#sugar happy fairy tale episode 6
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loved this scene! Challe looked like he was ready to kill Gladus
wouldn't mind seeing protective Challe even more in the future
#sugar apple fairy tale#Challe#Shall#shall fen shall#sugar happy fairy tale episode 6#spoiler#?#sugar apple fairy tale spoiler#spoilers
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My suggestions series with female protagonists (many of which have a mostly female cast as well.)
Senran Kagura
Valkyrie Drive
Kandagawa Jet Girls
Queen's Blade
Sin: Seven Mortal Sins
Keijo!!!!!!!
Manyuu Hikenchou
Gushing Over Magical Girls
Kill la Kill
Mitsudomoe
Asobi Asobase
Dropkick on My Devil!
Zombie Land Saga
Akiba Maid Wars
Little Witch Academia
Soul Eater
Blood+
Madoka Magica
Hell Girl
Magical Witch Punie-chan
Uzamaid
Moetan
Happy Sugar Life
BNA: Brand New Animal
Magical Pokaan
Papillon Rose
So I'm a Spider, So What?
Sleepy Princess in the Demon Castle
Machimaho
Franken Fran
Monster Wrestling: Interspecies Combat Girls
Mai-chan's Daily Life
Koro Koro Soushi
Uzumaki
Tomie (if you can call her a "protagonist". It's more like she is the titular franchise antagonist like Freddy Kruger, or Chucky from Childs Play)
Akame ga Kill (Depending of if you see Akame or Tatsuya as the main character)
Elfen Lied (depending on if you see Lucy or Kouta as the main character)
Killing Bites (Depending on if you see Hitomi or Yuuya as the main character)
Freezing (Depending on if you see Satellizer or Kazuya as the main character)
Rozen Maiden (Depending on if you see Shinku or Jun as the protagonist)
Higurashi, arguably (Keiichi is the protagonist of the first two arcs, but other characters take up that role in later arcs. By the end one could argue that there isn't really any single main character, but since 6 out of 7 of the main character are girls, it could very much be considered a female-led series)
PowerPuff Girls
Legend of Korra
Harley Quinn: the Animated Series
Buffy the Vampire Slayer
Wednesday
The X-Files, arguably (Fox Mulder and Dana Scully share the protagonist role for the first 7 seasons, and though Mulder got top billing and slightly more focus, the actor left after season 7 and his character was replaced by John Dogget. This means Scully appears in more episodes than any other character and is the only one to be a main protagonist in every season, making her arguably the protagonist of the series as a whole, depending on who you ask. Additionally, Monica Reyes was added as a third main character in the 9th and final season of the og series, meaning one season had a 2/1 female / male protagonist ratio.)
Beetlejuice 2 (despite the title, Lydia and Astrid are the protagonists of this movie. In fact, in the first movie the protagonist role is shared between Adam and Barbara)
Coraline
Alien (Ellen Ripley is the protagonist of most movies in this series)
Hellraiser (Julia is effectively the villain protagonist of the first half, with Kristy being the protagonist of the second half. Kristy is also more or less the protagonist of the sequel)
Jessica Jones (the TV show)
Wonder Woman (the movie and comics)
She-Hulk (the comics)
Batgirl (the comics)
Catwoman (the comics)
Birds of Prey (the comics)
New Mutants, kind of (There isn't really any one main character, but there have generally been slightly more female members than male ones in most iterations of the team. The team leader role is also more or less shared between the male Cannonball and female Mirage, if I'm remembering correctly.)
Lenore, the Cute Little Dead Girl
Serenity Rose
Courtney Crumrin
Nightmares and Fairy Tales
Princess Lucinda
Hack / Slash
Bomb Queen
Vampire Cheerleaders
Skull Girls (fighting game where all but two of the playable characters are female. Filia is kind of the unofficial "face" of the game, but the protagonist really depends on who's story mode you play.)
Really, most of the games I play are either fighting games where you can play whichever character you want, with most having their own story mode or rpgs where you can choose your character's gender.
There's also a ton of romance anime that also fall into the "main character is debatable" category: Familiar of Zero, Don't Toy with Me Miss Nagatoro, Darling in the FRANXX, Kodomo no Jikan, Astarotte's Toy etc.
Frankly, of if I were to list media where 60 to 99% of the cast were female, regardless of the protagonist's gender, the list would probably be AT LEAST 3 times as long, if not longer, due to just how much anime, manga and Japanese media I love falls into that category.
"do y'all have recs for media with a female protagonist"
"[male protagonist] is a girl to me"
I'm tearing you limb from limb
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Finding Kurt Hummel: Old Dogs, New Tricks
Masterpost
5x19: Old Dogs, New Tricks
Previously on Glee: Everyone else is doing things - while Kurt has his collections of neckerchiefs. Kinda wondering if Chris wrote that one, lol.
So.... Yeah, this is the episode that Chris Colfer wrote. And what do I think of it? Because I know you guys are all here for my very professional opinion on all these things... lol. It’s... fine. There are some things that really work -- Santana as a publicist - excellent!! Sam and Mercedes’s relationship issues -- great. Dogs dragging Lea Michele down the road because of her bratty behavior - totally here for that. Honestly, I think the Kurt portion of the story may be the weakest aspect of this episode, but this is Chris’s first try at a TV script, and I think he’s done a lot better than a lot of people out there -- including whoever wrote I Kissed a Girl, ug.
I do think there’s some dialogue that’s a little stiff, and Chris has a tendency to write a little on the cheesy side, but I’m really sad that season 6 wasn’t longer to give him another go at it, cause I think TV writing might have been a good avenue for him. And I really hope that some day he gets to head his own TV show - because I think it’s something he’d do rather well at. So - that’s my two cents.
I will say - this episode is mostly stand alone. And with the season drawing to a close -- I really am missing those extra two episodes that were chopped off the end of the season. I really would have liked to play around in this sandbox for a tad bit longer, as I think there were most definitely more stories to tell. At least I am grateful for what we got.
Problem Child
So, I’m not going to spend much time (or really at all) trying to figure out how Chris feels about this or that as evident through the script. I mean -- TV is a collaborative process -- and even if Chris wrote the script, I’m sure a lot of people still had their input, and he didn’t direct it, so... But I think this still is a good indicator about how he felt about Rachel. I mean... yeah, it’s probably how we all feel about Rachel, tbh.
So as we open -- Kurt wants to see a movie, but, well, Blaine is too busy doing stuff with June, Santana just doesn’t want to, and Rachel’s freaking out that image is being tarnished because she fucked up in the previous episode. And, as most things do, it becomes all about Rachel. Santana, however, steps up to be her publicist -- which is -- incredibly inspired!! Can I just keep the headcanon that Santana sticks to being a publicist, this is a fantastic choice for her. Thank you, Chris, for this.
Anyway - Kurt’s more than annoyed -- and even has to tell Rachel to keep her voice down because they’re in side -- because he is, more often than not, Rachel’s care giver. Because seriously, this girl cannot seem to function on her own.
So -- here’s my thing. This script is a little awkward going forward -- a lot of it is Kurt harping on how his ‘friends’ aren’t there for him, though only specifically focusing on Rachel. And while I think the Rachel was the safest route to go, and one that’s been clearly building for a while, I do think it might have been interesting to see how that played out with others -- such as Mercedes or Santana or even Blaine. (Though, honestly, I’m glad Chris did the smart thing and not include a lot of Blaine in this script. I totally get why he did -- because he really didn’t want to be harassed about it -- and that was the wisest choice for him.)
Oh and then to everyone’s shock - Rachel goes to yell at someone for putting their dog in their purse. I mean, is this an LA thing? I kinda wonder if this is an LA thing that pisses Chris off and he gets to yell through Rachel. It kinda feels like it, lol. Anyway... Kurt’s in the background, but his ‘wtf are you doing’ look is classic.
Pillsbury
So - this episode has to do with three of Chris’s favorite things: 1. Dogs (animals); 2. Old People; and 3. Fairy tales. I mean - I don’t think it gets much Chris-ish than that -- unless you wanted to throw in aliens. I do find it hilarious that he brings all these things to Kurt, because they aren’t really there before -- but it seems to fit in pretty well.
Anyway - we get June Squibb in the form of Maggie Banks (Do you see -- it’s a combo of Maggie Smith and Mrs Banks from Mary Poppins -- at least that’s what I assume is the inspiration.) I’m not going to talk too much about June Squibb’s performance -- because it’s awkward at best (I can’t tell if it’s her acting or if it’s the lines). But it makes a ton of sense that this actress just coming into her own in her 80s is who they got to play the part. I assume Chris adored working with her.
Anyway, this old folks home is doing a rendition of Peter Pan (get it - cause they’re old, and they want to stay young forever -- this script is full of stuff like this. I can’t tell if it’s clever or not.) And Maggie’s gonna start screaming elder abuse if the poster doesn’t go up in the diner. But -- that doesn’t stop her from noticing that Kurt’s full of his usual ennui.
Hilariously, he says he files all his problems away and lets it out during an episode of Long Island Medium. (This is another Chris-ism. Yeah, I can’t stop pointing these out.) While questionable choice of reality TV aside, I do think this is a fascinating beat for Kurt -- he’s internalizing all of his issues. Maybe it’s cause no matter how far he gets in his life, and partially cause he does have super involved in themselves friends, Kurt’s not one to reach out when he’s got issues. THIS IS NOT A GOOD THING KURT!!
You wanna know why Kurt and Blaine break up a second time? Cause Kurt pretty much sucks at letting people know he’s struggling with something. He thinks he can fix everything himself, and you know what? You can’t sweetie -- so talk to people!
Well -- here he gets to talk to June, and let’s it out that he’s feeling a little left behind lately. Santana’s starring in vaginal cream commercials, Mercedes’s is becoming the next Beyonce, Blaine has found a sugar mama, and Rachel has already hit her mid-40s where she’s fucking up her Broadway career for a shot at TV. And Kurt feels like he’s gotten nowhere. Which -- yeah he hasn’t. And that’s not a bad thing, not really, since he’s the only one on a sure and steady course, but when everyone around you feels like they’re miles ahead in their lives, it can feel heavy being the only one not /there/. (I getcha kiddo, I really do.)
Also - I think it’s hilarious that he says he’s the mother in a Nancy Myers movie. (That is so Kurt, and so Chris.) And, god, yeah, let someone else take over handling Rachel. Geez.
Kurt then finds out that his therapy session is with /The/ Maggie Banks -- the woman who once starred in the worst Broadway show of all time, a musical about Helen Keller. (Eesh) And after being awkwardly asked to come back to the home, she invites him back to watch them rehearse. Sure - why not, he doesn’t have anything else to do.
Look at what a happy little goober he is -- he’s gonna hang out with old people!
Broadway Bitches
Oh Broadway Bitches. I have a heancanon that Chris came up with this at 2 in the morning and immediately texted Ashley cause he thought it was so funny. Is it clever? Yes. Is it something I’d use as a name for an organization dealing with kids? No... But moving on...
Can I just reiterate that Santana as a publicist is hilarious. Also her line -- ‘a designer so fancy I can’t even pronounce his name, there’s hardly any vowels’ is a line Chris probably came up with way back on the season 1 press tour and never got to use.
Anyway - to rehabilitate her image, Rachel, Santana, and Mercedes are going to do a show. And Kurt wants in -- cause Chris remembers continuity and Dani’s off doing roller derby and Elliott’s at a yoga retreat so no more One Tree Hill. You know - I hate to say this - but I kinda see why he’s not invited here, cause it is about imaging - but they don’t have to be such awful people about telling him no.
Santana actually says if he’s there he’d probably pull focus which is a) meta and b) probably true. But Kurt’s rightfully hurt. They get to continue to roll around in their self-involvement while Kurt gets to be shoved aside. Again.
I’m kinda surprised Kurt hasn’t taken up a drinking problem at this point.
Memories
So Kurt goes to check out the retirement home. They’re getting ready for their production -- and there are three different headshots of Maggie on that board. Just saying. Kurt thinks it’s pretty cool. And I mean -- I think there is a cool story there to be told about actors who are now considered over their prime when in fact they’re still awesome and kicking butt.
This episode is going to be a bit heavy handed about it -- cause as much as I love Chris, he’s incredibly heavy handed in his writing -- but it’s a nice sentiment. And I do think it’s proper that Kurt would be infatuated with stars of old.
I don’t really have any thing to add -- it’s just a nice shot of Kurt. He’s amused by this sweet little production.
Also! I suppose it’s time to bring up Billy Dee Williams and Tim Conway, who have really minor roles in this episode. I kinda wish they were in it more - their characters are a bit fun.
And then the woman who plays Peter dies. Okay, so I kinda find the dark humor funny. (Also Chris-ism.) It’s fine guys. I’m sure she had a delightful life.
After the commercial break, and after Maggie’s irritation that the dead woman was selfish for dying and ruining the production, we get some more heavy handed commentary about how old people need a reason to keep on living. Which -- is fine? Chris not to edit your script but you gotta work on more showing and less telling
And then we get this weird beat of Tim Conway wanting to sit on the chair. Move kid - it’s his chair! idk. I think it’s funny?
Kurt claims he can fill in, unless they have rules against that. They only really have two rules -- a) don’t loose your teeth and b) take the correct meds. Sure. The guy claiming he was a pterodactyl however steals the show with his delivery. It’s absolutely hilarious.
Meanwhile - Kurt goes on to say how much he adored Mary Martin’s Peter Pan back in the day (which explains a lot. Also Chris-ism. Five bucks that was one of Chris’s favorite movies as a kid.) Anyway - he also still sings like a girl so he can totally take it on.
The retirement home has standards so they have to at least have to hear him sing -- which is great! Cause Kurt always carries around sheet music just in case, lol. That’s such a Glee-esque line. What?
And then Kurt sings a perfectly adequate version of Memory from Cats.
Okay - I don’t have a lot to say about it, tbh. It’s nice, Chris sounds just fine on it -- and I’d guess this would be his last solo of the series if Maggie didn’t come in at the end. But, you know, the song is more about cherishing the memory of these actors -- and people in general who are worth remembering for their great accomplishments - even if they aren’t doing as such any more. Again - a nice sentiment. But I don’t really have anything to meta about on Kurt.
Also I don’t like this song (I’m sorry! don’t send me hate mail).
By the end - Kurt’s inspired everyone to get up and keep on living. And has proven to himself that he can handle Andrew Lloyd Weber.
Btw - the couple of guys dressed up as the lost boys are super cute.
Homocchio (Ha!)
The scene before this, btw, is Rachel being dragged by dogs a block. I mean - it’s funny, yes, but also, c’mon -- are you really going to tell me it’s not at least a little bit of payback?
Anyway - Kurt bounces in to let Rachel and Santana know that he’s scored the role of Peter in a retirement home’s production of Peter Pan -- to which they are like - eh, okay, nice try Kurt. And well, Kurt doesn’t take that too well. I mean, sometimes a role is a role -- and Kurt’s obviously excited about it -- so if you’re a good friend, you suck it up and at least congratulate your friend. I mean seriously. But this is Rachel and Santana - Santana mocks him and Rachel gets incredibly self-involved. This has been the case since season 1 - so I’m not sure what Kurt was expecting.
Kurt asks them to go - but they say no. Santana’s honest about it being dumb, but Rachel claims she has her image to keep up and her stuff is more important. And Kurt finally lets her have it -- he’s right, she calls him day and night to fix her shit, but when is she ever there for her? Honestly, this rant could have gone on for another five minutes. It’s nice to see that I’m not the only one irritated by the unbalanced Hummelberry dynamic that’s been going on since season 3.
Kurt storms out of there cause seriously, he’s had enough.
Dress Rehearsal
Hey - it’s time for an awkward dress rehearsal with some pretty entertaining jokes and some more heavy handedness about how you’re only as young as you feel. I don’t think it’s a bad idea -- but does every scene have to have a speech about it?
Anyway - Kurt’s sweet in his attempt to inspire them and himself, and suggests updating the music.
Btw - there’s this line: Ever since you were a question on Jeopardy, you’ve been a know-it-all. (ha! that made me laugh)
And then we get some back story on Maggie - how she sends herself flowers because her daughter is estranged. And Kurt feels sad. I mean there’s some stuff in there about how Maggie’s daughter is like Kurt’s friends -- not really there when needed, which again, is a nice parallel. I’m just not really fond of Kurt feeling like he’s gotta fix things with Maggie instead of trying to fix things with his friends. YMMV.
I Hate This Scene - Yup, I’m Going With That as a Header
So - Kurt claims he caused an oil spill in a national park and gets himself in to see Maggie’s daughter. Oh my god - Kurt, no... At least Clara directly calls security (one guy - cause it’s Kurt) and then when Kurt claims it’s about his mother -- she thinks he’s ‘dating’ her to get her money.
Oh, god, Chris, why did you write this scene??
So here’s my real issue. The crux of it is about Kurt trying to get Clara to see her mom again cause Maggie misses her so much. But Clara tells him that basically -- Clara was emotionally abusive to her, which is why Clara doesn’t go see her. And then Kurt gives a song and dance about why she should just get over that -- and omg NO KURT NO!
Look - I get the sentiment here -- that we should maybe try to make amends before it’s too late. But - Clara made the healthy choice of cutting out an abusive family member and looks like she’s just doing fine on her own. And to have a stranger, who has no understanding of the situation come in an tell you to try to fix it is over stepping like whoa. Kurt is so in the wrong here - and I can’t even a little bit defend him.
This story would have worked just fine if Maggie had her regrets and talked to Kurt about living his life and not having them -- it wasn’t needed for Kurt to fix Maggie and give her a happy ending. Stories don’t always need to have happy endings to make their point.
Anyway - Clara rightfully throws him out. But not before Kurt goes on to talk about how his mom died and he wished he’d had one - so she should be grateful that she does. And be the better person and take care of Maggie now that she’s old - even if she sucked as a parent. Again - no - this is also emotional manipulation. Kurt, no! Stop! This scene is just... no!!
I am glad that Clara just doesn’t say anything and gets him out of there.
My Old Ladies Are Better Than Yours
To make up for the atrocity that was that previous scene - we get a Klaine scene that is really quite beautiful in its simplicity. Chris didn’t have to put this in here -- but he did, and I’m grateful, because it’s sweet and warm and old married-like, and while Blaine really isn’t in this episode, I’m glad that they were allowed to have this small moment and leave the drama for someone else to write.
So -- Blaine jokes that he’s missing stuff with June to be there for Kurt -- but ultimately, of course he’s there for Kurt. Because he’ll always be there for Kurt. Like I said earlier -- this story is more about Kurt’s issues with Rachel (and himself for feeling like he’s going nowhere) more than anything having to do with Blaine.
I do think it’s interesting that Blaine comments on how happy Kurt’s been -- and how that hasn’t been the case lately. I like that Blaine’s checking in, even if Kurt isn’t fully open. Kurt admits that he feels like this role is finally a step forward in his life, and being with the retirement group is giving him something that he’s been missing -- but I do think there’s an underlying sadness that Kurt’s not addressing.
Kurt’s not opening up to Blaine about his insecurities and his feelings -- and that is going to cause a problem. While they are mostly fine -- I do think Kurt’s continued withdrawal from admitting how he feels is going to blow up in his face later. Communication is key, guys, do it!
How adorable is Kurt in this outfit? :)
The other thing I really love about this scene is the casual intimacy of familiarity. They are an old married couple in this scene -- from Blaine helping Kurt with his costume, to Kurt telling Blaine to sit a row back cause Gladys can’t keep solids down. It’s not in-your-face affection - it’s light touches and smiles and I really love that during this arc they finally allowed Klaine to have that.
Peter Pan
Before the show - Kurt asks Maggie if she’d like to be his family, since their own families are too busy for them. It’s a sweet moment - but I’m also like -- Kurt, seriously -- talk to your friends!! But yeah, sometimes you do need to carve out your family where you can find it. Non-tradition is an okay thing.
For reasons I don’t fully understand, Kurt breaks down and calls Rachel -- apologizing for yelling at her (seriously?) and tells her he hopes her own show goes alright. Kurt’s a good egg. Rachel’s lucky to have him as a friend.
She rushes him off the phone -- but only because she’s sitting with the rest of the gang waiting for his show to start. And he’s stupidly excited. See -- they love you Kurt -- they do!! (Plus, it’s my headcanon that Blaine had something to do with rounding them all up...)
And... then we get the whole reason Chris wrote the episode -- so he could fly around as Peter Pan while singing Madonna’s Lucky Star, with an entourage of old people in the background. Lol. The whole thing is cute and ridiculous and cute. And of course, it works for the show, and gives a chance to Chris Kurt to completely geek out. I mean, yes, I know, Kurt in that costume, but the old people are also ridiculously adorable in this scene.
I’m not sure about the whole old people turning into little kids thing (man with the heavy handedness, the metaphor works fine without it) but it’s nearly blink and you miss it, so I won’t really even comment.
Clara ends up showing up and reconciling with Maggie. And I have a cold, dead heart because the scene just doesn’t work for me. Like I said earlier -- not everything has to have a happy ending.
But at the end of the day, this show is still Glee.
But the important thing is that Kurt’s friends all showed up. Rachel gushes that some day they’ll be old folks in a home (eesh) and Sam goes straight for the crotch to comment on the harness squeezing, um, things, lol. But ultimately - Rachel’s set it up so that the old folks can come do the performance again -- so we can combine old people with puppies and could this episode be any cuter? The only thing missing is aliens.
Kurt: What do you say, Maggie, you think you got a second act in you? Maggie: I never used to believe in second acts. But you’ve proven me wrong.
Omg. Chris - this should be your submission for a place on the staff of a Disney show.
Take Me Home
See -- look how adorable?
After a rousing speech from Rachel about being shallow is dumb and you should care about things that are bigger than you are -- they break out into a chorus of Take Me Home. And this is where I appreciate Lea Michele - because she’s able to sell the incredibly cheesy dialogue better than June Squibb. I mean, look, I like cheesy - I do -- but it’s dialed up to 11 in this episode. Chris, I love you to death, but you don’t have to try so hard to get your point across <3
I’m sorry if I came off as extra harsh about the episode -- I don’t think it’s bad, and it’s certainly better than about half the other episodes of the show. I think it’s just me nitpicking - cause I do adore Chris and I really want him to push himself to be better. This is a great first try, and I really do hope he gets more tries in the future -- cause I do think he has potential. I just want someone there to soften the rougher edges of his writing. That’s all.
And the episode ends with a mutual love fest for everyone. Cause it’s not a true Glee ending without everyone barfing glitter and rainbows. Lol, I’m only half being facetious - it’s cute, and a little wrong about Rachel, but fits the episode perfectly.
Oh my goodness - one more season 5 episode left...
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#36: Christmas Special, This Day in Diet History, Healthy Chocolate Chip Cookies
Ho ho ho, wise guys and gals! In this special Christmas edition of the podcast, we’re dishing up another enlightening segment of This Day in Diet History, where I break down my poor diet from Christmas Eve 2009 and compare with today. We’re talking about the types of foods you should be eating and avoiding to get in shape and optimize your health! We’re also sharing a delicious, healthy chocolate chip cookie recipe that Santa is sure to love! All that along with plenty of Christmas spirit and much more in Episode 36!
For show notes, pictures, transcript, and more, go to Wise-Eats.com/Episode36
Episode Timestamps
Wise-Eats.com/Episode36 for the show notes, YouTube video, and more! (0:00)
Merry Christmas! Fasted walking daily for fat loss (0:10)
Waking up every day with incredible energy instead of hitting the snooze over and over (0:50)
My health transformation from 2009 to 2020 (1:00)
Baby Wise update! (2:00)
This Day in Diet History: Comparing my Christmas Eve 2009 diet to today (3:15)
The strategy I used to lose 90lbs in 2009 and why it was wrong! (3:15)
Counting calories vs counting nutrients (3:15)
2009 Breakfast: Eggs, Toast, Banana (4:00)
Eggs: What to buy and what to avoid (4:00)
Factory farming and chicken’s diet (4:30)
Eggs: Pasture-raised vs organic (5:00)
Enriched Wheat Flour vs Ezekiel Bread (5:20)
Bananas (6:00)
Lunch: Lasagna – Why it’s bad and what I would have now (6:30)
Conventional dairy and why to avoid it! (7:00)
Dinner: Crab rangoons and why to avoid Chinese food (7:20)
What I have today instead of Chinese food (8:00)
Binging on alcohol in 2009 and why I avoid alcohol now (8:15)
Avoiding poison and staying productive during the holiday (9:30)
Check out my complete 2009 diet journal entry at Wise-Eats.com/Episode36 (10:30)
Recipe of the Week: Almond Flour Chocolate Chip Cookies (11:15)
Coconut sugar vs regular sugar (13:20)
Monk fruit/erythritol powder, Almond Flour, Coconut Oil, Kerrygold Butter from Costco (13:40)
Bake Believe Chocolate Chips from Costco (14:30)
Check out the full recipe, nutrition facts, and health benefits at Wise-Eats.com/Cookies (15:00)
Conclusion! Happy holidays everyone (15:00)
Please don’t forget to rate, review, like, subscribe, send questions, and comment!
Blooper Reel / Outtakes (16:20)
Website Link: Wise-Eats.com/Episode36
YouTube Video: https://youtu.be/enr8AnxfSq4
Podcast Webpage: Wise-Eats.com/Podcast
Instagram: @weswisefitness
E-Mail: [email protected]
Facebook.com/WiseEatsPodcast
Recipes Mentioned in This Episode:
Almond Flour Chocolate Chip Cookies: Wise-Eats.com/Cookies
Healthy Sweet ‘n Sour Chicken: Wise-Eats.com/SweetSourChicken
Complete Recipe List: Wise-Eats.com/Recipes
Articles/Brands/Products Mentioned in This Episode:
Allen Carr's Quit Drinking Without Willpower
Bake Believe Chocolate Chips
Kirkland Blanched Almond Flour
Kerrygold Grass-Fed Butter
Lakanto Monk Fruit Sweetener
Music Used/Mentioned in This Episode
We Wish You a Merry Christmas by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://www.twinmusicom.org/
Jingle Bells 7 by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://incompetech.com/
Dance of the Sugar Plum Fairies by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270 Artist: http://incompetech.com/
Movie Clips
Bret Hart vs Shawn Michaels from WWE Survivor Series
Why CARBS are great for fat loss – gaining muscle - Dolce
Summerslam Moments 1991 Bret Hart vs Mr. Perfect
A Christmas Story (1983)
National Lampoon's Christmas Vacation (1989)
BEST PROTEIN SOURCES to Build Muscle & Burn Fat || Not All Are Equal!
Xanta Claus Attacks Savio Vega
Tales from the Crypt (TV Series 1989–1996)
Website Design Thank You: DoeringDesign.com
Logo Design Thank You’s: @this_show, MGSignsDesign.com
Editing Animations Thank You: Darin Roberts aka Misteredit1 on YouTube
The Wise Eats Podcast is written, filmed, edited, and produced by Wesley Wise, and shared by YOU. Your support is greatly appreciated!
Submit questions, comments, feedback to [email protected] or to @weswisefitness on Instagram. Thanks for watching, listening, reviewing, liking, subscribing, and sharing.
Merry Christmas & Happy New Year!
Be good to yourself, be good to others, and make wise choices!
Check out this episode!
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Manga the Week of 10/28/20
SEAN: BOO!
Cross Infinite World gives us the 2nd volume of Another World’s Zombie Apocalypse Is Not My Problem!, which surprises me, as I thought it was a standalone.
Dark Horse has the 6th volume of Mob Psycho 100.
ASH: While I’m not quite as taken with the series as I was in the beginning, I’ve still been enjoying it.
SEAN: There’s a triple dose of not-quite-porn from Ghost Ship, who have Destiny Lovers 4, Parallel Paradise 3, and To-Love-Ru Darkness 17.
J-Novel Club debuts a new manga, Campfire Cooking in Another World, based on the light novel of the same name.
They also have Can Someone Please Explain What’s Going On? 4, Der Werwolf 9, When the Clock Strikes Z 2 (a final volume, I think), and The White Cat’s Revenge as Plotted from the Dragon King’s Lap 3.
ASH: I haven’t actually read that last one, but that series title is great.
SEAN: Kodansha is still making up for lost time, so get ready. Print Debut #1: Shikimori’s Not Just a Cutie (Kawaii Dake Janai Shikimori-san) is a Magazine Pocket series that seems to be part of the “girl teases the guy she likes” genre, though in this case they’re already dating.
Print Debut #2: The Witch and the Beast (Majo to Yajuu), an action-adventure series from Young Magazine the 3rd that seems to run on being really cool.
MICHELLE: It really does look very cool.
MELINDA: I like cool.
SEAN: Also in print: Cells at Work: Code BLACK 6, Fairy Tail: 100 Years Quest 5, The Heroic Legend of Arslan 13, If I Could Reach You 5, Kiss Me at the Stroke of Midnight 11, Love and Lies 9, Sue & Tai-chan 2, and UQ Holder 20.
ASH: I’m not actively reading too many of these, but I am really glad to see the print titles picking up again.
SEAN: Two digital debuts. The first is another Shaman King spinoff, Shaman King: Red Crimson. This one started AFTER the artist moved to Kodansha, so ran in Shonen Magazine Edge. It’ll run 4 volumes.
The other is When We’re in Love (Hana-kun to Koisuru Watashi), a Betsufure series featuring a model student and a delinquent. Sure, throw another shoujo on the pile.
Also coming out digitally: Abe-kun’s Got Me Now! 5, Atsumori-kun’s Bride to Be 5, Cells at Work: Platelets 2, Kounodori: Dr. Stork 17, the 7th and final volume of Love Massage: Melting Beauty Treatment (I assume she has now melted and man and puddle can live together as one), Maid in Honey 2, My Best () Butler 2, Orient 7, and Shaman King: Flowers 2.
MICHELLE: I couldn’t even make it one volume through Abe-kun. I am, though, happy for more of Atsumori-kun’s Bride-to-Be!
SEAN: Oh yes, and 12 more Drops of God volumes hit digitally, 22 to 33.
One Peace has a new debut: Farming Life in Another World (Isekai Nonbiri Nouka). This series from Fujimi Shobo’s Dragon Age is… exactly what it sounds like, but there’s more sex than you’d expect.
ASH: Huh. The farming aspect vaguely interests me, but…
SEAN: Seven Seas has two light novel debuts, one print and one digital-first. The print is ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, which I reviewed when the digital version came out. It had a lot more horror than I was expecting, but should also satisfy yuri fans.
The digital first is Berserk of Gluttony (Boushoku no Berserk), a dark-sounding light novel about a man who’s lived his life always hungry finding out that he can feed on BLOOD AND SOULS! Not Elric of Melnibone, I’m sure, but close.
Also out from Seven Seas: Buck Naked in Another World 2 (mercifully the final volume), Classroom of the Elite 7 (early digital), Dance in the Vampire Bund: Age of Scarlet Order 3, The Girl from the Other Side 9, Kuma Kuma Kuma Bear novel 3, Magical Girl Spec-Ops Asuka 9, Mushoku Tensei 7 (novel), Nicola Traveling Around the Demon’s World 3, and Pandora in the Crimson Shell: Ghost Urn 13.
ANNA: I’m ashamed at how far behind I am with The Girl from the Other Side but I fully intend to get caught up.
MICHELLE: I think I have read through volume seven, but I also have a little catching up to do.
ASH: The Girl from the Other Side is still one of my top series; Nicola Traveling Around the Demon’s World is really wonderful, too.
SEAN: Square Enix has NieR:Automata – YoRHa Boys, a novel based on… well, take a guess.
They’ve also got Hi Score Girl 4.
Tentai Books says they’re releasing the 2nd volume of There’s No Way a Side Character Like Me Could Be Popular, Right?.
Vertical has the 3rd volume of Owarimonogatari: End Tale, which wraps up the Monogatari series… OR DOES IT?
Yen On gives us four more light novels to round out the month. There’s I’ve Been Killing Slimes for 300 Years 8, Is It Wrong to Try to Pick Up Girls in a Dungeon? Familia Chronicle 2: Episode Freya, KonoSuba 12, and Strike the Blood 16.
Yen has two manga debuts. Heterogenia Linguistico is a Young Ace Up series that looks like it does for monster research what Delicious in Dungeon does for monster food.
MICHELLE: The covers have a similar aesthetic, too.
ASH: I am intrigued.
SEAN: Star Wars: Leia, Princess of Alderaan is a LINE manga title based on some obscure movie, and deals with Leia’s teenage adventures.
ANNA: I’m a little curious about this.
SEAN: Yen also gives is Happy Sugar Life 6, I’ve Been Killing Slimes for 300 Years 3 (manga), Kemono Friends a La Carte 4 (final volume), Our Last Crusade 3 (manga), and Restaurant to Another World 2 (manga).
Are you scared?
By: Sean Gaffney
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