#supernatural slash

[blanchcz]

Aloha, cowboy 😁✌

[phoenixcatch7]

In the possessed doll au, Bruce is definitely a creepy kid.

This is, after all, a haunted au.

He looks like a 'murdered victorian child' kid. Even before he watched his parents die.

Like, very big pale blue eyes. Significantly more striking /pos as a smiling adult than a perpetually blank faced unblinking child. He looks like he knows how you die. Pale skin, ink black hair traditionally styled, big dark lashes to frame those uncanny eyes. Just the hint of eye bags.

Alfred in any timeline has a spine of steel, but there must have been at least once when he was woken up in the night to a tiny shape staring unblinkingly deep into his eyes and thought 'I am going to die'. Normal kids are absolutely terrifying to wake up to, as any parent will attest, but imagine being an ex military spy now butler living alone on the most cursed land you've ever imagined, taking care of the only kid after your employers, his parents were brutally murdered, and suddenly you jolt awake in the middle of the night to see two enormous eyes less than a foot from your face, two engorged dots for pupils, staring, still as stone into your very soul.

Bruce, hushed because it's bedtime: Mr Alfred I threw up :(.

Alfred, trying to calm his thundering heart and not reflexively shoot his ward, dizzy from the sudden adrenaline from deep sleep rush, not letting himself freak out in front of the boy:.............................. Oh dear. That's not good.

Bruce, still not blinking or looking away: :(((

Wayne manor is a setting from a murder mystery at night, and it's not Bruce but Alfred that's the main character.

Perhaps, he thinks, it was always going to end this way. Not because of fate, but because the characters of the play would not know themselves to act otherwise.

@puppetmaster13u may I present?

[lanevra]

[problematic-maleslash-polls]

Do you ship it?

Problematic Reasons: Incest

Propaganda: The best of both worlds in this fandom! The brothers are obsessed with each other and Cas took one look at their souls and said "Yeah I get it". When Dean said that Cas is a brother to him, this is what he meant. The three of them have literally gone to hell and back for each other and they should be able to kiss about it.

[deadwerewolfgirlfriend]

Supernatural season 1 + the first half of the major arcana (explanations below the cut)

0. The Fool: Sam

Kind of self-explanatory. Sam is the Hero at the start of his journey, knowing nothing yet. The Fool upright represents innocence, youth, and new beginnings. This is him at the end of 1.01 Pilot where he lays down in bed to see Jess burning on the ceiling.

1. The Magician: Dean

The Magician upright means that you have all the skills necessary to be successful. It's a time in your life when you have power. About other people, it can mean someone who impresses you or someone you can learn from. It also means someone crafty and intelligent, who's creative and able to utilize the resources at hand to accomplish their goals. For the Sam-centric storyline of season 1, Dean is that someone. He's a major part of pulling Sam back into hunting. I chose this scene from 1.02 for him just because I watched the episode recently and I think he's adorable here -- and in stark contrast to how he appears in later seasons.

2. The High Priestess: Jess

Upright, the High Priestess represents personal clarity and wisdom. Reversed, she represents ambiguity, a disconnect with the inner self, and secrets not yet uncovered. Jess's relationship with Sam in 1.01 Pilot is one based on only partial understanding; she doesn't know about hunting or monsters or who he is (and at this point neither does he). Her death only complicates things. Sam doesn't know why, and his journey is driven by the need to avenge her and Mary's death and to find answers.

3. The Empress: Mary

Opinions are divided on whether The Empress symbolizes femininity and sensuality or femininity and maternal energy. In some interpretations The Empress can represent the mother and The Emperor the father. The Empress upright represents fertility, in this case motherhood, and also beauty and nurturing. Upright the card encourages the querent to trust themselves and to listen to their intuition. This scene is from 1.09 Home when Mary's spirit appears to save Sam from another ghost and to apologize to him, though he doesn't yet know why.

4.

The Emperor represents authority, foundation, law and order. All things associated with the father. Reversed, he represents someone who is too controlling and inflexible, unable to see another point of view. He is purely logical and devoid of human instinct. In John's case, the boys see their father as a rigid, austere authority figure who seems to always have the answers, but at the same time is leading them on a wild goose chase, sending them on case after case as they try to find him. He's obsessed with avenging Mary's death, but he has moments where he breaks the mold, surprising the boys when he's able to be tolerant of Sam's powers, when he admits that they're right, when he "wastes" a bullet from the Colt to kill a vampire that's about to kill Sam in this scene in 1.20 Dead Man's Blood. And yet he remains predictable: Dean knows that Azazel is possessing his father in 1.22 because John wouldn't be proud of him.

5. The Heirophant: Missouri

The Heirophant upright represents spiritual wisdom in the self, and a mentor or guide in others to focus the Hero on their journey. Missouri is a tangible example to the boys that Sam's power doesn't necessarily make him evil, an idea that the Winchesters are all concerned about for more than just the first season. In 1.09 Home, she's hiding John from them at his request, surprised that even with Sam's powers as strong as they are, he couldn't sense his father there. I chose this specific scene because of the visual of the Heirophant fading from John to Missouri: John is their teacher, but Missouri has just as valuable a lesson for them to learn.

6. The Lovers: Sam and Dean

Not Wincest. If you feel strongly that it is about Wincest to you and want to engage with this edit as such, do ya thang, but it's not my intention as the creator. Rather than necessarily romantic or sexual relationships, the Lovers are about harmony, choice, and accountability. The Hero, halfway through his journey, is no longer innocent, and the consequences of his choices are his own. Reversed, the Lovers represent disharmony, dishonesty, unhealthy relationships, and an inability to find balance. In 1.16 Shadow the boys have finally found their father, but just as they escape from Meg and the Daevas, Dean realizes that John needs to stay away from them for their own safety, while Sam, even despite his issues with John, objects. The brothers are on different wavelengths here, and the camerawork in this specific scene reflects how they're experiencing the story on totally different planes.

7. The Chariot: Baby

This one is also self-explanatory. The Chariot represents forward movement, and carries the Hero on his journey. The car being a character unto itself is not only a slice of Americana but a manifestation of the unspoken main character of the show, which is the relationship between the brothers. This scene from 1.01 Pilot literally represents the start of the journey.

8. Strength: Sam

The Strength card is what it says on the label, both physical and emotional strength, and all the traits that go hand in hand: bravery, courage, facing fear of the unknown and being gentle with the self.

However, Strength has an interesting history. In old versions of the deck, Strength is represented by Heracles beating two lions into submission, from the Greek stories of his Twelve Labors. When tarot became a thing more close to what we know now in 14th century Italy, the animal and the beast were symbols of the Devil (put a pin in this part of the journey until season 4). In that time the thing to do was to beat the devil (put a pin in that until season 13), a violent display of man triumphing over nature. Later, Heracles became an unnamed female figure, and the two lions became one. Instead of man vs. nature, the card became taming the lion, acceptance of the beast and acceptance of parts of the self which are unpleasant or horrifying.

In 1.05 Bloody Mary, Sam has been keeping a secret from Dean that he saw visions of Jess's death before it happened. He uses that secret to lure out the titular monster so that she can be defeated. Though he wars with his own nature, he comes to accept it as something he can use to achieve his goals.

9. The Hermit: Azazel in the nursery

Well, he's literally hiding from them. But the Hermit also represents the Hero succumbing to parts of their life yet unconfronted along their journey. Reversed, he represents an individual isolated from the outside world, a recluse. He can also represent that the Hero isn't taking the time to self-reflect, constantly pushing but not considering the self. The Hermit can be a person but also the issue of the Hero hitting a wall and realizing their journey is far from over. Azazel is a force to be reckoned with for the first two seasons and the Winchesters all experience tunnel vision when it comes to hunting him down. In this scene in 1.21 Salvation he disappears from the nursery before Sam can shoot him, then reappears in the flames in the window seemingly to taunt them. For as much as the brothers have learned and done, there's still more left to the story.

10. Wheel of Fortune: Azazel as John

The Wheel is the perpetual motion of life. It has no agenda or intent, it just is, and while it does not literally represent death, it does represent the death of the life previously lived and the constant metamorphosis of the Hero. While it is often taken to mean a good future when upright and bad luck when reversed, the Wheel is not that simple. It forces the Hero to make choices, good or bad, and reap the consequences, much like Azazel in 1.22 Devil's Trap forces the brothers each to choose between letting him go to save their father, or killing him while he's possessing John. It's a central feature of Supernatural that when the heroes finally confront the villains, they and the audience realize that they were always going to end up here. For that reason I chose to display it as a card that exists both upright and reversed. The Wheel of Fortune, simply, is.

[slutbee]

i don’t get why some people are so afraid their posts might be taken as wincest. they will literally be waxing poetic about the intricacies of sam & dean’s relationship and how important they are to each other and be using all the same points wincesties do and then the tags will be like THIS IS NOT WINCEST EW GROSS NO I WOULD NEVER GTFO WITH UR WINCEST REBLOGS

[envythemouse]

I'm back to reading Sam/Dean fics again and I gotta say my favourite ship in the fandom is Sam Winchester/apocalyptic Dean even though it's not something a lot of people have written about.

Endverse Dean knows what it's like to live (if you can call it living) in a world without Sammy and has gotten the time to realize and regret all the mistakes he made with Sam.

All the things he said/did and can't take back.

And then he time-travels to season 5 and gets to make everything right again with Sam, even though his past-alternate self keeps fucking everything up.

Clingy Dean who had to live without his soulmate for years/clingy sam who thinks his brother hates him makes for the perfect hurt/comfort fic, honestly.

Meanwhile, you've got Dean from the original timeline being jealous (because hey, that's his Sammy!) and not understanding how his other self is so open about his love for Sam.

Endverse Dean probably regrets turning down all the chick flick moments from before and regrets not having held Sam when he still had the chance... now that he finally has his little brother back? He's going to do everything right this time. Even if this Sammy already has a Dean, even if quitting hunting is what makes Sam happy.

Endverse Dean watching his alternate self still having a little brother and neglecting him:

Quick Endverse Dean/Sam Winchester rec:

Another Go Round by KassandraScarlett

[babygirldeansblog]

sam: the usual?

dean: it rhymes with singsongs

and it's bing bongs, chocolate cupcakes with vanilla filling and for sam some cereal bars.

i love this details sm that are clearly not a need accessory for the story but a need to make them more real <33 unfortunately dean couldn't have them though, fuck the leviathans ☹️

[shirtlesssammy]

Dean Winchester every day -- 132/326

Supernatural 7x06//Slash Fiction

[shinelikethunder]

[jackd8059]

I’ve translated one of my fics for the first time. This is part of a collection with about 20 mini-stories capturing moments from Sam and Dean’s relationship. I’m not sure how good the translation is (English is just a language I study from time to time), so… here it is.

“Well, there’s barely any info on how to kill her, but…” Sam hums in protest, annoyed that his mouth is being shut at the worst possible moment, but he still lets Dean shove a still-hot slice of pizza into it.

“But if you chop the damn thing up and bury the parts far enough from each other, it’s unlikely she’ll piece herself back together,” Dean finishes for him. He brushes flour off his hands, returns to the table, and swipes a couple of pepperoni slices off the pizza.

“Dude, knock it off!” Sam waves a hand indignantly but spots a towel draped over the back of his chair. Without missing a beat, he twists it into a tight coil and smacks it at Dean’s thigh. Dean dodges without even looking, shoves a handful of fries into his mouth, and wipes his hand on Sam’s shoulder, earning himself a furious string of curses.

“Cas, eat up,” Dean nods toward the pizza, pulling another slice from the box. The cheese stretches so far that his eyes practically light up with admiration. He twirls the torn strands into his mouth, hums in satisfaction, and settles in next to Sam, leaning his forearm against Sam’s shoulder.

His attention shifts entirely to the screen, where Sam is pointing at something, explaining as he goes. His voice is low; they’re murmuring back and forth, exchanging glances, until they finally come to some conclusion. Then Sam switches tabs, and without even looking away from the new text, tilts his head slightly, opens his mouth a bit.

Dean lets him take a bite from his slice without a second thought. The movement is so instinctive that he doesn’t even pause, his eyes still scanning the lines on the screen.

Dean asks something, Sam hums in agreement, and the next thing they know, they’re both laughing stupidly.

And Cas finds himself, once again, thinking about just how close they are. Not in any special way, but in the simplest, most human, and understandable sense.

He stares absently at the pizza in front of him, picks up a slice, and chews without really focusing on the taste. He doesn’t need food, but he enjoys the process. It’s like… it connects them. Makes him feel a little closer.

“Wanna lick it off?” Dean whispers, barely holding back a laugh, holding out his thumb covered in sauce and cheese. Sam immediately swats his hand away, hissing something between a curse and a warning, and tries to shove Dean off with his shoulder.

“Idiot,” Sam mutters just as quietly when Dean leans in to mumble something against his ear. But the smile that follows is inevitable.

The next moment, though, they both freeze and turn toward Cas, looking guilty.

Luckily for them, Castiel is far too preoccupied with examining his pizza to notice what just happened.

Or at least, he tries very hard to make it look that way.

A few days after that hunt, Dean comes back to the bunker with a couple of packs of beer and snacks, announcing tonight as an “old movie marathon.”

By Castiel’s standards, the movies aren’t that old at all, but arguing with Dean about this is pointless.

Cas settles onto the wooden bench by the kitchen table, watching as Sam and Dean spread out the snacks, pop some popcorn, and debate the top three films of the night, passing utensils and bags between them without a single wasted movement. Sometimes they nudge each other, sometimes they argue—Sam shoves chips into Dean’s mouth just to shut him up for a second, but Dean keeps talking even with a full mouth, then opens it again when his hands are occupied so that Sam can shove in a couple more pieces of jerky.

And they look so natural in their interactions that Cas doesn’t even realize he’s thinking the same thing he did in that old motel room in the middle of nowhere, Idaho, a few days ago.

A couple of weeks later, they meet up at a diner on the outskirts of Hastings, where Cas seems to have found them a case. As they chat, Sam absentmindedly picks the vegetables out of Dean’s plate with his fork and then slides his own—half-eaten Belgian waffle—closer to him.

“Too sweet,” he mutters.

Dean just shrugs, pops a strip of bacon into his mouth, leaves behind half an egg and the rest of the veggies, and pushes his plate toward Sam.

The exchange happens seamlessly, without a single comment, as if it never happened at all.

Cas smiles quietly into his cup of weak, not-so-bitter coffee.

They wrap up the case in three days.

A month later, they’re hunting Japanese gaki, which somehow ended up in a national park in Colorado—pure miracle, no doubt.

Cas puts the Winchesters on speaker when they call from the side of the highway, asking if he’s dug up anything useful.

He can hear the muffled rustling of clothes and the crinkle of a wrapper—probably a burger—while Sam dictates coordinates, just in case they go off the grid.

“There’s hardly anything around here for me to— Dean, do you really have to be stuffing your face right now?”

“What’s the problem?” Dean grumbles through a mouthful.

“I’m a warrior, I need fuel before battle!”

“You ate up two of those and a pie an hour ago!”

“And who the hell knows when I’ll eat again? We’re gonna be crawling through these goddamn woods for a week! Unlike you, I don’t survive on photosynthesis.”

Cas tries to laugh quietly while they bicker, thinking about how ironic it is to be hunting ravenous demons with an equally ravenous brother.

They come back seventeen hours later: exhausted, filthy, but definitely satisfied.

“I got food,” Cas mentions in passing while they recount the hunt.

That’s all it takes for the library to be left with just him and Sam. Sam sighs, tired but smiling, and claps him on the shoulder.

“Thanks for the help. Sometimes it’s nice to dump that part on someone else and just be the brute force.”

Cas smiles in return, pressing his fingers lightly to Sam’s forehead to heal the minor scrapes that probably don’t even bother him.

Sam nods in thanks.

“Want anything from the kitchen?”

“Coffee, I suppose. Lately, I’ve been enjoying it with milk.”

Sam chuckles knowingly, disappearing into the hallway in seconds.

Cas suddenly remembers he forgot to mention the honey.

“But I guess it’s fine without it,” he thinks, pausing at the kitchen doorway.

He catches a glimpse of Dean’s fingers curled around the back of Sam’s neck, possessive and unhurried, while Sam presses both palms against Dean’s back as they kiss.

Cas silently turns away, heading back to the library unnoticed. It doesn’t bother him at all, but now he understands just a little more when Sam and Dean exchange quiet looks, laugh at nothing, or wordlessly share food.

Later, when Sam brings him a cup of hot coffee with milk—and unexpectedly, sugar—and then immediately starts arguing with Dean over the movie choice for the night, Cas thinks that he doesn’t need to know everything.

The best thing he can do is protect them, so they can keep arguing over nothing, making up, and sometimes saving the world.

And he’ll do everything he can to make sure they have that chance.

“Cas, you coming?” Dean salutes him with a massive bowl of popcorn, nodding toward the rooms. “Die Hard’s on tonight.”

“What? We agreed on Shawshank Redemption five minutes ago,” Sam protests, nearly spilling his beer. He stops right in the archway leading to the hall, and Dean gives him a shove.

“I changed my mind. Move it.”

“Well, maybe I changed my mind too!”

“Oh, like your opinion matters.”

[blanchcz]

A TRY ON DIGITAL ART or after a long time I made something again.

The format is smaller because I only worked with the size of the wattpad cover and I was too lazy to draw it in a bigger format when it would all suck there anyway… It's for my Destiel ff, of course.

A bit of a complicated process. Originally photos of Misha and Jensen (about six stacked together + wings from hiclipart.com). Manipulated them to be in that position, but it looked unnatural, so I vectorized the boys and finally redrew them digitally and added effects and filters, and came out with something that hopefully resembles a digital painting. I guess. I have to confess AI helped me a little to partially finish Cas' trenchcoat because it was hard to see the folds in the photos and I thought it would be easier than drawing it myself (no, it wasn't)😄. I was only making it harder for myself.

Well. All in all, about 20 hours of graphic work (and that probably doesn't even show). Next time I'll really draw everything myself 😅 I always think about how I simplify things and end up just making them more complicated.

It could have been better and I still see a lot of mistakes, but I didn't have the patience anymore. It was just supposed to be a stupid random cover that basically didn't make sense. Um 🤦 Fanfiction: HERE

[katherinehoughtoncastle47]

[problematic-maleslash-polls]

Do you ship it?

Problematic Reasons: Shipcest (father/son), abusive

Propaganda: Dean follows every one of John’s order’s unquestioningly, Dean is John’s favorite out of Sam and Dean, John sacrifices himself to save Dean’s life at one point— it is by no means a healthy or normal relationship, but it’s SO intriguing.

[markupfox]

Gabriel supernatural X gabriel ultrakill

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[perfect-angelic-love]

HAPPY VALENTINE'S DAY YA'LL! for all my softie Destiel shippers out there, like myself. I absolutely love this interaction between Dean and Cass, it was so genuine I could cry. || S06E06 - You can't handle the truth