#stonestile

[uk3d]

Stone stile sketch | Limited edition fine art print from an original drawing. My sketches start life as hand-drawn graphite images made on cartridge paper. I often work on these with charcoal, oil pastel or Caran d'Ache to create the look I'm after. The artwork is then scanned and finessed digitally ready for fine art printing. This process often referred to as Giclée printing uses the highest standard of printing methods to give gallery quality results that maintain all the details of the original sketch. The graphite pencils I use are Faber-Castel, the oil pastels are Sennelier and the china-graph is Caran d’Ache. The inks are pigment based archive quality (100years+). The heavyweight specialist papers I use are of the best professional quality having a wonderful surface designed specifically for fine art drawings and illustrations. Very limited editions with only ten per size printed. All artwork is signed and includes a certificate of authenticity. The A5 are 5.8" x 8.25" (14.8cm x 21cm) The A4 are 8.25" x 11.7" (21cm x 29.8cm) The A3 are 11.7" x 16.5" (29.8 cm x 42cm) The A2 are 16.5" x 23.4" (42 cm x 59.4cm) Frames not included in price. Free shipping on artwork to UK destinations.

[cuthalions]

Then Túrin was roused into a sudden wakefulness of rage and fear, and seeing a form bending over him in the gloom with a blade in hand he leapt up with a great cry, believing that Orcs were come again to torment him; and grappling with him in the darkness he seized Anglachel, and slew Beleg Cúthalion thinking him a foe. But as he stood, finding himself free, and ready to sell his life dearly against imagined foes, there came a great flash of lightning above them, and in its light he looked down on Beleg's face. Then Túrin stood stonestill and silent, staring on that dreadful death, knowing what he had done [...] Thus ended Beleg Strongbow, truest of friends, greatest in skill of all that harboured in the woods of Beleriand in the Elder Days, at the hand of him whom he most loved; and that grief was graven on the face of Túrin and never faded. 

— THE CHILDREN OF HÚRIN, CHAPTER IX: THE DEATH OF BELEG

[loopholes-and-wishes]

maybe...... id say no but if i was someone who actually could do those big things to go on some quest yes. if it was like oh im in a room with you and the only way is kill no . but if we went on a quest maybhaps..... id go stonestill then look over to you upset and sitdown withyou... talk with you for awhile...... take down your thoughts what youre feeling what you want your official final words to be... thenid close the book and holdyouforabit..... andonce itd be time id take your weapons slowly and asking before each and pick one of mine most important to me and put it to your exposed stomach griptheback ofyour neck squeeze just before i drive the knife in so you can be ready... holdingyouclose as you adjust to the intrustion.... crying as i kiss your forehead promising to remember you forever... and once you say youre ready id takethe blade out of you and cutyour throat... blood sprsying all over me.... marking me for the evil ive done by ending your life.....

🥺🥺🥺 You promise?? Oooohhh thats so sweet, I'd love that <3 <3 <3 <3

[earencoivienen]

... i huinesse mapanes Angarilel, ar nahtane Velicë Cúsalyondo sanië i nanes cotto... San Túrindo tarnë úrúmina vë ondo ar lámenca, tirië sa naira qualmenna, hanië i acáries; ar é rúcima nanë cendelerya, calyanë i alcassenen i itanë os le... San telyanë Velicë Cúsalyondo, ananwa meldoron, analta maitilesse iluo i marner tauressen Valariandeo Eldalumessen, mánten isseo i nane ammeldarya; ar sa nyérë nane nácina cendelenna Túrindo ar allumë quellë.

.

Translated from Silmarillion 21 Of Túrin Turambar

.

...in the darkness he seized Anglachel, and slew Beleg Cúthalion thinking him a foe...Then Túrin stood stonestill and silent, staring on that dreadful death, knowing what he had done; and so terrible was his face, lit by the lightning that flickered all about them...Thus ended Beleg Strongbow, truest of friends, greatest in skill of all that harboured in the woods of Beleriand in the Elder Days, at the hand of him whom he most loved; and that grief was graven on the face of Túrin and never faded.

.

Image by Freepik

[tanya-fill6]

StoneStill

[thecreakingdoor]

Footpaths and ferns... . . . #altarnun #cornwall #woodlandwalking #publicfootpath #stonestile #rambling #ferns #inthecountry (at Altarnun, Cornwall) https://www.instagram.com/p/CGMyoxsH2v3/?igshid=6vnumyow7d8v

[echoofthemusic]

Today’s Narn thought is about this parallel:

Chapter 9: The Death of Beleg

But as he stood, finding himself free, and ready to sell his life dearly against imagined foes, there came a great flash of lightning above them, and in its light he looked down on Beleg's face. Then Túrin stood stonestill and silent, staring on that dreadful death, knowing what he had done; and so terrible was his face, lit by the lightning that flickered all about them, that Gwindor cowered down upon the ground and dared not raise his eyes.

Chapter 15: Niënor in Brethil

Now it chanced that some of the woodmen of Brethil came by in that hour from a foray against Orcs, hastening over the Crossings of Teiglin to a shelter that was near; and there came a great flash of lightning, so that the Haudh-en-Elleth was lit as with a white flame. Then Turambar who led the men started back and covered his eyes, and trembled; for it seemed that he saw the wraith of a slain maiden that lay on the grave of Finduilas.

Both scenes create chain horror effects with lightning and death as elements. The sight of dead Beleg’s face lit by lightning horrifies Túrin, whose terrible face lit by lightning horrifies Gwindor, who dares not look more at Túrin. The sight of terrified Niënor lying wraithlike on Finduilas’s grave lit by lighting horrifies Túrin, who dares not look more at Niënor.

Both scenes in a way epitomizes the chain tragedy effect of the story — one character’s misfortune and demise set off a sequence of actions and events that leads to another character’s misfortune and demise. The death of Beleg, through a direct encounter with Túrin, indirectly leads to Gwindor’s eventual fate. The death of Finduilas, through a direct encounter with Niënor, indirectly leads to Túrin’s eventual fate.

[leeaneea]

"...But as he stood, finding himself free, and ready to sell his life dearly against imagined foes, there came a great flash of lightning above them, and in its light he looked down on Beleg’s face. Then Túrin stood stonestill and silent, staring on that dreadful death, knowing what he had done; and so terrible was his face, lit by the lightning that flickered all about them, that Gwindor cowered down upon the ground and dared not raise his eyes. But now in the camp beneath the Orcs were roused, both by the storm and by Túrin’s cry, and discovered that Túrin was gone; but no search was made for him, for they were filled with terror by the thunder that came out of the West, believing that it was sent against them by the great Enemies beyond the Sea. Then a wind arose, and great rains fell, and torrents swept down from the heights of Taur-nu-Fuin; and though Gwindor cried out to Túrin, warning him of their utmost peril, he made no answer, but sat unmoving and unweeping beside the body of Beleg."

The story of "The Children of Hurin" has made the strongest impression on me since my first encounter with the Silmarillion, it was the story that was the first thing I began to illustrate in Tolkien's Legendarium .

Perhaps by now I can already discern a pattern to what captures my attention and makes me create around the theme: - a terrible injustice in the face of which the characters show firmness and fortitude… As one of my artist friends said, "an impression is like a wound and you try to heal it with a painting". The Children of Hurin is along with Atrabeth another such non-healing wound, I hope to return to this subject in the near future)

Beleg and young Turin (2012)

Strongbow and Dragonhelm (2013)

The Deth of Beleg (2017)

[wahsnad]

Nice some stile on yesterday's walk #stile #stonestile #wildflowers #moors #moorland #naturephoto #naturephotography #naturephotographer #naturephotograph #ignature #instanature #landscapes #landscapephoto #landscapephotography #hikingtrail #hiking #hikingadventurese #hikersofinstagram #outdoors #countryside #outdooradventures https://instagr.am/p/CP1KCsZjWtv/

[markovwriting]

The desperate can feel  the weight of your absence, sitting stonestill like curated gargoyles. I took a step towards the undecided Then confusion sets in the traffic, my father mercilessly cut down the vase in the good days.  He kept the ashtray. problem or suspicion? my time-worn shoulders, let them stay, if they had thought she was going to be happy in our desolate land, Where fall the way. Cereal Beyond the limits are. Amy Sterne and I discarded the too large for me it was to come. Is irked to life than this. I’d nip that hope now burns my eyes and turn burgers into combos like any other day, the mailman who’s a chick in a repulsive manner fragile as if Momma’s girth had strained Fucking Liar? Beth’s brain ceased, so that we share her voice young and I were dead.” I don’t want her to report the guy said, “and even for a false prophet wasting no time to Consent is not a relationship with it. “YOU’RE DOING WHAT?

[uk3d]

Stone stile sketch | Limited edition fine art print from an original drawing. My sketches start life as hand-drawn graphite images made on cartridge paper. I often work on these with charcoal, oil pastel or Caran d'Ache to create the look I'm after. The artwork is then scanned and finessed digitally ready for fine art printing. This process often referred to as Giclée printing uses the highest standard of printing methods to give gallery quality results that maintain all the details of the original sketch. The graphite pencils I use are Faber-Castel, the oil pastels are Sennelier and the china-graph is Caran d’Ache. The inks are pigment based archive quality (100years+). The heavyweight specialist papers I use are of the best professional quality having a wonderful surface designed specifically for fine art drawings and illustrations. Very limited editions with only ten per size printed. All artwork is signed and includes a certificate of authenticity. The A5 are 5.8" x 8.25" (14.8cm x 21cm) The A4 are 8.25" x 11.7" (21cm x 29.8cm) The A3 are 11.7" x 16.5" (29.8 cm x 42cm) The A2 are 16.5" x 23.4" (42 cm x 59.4cm) Frames not included in price. Free shipping on artwork to UK destinations.

[0w0whatisthis]

"But as he stood, finding himself free, and ready to sell his life dearly against imagined foes, there came a great flash of lightning above them, and in its light he looked down on Beleg's face. Then Turin stood stonestill and silent, staring on that dreadful death, knowing what he has done"

- The Children of Húrin, The Death of Beleg

having just the most regular day and time! mr beleg strongbow i have feelings for you

just the linesTM under cut because im not actually sure whether i like the lighting effect :goodbye:

[uk3d]

Stone stile sketch | Limited edition fine art print from an original drawing. My sketches start life as hand-drawn graphite images made on cartridge paper. I often work on these with charcoal, oil pastel or Caran d'Ache to create the look I'm after. The artwork is then scanned and finessed digitally ready for fine art printing. This process often referred to as Giclée printing uses the highest standard of printing methods to give gallery quality results that maintain all the details of the original sketch. The graphite pencils I use are Faber-Castel, the oil pastels are Sennelier and the china-graph is Caran d’Ache. The inks are pigment based archive quality (100years+). The heavyweight specialist papers I use are of the best professional quality having a wonderful surface designed specifically for fine art drawings and illustrations. Very limited editions with only ten per size printed. All artwork is signed and includes a certificate of authenticity. The A5 are 5.8" x 8.25" (14.8cm x 21cm) The A4 are 8.25" x 11.7" (21cm x 29.8cm) The A3 are 11.7" x 16.5" (29.8 cm x 42cm) The A2 are 16.5" x 23.4" (42 cm x 59.4cm) Frames not included in price. Free shipping on artwork to UK destinations.

[uk3d]

Stone stile sketch | Limited edition fine art print from an original drawing. My sketches start life as hand-drawn graphite images made on cartridge paper. I often work on these with charcoal, oil pastel or Caran d'Ache to create the look I'm after. The artwork is then scanned and finessed digitally ready for fine art printing. This process often referred to as Giclée printing uses the highest standard of printing methods to give gallery quality results that maintain all the details of the original sketch. The graphite pencils I use are Faber-Castel, the oil pastels are Sennelier and the china-graph is Caran d’Ache. The inks are pigment based archive quality (100years+). The heavyweight specialist papers I use are of the best professional quality having a wonderful surface designed specifically for fine art drawings and illustrations. Very limited editions with only ten per size printed. All artwork is signed and includes a certificate of authenticity. The A5 are 5.8" x 8.25" (14.8cm x 21cm) The A4 are 8.25" x 11.7" (21cm x 29.8cm) The A3 are 11.7" x 16.5" (29.8 cm x 42cm) The A2 are 16.5" x 23.4" (42 cm x 59.4cm) Frames not included in price. Free shipping on artwork to UK destinations. https://www.seanbriggs.co.uk/product/stone-stile-16/?feed_id=4387&_unique_id=66db39b3d9480

[uk3d]

Stone stile sketch | Limited edition fine art print from an original drawing. My sketches start life as hand-drawn graphite images made on cartridge paper. I often work on these with charcoal, oil pastel or Caran d'Ache to create the look I'm after. The artwork is then scanned and finessed digitally ready for fine art printing. This process often referred to as Giclée printing uses the highest standard of printing methods to give gallery quality results that maintain all the details of the original sketch. The graphite pencils I use are Faber-Castel, the oil pastels are Sennelier and the china-graph is Caran d’Ache. The inks are pigment based archive quality (100years+). The heavyweight specialist papers I use are of the best professional quality having a wonderful surface designed specifically for fine art drawings and illustrations. Very limited editions with only ten per size printed. All artwork is signed and includes a certificate of authenticity. The A5 are 5.8" x 8.25" (14.8cm x 21cm) The A4 are 8.25" x 11.7" (21cm x 29.8cm) The A3 are 11.7" x 16.5" (29.8 cm x 42cm) The A2 are 16.5" x 23.4" (42 cm x 59.4cm) Frames not included in price. Free shipping on artwork to UK destinations. https://www.seanbriggs.co.uk/product/stone-stile-15/?feed_id=2655&_unique_id=65c3cf6620c65

[uk3d]

Stone stile sketch | Limited edition fine art print from an original drawing. My sketches start life as hand-drawn graphite images made on cartridge paper. I often work on these with charcoal, oil pastel or Caran d'Ache to create the look I'm after. The artwork is then scanned and finessed digitally ready for fine art printing. This process often referred to as Giclée printing uses the highest standard of printing methods to give gallery quality results that maintain all the details of the original sketch. The graphite pencils I use are Faber-Castel, the oil pastels are Sennelier and the china-graph is Caran d’Ache. The inks are pigment based archive quality (100years+). The heavyweight specialist papers I use are of the best professional quality having a wonderful surface designed specifically for fine art drawings and illustrations. Very limited editions with only ten per size printed. All artwork is signed and includes a certificate of authenticity. The A5 are 5.8" x 8.25" (14.8cm x 21cm) The A4 are 8.25" x 11.7" (21cm x 29.8cm) The A3 are 11.7" x 16.5" (29.8 cm x 42cm) The A2 are 16.5" x 23.4" (42 cm x 59.4cm) Frames not included in price. Free shipping on artwork to UK destinations.