#takashimada

[koikishu]

Hello there! I ran across this in an antique store recently, and I wonder if you could tell me anything about it? I was very curious, but I can't read the kanji and I'm sure the store had no idea (they'd marked it "geisha wig" which I thought was unlikely.) Thank you!

Sure! It seems you're right; it's VERY likely NOT a geisha wig.

If it's anything like the wig (i.e. katsura) in this link, then it's likely a Taka-Shimada that's ready for use by traditional Japanese brides. This post by MissMyloko explains the subtle differences between an actual Geiko/ Geisha Shimada katsura and the more common bridal Taka-Shimada katsura.

What also makes it obvious that it's not a geisha katsura is the red & white mottoi (i.e. "ribbon") tied behind the maegami (i.e. bangs) as well as the white wire tied & splayed in an open fan shape at the apex of the mage (i.e. topnot). Red & white together are celebratory colors for events like weddings in Japan & most traditional bridal kimono ensembles are mostly white with red accents.

Hope this helps!

[anime-fan-05]

Hey, sorry to bother you but can you make more head cannons with Arata U please. 🥺

Can you right about a wedding or engagement?

Watashi no Shiawase na Kekkon ~Marriage~

Manga/anime: Watashi no Shiawase na Kekkon

Warnings: nothing

U. Arata

Know you're truly a special person if he has decided to dedicate his entire life to you forever

It'll probably be several years of engagement before he proposes to you and, speaking of that, his proposal will be done in an absolutely traditional way: after having had the approval of his grandfather, he'll go to your parents to personally ask them for your hand; after their blessing, he'll take you on a date, which will end in the garden of his -and soon also yours- villa, where he'll kneel down, gently taking your hand and asking you to be his wife

Your wedding will also be totally traditional: he'll wear the typical male wedding attire while you'll wear a Shiromuku with a Wataboushi on your hair; the ritual will be the Shinzenshiki one, and it'll be quite limited and reserved

Your marital relationship will be... interesting: his work forces him to be away from home, so unfortunately you two will only see each other early in the morning and in the evening for dinner; furthermore, you'll have to accept his very rigid behavior towards you, since he isn't very good at showing his true feelings and the strong affection he has for you, and his great devotion to Miyo, probably even greater than the one he has for you. However, you must not think he doesn't love you: he loves you very much, and taking care of Miyo is only his duty as a member of the Usuba family

I think he doesn't want to have children but, if you do, he'll be willing to have one (or two, if you look at him with puppy eyes)

If you didn't know, the Shinzenshiki is the Shinto wedding ceremony.

It begins with a small procession led by the bride and groom and followed by their closest relatives that begins outside the shrine. The group passes the Torii (the portal of the Shinto Temple) bowing and then performs ablutions to purify themselves before the start of the ritual; it isn't uncommon for this small procession to be accompanied by traditional Gagaku Music.

Then, the spouses and relatives are accompanied by the priest inside the room containing the altar and the tabernacle of the deity and, once everyone has taken their seats, making sure the bride's relatives are all seated on the left and the groom's relatives on the right, the priest carries out another purification ritual by waving branches of Japanese camellia or garlands of paper.

After that, the prayer begins and, after some invocations to the gods, the spouses can exchange cups filled with Sake of various sizes three times. This gesture, called San-San-Kudo, is the most important moment of the ceremony because it symbolizes the couple's union. It's followed by the exchange of rings, the wedding oath and the offering of a ritual sprig for the deities by the spouses.

After a dance by the Miko priestesses (the young women who work at the Shinto Temples), the ceremony ends with a toast for all participants.

Instead, regarding traditional clothes, the groom wears a Hakama (a kimono with a sort of trousers also used in kendou) and a very elegant Haori overcoat, both in dark colours; the bride wears a totally white formal dress called Shiromuku, and her hair is styled in the Bunkin Takashimada style, and on which two different types of white fabric headdresses can be found: the Tsunokakushi (the traditional Japanese headdress, consisting of a rectangular piece of white silk, which encircles the bride's head, traditionally worn to hide the horns of the bride's jealousy, as well as dampening her ego and selfishness, and which also symbolizes the bride's determination to become a sweet and obedient wife) or the Wataboushi (a sort of large and puffy hood, which covers the bride's head and hides the Tsunokakushi, usually made of white silk).

💮 Rules 💮 Masterlist 💮

[tanuki-kimono]

Traditional bride white kimono attire (shiromuku), by Sai kimono. 

The model natural hair is styled in formal bunkin takashimada (usually nowadays, most brides chose to wear wigs). You can also see here the two kind of “veils”, the wataboshi (half moon shaped cotton hood) and tsunokakushi (”horn covering” cotton band)

[paperdollsdaily]

Today’s Paper Doll Is: A Japanese Bride

“This modern-day Japanese wedding dress is based on a traditional style. The bride wears two kimonos during the wedding--this one is the outer kimono, or uchikake, made of gorgeously brocaded silk. This kimono is first crafted and then painstakingly printed so that its seams will not interfere with the pattern of the print. Bright red is believed to ward off evil spirits. The bride’s traditional hairstyle--bunkin-takashimada-- is adorned with ornaments (kanzashi), combs, and other accessories (her open fan indicates her happiness). Under the uchikake she wears a white kimono called a shiro-maku, which indicates her purity and peaceful nature. A white obi (wide sash) is worn with this kimono. With the shiro-maku she wears a circular hood called a tsuno-kakushi.”

[thekimonogallery]

Kamikata "New Family" February 1918 (Hairstyles popular in Osaka) 1. Round 2. Bunka 3. High mage In the Taisho era, hair bundles were popular, but the mainstream hairstyle was Japanese hair, and it was common sense to tie Japanese hair at ceremonial occasions and daily events. Married person is "Maru", 14.5 year old daughter is "Momowari", "Puffy sparrow", "Tangjin", 18.9 year old woman is "Yu cotton", unmarried woman is "Shimada", bride is "Bunkin Takashimada", geisha Was arranging her hairstyle with the ties of "Geisha Shimada", "Mushing Shimada", and "Throwing Shimada".

[maigeiko]

I have a slightly odd question. I noticed in some of the posts that collate several maigeiko from several different regions showcase just how different each style is, and it’s super interesting! But when I saw Kurumi of Oreshino Onsen, I noticed her wig was quite a lot bigger or more full looking than others - I figured it was the actually style the wig was set in, but is there any other reason for this? Is it, say, a different kind of takashimada compared to Kyoto geiko? Or perhaps a result of the stylist who made it? Thank you! Also on this vein, do you know of a resource that collates the different styles of geisha across Japan all together? Most books I find tend to be about Kyoto, but I’m also interested in books that specialise in other regions such as Tokyo, Kyushu, etc. Thank you in advance!

Hello there! Kurumi debuted on the same day as two other ladies who also had pretty large wigs:

But from the behind, it looks like regular Geiko/Geisha Shimada. 

The more senior Geisha from Ureshino Onsen seem to wear more regular sized wigs. Since all three freshly debuted Geisha wore such rather large wigs, I suppose it’s the Ureshino style for junior Geisha. At least two other Geisha debuted after these three, but their debuts weren’t so public and I have no pictures to compare. 

As for ressources in terms of how Geisha from outside of Kyoto look - there are only two books I know of: -  はなあかり: 昭和名妓連 the “who is who” of senior Geisha all over Japan in the late 80′s. Every featured Geisha has a picture. Myloko has reviewed this book. -  東京六花街 from 2007, having pictures of Geisha and Hangyoku in the main Hanamachi of Tokyo Apart from that - if you can access the Tsurukomaiko forum, check the thread “List of cities with Geisha and what they look like” in the Libary. It grew from collecting and comparing pictures found online. It’s only text, but under regular expansion and maintenance since 2016. 

Hope that answered your question!

[biteheir]

                                 UZUMAKIS & MARRIAGE. 

just like birth and death - there is a three day wedding celebration. basically . uzumakis like to party. 

before - an elder of the clan and the father would sit with the daughter when she meets the husband and his father and/or the elder of his clan.

there are many discussions between the two factions / familes - including finances / where they will live / how they will provide for the clan as a whole. 

usually the wife doesn’t have much say in WHO they marry but the men do ( b.u.d.* ) 

the weddings often take place in a temple in uzushiogakure. 

only select people are allowed in during the marriages - the mother / father / elders who also partake in the ceremony superstitions. 

San san kudo is a sake sharing ceremony and is common in both Shinto and Buddhist Japanese weddings. During this wedding ritual, the bride and groom take three sips of sake from three stacked cups. After the bride and groom sip their sake, both sets of parents also sip the sake. The ritual is complete after a total of nine sips.The first three (san) represents the three couples: the bride and groom, the bride’s parents, and the groom’s parents. The second three is said to represent the three human flaws: hatred, passion, and ignorance. Some people, however, believe the second three represent heaven, earth, and mankind, or love, wisdom, and happiness.Nine (ku) is a lucky number in Japanese; the phrase san-san-kudo translates literally to “three, three, nine times.”

Shintô and western weddings have one obvious staple in common: the white wedding dress. Whites and blues are associated with good fortune. Uzushiogakure brides almost always wear white and incorporate blue into their culinary and decorative choices. While their ensembles vary from delicate silk costumes to sleek evening gowns, their white clothes are consistent symbols of virtue and patience. Grooms often wear black kimonos Uzushiogakure weddings. Brides who want to honor the Shintô tradition will wear a wataboshi, a white silk hood or headdress, over the bukin takashimada (bun) in their hair. This represents modesty and humility.Others incorporate simple floral kimonos into their wedding day apparel.

there is an engagement party as well - privately , to honor not the groom / bride , but the parents of , and they receive gifts to celebrate. this is done between the groom / bride / elders / and immediate family. others can drop off gifts for the mother / father but are often not invited to the party. 

after the wedding , they go to the beach to celebrate with the rest of the village , in which there are plenty of food , drinks , and merriment for the couple. 

the entire process can range from four weeks to six months. 

* b.u.d. - before uzushiogakure’s destruction.

[missmyloko]

the correct reading for the hairstyle is specifically "chuutaka". You can check the pronunciation in Japanese by searching the hiragana in quotes. The other readings you gave for 中高 are out of context; chuu modifies takashimada

Yep, I did. I wondered why I didn’t put it into context in the first place, but headaches will do that to you. Thanks for pointing this out to me ^^

[usnewsaggregator-blog]

The Look: Traveling Across Japan

New Post has been published on http://usnewsaggregator.com/the-look-traveling-across-japan/

The Look: Traveling Across Japan

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Hiroyuki Ito covered a lot of ground this summer: Moji, Dazaifu, Hakata, Yanagawa and Kumamoto on Japan’s Kyushu Island; Kochi-city and Cape Ashizuri in Kochi; Atami in Shizuoka and Omiya, Saitama. 54 cities in 18 prefectures, to be exact.

He was looking to capture the way people live outside of Tokyo — the faces, architecture, even, sometimes, what he sees in a trash can.

“I like to document the small things people do on a daily basis that are not significant enough to be listed in the history books,” he said. “I would like to think that that’s part of history, too, but not in an obvious or romantic way.”

With that in mind, the Mr. Ito got in a car with three of his best friends from elementary school and drove 90 minutes from Tokyo to Atami, a kitschy seaside city that is a popular destination for family vacations. “I think that’s part of Japanese culture, too,” he said of the country’s goofier tourist attractions.

In Atami, the photographer and his friends paid about $9 to get into the Trick Art Museum, where visitors can take photos in trompe l’oeil paintings. Mr. Ito wasn’t fooled by the illusions, but, he said, “it was so silly that we kind of ended up enjoying it.”

CreditHiroyuki Ito for The New York Times

Mr. Ito made another trip with one of his elementary school friends to the island of Shikoku. It required them to spend more than six hours on trains. A recommendation led them to the Sansuien Hotel, where they encountered a couple on their wedding day. They were dressed in traditional wedding attire, complete with the bride’s wataboshi, a hat that protects her hair.

“Under it, she most likely has her hair set in the style called takashimada, the most popular Japanese hairstyle for brides,” Mr. Ito said. “Setting hair in takashimada using your own hair takes a few hours. If you partially use a wig, then it takes less time.”

By coincidence, Mr. Ito’s parents-in-law are from Kochi, so he later asked them if they had heard of Sansuien. “They exclaimed in unison, ‘That’s where we had our wedding 50 years ago!” he said.

CreditHiroyuki Ito for The New York Times

It is common for businessmen, known as salarymen in Japan, to sleep on the bullet train from Kokura to Kobe. “They’re modern-day samurais,” Mr. Ito said, referring to the long hours and travel they put in before returning home each day.

CreditHiroyuki Ito for The New York Times

Mr. Ito spotted this young woman near Omiya Station in Saitama, a city about 30 minutes outside Tokyo by car. He wasn’t sure whose face she’d chosen as an accessory, but he imagined it was that of a boy-band member.

CreditHiroyuki Ito for The New York Times

Reo King Sanshiro, a pantomimist, was standing outside a Chinese restaurant on a busy street in Kumamoto City. He told Mr. Ito that he has traveled all over the world as a street performer. “There are a lot of street performers that go study in the West, and they come back and sometimes mix in Japanese tradition arts too,” Mr. Ito said.

CreditHiroyuki Ito for The New York Times

The young women here are dancing Yosakoi, which originated in the 1950s. Unlike other styles of traditional Japanese dance, Yosakoi allows for modern influences. “When I saw these dancers there, I actually didn’t know that it was part of Yosakoi,” Mr. Ito said. “I thought it was a hip-hop scene.”

CreditHiroyuki Ito for The New York Times

Mr. Ito was struck by the way this man was wearing his jacket slouched over his shoulders. It reminded him of Japanese gangster movies in the ’60s. “It’s a way of saying: Don’t mess with me. It’s funny because he was not carrying a gun or a sword — he has a can of coffee.”

CreditHiroyuki Ito for The New York Times

This photo was taken in Yanagawa, Fukuoka, a town Mr. Ito described as Japan’s Venice because of the many canals. The gondolier pictured is wearing a kasa, or a traditional Japanese straw hat.

CreditHiroyuki Ito for The New York Times

Mr. Ito first met Sachi Matsuoka, above, at the hot springs in Cape Ashizuri in Kochi. “Her friends came over and said, ‘Sachi, our bus is leaving in five minutes, what are you doing? You make new boyfriends everywhere you go,’” Mr. Ito said, laughing. The next day, he went to check out the hot springs in Matsuyama, a three-hour drive away. There, he felt a tap on his shoulder. It was Sachi.

CreditHiroyuki Ito for The New York Times

Mr. Ito’s trip ended on a beach in Atami, where someone was setting off fireworks. This kind of show is usually a large production in Japan: Many venues sell tickets in advance, have M.C.s, invite famous entertainers and require people to line up for hours for the best spot.

“We thought that we went to the wrong place because there were no advertisements saying that fireworks are coming,” Mr. Ito said. “And then out of the blue, without any fanfare, it started.”

Hiroyuki Ito will publish a book of photographs called “The Flip Flop Diary” in December. There will be accompanying exhibition at Pearl River Mart Gallery in New York City from January 13 to Feb. 5, 2018.

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[tanghanwa]

Status: Junior & Senior Geisha

[koikishu]

Source: http://nihongami.blogspot.com/2018/05/blog-post_23.html

Japanese Hairstyles: Historical Overview Part 02: Women’s Hairstyles of the Edo Period, Part 03

Hairstyle Name: Odori no Kai-you Taka-Shimada (踊りの会用高島田) lit. “Dance Party High Rice Paddy Island”

     This is a Shimada topknot with a high base for the knot. The form of this hairstyle is nearly identical in the Bunkin-Taka-Shimada, Hariuchichi, and Yakko-Shimada styles. It seems to have occurred in various forms since the mid-Edo period. Its elegance and dignity of form makes it one of the favorite styles of the upper classes, especially the samurai class, by the late Edo period. This is now widely used by traditional brides during the wedding ceremony.

[koikishu]

Nihongami: Hairstyles of the Karyukai - Geisha & Maiko

Historical Time Period: Mid-Edo Period - 2nd Half (1753-1789)

Hairstyle Name: Musume-Shimada (娘島田) lit. "Daughter Rice Paddy Island”

     This Musume-Shimada style is derived from the more upper class style Chuu-Daka-Shimada. The lowered height of the mage give it a more free and friendly vibe compared to the more formal Chuu-Daka-Shimada and Taka-Shimada styles.

[koikishu]

Source: https://nihongami.blogspot.com/

Japanese Hairstyles: Historical Overview Part 02: Women’s Hairstyles of the Edo Period, Part 03

Hairstyle Name: Taka-Shimada (高島田) lit. “High Rice Paddy Island”

    This is a Shimada topknot with a high base for the knot. The form of this hairstyle is nearly identical in the Bunkin-Taka-Shimada, Hariuchichi, and Yakko-Shimada styles. It seems to have occurred in various forms since the mid-Edo period. It’s elegance and dignity of form makes it one of the favorite styles of the upper classes, especially the samurai class, by the late Edo period. This is now widely used by traditional brides during the wedding ceremony.

[koikishu]

Status: Junior & Senior Geisha

[koikishu]

Nihongami: Hairstyles of the Karyukai - Geisha & Maiko

Historical Time Period: Mid-Edo Period - 2nd Half (1753-1789)

Hairstyle Name: Taka-shimada Katsura (高島田 かつら) lit. “High Rice-Paddy Island Wig”

     This is the everyday style of the geiko of Gion Kobu. This is, once again, based on the pompadour-like hair style, popular for unmarried women in the Edo period. It is a wig, instead of her natural hair, due to the privilege she has earned throughout her career as well as being a modern convenience to this profession.