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sparklyjojos · 4 years ago

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THE SAIMON FAMILY CASE recaps [1/13]

These will be full recaps of the latest JDC book, The Saimon Family Case (彩紋家事件) from 2004, which is a prequel taking place in the late 70s. While it’s a prequel, it can be read without any knowledge about the series. (It does spoil one death from Carnival at the end, but I feel like everyone already knows about this particular one).

It won’t be obvious in the recaps, but the book consists of seven parts seven chapters each (similar to Maijo’s Tsukumojuku) with two additional parts at the end.

The novel is light in terms of content warnings (for a murder mystery, anyway), but small kids WILL die in this, and we’ll be talking a lot about a specific type of systemic xenophobic violence near the end.

See that big family tree above? Save it somewhere for future reference. Believe me when I say you will need it. (Also, as always in the recaps, family name will be given first, Japanese-style.)

Well then—has everyone found their seats? Is everyone ready to witness the most splendid illusion?

Let's start the show.

PART 1

A note at the beginning informs us that soon 20 years will have passed from the end of the famous Saimon Family Murder Case, often called the “Crime Revolution” because of its impact on the future of similar complicated incidents. The details of the case have been hidden from the masses, but the time will soon come when everyone will learn the truth.

It’s the very last day of the year 1999. The mysterious first person narrator of the framing device is an older gentleman attending a New Years celebration in Las Vegas with his wife. They watch a fairly young blond magician perform close up magic for the guests. The magician borrows a 10,000 yen bill from the narrator, seals it in an envelope, sets it on fire, and it suddenly turns into a rose in his hand. When the narrator is asked to check his wallet, inside he finds a bill with the same denomination and serial number, but of a noticeably larger size… among a few other stunning differences.

“Happy New Millenium!” the magician exclaims.

This little illusion awakens memories from that case in both the narrator and his wife. As the world heads towards the new century, they are the only people left who were so closely involved in those tragic events of old.

It's September 19th 1977, and the entire Saimon family celebrates the 99th birthday of their old matriarch, Saimon Tamako. The celebration takes place on a performance stage next to the family's main residence in Tsuwano, Shimane Prefecture. Tamako’s daughter Akiko pushes the matriarch’s wheelchair towards the stage.

A perceptive guest may notice two other old women in the crowd who look astonishingly like Saimon Tamako, though they are a little younger (97). These are twin sisters called—if you can believe it—Tsukumo Tamako and Tousen Tamako. The three Tamakos look near identical, and in fact once used that similarity for their magic acts: all secretly shared the single stage name of Soga Tenju. That was decades ago, of course. The Tamakos no longer look like the beautiful young woman (actually women plural) known from her most famous illusion, Courtisane and Bell.

Once Akiko and Tamako take their place on the stage, all the lights suddenly go out for just a second, and in that brief darkness two things happen.

One: the red-and-white stripes of the celebratory curtain decorating the stage suddenly turn into black-and-white stripes of a funeral curtain.

Two: Saimon Tamako dies.

Saimon Tamako is ruled to have died of natural causes, not unusual at her age, and the curtain changing color must have been just someone’s attempt at a distasteful joke.

However, the threat of something darker going on still seems to lurk in the background. There’s a lot of people with bad intentions in this world. As part of the Saimons, Akiko is well aware of that. She recalls what she knows about the family's past.

Back at the beginning of the 20th century, Saimon Tamako made her living performing magic with a traveling circus group. Eventually she met a rich man, married him, and with his financial help established the Soga Tenju troupe.

Of course, the magician Soga Tenju was actually three women, all looking identical, all having similarly unclear pasts and wandering with the same group, all being called simply Tamako because no one even knew their real names.

It happened that three rich men of Tsuwano, who all have been friends—Saimon Taishin, Tsukumo Taigen, and Tousen Taikun—fell for the same “Soga Tenju”, and upon discovering the secret behind the magician decided to marry one member of the trio each. Since this was the era it was, the women didn’t really have a say in the matter. (Akiko hopes for more emancipation in the future and feels sad that she probably won’t live to see it; she’s over sixty herself.)

The tendency for similar names came with all sides of the family, it seemed. The three rich men were themselves a little weird, and that shared “Tai” in their names was something they added intentionally to show their bond. Their respective firstborn children—Tsukumo Haruko, Tousen Natsuko and Saimon Akiko—were given names referring to haru (spring), natsu (summer) and aki (fall). Since the Tamakos were so similar looking, their daughters also looked close enough that one could mistake them for triplets.

Akiko herself has three sons—Taishi, Akio, and Takayoshi—but now that they are all adults, they no longer feel so close to her, especially the youngest Takayoshi, who never felt inclined to stage illusion and broke all contact with the family. He didn’t show up for Tamako’s birthday and even now, a month later, hasn’t contacted them yet.

On October 19th, Akiko is busy sewing new props for a magic routine, the Five-Ball Cascade, in which juggled balls seem to change colors between red and white in mid-air. Remembering her times as the young magician Soga Tenshuu, she attempts the act just one more time. As she throws the balls in the air, she feels a stabbing pain in her chest and suddenly sees familiar faces in the balls—her mother, her husband, her sons—changing from white to red, like a bloody cascade. As they fall to the ground, Akiko does too.

A month later, on November 19th, a few members of the Saimon family are combing the Tottori sand dunes in search for young Saimon Yuuta, who went missing the previous day after announcing he’d like to show them something at the site. Everyone’s on edge; it’s barely been a month since Akiko's death.

A rope is found sticking out of Umanose, the famous “horse-back” dune, and several people pulling on it manage to unearth what looks like a giant card—four of diamonds—and Yuuta’s corpse tied to it.

Not even a few years have passed since JDC’s founding when young detective Ajiro Souji and his wife Mizuki take part in Saimon Tamako’s tragic birthday celebration.

The couple feels at home in Shimane, both because Mizuki was born in the prefecture, and because Ajiro has been friends with the Saimon family ever since receiving their help during the Ajiro Family Murder Case—the experience which prompted him to create JDC in the first place.

That case, as usual, was solved by his grandfater Soujin and mentor Shiranui Zenzou [and if you want to know more about it, read Carnival]. Both of them are splendid detectives, but decided young Souji should be the one to become JDC’s representative instead.

...but we keep saying "JDC" here, and the truth is the tiny group doesn’t call itself by the fancy English name Japan Detectives Club yet. It goes simply by Nihon Tantei Club and occupies the third floor of an office building filled with boutiques, clinics and the like.

Aside from Ajiro the representative, the staff consists of six office workers and twelve detectives (not counting Soujin, who is almost always out on business). The detectives are divided into the Shiranui Section and Kirigirisu Section, named after their respective leaders. There is some tension between the sections: the Shiranui part puts more value on past experience and doesn’t approve of choosing young Souji as their representative, while the Kirigirisu part praises his potential and thinks of the organization’s future.

So far Nihon Tantei Club is pretty unknown, no dramatic and giant solved cases to their name, and everyone has a strange conflicting feeling: at once wishing for the peace to never end and wishing for the inevitable tragedy to just happen already; to just get to the point where what should be unusual becomes the new normal, because everyone knows deep down it has to happen one day.

On November 22nd, Kirigirisu Tarou as usual takes the train to work, thinking about how the world will inevitably change as the new century comes around—though, of course, he can’t be sure he will actually get to see it, as nobody knows what will have happened in over twenty years.

Maybe he’s mulling over the passage of time and worries about the future so much because he's a man without a past. Kirigirisu lost all his memories to head injury a few years ago, at the same time when he was wrongly accused of murder. Fortunately, he was proven innocent thanks to both Ajiros, could begin new life as a detective, and even found a wonderful wife called Kano. He would love it if this usual everyday life could continue indefinitely… although without crime, a detective like him would be out of a job. For now he wants to focus on helping the Ajiros as he can.

Kirigirisu arrives at the office, which is mostly empty this early in the morning. Well, except for the delinquent detective Raiouji Rokenrou, looking just like you’d expect a punk named after rock’n’roll to look like (sunglasses, a lot of hair gel…) and taking a nap on the couch. Apparently Ajiro Souji had a long meeting with him about something last night, and now wants to talk to Kirigirisu.

Ajiro Souji is a sharply dressed 29-year-old man, easy to mistake for a normal office worker in the crowd. (Kirigirisu always flinches a bit seeing his elegant tie; he himself has a strange phobia of wearing anything around his neck, which he suspects has to do with an unknown event forever hidden behind his amnesia).

They each light a cigarette and have a friendly conversation. Ajiro mentions that he recently tried to switch to cigars, but alas, it seems that it’s still “too early” for him to appreciate them; about forty years too early, according to grandpa Soujin. [Seeing as Ajiro is a huge cigar fan in most of the series, grandpa miscalculated by at least two decades.]

Soujin is a thin man of short stature who hardly looks like someone in their seventies, although his hair is just as white as his usual suit, with just a black bowtie breaking the color. He always gives off the air of a mafia boss, his sheer power of personality taking hold of everyone around. Soujin apparently feels constant wanderlust, so he almost never shows up at the office. In fact, Kirigirisu hasn't seen him in over two months now. Who knows what he’s doing.

But back to the situation at hand, Ajiro wants Kirigirisu's help. For the next few days, they will investigate a case together in another prefecture, Rokenrou taking care of Kirigirisu’s section in his absence.

The case surrounds a strange series of deaths. First, Saimon Tamako dying (seemingly) of old age on her birthday on September 19th. Second, her daughter Akiko suffering a (seemingly) accidental death on October 19th, when a misplaced sewing needle stabbed into her heart. And third, a very strange but (seemingly) accidental death of another Saimon family member that has just happened on November 19th. Ajiro and Kirigirisu are to investigate whether or not the perfectly spaced string of incidents may be an act of serial killing.

The case is of personal importance to Ajiro. After all, the person who requested their services is the same man that helped solve the Ajiro Family Murder Case: Saimon Ryuusui, known better as the great magician Soga Tensui.

(The third person narration swaps here to a completely different font, and informs us helpfully: but ah, before the two detectives could head to Tsuwano, they would go to Yamaguchi first, to watch the magic show of the Saimon family, a marvelous experience that Ajiro has already had a few times because of his friendship with the family, and that Kirigirisu would witness for the first time.

And from the very moment they were invited to see the show first, they felt uneasiness settle inside them. Only much, much later would one realize just how deep the hidden meaning of the show really was, and that solving all its mysteries was crucial to solving the Saimon Family Murder Case.

You could even say that the show itself, filled with so many wondrous mysteries to solve, was the true Saimon Family Murder Case. If so, then the magician Soga Tensui could be defined as its culprit—and if so, then Ajiro and Kirigirisu have just walked right into a marvelous illusion indeed.)

[>>>NEXT PART>>>]

#sparkly reads the saimon family case #maijo and jdc stuff

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flaresanimedump · 1 year ago

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Fukuzawa and Ranpo romantic themes essay **Updated May 2024**

ALRIGHT here we go

The story thus far:

Well HERE IT COMES.

First off y'all are focusing too much on Fukuzawa. Sorry but if you look to Fukuzawa only Fukuzawa/cats has merit. Even with FukuMori it's Mori we get 90% of the ship content from (silver fox?? Can you not hit on him for FIVE SECONDS MORI-)

You have to look at RANPO. And so we will, mostly, in this response.

Now I did say "themes" first so you're all gonna have to deal with me doing both. I’m just gonna lead with the thing that I see the behavior in the og tweet with the most:

Antis almost never fail to say "father and son" in their captions when they post screenshots of this anthology chapter.

As the translator of this anthology I will tell you it's not father and son. It's tsundere boyfriend.

How is this tsundere?!: “I’m not worried about you, baka, I just don’t ever want to see you sick—play sick nurse for you again!! So take better care of yourself!! Here’s a snack!! Feel better or else!!” + this phrase "I never thought I'd hear such caring words from you" is your basic tsundere trope template in JP.

Why does that mean it’s romantic?!: Tsundere behavior is mostly reserved for love interests – particularly this bit.

He’s just offering him a snack!!: Look at the shojo background in every panel. Look at the sparkles. Look at them setting the fluffy lovey-dovey mood. Look at Fukuzawa’s saying he’ll take them to his heart. You can hear the “Kyaaaa, Yukichi-kun was so close!!!” if you listen carefully.

But- but- FATHER AND SON!!: you may now see why it took a Fukuran shipper to translate this 4 years after it was released, despite the scanlation boom over covid ;)

But that’s an anthology! It’s not really canon!

Moving right along then, this is Bones only, but:

Seeing color because you meet someone is literally the basis of an entire subset of soulmate AUs.

I bookmarked two romance quotes in the last 6 hours that center on romantic love bringing color into someone’s life. This is an extremely common romantic trope and I still can’t believe Bones went there in Origins. a. “But Nova!” they cry, “lots of parents say their children bring color into their lives!!” True!! And you’ve just said why this isn’t the same! Fukuzawa brought color to RANPO’s life, not the other way around. This is why I say to look to Ranpo for this ship!

Well Bones sucks!

There are about 104 examples of “Unbroken Vigil” on TV tropes. Exactly two of them are children waiting by their parents, and they’re both from live action film. This trope, across all categories of media, is absolutely owned by romantic couples. Notably in the anime and fanon sections there are no examples of family members doing this. I won’t say there aren’t any anywhere, though. JJK exists. But that’s a good example of how different Ranpo’s reaction is from the usual “caretaker is in the hospital” mood – sure Yuuji’s sad when his grandpa dies, but he’s gonna be ok. Ranpo’s, as Yosano says, devastated. Ranpo’s devastation fits squarely in the romantic box for this one boys.

Point of reference: Fukuzawa

I’m gonna hit two points at once in this section:

Ranpo’s kneeling to Fukuchi here but he has no loyalty to Fukuchi. He’s kneeling out of loyalty to Fukuzawa, so in truth he’s kneeling to Fukuzawa’s will. He’s acting as Fukuzawa’s knight. Even if we pretend King and Lionheart wasn’t a fandom phenomena for years, this isn’t a parent-child thing. Ranpo is steadfastly faithful to his king.

But lo?? Ranpo’s a lying liar. He’ll face away from the president under exactly one condition: Fukuzawa’s life is hanging in the balance. Then he’ll go against the only thing he himself has said he’s willing to stand for. This is not how the parent-child trope works. The parent says “live for me, I’ll die for the greater good” and the child cries and the parent dies. It’s like. The most common movie plotline in the universe when adults' parents are in movies.

Instead Ranpo actually does something that another stated romantic couple in this series does.

Goes apeshit on the threat.

Then later he’s not even remorseful. He tells Fukuzawa they did it and eats a bunch of cake without a care in the world after. He’d do it again and we know it.* So his moral compass isn’t to follow the president, it’s actually to follow him up to his own good and then burn the entire city down if it’ll keep him alive. This is really the most damning of Ranpo behaviors that screams of something more than familial affection.

Fukuzawa’s lines when he's poisoned are “we must not fight the port mafia. My life isn't important, protect this city (from the inevitable damage the fighting will do).”

Ranpo’s argument to disobey him is that the port mafia will start taking their families hostage to get them to give Fukuzawa up. “And if that happens, even the detective agency will be forced to give in.” His argument isn’t even “our friends will be in danger,” it’s “if we don’t fight we'll have let them kill President Fukuzawa.” Which, you know, Fukuzawa already said was preferable to fighting.

So this whole argument is literally that ship meme: “I will sacrifice myself to save everyone.” / “I will sacrifice anyone to save you.”

*Ranpo’s near-complete lack of punishment for this is a subtle sign of Fukuzawa’s bias too but this is already too long.

Shirushi

Or the 4th season's opening song. This has not been easy I tell you WHAT most of the translations for this song’s lyrics leave something to be desired and song lyrics are hard to understand. Anyway, we have Shirushi, which Luck Life's vocalist said was about Ranpo and Fukuzawa. And it’s. Well I wouldn’t exactly call it a love song because it’s bigger with “you gave me a reason to live” as one of the recurring lyrics. But the song’s got more lyrics about wanting/wishing/pleading to stay together: “I want to stay here // please, let’s just stay here // I want you and I to continue” and them being together, the “here” in question, is called “the place where [my] heart belongs.” It’s so sweet aaaaaa and it most definitely sounds like a love song.

"I will be his shield"

Here we have the rare Fukuzawa point.

Ok can I skip explaining this it’s very very obvious and I already went over one of these things.

Normal thought process: I should keep an eye on this kid. Fukuzawa thought process: I will become his shield, his sword, his shelter, to allow his magnificent mind freedom to work its magic--

Two halves of one whole

This is a weak ass point but I always found it thematically contradictory to the father/son interpretation, particularly when it comes right on the heels of a certain line fancops like to reference.

At the beginning of Origins Fukuzawa literally parkours across a room, backflips and everything, shocking the guy with all the papers with his mad skills. And Fukuzawa thinks “What? Why? That wasn’t impressive.”

He’s hinted to be the physical counterpart of Ranpo’s hyper competence. I.E., Ranpo is the one-of-a-kind mind and Fukuzawa is the one-of-a-kind body. Together they become unstoppable.

This implies a bond that won’t end?? But parent & child plotlines always have a theme of the child growing up and moving on. Atsushi and the orphanage director, though they’re fucked up, personified it. But they’ve clearly established that Fukuzawa and Ranpo are two halves of one whole and neither of them are planning to separate at any point. What’s Ranpo gonna do, go become a regular cop?? This just doesn’t suit a father and son dynamic.

Jealousy

Alright this next part will take some effort but FIRST we must all agree there’s romantic tension between Fukuchi and Fukuzawa. When I initially drafted this the finale had not come out, but we STILL had this going on:

Ok, so we also have the finale and we know Fukuzawa has some Strong Feelings for Fukuchi too. And Ranpo friggin' hates it.

I don’t aim to eradicate the platonic reading of Fukuran or anything, Fukuzawa and Ranpo are cute together no matter what! So this does smack of a teenager mad about having a stepdad taking all their mom’s time. But I cycle back to what Fukuchi cites as the focal point of Ranpo’s jealousy for the other easy interpretation.

The only time in my life I’ve thought “Aw I wish we’d met sooner :/” and felt a little envy towards someone's high school friends was with someone I was dating. I’d never think anything to this effect about a family member, certainly not enough to get violently jealous of their old friends or, heaven forbid, significant others.

What Ranpo is wishing for here is to have known Fukuzawa longer than Fukuchi, which could not happen if he was Fukuzawa's son. Fukuzawa was too young to have children when he met Fukuchi. So Ranpo's jealousy doesn't seem strictly platonic.

Praise

I will never understand how anyone sees the praise scene and thinks it’s normal father-son behavior. Teenagers wouldn't wouldn’t be caught dead doing this. Adults are far beyond it. Ranpo’s 26. Yes he likes candy and can’t ride the train, but the trains in Japan are WORSE than driving and neither of these behaviors mean he's a literal child. He has a driver’s license and investigates corpses for a living. He’s an adult.

This is a textbook praise kink.

Update: We got NEW STUFF WHOO

First I need to explain all of Japanese to you! Kidding, but we are gonna talk about second person pronouns. If you're not already aware, Japanese has well over 15 words for "I." Similarly, there are also 10+ words for "you." That being said, "you" is often seen as too direct and therefore all of these words can be seen as rude (you're supposed to use the other person's name with an honorific or their title, i.e. Fukuzawa-san, Shachou). You can use "you" for advertisements where the "you" is very general, OR with friends/lovers/etc.

OK we're gonna look at 2 of these pronouns now:

あなた(Anata) is a common second-person pronoun. This is the one that comes up in advertisements. It's semi-formal, though rude in certain contexts. As already stated, Anata is mostly used with people you're already close or familiar with (some examples in BSD include Kyoka to Atsushi and Akutagawa, between Haruno and Naomi, and Ango to Dazai) but can be used with strangers you're not close with and/or people you're a little irritated by (examples: Atsushi to Kouyou and Fitzgerald, Poe to Yosano). You are NOT supposed to use Anata with superiors. Historically, however, Anata once had another use: as a term of endearment between married couples. Generally the wife might call her husband this. This doesn't happen much though!! Only in certain contexts, which I'll get into. Don't go telling people Anata is a romantic pronoun because of this essay, it's not. Mostly.

お前(Omae) is rude! Ok it's not that rude, but it's a tough guy "you." This is often used when people are annoyed with the "you" in question, i.e. Kunikida scolding Dazai for drowning/being broke, "Dazai! Omae-" like that. Like Anata, this can be used by guys who know each other well/are good friends. Also like Anata, historically, it once had another use: as a term of endearment between married couples. Generally the husband might call his wife this. This is older than the endearment use of Anata and far less common now. It was explained to me as being a bit like saying "my woman." But once again this is rare!! It doesn't mean that now! Don't go expecting it to be romantic all the time because it almost never is!! Except--

Except that Fukuzawa uses very old language, because he's named after a guy whose heyday was the 1860s. That's plenty long enough ago to use Omae as a term of endearment. In fact there are only two characters who he calls Omae, one of whom is Fukuchi:

HOWEVER, while this proves Fukuzawa only uses it with people he's extremely close to, Fukuchi uses Omae back. I could make a joke about the two dudes who would be gay if they could just work out which one should bottom but this is a Fukuran essay so you can use your imagination for that. I'll move on to the other person he uses Omae with:

Ranpo, of course! But you see... Ranpo rarely calls Fukuzawa anything other than Fukuzawa-san or Shachou. Except he did at the end of the anime:

WE GOT AN ANATA FOLKS. Ranpo doesn't call anybody else Anata. He goes for Kimi mainly. Yet here he whips out Anata for Fukuzawa who, if he was looking at Fukuzawa as his superior, he should never refer to as Anata. So not only do we get confirmation that their relationship isn't just boss and employee, we get THE OMAE+ANATA SET. This isn't definitive cannonizing content of course - as I've said multiple times, these both mean something different now - but it's strongly suggestive. And speaking of suggestive,

Word of god

If you were ever worried that Asagiri might frown on the ship, or that he doesn't know about it, or that he didn't intend for a shippy interpretation at all, you can put all those fears to rest. In January 2024 Asagiri held a panel at the Kochi Museum of Literature and the Fukuran fans were WELL FED. Asagiri was asked half a dozen questions about Ranpo and Fukuzawa, but the most fun answer was when he was about Ranpo and Fukuchi. Rough translation below:

Q. Can you expand on the relationship between Ranpo and Fukuchi?

A. To put it in a slightly misleading way, Ranpo views Fukuchi as his rival in love*. They are enemies in a love triangle. Fukuchi doesn't agree.

*YES this word means romantic love.

Yes it's a joke but it's basically carte blanch to ship it to your heart's content, Asagiri knows you're there and winks at you in his interviews. AND it's also Kafka Asagiri saying that Ranpo sees himself in a love triangle with Fukuchi and Fukuzawa. So. You know. Just a small (major) win for the Fukuran fans there!

--End of new info--

But what about-

Now, I did mention the line I know all the antis are getting ready to comment with, and I just don’t think this would be complete without the inflammatory “well actually” section. There have been many a tweet saying “Fukuzawa says he sees Ranpo as his son!”

Actually, he never does. They're explicitly called partners/buddies, however.

NOVA IT’S RIGHT HERE!!

Bad news kids: this isn’t an exact translation. It’s very sweet and all but that’s not what the Japanese actually says.

This line is closer to “I have a child in my care for my own reasons, too.” He didn’t say Ranpo was HIS child, there’s no possessive grammar here (heh no の). I don’t think I’ve ever seen anyone argue that Fukuzawa didn’t see him as a child when he was, you know, a child, but the series doesn’t take place when Ranpo is a child. Also I don’t see how that has anything to do with Ranpo’s feelings at the time.

Well that’s semantics, Fukuchi says it too!! See??

This 1) is Fukuchi who has about 1000 reasons to be a fukuran anti that have nothing to do with ages and 2) isn’t a direct translation of the Japanese text either. It says “little favorite” in Japanese, and that’s it! “Little favorite” just sounds weird in English so the translators used a common phrase that people generally DON’T and SHOULDN’T use for their own kids (imagine if everyone knew you liked one of your actual kids better than the rest D:). I have it on good authority that the official Italian doesn’t say “favorite son” and I know the Japanese doesn’t, so this line is not cannon.

Well how about this!!!

I’m not really sure why this is referenced when it’s clearly the center of the chapter’s joke – the point is that Ranpo ISN’T 5, he just acts that way.

Plus I can throw this panel back from the same WaN chapter as an argument:

“Ranpo’s grown so handsome” or if you prefer, “Ranpo looks so virile now...” – rare simp Fukuzawa.

Well you can’t possibly deny this!!!

Congratulations, this is the only one with any merit! What it fails to do is prove Fukuzawa said it or remove any of the stuff already mentioned here. Ranpo could very much be in love with Fukuzawa. This line in origins is narration, not dialogue or thought, and it isn’t carried through in the narrative so it’s relatively easy to view it as a joke. The same book christens them “Tantei [Sou]jin,” same sou as in “[sou]koku,” with kanji meaning “Detective duo/detective twins/double detectives/detective partners” though I’ve also found it to mean something very near “equals.” The kanji are ‘subtitled’ as "Detective buddies” in English (katakana) in the Japanese book. All this throws multiple wrenches in the idea that they’re broadly viewed as parent and child or even as having a significant power imbalance between them.

Which brings me to my final point: none of this proves anything definitively! There’s plenty of material for both interpretations. The entire point of engaging with media is to develop your own interpretation and have fun with it. But freaking out and screaming your headcanon when a scene hits you as slightly different than that headcanon is very much screaming at the sky. Lord knows I’ve seen these four arguments enough times that if they were going to convince me of anything they already would have, and Asagiri sure can’t hear you.

I think everyone who doesn’t think this could be romantic at least from Ranpo’s side expects that romantic imagery/themes for this ship can only appear from Fukuzawa, and only if it’s predatory? Like as long as I don’t whip out a canon image like this

they’ll say “I would definitely do that with my parent” to every argument even if in reality they never, ever would.

I did recently see someone saying "why would Ranpo even like Fukuzawa, he's 30!" and listen, I can't help you there. I've had crushes on actors twice my age since I was 10, it's ingrained in my wiring. A sexy badboy bodyguard who declares himself to be at your service AND buys you food will never not be hot to me.

"What's attractive about Fukuzawa" requires another essay, however, so this is where I leave it. Obviously much of this is open to interpretation, but I don’t see people making skk posts that just say “BESTIES BESTIES BESTIES” or “BOYFRIENDS BOYFRIENDS BOYFRIENDS” ya feel. It’s always on panels like the ones I brought up, because people do recognize a romantic slant when they see one. You don’t learn to detect that from media, you learn it from living long before you start caring about morality politics in shipping. Thus I interpret the screaming very much as LALALALALALA I CAN’T HEAR YOU-

P.S. actually I do want to add one final note because I know what the fancops will say even if they take all this at face value: Grooming refers to “actions deliberately undertaken to befriend and establish an emotional connection with a child, to lower the child’s inhibitions in preparation for sexual activity.”

Dating someone you knew when you were underage does not equal grooming. Grooming is a purposeful crime. “Even if they’re dating now that’s grooming!” incorrect! Please do not only listen to your friends about the law, they may also tell you a cop has to tell you if they're a cop (they do not) or any number of other very wrong things. Google is free.

#long post #fukuran #ranfuku #tantei soujin #I COULD HAVE DONE MORE #yes the ayabram didn't particularly age well #but everyone ELSE thought she was his wife too lol #analysis #ppl can rb and add stuff they think is romantic if they want <3 #bsd analysis

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