Actually the funniest thing to happen in any of the mxtx fandoms is that in svsss, Shang Qinghua never published Shen Jiu's backstory because he didn't want to deal with the discourse, and then irl every other post I've seen about Shen Jiu is some kind of discourse
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Do you know about Tarrare? He sounds like an actual Magnus archives flesh avatar or something.
Yeah, I had a passing familiarity with him and seriously considered doing something in the flesh vein with him, but then I did a bunch of research on him and his whole situation, and the more I read the sadder it made me. Like, the dude was ill in some really intense ways and his life was mega tragic, so it felt like it would have been kind of a cheap shot to make him a fictional monster.
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buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).
and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???
meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.
and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.
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thinking more about unnamed figure skating horror story. i think that the killer's motivation for their actions is that they're an obsessed superfan of verity (disgraced figure skater)'s who decides that since her story ended so dissatisfyingly, they're going to write her a better one - by making her famous again through the murder and desecration of her old rivals and colleagues. she'll get all the media attention, chances to tell her side of the story, and forgiveness and sympathy that she deserves - as long as she lets everyone around her pay the price to make it happen.
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but all might's characterization drawing so much strength from mother figures. his victory pose, his laugh, from his earliest memories with his mother. learning to smile and be strong from nana. thinking of nana in his worst moments and gaining strength- i thought of her as my own mother, being formed as a person by nana's life and death. i dont know why hori specifically chose to make the seventh holder a woman (shigaraki's story would have worked if nana was male) but i love that toshinori yagi is a mama's boy.
so much of the media i love has cool male mentors or emphasises fathers, male mentors, or if women are a source of drive or inspiration they exist in that capacity as lovers; but to have an Incredibly Powerful male hero that goes "yes, i derive all my strength from my mother-figure mentor" is so dear to me. his earliest memories of his happy childhood featuring his biological mother.
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( elden ring dlc spoilers )
(sort of personal rambling post about my feelings about it, not looking for lore discussions)
its so obvious to me that base game radahn and dlc radahn are two entirely different entities really
one is a nigh mindless mess of what remains of a respected and once, and still in a way, very powerful general, like a tragic memory of what once was, even in this zombie like condition you can get an idea of who he was, even if only a little bit, the way he fights in synch with leonard for example
the other a recreation of him but like it was made by someone who didnt know him at all, shallow and surface level, either unintentionally so bc he really didnt know him well (and didnt care to get to know him) or intentionally made into somethign that fit miquellas IDEA of him, who he wanted but not who he really was, it shares name and design traits, to some degree fighting style, but it lacks "him", he has no voice, no shift in expression, he does whatever miquella wants, a perfectly obedient, silent, animated statue
(even more obvious in second phase ...)
i mentioned it in a previous post but even his changed designed feels strangely off, basic elements are there (red hair, yellow eyes, golden lion theme) but it lacks cohesion (imo), like an action figure not a real person, its shiny and cool looking but doesnt make sense for him, he even has the sixpack armor thing, and overall a roman aesthetic to him, mulitple braids in his hair (a trait of miquella), useless swords hang around his waist, arms exposed, overall incredibly thin compared to base game radahn (be it just the armor or not), like designed by someone who has no or little idea of how swordfight works, almost .. childishly cliché
and yes, the fact that leonard is entirely missing is significant in my eyes, he is very important to radahn, its one of the few things we actually know about the real radahn, but miquella probably either didnt know or doesnt care, he doesnt care about leonard, of course he isnt here
"promised consort", promised by who to whom? if miquella, perfect little miquella, says it is promised to him, it has to be true and good and no one would would dare suggest hed lie
(i dont think radahn would like that title either, ...like even his title in the end isnt about who he really is)
its all about what miquella wants, his perspective is told to you over and over- what radahn wants, his perspective, what he believes in doesnt matter, radahn doesnt matter, the only thing that matters is how he can serve miquella, how this idealized, silent puppet that is nothing of himself apart from basic design traits and name obeys miquella
by rot or by miquella, just a mindless toy whenever you see him
and it just makes me sad and angry ......... its tragic but so much so that it borders on cruelty for crueltys sake, it was never about radahn :(
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