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dearchloe · 18 days ago

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5 december

Ivy awoke suddenly and unexpectedly, bare legs twisted in sodden sheets, with sweat crystallising on her forehead and a sore throat. Her first thought, oddly enough, was relief. If she was ill, then clearly that would explain all her recent issues. It would no doubt make the next few days in court very unpleasant for her, and probably for anyone who had to spend much time in proximity to her, but illness was something that she could understand. It was something that was, by its very nature, beyond her control.

And she didn't mind uncontrollable things being beyond her control. It was losing control over things which used to be within her power that got to her.

Things like her bladder, for instance.

She turned over in bed, groaning softly, and squinted at the clock on her bedside table. Midnight — no, just before, she corrected herself, as the minute hand slipped silently on by a single significant notch of the dial. As most people did in these situations, the barrister made some mental calculations. Supposing that it took her half an hour to strip the bed, put on some washing, clean herself up, find new linen, put it on... That would be twelve thirty, and then allow another half an hour to get back to sleep... And she had to be up at six if she wanted to wash her hair before going to court...

Ivy sighed. It didn't exactly paint a picture of the restful existence that she was sure people suffering illnesses were supposed to lead, but then she'd never signed up for a peaceful life when she came to the criminal Bar, and it would have been optimistic in the extreme for her to have expected one.

As delicately as she could, she untwisted the wet bedding from around her bare legs and set it to one side, wrinkling her nose at the warm dampness. She sat up, brushing her hair back from her face, and turned to get out of bed, facing towards the door — and then she stopped dead.

There was a speck of green in the corner of the room, difficult to make out in the gloom, but definitely familiar, and while Ivy might put the elf's wanderings of the previous day down to illness-induced lack of attention on her own part, she was certain and sure that she hadn't brought the thing up here with her last night.

And then there was a click, and her bedroom door opened, and something walked in.

At first, Ivy couldn't make it out; the hallway light seemed to be on, and the effect of it, backlighting her midnight visitor and coming as a shock after the darkness of her room, was positively dazzling. But gradually, her eyes adjusted, and she was able to make out an outline.

It wasn't an encouraging sight.

The thing — because she couldn't call it a person, not really — was tall; taller than her in heels; taller than anyone she remembered having met in her life. Seven feet, at least, but in the moment merely a looming presence that she couldn't begin to frame in such conventional terms. Its face was shrouded in a dark hood, which Ivy was inwardly rather thankful for, but it was bulky, and hulking, and horrible, and if she squinted into the gloom, she could have sworn that she could pick out the curving shapes of two ramlike horns, sticking awkwardly out from the fabric of the hood and coiling tightly against the creature's head.

Someone screamed, and it took a few seconds and the sharp pain in her throat before Ivy realised that it was her.

"Hush, hush!"

The voice was deep, not as menacing as she had expected, and the shock of it was enough to quiet her as she stared, wide-eyed, at the apparition in her bedroom.

"You look surprised to see me."

Mute still, Ivy nodded.

The creature tutted, shaking its head, and came further into the room, setting down a part of its bulk which Ivy could now see was a sack. This wasn't a Santa sort of sack, however; there was no sort of red velvet and white fur about it. Rather, it was worn and ratty, the sort of thing that might be found lying around in the corners of warehouses, abandoned and forgotten. It was stained with unknowable substances, contained a bundle of something long and thin, and Ivy couldn't quite manage to take her eyes off it. There was some sort of fatal attractions which she didn't think could bode well at all.

"Little creatures like you ought to keep track of these things. Didn't you know the date?"

"It's the fifth." The sentence was short and somewhat blunt, but frankly, she was astonished at herself for being able to get out even so much as that.

"Quite right. The fifth of December."

Somewhat blankly, she looked up at it. Ivy was not the most religious of people, and neither was she a pagan; between Hallowe'en and Christmas, as far as she knew, there was no special date on which strange beings could be expected to appear in your house uninvited.

"I don't understand," she admitted.

"That's what they all say, these days. Fortunately..." The creature seemed to find itself particularly amusing at this point, and interrupted the speech with a long burst of rather sinister chuckling before recovering enough to continue. "Fortunately, ignorance of the lore is no excuse."

And it reached into its sack, and drew out a bundle of long switches. Ivy felt a growing apprehension.

"Now, will you take your punishment like a good girl?"

Numbly, she shook her head, and her visitor seemed deeply disappointed.

"A shame. Well, well, if you won't do this the easy way... You're sure?"

"Don't come near me with those fucking things!"

"If you insist." Slowly, the creature returned the switches to its sack, and Ivy blinked. Was it possible, she wondered, that it would all be over so quickly? Was the way out really that easy? She took a deep breath, preparing to make a break for the hallway, and then — so quickly that she barely saw it move at all, so quickly that it seemed impossible for a creature of such bulk — her visitor was moving towards her, sack in one hand, the other reaching out for her, and she screamed again as the world went black around her.

#dearchloewrites #ab dl girl #serial #countdown to christmas

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brightaxe · 2 months ago

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PROMPT : Mabari. DRAGON AGE: ORIGINS ERA. Words: 1304. Characters: Halva Aeducan & Alistair Theirin.

The first words that Halva Aeducan – redeemed daughter of King Endrin Aeducan and Vanquisher of Urthemiel – uttered upon waking from the days long coma that followed her landing the final blow upon the Archdemon were notably, “Where’s Mya?”

Alistair laughed tearfully as he swept forward, pulled into her arms by relief and relief alone. He tugged the bulk of her all but into his lap and rained kisses over her dark hair, both desperate hands burying themselves against her, as if he sought to pull her into his body. Better there than laying still as a board on a bed in Arl Eamon’s estate, as she had for what felt like an eternity. His body would carry her and keep her safer than anyone ever could.

“Where is Mya?” Halva asked a second time. Peeling herself away from Alistair proved difficult – both due to an unwillingness and also the strength of his embrace – but she did, staring up at him with a hardened brow. “You didn’t answer.”

Alistair glanced around the room. They were utterly alone save for the voices that reached up from the courtyard outside of the window, with only empty chairs, a chamber pot, and a mismanaged wardrobe for company. On a nearby table sat a cluster of half-drunk potions and neatly kept spools of linen bandages – likely remnants from the last time Wynne had visited.

“Well, she’s not here.”

READ THE REST ON AO3.

#dragon age #dragon age: origins #veilguard30 #alistair theirin #aeducan #type: writing #game: dragon age #oc: halva aeducan #ch: alistair theirin #ship: alistair x halva #mine: edits

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painsandconfusion · 2 years ago

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Show Yourself

Showstopper - Part Three

For the record, there's going to be five or six parts (still deciding if I want the last two scenes combined or separate).

(tw: implied character death, stalking, trespassing, yandere, serial killer)

[Previous | Masterpost | Next]

The letter didn’t have a return address. Didn’t have postage. Didn’t have much bulk to it at all.

Confused, Darian slid it from his mailbox, peeking inside to ensure he didn’t miss another bool - or heaven forbid another fucking round of advertisers - before stopping to flip the envelope over.

It was blank.

Tied up in rusty red string.

No….is that…was that..fabric? Strips of fabr-

His hands, body, and mind locked in place all at once.

Linen.

Linen - he was right - it was linen. The blood-soaked linen from Showoff’s videos-

Fuck.

Darian took a desperate glance up the street, then jogged to the end of his sidewalk, head tossing back and forth. He frantically searching the road and memorizing the cars. Looking for anyone suspicious. Anyone with a hood up or…or who didn’t seem to belong there.

Nothing.

Fucking nothing - how long had this been there??

FUCK.

His breath and hands were both moving again now - both shaky as he turned the envelope over in his hand.

He ran back inside, slamming the door behind him. The letter slid onto the table as his hands quickly found gloves and shimmies them on with frantically flexing fingers as he reapproached, butter knife expertly sliding under the paper to pry away the glue with as little damage as possible.

Should he be bringing this into the office? Yes. Could it be stuffed with anthrax or who fucking knows what? Also yes.

But. Darian could just tell them he didn’t realize the letter was from Show until it was opened - that he didn’t recognize the fabric when it was cut so thin.

He could do that.

That was reasonable - people who didn’t spend allnighters staring at the videos woudln’t have noticed.

He…

..he spent all night watching the video.

He spent all night watching the fucking video and this was right fuckin there in the morning.

Show had been there. Show had been there while HE was there. While he was there watching the fucking video- Fuck-

..he would need to triple check the blackoutability of the basement curtains after this.

He’s so fucking screwed if Show saw him-

ANYWAY-

Shaking fingers pulled out the small paper, turning it over.

Aaaaand this dude (gn) was a classic.

Cutout letters from magazines. Nice touch.

Darian’s eyes skimmed the single sentence.

Darian..

…froze.

Staring.

Breath locked up and frozen in his lungs.

..whatever he expected, that wasn’t it.

Fuck.

[image id for the note: 'A fox rarely expects its hound to be as pretty as you <3' in irregular, magazine cutout letters]

[Previous | Masterpost | Next]

(tags: @prisonerwhump @whumpawink @mabledonut @happy-little-sadist @paleassprince @distinctlywhumpthing @wibbly-wobbly-whump @batfacedliar-yetagain @suspicious-whumping-egg @wormwriting @villainsvictim @throwawaywhumper @wild-selenite-caffine @whumpasaurus101 @thecitythatdoesntsleep @whumpworld @whumpberry-cookie @a-galactic-fox @shywhumpauthor @hold-back-on-the-comfort @veyroswin @suffering-and-misery @whump-queen @a-whumped-tea @scribbelle @sunshiline-writes @scp-1296 @salomeslashes)

#implied character death #stalking #trespassing #yandere #serial killer #villain x hero #flirty villain #flirty whumper #yandere whumper #yandere whumpee #???#kinda?#i dont think darian is really a whumpee #but whatever #show stopper #insider information #show aaaaaaaaalmost had the note say 'which of us is the cat and which is the mouse~?' instead #which is #alarmingly more threatening

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spockandawe · 2 years ago

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First of all: I've been lurk-following your Binderary journey and holy shit Spock you're a *beast*. :O :O Second of all: how do you decide when to round the spine of a book and when not? One of the things that keeps me from trying to bind larger works is that rounding the spine seems scary and complicated.

Awwww, thank you!!!! :DDDD

Okay, so my initial unhelpful answer is that it's kind of just a Vibe. When you start getting thicker, your books will start to look a little trapezoidal, because the thread at the spine starts to add its thickness to the paper. Technically, you CAN get away with this for as long as you want, but books look more elegant when the front and back covers are parallel, and it makes them easier to store on a shelf too.

When I did my single-volume tgcf, it was partly a challege to see if I could go that large in a book without rounding and backing. There's a little bit of a slope to the cover, but not much! And that book is over 2000 pages long. I did that with large signatures (40 pages/10 sheets of paper) and shopping around for thin linen thread to sew it with. I don't remember the way thread gauges work, but there's numbers for this. I pressed the HELL out of the book at every stage of the process, and it could be a bit stronger, just structurally speaking, but it worked out pretty well!

However, though, rounding really isn't a terrible part of the process. Usually these days, if I round a book, I back it too (the shoulders give it that mushroom shape and lock the rounding in place, which is a little stronger and easier to measure for a case), but for a while I was definitely rounding without backing. My old bindings of faraway wanderers are all done like that, I think, just as an example. In THEORY, these may slightly un-round over time, but I haven't seen much of that happening on my shelf so far, and I think it's been a year and a half?

Now, in backing, you need something to clamp your book in and hold it steady while you hammer the mushroom shape into the spine (nominally a press and boards, but I don't have the right press, so I use loose boards and g clamps), and it's kind of annoying, especially if I have multiple books in the pipeline, but rounding is MUCH easier. To round, you still hammer the spine, but you can probably get the shape started with your fingers before anything else. I'm doing a very disjointed job of explaining, apologies, but you just want your spine to be glued while it's in a curved shape, to mitigate the bulk of the thread. Here, one sec, the thumbnail for this shows rounding AND backing, but this is the video I learned to round from

I put glue on my spine, let it get a bit tacky and push the spine into a curve while I wait, and then it's a matter of flexing the book against the table and hammering the top edge of the spine. It's much easier to understand in motion, so I'll stop trying to describe here, but it's really not too bad, especially if you don't want to deal with backing!

Sometimes in das videos, you'll see him PLANNING to round and back the spine of a smaller book, so he'll use smaller signature and thicker thread, to give himself the necessary bulk to work with. If you try it on a very thin book (my first six-volume tgcf book four, for example), you probably won't see much of anything happen. No harm no foul! But since my thicker books there were looking very trapezoidal, I felt like I needed to try. Since I got that uneven effect, when I did a six-volume set again, I sewed all the books with big signatures and thin thread, so they could all be flat-backed. Rounding and backing is a really classy look once you get the hang of it, and it's very structurally strong, but if you're working with limited equipment or trying to get a lot done fast, you can DEFINITELY avoid it unless you're cornered. The faraway wanderers I bound this month is thicker than my old ones, but has a flat back. I guess my teal deer is that if you notice your book is more of a wedge than a rectangle, I encourage you to give it a try! But if you just don't want to deal with it, you can ABSOLUTELY plan your books to avoid the issue. I'm doing it more because I want to expand my skills than anything else, haha.

So there we go! I don't know how coherent I am yet, but I hope that helps a bit. It was definitely nervewracking to get into rounding and backing, but the rounding for sure is VERY attainable and much easier than it looks. Good luck, I hope this helps!!!

#crafts #bookbinding #spock replies

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unicornacopia · 1 year ago

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S.O.S Character design help!

Hi guys! I'm here with another OC from the RP server, and this time it's a villain! I was wondering if anyone with some drawing skills might want to take a crack at him? Even just a rough sketch of your impressions of what he might look like from the description below. Trying to get my players avoid using AI as much as possible and figured I'd see if anyone wanted to give this fella a try. Anyway, Thank you so much for reading and considering. Character details are below:

Character name: Maksim Baerun Age:38 Gender:** Male

Class/Title/job:** Blacksmith, but dresses very well.

Where are they from?: Way up North

Physical description: Roughly six and a half feet tall. Long oily black hair, that is almost pearlescent to white when the light hits it, shaved on the sides and always tied back. He has eerie ghostly blue eyes, several ear piercings, and 2 brown piercings very close to the skin. The right side of his mouth has a large scar deforming that part of his face slightly.

Typically wears tailored slacks and nice leather boots. Linen shirt and leather vest with either a long coat or the sleeves rolled up. Usually has a cigar hanging from his mouth. His Gurahl essence is that of a Polar bear, all forms except his human reflecting that. His frame though is imposing, being tall and bulk with muscle (Not body builder cant put arms down big, but just *THICK*)

Special abilities/powers: Gurahl (werebear,) Commands the Forces of Nature. Similar to a lycanthrope but slightly different, Gurahl are not always bound to change by the moon and often retain their human intelligence and abilities despite their form. Because of where he grew up, far in the northern frigid mountains and ice of the Motherland, his Gurahl form has the features of a Polar Bear.

Background: A child of a powerful Romani healer and a Mob boss, he was found at a young age to be gifted in the natural magic arts. Though he was the younger of two brothers and the more gifted naturally, he tended to get overlooked for his brother. This was especially hurtful because their father left when Maksim was a toddler, and because he looked and acted similar to his father, it caused his mother to become cold and distant with him. As he grew into adolescence and his abilities grew, he began to get cocky, hunting larger and larger prey, usually solo.

At 16 he attempted to track and kill a feral dire bear on his own. He managed to finally down the beast, but was mortally wounded in the process, he barely made it back to town alive and very nearly died on his brothers table. Mikhail managed to tap into his Romani roots and managed to restore Maksim to life, but very badly scarred. Even though he felled the bear alone and survived, the praise was given to his brother for saving his life. Tired of living in that shadow, he left. At just 17 he was on his own, left to fend for himself. What he didnt realize is that the Romani magic his brother accidentally tapped into, as well as the latent power in his blood, changed him into a creature known as a Gurahl in Romani culture, or a Werebear.

After two years living partially in the wild and partially on the streets of various cities, while learning to control his newfound abilities, he made his way to the capital. There he made a name for himself in the fighting pits, catching the attention of his father. He brought him in as muscle, after a few years working with his father, a bad deal ended even worse, sending him into Crinos form in a full feral rage. Most of the crew was killed including their father. Maksim ashamed and enraged left The Motherland forever.

#art #doodle requests #drawthisinyourstyle #draw this challenge #oc help #free commissions #free art requests #my ocs #orginal character #oc roleplay #fantasy character #polar bear

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sheliesshattered · 9 months ago

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It's been about two and a half weeks since I posted my update about our trip to Batuu -- and it has been a weird two and half weeks. Shortly after I finished that post, Jack and I found out that our work contract was ending abruptly, effective March 1st. We always knew that was a possibility, and we're difficult to scare at this point, especially when it comes to work stuff, so where that might have filled some people with quite a lot of dread, Jack and I were both just like 'welp, I guess this is happening.'

We knew about a couple of possibilities for new work, but we figured we'd have at least two weeks off in between, just while we got everything lined up. Besides chasing down those potentials for a new contract, we also used the free time to get a bunch of household chores out of the way, things like taxes and taking the car into the shop and then getting it smog tested, going in for eye exams, all the sort of things that are easy to put off during the work week and then not want to do on the weekend.

And in between all that I actually got some sewing done too, lol. Whenever I first wear something that I sewed, I take notes on anything that needs to be fixed or adjusted or changed, and while I was generally happy with my outfit for our Batuu Bounding day, there were a few small things I wanted to fix about it -- both in the hopes of wearing it to Batuu again at some point, and so that the pieces can be worn on their own with other clothing.

For the sweatshirt I sewed to go underneath the blue linen vest, I actually knew what I wanted to change before we went to Batuu, but specifically put off making those changes until after our big Disney day. It was fine under the vest, but without the vest it fit a bit awkwardly: the edge finishing on the collar gaped open and didn't want to lay right, and the side seams flared out too much over the hips.

I ended up trimming the collar edging down to a much narrower width, like I said I might back near the beginning of February. I played around with adding another detail there, maybe a stand up collar just in the back, but in the end decided it looks fine with just that narrow trim.

To fix the flare over the hips, I ended up needing to take out the cool detail on the side seam. Sewing that up as a regular seam allowed me to fiddle with the fit much easier, and it also removed a lot of bulk from those multi-layered exposed seams. It fits under the vest even better now than it did before, and I can wear it without the vest, just with jeans or leggings or whatever.

For the vest, I was generally happy with the fit, but wearing it around all day made it clear just how much I actually needed hooks and eyes to keep the flap over the zipper closed. I went back and forth on how to do the hooks and eyes, contemplated putting them on the outside of the flap before deciding to hide them under the flap instead. I hand sewed several of them down, but then when it was just creating weird bumps and ripples in the center front, I took all of them off except the one right at the underbust.

That one hidden hook and eye was only just barely enough to keep the flap over the zipper from swinging open, so this last week I took off that one hook and eye pair, then started hand sewing them to the outside instead. I placed the one at the underbust first, since that's the most fitted point, then spaced the hooks out along the outside of the overlap at even spacing so that the top one ended up right at the very top corner of the flap.

My first round of sewing on a bunch of these taught me not to try to match up the eyes with the hooks by measurement or by what lays flat on my table, but rather to actually put the vest on and thread an eye through each hook and use tailor's chalk to mark where each eye needed to go. Like the rest of the vest, it absolutely will not lie flat on the table, but it fits me wonderfully, with no ripples or weird bumps along that center front edge.

I ended up really liking the way the exposed clasped looked, and I think it adds a really subtle Star Wars-y type detail. The black hooks and eyes nearly disappear on the dark blue linen (far more than in these well-lit photos), so they end up being just a bit of texture and visual interest rather than yelling about their claspiness.

Most of the time I'll wear it as in the photo above, with the top two clasps undone. The weight of the large metal hooks helps the triangular edge of the undone flap hang properly, which was another problem I had with it during our Batuu visit.

But the design really felt like it demanded a fully functional closure, so I added two more hooks up past the point where they're needed to actually cover the zipper. Leaving just one clasp undone results in a cool, slightly more asymmetric neckline:

And closing it all the way to the top creates a very sleek, buttoned-up kind of look.

I have some ideas about other pieces of clothing that I might be able to pair this vest with, and hopefully an excuse to wear my whole Batuu Bound outfit again in the near-ish future. Either way, I'll get some pictures of the updated vest on me sometime soon.

And since the new contract situation has worked itself out -- Jack and I will officially be back at it with a new client starting this week -- we're contemplating going to one of the Star Wars After Dark dates at Disneyland in April or May. I'll definitely wear the vest then, and possibly the sweatshirt too, depending on the night time temperatures predicted for whenever we end up going.

With that in mind, there's a new stash-busting sewing project I've started as well, but it really deserves its own post. Watch this space.

#my sewing #Batuu Bounding #Batuu vest #Jyn Erso sweatshirt #scrappy sweatshirt #2024 mood #long post

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damon25 · 6 days ago

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Cotton 2 Ply Ringspun Satin Band Damask Linens: Where Classic Design Meets Modern Durability

Elevate your dining experience with Cotton 2-Ply Ringspun Satin Band Damask Linens — the mainstay of sophistication and performance. As high-quality linens made of 2-ply cotton, these offer added strength and a soft touch. Made of ringspun fabric for an ultra-smooth feel, the satin band damask design is perfect for adding a touch of traditional elegance to any table. Ideal for formal events, banquets, and fine dining, these linens elevate any meal with their luxurious look and feel. Made of natural cotton, they are soft, absorbent, breathable, and durable. These premium table linens are made with a durable 2-ply weave, perfect for home or professional use.

Machine washable and charming wash after wash, these linens couldn’t be easier to care for. Whether the purpose is a wedding, holiday dinner, or a high-end gathering, the satin band damask pattern possesses timeless beauty and unbeatable practicality. If you believe that quality and style go hand in hand, Cotton 2-Ply Ringspun Satin Band Damask Linens are the perfect solution for all your memorable dining.

#100% Cot. 2 Ply Ringspun Satin Band Damask Linens #Wholesale Tablecloth #Damask Table cloth #Damask Table linens #Table cloths #Table linens #table linen usa #table linen bulk #table linen wholesale #linen in usa #table cloth usa #table cloth bulk #table cloth wholesale #premium table cloth #table napkin.

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alfy196 · 13 days ago

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Luxurious dining begins with damask napkins!

Make any dining sophisticated with the Black satin band damask napkin. This elegant napkin measures about 22” x 22”. The rich, black satin band design makes it suitable for weddings, fine dining restaurants, corporate events, or even upscale home gatherings. The damask fabric is not only visually appealing but also durable, easy to maintain, and stain-resistant. It allows creative folding styles as it is highly versatile. The high-quality material construction of this black napkin offers unparalleled softness and luxury without losing its shape and color even after frequent washes. This restaurant napkin is your-go-to-choice for remarkable dining. It increases the elegance of the aesthetics with its bold and sophisticated design for a standout table decor. The increased versatility of the napkin makes it ideal for formal events and casual luxury. It is designed for long-lasting use with minimal care.

#Wholesale linens #bulk table napkins

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frmartinshomiliesandreflections · 2 years ago

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9th March >> Fr. Martin’s Gospel Reflections / Homilies on Luke 16:19-31 for Thursday, Second Week of Lent: ‘They have Moses and the prophets’.

Thursday, Second Week of Lent

Gospel (Except USA)

Luke 16:19-31

Dives and Lazarus.

Jesus said to the Pharisees: ‘There was a rich man who used to dress in purple and fine linen and feast magnificently every day. And at his gate there lay a poor man called Lazarus, covered with sores, who longed to fill himself with the scraps that fell from the rich man’s table. Dogs even came and licked his sores. Now the poor man died and was carried away by the angels to the bosom of Abraham. The rich man also died and was buried.

‘In his torment in Hades he looked up and saw Abraham a long way off with Lazarus in his bosom. So he cried out, “Father Abraham, pity me and send Lazarus to dip the tip of his finger in water and cool my tongue, for I am in agony in these flames.” “My son,” Abraham replied “remember that during your life good things came your way, just as bad things came the way of Lazarus. Now he is being comforted here while you are in agony. But that is not all: between us and you a great gulf has been fixed, to stop anyone, if he wanted to, crossing from our side to yours, and to stop any crossing from your side to ours.”

‘The rich man replied, “Father, I beg you then to send Lazarus to my father’s house, since I have five brothers, to give them warning so that they do not come to this place of torment too.” “They have Moses and the prophets,” said Abraham “let them listen to them.” “Ah no, father Abraham,” said the rich man “but if someone comes to them from the dead, they will repent.” Then Abraham said to him, “If they will not listen either to Moses or to the prophets, they will not be convinced even if someone should rise from the dead.”’

Gospel (USA)

Luke 16:19-31

Good things came to you and bad things to Lazarus; now he is comforted while you are in agony.

Jesus said to the Pharisees: “There was a rich man who dressed in purple garments and fine linen and dined sumptuously each day. And lying at his door was a poor man named Lazarus, covered with sores, who would gladly have eaten his fill of the scraps that fell from the rich man’s table. Dogs even used to come and lick his sores. When the poor man died, he was carried away by angels to the bosom of Abraham. The rich man also died and was buried, and from the netherworld, where he was in torment, he raised his eyes and saw Abraham far off and Lazarus at his side. And he cried out, ‘Father Abraham, have pity on me. Send Lazarus to dip the tip of his finger in water and cool my tongue, for I am suffering torment in these flames.’ Abraham replied, ‘My child, remember that you received what was good during your lifetime while Lazarus likewise received what was bad; but now he is comforted here, whereas you are tormented. Moreover, between us and you a great chasm is established to prevent anyone from crossing who might wish to go from our side to yours or from your side to ours.’ He said, ‘Then I beg you, father, send him to my father’s house, for I have five brothers, so that he may warn them, lest they too come to this place of torment.’ But Abraham replied, ‘They have Moses and the prophets. Let them listen to them.’ He said, ‘Oh no, father Abraham, but if someone from the dead goes to them, they will repent.’ Then Abraham said, ‘If they will not listen to Moses and the prophets, neither will they be persuaded if someone should rise from the dead.’“

Reflections (12)

(i) Thursday, Second Week of Lent

In the time of Jesus only a tiny number of people would have had the excessive wealth of the rich man in the parable. He is described as dressed in purple and fine linen, the most expensive cloth of the day. He feasted magnificently every day. The vast bulk of the population in the place and time where Jesus lived never feasted at all. To feast magnificently every day is a vulgar display of wealth in that culture. In contrast to the rich man, Lazarus would have been a familiar figure to people. There were many people who depended on the generosity of others to survive, which is why almsgiving was such an important value in the Jewish religion. Lazarus seems to have been extremely destitute. He had so little that he longed to eat the scraps that fell from the table of the rich man who lived just the other side of the gate. Yet, even though Lazarus was physically close to this extremely wealthy man, he was invisible to him. The rich man walked past Lazarus as if he wasn’t there. However, Lazarus was not invisible to God. When Lazarus died he received the hospitality that was denied him in this life. He was given a place of honour beside Abraham at the banquet of eternal life. The rich man had the opportunity to reveal something of God’s hospitality to Lazarus before Lazarus died but he failed to do so. We are all called to reveal something of God’s hospitable and welcoming love to each other in the here and now. Individuals and whole groups whose need is great can become invisible to us. They may be physically near us, but we don’t see them. It is the Lord who calls out to us through those in greatest need, just as God was calling out to the rich man through Lazarus. Whenever we become present to them in a way that reveals God’s love we are doing God’s good work on earth. We are like that tree, mentioned in the first reading, whose ‘foliage stays green… and never ceases to bear fruit’. In revealing God’s hospitable love to those who are at risk of becoming invisible, we open ourselves up to receiving God’s hospitable love both in this life and in eternal life. As Jesus says elsewhere in the gospels, ‘Give and there will be gifts for you’.

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(ii) Thursday, Second Week of Lent

The parables Jesus tells are intended to make us think and reflect. In the parable we have just heard, two people lived side by side, a rich man in his great house and a poor man at the gate of the house. Yet, there was a chasm between them; whereas the poor man looked towards the rich man for scraps, the rich man did not look towards the poor man but ignored him. The parable seems to be challenging us not to allow a chasm to develop between us and those who, although physically close to us, live in a very different world to the one we inhabit. The rich man in the parable lived in his own world and made no effort to enter the world of the beggar at his gate. We can all insulate ourselves in our own world. The parable challenges us to enter the world of the other and to allow the other to enter our world. That, in a sense, is what Jesus did; he entered our world and invited us to enter his world. We can do the same for each other. When we cross the threshold into the world of the other, into the world of those who are very different from us in all kinds of ways, we may discover that we not only have something to give the other but a great deal to receive as well.

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(iii) Thursday, Second Week of Lent

The parable in today’s gospel reading is about two men from very different ends of the social spectrum, one very rich and the other very poor. Even though they lived in close proximity to each other, there was a great gulf between them. The rich man treated the poor man as if he was not there, as if he did not exist, even though he was only a short distance away. He refused to notice him. His failure was a failure to notice, to pay attention, and, having done so, to respond to the poor man’s needs. We don’t always notice one another; we don’t always pay attention to one another. Even though we can be physically close to people, there can be, in reality, a great gulf between us. If we fail to notice, to pay attention, the reality that we have ignored for so long can suddenly hit us in the face, as happened to the rich man in the parable. After death, he was suddenly confronted with what he had ignored for so long. Noticing others, paying attention to them, entails stepping out of our own world and attending to the world of the other, whoever that other happens to be. It could be someone in our own home. Being attentive, noticing, is one important expression of authentic love.

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(iv) Thursday, Second Week of Lent

We can all be overwhelmed by the scale of the problems in our world, in our country and city, especially the scale of the social problems, the extent of the social divide. We can easily throw up our hands and ask ourselves, ‘What can I do?’ Yet, there is always something each of us can do to make a difference. There is always some step we can take, no matter how small, that can have an impact. In the gospel reading this morning, the exceptionally rich man did nothing about the beggar at his gate, when he could so easily have done something. Lazarus would have been happy with the scraps that fell from the heavily laden table of the rich man. Those scraps would have made a huge difference to him. It was within the gift of the rich man to give Lazarus what he needed, but he didn’t bother to do so. Very little was being asked of him, and that little would have made a huge difference, but he neglected to do the little he could have done. We all need to do the little we can do, whatever situation we are confronted with. The little we can do can make an enormous difference. We can never underestimate the power of our giving, even when what we give is very small. It is often not the grand eye-catching gesture that matters so much as the day to day small acts of kindness and generosity. In another place in the gospels Jesus declares that those who give even a cup of cold water will not lose their reward.

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(v) Thursday, Second Week of Lent

The failure of the rich man in the story that Jesus told was the failure to notice. Although Lazarus sat at the rich man’s gate, the rich man did not notice Lazarus; he passed him by, just as the Levite and the priest passed by another broken man in one of Jesus’ other parables. In the second part of the story, the rich man, now in Hades, finally notices Lazarus who is now in the bosom of Abraham. The rich man notices him because he now sees that Lazarus can be of use to him. With Abraham’s permission, Lazarus could go and get some water to quench the man’s thirst. It seems that the rich man only noticed those who could be of some benefit to him. The gospel reading suggests that we are called to notice others not for what they can give us or do for us but for who they are in themselves. This is how Jesus noticed people. He attended to others not because of what they could give him but because they were precious in God’s sight. In particular, he noticed those whom people tended to ignore, because he understood that such people were especially precious to God. The gospel calls on us to be as aware of others as Jesus was and in the way Jesus was.

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(vi) Thursday, Second Week of Lent

It is clear that the rich man in the story Jesus tells is one of the elite of Jesus’ day. This was a tiny proportion of the total population, no more than one or two percent. They were so wealthy that they could afford the most expensive of clothing, purple garments and fine linen, and they were in a position to feast magnificently not just occasionally but every day. In sharp contrast, Lazarus was completely destitute. He was just one example of that large percentage of the population who lived well below subsistence level and who were completely dependent on the almsgiving of others to survive. The enormous social gap which the parable describes is not without its modern parallels. The rich man was so absorbed by his luxury that he lived in his own self-contained world, a world that didn’t intersect in any way with the completely different world of Lazarus, even though he had to walk past Lazarus every day. In the rich man’s world Lazarus was invisible. It is likely that very few of us belong either to the world of the rich man or the world of Lazarus. We are neither fabulously wealthy nor destitute. Yet, we can all become so absorbed by our possessions, by our preoccupations, to the point that certain other people become invisible to us, especially those who are in much greater need than we are. The gospel reading challenges us to break out of our own world and to allow ourselves to be drawn into the world of those whose lives are more vulnerable, more precarious, than ours. The gospel reading suggests that the first step in taking that journey can be the simple act of noticing, paying attention, listening and, in so doing, allowing ourselves to be affected by the plight of the other.

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(vii) Thursday, Second Week of Lent

The story Jesus tells sets up a sharp contrast between someone who is extraordinarily rich and someone who is desperately impoverished. The rich man wore purple, the most expensive clothing of the time; he feasted magnificently, not just occasionally, but every day. The poor man’s plight is as desperate as the rich man’s condition is sumptuous. He is starving with nothing to eat; he is seriously ill, his body covered in sores; the only solace he gets is from the dogs who lick his wounds. Here is a rich man who is totally self-indulgent, who is so absorbed in satisfying his own needs that he pays no attention to Lazarus whom he must have passed on a regular basis, as he lay at his gate. In the afterlife, God gives to Lazarus what he was denied in this life. Lazarus is in the bosom of Abraham; he is reclining on the breast of Abraham at the banquet of eternal life. The rich man has been refused entry to this banquet and can only look on in frustrated longing. God provided for Lazarus in the end, but it is clear that God wanted Lazarus provided for in this life. As Jesus states at the end of the reading, those who listen to Moses and the prophets should know this. We who listen not only to Moses and the prophets but to the teaching of Jesus certainly know this. God calls on us to provide for each other. If we have an abundance, we are to share from it with those in greatest need. This is an aspect of the gospel message that Pope Francis has been emphasizing since he became Pope. None of us may be as wealthy as the rich man or as destitute as Lazarus, but we all have something we can give to those whose need is greater than ours. The parable may be suggesting that our giving begins with noticing, paying attention.

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(viii) Thursday, Second Week of Lent

Today’s parable reflects the great gulf between the exceedingly wealthy and the completely destitute in the time and place where Jesus lived and worked. The scenario is not without its contemporary equivalents. Jesus in his teaching and in his practice challenged this huge social disparity. In the parable, the physical hunger and thirst of the poor man Lazarus was only satisfied beyond death, at the banquet of life where Abraham was host and Lazarus had a place of honour. Yet, Lazarus need not have waited that long and should not have had to wait that long. If the rich man had given even a little from his abundance, even the scraps that fell from his table, that would have been enough to satisfy Lazarus. Then something of God’s kingdom would be coming to pass on earth as it is in heaven. God will see to it that justice is done in the end, even if beyond this earthly life, but God wants something of his justice to become a reality in the here and now. We all have a part to play in making this happen. We may not be fabulously rich like the man in the parable, but many of us have some surplus that could greatly benefit others. Yet, so often we lack the freedom to share it, because we have come to rely on it, to trust in it. If, in the words of today’s response to the Psalm, we can place our trust in the Lord more, then we will be freer to live in ways that help to make God’s kingdom more of a reality on earth.

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(ix) Thursday, Second Week of Lent

There is one point where the description of Lazarus in today’s parable overlaps with the depiction of the rebellious son in the parable of the Prodigal Son. It is said to Lazarus that he ‘longed to fill himself with the scraps that fell from the rich man’s table’. It is said of the rebellious son that he ‘longed to fill himself with the pods that the pigs were eating’. Both men were destitute, Lazarus, through no apparent fault of his own, and the son because of his own selfish decision to leave his family and head out to waste his inheritance on himself. There was one crucial difference between the two men. Lazarus had nowhere to go. He sat at the gate of a rich man, but he could never get beyond the gate. The rebellious son did have somewhere to go. He could go home. When he drew near to the gate of his wealthy father, his father was moved with compassion for him, ran to him, put his arms around him, kissed him and brought him into the house where a feast was prepared for him. There was no feast for Lazarus, not even the scraps that fell from the rich man’s table. Even though Lazarus and the rebellious son had much in common, the people they looked to for help, both rich men, were polar opposites. The self-absorption of the rich man in today’s parable stands in sharp contrast to the compassionate generosity of the rich father in the parable of the Prodigal Son. The rich man is an all too human figure; the father is a God-like figure. When we listen to these two parables in relation to each other, the call on us is to become less like the rich man in today’s parable and more like the father in the parable of the Prodigal Son, whenever we are faced with the broken and destitute of our world.

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(x) Thursday, Second Week of Lent

We were all terribly shocked by the murder of so many worshippers in two mosques in Christchurch, New Zealand, last Friday. The man who carried out the awful attack was a self-confessed racist. It shocked the welcoming and peace-loving people of New Zealand. It left the police force and the politicians of New Zealand asking, ‘What could we have done to stop this from happening that we didn’t do?’ When a human tragedy on this scale happens, we invariably ask, ‘Is there something we, as a community, didn’t do we could have done?’ Sometimes the consequences of not doing some good can be as harmful as the consequences of doing some evil? In the parable in today’s gospel reading, the focus is not so much on one individual and a community or on two communities, but on two individuals, one of whom, a very wealthy man, did not do what he could have done, and the other, a destitute man, who suffered the consequences of the other man’s inactivity. The destitute man was looking for very little, just the scrapes that fell from the rich man’s table, but that little would have kept him alive for longer. What the rich man needed to do and could easily have done was very little, but he failed to do it. His failure to do the little that was asked of him and that was well within his ability had fatal consequences for someone else. The poor man died before he had to, and the rich man ended up in dire poverty in the next life. It is a challenging and unsettling parable for us all. It invites us to ask, ‘What am I failing to do that I could easily do, and who is suffering because of that failure?’

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(xi) Thursday, Second Week of Lent

Today’s first reading from the prophet Jeremiah contrasts two types of people, those who put their trust in things of the flesh, and those who put their trust in the Lord. The prophet is inviting us to ask, ‘Where do we put our trust?’ ‘On what or whom do we rely?’ The parable that Jesus speaks in the gospel reading put this contrast in the form of a story. The rich man put his trust in things of the flesh. He lived for himself; his priorities were the satisfying of his own needs. The poor man, Lazarus, put his trust in the Lord; he had no one else on whom he could rely. On the surface, the rich man seemed much more fortunate than Lazarus. In reality, to use the imagery of Jeremiah in the first reading, the poor man was like a tree by the waterside whose foliage stays green even in the heat, whereas the rich man was like a dry shrub in the wastelands. That became clear in the life beyond death. The Lord in whom Lazarus trusted did not let him down, whereas the things of the flesh in which the rich man trusted ultimately failed him. The parable poses the question, ‘In what does true riches consist?’ It suggests that the truly rich person is the one whose trust is in the Lord, for whom the Lord comes first, whose first love is the Lord. Such a person will have something of the Lord’s own awareness of and compassion for those in greatest need, like Lazarus.

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(xii) Thursday, Second Week of Lent

The story Jesus told was not about two groups or classes of people, but two individuals. Many of the stories Jesus told were about individual human beings. Perhaps Jesus was reminding us that God comes to us in the individual who crosses our path. The Lord calls out to us through the concrete human being with whom I come face to face. When two individuals meet, it can sometimes be difficult to know who the needy one really is. In the story that Jesus told, at one level it is obvious that Lazarus is the needy one. Yet, in reality, the rich man was in greater need. In spite of Lazarus’ misery, his ultimate future was secure. For all the rich man’s good fortune, his ultimate future was anything but secure. In a sense, the rich man needed Lazarus more than Lazarus needed him. Lazarus was assured of salvation, whereas the rich man’s path to salvation was through Lazarus. It was in responding to Lazarus that the rich man would have made it to Abraham’s bosom. When someone who appears to be in much greater need than me crosses my path, I may be the really needy one and that person may be my path to God. We are very much dependent on one another. That is the way God made us, and we often have most to receive from those who appear to have least to give us. It is likely that the rich man in the parable had many friends who shared his heavily laden table. Lazarus seems to have had no friends. However, when he died it was revealed that he had some wonderful friends after all, the angels who carried him to Abraham’s side at the banquet of life. God had always been his friend. The tragedy was that he encountered no angels, no living signs of God’s friendship, in his earthly life. Our calling is to become those angels now, to be living signs of God’s friendship to all who cross our path in life.

Fr. Martin Hogan.

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hysuppliesinc · 25 days ago

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alannairis · 4 days ago

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hotelsuppliesus · 4 days ago

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Table of Contents

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Opt For Quality Hotel Supplies 3

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