#sympathique

[keemeekaal]

💿 A SONG FOR YOU ;)

● ASFY #012 ★ ¿ dónde estás yolanda ? by Pink Martini & @lelapinphilosophe

♥︎ je voulais vous le dire + @free-style-dreams & @miisd

[entre-image-blog]

Ink is my Blood, volumes 1.2.3. Apollonia Saintclair, éditions Encre Sympathique, superbe série d'Artbooks qui présente le magnifique travail de Apollonia, renversant!

[iyamifucker]

Anyway, in my beautiful mind Iyami is genderfluid and has always known it but he doesn’t really know how to call it in modern terms because he’s in his 50s. I think he’d describe it as something like “I have an androgynous kind of beauty about moi so it’d be a total waste to NOT dress like a cute girl sometimes. Besides, it’s the latest rage in France!”

[post-scriptum]

De l'origine des tartines

Je suis en train de lire Mademoiselle de Maupin et il s'agit d'un roman épistolaire. Dans une lettre, le narrateur s'excuse à son ami de lui écrire.... une tartine (!!!) et j'étais si surprise de trouver ce mot dans un livre publié en 1835. Je viens donc de vérifier dans le Dictionnaire Historique de la langue française et le mot tartine dans son sens métonymique est attesté en.... 1823 !

Je trouve toujours ça amusant de rencontrer dans un livre un mot que je pensais beaucoup plus tardif. Maintenant je me demande si le lectorat du roman en 1835 s'est amusé de voir Théophile Gautier utiliser un vocabulaire si contemporain :)

[daltoncity]

Comment correctement identifier un Dalton isolé de ses frères?

Bah oui, en le mesurant.

Enfin, s'il se laisse faire, bien entendu. Ce n'est peut-être pas à essayer sur Joe.

[puppyknucklezzz]

thanks for the heads up, it was indeed the best call.

[clementagencement]

[emiliemaria]

.

[louce123]

Je m'implique et sens ma pratique du yoga s'ancrer, se solidifier. Avec, ma curiosité du corps grandit et tandis que j'explore prana, le souffle, je découvre que la respiration ventrale ample et lente stimule le système nerveux parasympathique.

[keemeekaal]

❤️ 100 % COTTON ;)

(my love affair with a t-shirt!)

100 % C #048 ★ ¿dónde estás yolanda? by Pink Martini & @daodag

● IN THE END, NOT MUCH ELSE MATTERS & @miisd

[entre-image-blog]

Trilogie Ink is my Blood, Apollonia Saintclair, disponible sur entre-image.com

[iyamifucker]

Iyami strikes me as the kind of guy who would embody the very unfortunate combination of having physical touch as a love language and no concept of personal space whatsoever. Like the world’s largest, clingiest cat.

[itoshikinozomu]

L'affaire avec les dérivés c'est que ça sent pas tout le temps plaisant, comme oui j'vien de checker c'était quoi finalement pis yep, en contexte c'est aussi ça l'affaire: les épileptiques leur médicaments...souvent quand y disent qui ont une "prescription" c'est probablement legit, mais, l'odeur. Comme ceux qui pensent que ça sent pas, contraire, c'est super envahissant. C'est super envahissant mais en même temps c'est comme...la seule chose qui marche so. Mais comme les petites genses de la sosyété y trippent trop pas quand y sentent cette odeur pis y croient souvent que c'est du gros drogue du gros danger watch out les bling bling. Mais finalement, c'est juste quelqu'un qui cope sjdkdkdkskskskckc

[papiersparterre]

[kino51]

The Ultimate Warrior  1975

[winterdaphne2]

Gay Easter Eggs in BBC Sherlock

(I trust the above requires no explanation.)

Perhaps someone has done this before, but I wanted to put together a compilation of gay easter eggs in the show that I’ve seen other people point out and/or have thoughts on myself. So here it is!

When I say “easter eggs,” I’m thinking of small clues that the show creators included in the set designs, music choices, and other details of the show to reference that Sherlock and John are in love. I’m thinking of things you could miss at first, especially little clues that often require a bit of extra information or require observations across episodes to understand.

Of course, there’s also lots of subtext woven into the show, moments where interpreting the dialogue or visuals in a certain way tells us something about Sherlock, John, and/or the state of their feelings for one another. I’m not sure if I can clearly define “subtext” versus “easter eggs” and explain what distinguishes them, but at least to me, several of the things I’ve listed here seem a bit different from what people often refer to as subtext. Maybe subtext is about uncovering the layers to a piece of dialogue or an action that takes place in plain sight and seeing how that impacts our interpretation of the story, but easter eggs are about spotting smaller, hidden details. I’m not trained in literary or film studies, though, and I’m not trying to be doctrinaire about this at all! This list is just for fun, anyway. (The above image might not actually count as an easter egg, but I couldn’t resist including it here. Indulge me.)

The more I read about this show and the harder I look, the more I think that hardly anything is there on accident. All these easter eggs must have been included on purpose. The creators knew they were telling a love story all along.

I’ve linked to the posts where I initially saw people point these out or to other good sources, and for some of these I’ve added my own commentary/observations/interpretations. I’m sure there are many other easter eggs that I’ve missed! What have you spotted?

John’s PIN in TBB – When John tries to pay for his groceries at the beginning of the episode, we see that his PIN is 743. In ASIB, Irene’s code to unlock her phone is SHER, which would be 7437 on a phone keypad. So, John’s PIN is a clue that he is or will be in love with Sherlock. Source: @loudest-subtext-in-tv, here.

Shaftesbury Avenue, 20m from Piccadilly Circus in TBB – While investigating in Chinatown, Sherlock and John bump into each other at what used to be a cruising spot for gay men in London. Source: @the-signs-of-two, here.

Archer the American in ASIB – In the scene where the American CIA agents try to get Sherlock to open Irene’s safe, the head CIA agent pressures Sherlock by threatening to have one of his men shoot John. The agent says: “Mr. Archer, on the count of three, shoot Dr. Watson.” Ordering someone named “Archer” to shoot John could be a reference to Arthur Conan Doyle’s poem “The Blind Archer,” which is about Cupid and describes Cupid shooting two men who sound an awful lot like Sherlock and John. Source: couldntpossiblycomment, here.

“¿Dónde Estás, Yolanda?” in TEH – The song that plays during the scene with John and Sherlock’s disastrous reunion at the Landmark restaurant is a cover of the song “¿Dónde Estás, Yolanda?” performed by the band Pink Martini. The Spanish lyrics to this song are about searching for a long-lost lover, which is fitting for the scene where John sees Sherlock again for the first time since his fall. Notably, the creators didn’t use the first of the two versions of this song that Pink Martini has released. The band’s first version appears on their 1997 studio album Sympathique and features a man singing about a woman. Instead of using that version, the creators used the version from Pink Martini’s 2011 compilation album A Retrospective, in which China Forbes performs most of the vocals. So, the creators deliberately chose a remade version of the song in which a woman sings about a woman. They chose a gay song about searching for a long-lost lover for Sherlock and John’s reunion. abrae (@tea-and-liminality on tumblr) has a meta with more to say about the use of this song here.

John’s “oscillation on the pavement” in TEH – In TSOT, John observes a potential client standing outside 221B and trying to make up her mind as to whether to come in. Sherlock tells John “I’ve seen those symptoms before. Oscillation on the pavement always means there’s a love affair.” In the previous episode, John came to visit Sherlock at 221B but hesitated on the pavement outside, staring at the door and trying to decide whether to go in. Sherlock’s comment, “I’ve seen those symptoms before,” is a hint that we, the audience, have also seen those symptoms before—with John in the previous episode. Source: @bidoctor, here. (I saw someone else point out that last part about Sherlock’s hint to the audience, but I can’t find that post, sorry!)

Lilac dresses in TSOT – While planning John and Mary’s wedding, Sherlock chooses lilac-colored dresses for the bridesmaids. When John tells Sherlock that he likes the bridesmaids in purple, Sherlock pointedly corrects him by stating that the dresses are lilac. Apparently, “In Victorian times, giving a lilac meant that the giver is trying to remind the receiver of a first love.” So by dressing the bridesmaids in lilac, Sherlock is trying to remind John of his first love: himself, Sherlock. My heart breaks. Source: @asherlockstudy, here.

Putting the horns on Mary and Janine in TSOT and HLV – In TSOT, there’s a shot where Mary gives Sherlock and John a thumbs up before they head out on a case. The way Mary is standing, the horns on Sherlock’s cow skull thing on the wall behind her are placed right over her head. (I always thought this shot looked pretty weird, but now I see that it must have been intentional!) In the HLV scene with Janine at 221B, there’s a moment when Janine steps in front of John in the frame to kiss Sherlock, and her movement positions the horns right over her head. “Putting the horns” on someone means cheating on them. So in both cases, placing the horns right above Mary’s and Janine’s heads indicates to the audience that Sherlock and John are the real relationship in this show. Source: this post from multiple users on the @sherlockmeta blog.

The architecture of Sherlock’s mind palace in HLV – In the mind palace scene after Mary shoots Sherlock, the architecture of Sherlock’s mind palace is based on locations from ASIP. Sherlock literally built his mind palace out of places from his first case with John, illustrating that his relationship with John is what grounds him and that it means everything to him. abrae has some very helpful screencaps of this here (and I would recommend that whole meta, btw!)

The glasshouse scene in TAB – In TAB, the Victorian John tries to ask Sherlock about his sexuality and sexual history while they’re sitting in a glasshouse. In Victorian Britain, “glasshouse” was another term for a military prison. So John, a military veteran, asks Sherlock about his sexuality in a setting that represents where he would have been sent if he had acted upon his homosexual desires at a time when homosexuality was criminalized. Source: @haffieliesel, here.

What do we say about coincidences? The universe is rarely so lazy.