracted to a rainy night.

What is it today? smiles the Dreamer, with well rehearsed deceit and politeness.

It happened again. Animals, they come in here, like pagans in heat, trampling grapes with the Great God Pan, Stella cans and crisp packets, foot marks and stains of miscellaneous description . . . undetermined till further autopsy . . . there will be an autopsy, all on the 6'0 Cream Superking, 20% reduced but still a dame, not to mention what I found on the Ottoman.

I respect your right to an Inquisition, but I can't help you Martin.

But this . . . just makes me want to torture starfish.

Calm down mate, you really need to get out of here. It's no good for you. Plus it could be so many of the employees. 6 of us have keys, the head office aren't paying for the security cameras to be fixed till spring. Someone’s having a little bit of fun on company soil, it’s not like they’ve fisted your nan’s urn.

I'm gonna stake it out. I have a tent.

Martin, change of scenery . . take that fucking tent to Wales, it's alright round there, you been to the Brecon Beacons?

Sending this up the chain of command is too good for these cretins. No . . . I'll make a headboard from their ashes, sell it 50% reduced to a fetish club in Dagenham. No 70% . . . 75%. No, Croydon.

I'm going to talk to that couple. You’ve lost me.

We’re a closed system of the damned, Martin heckles, to a withering crowd of no one, I’m the Serpico of Springs!

Martin is shaking by his substation. The Dreamer talks to the couple. He’s no Terry Wogan, but he makes good small talk.

We had to rid ourselves the last one on account of the bed wetting, Woman Blessed With Oversharing goes. Man Not Blessed With Oversharing Thank You Very Much, standing holding her hand, recoils.

I've done it for years, Oh it's OK, he does it too, really, we're made for each other, but don't get any funny ideas, it's not in a sexual way!

Man Cursed With Shit Job recoils in synchronization with Man Well Rehearsed in Public Recoiling, Less So In Midnight Relief.

We’re downsizing as well. Priced out of the area. The new place is tiny. So we need something small, super practical, durable . . .

The sofa bed is becoming more and more the go to solution for many space squeezed couples living in Central London, says the Dreamer, the industry understanding this are producing some things of real beauty. You could say we are in the golden age of sofa beds, really.

In the realm of the abstract everything is just a mask, says the penguin.

I really need to pee.

You're a boy, you can piss where you want!

The penguin is correct, so he heads out of the club house of his childhood football team, where the grass has grown long now and everything feels forgotten, and ascends to the roof, via stairs that were never really there. He Caspar Friedrichs the surroundings. What a prime pissing pantheon. The Dreamer starts yellow brick roading hard, it doesn't seem to end! Then the tingling on the back of the neck, klaxoning the gaze of another. Not alone. He looks back and The Man With Oversharing Partner is there, cock out, also, Wizarding his Oz, but intently staring across.

Do you mind!

Listen, the Alpha Shemale is looking for us.

'Cuse Me?

I had to come up here.

Fuck off.

There's not much time. I can see my top. A bee is on it. Can my top see me?

I think it's time to fuck off.

I was only trying to help.

You spend any more pennies whilst staring at me and I'll punch you between the eyes.

Lunch break with Mo and B. A fog has engulfed the day and the sun looks vulgar and gaudy in it's attempts to break through it. An English Cafe serving the English staples, needing no other description.

Who's turn is it this Saturday?

Mine.

With your lady friend?

Right.

Careful, Martin's gonna be setting bear-traps all around shop.

Well I won't leave evidence like you did last time.

Yeah, I don't really care man, Mo laughs.

Do you find it funny, the longer you work here, the stranger the dreams you find yourself having?

Dreams about Dreams?

Yeah.

Don't think so, says Mo, thumbing his phone.

Feels like a nightmare. Things we say in this job, the shit you have to hope they will gobble up, the shit they do gobble up, we all gobble up, I don't know what's worse, the emptiness beforehand or the shame and emptiness after, says B, between BLT bites.

I don't care, says Mo, and he really doesn't.

Sometimes the place is so empty. You literally stand there. Doing nothing. And then there's that new boss, who's right on it. I still can't tell if he's Australian or just English and nasally. How do you look busy for the boss when you average 3 people an afternoon? Yet he's always about, doing his rounds, putting weird signs on the Ottoman that are full of typos and misremembering my name though I've been here for 6 months. My name's B.

A waitress appears.

I worry about my reality, says B, I live in a world of speculation and fantasy. Nothing feels dangerous. My existence is bubble wrapped.

The waitress interrupts, Sorry darling, that’s not yours. This is yours.

She takes the Dreamer’s plate and replaces it with an identical plate. Where sausage was, sausage is, bacon where bacon and beans immaculately copy beans. She has a middle finger tattoo on her forearm, but is a kind, affable lady. Once she told the Dreamer of her heady days raving in Belgium, which for the record, The Dreamer does not consider a real country.

I don’t know how this happened, she continues.

No worries, he replies.

Sorry for the confusion.

That’s OK.

It won’t happen again.

She leaves the table in grave, penitent steps. The plate, being newer, than the last one, though identical, tastes the better, to the Dreamer.

Lunch ends with exactitude and the afternoon conforms to the routine standard experienced by all the employees of Dreams. The day drifts on and another day under the sun concludes in glum formless residues. Artifice! Full speed ahead! The Dreamer laughs, and sleepwalks back home, floating in a world that feels half incomplete, past the fog enshrouded shapes of probably cars and people. The evening turns to night. In the distant corners of REM flutter, he awakes to the sensation of something. The something is confusing, and not quite able to place it, he falls back, to the sack.

Where shadows eat shadows. The winding down of a strange machine. Down in his head stream, black, heavy mass, smashing lead into bits of lapis lazuli, azure twisted fragments, crushing into fine, white dust. REM afterglow. Hypnopompic visions. Crumpled redolent pillow. Coffee. Commute. Dreams.

Early morning images, there is one solitary customer, there is a blinking fluorescent light waning, the window reflection transposes, what is inside, over the blue world all surrounding. B is hungover, Mo is stood talking with Martin. Though from across the room it appears more an exercise in nodding and listening. A woman dressed like Miss Havisham, is asking the Dreamer how many beanie babies he reckons could fit across the Edwardian Small Double.

Of course you could always get the Manhattan here, with concealed slide out storage, why I reckon you could get at least 30-50 of your little friends under there, though it would feel a bit like a mausoleum mind.

Live in a tomb!

Right, sighs the Dreamer.

You think i’m crazy . . . I didn’t come in here riding a goat backwards, Havisham intones with severity, dabbing her weeping eye.

Right well . .

He went off with my best friend, and that’s the end, you know, after that, not like I havn’t tried, I met a man, a new one, I’d never met him before, but online, Big Al, he lived in Scotland, I went up, you have to take chances, you can’t live life in fear, you have to take the risks, for the rewards, yes, I went up to Scotland, he was 7 years my junior, not good looking, though he said he liked watching Springwatch, I love Springwatch, apart from that one episode, when the baby tits were massacred by the stoat, you don’t need to show that, she dabs her eye, Nature’s cruel, we all know that, so I’m up in Scotland, I’m not feeling it anymore, with Big Al, negative energies, his aura was brown, his carpet stunk of cigarettes, uglier in real life, I told him there’s a cat spirit in the house, and I must leave at once, cat spirit? he said, yes I said, you need an exorcist, and I left, you don’t trust easily after that.

An awkward pause.

Reality does you, but fantasy will never disappoint you son . . .

The Dreamer says nothing, for what is there to say?

Fudge, she says, and ambles away.

Another customer walks in. Out of his collar, leaves are sprouting. He coughs loudly for a minute. A pigeon flies straight into the shop front glass. It lies motionless on the pavement. Mo picks his nose. All these moments, are unrelated.

What is the experience of a pigeon, lacking a concrete language relationship with the world, who flies to it’s death, in such circumstances? Fear, emotion, and impulses and some signifiers attached to those things. But is it all some rushing All-ness? An abstract palette. An incredibly rich, shifting symphony, in the present, and undesecrated by symbols? To experience such a world! To be a demoted dinosaur, oblivious of oblivion, slamming into eternity!

The entire fucking universe is frivolous, says Martin.

I’ll get the brush, sweep it up, Mo chirps, seizing his opportunity for escape.

I once had a pet, a Pomeranian, Maldoror was his name . . . a duck killed it, Martin gesticulates, to no one in particular.

That’s that, says Mo, with standard lack of enthusiasm flooding back, his exotic trip to the Outside Bin, on his Outside Mission, thoroughly in the past.

Flesh dissolves, Martin prickles, I'm just counting the days.

The Dreamer looks down at his phone screen, the message reads: “hope you are having gd day, took max to the vet, had to have him put down, looking forward to yr brthday, love mum x”

She’s finishing a joke, it goes something like this, What’s worse than finding a worm in your apple? Half a worm. What’s worse than finding half a worm in your apple? The holocaust. What’s worse than the holocaust? 6 million Jews.

You can’t laugh about the holocaust.

What about the funny bits?

That I cannot argue.

So, what is this?

I thought you could be my feng shui consultant, this place needs some expert help.

Haha, sure, but I think the problems go deeper in this place.

I tell you, this Martin guy, and this other character called B, I swear they go home and they’re shitting blood. And puking. And crying. On repeat. For their angst that overfloweth.

I remember him. Maybe he likes you!

Two phrases, I abide by: You don't shit where you eat, and you certainly don't shit the bed.

Chocolate spread philosopher.

There's a premise. Look, I have these. The key is to chew them. Lots and lots. None of this hidden in tea nonsense. Dilutes the effect.

First date, and you have me in your place of work . . . doing magic mushrooms.

So far, so good.

Half an hour from this point, the room begins to change, from the mundanity of the everyday, into a slow fire of ineffable, pigmented, singing surfaces. The walls start to feel alive, and strangely from another time, as if they are now in the sanctuary of an old monastery or in the caverns of an ancient cult. They lie on a bed giggling like children, as the effects crescendo to greater delirium. The places we inhabit, and when we truly see them!

Feel anything?

This isn’t real is it? I’ve had these dreams before. With the colours. Then there’ll be an insect. Or you’ll be an insect. Or -

This is actually my dream, you’re welcome to stay for a bit.

The Dreamer looks down at the floor. No signs of tunnel systems, and the possibility of subterranean madness. Hands still humanoid, her face yet to be adorned with mandibles. A warm feeling resides in his stomach, that makes him want to burp. So far, so good.

Listen. London chimneys. The occult properties of London chimneys. I think London chimneys . . . in the right light . . . are the trippiest things in the world! the Dreamer burps, You know how much I stare at the chimneys?

These things make you really chatty, it’s like verbal diarrhoea roulette right now.

It’s important. It doesn’t matter.

I think I saw a bat.

Focusing on the bed, directly in front, the crumples of duvet are flickering. They dance in magical, impossible contours. Now the bed is starting to move. Now it is really moving. A contagion spreads. All the beds are swaying. To the same incredible movement. A legion of magic carpets. Sacred geometry.

I tell you I have this recurring dream? Yeah, you did. Wheel chair man. Haha, I don’t know what you’re talkin’ about. Wheel chair man! No! That didn’t happen? Not that I’m aware of. We do too much drugs. True . . . This though, this, this, this, this. This is all I need. I get all my meaning from this, I mean. Wherever you find it I guess. George Bataille had his photographs of lingchi, the Swedes had Runamo, we interpret the runes. You’ve lost me ya weirdo. This is real. The urge to blanket myself in moss. The covenant of my . . . . fucking wow. Turquoise. Hahaha every time you speak stars are shooting out of your mouth. Cartoon stars! Stupid big fun fuckers! Say something again! Dick. Ha ohh . . can you hear that? Mystery language. ESP. Out of my. Flaming. No. Flaming world. No. You ever listened to Hildegard and done this? That's the ticket. You know there's nothing better than making a beautiful woman smile. There's nothing worse than a man who thinks he's funny. There’s nothing worse than half an apple in your worm. Hahahahaha. He kisses her neck. It tastes like metal. He looks at her face. It makes him laugh. The room is breathing.

Outside Dreams, the car park is in mystery fogscape. A white van pulls up. It says: “ALL KINDS OF BLINDS” on the side. Unfortunate civic blue font continues: "Windows, glazing, frames, shutters, installation, refits, threshold specialists, CALL TODAY”. The engine stops, the van rocks, and the back doors swing open. About 5 people step out, gingerly to the pavement, like babies taking their first steps on the moon.

They are all completely blind. Two with canes. Most with the cliché blacked out glasses. One of them looks like Andrea Bocelli. They shuffle towards the shop front, one by one, like the Cathar Martyrs, eyes stabbed out by their captors, who left the leading man with one eye, to lead them to their graves.

Another looks like Ray Charles, actually. Though the Dreamer cannot tell, as he walks to the entrance, if his working eyes are playing tricks on him, if it is the real McCoy, or his brain sees a black man with glasses, and chooses to go all racist.

We are the Luminous People, we are very excited to be here, Old Man in White Suit announces.

Very happy to have you, replies the Dreamer.

The lease of the deed is not agreed, says Maybe Ray, smiling at him ambiguously.

The Dreamer nods his head. Maybe Ray hands him a box.

And we have travelled very far. But if you accept this gift, we were hoping we could gain entry, see the show everyone is talking about, you are still open aren't you?

See . . . Yes. See?

Great, c'mon in guys, Maybe Ray turns ambiguously again to the Dreamer, patting him on the arm, Thank you Boy, thank you . . . We’ve just come from the House of the Face Shifters, their faces look like clay! Great show! But we heard this is even better!

Everyone moves inside. The artificial lighting seems brighter.

Dark in here, had to turn them up, says Martin.

Appreciate it, smiles Maybe Ray.

No tickets required, go on through, relaxed rules, smiles Martin, who then pulls out a torch, and starts shining it at the blind men, in the light, lucid, white room. The Luminous People follow the Dreamer, their faces are stuck smiling, like uncanny wax dummies.

It’s over here, the Dreamer explains, leading them through the middle of the store. One bed is covered in in bakelite toys, eye goofing cats and pocket cars, another littered with lamps, that make light reconditely, the roots of wire cascading, pooling on frayed carpet. They walk past one bed, with a figure lying face down, a female body, motionless. She seems to be dead, or in a deep sleep, to differentiate between two nullities. The Dreamer desires to see her face. Though she is so close, she also feels so distant, and as he keeps on walking, he is certain who it is.

The Dreamer walks the blind men to the Ottoman. There is a red rope in front. It looks the same as it always does.

Collectively the blind group pause for a moment, some on their sticks or arms akimbo, at the edge of the red rope. Mo is standing beside the Ottoman, in a smart valet outfit. No photography please, Mo goes, and resumes staring ahead, as if his brain were made of lead.

Perplexing, pronounces the Eldest Blind Man.

This is a disappointment, says Maybe Ray.

A damp squib alright.

All this build up.

Somebody’s taking the piss . . .

Hey Boy, can you whistle me a song for the road?

I can do two tunes, Whistle Stop from Disney’s 1973 Robin Hood, the one with the cartoon fox, by Roger Miller, or Threnody for the Victims of Hiroshima, by Penderecki.

I’ll go with the former.

The whistling Dreamer, watches the van slither off, in rivers of silver.

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proframworkscv-blog · 8 years ago

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Reference

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nsdtattoo · 1 month ago

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Discover the Best Tattoo Studio in Croydon Why Never Say Die! Tattoo Studio is the Top Choice

If you’re looking for the best #Tattoo studio Croydon has to offer, Never Say Die! Tattoo Studio should be at the top of your list. Nestled in the heart of Croydon, our studio is the perfect place for anyone seeking high-quality, personalised tattoo artistry. Whether it’s your first tattoo or you’re adding another piece to your collection, we’re here to make your vision a reality.

At Never Say Die!, we are passionate about creating unique tattoos that resonate with each client’s personality and story. With years of experience, a talented team of artists, and a strong focus on client satisfaction, we have become one of the leading #Tattoo shops Croydon residents trust.

Why Choose Never Say Die! Tattoo Studio?

Expert Tattoo Artists Our artists are skilled in a variety of styles, from black and grey realism to vibrant, full-colour pieces. If you’re looking for something bold and futuristic, we also specialise in biomechanical tattoos, blending science fiction aesthetics with intricate detail.

Customised Tattoo Designs At Never Say Die!, we pride ourselves on offering fully customisable designs. Our team takes the time to understand your ideas, ensuring that your tattoo is as unique as you are. Whether you want a small, minimalist design or a large, elaborate sleeve, we’ll create something that exceeds your expectations.

Safe and Hygienic Environment We understand the importance of safety when getting a tattoo. Our studio follows strict hygiene and sterilisation practices, ensuring a clean and comfortable experience for every client. This commitment makes us a trusted choice among #tattoo studio Croydon enthusiasts.

A Friendly Atmosphere Getting a tattoo can be an intimidating experience, especially for first-timers. That’s why we’ve created a welcoming and friendly environment where you can feel relaxed throughout the process.

Styles We Offer

At Never Say Die!, we cater to a wide range of tattoo styles to suit different preferences:

Black and Grey Tattoos: Timeless and elegant, perfect for portraits or intricate designs.

Colour Tattoos: Bright, vivid, and perfect for making a statement.

Biomechanical Tattoos: For those seeking futuristic designs that blend mechanical and organic elements.

Geometric Tattoos: Clean lines and symmetry for a modern, minimalist look.

Custom Tattoos: Unique designs created just for you.

Our versatility ensures that no matter your style, we’ll deliver a tattoo you’ll love.

What Makes Croydon a Tattoo Hub?

Croydon has become a vibrant destination for tattoo enthusiasts, with studios like Never Say Die! at the forefront. As a diverse and artistic community, Croydon fosters creativity and self-expression, making it the perfect place to explore your tattoo journey. Our studio is proud to be a part of this growing culture, offering top-notch artistry to locals and visitors alike.

FAQs

1. How do I prepare for my tattoo appointment? Ensure you’re well-rested, hydrated, and have eaten before your appointment. Avoid alcohol or blood-thinning medications, as these can affect the tattooing process.

2. What’s the difference between black and grey tattoos and colour tattoos? Black and grey tattoos use only black ink in varying shades, creating a classic, elegant look. Colour tattoos, on the other hand, use a range of vibrant inks for a more striking appearance.

3. Are biomechanical tattoos popular in Croydon? Yes, biomechanical tattoos have a growing fanbase in Croydon. They’re perfect for those who want a futuristic, edgy design that’s full of intricate detail.

4. How long does it take to complete a tattoo? The time depends on the size and complexity of the design. Small tattoos can take under an hour, while larger pieces may require multiple sessions.

5. Is getting a tattoo painful? Pain levels vary depending on the placement of the tattoo and individual tolerance. Our artists aim to make the process as comfortable as possible.

Visit Never Say Die! Tattoo Studio Today

If you’re searching for a trusted tattoo studio Croydon, look no further than Never Say Die! Tattoo Studio. Our experienced team, commitment to quality, and passion for artistry make us the top choice for anyone looking to get inked.

Ready to bring your ideas to life? Book an appointment today and experience why we’re one of the best #tattoo shops Croydon has to offer.

#tattoo studio #tattoo croydon #croydon tattoo #tattoo shop #tattoo studio in croydon #tattoo shops croydon #Biomech tattoo #Biomechanical tattoo

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nsdtattoo · 5 months ago

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#tattoo studio #tattoo studio in croydon #tattoo shop #tattoo shops croydon

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nsdtattoo · 1 year ago

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Award winning tattoo studio, Never Say Die! Tattoo Croydon. Globally renowned custom tattooing, fully licensed and endorsed.

#tattoo studio in croydon #tattoo shop #tattoo shops croydon

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nsdtattoo · 1 year ago

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https://www.nsdtattoo.co.uk/

#Tattoo studio in Croydon #Tattoo Shops Croydon #Tattoo Shop

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nsdtattoo · 3 months ago

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Getting Your First Tattoo in Croydon What You Need to Know

Getting your first tattoo is an exciting experience, but it can also be a little intimidating, especially if you’re not sure what to expect. Croydon is home to several highly reputable tattoo studios, making it a great place to get inked for the first time. In this guide, we’ll walk you through everything you need to know before getting your first tattoo in Croydon—from choosing the right studio to preparing for the session and aftercare.

1. Choosing the Right Tattoo Studio in Croydon

With so many tattoo studios to choose from, it’s important to pick one that fits your needs. When selecting a studio, consider the following factors:

Artist Specialisation: Some artists specialise in particular styles, such as black and grey realism, geometric patterns, or colour realism. Check the portfolios of various studios to see if their work aligns with your desired design.

Cleanliness and Safety: Hygiene should be a top priority. Ensure the studio follows strict health regulations, using sterile equipment and maintaining a clean environment.

Customer Reviews: Look at online reviews and ask for recommendations from friends or people who have tattoos. Studios with consistently high ratings and positive feedback are more likely to offer a great experience.

Top Studios in Croydon for First-Timers:

Never Say Die Tattoo – Known for bespoke, custom designs and a consultation-first approach, ideal for newcomers.

Timebomb Tattoo & Piercing Studio – Offers a friendly atmosphere and experienced artists, perfect for those nervous about their first tattoo.

2. The Consultation Process

A key part of getting your first tattoo is the consultation with your chosen artist. This is where you’ll discuss your design ideas, placement, size, and style preferences. For first-timers, it’s helpful to bring reference images or clear ideas of what you want.

Questions to ask during your consultation:

How long will the tattoo take?

What is the estimated cost?

Will the design fit the area you’ve chosen?

What aftercare instructions do you provide?

At this stage, your artist will also give you suggestions on design tweaks that may better suit your body and lifestyle. Listening to their advice is crucial since they know what works best in terms of longevity and aesthetics.

3. Preparing for Your First Tattoo

Before the big day, it’s essential to prepare to ensure a smooth experience.

Here’s what you need to do:

Get a good night’s sleep: Arrive well-rested so your body can handle the experience with ease.

Eat well before your appointment: A good meal will help keep your energy levels up during the session.

Stay hydrated: Drink plenty of water in the days leading up to your appointment.

Wear comfortable clothing: Make sure your clothing allows easy access to the area you’re getting tattooed.

Avoid alcohol and caffeine: These can thin your blood and make the tattoo process more difficult.

4. What to Expect During the Tattoo Process

When you arrive at the studio, the artist will prepare the area by cleaning and, if necessary, shaving the skin. The stencil of your design will be applied, and you’ll have a final chance to approve it before the tattooing begins.

Common first-timer concerns:

Does it hurt? The pain varies depending on your pain tolerance and where the tattoo is placed. Areas with more fat or muscle tend to hurt less than bonier spots like the ribs or ankles. However, many first-time clients find the discomfort manageable.

How long will it take? This depends on the size and detail of the design. Simple designs can take as little as 30 minutes, while larger, more intricate tattoos may require multiple sessions.

5. Aftercare: How to Look After Your New Tattoo

Taking care of your tattoo after the session is crucial to ensure proper healing and long-lasting results. Your artist will provide specific aftercare instructions, but here are the basics:

Keep it clean: Gently wash the tattoo with mild soap and water and pat it dry with a clean towel.

Apply aftercare products: Your artist will recommend a suitable ointment or lotion to apply to the tattoo.

Avoid direct sunlight: Keep your tattoo out of the sun, as UV rays can damage the healing skin and fade the design.

No swimming or soaking: For at least two weeks, avoid soaking your tattoo in water, including swimming pools, hot tubs, or baths.

Resist picking or scratching: As your tattoo heals, it may scab or itch. Do not pick at it, as this could lead to scarring and patchy healing.

FAQs About Getting Your First Tattoo

Q: How much does a tattoo cost? A: Tattoo prices depend on the size, complexity, and style of the design. Smaller tattoos may cost between £50 to £150, while larger custom pieces can range from £200 to £500 or more. Be sure to discuss pricing during your consultation.

Q: How painful is a tattoo? A: Pain levels vary depending on the tattoo’s placement and your personal pain threshold. Most people describe the sensation as a scratching or burning feeling, which is uncomfortable but bearable.

Q: How long does a tattoo take to heal? A: Initial healing takes about 2-3 weeks, but the full healing process can take up to a month. Following aftercare instructions is essential for proper healing.

Q: Can I get a tattoo if I have sensitive skin? A: It’s possible to get a tattoo with sensitive skin, but it’s important to inform your artist beforehand. They may suggest testing a small patch first to ensure your skin reacts well.

Q: Will my tattoo fade over time? A: Tattoos can fade slightly over time, especially if exposed to the sun frequently. Applying sunscreen to your tattoo when outdoors can help preserve its vibrancy.

Final Thoughts: Your First Tattoo in Croydon

Getting your first tattoo in Croydon is an exciting journey, and with the right studio and preparation, it can be a rewarding experience. By choosing a reputable studio like Never Say Die Tattoo or Timebomb Tattoo, you can ensure that your tattoo will not only look amazing but also be done safely and professionally. Remember to prepare well, communicate openly with your artist, and follow aftercare instructions for the best results.

#tattoo studio in croydon #tattoo shop #tattoo studio #Tattoo Croydon #Croydon Tattoo

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nsdtattoo · 3 months ago

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Top Tattoo Studios in Croydon Why Never Say Die Tattoo Stands Out

Croydon has become a hub for tattoo enthusiasts seeking high-quality and bespoke tattoo designs. With several reputable tattoo studios in the area, it’s important to choose a studio that not only produces exceptional artistry but also ensures safety and customer satisfaction. In this article, we’ll highlight some of the best tattoo studios in Croydon, with a special focus on why Never Say Die Tattoo is considered one of the top studios in the area.

Why Choose a Tattoo Studio in Croydon?

Croydon has a thriving tattoo scene that caters to all types of designs, from traditional to contemporary styles like minimalist or geometric tattoos. Opting for a tattoo studio here gives clients access to talented artists who are passionate about creating custom tattoos while maintaining the highest hygiene standards.

Top Tattoo Studios in Croydon

1. Never Say Die Tattoo

Located in the heart of Croydon, Never Say Die Tattoo is renowned for its team of award-winning artists and custom tattoo designs. The studio is known for its versatility, whether clients are looking for black and grey realism, illustrative pieces, or detailed colour tattoos. Never Say Die stands out not only for its artistic expertise but also for its focus on client satisfaction and safety.

Key Features:

Custom Designs: Each tattoo is uniquely crafted to suit the client’s vision, ensuring personalised and high-quality results.

Award-Winning Artists: Never Say Die is home to artists who have received numerous accolades in the tattoo industry for their exceptional work.

Hygiene and Safety: The studio adheres to strict hygiene practices, using only sterile equipment and ensuring a clean environment.

Consultation Focused: Artists work closely with clients to understand their vision, ensuring the final design aligns with their personal style and preferences.

2. Timebomb Tattoo & Piercing Studio

Another well-regarded tattoo studio in Croydon is Timebomb Tattoo, which has built a strong reputation for its friendly atmosphere and high standards. Known for its ability to cater to various tattoo styles, from traditional designs to geometric and abstract art, Timebomb offers a welcoming environment for both tattoo veterans and first-timers.

Key Features:

Experienced Artists: Timebomb’s team has years of experience and a wide range of styles, ensuring a perfect fit for every client’s needs.

Tattoo & Piercing Services: In addition to tattooing, Timebomb also offers piercing services, providing clients with a comprehensive body art experience.

3. South London Tattoo Studio

Close to Croydon, South London Tattoo Studio is known for its modern take on tattooing. The studio specialises in contemporary tattoo styles, including dotwork and watercolour designs, making it a great choice for those looking for something unique and eye-catching.

Key Features:

Versatile Artists: The artists are skilled in a wide range of styles, including modern abstract and colour realism.

Walk-In Friendly: While appointments are encouraged, the studio also accepts walk-ins, offering flexibility for clients with busy schedules.

Why Never Say Die Tattoo Stands Out

While there are several excellent tattoo studios in Croydon, Never Say Die Tattoo consistently distinguishes itself as a leader in the local tattoo industry. Here’s why:

Bespoke Artistry

Never Say Die specialises in custom tattoo designs that are entirely personalised to the client’s ideas and preferences. Each tattoo is carefully planned and executed to create a unique piece of body art, tailored to fit the client's vision and the contours of their body.

Award-Winning Artists

The artists at Never Say Die have received industry recognition for their work, with awards in a variety of styles, including black and grey realism, colour work, and illustrative designs. Their dedication to their craft has made them one of the top choices for tattoos in the Croydon area.

Hygiene and Safety

At Never Say Die, hygiene is of paramount importance. The studio follows strict safety protocols, using single-use equipment and ensuring a sterile environment to guarantee a safe tattooing experience. Clients can trust that their health and safety are always a top priority.

Consultation-Driven Process

Never Say Die believes in a consultation-first approach. This means that before any tattoo session, clients work closely with their chosen artist to discuss the design, placement, size, and any other preferences. This process ensures that the final tattoo perfectly reflects the client’s vision and complements their body shape.

Prime Location and Stellar Reputation

Located in central Croydon, just a few minutes’ walk from East Croydon Station, Never Say Die Tattoo is conveniently situated for local and visiting clients. The studio consistently receives glowing reviews for its professionalism, artistry, and welcoming atmosphere, making it a trusted choice in the local tattoo community.

FAQs About Getting a Tattoo at Never Say Die Tattoo

Q: How do I book a consultation with Never Say Die Tattoo? A: Booking a consultation is easy – you can visit the studio in person or contact them through their website or social media platforms. Make sure to include details such as the design idea, placement, and any reference images to help the artist understand your vision.

Q: How much does a custom tattoo at Never Say Die Tattoo cost? A: Tattoo prices vary depending on the size, complexity, and style of the design. It’s best to have a consultation with the artist, who will provide you with an accurate quote based on your specific requirements.

Q: How do I prepare for my tattoo session? A: Ensure you get a good night’s sleep, eat a healthy meal, and stay hydrated before your tattoo session. Wear comfortable clothing that allows easy access to the area you’re getting tattooed.

Q: What aftercare is recommended for a new tattoo? A: Your artist will provide detailed aftercare instructions, which typically include cleaning the tattoo gently, applying a recommended aftercare product, and avoiding sun exposure or soaking the tattoo in water until it’s healed.

Q: Can I walk in for a tattoo, or do I need to book an appointment? A: While walk-ins are sometimes possible, Never Say Die Tattoo recommends booking an appointment in advance to ensure you get your preferred artist and time slot.

By choosing Never Say Die Tattoo, you’ll experience the best of what Croydon’s tattoo scene has to offer. Their dedication to bespoke design, client satisfaction, and top-notch hygiene practices makes them the ideal choice for anyone looking to get a high-quality tattoo in a welcoming and professional environment.

#tattoo studio in croydon #tattoo shop #Tattoo Croydon #Croydon Tattoo

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nsdtattoo · 1 month ago

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The Art of Choosing the Right Tattoo A Guide for Croydon Residents

Getting a tattoo is an exciting decision, whether it’s your first time or you’re adding another masterpiece to your collection. At Never Say Die! Tattoo Studio, one of the top tattoo shops Croydon has to offer, we understand how important it is to choose the right design, style, and placement for your tattoo.

This guide will help you navigate the process, offering tips, insights, and inspiration to make your tattoo experience unforgettable.

Why a Tattoo is More Than Just Ink

A tattoo is a form of self-expression, a way to tell your story, showcase your creativity, or commemorate something meaningful. At our tattoo studio Croydon, we’ve seen how the right tattoo can boost confidence and help people express who they are.

The key to a great tattoo lies in careful planning. From picking a design to selecting an experienced artist, every step matters.

Tips for Choosing the Perfect Tattoo

Black and Grey Tattoos: Timeless and elegant.

Biomech Tattoos: Bold and futuristic.

Watercolour Tattoos: Bright and artistic.

Minimalist Tattoos: Simple yet impactful. Choose a style that resonates with your personality.

The Growing Popularity of Biomechanical Tattoos in Croydon

One of the standout trends we’ve noticed is the rise of biomechanical tattoos. These designs combine mechanical and organic elements, creating a unique and futuristic look. Whether you’re drawn to gears, pistons, or surreal skeletal designs, biomech tattoos are perfect for making a bold statement.

As one of the few biomechanical tattoo studios in Croydon, Never Say Die! Tattoo Studio is proud to offer this intricate and captivating art form.

Preparing for Your Tattoo Appointment

Research Your Design Before your appointment, have a clear idea of what you want. Bring references or sketches to share with your artist.

Stay Well-Rested and Hydrated Ensure you’re in good physical condition before getting tattooed. Rest and hydration can make the experience smoother.

Wear Comfortable Clothing Choose clothing that allows easy access to the area being tattooed while keeping you comfortable during the session.

Follow Aftercare Instructions After your tattoo is complete, our team at Never Say Die! will provide detailed aftercare instructions to ensure it heals beautifully.

FAQs About Tattoos

1. How do I know if a tattoo design is right for me? Choose a design that has personal meaning or speaks to your aesthetic preferences. Consult with your artist to refine your idea.

2. Are tattoos safe? Yes, tattoos are safe when done in a hygienic environment. Our tattoo studio Croydon follows strict hygiene standards to ensure your safety.

3. How painful is getting a tattoo? The pain varies depending on the location and individual tolerance. Our artists prioritise your comfort throughout the process.

4. Can I get a biomechanical tattoo if it’s my first tattoo? Absolutely! While biomech tattoos are intricate, our experienced artists can guide you through the process and ensure it’s a positive experience.

5. How do I care for my new tattoo? Keep it clean, moisturised, and protected from sunlight. Avoid swimming or soaking the tattoo until it’s fully healed.

Why Croydon Locals Love Never Say Die! Tattoo Studio

Never Say Die! Tattoo Studio is more than just a tattoo shop Croydon residents frequent—it’s a creative space where art comes to life. Our experienced artists, welcoming atmosphere, and dedication to client satisfaction set us apart.

Whether you’re looking for a bold biomechanical tattoo, a minimalist piece, or a custom design, we’re here to bring your vision to life.

Book Your Tattoo Consultation Today

Ready to take the next step? Visit Never Say Die! Tattoo Studio and discover why we’re one of the most sought-after tattoo shops Croydon has to offer. From detailed biomech tattoos to subtle minimalist designs, we’ll help you create a tattoo you’ll treasure forever.

Book your consultation today and let us transform your ideas into a stunning work of art!

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