#tara and ved

[firefeelsfine]

If u tell me that your favourite movie is TAMASHA..then there is this great chance that I'll even kill for u ,if you want me too...#novibecheckneeded🤌🏻🌸🤍

And also where is my VED??????? Kab tak miloge ya he bata do Kam sa Kam...🥺😩 #thistaracannotwait...

[happilyaloof]

Who is Laila? Who is Tara, or even Heer? They are not put in a story, to play their role of a lover, turning their lovers against the world or his family. They are not supposed to be conscious of the importance of their part in the bigger picture of Imtiaz Ali’s final thought. I don’t think so. They are not meant to know the mysteries of what lies on the other side of these questions or even be intrigued by these questions. Why?

Because they are beautiful metaphors of the utmost innocence, beyond and above anything ‘worldly’ we have to put up with, to survive.

And when Imtiaz Ali brings together a Qais and a Laila, it is not to create another Raj and Simran but to shake Qais’ or Ved’s world into disorder and bring to him those same questions of what lies “Pahad ke uss paar’’ or what is even the need of that Pahad? Laila, the metaphor, is his way to the answer and sometimes, she IS the answer.

Imtiaz Ali may provide different plots, ambitions, backgrounds; only to ditch the mundane and the superficialities of society, for ‘’…what you love and let it kill you’’ (Charles Bukowski). His philosophy resonates with me and since I am someone who deals with those existential questions day in and day out, I have the greatest urge to be the male character in all of his films.

Jordan in Rockstar holds Heer’s hand and walks her towards the field, away from right and wrong.

Ved in Tamasha finally breaks free from what limits him, with Tara as his guiding Star.

It was when Qais becomes Majnu (Urdu for mad), I knew why I chose to watch Laila Majnu after all these years of its release. I know the kind of effect these philosophical dramas have over me. I am all about the reaction that he gives in one noteworthy scene where he is talking to himself, leading to him getting hit with a stone and starts bleeding. He runs and he laughs. He is celebrating. He felt the rush, he was alive. His love was finally seen! He did not have to hide who he was anymore from anyone for the sake of this illusion of a world, now that he knows Laila is ‘real.’ The blood and the pain being the proof that he was not mad. He had his world in his Laila, walking with him all along, everywhere.

[beingquixotic]

@writeblrcafe

[d3adpoetslake]

i am, simply, a imtiaz ali whore. this day 8 years ago he gave us one of the greatest movies of all time ---- tamasha. not everyone will relate to tamasha, but if you do take a hug, man. whether you relate to ved, tara or even the auto driver tamasha teaches us something new everytime we watch it. it's a shame the box office failed to recognize and cherish such a gem of a movie. imtiaz ali's vision put to life by ranbir's stellar performance and accompanied by ar rahman's soulful music, i mean is anymore explanation or reason to love this movie needed!?

picture : pinterest

[stxrrynxghts]

I have seen your posts about Draupadi, and that is why i think only you will be able to save me from the inner turmoil within me.

Today morning, i was talking to my elder sis abt MB, and she told me that the Draupadi liked Karn at first, Krishn manipulated her into liking Arjuna. Then only Draupadi called him Sut-Putra and did not allow him to participate in the Swayamvara.

I was like "WTF?!?!"

Then i proceeded to correct her and say that:

1. There is no such thing written in Ved Vyas MB, Draupadi did not like Karn. Of course, why would she even?

2. Karn himself lost the Swayamvara as he failed to string the bow by a hairs breadth.

3. Krishn manipulating Draupadi? Why would he lol?

She told me no, this did not happen and argued with me saying that there is an entire dance piece in Bharatnatyam for this episode. Nice arguement👌.

Then she proceeded on to tell me on that Draupadi said "Andhasuya Putra Andha" to Duryodhan when he fell in the pool in Indraprastha and took away his weapons. That is why Duryodhan was angry and attempted to disrobe her later on.

I attempted to correct her again. I said Draupadi did not say a thing as she was not even present in the situation. I referred to the VV MB again. She said that no, Draupadi said that and insulted him and Dhritarashtra.

The most outrageous thing she told me:

"No, Draupadi was a very prideful, egoistic and an angry lady, and the humiliation she faced was partially her fault. That is why everyone went silent in Dyut Sabha. It is because everybody knew it was the fault of her anger and the result for insulting Duryodhan and Karn. Even after facing such humiliation, she did not 'tone down' and still demanded for Dushasan's chest blood to be washed down her hair."

I was super angry and I did not say anything. It sounded like almost she was justifying the Kauravas. And:

1. She did not ask for Dushasan's chest blood to be washed down her hair. It was not, i repeat, NOT mentioned in the scriptures.

2. Why would she have to be toned down? If i was in her place, i would have too wished for my assaulter's blood and death and his participant family's death, if not, something even worse. Hell, Draupadi did not even want his blood in the og Mahabharat.

Then she told me to read the actual sanskrit mb and learn from the verses in it and not learn from the serials. Honey, you need to fucking read it and not learn from bitchy translations. I did not argue further with her as i dont like to argue with ignorant bitches. Like ma'am, if YOU had read the oRiGinAL Mb you would have been clear abt the fact that the bloody hair washing thing was absolutely NOT written there and it was mainly popularised by the tribal performance version of Mb. And the rest of the things, let's leave that out.

Okay, first of all, Hi!!!

It seems that your sister is a huge Karna fan. I personally cite BORI CE as my source, and it seems as if your sister is the one who is giving sources from serials.

Now, who is Krishna? Krishna is a very respected god, the 8th avatar of Vishnu, he is not a MAN. He is a GOD, and should be treated as such. He is not a manipulator. Many Karna fans tend to forget that their dearest Karna is a mere human, practically puny in front of Krishna.

While I will not delve into Draupadi's incarnation stories, since those are very complicated, I will like to state that she is one of the Panchkanya, the 5 most holy and pious women from the Ramayana and Mahabharata. The other members are Ahilya, Sita, Mandodari and Tara, so I do not think that Draupadi is an egoistic or arrogant person, even if all serials show her having these qualities to some degree.

I did not understand what you meant to actually ask, but still-

Draupadi did not like Karna, yes, though her feelings towards him are not mentioned. He clearly hates her, after all, he called her a harlot in front of so many people.

Why was the whole court silent? Maybe because they are spineless men, who find their own dharma of obeying the king more important than saving a woman. Still, many men did raise their voices against the event trying to prevent, which didn't help ofc. Even Dhritarashtra didn't like the disrobing part much, but he was not going to stop his son.

The Dushasana's blood thing did not happen, but I hope it had happened in real, since Draupadi or any other woman in her place had the right to ask for the killing of the man who tried to strip her naked in front of a whole court.

Duryodhan felt insulted as he had fallen into the pond, and the PANDAVAS had laughed (Which is a very normal cousin thing. They were the ones who had pulled him out of the pond.) Plus Duryodhan had felt very, very jealous of the Pandavas' wealth, hence the plot to get their kingdom was formed.

Now, even if Draupadi had insulted and rejected Karna and Duryodhan, it does not give them the right to sexually assault a woman. How are they any different from the acid-attackers and rapists of today, who deliberately hurt the women who reject/insult them because their ego is too fragile??

My final stand on this matter is that a) I will blindly support Krishna's cause, since he is GOD, and b) Whatever happened with Draupadi was WRONG, and she was faultless. People should stop bringing the arguments regarding her behavior to defend Karna and Duryodhana's actions. Admit it, they are horrible people, and even YOU wouldn't like them if you met them irl.

[oscarbewildered]

Tamasha, a truly overlooked Bollywood masterpiece, whenever I recall this film, there's a specific song that never fails to send shivers down my spine "Agar tum saath ho". It’s a song for everyone- the ones who believe in love, the ones who don’t and the ones who are trying. For even the ones who have won in love knows what it is to lose. The song narrates the timeless struggle between the heart and the mind. Tara, dressed in deep red tones, driven by her heart. Ved, in lighter beige attire, is driven by his brain.

In this moment, Tara tightly hugs Ved, as if pleading silently for him to stay. The way in which she holds him carries an emotional weight adding a layer of emotion and urgency to the scene, suggesting that words may not be enough to convey what she feels, and her actions speak volumes in seeking his presence. She's scared to lose him, and she feels like the relationship is ending. Thus, holding on to him as tight as possible.

But Ved reluctantly pushes her away releasing himself from the hug. We can see the tears in his eyes. He seems to be struggling with inner conflicts, caught between what he wants and what makes sense.

In a quiet moment, Tara and Ved rest their heads on the table. Gently stroking his head, as if trying to nudge his brain to fall in love with her. "Agar tum saath ho". But the brain is stubborn and determined, it is not ready to listen. It is practical. Ved looks away while they rest their heads on the table, he's hiding tears and feeling exposed and vulnerable. *Ved leaves*, "Bedard thi zindagi, bedard hai". Life was merciless, it is merciless, even if he stays with her. It does not make a difference.

"Mujhe lagta hai ki baatein dil ki, hoti lafzon ki dhokhebaazi". It's like realizing that sometimes words aren't enough to express the depth of what your heart truly wants, what you truly feel for each other. Love is a relationship in which one converses through shared silences, we see that here once again in the deep silence of Tara and Ved.🌻🌙

[caracoffsworld]

Ved bhi main, Tara bhi main.

रोग भी मैं, इलाज भी मैं|

[meethipheekizindagi]

Ved ki tarah ek Tara ka male version mujhe bhi chahiye.

[lovelybabaji]

Life ki lagi padi hai, chahiye kisi ka sahara

Main hoon Ved, please banjao meri Tara.

[eshawrites]

Somehow for the last 8 years, Tamasha had an enormous imapact on my life. It's exceptional and I could talk about ved and tara for HOURS. Isn't it strange? To have a piece of fiction have such potential effects on you?

I've watched this masterpiece multiple times and each time I do, I discover something more unique and beautiful about the film. I owe my love for storytelling, Indian mythology and folklore to this gem , and Corsica, ofcourse - CORSICA!

I was Fifteen when i first watched tamasha and all i wanted was to live in that secluded town in Corsica where Ved and Tara first met! Away from all the 'drama' , drinking wine and crashing into fancy french restaurants and dancing to matargashti by the cliff!It's been 6 years and i still feel the same! 🥺✨

[jyonaya]

Dear Ved,

Congrats on finally getting your own life. Congrats on being on your own now.

अब कोई तमाशा नहीं I सिर्फ़ मटरगश्ती. ❤️

#Tamasha #Ved #Tara #Imtiaz

[filmes-online-facil]

Assistir Filme Tamasha Online fácil

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Tamasha - Filmes Online Fácil

Ved e Tara se encontram nas férias e sentem uma atração mútua, mas decidem manter suas identidades em segredo. Anos depois, seus caminhos se cruzam novamente.

[ibuprofriendss]

Will you be tara to my ved?

#tamasha #agartumsaathho

[beheworthy]

Fiction Knows What’s Wrong With Real-World Dating

Tamasha (dir. Imtiaz Ali, 2015) was the first movie that vocalised my thoughts about the dating culture. I’d felt so strongly against it before I’d even seen the film. I’ve always watched shows and movies where the protagonist goes on a slew of embarrassing dates with perfectly fine people until they meet the love of their life in a totally unexpected situation. But this movie really hit it home. It voiced what’s actually wrong with dating: the fakeness of it all. Word Count - 1700

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