#talk about time consuming

[ghostbeam]

Mech pilot yuuta and his mech that’s incredibly possessive over him. He takes to you as a handler almost immediately, excited for the help after his last few handlers were scared off. You’re not allowed inside, your constantly dodging malfunctioning limbs and faulty wires, but you’re not one to back down, and gaining her trust is just as important as gaining his.

Rika only realizes how important you are to Yuuta the day after you spend the night with him, and he’s left alone in the morning with an empty bed and a broken heart. You’re his handler. You’re not supposed to leave him. Not ever.

She lures you into her chest one night, faking some sort of lighting malfunction and allowing you inside for the first time. She keeps you inside all night, enduring all your yelling and banging on her insides to be let out, a nice gift for Yuuta.

[nhyhu]

a kiss

[mamawasatesttube]

this might be mean but. it really ticks me off when people respond to authors and artists wishing for actual community and engagement with their works by saying "oh but you see im just so anxious i cannot offer you any kind words." with the optional "but do please keep making things for me anyway!" because like...

a) do you understand how anxiety-inducing it can be to pour a little piece of your soul into a work of art and share it publicly? i feel like you don't see the people creating these things as people like you and that is an issue. we are people who just really love a thing and want to talk about it with other people who also love that thing.

but moreover, and this is the part that might be mean, b) damn why doesn't your anxiety prevent you from making excuses to us then? i wish it did! like if you're SO anxious about a fic author blocking you for saying something nice, why are you not anxious about getting blocked for telling that author "okay but i don't want to comment on your works though"??? because i can tell you which of these two things is way more likely to piss me off and it isn't the comment.

like. idk man. if you really don't want to comment on and engage with people's creative works, no one can force you to. but also consider maybe not commenting on and engaging with those people's posts just to explain that you don't want to comment on/engage with their works. if you are so committed to staying quiet and being a passive consumer then commit to the bit and stop asking creative people who put way more of themselves out there than you are to pat you on the back and reassure you that you'll still keep getting free content even if you can't do so much as drop a "this was really good!" in the comments.

[budugaapologist]

still dont see how so many people say that dawntrail is poorly written in comparison to other expansions like. what, did you realize you had to learn about a new culture and immediately not care anymore lmao? you've done it before, was this one not white enough for you?

genuinely i think more people should do side quests during msq so idk you can form a heart about the characters you're interacting with if you struggle with that and understand the land better so when impactful shit happens your illiterate ass can actually read and have empathy. theres no excuse for this.

if you can't handle storybuilding and character introductions from the expansion that feels like stormblood and shadowbringers had passionate gay sex that got one of them pregnant and birthed a beautiful daughter they both love and care about then idk what to tell you, maybe youre just lame and can't read. best of luck with that.

[royalarchivist]

This is what it feels like every time a new SMP has streamers I like

[seagull-scribbles]

But tonight, I’ll need you to stay

[slavhew]

gods' night out

lines + source pic under cut

[volitioncheck]

does near every single post-canon DE fic out there need to be tagged ‘Sober Harry Du Bois’? i’m getting so tired of it.

do i expect every single piece of fan content to have to fully delve into the often-depressing always-complex topic of addiction? not really. sometimes you just want to write/read a silly fluffy romance one-shot, whatever. i get it. but i think my issue is specifically with the fact that for nearly every sillyfluffy au out there, there almost must be a ‘sober harry du bois’ tag. and it does feel very slapped-on more often than not.

i think to me it is an unconscious statement that nothing *good* can ever happen to harry du bois until he is completely and permanently sober. before solving the next big case, he has to be sober. before quitting the force, he has to be sober. before falling in love with kim, he has to be sober. before accomplishing anything, starting any sort of recovery, making any life improvement, he must first be sober.

sobriety as a goal, as a journey, and honestly as a concept in of itself is not as cut and dry as so many people think it is. and i think it would serve a lot of people well if they did some introspection on the implications of how nearly every single post-canon fic that isn’t dealing directly with harry’s addiction have him as completely sober instead.

if the plot of the fic isn’t going to touch directly on harry’s substance use (and again, i’m not demanding that every single fic should), why does that mean that sober!harry must be the default?

i think i am just tired of reading a casefic, a smutty one-shot, a fantasy au, whatever, where it almost seems that before getting on with the plot, the author feels obligated to first assure us that the harry we’re reading about is a Sober Harry. it’s established with a couple lines in the exposition, probably about his improved appearance, a tag up top, and then never brought up again; a checkmarked box. like the societal image of An Addict has completely prevented people from being able to imagine a person just, continuing to live life, while still struggling with addiction.

life happens, with all of its backslides and achievements, mundanity and changes, to people with drug addictions just as much as people who don’t. is a post-canon harry who isn’t sober not worth writing about?

i think so. i think the game we all played thinks so too. in fact i think that sentiment is woven into the game’s very core. i just wish i saw that reflected in our fan content more.

[butchsophiewalten]

Twitter Space Recap July 28th 2024

Last Sunday Martin, Eva, Kyle did a Twitter Space, with intermittent appearances from Coral! Here are some of the Q&A answers and other interesting things they talked about:

-Someone asks if TWF5 is going to be longer or shorter than TWF4, and Martin says that he currently predicts it to be "a bit longer".

-Somebody asks how Laura Peony (Rosemary's sister) looks. He says that she looks similar to Rose, probably, but that he honestly doesn't have much of a design in mind for her. Something fun to me is that he calls her "Sophie's aunt", rather than calling her Rosemary's sister, which is interesting when remembering one of Martin's previous statements that Rosemary doesn't have a very good relationship with her family.

-Someone asks about something Martin said in a Q&A a while ago, about Jenny going through many redesigns before her current and final design, and if we could see any of them. Eva ends up sharing one of Martin's old drawings of one of these designs, even though Martin says that he really hates it.

He mentions that she looks "too normal" and that she "looks like she's straight."

-Someone asks, "Who or what was the thing behind Bon and Sha in the TV in TWF2?" and Martin answers that it's Susan. (slowed gif relevant)

-Someone asks about how the Relocate Project trio all met each other, and Martin explains how in his original vision for the characters, they were this really close and inseparable group of long-time friends, but that he's recently kinda revised that idea, thinking it'd be more realistic if they were just work friends, who met each other through their jobs and all had full, separate lives and maybe weren't so inseparably close.

-Someone asks how old Kevin is in TWF2, and Martin explains that the relocate trio's ages are something that he's kinda retconned. He brings up an old image of Ashley that gets passed around by the fanbase sometimes which says she'd be 19 years old in 1978, saying that in his mind now, she'd be 22 at the time. He says "-and there's a reason for this, there's a reason for this. There are things about, uh, Ashley, and some things about the rest of the episode 2 crew that we haven't seen yet."

-Martin and Eva joke back and forth about an idea they both like, which is that Bon can create or mimic noises with his animatronic voice box, and that he likes to do stuff like bark and people in K-9, just to freak them out. Martin says, "Wait, did you know that this actually happens, in one of the episodes? In episode 2, Bon fucking plays rabbit noises, to mess with Ashley. When the lights go out, Bon-- he's imitating a rabbit."

-Martin says, "Somebody asked if the baby doll we see in Souvenir and TWF4 will have meaning in the future. Ah, yes it will."

-Someone asks, "Are we gonna get wholesome Rosemary content in the upcoming episodes?" and Martin and the rest of the crew shoot the shit for awhile, alluding ironically to the torment (emotional and otherwise) she will almost certainly be met with in the upcoming episode.

-Martin mentions that he's working on something related to TWF7, and says, "I genuinely think that episode 7 is going to be the most hated episode of The Walten Files ever. I've talked about this with Eva before." Martin and Eva refer to it sneakily as the "yuri" episode, and we know from previous Q&As and spaces that TWF7 is most likely going to be about Sophie and Jenny's relationship, possibly detailing how they met. Martin says, "I think- it's not because of what is in it [that it will be hated], it's more like, it's the least 'Walten Files' episode of The Walten Files."

Kyle says, "To be fair, I feel like season 2 is going to be such a tone shift and it's gonna do so much, that it's gonna be like, "Woah!" You're gonna send people back, like, 20 feet in surprise."

-Somebody asks if Jack is addicted to smoking, and if Felix gets on his ass about it. Martin says "I don't think Jack is addicted, I think Jack just smokes because he thinks smoking is cool. I wouldn't say addicted, but I'd say Rosemary smokes out of like, a place of, like, stress and anxiety. Instead of just as a hobby, in a way."

-Someone asks if Susan is skinny. Martin says, "I don't think Susan is very skinny, I would say Susan is more--" and Eva fills in with "Muscular..?" to which Martin replies, "Yeah, I was gonna say that, I couldn't find the right word. Yeah, considering she usually helps build the stuff, and shit like that, while Charles sits on his ass and stays on his computer all day, like a fucking lazy bitch. Just programming shit."

-Martin openly laments that Charles doesn't have more of a fanbase for him as in individual character. He goes, "Do I have to wait for the next two episodes to drop, so I can fucking have a Charles fandom? That's so sad."

-According to Kyle, Charles' favorite Sonic the Hedgehog character would be Knuckles. Martin says he doesn't know a lot about Sonic, but that Jack's favorite character would be Doctor Eggman, because he's the only human character.

-Martin and Eva talk for a bit about who would win in a fight between Bon and a bunch of different animatronic characters from Five Nights at Freddy's, with him losing terribly to most or all of them. Eva determines that he could definitely win against normal human William Afton, and Martin says he could, at least, probably win against The Puppet. Martin says, "Y'know how dogs grab, like, a toy? And shake it around? Bon just fucking bites-- and starts fucking shaking the animatronics around."

-Somebody asks, "Do Brian and Kevin know each other?" and Martin says, "No, they don't. I don't think Brian knows anybody from the rest of the series. Why would he?"

-Martin says, "I like to think- in the apartment [Jenny and Sophie] live in- It's really funny to me, the idea that Jenny knows everybody in the building and is friends with everybody, and Sophie isn't. Like, it's like, imagine in everyone else's perspective, its like 'Ohh, there's Jenny!', and she's like this really sweet person, and then there's just Sophie, this fucking-- this silent, weird girl that's always seen next to Jenny."

-Martin asks Eva, "What to you think of episode 7?" to which she replies, "It's very yuriful." He responds saying, "That's true." Eva later appends saying, "It's also a very good episode."

-Someone asks, "Will there be a Walten Files 5 & 6 trailer soon?" and Martin replies, "I have an idea for a trailer, but I know know if it's necessary, considering I don't want to show what happens in the episodes. I want people to go in completely blind."

-Eva reads a question that she likes, but is worried is too spoilery. "What's Sophie's relationship with her medication? Does she resent having to take it? Does Jenny know that she's on it?" Martin responds, "We cannot answer that. Because the medication Sophie's on will be expanded on." appends later going "I love how my original idea for Sophie's pills was like, it was never addressed it any way. It was just like, 'oh, she's just taking pills.'"

-Somebody asks about Hidie the Raccoon from the Showstoppers Cartoon, and Martin says that he's a burglar who pretends to be a collector for charity, but just steals the money.

-Someone asks about Madness Meridian. Martin says, "It was a book that was like, a more realistic version of The Walten Files. And it was like, 'what if The Walten Files was, like, completely made up by Sophie?', and it was like, it was really bad. And I remember I worked a lot in the book, but I lost it on an old computer, so."

-Someone asks if we're ever going to see the Showstoppers singing for real, instead of just performing over a preexisting song, and Martin says yes!

-Someone asks about the Findjackwalten page that was recently discovered, /jennyslair-dot-com-worldwideweb, which is currently password protected. Martin says that it will be a page soon, so the page's content is probably not currently meant to be accessed.

[artashipatrick]

I think they are so deep in each others emotional and professional lives, it’s inevitable that they sort of feel like mirrors of each other. They’re also drawn to each other because they recognize that the other has in his game and in his life what the other is missing, and vice versa. So I think when you meet somebody like that, you’re inevitably drawn to them because you recognize there’s something that makes them different from you in a sort of exact way. (Justin Kuritzkes)

“You are attracted to the thing that you kind of want to be, but you don’t think you can. So you almost want to consume them, to be them.” (Mike Faist)

[matryoshkalex]

i forgot i started this in like april and never finished bc i got super busy with tmaynt but i suddenly remembered and finished it this week!!

i watched 2003 when i was in like? middle school and same as it never was stayed with me and was one of my favorite episodes because ive always been a fan of the darker and more angsty stuff. so i thought about 2012 in the sainw timeline and couldnt get it out of my head so. here they are. two versions because i couldnt decide which background i liked more

[psalmsofpsychosis]

not gonna lie homos and homies, there's something incredibly, incredibly depressing about Batmanverse and the concept of Batjokes in particular, and it's not the murder murder stab stab death plots.

It's the collective unmentioned canon agreement around these characters never being able to escape the confinements of their narrative.

they get pushed to the very edges of their predefined thresholds, they toe the lines of their stories, they poke it and probe it and sometimes even flirt with the possibility of crossing the bounds of their narratives, but they never break throught the structure. they never go over the line, always sorta of wiggling in place; batjokes in particular is the most enticing and intriguing stagnant 85+ years story i have ever seen.

There are unspoken rules around who Batman is, what he will and will not do, and those rules are rarely questioned, if ever. No matter what he does, he cannot be in love with a man, and he cannot ever love Joker in particular. He cannot experience mental and emotional peace. he cannot kill and he cannot show sincere emotional vulnurability, he cannot experience his love in an open and unashamed way. His narrative thresholds confine him to a socially sanctioned image that is meant to be familiar and tangible to the average straight dude, and it's quite frankly exhausting to witness. Whatever happens to Batman's story, he never arrives at physical emotional or mental peace and on a foundational level his tale never changes, not really. You can almost feel it when he constantly bumps into this unspoken narrative rules and stops in his tracks, each and every goddamn time, for 85+ years. It's like a keyed up nutcracker toy soldier bumping into a wall, stumble back two steps, bump into the walls, stumble back two steps, bumpt into the wall,

As someone who loves stories that love to question their own narrative points and break through them and do something different, staring at Batmanverse comics for too long at a time lowkey feels heartbreaking, nothing ever truly changes in this bitch.

[canisalbus]

I say this in the best way, but your characters feel like they're from an obscure but really good piece of media, and you feel like the artist who always draws the two main characters as ghay lovers

.

[cjgladback]

I went to my first fiber festival this past weekend! Hoosier Hills Fiber Festival; if I'm still in this state come June next year, I'll probably be back and would love to meet anybody else there. Socializing/hanging out/talking to people without feeling like I was obstructing Real Customers was the one thing I missed, though I didn't really get to any of the free lectures so maybe that's where I could've met some people. Since it was an unknown situation with a lot of people and nearly an hour drive each way, I strategized to make sure I'd go:

First day, I signed up for a couple volunteer shifts. Absolutely a recommended strategy.

Got to be helpful!

They happened to have goodie bags, to help me justify the gas and time (I now have a nice tape measure to replace the one that's been vacationing with a missing sewing kit for a couple years and a lasercut wood two-inch gauge window that might help me with consistency versus my suboptimal practice of just trying to knit perfect squares when swatching in pattern)

I got to learn things about the layout and schedule I wouldn't know to ask when answering questions and acting as a gofer -- especially true working two different locations

And of course, some people were pretty much guaranteed to be happy to see me!

Second day, I signed up for a workshop in the morning so I'd be there and able to shop for anything I needed at the end. Ombre yarn dyeing was the class! It's acid dyes, something I'm several years off from wanting to get into enough to commit to dedicated cookware, full pots of dye powder, etc. The room with the workshop was a barn that had plenty of outlets--but they did not represent plenty of breakers. So there weren't quite enough functional heating elements for the class to have sufficiently cooked our yarn before leaving, and I did need to risk a giant stock pot at home for three batches of four jars, almost-simmering in a water bath for thirty minutes each, of the yarn that hadn't proven it was done (all but the two palest greens). I was a little worried the delay/drawn out heat situation would affect the results but if it did it wasn't much; I got pretty much exactly what I was hoping for with my two color gradient and the single is great too!

The single dye gradient is the color Moss, which did some interesting things with the red portion separating out once they were heated. Every skein has redder blotches, so I'm not bothered about any inconsistency -- if anything it'll help my finished product camouflage stains. Though it was definitely a surprise for me and the other Moss user in the class when our first yarn to have exhausted the dye was the complementary color to what it went in as.

The two color gradient used Rhodamine Red on one end, which was one end of one of our instructor's samples where she chose a cool-green for the other end to show how multi-component dyes mix less predictably than most paint. (It was kinda like shading with markers where you can still see washes of the pink and green in what you squint at and call a grey-brown.) The other end was Cantaloupe, which was one of the maybe three colors she didn't have a sample cut of yarn for. But she described it as the flesh of a perfect ripe cantaloupe and obviously I had to see that, and it sounded like it would be fairly guaranteed to combine nicely with the magenta while being just enough around a bend in the color wheel to be interesting--warm orange versus cool pink. As I said, it turned out pretty much exactly as I was picturing. Not anticipated was how much the jars looked like they were full of some delicious dragonfruit-mango beverage. Were I still a barista I'd be trying to recreate this for my shift drink.

Image descriptions under the cut.

[ID: Five images following fourteen small skeins of sock yarn dyed in individual glass jars, in two gradients. One gradient is six skeins from a medium forest green through a pale creamy pink, the other is eight skeins from a vibrant yellow orange through an even more vibrant magenta. The first photo is inside under fluorescent lights, showing the 32oz glass canning jars with metal lids and rings, full of dye and yarn on a table at the end of the class in which they were filled and heated for a short time.

The next two images are animated gifs. The first gif is two frames showing the finished dye jars sitting in grass, with their yarn and with it removed. The green gradient left only transparent blue color in its jars, and most of the pink to orange gradient's water looks more orange without its yarn, aside from the third and fourth jars from the orange end, which shade toward a neon lilac with the peachy pink yarn removed. The second gif is a view of the inside of the bright green wash bucket, with just the pink-orange yarn in it, then all of them mixed up, all as they were after a soak with the rust-brown water, in the first rinse, and that rinse water alone showing its transparent but still brown tint.

The last two photos show the gradients lined up along a weathered wooden bench on the side of a deck. The first photo has the wet piles of yarn bundled in front of each of their respective jars with remaining dye. The final photo has the clean, dry yarn wound into center-pull balls and still vibrant in the direct sunlight. End ID]

[wolfsong-the-bloody-beast]

DOS2 fandom, show me your Godwoken? Tell me about your Godwoken? (For example:) Who are they? What is their damage? What do they look like? Are there any differences between their in-game model and how you imagine them? What is their fighting style? Who do they love and why? Anything else you'd like to share about them?

Everyone who sees this post, consider yourself invited. And feel free to tag your friends if you'd like.

@flower-khajiit, @divinityiswasted

Just do it. This is a threat.

EDIT: Also, there's no time limit on this thing. I don't care if you find it years later. Always happy to see some blorbos - show me.

[oddthesungod]

fuckin…. im a bit grouchy today, but reading “omg someone who draws, draw this extremely complicated and time consuming idea I had for free teehee just throwing this idea out there” makes me want to chew concrete, this isnt cute, you arent coy. just the flippancy of it rubs me the wrong way, “teehee im not asking for artists to draw for me for free, im just throwing this idea out there teehee”

Drives me up the walls, you want your ideas drawn, animated, whatever? Fucking pay an artist