#sunset painting easy acrylic

[leighsartworks216]

Self-Portrait of the Soul

Rafayel & gn!artist!Reader

Been playing around with this idea for a while, mostly cuz I think it's funny. But I also think it would be really cute if Rafayel went on to date an artist

If Thomas is mischaracterized, idc. I am using him as a vessel to move things along. If Rafayel is mischaracterized......... I have no excuse 😔

Warnings: mischief, heavily implied exploitation, misunderstandings, pre-relationship, possibly ooc

Word Count: 1,279

Main Masterlist

Love and Deepspace Masterlist

AO3

Tag List Form (Psst fill this out to be tagged in future fics! - Updated to add Rafayel)

You look up at the large painting on the wall. Acrylic paints hold each brushstroke in a suspended image, frozen in time. Even the carefully blended sections hold the evidence of their creation. A sheet coating of varnish makes the colors pop into a stunning vibrancy.

You’ll be the first to admit, it’s a bit experimental. The colors are chaotic and poorly laid out when compared to artists like Piet Mondrian, with seemingly no limit to the palette used. Your agent had been hesitant to put it in the exhibit at all, but you’d insisted. Now that you’re in the thick of it, you watch people in suits barely give it a glance as they pass from one painting to the next, and hear the occasional snicker from art snobs who only really like art when the artist is dead.

The rest of the works are ‘safe’, staying within the realms of comfort for buyers and gawkers. But this one… It’s the only one that sings to those willing to listen.

“There’s not many people appreciating this one.”

You jump a little at the voice that comes from beside you. A man, dressed in a simple but expensive suit, stands with his hands in his pockets as he looks at the painting. His purple hair and relaxed posture make him stand out like a sore thumb in a place like this.

He tilts his head to look at you, smiling. “Do you like it?”

Stumbling over yourself, you nod. Nobody has spoken to you about your work yet tonight. You can’t let the opportunity go, lest your agent get on your case about it. “Y-Yes, it’s my favorite.”

“Really?” There’s a twinkle in his eyes as he looks back up at the piece, and then glances at the other, markedly more popular, works around it. “Huh, how come?”

You glance at the other works, too. They’re just as familiar as you remember them.

Looking into the eyes of a portrait, you can recall the struggles of getting it just right so the figure is easily recognizable. The realistic painting of a cat stalking a mouse brings to mind the mind-breaking efforts of painting fur strand by strand. Most of the works are like that; easy-to-grasp realism, depicting things people would be interested in buying. A koi fish distorted by the ripples in a pond. Water droplets on a foggy mirror. A sunset. Each one with their own agonies, recalling only the pain of their production. Your agent’s voice repeating time and time again that this is what it takes to get into a gallery and have people be interested.

You look up at the big painting and all you feel is pride, peace, and like a burden has been lifted off your chest.

You settle for a more sophisticated answer. Your agent always said not to ruin the image of an artwork by pointing out the rough details. “Well, while the others are all technically correct, this one has more emotion and passion behind it.” You look at him, biting your cheek, hoping you answered ‘correctly’.

He cocks his head to the side, taking in the emotion and passion you mentioned. “It’s my favorite here, too,” he finally says after a minute. “It’s more genuine, like you said. The rest are all surface level and boring. They exist to appeal to a wider audience, but they don’t feel true to the artist’s intentions. Here, it feels like the artist has transcribed their soul onto canvas with each color and brushstroke.”

Your heart flutters. He… He really sees past the exhibition. He sees more than the price tags and art collectors.

He turns to you with that same relaxed grin, though something playful dances at the corners, reflected in his eyes. “Their whole soul is here, but nobody seems to care about it. Ironic, huh?”

You nod slightly. You can’t deny it; the most important artwork to you has become reduced to amateurish abstraction by the other attendees. You’re more certain now that it will not be purchased tonight. “Yeah…”

A hand taps your shoulder. You turn to see your agent, an older woman with dyed brown hair pulled into a tight bun and thin-framed glasses perched on her sharp nose. “There you are! I’ve been looking all over for you!” Your agent huffs with barely-contained irritation. She smiles quickly at the man, no joy behind the gesture. “Madame Shrike wants to talk to you about commissioning a portrait! Come on, we can’t keep her waiting!”

A commission? Your heart skips a beat. You can’t tell if it’s from excitement or dread. Your agent grabs your arm to drag you over, but you stop to turn to the man. “Oh, I’m sorry, I have to go! But it was nice talking to you, Mr…?”

The man’s eyes widen slightly, the realization of who this art belongs to catching up with him. His smile doesn’t falter despite the surprise. “Rafayel.”

You smile in return. “Thank you for your observations, Mr. Rafayel. I hope you enjoy the rest of your night.” You turn and follow your agent with hurried footsteps as you struggle to keep up with her rapid pace.

Rafayel turns back to the painting. His eyes roam the colors, trying to seek out the layers to this self-portrait of the soul now that he knows just who it belongs to. Thomas sighs as he comes to stand beside him.

“Thought you snuck out again,” he says. He looks up at the painting with disinterest. The only reason they were there at all was to rub elbows with potential buyers for an upcoming exhibit. “Have you spoken to anybody at all since getting here?”

Rafayel smirked, like he’s just been told some juicy gossip. “I have, actually. I spoke to the artist being shown tonight.”

“Really? What did you say to them?”

“I insulted their art.”

Thomas’s face dropped immediately. “What?!” he hisses in a stressed whisper. “Do you have any idea what that could do to your image?!”

Rafayel’s eyes widen as he blinks dumbly at his manager, pretending to be shocked as he puts a hand over his chest. “I have no idea. How?”

Thomas shakes his head and turns back to the colorful painting. “You’re insufferable sometimes.” Rafayel chuckles to himself, all too proud of his little joke. “What did they say?”

There’s a bristle from the brush you were using caught in a stroke of red. He wonders what they’re made out of, where you got them, how long you’ve had them for. He wonders how many more bristles he’d find in the rest of your work.

Ignoring Thomas’s question completely, Rafayel says, “Buy this one for me, will you?”

“This one? Isn’t it a bit… ‘rough around the edges’?”

“It’s the best painting here.”

“... I’ll never understand you.”

By the end of the showing, you expect all but one painting to be missing from the walls. Instead, once everything was taken down to be wrapped for various buyers, the walls were blank. Your manager gushes at her phone.

“You did really well for your first ever exhibit!” she praises. “Every single painting sold! Even your… ahem, experimental work. That doesn’t happen very often! You should feel very proud!”

You smile at her, but it doesn’t reach your eyes. She doesn’t notice. You can’t stop staring at the big empty spot where you’d spoken to that man.

“Okay! Now that you’re in, we need to start networking. There’s an exhibition next week for Rafayel that will be packed with more critics and connoisseurs than you could shake a stick at.”

You turn to her, eyes wide. “Rafayel?”

[jcmarchi]

500+ Free Overlays for Photographers & Video Creators

New Post has been published on https://thedigitalinsider.com/500-free-overlays-for-photographers-video-creators/

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[nrprofessionals2009]

How To Draw|Paint Sunset|Easily #acrylicpainting #art #drawing #newyear ...

[crafticocreation]

Beautiful Paintings of Nature: Capturing the Essence of the Outdoors.

Explore the Magnificence of Nature With These Captivating Canvas Paintings 

Around the world, artists have long drawn inspiration from nature. When portrayed on canvases, we are enthralled by the tranquil beauty of forests, the vibrant hues of sunsets, and the tranquil beauty of landscapes. nature  Canvas paintings of nature are a great way to bring the enchantment of the natural world into your house. Here are some justifications for why anybody who appreciates art or wants to furnish their home needs these exquisite nature paintings. 

The Allure of Landscape Nature Painting

The spirit of nature is captured in a landscape nature painting. With their serene rivers and undulating hills, these pieces of art inspire a sense of tranquilly and oneness with the natural world. Often, artists utilise their creativity to turn ordinary scenes into works of art that make people happy and calm. 

An good choice for creating a focal point in your living room is painting a scene on the wall. Your area will seem peaceful and serene thanks to these pieces, which frequently include gorgeous vistas of beaches, mountains, or lush flora. 

Acrylic Nature Painting: A Versatile Choice

Acrylic nature painting is notable for its endurance and vibrancy among the many media. Acrylic paints give paintings depth and personality by enabling artists to experiment with textures and realistic details. Your home's atmosphere can be effortlessly improved by this kind of art, which reflects your passion for the outdoors. 

Beautiful Landscape Paintings for Your Walls

Purchasing exquisite Beautiful landscape paintings is an emotional choice that goes beyond simple design; they evoke memories of peaceful places or aspirations of peaceful travel.

Whether you are drawn to the bright hues of a desert sunset or the rich greens of a forest, there is a work of nature art that will speak to you. These pieces of art can serve as a daily reminder of the tranquilly and splendour of the natural world. 

The Magic of Natural Scenery Painting

An image of a natural setting becomes an artistic canvas when it is placed on a wall. To portray the pure beauty of nature, painters employ precise brushstrokes that give viewers the impression that they are standing in the middle of a forest or watching waves crash onto a shore. These artworks are ideal for establishing a calm environment at work or home.

Elevate Your Decor with Nature Painting

A painting of nature can quickly improve your home's aesthetic. Its classic style will make it a valued asset to your home for many years to come. It is easy to incorporate these paintings into any design because they look well in both traditional and modern settings.

Conclusion

Awe and admiration are evoked by the eternal charm of nature. These pieces of art, whether they are colourful nature canvases, calm landscape paintings, or exquisite acrylic nature paintings, bring the beauty of the outdoors into your living areas. Discover the world of stunning landscape and natural scenery paintings to discover the ideal work that reflects your passion for the outdoors. Use appealing nature art to let your walls convey a tale of peace and creative genius.

[lisardrew]

Cool Ideas and Simple Tutorials of Skyline Nails

Skyline nail art is a trendy and creative way to showcase your love for cityscapes and artistic expression.

Whether you're into minimalistic designs or prefer bold, colorful depictions, skyline nails offer endless possibilities. Here's a guide with cool ideas and simple tutorials to help you achieve stunning skyline nail art!

1. Classic Black & White Skyline Nails

For a timeless and chic look, black and white skyline nails are the perfect option. The contrast between dark and light tones creates a striking effect that’s easy to achieve.

Tutorial:

Start by applying a white base coat on all your nails.

Once dry, use a black nail polish or black acrylic paint to create the silhouette of a city skyline near the tips of your nails. You can paint buildings, skyscrapers, and even small details like windows and antennas.

Use a fine detail brush for precision.

Finish with a topcoat to seal in your design.

2. Sunset Skyline Nails

Sunset skyline nails combine beautiful gradient colors with the iconic cityscape. The warm hues of the setting sun contrast beautifully with dark silhouettes, making it a visually stunning design.

Tutorial:

Begin with a base coat of light blue or lavender polish.

Use a makeup sponge to create a gradient effect. Apply orange, pink, and yellow nail polish to the sponge and gently press it onto your nails.

Once the gradient has dried, use black polish or acrylic paint to create the city skyline across the tips of your nails.

Add a glossy topcoat for a smooth finish.

3. Galaxy Skyline Nails

Galaxy-inspired skyline nails combine cosmic elements like stars and nebulae with city silhouettes. This design is a fun way to blend fantasy and reality.

Tutorial:

Apply a dark purple or navy blue base coat to your nails.

Use a sponge to add splashes of light pink, purple, and white to create a galaxy effect.

Once the galaxy effect is dry, paint a skyline with black polish or acrylic paint near the tips of your nails.

Add small white dots to represent stars.

Seal with a topcoat for a shiny, out-of-this-world finish.

4. Neon Skyline Nails

For a more vibrant and playful look, neon skyline nails are a bold choice. Bright neon colors make the city skyline pop, giving your nails a fun, energetic vibe.

Tutorial:

Start with a white or light gray base coat.

Use neon pink, orange, or yellow to create a gradient or ombre effect on your nails.

Once the base is dry, use black nail polish to create the skyline at the tips of your nails.

Add a glossy or matte topcoat, depending on your preferred finish.

5. Watercolor Skyline Nails

Watercolor skyline nails offer a soft and dreamy vibe. The delicate blend of pastel colors in the background makes for an artistic, relaxed look, while the skyline adds an urban touch.

Tutorial:

Apply a light, pastel-colored base coat like pale blue, pink, or lavender.

Use a nail art brush or sponge to dab on different watercolor shades. Think about shades like pale pink, soft purple, or light blue for a dreamy effect.

Once the watercolor effect is dry, carefully paint a city skyline with black or dark gray polish near the tip of each nail.

Seal with a topcoat to protect the design.

6. Minimalistic Skyline Nails

If you love simple yet effective designs, minimalistic skyline nails will speak to you. These designs use just a few strokes to represent the skyline, giving a clean, modern look.

Tutorial:

Start with a neutral base coat such as nude, beige, or white.

Use a fine brush to paint a simple, minimalistic skyline with thin black lines. You can focus on just a few buildings or a partial cityscape to keep it sleek.

Optionally, add tiny stars or a moon with white or silver polish for a little extra touch.

Finish with a topcoat for a smooth finish.

7. Silhouette and Moon Skyline Nails

Combining a city skyline with the moon or stars is another beautiful take on skyline nails. The moon's soft glow against the cityscape creates a peaceful yet striking contrast.

Tutorial:

Apply a dark blue or purple base coat for the night sky.

Paint a simple crescent moon near the cuticle or off to one side of the nail.

Use black polish to paint the skyline silhouette across the tips of your nails.

Add tiny stars or light dots with white polish.

Seal the design with a topcoat to enhance the shine.

8. Reverse Skyline Nails

Instead of painting the skyline at the tips of your nails, try doing a reverse skyline design. This means placing the cityscape at the base of the nail or around the cuticles.

Tutorial:

Start with a nude or light pastel base coat.

Once the base is dry, use black polish or acrylic paint to create a skyline design along the bottom half of each nail or around the cuticle area.

You can use a thin brush or detail tool to create intricate buildings or a simplified silhouette.

Seal your nails with a topcoat for a polished finish.

Tips for Perfect Skyline Nails:

Use a steady hand: Skyline nail art requires precision, especially when painting tiny details like buildings. Take your time, and use fine brushes or nail art pens for accuracy.

Patience is key: Some designs, especially those with gradients or multiple layers, may take time to dry. Be patient to avoid smudging.

Experiment with colors: While black is a classic choice, feel free to experiment with different colors for your skyline, such as gold, silver, or even neon shades.

Topcoat is essential: Seal your design with a clear topcoat to prevent chipping and to add a glossy finish.

Conclusion

Skyline nails are a creative way to showcase your love for urban landscapes and artistic nail design. Whether you prefer simple black-and-white silhouettes or vibrant, cosmic designs, there's a skyline nail look for everyone. With these cool ideas and simple tutorials, you can create beautiful and unique nail art that will turn heads wherever you go!

[4homestylist]

Radiance Over the Horizon

This artwork portrays a mesmerizing sunset over a serene mountainous landscape. A tall evergreen tree stands prominently in the foreground, symbolizing resilience amidst nature's grandeur. The golden sun casts radiant beams across the sky, breaking through dramatic clouds painted in warm hues of orange, gold, and crimson. Snow-capped peaks rise in the background, while lush green meadows and dense forests stretch across the valley. The scene encapsulates a moment of tranquility and natural beauty, inviting the viewer to bask in its peaceful energy.

.: Material: 0.25” thick grade-A acrylic with white vinyl backing .: Available in 5 sizes .: Horizontal and vertical options .: Hand-polished, crystal clear edges .: Fitted with french cleat backing for easy and secure hanging .: Screws for installing the hanging included

click here

[kvb227blog-rcchen]

Experimentation #1

My Drawing - Layered Glass Art

Research & Brainstorming:

Looking through Pinterest for quick inspiration, I found Shade by American painter and graphic artist Robert Rauschenberg. Shades is a layered glass artwork made up of numerous lithographed images taken from newspapers and magazines printed on each panel to create the shape of a cube. There is then a light that us directed onto the back of the work, shining through and giving the sense of colour despite the monochrome colour scheme. All these qualities combined provides a futuristic emotive as the layering creates negative and positive spacing, the density and spacing between the images evolving into a dream-like and unrealistic artwork. (reference).

I was initially intrigued by the medium of layered glass art and how images plastered onto glass panels can create moments of negative and positive space with the images overlapping each other. Brainstorming around the idea of using this medium for my experimentation, I thought of the idea of expanding and evolving an existing work of mine that was originally 2D into a 3D artwork. Further to this, with the overarching theme of this semester being 'Value', I began to investigate the idea of valuing simpler times in a person's childhood before realising the complex nature of adulthood. As a result, I wanted to capture a child-like atmosphere similar to what a child would draw. This is why I chose to use oil pastels as the main material aside from the glass panels from frames. I wanted to create an image that mimics a drawing made by the use of crayons that is messy and possibly unrecognisable to anything.

To further build on the idea of 'value' and 'simple vs complex', I tried to find a drawing that I made as a child that used crayons (or anything similar) but couldn't. As a result, I chose a drawing that I created when I was in prep using acrylic paints that depicts a sun with a face and two people placed in a grassy field. Not only would this piece be easier to divide into fore, middle, and background, it will be easy to recreate in a child-like sense due to the work already being created by myself as a child.

Creating:

Planned out what features of the old work can be placed into the fore, middle and background.

Background: sunset colours (yellow and orange) going horizontal on the glass panels. Grey and black circular streaks at the top to act like cloud. the clear and non-blended effect will allow for 'movement'

Middle Ground: this section will contain the sun on the left (with a smiley face) and the female stick figure on the right in red

Foreground: along the bottom has the different shades of green curving up along the sides as grass. Similarly to the background, the grass will be non-blended to give the impression that the grass is blowing in the wind or there is an element that gives the audience a story or narrative. Quick heavy pressure streaks to drive that crayon style.

Through the process of making this work, I wanted to make sure to reenact my previous child-self and her thought process when making it (I can surprisingly remember when I made it).

Reflecting:

Finishing this work, I was surprisingly disappointed with the results.

Despite the oil pastels being said to be able to be used on glass materials, it was actually extremely difficult to apply the pastels in a nice and even layer of colour. They also began to flake and go everywhere, somehow sticking back onto the glass and not come off.

Even though I aimed to have messy and non-blended streaks, due to how hard it was to apply the pastels to even show up, it would actually peal and remove the original strokes of pastel.

The end result was pretty good, however, I do not think I would be using this style or process again. I was getting frustrated and the process did not click with me. It began to feel like a chore rather than creating work. However, I am glad I tried and experimented with it.

I enjoyed recreating old works into a more nuanced and improved manner. As a result, I will continue to find my old drawing from childhood and recreating them in possible unconventional ways to show growth and how life gets more complex the more you grow up.

My Drawing, 2024 ​

10 x 15 cm​

Oil Pastels on Glass Panels​

Regina Chen​

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[artrekha]

Discover the Beauty of Acrylic Mountain Painting: Tips, Techniques, and Inspiration

The rugged peaks and tranquil beauty of mountains make them a popular subject for artists, and acrylic mountain painting has become a favorite choice for both beginners and seasoned painters. Acrylic paints offer unique advantages—quick drying times, vibrant colors, and the ability to create various textures—that make them ideal for capturing the majestic essence of mountain landscapes. In this blog, we’ll explore what makes acrylic painting so captivating, discuss essential techniques, and provide tips for creating your own acrylic mountain masterpiece.

Why Acrylic Paints Are Perfect for Mountain Landscapes

Acrylic paints are versatile, fast-drying, and easy to work with, making them ideal for landscape painting. The medium allows you to layer colors, build textures, and adjust your composition as you work. Acrylic mountain paintings can range from realistic depictions to abstract interpretations, and the paint’s adaptability means artists can experiment with different styles, blending techniques, and textures to create mountains that evoke a sense of peace and grandeur.

Essential Techniques for Acrylic Mountain Painting

Layering and Gradients Mountains often have subtle color shifts and depth, which can be effectively captured with layered painting. Start by blocking in large shapes and colors, then gradually layer in details like shadows and highlights. This layering approach creates a sense of depth and realism in your mountain scene. Gradients, or smooth transitions between colors, can be used to capture the lighting conditions at different times of day.

Texture with Brush Strokes and Palette Knives Adding texture to an acrylic mountain painting brings life to the rocky cliffs, grassy fields, and snowy peaks. Use a palette knife to apply thick layers of paint for rough textures, while brushes with varied bristle thicknesses can create softer effects. Experimenting with these tools allows you to replicate the natural textures of a mountain landscape, from rough rocks to soft snowdrifts.

Blending Techniques for Sky and Clouds The sky is an integral part of any landscape painting, setting the mood for the entire scene. For mountain paintings, blend colors for the sky to create the illusion of atmosphere and distance. Acrylics dry quickly, so consider using a slow-drying medium if you need more time to blend. Soft brushes are excellent for blending cloud shapes and creating smooth transitions between sky and mountain.

Light and Shadow Capturing light and shadow is crucial for adding dimension to mountain landscapes. Study how sunlight hits different parts of a mountain, casting shadows and highlighting peaks. Use darker shades on the shadowed side of mountains and lighter tones for highlights. This contrast gives a sense of realism and helps convey the time of day, be it a golden sunset or a crisp morning.

Choosing a Color Palette for Your Acrylic Mountain Painting

Color choice can dramatically impact the mood and style of your painting. Here are a few popular palettes for mountain landscapes:

Warm Tones: For sunrise or sunset scenes, incorporate warm oranges, reds, and purples. These hues bring a sense of warmth and evoke the feeling of dawn or dusk.

Cool Tones: For misty morning or winter scenes, shades of blue, gray, and white can capture the chill and stillness of snow-covered mountains.

Natural Tones: Using greens, browns, and earth tones gives your painting a grounded and natural feel, perfect for spring or summer scenes.

Experiment with different color combinations to find the palette that resonates with the mood you want to convey.

Finding Inspiration for Your Mountain Paintings

Acrylic mountain painting is an art form that allows for endless creativity and personal expression. Here are some tips for finding inspiration:

Photography and Real-Life Exploration Use photos of mountain ranges, either taken yourself or sourced online, as references. Visiting local parks, mountains, or nature reserves can also inspire your color choices, light effects, and composition.

Study Other Artists Looking at other artists' work is an excellent way to learn new techniques and gain inspiration. Art galleries, online platforms, and websites like Artrekha showcase many different styles of mountain paintings, from abstract to realistic.

Experiment with Styles Don’t feel restricted to realism. Many artists use acrylic paints to create abstract representations of mountains, focusing on color and form rather than precise detail. Abstract mountain paintings are a great way to explore new ideas and techniques.

Displaying Your Acrylic Mountain Painting

Once you’ve completed your acrylic mountain painting, think about the best way to showcase your artwork. Whether framed in a gallery style or displayed on a modern, minimalist canvas, a mountain landscape can become the focal point of any room. Consider using Artrekha’s collection as inspiration, where you can see various ways artists bring mountain art into interior spaces, creating a calming and inspiring environment.

Conclusion

Acrylic mountain painting offers a fantastic opportunity to capture the beauty of nature in all its rugged glory. From layering and blending to mastering light and shadow, the possibilities with acrylic paints are nearly endless. By experimenting with color palettes, techniques, and textures, you can create a piece that reflects your unique vision and brings the tranquility of mountain landscapes into your home.

Visit Artrekha to explore more acrylic mountain paintings and find inspiration to start your own journey in this captivating art form. Whether you're an aspiring artist or an art enthusiast, acrylic mountain painting is a rewarding way to connect with nature and express creativity on canvas.

[acrylicartsacademy]

Easy Sunset Skyline Painting Tutorial: Step by Step Acrylic Art for Begi...

[jasmineway]

Vespertine // 7-20-2024

This is the story of Vespertine, a polarizing, mesmerizing, and fantastic meal of intrigue hidden in the heart of a lesser known corner of Los Angeles.

This is also the story of one of my most treasured evenings in no small part due to my fantastic company, the kind and beautiful Nicki.

Architecture

The setting was as much as a character as the meal itself, and we began our adventure in awe as we pulled up to our destination.

Set in the Waffle Building in Culver City, the entire space is devoted to Vespertine, and our evening's ups and downs where just as much metaphorical as they were physical as we changed floors and settings throughout our meal.

Despite the urban, office-park coordinates, the obligatory Fine Dining Garden still had a presence, though one well in line with its industrial surroundings. Florals later debuted in our meal were inlaid in concrete; bamboo curtains darted across brutalist structures; babbling creeks subbed with puddles jutting through white limestone. This is herb sanctuary a la Rian Johnson's The Last Jedi.

Reception, Seating and Welcome

The team had accommodated our demanding work schedules, and they had even sat us a few moments early when we arrived in advance of our 8pm seating. The waiting area is on the ground floor, and there seemed to be exactly enough seats for the parties currently queued. We would have three different seats throughout this evening, none of which were uncomfortable, but all of which were distinctively 'weird' or unexpected in some way.

We were shortly recruited into the a paradoxically claustrophobic yet large elevator (given the unfriendliness of the otherwise metal stairs to heels often worn to fine dining, our hostess commented on her surprise that so many people decline this option...), after which we exited to the top public floor, the kitchen.

Catching no sight of his signature hairstyle in the open floorplan, I'd later confirm ours was only the second dinner since reopening without Chef Jordan present. This means I'll have tentative descriptions of the three courses in which Nicki's pescatarian menu diverged from mine, until my (soon to be signed) menu finds its way back to me.

This building has the privilege of being uniquely tall vs. its surroundings, and the panoramic views of the city were breathtaking at the cusp of sunset. After a brief kitchen tour (and photo), we descended aforementioned metal stairs to the Mezzanine, where our first seating took place.

I can't say I've ever been seated at a gliding acrylic plane before, but Nicki and I shared the first of many laughs when they tucked us in for the ride ahead. While every seat had a light-filled view, I cannot feign envy for any of those seated in the middle.

As the sun set, ambient lighting created shadow puppets on the ceiling, which added an extra visual enhancement to the impassioned course announcements.

Service and Experience

Our main server was Brian, who was by all means, an entertaining and attentive host. Our speakers painted visual storytelling on our plates with spoken histories that imbued upon lived memories; at a certain point, I felt I was paging through a scrapbook filled with treats and fondness experienced throughout the chef's life. It is a testament to the clear admiration and commitment to vision by the entire team that no part of this or the intense atmospheric tones (that were not overpowering - looking at you, Avengers Campus) came across corny, or condescending, as could be easy to occur. All this is to say that the servers were excellent, when it comes to food, inquiries, and helpfulness. We felt welcomed, respected, and enjoyed our interactions.

That being said, for a $400/plate meal, I do think it should not have been necessary for my friend to have to ask for a (filtered) water refill, much less the subsequent two times. What the team is trying to accomplish is very deserving of its Michelin accolades--the creativity in the meal was evident--but I could see some small misses in hospitality* causing disproportionate challenges in their pursuit of a third star; food notwithstanding.

(*not offering by default the elevator to ladies wearing heels and dresses vs. the see-through glass / metal staircase, not scoping for empty glasses proactively and filling them without being asked, the bathroom soap situation... more on that one later)

Beverages

Nicki opted for the Dynamic pairing, which included a mix of unique spirits, wines, and zero-proof pairings throughout the meal. These were all fantastic selections, and the most interesting and thoughtful beverage pairing I have ever had the joy to taste throughout a meal. As a non-drinker I was a bit disappointed that no soft drinks were available for purchase (I'm not a big juice person outside of brunch, and learned my lesson from overdoing liquid calories at Melisse), and opted out of a ceremonial tasting bubbly (they do not provide a beverage list to choose from, but the verbal report marked the cheapest by-the-glass beverage starting at ~$70, which is more than I am willing to invest in something I would not have opted for). That being said, having tried tastes of all 10 of Nicki's curated pairings (2 of which were served to us both and integrated in the base meal), I have a great deal of deference and encourage entrusting the team via a pairing (though I still think all juice will be Too Sweet for a 12 course meal).

As a side note: I can understand not providing a written menu at the start of a meal to keep the surprises ahead--but if you are going to preface the meal with written supplements, this becomes a tacky practice. Diners (at least me) will feel much better reviewing the long list of everything they are getting, rather than immediately being confronted with what they will not, lest they opt to heavily enrich their entry fee.

The Meal

While the above may be the longest preamble to the dining experience itself yet in this blog, it serves to show just how much of the Vepsertine experiences transcends the food alone to a whole body experiential album. You are visualizing; smelling; hiking; seeing; thinking; being asked to go on a journey and soon, initiating one. We are in the Waffle House; and the storm is just beginning.

Be warned the menu descriptions are minimalist ("they didn’t list out all the ingredients or anything. It’s more vibes" - N), and thus many descriptions are things I either tasted or vaguely remember being rattled.

Course 1: WILD SCALLOP

“passionfruit, aji amarillo”

This is the first of many plates that opened with us being presented a bowl of flowers. Still traumatized from the Alinea vase, I was pleasantly surprised to learn all flowers were edible and the meal began with one of the greatest fruity concoctions I could not begin to tell you the ingredients for. The flowers were soft and supple; the horseradish below. The cold stoneware was perched in what felt like wet, white kinetic sand perched on top of another plate, and the concoction paired perfectly with the light champagne presented to Nicki.

Pairing: CHAMPAGNE AUBRY 'a jouy-les-reims’ brut, premier cru, champagne, French nv

Course 2: SUMMER

"peas, wildflowers"

These hipsters, I'm telling you. Nicknamed 'Chef Jordan's Flower Pot,' he forages all of the florals himself, which have been painted on the walls of the stoneware with almond paste. The center base holds kiwi, crunchy 'puffs, 'or texture,' and green jelly made of reduced pea pod exterior to help everything stick together on the spoon. This one was just fun, and I enjoyed every bite of it.

Pairing: KIWI WITH OXALIS AND VERBENA [NA; that's it, no description]

Course 3: DEEP OCEAN

“sweet prawn, quince”

Yes, this was served in a hand-relieved ice block with a wreath that would make even a Christmas door jealous. The shrimp in these are apparently from a very very deep trench, so deep that you don't need a permit to fish there, and just one father-and-son boat even dare to try. The visual was beautiful. The flavors, tart, sweet and tangy. The fish was cold and raw. This was the first plate that perhaps wasn't quite there in its harmony, but I enjoyed it nontheless.

Pairing: KUHEIJI ‘kyou den’ junta daiginjo, okayama, japan 2022

Course 4: OBSIDIAN MIRROR

“smoked mussel, plum”

They said when the Mayans discovered obsidian, it was the first time they had seen their own reflection, and believed they were looking into the eyes of the gods (or perhaps their ancestors). I am willing to overlook the existence of fresh water for this storytelling, and chose to look unto myself in the void.

This dish was made sparkling by crushed iridescent kelp, and the oil slick broke like wet volcanic sand as we were invited to breach the surface with the provided polished muscle shells.

There is something very carnal about eating an animal with its skeleton made pretty, an oxymoron glamorizing the violent nature of our place in the food chain. As I broke into the surface of mussel whipped into panna cotta to eat, I carved, breaking into my image of my self.

Pairing: WENZEL ‘alte Reben’ furmint, Burgenland, austria 2021

Course 5: DEEP SEVEN

"red papaya, indian mallow"

The shell was a transition to even stranger utensils; our hands. The story of this fish is that it is a rare fish, a very fatty fish, fatty to the point that it inevitably catches fire in the process of cooking and rare in the sense that they definitely definitely weren't trying to catch this fish intentionally and just one or two get caught in the traps when fishing other fish and we just happened to get to eat some as it's almost never for sale. Sure.

The akamatsu was indeed the closest thing to what I can call the wagyu of fish so while I hope my conscience can survive, 10/10, would eat again.

Pairing: RHUBARB KOMBUCHA WITH RED CURRANT

Course 6: COTURNIX QUAIL (for N: CABBAGE*)

"heather, sacred pepper"

This was a breast of quail, served on a bed of herbs, cooked excellently and meant to be eaten as tiny cutlets dipped in an emulsion featuring the quail egg. It was soon to be followed by a quail dolmeh, with leaves revealing a mixture inclusive of the rest of the quails less supple meat. Sustainably, even the au jus produced in cooking would be used to flavor the following course. This was delicious.

Pairing: COMTE ABBATUCCI ‘ministre imperial’ corsica, France 2020

Course 7: PORRIDGE BREAD (for N: OAT PORRIDGE BREAD*)

"heirloom peel corn oats" (for me: quail fat-fried crust*)

What can't I say about how much I love bread? This was delicious. Classically, made with ancient grains, but they did not tell us which. A bit rich and I wish I had had the option of butter and no meat fat as a palette cleaner, but this was more a fritter than a bread course. A crispy, meaty donut if you will. Delicious, spongy and crisp, I still missed a true-neutral bread course but wouldn't trade this one.

Pairing: BRASSERIE CANTILLON gueze 100% lambic anderlecht, france 2020

Course 8: PINE FED LAMB (for N: MOREL MUSHROOM*)

“yeast fudge, magnolia” (for me: lamb, cherry, emulsion*)

This was an exceptionally sweet cut of lamb, but one of my three bites was so tough no amount of chewing would rescue me from my suffering and it finished its evening gently tucked into my napkin. It was tasty, but the chewiness took me out of the meal and I think was the only 4/10 dish as a result. Nicki's mushrooms looked excellent.

Pairing: HEIWA SHUZOU ‘Aka kid’ wakayama, japan

Transition

At this point we were whisked to settle in one floor deeper, and descended from the mezzanine to the ground floor once again, this time enshrouded in velvety benches and spinning coupe chairs. From this point on, we would experience the sweet back-end of our tasting menu, warm in a setting evocative of 'dark and sexy gala,' and 'night at the Natural History museum' with sweeping ceiling elements that sang an ode to paleontology. All pairings from here forth were shared with all diners. (be proud, I resisted a dino-rs pun)

Course 8: RED EARTH

“heirloom corn, strawberry, temescal”

This was earthy, smoky, spicy, flowers, berries? I gazed into the void once again, to meet my own eyes.

Pairing: DOUGLAS FIR TEA INFUSION [NA, no description, served throughout dessert] Mine: fantastic natural non-caffeinated tea refined as Christmas Tree in a Cup. Authentic in the way of Persian preparations of mint tea, with fresh mint. No springs in site. We drank many, many cups of these]

Course 10: CARAMELIZED PANCAKE

“scotch, woodruff”

Sourdough pancake cooked in lamb fat (for Nicki: browned butter) served with fresh whipped cream, a pool of unfiltered maple syrup, and pink raspberries, which had all been painstakingly separated without managing to get crushed.

I loved eating this, but I'm not sure I loved eating this right here. It's everything I could want at brunch, but it was a bit heavy and incongruous with the rest of the meal, which had otherwise so thoughtfully dialed the intensity in proportion to the weight of the courses. I liked this one the most of all the deserts, but I do think no individual desert was a home run on its own. Without the tea it could be obtrusive and heavy.

Course 11: ICY BIRCH

“parsnip, reduced milk”

Despite its appearance, this time the bowl was not ice, though the hat topping the bites were. Frozen aloe vera invited you in to crack the glass ceiling and drop into a rich, gelatinous jam with nutty flavor. The texture of this cream, panna-cotta, what-have-you was distinct in American dining in its nod to bastani, and Nicki and I both had a laugh upon discovering the name the next day and now insist on calling it "Chef Jordan's Ex."

I hope you are happier now, Chef.

Pairing: SPARKLING REDWOOD [NA, cold, 'redwood shoots?' - another delicious juice drink]

Course 12: LAYERS

“black currant, sheep’s milk”

You didn't think you would get out of this meal without yet another reflection into the void, did you? The final course was yet another spectacular display of culinary engineering albeit at the slight expense of mouthfeel and taste. Despite the descriptor, many flavors adorned the wall of this stoneware, from almond butter to Tonka bean (think vanilla, cinnamon, and caramel in flavor), all of which generally worked together but could be overwhelming. One ring had the texture of fresh coconut but was frozen to a degree that both our teeth hurt with a small bite; going from frozen ice to 'peanut and jelly swimming pool' with the recommended all-layer eating style was a bit jarring and this may have worked better had I waited a bit longer.

The purple coloration was butterfly pea tea reduced and powdered along each layer as it was built. It was stunning, but I can't say I enjoyed eating it (even if it was not a negative experience!).

Closing and Quirks

They served the above before asking if we needed anything else and dropping the check, after which there was no further standard interactions. I did pop to the ladies room to discover some extreme nonsense in terms of hand hygiene (there was a powdered mix next to the sink, which I thought may have been dehydrated soap, but upon closer inspection seemed to be salt...), and thankfully the staff were happy to oblige when I requested their health-code-compliant kitchen soap instead (there was no natural place to comment on this, but I think there's a boundary between provocative and weird, which should firmly err conservative when it comes to a bathroom much less a restaurant that encourages eating with your hands).

I also reached out asking if I could come back later to get my menu signed, which the team could accommodate but only by mailing me my menu some time later. I hope it finds its way to me.

Final Impressions

This was, all said and done, a spectacular meal. It was one of the most memorable dining experiences I've had in my life, and showed solid potential to grow into an even tighter experience with even greater acclaim.

Would this be a meal I would suggest to an entry-level patron looking for a superb food experience? No. The interesting concept and structural creativity asks for a lot of audience participation, and that can be a lot for first-time diners. Would I encourage any fine dining enthusiast who has done standard fare and wants cutting edge and evocative in the vein of Chef Achatz but a younger, modern twist? Yes, without hesitation. This is not the crowdpleaser meal I could find at JR or TFL that strays safe but impeccable with their menu. Vespertine asks you to stray from that comfort with avant-garde, bold, and innovative decision making, at the start of what I hope will be a standout run in the SoCal dining scene.

At $400 per person, I'm not even sure it yet offers comparable value in terms of dining experience relative to more established peers, though it makes a solid case as a total package.

With some refinement of the savory / dessert cohesion, and some strides in the good-but-not-exceptional service, I can see myself smiling fondly as I spot Vespertine on future Michelin lists.

Overall 8/10, would return in a few years as they continue to grow but still enjoyed the amazing experience we had last night.

[newyorkuncorked]

Lakeside Sunset

$46 - in honor of the 46 Adirondack high peaks

Original is an 8x10 acrylic on canvas with white mat

Painting features a spectacular sunset and a campfire by the lake. Imagine a night spent camping under the stars, surrounded by pines, looking out on a lake with this beautiful view! Color palette includes shades of purple, blue, pink, red, orange, yellow, white, black, and brown. This item does not include a wooden frame.

Other size options include:

5x7 print + 8x10 white mat ($15)

8x10 print + 11x14 white mat ($20)

11x14 poster print ($30)

[diahandcraft]

Acrylic Painting | Landscape Sunset Acrylic Painting | Easy for Beginners

[hananiahomedesign]

Nautical Home Office Decor Ideas

A beach-inspired home office creates a relaxed and peaceful setting for work. Light-colored wood furniture, rattan and cane chairs, stained natural wood accessories, striped nautical patterns and coastal-themed artwork all support this design style.

Fun Home Office Theme Inspiration

Things to pay attention to when you buy a house with a nautical theme. Blues are typically used in beach-themed rooms, but other shades, such as green and pink also work well with the theme. White-washed wood and shiplap walls are also common with this design.

The sea, shore and beach provide infinite inspiration for room color palettes and decor ideas. For a nautical home office, focus on hues of blue and green inspired by marine scenes. This style may also lean more tropical with a focus on bright yellows or muted oranges.

Paint the home office in a beautiful shade of blue that invokes images of crashing waves or peaceful waterside sunsets. Powder blue, sage green and seaglass green are shades that work well in this coastal style. Blues with a little gray reflect an easygoing beach vibe and pair beautifully with natural seagrass, darker wood and classic black and white furniture pieces.

Nautical Home Office Designs

If you'd prefer a lighter neutral, consider shades like Oxford White (Benjamin Moore OC-30) or Van Courtland Blue (Benjamin Moore HC-154). These cool-toned hues offer a crisp and clean backdrop for nautical home office decor and provide the perfect base to highlight bolder accent colors. A painted wooden desk or a piece of reclaimed furniture can be the focal point of any nautical home office.

Nautical home office designs feature furniture like desks, bookcases and file cabinets in a nautical theme. Navy is the official color of nautical decor but white, pastel blue and even green work well as well. Wicker and rattan are popular with coastal styles for their natural look. Wood furniture painted in a light distressed white also fits this theme.

If you are a do-it-yourselfer, you can create a nautical look in your home office by repainting or reupholstering existing furniture pieces. If you have a piece of wood furniture, a simple sanding and refinishing project will transform it into a nautical piece.

Home Office Decorating Ideas

Adding nautical décor and accessories like sea-inspired bookends, navy table lamps or model ships adds the final touches to your home office decorating ideas with a coastal feel. For wall art, consider framed sailboat drawings or a simple gallery wall with vacation photos or beach scenery prints.

Bold navy blue is an easy color to work into your coastal home office, whether as a full accent wall or even just a paint or decal applied to a door. In this L-shaped coastal home office, Ralph Lauren's Navy Blue Sailboat Wallpaper serves as a stunning backdrop to built-in bookshelves and an acrylic Ghost chair. A brass task lamp with a sailboat design completes the look.

The nautical style is a fun one, and the right lighting can really make your home office or study stand out. Nautical style lighting often incorporates navy, dark rustic colors and motifs from sailing or the sea. A great example is this Large Argyll industrial pendant light, which would beautifully complement a coastal Hamptons style interior or even add an industrial touch to a boho rustic home. If you want to find a house with a nautical style home office, you can only find it at property.jordlinghome.com.

[bradleythomasenfield]

👍 Acrylic Landscape Painting - Winter Sunset / Easy Art / Drawing Lesson...

[bradleyenfield]

👍 Acrylic Landscape Painting - Winter Sunset / Easy Art / Drawing Lesson...

[asksimonghostriley]

I always painted sunsets and landscapes, also acrylic is easy to peel off when you layer on enough on skin so even when I painted my legs and other objects until 3-4 in the morning I could just peel most of it off and sleep

-🍃

That sounds beautiful, love. A sunset compliments you quite well. A light that isn' blinding but comforting.