#tanya adeola

[khruschevshoe]

The fact that BBC class never got a season 2 is my Roman empire and always will be. With that ending? With April becoming shadowkin? With the fallout between Charlie and Matteusz and all of Charlie's guilt over using the Cabinet of Souls and losing everything left of his people? The sudden change in dynamic between Ms. Quill and Charlie/Quill saving Charlie's life? Ram's reaction to April becoming Shadowkin? Tanya and Ram dealing with the ramifications of telling Charlie to use the Cabinet of Souls? The fact that they STILL HAVEN'T PROPERLY DEALT WITH THE FALLOUT FROM WHEN THEY WERE TRAPPED WITH THE PRISONER AND THE TRUTH-GUILT ROCK? Feral. Absolutely FERAL, I am telling you. I'm never getting over this. It's been seven years and I am still NOT OVER IT

[queer-dw-tourney]

CANONICALLY QUEER DOCTOR WHO CHARACTERS TOURNAMENT: ROUND ONE GROUP THREE POLL FIVE.

Tanya Adeola was intended to be bisexual or pansexual, and this would've been confirmed if Class had continued on for a second season.

Compassion is aromantic and asexual.

[thingsasbarcodes]

Class 1x08 - The Lost

[meese-running-after-geese]

Ram Singh & Comics

I have been just thinking about Ram Singh being a secret lil comic geek. And not just bc I wanna combine my two hyperfixations... He does his best to cover his tracks but just knows a little bit too much about the Superhero lore to just have "a normal guy knowledge about Superheroes" as he claims.

Tanya clearly also comics (i don't make the rules) and they discuss their opinions on things occasionally when she tutors him.

Their opinions are mostly similar so typically it's nice and cordial

Once they both got over the top dramatic about something and didn't speak to each other for a whole week until someone in their group questioned it and then all of a sudden, Ram was a bit apologetic

Once he nearly got caught so he blamed the person closest to him and said it was theirs

That person was April

April then proceeded to poorly pretend to be into comics

Needless to say, Ram took that opportunity to attempt to pull April into comics

That said, I have hardcore beliefs that Ram would relate most to Superman

Powerful guy who just wants to help people but it seems like the world is set against him.

Plus it doesn't hurt that Superman gets chicks, eyyy

He immediately assumes April would be into Lois bc she's basically her carbon copy

April ofc immediately attaches to like Batman... or more accurately Tim Drake

When April after confessing that, asks Ram who he relates to the most, Ram jokes "Cyborg/Metallo, as i'm already on the way there"

They laugh

Back to Superman, Ram doesn't understand why writers keep trying to paint him as evil

he really is just trying to help the world and can lift cars so whats boring about that

While he can get behind the whole losing yourself with losing a loved one, he doesn't get Injustice...

Sure, he wanted to end the world after losing Rachel...

But Superman is Superman... he's supposed to be better than him. He'd never do that!

ALSO He'll never admit it but he felt sick when April compared Superman to Charlie

fucking aliens

[sprnklersplashes]

Tanya hacking ticketmaster to get Eras tour tickets

[dw-tma]

The Magnus Archives wiki describes the Extinction as

“The fear of catastrophic change, destruction of nature, destruction of human skin and tissue, the destruction of humanity itself and its replacement by something different; all of this especially via mankind's own causing. Manifests through human technology such as computers, code, and radio, and seems to present horrifying visions of what humans could become, or what could become of humans.”

[womprat99]

Timestamp #CLS7: The Lost

Class: The Lost (1 episode, s01e08, 2016) From the shadows rises a cliffhanger. Six days after the detention events, bad omens rise as April debuts her song The Lost on a café stage. The Lost is obviously about the Coal Hill Defenders and their families. Of that group, Ram suffers immediate loss as his father is murdered by Corakinus. As his father disintegrates, Ram is confronted by the former…

[mortaljortlebortles]

she would have loved quill and helped her grieve ballon and her and charlie would be neurodiverse together. I would hope for her to interact with april and ram but quill didn’t much even though she could/ and should have done so if it had actually been done they probably would have be less interacted with(they are more independent and have more bonds within the story already so its fair but :(. I would have ram annoyed at her for running on to the pitch and for being weird about being open with her emotions but april would make him softer on her and maybe all of the gang would be picked up by her from the school hall( given that time isn’t linear) and she would let tanya and ram stay and the gang sleep over. 

maybe they would just play table tennis and geek out over sailor moon, violins and downton, compete over who is stronger and better at physics and bond over trauma.

I am going to say she probably did at some point as she has had 5 years in our time on screen and flux til new years was years and years.

I hope she hung with quilliam and treated him like a wizard

yaz would be enjoying herself and  especially close with ram, charlie and april, ryan with ram(disabled chat) and tanya and graham would chat weird made up narnia theories. dan would be vibing in the corner being the gaydar and proving all are queer and making fun of quill

Y'know I'm still a little mad that 13 never got to meet the gang from the BBC Class series. She would've loved all those kids.

[amphtaminedreams]

Relevant on the Runway in the Run Up to Fashion Week: F/W23 through to Pre-Fall 2024 & My Top 25 (Part 6)

-Susan Fang, top to bottom: RTW F/W23, S/S24-

-Tanya Taylor, top to bottom: pre-fall 2023, RTW F/W23, resort 2024, RTW S/S24, pre-fall 2024-

-top to bottom: The Attico RTW F/W23, RTW S/S24, resort 2024, Theory RTW F/W23-

-top to bottom: Tia Adeola RTW F/W23, S/S24, Tokyo James RTW F/W23-

-top to bottom: Torey Burch RTW F/W23, resort 2024, S/S24, Tomo Koizumi RTW F/W23-

-top to bottom: Trussardi RTW F/W23, Vera Wang RTW S/S24-

-Ulla Johnson, clockwise L-R: RTW F/W23, S/S24, resort 2024-

-Valentino, clockwise L-R: RTW F/W23, S/S24, pre-fall 2024, haute couture S/S23, pre-fall 2023, haute couture F/W23-

-Versace, clockwise L-R: RTW F/W23, S/S24, pre-fall 2023-

-Victoria Beckham, clockwise L-R: resort 2024, RTW F/W23, S/S24, pre-fall 2024, pre-fall 2023-

-L-R, top to bottom: Viktor & Rolf haute couture S/S23, F/W23, Vivetta RTW F/W23, pre-fall 2023, RTW S/S24-

-top to bottom: Viviano RTW F/W23, S/S24, We11done RTW S/S24-

-Vivienne Westwood, top to bottom: RTW F/W23, S/S24-

-top to bottom: Wiederhoeft RTW F/W23, S/S24, Y/Project “ -

-Yohji Yamamoto, clockwise L-R: RTW F/W23, S/S24-

-Yuhan Wang, top to bottom: RTW F/W23, S/S24-

-Zimmerman, clockwise L-R: resort 2023, 2024, RTW S/S24, S/S23, F/W22-

-Zuhair Murad, top to bottom: haute couture S/S23, F/W23-

And that’s the lot! 

So to round it all up, here’s a quick recap of my standouts from the last year or so of collections, and what’s still on my mind to get me through this winter. 

It was hard to choose how many to limit myself to. A top 50? Too much, a whole post on its own. But a top 20? That’s not enough.

So signing off, in no particular order, here are my top 25 from F/W23 all the way up to S/S24, in time for the start of the FW24 collections we’ll be seeing over the next few weeks!

Schiaparelli EVERYTHING: Is it any surprise Schiaparelli is on the list? Alll the fashion girlies atm are obsessed with everything Schiaparelli does, and how could you not be? Daniel Roseberry’s designs are intricate, luxurious, dramatic, and consistently ahead of the game in terms of creativity. Nobody is doing it like him right now, and for that reason, his pieces are instantly recognisable.

-clockwise L-R: Schiaparelli RTW S/S24, haute couture F/W23, S/S23, Fendi haute couture F/W23, S/S23, Schiaparelli RTW F/W23-

2. Fendi Haute Couture F/W23 and S/S23: Fendi’s Haute Couture collections never disappoint me. Time and time again, Kim Jones offers us her elegant take on glitzy femininity, balancing glamour with soft, ethereal colour palettes, silhouettes and fabrics. This year, she’s given us the red carpet iteration of balletcore (which is an aesthetic I never saw coming or thought of but am obsessed with btw) and for that, I am forever thankful.

-clockwise L-R: Dilara Fındıkoğlu RTW F/W23, Ambush RTW S/S23, F/W23, S/S23, S/S24, Chopona Lowena RTW S/S24, Di Petsa RTW S/S24, Roberto Cavalli RTW S/S24, Yuhan Wang RTW F/W23, Moschino RTW F/W23, Rave Review RTW S/S24, Yuhan Wang RTW S/S24, Roberto Cavalli RTW F/W23, Di Petsa RTW F/W23,  Ermanno Scervino RTW S/S24-

3. Dilara Fındıkoğlu RTW F/W23: Dilara’s ethereal, post-apocalyptic take on grunge delivers everyyy, singleee time! As if I didn’t wish I had Bella Hadid’s life enough already (minus having Yolanda “have a couple of almonds and chew them really well” Hadid as a mother), she then stepped out in that DF custom set and my envy increased tenfold.

4. Ambush EVERYTHING: The way Yoon Ahn’s styles the garments she designs under her label Ambush is the end result I’m trying to achieve whenever I actually make an effort in putting together an outfit these days, as rare as that is atm. Yes, at it’s core, the brand embraces a street wear-friendly version of the grunge aesthetic (I know, I use the word grunge to death but my love for that way of dressing will never die! I lived one full year in the 90s and I’m going to milk being a 90s baby only in the very literal sense for all it’s worth!) But through that lens Yoon plays with a number of other trends, from techwear to the academia-influenced styling craze, and has all that fun incorporating elements from those avenues, whilst retaining the edge that underlies her vision of the brand. The level of flexibility she manages to display without compromising the Ambush blueprint is exactly what makes Yoon’s collections a reliable source of outfit inspiration for those of us who have a strong attachment to one particular style but like to take cues from whichever other aesthetic is dominating the trend cycle at that moment too.

5. Chopona Lowena RTW S/S24: Cutesy ‘90s inspired grunge? Bloody love it. Which reminds me that I should reiterate, NO you don't get a pound every time I say grunge. Not in this economy:(

6. Di Petsa RTW F/W23 & S/S24: I was lucky enough to see a Di Petsa piece in person at the Design Museum’s Alexander McQueen sponsored REBEL: 30 Years of London Fashion exhibition, and yes, it was as perfectly sculpted to the mannequin as her pieces are to the models who wear them on the runway IRL. Dimitra Petsa is a little bit of a genius I think. She’s so clearly fuelled by an appreciation of the divine feminine energy of women in the sense which we originally started using the term rather than the way we mostly use it now which is more often than not sardonically to justify our bedrotting days (which I’m totally on board with btw because performing femininity is fucking exhausting tehe), meaning her designs highlight the raw, stripped back power and beauty of the female body and everything it does without us even having to try. Di Petsa’s collections give the world a much needed reminder of the strength and grace of women whatever size or shape we are, and shows us that we don’t need to A). have some otherworldly power or B). Get a shit tonne of filler and plastic surgery to emulate the goddesses of both today’s and yesteryear’s standards.

7. Roberto Cavalli RTW F/W23 & S/S24: Fausto Puglisi treads carefully along the line separating bold and gaudy with his take on Cavalli but both the RTW collections were fucking phenomenal this year, taking it back to at a time when Coachella fashion was at the peak of cultural relevance, and what a TIME to be alive that was.

8. Yuhan Wang RTW F/W23 & S/S24: Take something bit granny chic, a bit little girlish, a couple of pieces from a motorcycle gang and throw it all together, and you get that signature Yuhan Wang look. To quote Liam Hess’ review for Vogue Runway of Yang’s RTW S/S24 collection: "Yuhan Wang’s vision of femininity may appear delicate on the surface, but it’s always undercut with something steelier and a little dangerous." Yah. He said it much better than I can. That's why he writes for Vogue and I talk to myself on here, lol.

9. Moschino RTW F/W23: Glitzy, opulent, old-Hollywood infused punk? Consider me obsessed.

10. Rave Review RTW S/S24: SoOoo glad to finally see a collection from the pioneers of chintzy grunge (I’m sorry but what other word can I use?!) on the runway. See, I make the distinction between Rave Review, Chopona Lowena and Yuhan Wang because Rave Review, in the best way possible, excel at a creating pre-loved feel to their collections. That isn’t to say it looks like the shit no one wants. It looks like the wardrobe of the coolest girl you know who can spend an afternoon browsing her local charity stores, the evening in front of her sewing machine, and by the morning can produce some up-cycled magic that you wish you had the talent to create yourself. I want to be that girl! I’m just a sewing machine and few decent charity shops in my local area short but trust and believe I’m working on it, lol!

11. Ermanno Scervino RTW S/S24: How very high-end LoveShackFancy of Ermanno Scervino to give us this Y2K style Bohemian dream and then refine it in line with the whole “stealth wealth/clean girl” minimalism craze that had such a chokehold over 2023 (and which I hope we leave behind, for the sake of its racist undertones if nothing else). Taken to either end of the spectrum, as in pink frilly floral overkill or an endless cycle of shapeless neutrals, I’m beginning to get a bit worn out with both but the meeting of the two here with the pops of colour in the embroidery was something magical, a beautiful partnership<3

-clockwise L-R: pre-fall 2023, RTW F/W23, resort 2024, RTW S/S24-

12. David Koma EVERYTHING: Beyond slept on and idk why! This man was behind Mugler for several years, which is one of my alll time favourite brands, and I think it’s safe to say a staple for many. So where is the buzz about his solo offering? Idk. It is strange because I feel like his collections share a lot of the attributes (y2k feel, hyper-feminine, sex appeal, a bit of edge, overall bit of a Bratz doll vibe if ygm?) as Blumarine and everyone is head over heels for that? So yeah, I truly don’t know. Maybe it’s not luxury enough? I’ve never really cared about that. You don’t get much more luxury than a Hermes Birkin and yet I think they’re dull as dishwater and no one can convince me otherwise regardless of how much a status symbol they’ve become. Maybe it’s my youth, maybe I’d feel differently if I too was a real housewife of Beverly Hills but yeah, give me David Koma over Hermes any day.

-clockwise L-R: Diesel resort 2024, pre-fall 2023, pre-fall 2024, RTW F/W23, S/S24-

13. Diesel EVERYTHING: Wow, Diesel must be the no.1 contender for fashion house comeback of the 2020s so far. And it’s what’s deserved for a name as cool as Diesel, I mean, it is so simple but so good!

As far as I’m concerned Diesel had been relegated to the leagues of the higher price mark section of the Next catalogue for the past decade and yet the past couple of fashion weeks their shows have arguably been amongst the most anticipated. I feel like I’ve said sexy biker grunge or some combination of these 3 words too many times in this post already but look, it’s kind of like the aspirational aesthetic of choice for me minus the sexy part and add in a girlier, more dainty strain of femininity instead bc I do not have the body nor the bone structure or the RHYTHM to have sex appeal. I was built with the body that’s giving little boy at its lowest possible weight and chubby baby at its highest so yay. The sexy thing isn't gonna happen for me, I’m at peace with that, lmao.

-clockwise L-R: Erdem pre-fall 2024, RTW S/S24, pre-fall 2023, RTW F/W23, resort 2024-

14. Erdem EVERYTHING: Genuine question here, would Erdem Moralioglu's work be fitting of what Gen Z mean when they talk about whimsy goth or am I way off-base? Honestlyyy, I’m so out of the loop when it comes to this phenomenon of coding everything and idk if I like it because tbh, it seems like it’s only accelerated the pace of fast fashion. Once TikTok has put a label on aesthetic, it starts getting manufactured cheaply en masse and within a matter of weeks, everyone is fatigued and moves right onto the next craze of X/Y/Z “core”. Like apparently mob wife core is a thing now? Kill me FR. When I hear that all I think of is Teresa Giudice flipping a table and calling Danielle Staub "prostitution whore".

Sorry, I'm getting wildly off-topic here, back to whimsy goth…I don’t know what the TikTok/Pinterest certified cues for that vibe are, but within my understanding of the word, it’d be something like this? Because romantic, gothic, elegant, and eurgh, I hate this term, but also like, badass. Essentially, Erdem's dark dramatic touches constitute what I think of as the gothic part and the former adjectives contribute the whimsical part. Anyways, yah, sorry I had to say the word badass. I’m now thinking I could’ve more accurately summarised my understanding of whimsy goth by saying steampunk Disney princess, lol. It pained me to type especially because we don’t really say ass in England, but badARSE sounds really awkward and yeah, let's just move on...

-clockwise L-R: Zimmerman resort 2023, RTW S/S23, F/W23, S/S24, resort 2024-

15. Zimmerman EVERYTHING: I feel like the two opposing sides of the coin representing my personal style are in such stark contrast to one another because yes, one the one hand, I will always be obsessed with that whole forbidden g-word ‘90s look but I also do adore the whole flower power vibe, and for me, Zimmerman does that perfectly. This is to say, essentially, it leans subtly enough in that direction that you can still imagine a Zimmerman dress looking gorgeous with a big, vintage oversized coat, clunky boots, and dark makeup if you get me? There is one particular FKA Twigs look I’m thinking of as I type this, iykyk. But yeah, I never don’t love a collection from them, hence the inclusion on this list!

16. Jacquemus RTW F/W23: Speaking of clunky boots…Can you IMAGINE one of the little white dresses from this collection with some black platform Doc Martens and a black velvet choker or corsage? Like to reference Courtney Love for what is probably the millionth time, this would be the dream outfit inspired by her, however much of a groupie that makes me sound.

On a side note, Jacquemus’ S/S24 collection only came out, like, last week which is why it wasn’t included in the post but I can’t lie…it is a hugeee step down from this. The disappointment echoes my feelings the new Gucci collection, only I guess I can hold onto the hope this is just a meh year for Jacquemus rather than the loss of another absolutely legendary creative spark. Yeah, Alessandro Michele I miss u xx

-top to bottom: Le Fame pre-fall 2023, RTW S/S24-

17. Le Fame EVERYTHING: I only found out about Le Fame, Miss Sohee, Sultry Virgin etc. through HF Twitter (yeah, X is never catching on) and I feel indignant that only a handful of those are on Vogue Runway. Look when it comes to my A-Zs, if I find anything I like in a collection, I will include it, even if it’s nothing groundbreaking in my eyes. Because range, you know? But amongst the standouts from a collection, the rest can be really fucking drab, and yet the brand makes the top of the Vogue feed regardless, purely based on reputation. Yet Le Fame gets tumbleweeds. Where is the justice for Shanghai Fashion Week? ALL the non-western centric fashion weeks for that matter. WHY has ShuShu/Tong only just got a place on the Vogue Runway archive? I mean, it’s bad all round but the erasure of Shanghai FW in particular bothers me because western fashion is so clearly influenced by East Asian fashion and atm it’s just like we capitalise on it without paying our dues (shocker).

-clockwise L-R: Rahul Mishra haute couture F/W23, S/S23, Giambattista Valli haute couture F/W23, S/S23-

18. Rahul Mishra Haute Couture S/S23 & F/W23: Whilst we're on the topic, thank god for HF Twitter for alerting me to yet another designer ignored until very recently by Western fashion critics. Don’t get me wrong, I like a bit of Elie Saab as much as the next girly girl but every collection lately has been more of the same, risk-free and repetitive. You look at Rahul Mishra, and instantly, you can see just how much work and passion goes into his designs. The end results are that these dresses are utterly ETHEREAL. I have been seeing more talk about RM lately and his collections have recently started being covered by Vogue. I hope this acknowledgment continues!

19. Giambattista Valli Haute Couture F/W23 & S/S23: The princessiest (yeah, that’s a word now) of princess dresses. OFC GV makes it on this list. For the sake of my inner child, if not anything else, who thought that a job in the fashion industry was actually achievable and that wearing a dress like this one day was within my reach. The little me who didn’t know what nepotism even meant, this is for you.

20. Selkie RTW S/S24: So I wouldn’t usually include Selkie in a fashion week post as maybe, for reasons stemming from my own prejudices, I assume anything I have ever been able to afford at any point in my life does not count as high fashion. But the Selkie show for this season, imo, truly epitomised what is supposed to be the whole point of fashion which is to translate our inner beauty to outer beauty on our own terms, in a way that makes us feel empowered and the most magnificent version of ourselves. Selkie speaks to the playful feminine spirit within me, and to see women of all sizes, ethnicities, ages, and abilities looking absolutely enchanting made me feel hopeful for a day when I don’t still feel like the only version of myself that is worthy of being “perceived” (lmao) is the one who still owned that beautiful, tiny Selkie dress, who has to punish and deprive their body to fit into it! Seeing this runway on Twitter gave me a degree of faith that this future where I feel confident and comfortable in my recovered body does exist. So yeah. I had to include it here:)

-top to bottom: Shushu/Tong RTW S/S24, F/W23-

21. Shushu/Tong RTW F/23 & S/S24: I hate to introduce new material at such a late stage but I was choosing my favourite looks from ShuShu/Tong’s S/S24 collection and just thought, I want more! So I did some Googling and managed to find the F/W23 collection too! And it’s just as stunning as S/S24. This is why it’s such a calamity that we don’t get more Shanghai FW coverage, I s2g.

-clockwise L-R: Philosophy di Lorenzo Serafini RTW S/S24, Cult Gaia resort 2024, Dominnico RTW F/W23, Zuhair Murad haute couture F/W23-

22. Zuhair Murad Haute Couture F/W23: Okay so obvs the S/S23 couture collection was gorg and lush too buut holy shit, the gothic touches of F/W23 took things to another level for me!

23. Dominnico RTW F/W23: If Sam Levinson decides to have Maddy Perez go through a kawaii-influenced cyberpunk phase and then become a dominatrix in season 3 of Euphoria (and let’s be real, equally nonsensical things have happened on that show), this is what her character should be wearing in keeping with her personal style. Niche, I know. Just please, for the love of god, make her come of age first. I have no time for that man’s insistence on sexualising minors. Justice for Barbie Ferrera and Kat Hernandez, honestly.

24. Cult Gaia Resort 2024: Is it…mermaid core?

And lastly…

25. Philosophy di Lorenzo Serafini RTW S/S24: He made layers SEXY.

Honourable mentions go to a few brands I plan to focus on anyway over my next couple of posts (another In the Front Row at…kinda post, and also little 2023 Pt.2 Recap) so I won’t go overboard yapping on about them here too, but to summarise a few points:

I was pleasantly surprised by Maria Grazia Chiurui’s work at Dior this past year? IDK if it’s just that my expectations of Dior based on the collections we’ve seen over the previous few years have set the bar really low, but almost all of it was super pretty. Maria has garnered a reputation for being all quantity and no quality, which is fair enough, however I truly think we saw both this year. So maybe this is all to say…Dior gets the Most Improved award?

Alessandro Michele’s final Gucci RTW collection was full of showstoppers and honestly, I don’t know how Sabato De Sarno is supposed to follow on from that. His Gucci S/S24 was nice enough and probably more in keeping with the brand's old school aesthetic but the character Alessandro brought to the brand is gone and I feel like a little part of me has died along with that. I don’t know what to feel because his version of the brand is the brand in my eyes, at this point, like he resuscitated it and nourished it and got people excited enough about it to reestablish Gucci's place at the precipice of high fashion, and yet seeing S/S24 I feel that artistic flair is gone. If I’m being optimistic, maybe De Sarno is just playing the long game and that, in going back to basics, his aim is to create a point of reference he can build upon over time to develop his own equally bold vision of luxury. Let’s say Sabato De Sarno gets the Person I Most Hope Will Improve award.

Finally, in the absence of Michele’s Gucci and on the back of another year of incredible collections, I think I can finally say…Rokh, you’re my new number one.

To conclude, though, that’s enough from me! I’ve already done way too much chatting shite for a photo post. If I start talking about anything else now, it’ll surely end up as some rant about the state of the world which will inevitably be coming soon, anyway, so for now all I have to say is 1. Free Palestine and 2. I hope anyone reading this is doing otherwise okay notwithstanding the horrific levels of injustice occurring, i.e the abhorrent displays of solidarity with a government perpetrating war crimes by many Western “democratic" leaders. Even when we knew they were awful before, seeing this situation play out is devastating. Be kind to yourself. All we can do some days is get by and that’s okay. To exist in a place where our lives are not constantly at threat is in itself a beautiful thing that everyone deserves, and I know most of us appreciate that and want that for everyone else too.

With that, I’ll say goodbye and will be posting again soon.

Lauren x

[witchofthemidlands]

day 1: lesbian

🎭 Erin “Chess” Chesterton 🎭

i have never done an oc pride month challenge before so thank you so, so much @dream-beyond-the-fantasy for thinking of me & tagging me in this, it really means a lot 🥹 this is several days late but i was away for the weekend & only saw the notification about this when i logged back onto tumblr earlier today 😩

there are no posted fics featuring her yet (& with how slow i am at writing these days might not be for ✨quite✨ sometime could be a year 😩😭😩) but she has been in the works since 2019 & will eventually feature first properly in For Years & Years I Roamed (the 12 arc of my canon rewrite AU) as the adopted daughter of barbara & ian before coming further into her own as she turns 15 & joins the bunghole squad, she’s so creative & loves musicals, the theatre, dressing up & makeup, chose to do drama as her creative gcse. barbara, ian, her brothers john & danny along with clara, the doctor & rose (& whoever's travelling with them at the time) go to ALL of her performances.

her love interest will be tanya adeola 🥰

tagging: @queenclaudiabrown @thedragonemperess

[dailyclassicwho]

Class (2016)

← BACK TO INDEX

General

◦ Class ◦ Big Finish ◦ Commentary ◦ Analysis ◦ Behind the Scenes

Characters

Main Characters

◦ Tanya Adeola ◦ Matteusz Andrzejewski ◦ April MacLean ◦ Miss Andrea Quill ◦ Ram Singh ◦ Charlie Smith

Supporting Characters

◦ Dorothea Ames ◦ Jackie MacLean ◦ Vivian Adeola ◦ Varun Singh

Villains

◦ Corakinus ◦ The Governors

[queer-dw-tourney]

QUEER DW CHARACTER TOURNAMENT: ROUND THREE GROUP ONE POLL TWO

Tanya Adeola was intended to be bisexual or pansexual, and this would've been confirmed if Class had continued on for a second season.

Tania Bell is a transgender lesbian. She's said to be transgender in the audio Wild Animals, and she is in a romantic relationship with Liv Chenka.

[esonetwork]

Timestamp #CLS1: For Tonight We Might Die

New Post has been published on https://esonetwork.com/timestamp-cls1-for-tonight-we-might-die/

Timestamp #CLS1: For Tonight We Might Die

Class: For Tonight We Might Die (1 episode, s01e01, 2016)

A threat like the Hellmouth and a warrior like the Doctor.

At Coal Hill Academy, a student runs through the halls in the dark of the night. A woman pulls him into hiding but a molten creature still finds them. In the aftermath, a rift tears open in the hallway.

The following day, the students report for classes and gossip about Kevin’s disappearance. In the foyer, April MacLean tries to convince Tanya Adeola to help her decorate for the autumn prom. Tanya declines due to her strict mother, and April ponders taking the new kid, Charlie, as her date.

The new physics teacher, Miss Quill, argues with the head teacher, Mr. Armitage, over her new position. She soon convenes class and chastizes the kids over their personality quirks. She tries to stump the students with a difficult equation, but Tanya recognizes it as a Gibbs probability density (the Boltzmann distribution) of a classical Klein-Gordon field. After class, Charlie lets April down by telling her that he’s taking Matteusz as his date. April’s disappointed but happy that Charlie’s out and proud.

At a later football match, Ram Singh misses a goal when he spots a mysterious shadow on the field. Meanwhile, Tanya spots a similar shadow while walking home, and this shadow chases her into a shop. She dismisses the shadow as being under too much stress. Tanya later returns home, is chastised by her mother for not doing her homework, and calls Ram to tutor him in physics. April ends up facing the shadow as Ram tries to help her via video call.

Charlie heads home as well only to find Miss Quill waiting for him. He questions her about the burn marks on the floor and whether or not she killed Kevin. As Quill steps outside, she reminisces about the prior night’s events – she made Kevin shoot the monster, but the two ended up killing each other – and walks off with the gun that she’s not allowed to shoot in her pocket.

April ends up decorating for the prom alone and gets attacked by the shadow. Miss Quill arrives and tells April to run as they face the creature, telling April to use the gun. Before she can shoot it, Charlie interferes and knocks the gun out of her hands. The shot goes wild and clips the monster, and as April staggers from the pain, Miss Quill explains that the weapon is a displacement gun. Effectively, it displaces the target in space and time by sacrificing the shooter.

Since April hit the Shadow Kin with a glancing blow, they now share a heart. The creature retreats from both the school and Tanya’s room, and Tanya’s mother freaks out about the video call. Charlie and Miss Quill help April decorate for the prom and April learns the truth about the other two. Charlie is a Rhodian prince and Miss Quill is a freedom fighter from an opposing force. When the war ended, Quill was bound to Charlie’s service by a parasitic arn, which prevents her from using the gun. During the war, the Shadow Kin slaughtered all of the Rhodians. Quill saved Charlie and they were dropped on Earth by a figure of legend out of space and time. That figure, the Doctor, left them in hiding at Coal Hill School.

Since her heart is split across space and time, April hears the Shadow Kin’s thoughts. The creature is coming for Charlie and the object that he salvaged from his homeworld. Later that night, Charlie ponders the mysterious box while April stares at the stars.

The next morning, April warns Tanya to be careful of the shadow while at the prom. Tanya passes the warning to Ram later on, and as April, Ram, and Charlie prepare for the prom, Tanya tells her mother that going to the dance will help with a school assignment. Charlie, April, Matteusz, Ram, and his girlfriend Rachel arrive as Miss Quill chaperones the event. Everything goes well until the Shadow Kin makes contact through April, warning that it is coming through the rift that it created.

The creature kills Rachel and the students engage a group of the Shadow Kin. April tries to convince everyone to evacuate the school, but the students refuse. As the Shadow Kin burst through the doors, however, the students run. Meanwhile, Ram loses a leg as he attacks a Shadow Kin. The Shadow King confronts Charlie and destroys the gun, but as the king advances, the battle is interrupted by the Twelfth Doctor.

The Doctor riffs on once being the school’s caretaker before confronting the Shadow King, inadvertently revealing Charlie’s and Quill’s secret identities. The Shadow Kin demands the Cabinet of Souls, which supposedly contains the souls of every Rhodian and could be used as a weapon. While the Doctor questions avenging a genocide with genocide, Charlie reveals that the cabinet is empty. The legends were just a myth.

April threatens to kill herself to defeat the Shadow King, but the Doctor and Tanya fight back by eliminating the shadows in the school. Without a shadow to hide in, the Shadow Kin cannot occupy the space. The king threatens to take April with him, but Ram knocks the king into the rift as the Doctor seals it.

In the aftermath of the battle, the authorities clean up the mess while the Doctor assesses the new team. He reveals that the excess of artron energy in the area has worn the fabric of space/time quite thin. The school acts like a beacon and this team will need to defend the school. Ram is healed with an alien prosthetic leg and Miss Quill is left in charge of the defense force as penance for Kevin’s death.

With that, the Doctor departs.

Ram and Tanya head home in disbelief of the night’s events, the former trying to get used to his new leg and come to terms with Rachel’s death. Charlie promises April that they’ll get her heart back, and she tells Charlie about her mother who was paralyzed in a car accident. April says that if her mother can adjust, so can she.

Quill asks Charlie how he’s not consumed by the rage over the loss of his people like she is over her own. He doesn’t see a point in the rage, then returns to his room to reveal that the Cabinet of Souls is indeed full.

This is a decent start with a generic story that has a Doctor Who meets The CW feeling. It’s an interesting touch to have the two aliens in charge of the school’s new defense force be refugees, one the last of his kind and the other unable to wield her special weapon. I also like that our heroes have flaws to overcome during this journey. The potential exists for a decent ensemble adventure.

The Coal Hill School Roll of Honors is a nice touch in a setting reminiscent of Buffy the Vampire Slayer – explained here as existing in the Doctor Who universe alongside Once Upon a Time and The Vampire Diaries – and draws the Doctor with Clara‘s name among those who have mysteriously disappeared from the school. The Doctor may not recognize her name directly, but he should recognize Danny Pink and Susan Foreman. Just like Sunnydale High, Coal Hill acknowledges that there’s something strange in the neighborhood but they can’t quite put a finger on what it is.

Pilot episodes are shaky, and this is no exception. But with the Doctor there to bless this spinoff, I’m eager to see what this ensemble does with the potential that they have been gifted.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

UP NEXT – Class: The Coach with the Dragon Tattoo

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

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Class 1x07 - The Metaphysical Engine, or What Quill Did

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Class S01E01 “For Tonight We Might Die”

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“You’re On Your Own Kid is about-”

Wrong. It’s about the Bunghole squad.