#story grid

[keyboard-squared]

Have I Discovered the Perfect Plotting Method for Pantsers?

Even pantsers need to plot, but what do you do if outlining isn’t your forte? My new favourite resource, Story Grid, might have just given me the answer.

Pantsers, where are you? Hooray for having no idea what we’re doing! That’s what I always thought being a pantser meant. When I penned books in my younger years, I never even touched an outline. I thought I simply didn’t need one – I could write a book from beginning to end flawlessly. But I’ve come to realise recently that I did have an outline in those days – in my head. I had the time and…

[waywardspirited]

[harrysfolklore]

Imagine max x driver!reader with the whole fia and swearing situation they’d be such a power couple. Manifesting more max fics!! I love all your work esp little bitch and honorary wag💓

okay this is teeeny tiny piece but i just had tooo. max is too iconic

You're sitting beside Max, your boyfriend and teammate, in the press conference room after the qualifying session in Singapore. The air feels thick with humidity and tension, though most of the tension is radiating off Max.

His latest penalty from the FIA—a fine and community service for swearing —has him fuming. He made it very clear on the way in that he wasn’t going to play nice. Today was going to be a day of vague, shady responses, and you were more than happy to back him up.

The moderator starts with the usual question for Max about how he felt securing P2.

“It was fine,” Max replies, voice completely flat. No elaboration, no typical analysis. Just that.

The reporter stares at him, clearly expecting more, but Max leans back in his chair, eyes narrowing slightly as if daring anyone to push him further.

To your right, Lando is barely holding it together, his mouth twitching as he watches the whole scene unfold. You catch his eye and he shoots you a look like, Is this real?

The next question is directed at you. Something predictable about how you’re feeling being P3, your thoughts on tomorrow’s race strategy.

“Well,” you start, raising an eyebrow, “I guess the plan is… to go fast and not crash.”

There’s an awkward silence in the room, the journalist blinking at you as if he didn’t hear you correctly. Lando makes a noise that’s somewhere between a laugh and a cough, struggling to contain himself as you sit there, completely straight-faced.

“And the tire strategy?” the moderator presses, trying to steer things back into something vaguely professional.

“Use them until they wear out, I suppose.” You lean back in your chair, mimicking Max’s posture, crossing your legs casually as if you’ve just given a perfectly reasonable answer. Max looks at you with a cocky and proud smile, you discretely wink at him.

"Max, can you elaborate on your car's performance today?" another reporter tries.

Max tilts his head, considering for a moment. "It went forward when I pushed the pedal, and stopped when I hit the brakes. Very efficient, really."

You can't help but smirk at his response, and you notice Lando has given up on maintaining composure, his shoulders shaking with silent laughter.

The moderator, looking increasingly uncomfortable, turns to you again. "YN, how do you feel about potentially challenging your teammate for position tomorrow?"

You lean forward, adopting a serious expression. "Well, I've been told it's important to keep things clean on track. Wouldn't want to use any… inappropriate maneuvers."

"Absolutely. We're all about clean racing now. Very family-friendly." Max adds

The reporters exchange glances, clearly unsure how to handle this united front of sarcasm and vague responses. Lando, meanwhile, has resorted to covering his face with his hands, his shoulders visibly shaking with suppressed laughter.

As the press conference draws to a close, you and Max stand up together, your body language mirroring each other's. Before leaving, you turn to the room with a final statement:

"Just want to thank everyone for their thoughtful questions today. This has been a very enlightening experience. Almost as enlightening as some recent FIA decisions."

As you exit the room, hand in hand with Max, you can hear the burst of chatter from the journalists behind you, no doubt trying to decipher the subtext of your responses. Lando catches up with you in the hallway, finally letting out the laugh he's been holding in.

"You two are unbelievable," he wheezes, wiping tears from his eyes. "I thought I was going to lose it in there!"

Max grins, his earlier tension now replaced with a sense of satisfaction. "Well, we aim to entertain," he says, giving your hand a squeeze.

[fannyyann]

sherwood outtakes on film (via paulbolasco 9.9.24)

[theethoslab]

Absolutely losing my mind over Scar’s stream today

He was already talking to Etho while catching ocelots

Joel logs in and Scar immediately asks if Etho wants to go visit him

We get so many Etho lore crumbs (although he doesn’t fully confirm anything except having stubble and trying to get rid of 2 extra house generators)

They hang out for like 2 hours doing nothing hut chatting

Eventually Scar leaves but forgot that he left his ocelots at Etho’s because he was so excited about boat boys that he never brought them home

[ikol-cosplay]

Yeah I think comic Loki is neat, I'm normal about them tho

[thebramblewood]

The old Helena can’t come to the phone right now. Why? Oh, because she’s dead.

Previous / Next

Thanks to @pxltown for the Social Bunny template I used as a base! HQ under the cut because I had to scrunch the dimensions a bit for the screenshot.

Julia: What am I supposed to tell Mom and Dad?

Helena: Whatever you want. I’m sure you’ll think of something.

Julia: You can’t just run off without telling them goodbye  — or telling me where you’re going!

Julia: [between sobs] Am I ever going to see you again? Will you at least call me? [sniffling] I’ll miss you, Helena. If either of them dies, I’ll never forgive you. But I’ll always love you.

Helena: I love you, too. And I’d do anything to take it all back. But I can’t, so I have no choice but to go.

[wynandcore]

Post-Legacy Beck my beloved

[skitskatdacat63]

I am going to cry, thanks very much!

[keyboard-squared]

Resource: Story Grid

I’m always sceptical when someone claims that they have a “brand new way” to write stories. Stories have been written since the beginning of time; how can there be anything “new” about storytelling now? So when I heard about Story Grid, I was on the fence. What is this new method that claims to be better than all other writing methods? Turns out that it’s not exactly “better;” it’s just the…

[muirneach]

paris ⚡️

[harrysfolklore]

the bestest - lh44

summary: lewis hamilton wins the silverstone grand prix, and his daughter thinks he's the bestest. wc: 1.7k. based on this request

MASTERLIST | MY PATREON

The British Grand Prix always carried a unique significance, but this year felt particularly momentous. Fans filled the stands, waving flags and banners, their cheers echoing through the circuit.

For Lewis, this year felt extra special because his wife and little girl were joining him, and that was enough to give him an extra boost of motivation for the upcoming race.

Alana Hamilton is just four years old, and she's the light of your lives. She's a curious child who always has a smile for everyone, her bright eyes constantly scanning her surroundings for new wonders to discover.

And she has her father completely wrapped around her tiny finger, everybody knew it.

Alana clung to your hand as you made your way to the paddock, her eyes wide with wonder at the spectacle around her. She had been to races before, but this time she was more aware of her surroundings and everything happening.

“Mommy, look at all the people!” Alana exclaimed, her eyes wide with wonder as she held your hand. “They’re all here for Daddy?”

“Yes, sweetheart, a lot of them are here to see Daddy race," you smiled at her, "He has a lot of fans who love to cheer him on."

“I’m going to cheer the loudest!”

Alana’s gaze followed every movement, her curiosity sparking with each new discovery. She was soaking it all in—the hustle of the team members, the hum of the engines, the vibrant colors of the team uniforms.

When you and Alana arrived at the team garage, Lewis was there, busy with pre-race preparations. He looked up, his face lighting up at the sight of his family.

“There’s my little girl,” he said, bending down to scoop Alana into his arms.

Alana giggled, her small arms wrapping around his neck. “Daddy, are you going to win today?” she asked, her voice full of hopeful excitement.

Lewis brushed a kiss on her forehead. “I’m going to give it my all, princess. With you cheering me on, I have a really good feeling about today.”

As Lewis held Alana, George Russell, his teammate, walked by and smiled warmly at the scene.

"Well, if it isn't the Hamiltons, my favorite family," he said, his tone friendly and genuine.

Alana's face lit up with recognition. She remembered George from previous encounters and team events. "George!" she exclaimed, waving enthusiastically from her perch in Lewis's arms.

"Hello there, little champion," George chuckled, giving Alana a gentle high-five. "Are you excited for the race today?"

"Yes! Daddy's going to win because he's the bestest driver in the whole wide world!" she declared with innocent confidence, looking at Lewis with adoring eyes.

Lewis couldn't help but beam with pride, though he tried to maintain a humble demeanor. "Well, I don't know about that, sweetheart. There are a lot of great drivers out here today."

"But you're the bestest, Daddy," Alana insisted, her conviction unshakeable.

George laughed good-naturedly. "Well, Lewis, looks like you've got your biggest fan right here. No pressure or anything," he teased.

You smiled, watching the interaction. It was heartwarming to see how the team had become like an extended family, especially for Alana.

"Alright, princess," Lewis said, giving Alana one more squeeze, "Daddy needs to finish getting ready for the race. You be good for Mommy, okay?"

Alana's grip tightened around Lewis's neck, her little face scrunching up in defiance. "No, Daddy, don’t go!"

“Sweetie, Daddy has to race now," you gently stroked her back, "We’ll be right here watching him the whole time.”

As Alana clung tighter to Lewis, her eyes welling up with tears, you could see the conflict on your husband's face. He hated leaving her upset, but the race was about to start.

"Hey, princess," Lewis said softly, gently prying her arms from around his neck. "Remember what we talked about? Daddy has to go fast in the car so he can come back to you even quicker."

Alana's lower lip trembled, but she nodded, reluctantly loosening her grip. "Okay, Daddy. Be fast and be safe."

"I will, princess. I promise," Lewis kissed her forehead tenderly.

He handed her to you, and Alana nestled into your arms, still watching Lewis with wide, admiring eyes. He turned to you next, his expression softening.

"I'll see you both soon. I love you."

You smiled, leaning in to kiss him. "Be safe out there."

With one last glance at his family, Lewis turned and headed towards his car, his determination renewed by the love and support he carried with him.

As you made your way to the VIP viewing area, Alana's eyes darted everywhere, taking in the sights and sounds of the bustling circuit. The roar of engines filled the air as the cars lined up on the grid.

"Look, baby," you pointed, "There's Daddy's car. Number 44, remember?"

Alana nodded eagerly, her eyes fixed on the sleek silver Mercedes. "Go, Daddy, go!" she shouted, even though the race hadn't started yet.

Throughout the race, you explained what was happening in simple terms Alana could understand. She cheered every time Lewis's car came into view, her enthusiasm making everyone around melt.

"Daddy's car is going so fast! He's the bestest!" Alana exclaimed, her eyes wide with wonder.

When the final lap came, the tension was palpable. You held Alana close, her little hands clutching your shirt as she watched Lewis take the lead. As he crossed the finish line first, the grandstands erupted in roars.

Alana’s eyes widened in amazement. “Mommy, did Daddy win?”

“He did, sweetheart!” you exclaimed, hugging her tightly. “Daddy won!”

"Daddy won! Daddy won!" she chanted, her voice filled with pure joy.

You couldn't help but laugh at her enthusiasm, your own heart swelling with pride. "Let's go see Daddy, shall we?" you suggested, taking her hand.

You hurried to the pit lane, eager to congratulate Lewis. As he climbed out of the car, the sight of you and Alana brought a huge smile to his face. He reached out, and Alana practically leapt into his arms.

“Daddy!” she shouted, hugging him tightly. “You did it!”

Lewis laughed, his eyes shining with happiness. “We did it, baby girl.”

Lewis held Alana with one arm and reached out to pull you into the embrace with the other. The three of you stood there, a little island of family amidst the chaos of the celebration.

"I'm so proud of you," you whispered to Lewis, giving him a quick kiss.

Alana, not wanting to be left out, planted a big kiss on Lewis's cheek. "Me too, Daddy! You're the bestest ever!"

As the celebrations continued around you, Lewis kept Alana in his arms, not wanting to let her go. She had always been clingy with him, especially since he was away a lot of weekends for races. She missed him a lot, and every moment they spent together was precious to her.

When it was time for the post-race interview, Lewis tried to set Alana down, but she clung to him, her small hands gripping his suit. “No, Daddy, hold me.”

“Come on, sweetheart, let Daddy do his interview,” you coaxed.

Lewis looked at you with a soft smile. "It's okay, I'll take her with me. I'll pay whatever fine the FIA gives me," he said, adjusting Alana in his arms. You couldn't help but chuckle, knowing how much this moment meant to both of them.

As Lewis approached the interview area, he saw a familiar face waiting for him - Nico Rosberg, his former teammate and rival. Nico's eyebrows raised slightly at the sight of Lewis carrying Alana, a small smile making its way to his face.

"Lewis, congratulations on your win today," Nico began, microphone in hand. "And I see you've brought a special guest with you."

Lewis grinned, bouncing Alana slightly in his arms. "Yeah, this is my daughter Alana. She's my good luck charm today."

"Hello there, Alana," Nico smiled warmly at her, "Did you enjoy watching your dad race today?"

Alana, suddenly shy in front of the camera, buried her face in Lewis' neck but peeked out with one eye. "Daddy is the bestest," she mumbled.

The crowd around them collectively "aww'ed" at her adorable response. Lewis chuckled, patting her back gently.

"Well, Lewis," Nico continued, "that was an incredible drive today. Can you talk us through that final lap?"

As Lewis answered, discussing the intricacies of the race, Alana stayed nestled in his arms, occasionally lifting her head to look around curiously and playing with the zipper of her father's suit.

When the interview concluded, it was time for the podium ceremony. Lewis knew he couldn't take Alana up there with him, no matter how much he wished he could.

"Alright, princess," he said softly, "Daddy has to go up on the big stage now. Can you stay with Mommy and watch?"

Alana's grip tightened, her lower lip trembling. "No, Daddy, I want to stay with you!"

You stepped forward, gently prying Alana from Lewis's arms. "Come on, sweetheart. Let's watch Daddy get his big trophy. We can wave to him from here."

Reluctantly, Alana allowed herself to be transferred to your arms, her eyes never leaving Lewis. As he walked towards the podium, he turned back to blow a kiss to both of you.

You found a good spot near the podium, holding Alana up so she could see clearly. Her eyes widened as she watched Lewis climb the steps to the top of the podium.

"Look, baby," you said, pointing. "There's Daddy on the top step. That means he won!"

Alana's face lit up with pride and excitement. "Daddy won! Daddy won!" she chanted, clapping her hands.

As the British national anthem played and Lewis stood tall on the podium, trophy in hand, Alana watched in awe. When Lewis spotted you two in the crowd, he gave a special wave and blew a kiss your way, making Alana squeal with delight.

"He sees us, Mommy!" she exclaimed, waving back furiously.

You hugged her close, your heart full of love for your little family. "Yes, he does, sweetheart. He's waving just for you."

As the champagne spray began, Alana giggled at the sight of her daddy getting all wet. It was a perfect end to a perfect day, one that you knew would be etched in your family's memories forever.

[melbatron5000]

More crap about story rules

I dunno if this is helpful, but I read somewhere that Tumblr is just talking to yourself until someone goes, "Oh, I like this," so here goes. It helps me to get this sort of stuff out and be able to reference back to it.

I'm a novelist. I write speculative fiction, primarily urban fantasy with a dollop of mythopoeia (wanting to lean more towards the mythopoeia, but anyway). Neil is definitely a role model of mine, and has been since I was 19. Terry came a little later for me, in my mid-twenties. I'd read Good Omens by then, but believed Neil had a heavier hand in it than Terry did (Ha!). Once I finally picked up some Discworld, I was hooked for life.

I also recently learned I have ADHD, so not only is traditional institutional academia not my thing, I also have trouble sussing out meaning and details from things unless I have specific instructions on where to look. Once I have that in hand, I often go on a tear and find things that I never imagined were there, and frequently surprise not only myself but others. But I absolutely have to have that first step laid out for me in order to make more of my own.

When I first started writing in the 80s (yes, I'm old), I started looking around for the elusive "story structure" I'd heard about vaguely from other writers. I really couldn't find anything written down about what constitutes the steps of a story, the journey a hero must take for a story to be told start to finish. The other writers I'd heard discuss it didn't have concrete ideas for me (lots of hand-waving and "oh, you know"s), so I figured I'd find it in a book somewhere.

I found a little something about structure from Greek philosophy, but that mainly boiled down to stories needing a "beginning, middle, and end," like, duh, and not a lot about what made those three parts up. As a very basic story-telling model, it is incredibly concrete and important, but it's something we've known for thousands of years by now so it doesn't exactly light up the night sky with insight anymore. It's become such common knowledge that it almost doesn't seem like knowledge. I found more from Joseph Campbell, but a lot of what I found written by him was very airy and sort of dream-like, and hard to follow. So I gave up and muddled along the best I could.

About ten years ago now, I decided to try again, and found a whole ton of stuff written about story structure, from Greek philosophy decoded to Shakespear's five-act structure to The Hero's Journey first talked about by Joseph Campbell to modern Hollywood 3-act structure. Around about 2010 there was an explosion of work done on story structure, and damn if it wasn't eye-opening.

My favorite book so far on structure is The Story Grid by Shawn Coyle, because he has broken down all the various types of structure into very concrete, easy-to-comprehend steps that make sense. He talks about exactly where there is wiggle room, exactly where there is not, the general shape of a story in comparison to the general shape of the five stages of grief, what precisely constitutes a scene and what the sequence of scenes has to be to tell a whole, complete story. (In case you're interested, my next favorite book on structure is Save the Cat! Writes a Novel. It fills in a few holes that The Story Grid misses, and together they make a beautifully complete map of how to tell a good story.)

My favorite, in particular, are the Five Commandments of Storytelling. Each scene, each act (however many you want, I like 4), and the story as a whole, all have to follow the Five Commandments. These are elements that have to be present for a scene to work, and for a story to reach its beginning, middle, and end satisfactorily.

Inciting incident. This is something that happens that forces the main character to change course, take action. It has to be either an Act of God, or another character acting on the main character.

Progressive complications. The main character forms a plan to put life back in order and tries it, but is blocked. They have to regroup and form a new plan. Threes in storytelling are always good, but the main character must be blocked until they reach the Turning Point Complication, where they realize that in order to move forward and have a hope of getting where they want, they must make a hard choice. Often the hard choice is that they must do The One Thing They Didn't Want to Do, though the introduction of new information will drive this decision as well. New information can come from another character, or be realized by the main character as a result of the action.

Crisis. They reach the decision point, where they must choose one thing over another. The decision must be between two irreconcilable good things, where they can't have both; or the lesser of two evils, where they can't escape both. The Crisis can also be boiled down to a "what will they do?" question. They're going to have to pick, but they're going to resist before they choose, and that creates tension which keeps the reader invested.

Climax. They make their choice. It's really that simple. They pick.

Resolution. The consequences of their choice are laid out. In a scene, this means the inciting incident of the next scene is introduced because of the character's choice; in an overall story, this leads to the end of the tale where our hero emerges, having learned whatever it was that the author deemed they needed to learn.

For example, Aziraphale is listening to music when a knock comes at the door. (Inciting incident) He forms and enacts a plan -- answer the door, probably hoping to get rid of whoever it is quickly. It's Gabriel. (Complication) He forms and enacts a new plan -- find out what Gabriel is doing here. Gabriel says he doesn't know. (Complication) Gabriel asks to come in. (Complication) Aziraphale forms and enacts a new plan -- tell Gabriel no. Gabriel says oh-kay and turns to the people on the street. (Turning point complication) Now Aziraphale has two bad choices -- bring Gabriel inside, or leave him to wander naked around Whickber street doing God only knows what. (Crisis) He chooses what he thinks is the lesser of two evils -- he tells Gabriel to get in. (Climax) Now Gabriel, possibly Aziraphale's worst enemy, is inside his home, the book shop. (Resolution) And because this is a scene, this Resolution is also the inciting incident of the next scene.

This can go different routes, as when the inciting incident rouses curiosity or creates a promise of something the character wants, instead of inflicting discomfort -- although if a character wants something bad enough, deciding to say no to pursuing it could inflict discomfort, so that counts, too. The inciting incident just means that something happens so that the main character can no longer keep living life as it was. Something has to change, and they have to change it. In the end, it all boils down to something outside the main character knocking them off course, them deciding how to try to get back on course and failing, and what happens as a result. (Beginning, middle, end!)

A good way to create a mystery is to hide the Inciting Incident from the readers/viewers. Or at least, the Inciting Incidents of certain character and scenes. In the above example, we see Aziraphale's Inciting Incident, but we don't see Gabriel's until episode six.

I believe we haven't seen the Inciting Incident of Crowley and Aziraphale's storyline for season 2. It seems like Gabriel showing up is the Inciting Incident for the entire season, but I believe his arrival is a Complication, not the Inciting Incident. As far as what the original Inciting Incident was, well, first and foremost, the Resolution of season 1 would naturally lead into the Inciting Incident of season 2, just as a scene would do for the scene following it. So there's one Clue. As for the answer -- we just have to keep looking where the furniture isn't.

I hope this story breakdown was interesting to someone. I find it completely fascinating, but I am a story nerd, so maybe what I like and find interesting isn't up everyone's alley.

Cheers!

[n0vazsq]

Moon, a hole of light | JB22 x SV5

summary . . . Jenson Button and Sebastian Vettel, one of the most esteemed names in Formula 1. Well, their names held a different story than their behaviour. Mischief, troublemaking and much more came with these two. Will the grid be able to survive?

request . . . yes!

word count . . . 1.6k

warnings . . . cursing

alexavia yaps . . . idk if this is good or not bc i literally just put a bunch of ideas together and hoped it was good </3 i accidentaly deleted the first draft so i lost the authors note and summary dni

2010, it was a year to be in F1. Many legends were on the grid, aswell as new rookies striving for greatness. But there was one pair that stood out more than the others, Jenny and Sebby, as they called themselves.

Jen and Seb, another name for them, were the troublemakers and pranksters of the grid. They were either driving or causing trouble, no in between. They made sure their PR Managers lived in misery and vain, but at least they had fun, right?

"SEBASTIAN VETTEL! COME RIGHT HERE!" Jenson's shout came from his driver's room in Mclaren. Seb, who was waiting around the corner grinned and tried to stifle his laugh as he walked over to the driver's room.

Seb slowly opened the door, trying to hold his laughter at the sight in front of him, but then failing. There stood a red-face Jenson Button, but quite literally. His face and body were stained a bright red, his fists clenched and shaking.

It took all his will to not punch Sebastian right then and there.

You'd think that a 30 year old man and a 23 year old would be mature, and have some common sense, right? Well, if you ever met Seb and Jen, you'd instantly know you were wrong. They were even more immature than a pair of 5 year olds, which was a bit surprising.

"I'm telling you to loosen up my buttons, babe" Sang Sebastian to Jenson, who rolled his eyes and shook his head disappointingly.

"I regret teaching you that this song even existed." He muttered, eyes closed and head in his hands.

"Well, too bad. I've already memorised all of it." Laughed Seb, pointing his finger at Jenson in a taunting manner.

"You did not!" Exclaimed Jenson, his eyes comically wide.

"Yes I did!"

"God, what am I going to do with you?" Jenson sighed, his shoulders deflating.

"Nothing, because you're never getting rid of me!" Seb started skipping around him in circles, singing the lyrics to Buttons by The Pussycat Dolls.

"God please help me." 

"A beekeeper?!"Jenson shouted, his jaw almost on the floor.

"What's wrong  with being a beekeeper?" Seb shouted back, his arms going across his chest defensively.

"That's so...adorable and cutesy! It does not  fit you!"

"Yes it does!" Seb argued, his voice slightly cracking.

"Does not!"

"Does"

"No!"

"Yes!"

"Nuh uh!"

"Shut up!"

"Jeez, way to stop an argument." Jenson laughed, blowing air out of his mouth.

"Fuck off, Jen. You want to be a DILF."

"Why’s my entire table filled with… carrots?" Seb stared at the small mountain of carrots spilling out as he opened his locker.

Jenson strolled into the room, arms crossed, leaning casually against the doorframe with a smirk. "Just making sure you’re eating healthy. Thought you could use a bit of beta-carotene, mate."

Seb rolled his eyes, grabbing a handful of carrots and shoving them into Jenson’s arms. "Fine, but you’re eating them with me. Enjoy your five-a-day."

"Why is there glitter… everywhere?" Jenson asked, his voice barely holding back a mix of rage and laughter as he opened his driver’s bag to find every item coated in a thick layer of sparkles.

Seb was practically bent over in silent laughter, barely able to breathe. "It’s called adding flair, Jen. A little sparkle in your life never hurt."

Jenson held up his helmet, which was covered in glitter, and just shook his head. "You're dead, Vettel. You better start running now."

During one race weekend, Jenson was doing a live interview, being the picture of professionalism, answering questions and playing the PR game as usual. But right on the edge of the frame, Seb popped up wearing a pair of sunglasses and holding a cardboard sign that said, 'Free Hugs from Jenson.'

Without any hint of annoyance or surprise, Jenson smirked at the camera and pointed behind him. "Alright, guys, you heard him. Go find Seb if you want hugs. Might be the only time he’s offering them to the public."

During a fan Q&A, a young fan asked Jenson how he would describe Seb in three words.

Jenson looked at Seb, pretending to be in deep thought. "Hmm… a bee loving menace."

Seb grinned, crossing his arms. "Best description I’ve ever had. What would you be?"

"Easy," Jenson replied with a grin. "Seb’s number one fan."

The audience burst into laughter, and Seb dramatically placed a hand over his heart. “Aww, Jen, you shouldn’t have!"

"Sebastian, what’s your proudest achievement in F1 so far?" a journalist asked during a media day.

Seb was mid-sentence, talking about his wins, when Jenson appeared out of nowhere, a huge smirk on his face. "Oh, I can tell you. It’s definitely pranking me with a cardboard cutout of myself in my hotel room at 3 a.m. Nearly gave me a heart attack."

Seb burst out laughing. "It was life-sized! I figured you’d love the surprise!"

"Oh, I loved it," Jenson replied sarcastically. "Especially when I walked in and saw myself staring back at me. Almost had to call security."

Then there was the time when Seb was asked if he ever got nervous before races.

"No, not really," Seb replied calmly, then paused as Jenson slid into the shot behind him, eyebrows raised.

"Are we forgetting Singapore? 2009? Because I remember somebody pacing around like a madman that morning, muttering something about needing more breakfast."

Seb glared at him, trying to stifle his grin. "I wasn’t nervous! I was… focused."

"Right, focused on finding an extra croissant," Jenson said, leaning into the mic. "He was unstoppable once he got it."

In a rare joint interview, Jenson and Seb sat down with a reporter, who knew that having these two together would be nothing short of entertaining chaos. The interviewer barely got to her first question before things went to chaos.

"So, Jenson," she began with a smile, "how do you and Seb keep such a good dynamic? I mean, you're known as one of the most iconic duos in the paddock, but there's clearly some… competitive spirit there."

Jenson gave a small chuckle, glancing over at Seb, who already had a smug grin. "Well, I think it’s because we’ve both come to terms with the fact that we'll never stop pranking each other."

Seb scoffed, leaning back in his chair. "Me? I’m the one who’s just a tiny bit competitive? Remember Monaco, Jen? You may as well have had steam coming out of your ears by the end of that one."

"Don’t act innocent, Seb," Jenson shot back, eyebrows raised. "Who was the one who replaced my car’s steering wheel with a pink one with ‘Princess’ written on it?"

Seb laughed, clearly proud of his prank. "Oh, come on! You did look quite royal with it."

The interviewer was grinning ear to ear, clearly loving their dynamic. "Okay, okay, let’s settle this! What’s the biggest prank you two have pulled on each other?"

Seb’s eyes sparkled, leaning forward like he’d been waiting for this question."That’s easy. Spain, last season. He had this brand new helmet design he’d been bragging about for weeks. It had all these fancy graphics, and he wouldn’t stop talking about it."

Jenson’s eyes widened as he realized what Seb was about to reveal. "Don’t you dare, Seb!"

"Oh, I’m telling them," Seb said, grinning. "So, I may have… slightly changed his helmet."

"Slightly?" Jenson cut in, exasperated. "You replaced my name with a cartoon donkey and slapped a rainbow on it!"

Seb was barely able to keep a straight face. "And it looked amazing. He didn’t realize it until he was already at the track, visor down, ready for the press photos."

Jenson shook his head, grinning despite himself. "Every photographer at the track got a picture of that disaster. You know how hard it was to live that down?"

The interviewer was in stitches, barely able to get her next question out. "Alright, Jenson, what’s the biggest prank you’ve pulled on Seb?"

"Oh, this one was good," Jenson said, rubbing his hands together like he was planning a grand scheme. "It was right before Silverstone, and Seb had just gotten this new superstitious thing about his driver’s suit. Something about ‘needing it perfectly creased’ for luck."

Seb rolled his eyes. "Don’t remind me."

"So, I… may have swapped his suit with one that was three sizes too small and had bright neon green stitching." Jenson shrugged, feigning innocence. "I figured if he really needed luck, he’d work with whatever he had."

Seb slapped his forehead, laughing. "I couldn’t even breathe in that thing! I walked around like a robot all morning until someone finally told me where he’d put my actual suit."

The interviewer chuckled, leaning in. "Do you two ever get tired of the pranks? I mean, don’t they ever just get exhausting?"

Seb and Jenson exchanged a look, then shook their heads in unison.

"It’s like an unspoken rule at this point," Jenson explained. "He pranks me, I prank him back. Keeps things interesting. And the paddock seems to find it entertaining." (he push me i push him back)

Seb nodded, adding, "And, hey, it makes those PR events a little less boring. Like that one event in Monaco where he wouldn’t stop complaining about the heat, so I ‘helped’ by swapping his water bottle with sparkling lemonade. Thought he’d appreciate the upgrade."

Jenson shot Seb a look. "Upgrade? Seb, it was carbonated. I sprayed half of it all over my suit before I realized it."

"Good times," Seb said, smiling like it was a fond memory.

The interviewer’s eyes twinkled with excitement as she moved on to her next question. "Alright, last one! If you could describe each other in one sentence, what would it be?"

Seb tapped his chin, pretending to think deeply. "Oh, that’s easy. Jenson is the most patient man on the planet… for putting up with me."

Jenson laughed, leaning back in his chair. "You got that right."

"And what about you, Jenson?" the interviewer asked, curious.

Jenson looked at Seb with a playful glint in his eye. "Sebastian Vettel… the grid’s biggest headache, but somehow my best friend."

Seb looked mock offended. "Hey, I prefer ‘legendary troublemaker.’"

They both burst out laughing, and the interviewer shook her head, thoroughly entertained. "Alright, I think we’ve got enough stories to keep F1 fans laughing for weeks!"

[repsolhonda]

ok but any reason the lcr riders were doing the helmet theme this week????

[dr3comebackera]

Daniel Ricciardo on his Zandvoort crash, surgery on his broken hand, recovery process, and return in Austin

Tom Clarkson: "Now you mentioned the elephant in the room, Zandvoort. FP2, Turn 3, what happened?"

Daniel Ricciardo: "I *awkward laugh*, I mean I obviously can remember it very clearly, since I didn't hit my head. Erm, but, so you come through, turn, I guess it's Turn 2, and it's over kind of a crest, but then you stay quite tight, because, then the line for 3, you ride the top of the banking. So you know, you're not taking a conventional racing line, so you're not like looking at the apex, you're looking at the top of the corner, pretty much. Like, as a driver, we're always looking ahead and normally like at the apex, but the way you exit 2, you then kind of look straight ahead and pick your braking point."

DR: "So at that point, I'd exited 2, I hadn't seen any yellows, nothing like that. And then by the time I've looked and braked, I then looked where I need to turn, and I see Oscar. This all happened so quickly, but I remember, I can, obviously I'm picturing it in my head now. So I remember, okay, the line we take is high and by this point I'd braked, so I'd already committed, so I knew the speed I was going. My only choice was to take the high line, but I could see his car was at the top of the track. So there wasn't enough room for me to pass through the high line. I'm going too fast to take a low line, so it was either, probably look like a real idiot and crash into him, or try and just slow the car as much as I can, and likely just crash into the barriers, which is what happened."

DR: "But yeah, because it was all, I guess I'm still trying to figure out what I'm going to do, by the time then I'd committed to just going straight, I hadn't then realized, 'okay, take your hands off the wheel.' And a lot of us still don't do it, because crashing is not natural. And it happens so quickly, because you don't plan to crash, so a lot of the time you don't kind of have, yeah, the time to be like, 'okay, I'm crashing, what do I need to do? Brace myself, okay, take my hands off the wheel.' Sometimes you just don't have the luxury of time."

DR: "So, that was it, I hit the wall. I've only watched one replay, but I just don't, I don't want to. Basically, when I've gone in, I'm pretty sure like the right front, it's just the angle, right, the right front would've grabbed the Tecpro [barrier] first, and then that's, like, pulled it in, so it's, it's like I've turned really hard right, the way obviously it's grabbed the wheel. So because the wheels then turned so quickly, I've basically lost grip, so it spun out of my hands, and the bottom of the [steering] wheel, which is pure, hard carbon, has then come up and basically karate chopped my hand."

DR: "So then, you've got the shock of the crash and then adrenaline, so I've come on the radio, and I'd, I think I'd been like, oh sorry, like I've crashed or something. And then, is he like 'oh, you alright?' or 'can you continue?' and I was like, 'no, the car is damaged.' And then, I could feel my hand, and I was like, 'ow, my hand, my hand.' And then I just, it started to, like the pain just went, obviously ramped up really, really quickly, and I feared that something was bad. So, as I'm, I wanted, I was like, 'I need to get my glove off, I need to get my glove off.' And as I'm pulling my glove off, I remember, I was thinking, *awkward huffy laugh*, I was like 'if there's a bone through the skin, I'm gonna pass out.' So that's all, I was just like 'please, please don't let me see anything gruesome.' I'm not good with this stuff, I'm sweating telling it, like I'm serious. I suck at this.

TC: "Have you broken a bone before?"

DR: "I broke my arm as a kid at school, throwing a tennis ball. Anyway, yeah, another very random accident, and I didn't need surgery, that was like a long, long healing process."

DR: "But yeah, so, alright, so I've pulled my glove off, and I, I could see it was already quite swollen, but no bone through the skin. I was like, 'okay.' But then the pain just got so bad, so as soon as I jumped into the medical car, I was *long pause* making a lot of noises, because I was in a lot of discomfort. So I knew that it was not good. I knew immediately, obviously, I wasn't going to race on the weekend. Like I didn't need a doctor to tell me. I feared it was a broken bone. I think the first thing that really kind of just made me sad, was I just had a very, very productive summer break. I felt really, really good physically, and I was just, yeah I was just ready to go. And this just felt like an unfortunate setback. But I was just more worried about surgery and all that, because I'm, again, I'm a bit of a wuss.

TC: "What happened next, I mean, you went down to Barcelona, to Dr. Xavier Mir, who is renowned in the MotoGP world, for mending those sort of breaks. I also think he was, didn't he help Lance Stroll earlier in the year as well?" "Yeah" "So who put you in touch with him, or did you know him already?"

DR: "So from the medical center, we went to the hospital there in Amsterdam. Got scans, and they're like, 'yeah, it's broken.' And by this point, it's the size, like, looked like an elephant stepped on my hand. The doctor there said, 'look, I would recommend surgery.' He's like, 'you can have it here, but you probably want to wait anyway a few days for the swelling to go down. Speak to whoever you need to speak to and obviously you can have your surgery wherever you want, I'm just going to give you my advice.' So then we reached out to Lance, we reached out to, well Jose, a friend of ours who works with Alpinestars, so he knows all the MotoGP guys, and he, he's Spanish as well, so he knows. So he, I think, put us into touch with Xavier Mir, and then, yeah, Lance was like 'go to him' as well. All signs were just pointing to, this guy's done this too many times, just go see him. Like, like don't even bother, just go there.

DR: "So it was, it was a blessing and a curse because, *laughs* he does a lot of MotoGP guys, who, are not human. They are not. It's fact, they are not. So, I think there's an expectation of me going in there, he's like 'oh, F1, MotoGP, same! Not human, don't feel pain.' 'No, doctor, I feel pain. I'm going to cry for the next 48 hours whilst I'm in this hospital.' So it was just funny, they, I think, you know, all the doctors and nurses and that who were helping me, and they were great, but I think they were, they were just quite, they would laugh a lot, because I would wince and pull away and ask questions every needle that went into my arm. Erm, so I think they just thought I would be tough like a MotoGP rider, but I am not."

TC: "I'm sure you were."

DR: "No, no, trust me, I'm not. The break itself was quite significant. It was a shatter, like it wasn't like, oh you just break it clean down the middle. I think it was in eight pieces or something. So it was also, for a bone that can be quite a simple one, it wasn't too pretty."

TC: "So it's your pinky that was being affected by it?" "Erm, well..." "On your left hand?"

DR: "It's like the outside of the hand. So that's the bone I broke, in between like the wrist and the pinky, like that knuckle. So like along the outside there. But even me just rubbing my finger over the top of my hand, hurt like crazy. Maybe I just feel pain more than others, I don't know. *laughs* But er, sorry, I just want to, just let's also say one thing. There was also the reality where, yes, I would moan and complain because I don't like the pain. But it was a broken hand, so there was also a part of me which was like, 'look, dude, yes you're in pain and it's going to be a bit of a process, but people have worse injuries, people have bigger accidents.' So don't get me wrong, I also tried to reality check myself through it all, and I think that's what made me quite, like remain quite positive."

TC: "You missed five races, you came back for Austin. Was there any talk of you getting back earlier, maybe for Qatar?"

DR: "So I knew, I was doing physio every day, and I was, I was doing what I could to come back as soon as possible. But I also wanted to make sure, and I think, you know, Red Bull/Alpha Tauri were really good with this, I wasn't fighting for a world championship, like it's not like, dude you need to just drive through immense pain and just get a point, you know because this is your titles on the line. Like it was, let's make sure you do this and heal properly, and get the right treatment, because also you've got, hopefully a second part of your career which is going to be long and glorious. So it was just, don't compromise anything that you then have a bum hand for the next two years of your career, three years, whatever. So it was good, I could just do it properly."

DR: "Qatar was talked about, I went on the sim the week of Qatar, on the Monday, but I couldn't, er, yet, drive with the full force of the steering, like so we would like bring the feedback down. Er, I just couldn't grip it and do more than like two laps at full strength. So it was very clear that Qatar was out of the question, and also for me to come back and like, yeah, I don't know, not drive at my best and then, no, that no one benefits. I don't benefit, the team doesn't. So er, it was that, at that point we're like, let's just go all in for Austin and make sure I'm good for that."

TC: "And Liam was doing a decent job as well"

DR: "Exactly, he was doing well and there was also, I think Red Bull were great to give me a contract whilst I was injured, to give me a contract for next year. So I, I had that-"

TC: "That was very significant, wasn't it?" "Yeah" "They actually signed you long-term when you were on the sidelines?"

DR: "Yeah, there's so much about being back in the Red Bull family this year that's felt good and right, and I think that was such a, yeah just such like a big thing for them to do that. I think obviously it showed they have a lot of faith in me. It also put to bed if anyone was like, 'oh you know, is there still any issues from their previous relationship years ago? Like is there any carryover tension or whatever?' Like, for them to do that, I think it was very much like, he's our kid and we're going to support him because we believe in him and- So that was really nice."

TC: "So you come back for Austin, and were there any ill effects there? Because I mean, that's a quick track, sector one in particular."

DR: "Er, no, like in, in short no. Erm, I think the race, I got into it quickly and, and, and I was actually honestly expecting more pain in Austin. I was expecting like every kind of bump or kerb I'd hit would be like 'ow, ow, ow.' But it was okay, and erm, I think it was just an endurance I needed to build so like, towards the end of the race, I could feel like my grip strength was maybe not as good as at the start of the race. But honestly, I was, I was fine. And I think that was another thing, I didn't want to get back into a race and then be like, 'yeah I could have done better, but you know, my hand was not up to full strength.' Or like, I was like, this can't be an excuse, and it wasn't, so it was all good."

TC: "And Daniel, you were never going to miss Austin, right?"

DR: "No, I couldn't. I would've loved the result to be better, but no, I couldn't miss Austin.

TC: "The track, the place"

DR: "Yeah, yeah. I love it."