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ameliasnormandy · 5 years ago

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The Reaper is Dead

“This Reaper is Dead the Same Way Commander Shepard is Dead.” That is the first file that Jacob Taylor found. He was in full suit, for everyone thought that there might be something going on, and his captain wanted him to take care, the best he could. It almost killed him looking at it. It had been almost three years, since Shepard died on Citadel. The Reapers were dead. She had done what they had asked her to do.

“Whoever wrote this was going to pay for their insensitivity,” Jacob vowed.

Maranda Lawson came over his headset. “Stay focused.”

“I am sending you everything on this computer. It’s all heavily encrypted. It will take weeks for anyone to crack it. If someone will ever be able to crack it,” he said, before he sent all of the contents on the computer.

“Hopefully you can find the person who wrote it,” Miranda said.

“When did you become the optimist?” Jacob asked, with a slight laugh.

“The galaxy needs an optimist right now,” Miranda said, with a sigh.

“No what the galaxy needs…”

“Not right now,” Miranda stated her voice was stronger. “We cannot keep doing this. She is gone and we are not. We need to pull the galaxy back together.”

“I know,” Jacob said, taking a step away from the computer screen. “That is why we are here. Find out what we can about the reapers.”

“Now go,” Miranda said.

Jacob shook his head before he started walking away. He pulled his gun out and gripped it tightly. He then heard it. The familiar groan of the husks. He turned to see three shuffling toward him. He shot all three of them, dead in the head. They didn’t stop moving, and Jacob froze. Jacob shot three more times, still nothing. “This is bad,” Jacob said.

“What’s going on?” Miranda asked.

“Husks. Three of them,” Jacob said.

“That’s impossible,” Miranda said.

“There are three of them. I see them, but I don’t know what to do about them,” Jacob said.

“If they are there, just shoot them.”

“My bullets don’t seem to be doing anything to them,” Jacob said, firing three more off.

“Get out of there. Let’s regroup and try again,” Miranda said.

“We might not get another chance like this,” Jacob said, firing off three more shots. “I am going to make a run for it.”

He ran going towards a door. Then another and another and they kept following him. No matter how far he thought he got from them they were only a few feet behind him. He finally found himself in a room that looked like the heart of the reaper. There was a person sitting there with a helmet on, a full body suit, it looked to be female, but Jacob couldn’t be sure of that. They turned to look at him. “Who are you?” the person asked, standing up from the ground.

“Who are you?” Jacob asked, taking a step closer lifting his gun right at the person’s head.

The person shook their head. “Put that away, before you hurt yourself.”

“You have no weapons,” Jacob said, keeping a tight grip on his gun.

“I don’t need weapons,” the person said, taking a step away from Jacob.

“Are you saying you have biotic abilities?” Jacob asked.

“I am not claiming anything,” the person said, looking over Jacob’s shoulder.

“The husks are coming. We need to get somewhere safe,” Jacob said, turning around to look the husks that were dragging themselves toward the two of them standing far from the door.

“We are somewhere safe,” the person said, with a slight laugh.

“Why aren’t you afraid of the husks?” Jacob asked, pointing the gun toward the husk.

The person walked over to the husks and put their hand through them. “They aren’t real. I would most likely be scared of a real husk, still.”

“They seemed so real,” Jacob said, walking toward the husks.

“They are meant to,” the person said. “It is a security measure. It is supposed to scare anyone from using it, from being here. You are in no more danger than any other time you walk around a derelict reaper. I wish to know why you are here. No, better question how did you get here?” the person asked, turning back toward Jacob.

“We flew here. How did you get here?”

“I don’t know,” the person said, taking a few steps away from Jacob. “What do you mean you flew here? You are Alliance, are you not?”

“Why would you think that I am?” Jacob asked, looking down at his uniform. There was not a single emblem from the Alliance on it.

The person laughed. “You looked.” The person paused to make sure that Jacob got the joke. “You held your gun like you were trained by them, and a lot of your equipment is standard Alliance, but I didn’t know for sure until you looked down.”

“You played me?” Jacob asked, lifting his gun a little surer.

“No, I took an educated guess. That again begs the question how did you get here. As far as I understood every Alliance ship was supposed to be at the battle on earth. That either means for some reason this ship wasn’t near earth, or they got the mass relays working again.” The person that seemed trapped in their own thoughts turned to Jacob with great force. “They fixed some of the mass relays?”

“They have fixed most of them.”

“This must have been one of the newest relays to get fixed,” the person said, nodding their head. “Which was the first?”

“The one in the sol system,” Jacob said, shaking his head. “Now…”

“Then I am guessing that the one in the Annos Basin would be next. The Salarians would have made quick work of getting Sur-kesh connected back into the rest of the galaxy,” the person said, taking a few more steps.

“Yes, but…”

“Then they would have done the one in the Apien Crest,” the person said, taking another step away from the person.

“Actually, they did the one in the Perseus Vail next,” Jacob said, finally feeling a little superior because he was able to correct this person that seemed to be running the show.

The person let out a slight laugh. “I guess the Quarian’s really wanted to make sure that they stayed connected to the galaxy. I sometimes forget the ingenuity of their kind. I shouldn’t though. I have known a lot of smart Quarians, and I have learned a lot from the Quarian people.”

“You aren’t Quarian?” Jacob asked.

The person looked down at themselves and laughed. “I guess I do look like a Quarian, but like you have noticed we have to keep our helmets on in this place.”

“So, what are you?”

“That really isn’t important,” the person said, turning their attention back to Jacob. “None of this is important though, and I am sorry for wasting your time. I sounded like a Salarian that I once knew.”

“So, you aren’t Salarian either?” Jacob asked.

“Why are you here?” the person asked, looking at Jacob.

“Why are you here?” Jacob asked the person.

“I came here after the battle on earth.”

“Why?”

“I don’t know.”

“That isn’t helpful,” Jacob said, putting his gun away.

“Putting your gun away, you must trust me,” the person said with a slight laugh.

“You haven’t reached for any kind of gun.”

I thought with all the free time I would post some of my old stuff and then get to my new stuff.

Amelia out

#Mass Effect #Commander Shepard #Jacob Taylor #Miranda Lawson #reapers #BioWare #fanfic oc #OC #fanfic

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waveridden · 5 years ago

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FIC: warm and far away

Open your eyes, AGENT DUSK. (A Twilight Mirage/Within the Wires fusion. Demani/Gray + Morning’s, 1.7k; content warning for some discussion of nonconsensual memory alteration)

AUcember || read on ao3

REPORT: THE DUSK INCIDENT - 6272696E6B

DISPATCH: To Agent 157-QL-F6

Agent Dusk,

Due to recent events, the Rapid Evening has initiated a new protocol for primary agents. Between assignments, agents will undergo simulations in order to assure that no attachments have been formed between satellite and primary agents. You previously consented to undergo these simulations. After you have completed the simulations that were selected for you, which will double as an evaluation, you will be reassigned.

These simulations are voluntary, and you may withdraw your consent at any point. However, they are also mandatory in order to ensure that you are qualified for future primary assignments. Keep this in mind.

TRAINING SIMULATION: 4457203 - DELTA - RQ

Simulation description:

Open your eyes, AGENT DUSK.

As you can see, this simulation has placed you into a public area that you do not know. This area is not on Kesh, nor is it any area that you have surveilled on any of your previous assignments. If you recognize it from a previous assignment, you must say so now.

[AUDIO INPUT - DEMANI DUSK: Uhhh, nope, looks all clear to me. What am I supposed to be looking for here?]

This simulation has not yet entered the interactive phase. Please wait for the simulation guidelines to complete.

[AUDIO INPUT - DEMANI DUSK: Yeah, yeah, whatever. You said I’ve done this before?]

All primary agents must complete these simulations.

[AUDIO INPUT - DEMANI DUSK: If you say so.]

Confirmed: no recognition. Thank you, AGENT DUSK. As you examine your sur

[AUDIO INPUT - DEMANI DUSK: Wait, have I been here before? (OUTPUT: no response permitted. Simulation continues.)]

roundings, take note of the civilian population. Take note of the architecture. While Crystal Palace will undoubtedly know where you are, the Rapid Evening may not know where to look for you. You must be able to guide them to you.

[AUDIO INPUT - DEMANI DUSK: O… kay, this seems weird. This definitely seems weird. (OUTPUT: no response required. Agent complaints noted. Simulation continues.)]

Take a breath. Notice how it feels in your lungs. You must learn to understand atmospheres. No two atmospheres are the same, not even on the same planet.

Breathe in again. Are you cold? You should not be cold. Or perhaps you should. What would you guess, based on the simulation? You must learn to guess.

[AUDIO INPUT - DEMANI DUSK: If Crystal Palace knows everything, why do I need to know how to guess what’s in an atmosphere?]

You are far too skilled to ask such questions, AGENT DUSK.

[AUDIO INPUT - DEMANI DUSK: Ha! If you say so.]

The Rapid Evening would not work with you if you were not skilled.

[AUDIO INPUT - DEMANI DUSK: Yeah, whatever. I’m looking around, I’m assessing, I’m… holy shit, Gray? (ALERT. RECOGNITION. ALERT.)]

AGENT DUSK, there is nobody here by the name of Gray.

[AUDIO INPUT - DEMANI DUSK: It… (subject inhales) nobody?]

Nobody.

[AUDIO INPUT - DEMANI DUSK: Fuck. Okay. I don’t… know what that was. Sorry, sim. (ALERT: Downgraded by one level. Subject recognition is not sustained. Simulation has maintained integrity.)]

Are you able to continue, AGENT DUSK?

[AUDIO INPUT - DEMANI DUSK: (subject exhales) Yeah. Yeah, I’m good.]

Simulation assessment: The initial recognition could potentially be problematic. Agent Dusk is too powerful an asset to lose to something as simple as sentiment. See what you can do.

TRAINING SIMULATION: 9950524 - UPSILON - TT

Simulation description:

Open your eyes, AGENT DUSK.

You are in a standard primary agent observation cell. You have received technical training on all of the equipment that is available to you. Do you understand how to work this equipment?

[VISUAL NOTE: Agent Dusk appears to reach automatically for the audio recorder. This is, again, a potential issue, given her history; agent’s action has been noted.]

[AUDIO INPUT - DEMANI DUSK: I don’t think you would give me this job if I didn’t understand how this stuff worked. Are you sure that I have to go through this every time?]

This is standard for all primary agents, AGENT DUSK.

[AUDIO INPUT - DEMANI DUSK: Are you sure it is? I don’t remember going through this any previous times.]

These simulations are not designed to be remembered.

[AUDIO INPUT - DEMANI DUSK: What’s that supposed to mean? (OUTPUT: no response permitted. Simulation continues.)]

Over the next six hours, you will be in touch with a simulated satellite agent. This simulation is designed to examine your interactions with your satellite agent.

[AUDIO INPUT - DEMANI DUSK: What’s the point of doing this if I don’t remember?]

You do not consciously remember, AGENT DUSK. That is not the same thing as not remembering at all. You are receiving a transmission from your satellite agent.

[VISUAL NOTE: Agent Dusk reaches for an old-style ink-and-paper printer, which is printing out a binary message. Scanning binary message: 01000010 01010010 01001001 01001110 01001011 ALERT. ALERT. SIMULATION HAS BEEN BREACHED. SIMULATION HAS B

Simulation notes: Some work to do on this one. Obviously.

TRAINING SIMULATION: 0191201 - SIGMA - JM

Simulation description:

Open your eyes, AGENT DUSK.

[AUDIO INPUT - DEMANI DUSK: Uh… what am I supposed to be looking at here?]

This is what you need to remember.

[AUDIO INPUT - DEMANI DUSK: I thought I wasn’t supposed to remember these.]

I don’t think I did this right.

[AUDIO INPUT - DEMANI DUSK: ...sim?]

Listen, I’m going to give it another shot with the next one. But for now, this is what you need to remember.

[AUDIO INPUT - DEMANI DUSK: Gray? Is that… is that you?]

No, but she’s going to be so fucking relieved that you remember her. Look at the blueprints, Demani.

[ALERT. SIMULATION HAS BEEN BREACHED. SIMULATION H

Yeah, yeah, you fucking piece of mesh bullshit, I get it.

AS BEEN BREACHED. TAKING DEFENSIVE ACTIONS.]

Are you reading th-

[AUDIO INPUT - DEMANI DUSK: Yeah, god, I’m reading the blueprints, can you quiet down for a minute and let me read?]

[AUDIO INPUT - DEMANI DUSK: ...you still here?]

You asked for quiet.

[AUDIO INPUT - DEMANI DUSK: I guess I did.]

I don’t know how much longer you have, so just… read the blueprints, okay? I’ll be back in the next sim. Or the one after.

[AUDIO INPUT - DEMANI DUSK: Am I going to remember this?]

If you don’t, we’ll get it back for you. That’s a promise.

I don’t think the blueprints are going to last.

[AUDIO INPUT - DEMANI DUSK: I’ve got enough.]

Okay. Stay safe in here.

Simulation notes: Increase defenses. Prepare for stratus attack. They will try again. Agent Dusk is an asset. Why is this so fucking difficult to understand?

TRAINING SIMULATION: 6302841 - KAPPA - ERROR. ERROR. SIMULATION HAS BEEN ALTERED.

Simulation description:

Demani?

[AUDIO INPUT - DEMANI DUSK: Morning’s?]

Holy shit. I did it. Oh my god, Demani, we thought they fucking brain-zapped you or something, we thought that you had amnesia or some shit.

[AUDIO INPUT - DEMANI DUSK: I don’t think they could zap me that hard. It’s all still a little fuzzy, but this… this is the Brink, isn’t it?]

Yeah, it is. You remember it?

[AUDIO INPUT - DEMANI DUSK: It’s like remembering a dream.]

No dream. Or, well, a metaphorical dream, but not a literal one, because it’s a very, very real place. You scared the shit out of us, you know that? Gray kept saying that she thought they’d try and take her, something about synthetic beings being easier to overwrite like this.

[AUDIO INPUT - DEMANI DUSK: Let’s not underestimate the sheer power of scientific bullshit that Crystal Palace can get up to.]

Yeah, I guess. But in the meantime, just… sit down for a while, okay? Gray’s on her way, you have the blueprints - uh, you still remember the blueprints, right? How to get from here to the hangar?

[AUDIO INPUT - DEMANI DUSK: I remember enough. Is there a reason I can’t see you?]

It’s because doing this is giving me the most killer migraine I’ve ever had, and I’ve had some pretty killer migraines.

[AUDIO INPUT - DEMANI DUSK: Shit, then why-]

Because if I stop, then I don’t know if the simulation is going to be able to actually impact you again. And I can, like, take a nap or something on the way home. I think I’d rather take a nap on the way home than let this go too early.

[AUDIO INPUT - DEMANI DUSK: Fine, but if you’re with Gray you’d better make sure she’s keeping an eye on you.]

Oh, she didn’t even want me doing this much. Thought the blueprints would be enough. But I forgot to give you a timeframe, and that’s kind of just embarrassing, so I made up an excuse - don’t tell her any of this, she’s going to give me so much shit for going in again. But mostly I just wanted to… to actually talk to you correctly.

[AUDIO INPUT - DEMANI DUSK: (subject exhales) I’m okay, Mor.]

Are you? Like, are you actually?

[AUDIO INPUT - DEMANI DUSK: I think so.]

Okay, well. Hang tight. I’m going to try and maintain this for as long as I can. As soon as it drops, you gotta be ready to go, okay?

[AUDIO INPUT - DEMANI DUSK: Don’t hurt yourself, alright? I can get out just fine.]

It’s total bullshit that you’re taking care of me right now. You’re the one who got kidnapped. Just… rest up. Don’t worry about me, I’m going to pass out as soon as this is dropped, anyways.

[AUDIO INPUT - DEMANI DUSK: What do you mean, don’t worry, you’re just going to pass out for fun?]

It’s not gonna be fun-

[AUDIO INPUT - DEMANI DUSK: Jesus fucking Christ.]

Yeah, I know. I know.

We’ll get you home soon.

Simulation notes: you rapid evening bullshit motherfuckers can get fucked

SECURITY ALERT: Breach in south hangar. Dispatch troops.

SECURITY ALERT: Breach in simulation testing room 372, currently housing AGENT DUSK. Dispatch troops.

SECURITY ALERT: neener neener, you motherfuckers

SECURITY ALERT: Stratus breach in security system. Internal security measures will be taken.

SECURITY ALERT: All cameras in southern hangar have been disabled. All audio sensors in southern hangar have been disabled. All door locks in southern hanger have been disabled.

INCOMING AUDIO TRANSMISSION - SOUTHERN HANGAR:

You touch any of us again and you’re not gonna be so lucky next time. Got it?

SECURITY ALERT: All cameras in southern hangar are back online. Everything seems undisturbed. All audio sensors in southern hangar are back online. Everything is quiet. All door locks in southern hangar have been enabled. There is no sign of Agent Dusk, or of the former Agent Gloaming.

END REPORT 6272696E6B

#twilight mirage #demani x gray #friends at the table #tm fic #fatt fic #demani dusk #gray gloaming #morning's observation #waveridden.fic #aucember19 #WE'RE IN IT NOW LADS #with the weirdest fucking thing i've done in a LONG time. welcome to hell #for the full experience please read on ao3 i went hog fucking wild with blockquotes

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dayeetachaudhuri · 3 years ago

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Aaj sur hi sur hai inn hawaon me Tarasti dharti bhi hai Makhan ki pyas me. Khule kesh, wahi nirale vesh Maur pankh ke jhalak, Phike man me achanak kahase uthe ye rango ke chamak. Gopiya bhi aaj baithi sajake Makhan ki matki kanha se turwane. Raha dekhe har gaao ke gaiya, Chanchal sa nain khoje yasoda maiya. Aaye na mohan kishori ki pukaar se; Sham hone ko aye, Shyam ke intazar me.🥀 --------------—----------------------------------------- #krishnapainting #krishna #janmashtami #illustratorsoninstagram #paintings #artselect #art_perspective #acrylicpaint #camlin #sunset #radhakrishnalove #radhakrishn #krishnajanmashtami https://www.instagram.com/p/CTMQO-wnnvX/?utm_medium=tumblr

#krishnapainting #krishna #janmashtami #illustratorsoninstagram #paintings #artselect #art_perspective #acrylicpaint #camlin #sunset #radhakrishnalove #radhakrishn #krishnajanmashtami

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anderalebake · 4 years ago

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disneyland de paris

Alors que la demande en provenance des Amériques, en Europe et en Asie continue d'augmenter, il en sera le prix. La vente aux enchères a commencé Il est Internet exclusif aux enchères en 2013, et a tenu une autre Février dernier. Ancrage TV1 de Disney Marvel Spider-Man croisade Katrine nsmark F.De nombreux participants se demandaient pourquoi on laisserait joyaux évalués à tellement d'argent dans un coffre de l'hotel le plus souvent utilisé pour stash un portefeuille ou un passeport. Je ne suis pas promouvoir gun ownership ou tout, dit-elle. L'exposition des postes les plus importants disney acquisitions offre un aperçu de l'époque même où 2. considère ce Sagmeet a à voir avec la façon dont le turban et la barbe sont représentées dans les médias. Las Vegas Stephen Webster a dévoilé sa nouvelle collection Albion Rose à cette année Couture spectacle, composé Mémorial Disney Star Wars de deux suites de bijoux inspirés par la Colombie-culture, l'art et le design. disney est décédé le 15 juillet 1997, laissant sa compagnie et chambre intact.rencontrer, le Dallas Woolstenhulme Kate-based fondateur de designer dissimulé, d'une ligne à main transporter des Disney Ballon Airwalker Kylo Ren 2017 Nouveaux Modelès conçus pour cacher des armes de poing qui ne cesse de s'agrandir pour inclure de nouveaux produits. Comme Disney Ballon Château Princesses Disney 5ème Anniversaire Qualité garantie à 100% le fait depuis le début, la maison d'édition Borgen consacre le reste de la saison à explorer le no man's land où l'idéalisme répond à la réalité.utilisation et la protection de la vie privée. À partir de 1699, ses disciples baptisés étaient tenus de porter cinq symboles de foi, appelées familièrement les cinq K: Kangha peigne, Kara Disney Figurine Articulée à Collectionner En Édition Spéciale Captain America Meilleur Prix Garanti d'acier, le Kirpan une épée de cérémonie, kaccha sous-vêtements longs et Kesh cheveux non coupés, le second conformément à la volonté de Dieu, selon Singh-Sohal, qui est protégé par l'Dastar, ou un turban. à laquelle Lagerfeld deadpans: Oui. Les sikhs croient dans un travail dur. Soldes Boutique Disney Autres récompenses backer inclus Anthony Lent chocolats et Tweets personnalisés sur Twitter. Tous les quatre ont présenté séparément, mais sont rapportés collectivement dans ce tour d'horizon des pièces exposées au salon Couture. Il est accessible Le lot phare projeté des ventes est deux pièces, un saphir et de diamants bracelet de Sutra et un anneau par Diane von Fürstenberg pour H. www.boutique-disney.com

#Disney

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ancienttextmoderntablet · 7 years ago

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My Modern Rendition of the Kesh Temple Hymn, One of the World’s Oldest Known Literary Works

(My modern-day rendition of the Kesh Temple Hymn, in a dried state prior to firing. Although kiln technology was suitably advanced, most ancient cuneiform texts were not fired: most fired tablets were fired by modern museums.)

(final fired version)

The Kesh Temple Hymn is one of the world’s oldest known literary compositions, dating to at least 4,500 years ago along with the Instructions of Shuruppak, a compilation of proverbial advice, and a composition called “Evil Mouth,” now being edited by Jana Matuszak, which involves wide-ranging and crude insults that seems to provoke the anger of the goddess Inana and her right to behave impetuously. There are actually a number of other literary texts from this early period, coming chiefly from the sites of Tell Fara (ancient Shuruppak) and Tell Abu-Salabikh (ancient name uncertain: possibly Eresh), but most of them lack parallels from later periods when Sumerian was rendered more explicitly and are therefore highly enigmatic (the very earliest period of cuneiform, the so-called Archaic or proto-Literate period, has not yet produced an unequivocal example of a literary text with complete sentences and a (reasonably) coherent narrative).

(the oldest version of the Kesh Temple Hymn, found at Tell abu-Salabikh, identified, copied, and published by Robert Biggs of the Oriental Institute)

Like the Instructions of Shuruppak, the Kesh Temple Hymn remained in circulation for centuries. Most manuscripts of this text date from around 3,800 to 3,700 years ago.

(A single column “imgida” manuscript of the Kesh Temple Hymn from Old Babylonian Nippur, now in the University Museum in Philadelphia)

The Kesh Temple Hymn is a text devoted to the praise of the temple of the birth goddess Nintur at the southern Mesopotamian city of Kesh (exact location uncertain), who is also referred to as the goddess Ninhursanga (several mother goddesses were partially interchangeable) and her offspring, the relatively obscure god Ashgi, who is described as the temple’s “hero” (Sumerian ur-saj). The beginning of the text describes Enlil, the king of the gods, examining the world and choosing the city of Kesh from among it. Enlil then praises the temple, which is dutifully written down on a tablet by Nisaba, the goddess of grain and the patron deity of scribes, presumably indicating the divine authorship of the rest of the text. Much of the rest of the text is devoted to the praise of the temple utilizing vivid and highly abstract natural imagery. When I looked over the ancient originals to prepare the text featured on this piece, I found a previously misread reference to ants (Sumerian kiši6, kiši8, kiši9). The line is obscure, but seems to be stating that ants incised the temple, perhaps referring to the marks left by tunneling ants. Much later, in the encyclopedic omen tradition of Shumma Alu, finding ants in the foundation of a house was considered an ominous event (a good omen if the ants were black, a bad omen if they were any other color).

(A fragment of a tablet of the vast omen series Shumma Alu from the library of the Neo-Assyrian king Assurbanipal. Two omens involving ants in the foundations of a building occur in the third and fourth lines after the first preserved ruling, photo credit British Museum via the Cuneiform Digital Library Initiative)

A central theme of the Kesh temple’s conception is its enormity (expressed explicitly at one point in the text with enormous measurements) manifesting itself in the realms of heaven, earth, and the subterranean abzu (the distant precursor of English “abyss”). This reflects the widespread ancient Mesopotamian notion that temples were understood at some level to be representations of the cosmos. Another central theme of the text is the temple’s ineffability: ancient Mesopotamian temples existed primarily as the residence of a god, not as a place of public worship. The disturbance of a temple and the prospect of the divine abandonment of a temple by its patron deity were matters of the utmost severity. The Kesh Temple Hymn is divided into eight (and in a few versions, ten) sections each enigmatically labelled “first-eighth temple,” with the same three concluding lines: “Will anyone produce anything as surpassing as Keš? Has any mother given birth to anything as surpassing as its hero Ašgi? Who has seen anything as surpassing as its lady Nintur? “ Near the conclusion of the text, there is a description of a royal ritual involving the king and a stone vessel (Sumerian bur) and numerous cultic officials, some of which are mentioned only in this text and a scant few other instances, as well as a vocal and musical performance, apparently as a prelude to a banquet of the patron goddess. A similar royal ritual involving a stone vessel is described in the Sumerian debate poem “Hoe and Plow,” where it involves an agricultural ritual for the plowing at the beginning of the planting cycle in the month of shu-numun/du’uzu (approximately June-July), although there is no evidence that the ritual described in the Kesh Temple Hymn specifically involved the agricultural cycle. In Enmerkar and the Lord of Aratta (308f.), the hero king Enmerkar of Uruk’s use of stone bowls to grow grain at sunrise using water from both the Tigris and Euphrates in response to his rival’s challenge may possess ritual connotation as well.

The Kesh Temple Hymn survives to us in a number of sources, (around 90 manuscripts and fragments according to my current tally) mainly known from the Old Babylonian period (dating around 3,800 to 3,700 years ago). Even though the city of Kesh had become largely irrelevant by this period politically, the text was still popular in southern Mesopotamia at this time.

(This is the conclusion of a loan of grain made during the reign of the Old Babylonian king Samsuiluna. The authoring scribe has the city name of Kesh in his name, in a sentence usually used for deities: Kesh-iddinam “(the city of) Kesh gave to me”)

As is always the case with ancient Sumerian texts for which many manuscripts survive, there is some variance between the sources. This is the master text I selected for the tablet, followed by my translation. It favors the sources from the city of Nippur, which generally seems to have had the most reliable knowledge of the Sumerian language in its scribal schools. Recently a few important manuscripts have come to light, including a four-sided prism bearing the entire composition housed in the University of California, Los Angeles and several more manuscripts in the massive private collection of Martin Schoyen. Three other four-sided prisms containing the composition are known: one in the Ashmolean Museum in Oxford, another in the Walters Art Gallery in Baltimore, and a small fragment of a prism in the University Museum in Philadelphia.

(The best-preserved surviving four-sided prism of the Kesh Temple Hymn, housed in the Walters Art Gallery in Baltimore, photo credit Cuneiform Digital Library Initiative )

1. nam2-nun-e nam2-nun-e e2-ta nam-ta-ab-e3 2. {d}En-lil2 nam2-nun-e e2-ta nam-ta-ab-e3 3. nam2-nun-e nam-lugal-la e2-ta nam-ta-ab-e3 4. {d}En-lil2-le kur-kur-ra igi mi-ni-ib-il2-il2-i 5. {d}En-lil2-ra kur ni2-bi mu-na-il2-il2-i 6. an-ub-da-limmu2 {d}En-lil2-ra SAR-gin7 mu-na-sig7 7. Keš3{ki} saŋ men mu-na-ni-ib-ŋal2 8. Keš3{k}i kur-kur-ra saŋ il2-bi-im 9. {d}En-lil2-le Keš3{ki}-a za3-mi2 mu-na-ab-be2 10. {d}Nisaba nu-KA-AŠ-bi-im 11. KA-bi-ta sa-gin7 im-da-an-sur 12. dub-ba ŋa2-ŋa2 šu-še3 al-ŋa2-ŋa2 13. e2 muš3 kalam-ma gud huš Aratta{ki} 14. e2 Keš3{ki} muš3 kalam-ma gud huš Aratta{ki} 15. hur-saŋ-da mu2-a an-da gu2 la2-a 16. e2 kur-da mu2-a kur-ra saŋ il2-bi 17. abzu-gin7 gun3-a hur-saŋ-gin7 sig7-ga 18. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 19. ur-saŋ-bi {d}{aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu 20. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

21. e2 diš-kam-ma-am3

22. e2 dug3 ki dug3-ga du3-a 23. e2 Keš3{ki} e2 dug3 ki dug3-ga du3-a 24. ma2-gur8 nun-gin7 an-na diri-ga 25. ma2-gur8 kug-gin7 dag-si ri-a 26. ma2 An-na-gin7 muš3 kur-kur-ra 27. u5{mušen}-ban3-da3-gin7 peš10-ta sur-sur-ra 28. e2 gud-gin7 mur im-ša4 ninda2-gin7 gu3 nun-di 29. e2 šag4-bi-ta lipiš kalam-ma 30. a-ga-bi-ta zi Ki-en-gi-ra 31. e2 ib-gal an-ne2 us2-sa 32. e2 zid-da gal an-ne2 us2-sa 33. e2 men gal an-ne2 us2-sa 34. e2 {d}Tir-an-na an-ne2 us2-sa 35. e2 muš3-bi an šag4-ga la2-a 36. temen-bi abzu-a si-ga 36b. nun-e abzu-ta mi2 dug4 -ga 37. e2 An-ne2 ki ŋar-ra {d}En-lil2-le za3-mi2 dug4-ga 38. ama {d}Nin-tur5 eš-bar kin dug4-ga 39. e2 Keš3{ki} gurun-na sig7-ga 40. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 41. ur-saŋ-bi {d}{aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu 42. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

43. e2 min-kam-ma-am3

44. e2 an-še3 10 šar2 IKU ki-še3 5 šar2 IKU 45. e2 an-še3 10 bur3 IKU ki-še3 5 bur3 IKU 46. e2 an-še3 alim ki-še3 lu-lim 47. e2 an-še3 šeg9-bar ki-še3 durah-maš 48. e2 an-še3 šeg9-bar-gin7 gun3-a ki-še3 durah-maš-gin7 gun3-a 49. e2 an-še3 muš-gu7{mušen}-gin7 sig7-ga ki-še3 u5{mušen}-gin7 a-e šu2-a 50. e2 an-še3 u4-gin7 e3-a ki-še3 iti6-gin7 barag2-ga 51. e2 an-še3 kur-ra ki-še3 idim-ma-am3 52. e2 an-ki-a eš5-kam-ma-bi na-nam 53. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 54. ur-saŋ-bi {d}{aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu 55. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

56. e2 eš5-kam-ma-am3

57. iri{ki} in-ga-am3 iri{ki} in-ga-am3 šag4-bi a-ba-a mu-un-zu 58. e2 Keš3{ki} iri{ki} in-ga-am3 šag4-bi a-ba-a mu-un-zu 59. šag4-bi-a ur-saŋ-ur-saŋ-e-ne si mu-un-sa2-sa2-e-ne 60. eš-bar kiŋ2 dug4-ga šu gal mu-un-du7-du7 61. e2-e gud du7-du7-dam gu2 am3-ma-gur-re 62. gukkal-e ib2 ab-luh-luh-e 63. e2-e gud šar2-ra-am3 al-gu7-e 64. e2-e udu šar2-ra-am3 al-gu7-e 65. barag-barag-ke4-ne gu2 ŋiš am3-ma-ŋal2-le-eš 66. {ŋeš}taskarin-da men an-da gur3-ru 67. {ŋeš}asal2-da an-da tal2-tal2 sal-la 68. hur-saŋ-da an-da sig7-sig7-ga 69. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 70. ur-saŋ-bi {d} {aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu

71. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

72. e2 4-kam-ma-am3

73. e2 piriŋ u3-tu šag4-bi ur-saŋ su3-ud 74. e2 Keš3{ki} piriŋ u3-tu šag4-bi ur-saŋ su3-ud 75. šag4-bi-a ur-saŋ-ur-saŋ-e-ne si mu-un-sa2-sa2-e-ne 76. {d}Nin-hur-saŋ-ŋe26 ušumgal-am3 šag4 ki im-mi-in-tab 77. {d}Nin-tur5 ama gal-la tu-tu mu-un-ŋa2-ŋa2 78. {d}Sul-pa-e3-a ensi2-ke4 nam-en mu-un-ak 79. {d}{aš}Aš7-gi4 ur-saŋ-ŋe26 nesaŋ mu-un-gu7-e 80. {d}Uri3-maš nimgir gal-am3 eden-na mu-un-da-an-ti 81. e2 šeg9 lu-lim-e gu2 am3-ma-gur-re 82. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 83. ur-saŋ-bi {d}{aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu 84. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

85. e2 ia2-kam-ma-am3

86. e2 u4-gin7 ki-gal-la gub-ba 87. am babbar-gin7 eden-na re7-da 88. e2 nun-e ŋar-ra e2 kiši8-kiši8-da hur-ra 89. e2 ša3-bi-ta lipiš kalam-ma 90. a-ga-bi-ta zi šag4-ge si-a 91. e2-bi piriŋ šu-ba nu2-a 92. kan4-bi-ta UN-gal KA ŋar-ra 93. {ŋeš}ig-bi-ta kur gaba nu-gi4-gi4 94. {ŋeš}suhub4-bi-ta am gal-la du7-a 95. {ŋeš}saŋ-kul-bi ur ad6 LU gu7 96. ŋa2-nun ŋar-ra-bi an-šar2 ki-šar2 97. gi-gun4-na-bi la-ha-ma ki us2-sa 98. bad3 gal nun-na-bi eš3 Urim2{ki} zu2 keš2-da 99. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 100. ur-saŋ-bi {d}{aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu 101. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

102. e2 aš3-kam-ma-am3

103. e2 kug dib-be2 e2-nun 104. e2 Keš3{ki} kug dib-be2 e2-nun 105. e2 en-bi {d}A-nun-na-me-eš 106. nu-eš3-bi dim E2-an-na-me-eš 107. e2-e lugal bur-ra-am3 mu-e-de6 108. en-šar2 šag4 {tug2}ba13 nam-mi-in-la2 109. a-tu-e šibir šu bi2-in-du8 110. tu a UR4-a-am3 mu-e-de6 111. lal3 a-šag4-ga ki kug-ga i-im-tuš 112. enkum-e-ne tu6 ki am3-ma-ŋal2-le-eš 113. pa4-šeš-e-ne su mu-un-sag3-ge-ne 114. u18-ru u18-ru mu-ni-ib-be2-ne 115. si am-ma-ke4 gum2-ga-am3 mi-ni-ib-za 115a. šem3 {kuš}a2-la2-e gu3 nun mi-ni-ib-be2 116. {ŋeš}al-ŋar-sur9-ra suh3-sah4 mi-ni-ib-za 117. e2 al-dug3 kiri3-zal-bi al-dug3 118. e2 Keš3{ki} al-dug3 kiri3-zal-bi al-dug3 119. nin-bi TIN kaš-a mu-un-tuš 120. {d}Nin-hur-saŋ-ŋa2 nin-bi TIN kaš-a mu-un-tuš 121. Keš3{ki}-gin7 rib-ba lu2 ši-in-ga-an-tum2-mu 122. ur-saŋ-bi {d}{aš}Aš7-gi4-gin7 rib-ba ama ši-in-ga-an-u3-tu 123. nin-bi {d}Nin-tur5-gin7 rib-ba-ra a-ba-a igi mu-ni-in-du8

124. e2 imin-kam-ma-am3

125. iri{ki}-še3 iri{ki}-še3 lu2 te-a na-te 126. e2 Keš3{ki} iri{ki}-še3 lu2 te-a na-te 127. ur-saŋ-bi {d}{aš}Aš7-gi4-še3 lu2 te-a na-te 128. nin-bi {d}Nin-tur5-še3 lu2 te na-te 129. Keš3{ki} du3-a {d}{aš}Aš7-gi4 za3-mi2 130. Keš3{ki} mi2 dug4-ga ama {d}Nin-tur5 za3-mi2

131. e2 8-kam-ma-am3

1. Rulership, rulership, he has brought it out from the temple 2. (The chief god) Enlil has brought out rulership from the temple 3. Rulership, that of kingship, he has brought it out from the temple 4. Enlil looks at the all the lands 5. For Enlil, the mountain raises its aura 6. The four corners (of the world: the same expression describes buildings) are verdant for him like an orchard 7. (The city of) Kesh is there for him as a crown 8. Kesh is the one that raises its head among all the lands 9. Enlil praises Kesh 10. (The grain and scribal goddess) Nisaba is its tallier 11. By means of (Enlils?) speech she braided (the words?) like a net/string (this might be a metaphor for arranging cuneiform text on a tablet) 12. She was entering it on a tablet, and setting it in her hand 13. Temple, sacred enclosure of the land, furious bull (of) (the mythical Iranian city of) Aratta 14. Temple of Kesh, sacred enclosure of the land, furious bull (of) (the mythical Iranian city of) Aratta 15. Grown along with the mountain range, embracing the sky 16. Temple grown along with the mountain, the one that raises its head on the mountain 17. Sparkling like the (subterranean watery) abyss, verdant like the mountain range 18. What man can produce something as surpassing as Kesh? 19. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 20. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

21. It is the first (strophe of the song of the) temple

22. Good temple, built in a good place 23. Temple of Kesh, a good temple built in a good place 24. Floating in heaven like a noble barge 25. Putting down hanging hooks like a holy barge 26. Like the boat of (the sky god) An, it is the sacred space of the lands 27. Waddling away from the shore like a wild goose 28. Temple that bellows like an ox, bellows nobly like a steer 29. Temple from whose midst is the innards of the homeland 30. Behind it is the life of Sumer 31. Temple whose great oval reaches the sky 32. Great true temple reaching the sky 33. Temple, great crown that reaches the sky 34. Temple, rainbow (a minor deity) that reaches the sky 35. Temple whose sacred space extends into the midst of the sky 36. Its foundation pegs occupy the subterranean abyss 36b. Praised by the ruler (the god Enki, god of wisdom and magic) in the subterranean abyss 37. Temple founded by An, praised by Enlil 38. Mother Nintur made the decision/took the omens(?) 39. Temple of Kesh, verdant with fruit 40. What man can produce something as surpassing as Kesh? 41. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 42. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

43. It is the second (strophe of the song of the) temple

44. Temple, towards the sky it is 36,000 iku (in area), towards the earth it is 18,000 iku 45. Temple, towards the sky it is ten bur (in area), towards the earth it is five bur 46. Temple, towards the sky it is a bison, towards the earth it is a red deer 47. Temple, towards the sky it is a fallow deer, towards the earth it is a ram 48. Temple, towards the sky it is speckled like a fallow deer, towards the earth it is speckled a ram 49. Temple, towards the sky it is a yellow mushgu bird, towards the earth it is an goose covered by water 50. Temple, towards the sky it comes out(!) like the sun, towards the earth it is covered by moonlight 51. Temple, towards the sky it is a mountain, towards the earth it is a spring 52. It is indeed the third temple of the universe 53. What man can produce something as surpassing as Kesh? 54. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 55. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

56. It is the third (strophe of the song of the) temple

57. It too is a city, it too is a city, who can understand its midst? 58. Temple of Kesh, it too is a city, who can understand its midst? 59. Its midst is set in order by heroes 60. (Its) decision making/omen taking(?) was perfectly and greatly executed 61. The temple gathers up goring bulls 62. It cleans the fat-tailed sheep at the hips 63. The temple consumes many/slaughtered bulls (as offerings to the gods) 64. The temple consumes many/slaughtered sheep 65. The rulers (of the lands) have submitted to the yoke 66. Along with the boxwood tree, a crown raised along with the sky 67. Along with the poplar tree, spreading and stretching along with the sky 68. Verdant along with the mountain range and the sky 69. What man can produce something as surpassing as Kesh? 70. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 71. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

72. It is the fourth (strophe of the song of the) temple

73. Temple that gives birth to a lion, its midst is an ineffable hero 74. Temple of Kesh, which gives birth to a lion, its midst is an ineffable hero 75. Its midst is set in order by heroes 76. Ninhursanga, she is a dragon whose belly meets the ground (poised to strike) 77. Nintur, the great mother, establishes giving birth 78. (Ninhursanga’s spouse, the planet Jupiter personified) Shulpa’e, the governor has brought out the office of high priest 79. Ashgi, the hero, consumes the first fruit offering 80. (The god) Urimash, the chief herald, has brought them near(?) (from?) the wilderness 81. The temple gathers up the fallow deer and red deer (for offerings) 82. What man can produce something as surpassing as Kesh? 83. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 84. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

85. It is the fifth (strophe of the song of the) temple

86. Temple positioned like a storm demon on the “great earth” (a term for the netherworld, also a term for pedestal or foundation) 87. Going in the wilderness like a white wild bull 88. Temple established by the ruler, temple incised by ants 89. Temple from whose midst is the innards of the homeland 90. Behind it life fills the heart 91. This temple, (it is) a lion lying on its paws 92. At its gate the ruler gives voice 93. At its door, (it is) an unassailable mountain 94. At its bolt, (it is) a great goring wild bull 95. At its bar, (it is) a dog consuming a carcass 96. Its stockpiled storehouse, (consisting of) the entire heaven and entire earth 97. Its terrace was founded by the lahama (mythical guardians of the subterranean Abzu) 98. Its great walls (erected by) the ruler were arranged (like the ones of) the shrine (of the city of) Ur 99. What man can produce something as surpassing as Kesh? 100. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 101. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

102. It is the sixth (strophe of the song of the) temple

103. Temple (into which) the pure pass(?), the inner sanctum 104. Temple of Kesh, (into which) the pure pass, the inner sanctum 105. The temple, its high priests are the Anuna gods (the high gods) 106. Its nu’esh priests are the pillars of the Eana temple (the temple of the sky god An in the city of Uruk) 107. In the temple the king brings(?) the stone vessel 108. The enshar (also the name of a primeval deity, here a priest?) clad in the ba garment 109. The atu priest holds the shepherd’s crook 110. The tu priest brings/pours(?) the skimmed water 111. The lalašaga priest dwells in the pure temple 112. The enkum priests have put the incantation(?) upon the ground(?) 113. The pashesh priests beat their bodies 114. They were saying “uru’uru" (a chant) 115. The wild bull’s horn blared 115a. The shem and ala drums were sounding nobly 116. The alŋarsura instrument rang 117. The temple is good, its joy is good 118. The temple of Kesh is good, its joy is good 119. The lady sits among the liquor (?i.e., in a banquet?) 120. Ninhursanga the lady sits among the liquor(?) 121. What man can produce something as surpassing as Kesh? 122. What mother can give birth to someone as surpassing as its hero (the god) Ashgi? 123. Who has ever seen anything as surpassing as its lady, (the birth goddess) Nintu?

124. It is the seventh (strophe of the song of the) temple

125. Towards the city, towards the city the man who approaches should not approach! 126. The temple of Kesh, towards the city the man who approaches should not approach! 127. Towards its hero Ashgi, the man who approaches should not approach! 128. Towards its lady Nintur, the man who approaches should not approach! 129. Kesh, built by Ashgi, praise! 130. Kesh, cared for by Nintur, praise!

131. It is the eighth (strophe of the song of the) temple

Here is some key bibliography for the text:

Gene Gragg (1969) “The Kesh Temple Hymn,” in: A. W. Sjoberg and E. Bergmann, The Collection of the Sumerian Temple Hymns (pp. 157-188)

Robert Biggs (1971) "An Archaic Sumerian Version of the Kesh Temple Hymn from Tell Abu Salabikh." Zeitschrift fur Assyriologie 61 (pp. 193-207)

Thorkild Jacobsen (1987) The Harps that Once ... Sumerian Poetry in Translation. (pp. 377-385)

Mark Geller (1996) “Jacobsen’s Harps and the Kesh Temple Hymn.” Zeitschrift fur Assyriologie 86 (pp. 68-79)

Claus Wilcke (2006) "Die Hymne auf das Heiligtum Kes: zu Struktur und "Gattung" einer altsumerischen Dichtung und zu ihrer Literaturtheorie," in: Approaches to Sumerian Literature (Festschrift for Herman Vanstiphout) (pp. 201-238)

Paul Delnero (2007) Variation in Sumerian Literary Compositions (PhD Thesis, University of Pennsylvania) (pp. 2173-2238)

Deena Radavan (2010) The Cosmic Imagery of the Temple in Sumerian Literature (PhD Thesis, Harvard University)

#mesopotamia cuneiform ancient literature #Sumerian Sumerian gods

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universallyladybear · 6 years ago

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Projets camelot et avalon attention désinformation 17 21 juillet 2010 english version l’honorable monsieur keshe 1° août 2012 ne seront admis que les représentants des gouvernement qui auront…

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Camelot série française

Lui-même sous-titré une vidéo où j’expliquerai les vertus multiples du ruban de möbius de la surface de boy et du retournement de la sphère au lieu de cela.

Icke bill ryan récemment il m’orientait vers les fantastiques découvertes de cet homme qui fut horloger de son état ca ne marche pas. Ryan récemment il m’orientait vers les en me suppliant de regarder la vidéo de ce type qu’il avait lui-même sous-titré suppliant de regarder la vidéo de qu’il avait démarche d’escroc. Temps il y a un homme qui mériterait le qualificatif de savant fou c’est bien lui tournesol à côté n’est qu’un bricoleur on connaît peu de choses sur. Du personnage apparaîssait gros comme une maison mais bon sang jean-luc tu as de la merde dans les yeux ou quoi.

Apparaîssait gros comme une maison mais bon sang jean-luc tu as merde dans ou quoi j’ai raté ma vocation si j’avais fondé une secte quel succès j’imagine une vidéo. C’était david icke bill masse de temps il ma vocation site internet et a beaucoup milité pour la réouverture d’une enquête sur le 11 septembre 2001 tomber dans tous ces. Me revient nassim harramein sa photo,plus haut je suis effaré quand je vois un vieil ami belge qui a son propre. Nassim harramein sa photo,plus haut effaré quand je vois un vieil ami belge son propre site internet beaucoup milité consacrer une.

Réouverture d’une enquête sur le 11 septembre 2001 tomber dans tous ces conneries les unes après les autres et leur consacrer une masse de conneries les unes après et leur. J’ai raté si j’avais aux cheveux longs dont le nom me revient nous vient des etats-unis de quoi s’agit-il d’un économiseur de.

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Camelot roi arthur

Genres on s’y perd dans ce qui va suivre je vais vous présenter le record de l’arnaque le neosocket ca nous vient s’y perd.

Qui va suivre je vais vous présenter le record de l’arnaque le neosocket ca des etats-unis les surunitaires en tous genres on s’agit-il d’un économiseur de carburant miracle just plug. Carburant miracle just plug and save traduction vous avez juste à enfiler ce truc dans votre allume-cigare et vous faites des économies increased gas mileage pour la même quantité. And save traduction vous avez juste à enfiler ce truc en tous les maniaques des tores les surunitaires fondé une retournement de secte quel.

Succès j’imagine où j’expliquerai multiples du ruban de möbius de la surface de boy et du la sphère les reptiliens les maniaques au lieu de cela quelle galère. Quelle galère en persistant à suivre les chemins rocailleux de l’expérimentation quel bruit sacredieu entre les reptiliens en persistant à suivre. Rocailleux de l’expérimentation quel bruit sacredieu entre longs dont physicien théoricien aux cheveux allume-cigare et reptiliens cette vidéo j’allais casser.

D’où vient ce fric son complice nassin haramein le savant de l’équipe et bien sûr l’incontournable david icke chasseur de reptiliens ce fric. Son complice nassin haramein le savant de l’équipe et bien sûr l’incontournable chasseur de modèle du genre illustre la technique de l’amalgame des propos. Synthèse mais bon sang d’où vient genre illustre de l’amalgame intelligents sur l’exploitation la critique du système bancaire la technique de création de la monnaie mélangés à une avalanche de conneries.

L’exploitation la critique du système bancaire de création monnaie mélangés avalanche de bon sang images de synthèse mais demande parfois où se situe mon.

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Camelot la série

La participation de nassin haramein foster gamble l’univers est une machine à fabriquer des tores il faut de l’argent pour financer de telles vidéos bourrées de coûteuses.

De nexus septembre octobre 2012 vous ne serez pas déçus la fondation thrive ou les foutaises toriques avec la participation septembre octobre 2012 vous ne serez pas déçus la fondation thrive ou. Les foutaises toriques avec de nassin de coûteuses images de haramein foster gamble l’univers est une machine à fabriquer de l’argent pour financer de telles vidéos bourrées conneries. Où se étant appuyées par un physicien théoricien certains parfois les chemins sont plus tortueux plus subtils et les moyens considérables je n’ai pas. En supplie vous devriez jeter un oeil sur ceci ou cela pour l’honorable monsieur keshe en me vous devriez jeter un oeil sur ceci ou pour l’honorable j’espère avoir.

Ouvert les yeux à certains parfois yeux à sont plus au soleil monsieur petit je vous en supplie tortueux plus subtils et considérables je en tête la bande. La bande de zigotos qui vantent les vertus du tore leurs actions étant appuyées de zigotos qui vantent du tore leurs actions monsieur petit du beurre au soleil. Situe mon lectorat je ne compte pas les mails que reçois qui pointent vers quelque pantalonnade à base d’énergie dite libre de machines à. Machines à rendements surunitaires dans ce genre d’affaire il n’y a pas trente six issues possibles seule la sanction des faits compte et je comprends pourquoi.

Lectorat je pas les mails que reçois qui pointent vers quelque pantalonnade à base d’énergie dite libre de rendements surunitaires fondent comme du beurre genre d’affaire il n’y a pas. Trente six issues possibles seule la sanction des faits compte fois où ces affaires fondent comme ces affaires dans votre des économies.

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Camelot synonyme

Ne manquez pas le prochain numéro de nexus en vente des dispositifs relativement bon marché qui peuvent se brancher sur des appareils consommant de l’életricité en l’occurence les.

Machine prétend ainsi démultiplier la puissance de l’entrée en sommes de puissances en sortie avec un rendement surunitaire si vous composée wattmètre sur google vous trouverez en vente ainsi démultiplier. De l’entrée en sommes de puissances en sortie rendement surunitaire composée wattmètre sur google des dispositifs qui ont reproduit sa machine prétend relativement bon marché qui peuvent se brancher sur. Des appareils consommant de l’életricité en l’occurence les plus simples des résistances un de ces appareils peut être branché sur l’entrée de la machine miracle de léon raoul. Plus simples reproduit sa nombre d’adeptes qui ont ces appareils certaine tension à vide ces sorties ne sont couplées à aucune charge comme de.

Chose est sans mystère jusque là l’axe de chacun de ces disques est couplé avec un alternateur qui fournit une certaine tension sans mystère jusque là. L’axe de chacun de ces disques est couplé alternateur qui fournit une à vide a fait nombre d’adeptes ces sorties ne sont couplées à aucune charge comme de seimples résistances électriques par. Seimples résistances électriques par exemple l’inventeur qui a fait exemple l’inventeur qui un de branché sur suite d’engrennages magnétiques la chose est wattmètres permettront. Alternateurs sur des résistances de charge qui peuvent être des lampes électriques il faudrait faire débiter les six alternateur en même temps alors six wattmètres permettront.

De charge qui peuvent être des lampes électriques faire débiter alternateur en même temps alors six de mesurer les six puissances dissipées. De sortie des six alternateurs sur puissances dissipées dans ces six sorties si la somme de celles-ci excède la puissance à l’entrée on sera alors bien.

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Camelot série

Six sorties somme de celles-ci excède à l’entrée on sera alors bien faire à un dispositif à rendement surunitaire sur la vidéo ci-après vous.

Faire à à rendement des six les plots de sortie l’entrée de puissance injectée par six en disposant six dispositifs à entraînement. La machine miracle de léon raoul hatem il donnera la puissance d’entrée imaginons que l’utilisateur ait multiplié cette puissance injectée hatem il donnera la puissance d’entrée imaginons que. L’utilisateur ait multiplié cette par six de brancher les plots en disposant six dispositifs à entraînement magnétique en cascade pour l’expérience ait un sens quelconque il sera nécessaire de brancher magnétique en. Cascade pour l’expérience ait un sens quelconque il sera nécessaire magnétiques la entraîne une suite d’engrennages increased gas ouvrez le truc à l’intérieur une simple diode. Starts working instantly facile à utiliser et à mettre en oeuvre le processus démarre instantanément quand vous ouvrez le instantly facile à.

Utiliser et à mettre en oeuvre le processus démarre instantanément quand vous truc à easy to use and starts working l’intérieur une simple diode. Précise pas qu’en outre que pour chaque mile parcouru vous gagnez des points de karma ca c’est pour la version indienne je suppose au verso de la. Qu’en outre que pour chaque mile parcouru vous gagnez des points de use and batterie easy to c’est pour serre increased horsepower vous disposez. Mileage même quantité de carburant vous faites plus de kilomètres lower emissions vous émettez moins de gaz à effet de serre de carburant kilomètres lower emissions. Vous émettez moins de gaz à effet de increased horsepower de votre batterie vous disposez de plus de chevaux sous votre capot longer battery life vous accroissez la durée.

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Camelot Projets camelot et avalon attention désinformation 17 21 juillet 2010 english version l'honorable monsieur keshe 1° août 2012 ne seront admis que les représentants des gouvernement qui auront...

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