#stitching designs of lawn

[piningforstan]

Stay With Me

Summary: Stan needs you to tend to his wounds and, no, you can’t ask him about it.

Pairings: Stanley Pines x GN!Reader

Word Count: 1.2k

Warnings: some fluff, drinking, smoking, a brief description of the wound

A/N: I just imagine mullet Stan not being able to tend to his wounds properly after his fight with Ford and only trusting you to help him😭 also I’m not a doctor so this is probably medically inaccurate

A knock at the door roused you from your sleep.

Well, more like jolted you awake and sent you into a spiral of fear and panic. You belted your robe and padded down the stairs to peer through the window. A blast of frigid air burst from the door as you wretched it open, snow swirling inside and melting. “Stan?”

“Hey,” he said simply. He weaved on his feet. Under the light of the porch, his face was grey.

“What are you doing here? It’s the middle of the night.”

“I’ll, uh, ‘splain later. Can I come in?”

You ushered him in, glancing worriedly out your lawn before shutting the door. Stan’s darkened form lumbered into the kitchen where you followed him, switching on a light. He removed his jacket.

“Stan, what is —?” You choked. From where he sat at the table, back to you, you could see a wound burned into his right shoulder, clearly neglected. “Holy shit.”

With trembling hands, Stan lit up a cigarette.

“Stan, what happened?” You hovered over him, unsure where to start.

“Doesn’t matter,” Stan said quickly. “Can you patch it up?”

“Patch it up? This looks like an infected second degree burn.”

“Is that a no?”

You let his harsh tone slide over you. Not only were you used to it, being a nurse, but you sensed that something was wrong and Stan was badly shaken. Instead of prompting him for answers, you hurried into your medicine cabinet for your first aid kit. You didn’t have half the supplies that you would’ve at the hospital, but you needed to at least disinfect the wound first to prevent infection. The contents of the kit spilled out onto the table as you rummaged through them, cursing under your breath.

A cloud of smoke billowed from Stan. You snatched the cigarette from him and tossed it in a half-empty glass by the sink. “At least let me fix this before you kill yourself with that.”

Stan grumbled a response, but it was half-hearted. You got to work disinfecting the wound and cleaning it up. Stan never once complained, shoulders tensed, wincing only once you applied the disinfectant. Vaguely, in some distant, secretive part of your mind, you admired the feel of muscles reacting beneath your hands, the intimate proximity to him. From your position crouched over Stan, you could make out his profile, his clenched jaw and thousand-yard stare.

You prepared a bandage. A strange design was embedded in the reddened skin, almost like a brand. You’d have to keep an eye on the wound, but hopefully you could stave off the infection.

“When did this happen? You should’ve come straight to me,” you told him. If he didn’t look so obviously pained, you would’ve smacked him upside the head for not seeking treatment sooner.

“S’not a big deal,” Stan mumbled.

Some of the color had returned to his face.

“Stan, yes it is. You could’ve died from the infection.”

“It was just an accident in the lab.” His brave face faltered slightly, a slip of emotion like the silver belly of a fish flashing in dark waters. “I deserved it anyway.”

You frowned. “I doubt that’s true. Can I get you anything? Are you hungry?”

“I could use a drink.”

You dug out an old bottle of whiskey that an ex had left behind. He insisted on drinking out of the bottle, knuckles white — shaking, but not as violently as before. You had taken his jacket off the back of the chair and used spare material to stitch it up from the burn. It must’ve been horrible if it burned through the jacket and into his skin so deeply. You watched him sip the whiskey and wince occasionally, not able to completely recline in the chair.

“You should stay here,” you said after who knows how long, both of you content in the silence. Before he could protest you added, “I have a shift tomorrow so I’ll be gone most of the day. But I can keep an eye on you and I know you won’t be doing anything else stupid.”

The corners of his mouth twitched. “Thanks, kid, but no thanks. I’ll be fine.”

“At least just tonight.“

“Fine. But I’m sleeping on the couch.”

You nodded your approval. After he polished off the bottle and you peeked at his wound again, you got him set up on the couch with pillows and a blanket. He looked small, boy-like, tucked under the covers and looking so vulnerable. Your heart panted. “You’ll be alright?”

“Ain’t gotta worry about me,” Stan replied. The sounds of his snores reverberated through your house before you even hit the stairs.

You awoke to Stan yelling. For the second time that night, or, well, morning, you jolted up and ran down the stairs without even snatching your robe. Bleary eyed and stiff-limbed, you staggered downstairs to find Stan thrashing on the couch, blankets thrown to the floor. He was crying out in his sleep. You knelt down next to him.

“Stan. Stan. Stan!”

It took you shaking his shoulders for him to come to, eyes widened and looking surprised to see you. “What? What’s going on?”

“You were having a nightmare.”

“Oh. Sorry.” He propped up on one elbow, running a hand through his dark curls. You adamantly kept your gaze from drifting to his chest, partially revealed in the white tank top he had worn to sleep in. “I, uh, been having a lot recently. Did I wake ya?”

“No,” you lied. “Are you okay?”

“Fine.”

You brought him a water. Sweat sheened his forehead but you suspected it was from the nightmare and not a fever from the infection. Still, you double checked the wound again. Some more pus oozed out along the edges that you cleaned up. It was clear, though, so nothing to worry about. Yet.

You bid him goodnight and moved to leave but felt a large hand grasp your wrist. “Would you, uh, would you mind stayin’?”

Surprised, you turned to him. His expression was so desperate, pleading, that you wordlessly agreed. Stan looked satisfied at this. You sat near his socked feet and pretended to sleep, though there was no way you could now. Not with him so close, so scantily dressed, raw and vulnerable.

It didn’t take long for him to lapse into another nightmare, twitching and muttering. Concerned, you reached over to console him. It was in that moment that he trapped you against his chest, looking for comfort, his heart beating furiously. You stilled. The nightmare slipped away but you were stuck, having fallen between his legs and lying completely on top of him. You did your best to wiggle free but he refused to budge.

Slowly, nervously, you put your head down. Stan, still asleep and unaware of the situation, kept his arms around you. He was big and warm and soft, and you were awfully tired. You reasoned that he needed his sleep, and if staying here meant that he could rest without disturbance, then you would happily fulfill this service for him.

It didn’t matter that you had dreamed of this before, cuddled up next to him, his shallow breaths rustling your hair. That you were overly awake of his hand on your hip, the way that you fit perfectly against him.

No. Nope.

You were just helping him out, like you did with his shoulder. Just helping out a friend.

A friend.

Right?

[chic-a-gigot]

La Mode nationale, no. 26, 28 juin 1902, Paris. Toilettes d'été pour dames et jeunes filles. Bibliothèque nationale de France

(13) Corsage de dîners pour jeune femme ou dame d'un certain âge, en dentelle arabe agrémentée de petits velours noirs et de choux. Guimpe et dessous de manche en linon de soie soufre à plis fins. Manche pagode ornée de choux comme le devant du corsage.

(13) Dinner corsage for young women or ladies of a certain age, in Arabic lace decorated with small black velvets and cabbages. Guimpe and under sleeve in finely pleated sulfur silk lawn. Pagoda sleeve decorated with cabbages like the front of the bodice.

Matériaux: Dentelle en laize; 2 mètres de linon soufre.

—

(14) Robe élégante pour jeune femme. Jupe en forme, en crêpe rose-pastel, ornée au bas d'une bande plissée, encadrée d'entre-deux en broderie de soie noire sur fond rose. Corsage de dentelle à longue basque rapportée; ceinture rose. Boléro à manches courtes, en crêpe rose plissé et entouré de bandes brodées. Empiècement plat et col montant en dentelle; devant, choux de velours noirs et bouts tombants terminés par des glands de perles.

(14) Elegant dress for young women. Shaped skirt, in pastel pink crepe, decorated at the bottom with a pleated band, framed by black silk embroidery inserts on a pink background. Lace bodice with long basque attached; pink belt. Short-sleeved bolero, in pleated pink crepe and surrounded by embroidered bands. Flat yoke and high lace collar; in front, black velvet puffs and falling ends finished with pearl tassels.

Matériaux: 10 mètres de crêpe; dentelle en laize.

—

(15) Robe de visites pour jeune femme. Princesse en drap souple vert-Nil. Le bas est un volant à repincés sur lequel passent des biais piqués. Le corsage à repincés et biais piqués est décolleté en rond et ouvert sur un dessous en linon de soie à plis fins piqués. Col en forme en taffetas blancs à dessins roses. Manche évasée, conçue dans le même esprit que la jupe, écourtée sur un bouffant de soie pareille au col. Les biais du corsage se terminent sous des boucles.

(15) Visiting dress for young women. Princess in soft Nile green cloth. The bottom is a ruffle with stitched bias binding. The bodice with stitched bias binding has a round neckline and opens onto a silk lawn underside with fine stitched pleats. Shaped collar in white taffeta with pink designs. Flared sleeve, designed in the same spirit as the skirt, cropped on a silk bouffant similar to the collar. The bodice bias ends under buckles.

Matériaux: 0m,50 de drap vert; 2 mètres de linon de soie; 1 mètre de soie à dessins roses.

—

(16) Robe simple pour jeune femme ou jeune fille, en homespum d'été bleu clair moucheté de noir. Jupe composée de volants en forme taillés en pointe devant et ornés d'une fine passementerie noire. Corsage orné de pattes de velours noir et de passementerie. Manche à trois pèlerines. Grand col de linon plissé orné de broderie. Col et ceinture en panne émeraude.

La même toilette serait jolie en toile ou en piqué.

(16) Simple dress for young women or girls, in light blue summer homespun speckled with black. Skirt composed of shaped ruffles cut into a point at the front and decorated with fine black trimmings. Bodice decorated with black velvet tabs and trimmings. Sleeve with three capes. Large pleated lawn collar decorated with embroidery. Emerald pan collar and belt.

The same toilet would look pretty in canvas or pique.

Matériaux: 6m,20 d'homespum; 1 mètre de panne.

—

(17) Robe de campagne pour jeune femme ou jeune fille, en toile gris pâle. Jupe en forme faite de volants pèlerine superposés. Longue basque rapportée, ornée de poches en toile brodées de cotons lavables ou appliquées de fleurs et de feuillages en cretonne. Boléro très ajusté enguirlandé de la même façon. Guimpe rayée de ganses noirs. Nœud en mousseline de soie blanche lisérée de noir. Manche à revers brodés.

La même toilette en lainage léger et appliques; la guimpe en pékiné.

(17) Country dress for young women or girls, in pale gray canvas. Shaped skirt made of layered pelerine ruffles. Long attached peplum, decorated with canvas pockets embroidered with washable cotton or applied with cretonne flowers and foliage. Very fitted bolero garlanded in the same way. Guimpe striped with black braid. Bow in white silk chiffon edged in black. Sleeve with embroidered cuffs.

The same ensemble in light wool and appliques; the wimple in pekiné.

Matériaux: 8m,50 de toile.

—

(18) Robe de visites pour jeune femme ou jeune fille, en foulard japonais blanc et rouge clair. Jupe en forme garnie de trois petits volants lisérés d'un dépassant en pékiné noir et blanc. Corsage à basque rapportée, entourée d'un biais en pékiné, ouvert sur un gilet de taffetas, lui-même ouvert sur un plastron de soie rouge. Col dentelé en soie blanche rayé de velours noir. Grand col de dentelle; manche élargie, très courte sur un volant de dentelle. Ceinture en taffetas pékiné.

(18) Visiting dress for young woman or girl, in white and light red Japanese foulard. Shaped skirt trimmed with three small ruffles edged with a black and white pekiné overhang. Bodice with attached peplum, surrounded by a pekiné bias, open on a taffeta vest, itself open on a red silk bib. Serrated collar in white silk striped with black velvet. Large lace collar; enlarged sleeve, very short on a lace flounce. Belt in pekiné taffeta.

Matériaux: 12 mètres de foulard; 2 mètres de taffetas à rayures; 0m,60 de soie rouge.

—

(19) Manteau de promenade pour dame d'âge moyen. Collet de drap gris-clair, bordé d'un biais passent des pattes claires, volant brodé d'incrustations, de découpures en drap gris clair sur panne ou taffetas gris foncé. Col brodé pareil au volant. Deux pattes ferment en croisant.

(19) Walking coat for middle-aged lady. Collar of light gray cloth, edged with a bias pass of light tabs, flounce embroidered with inlays, cutouts in light gray cloth on panne or dark gray taffeta. Embroidered collar similar to the ruffle. Two legs close by crossing.

Matériaux: 2m,75 de drap gris clair; 2 mètres de taffetas ou de panne gris foncé.

Le chapeau est un tricorne de paille brûlée, enroulé de dentelle blanche et piqué de deux ailes noires.

The hat is a tricorn of burnt straw, wrapped in white lace and adorned with two black wings.

[bedlamsbard]

Star emoji! I love director’s commentary

Oooh, let's talk about Howard's conversation with Natasha at the beginning of Of Home Near 7.

This is set at Beaulieu Abbey, which is a real place and was used for SOE (Special Operations Executive) training in WWII, as Special Training Schools 31-36, which I've just conflated into one for the purposes of this fic. Today it's the home of the Secret Army Exhibition, about SOE. None of the description of the house is accurate, since I couldn't find floorplans and have never been.

“Lift your left arm?”

Natasha did so, allowing Howard Stark to make a minor adjustment to the cuff of the tunic-style jacket he was fitting on her. His expression was intent with concentration, two dress pins sticking out of the corner of his mouth, and his hands were unerring as he made the modification with quick, neat stitches. For some reason it was the least like Tony Natasha had ever seen him look, even though she had seen Tony make similar quick alterations to the Iron Man suits a hundred times before.

I like the idea of Howard being really hands-on with his work, which is borne out by CATFA and AC.

Sunlight spilled in through the room’s bow windows, which looked out over the lawn where Howard had landed his plane a few hours earlier. Going by the room’s big desk – now heavily battered from use – and empty bookshelves – mostly covered up by maps and charts – Natasha suspected it had been a study in the building’s previous life as a manor house. Howard Stark had commandeered it upon arrival to do uniform fittings in, since along with the new shield he had brought uniforms for both of them.

He drew back when he was finished and took the pins out of his mouth to ask, “How’s that feel?”

Natasha worked her arm experimentally, then warned Howard to step back and went through one of her shorter kata. He watched without any of the half-expected erotic interest, his attention totally focused on the motions and her new tactical gear.

“Good,” she told him when she had finished, a little to her own surprise, but she supposed that if he regularly made Captain America’s uniforms he had to know the importance of flexibility.

The corner of his mouth curled up a little, as if he had guessed the direction of her thoughts, but all he said was, “Try it with the gear belt,” and handed it to her.

Natasha inspected it as she took it from him Howard had clearly been paying attention to the gear that she had arrived with; he had consulted with her on the design for the new uniform, with Steve doing the initial sketches. The tunic came down past her hips to mid-thigh, with the front fastening at her left shoulder like a motorcycle jacket. The gear belt was made of black leather and was actually two belts crossed over each other, joined by a rivet that let them flex; the holsters were empty at the moment, as were the utility pouches.

This is Natasha's "Liberty Belle" outfit, though it's not named as such here. It's not based specifically on anything and I don't have a very clear mental image of it.

She buckled the belt on and shifted around a little, testing the placement, then went into a brief tumbling routine. Howard watched with that same clinical, calculating interest, his gaze sharp; he made a couple of notes in his sketchbook as she came upright. “How’s that feel?”

“Straps here and here on the holsters, or they’ll flap around.” Natasha pointed them out. “Like Steve’s got,” she clarified when he frowned.

“No, I know what you mean. For a lady – a married lady –”

“God forbid that anyone in the United States Army or the Wehrmacht learns that a woman has legs,” Natasha said dryly, rolling her eyes. “If anyone is looking at my legs, that’s their problem. Especially in the middle of a fight.”

Natasha's usual catsuit would NOT fly in 1945, especially for PR reasons. They're not only designing for practical use, but with the full knowledge that as soon as the fact that Captain America's married is made public Natasha's going to be on magazine covers and newspapers, and she has to not only match Captain America and the other Howling Commandos, she has to be acceptably feminine (by WWII standards, which are...interesting).

“Point taken.” Howard nodded absently and jotted it down in his sketchbook – actually Steve’s sketchbook, she was amused to note; apparently Steve hadn’t succeeded in getting it back from him yet.

I love the detail of it being Steve's sketchbook.

“Am I going to get any of my own gear back?” she asked, rubbing a thumb over her bare wrist. She was expecting the answer to be no and wasn’t surprised when Howard shook his head.

Later Howard gives her her bites back! But not yet.

“But I brought some stuff for you to look at,” he offered encouragingly. “You can give it a try and keep whatever you like. And Dugan said you’d be taking over as sniper, so I brought some rifles for you to try out too.”

Howard chewed on the end of his pencil for a moment before he finally said, “You know about the Commandos’ last sniper –”

“Yes,” Natasha said. “I know about Bucky Barnes.”

1945 Bucky is the ghost in this story, but there was never any intention for him to appear (in 1945). Howard, of course, thinks she knows about Bucky either from the newspapers (he's only been "dead" for two months at this point) or from Steve telling her; Natasha knows him personally.

Howard nodded grimly and looked away, then sat down heavily on the chair he had dragged over from behind the desk, bracing his sketchbook on his knees as his pencil moved over the page.

“Did you design the Howling Commandos’ uniforms too?” Natasha asked eventually, unbuckling the gear belt and weighing it thoughtfully in one hand. “I know you did Steve’s, and I know you supply the Commandos with weapons and tech –”

Howard nodded. “Steve did most of his himself, but I made it,” he said. “I helped with the Commandos, yeah. Steve did some of it, they did some of it, I did some. What do you think?” He held the sketchbook up and turned it around so that she could see.

He had a fine draftsman’s hand, without the sense of suspended life that Steve’s sketches had. Natasha wondered briefly what he would have made of the CAD programs Tony used or if given the option, he would still draft his designs by hand the way Rhodey did when he was working on the War Machine suit.

“I like this rig,” she told him, and Howard nodded, making a few more notes to himself.

“I can have that done today, it’s a minor fix,” he said. He took the gear belt from Natasha and set them both down, then looked at her for a long moment before saying, “I’m glad Steve got married. Or whatever,” he added with a solemn wink. “It’s good for him.”

Howard figured out pretty much immediately that Steve and Natasha weren't really married, but never brought it up; he figured that if Steve was going to the trouble, then he had a good reason.

For a moment his expression was wistful, then his gaze flickered sideways, as if he was embarrassed that he had let the emotion show.

“Did you and Steve ever –” she began, and then stopped, uncertain how to end the question. Or if she should be asking it at all; this wasn’t the twenty-first century, and even there it wasn’t a harmless inquiry.

Meeting Howard Stark explained a LOT of things about Tony, Tony's relationship with Steve, and Steve's relationship with Tony. Note that Natasha is also aware that Steve sleeps with men (Peggy isn't, as she remarks in an earlier chapter), but isn't sure about Howard, which is why she stops.

Howard looked back at her, wary now and frowning a little, but whatever he saw on her face seemed to reassure him. “What, and get both of us shot by Peggy? That wouldn’t do the war effort any good. She’d do it, too. Anyway, Steve’s been a little busy fighting a war.”

Peggy would have killed Howard if she thought he was serious about it or if they'd actually done anything. She knows that Howard wants to sleep with Steve, but has mentally categorized it as "a little silly" and is unaware that Steve's bi.

“Do you know who the woman was that Agent Carter caught him with in 1943?” Natasha asked, with a mental tick of observation that he hadn’t bothered to deny that Steve liked men as well as women. Not that either one of them was saying anything outright, just half-spoken asides. “I’ve heard the story, but no one will say who –”

“Sure,” Howard said. “But I don’t think you have anything to worry about; Steve’s crazy about you.”

“I’m not worried, I’m curious,” Natasha said. “Or did Agent Carter push her out of the SSR?” She didn’t think Peggy Carter was that petty, but if she was, Natasha wanted to know about it.

Natasha's experience with Peggy isn't anywhere close to the 21st century image of Peggy Carter or with Steve's memories of her.

“She’s still here,” Howard said. “It was Irene Lorraine, Colonel Phillips’ secretary. Steve came in looking for me and she cornered him.” He grinned, amused at the memory, and explained, “It was right after we got back to London from Italy and Phillips got Steve transferred from the USO to the SSR, so the big rescue was all over the papers. Apparently she was thanking him on behalf of the women of America, only Peggy caught them. Scared the hell out of both of them.”

The shooting the shield scene is fucked up from a 2023 perspective, and I really think it's been grandfathered in as ~sexy and absolutely would not fly today.

In the previous chapter's scene with Lorraine Steve remarks on the fact that Peggy's reaction completely screwed up the social dynamics of the women of the SSR.

He chewed absently on the end of his pencil, then shot a look at the closed door and went on slowly, “I don’t know how much Steve’s told you – I guess it wouldn’t really matter up then in 2018 – but he and Peggy…they were and they weren’t, you know? They didn’t go out to dinner, they didn’t go dancing; I don’t know if they ever even kissed. But he had her picture in his compass and if he hadn’t gone down with the Valkyrie, then –” Howard shrugged. “They might have gotten married later, yeah, but they never actually talked about it. Stupid thing to do in a war,” he added, then thought about it and grimaced, making a vague gesture with the pencil towards himself as if to say, but I did the same thing.

Howard has a lot of regrets, and I don't think he knows what he would have done if he had known that Steve might not really come back.

He flicked another glance at the door again while Natasha was chewing over what to say in response to that. “Don’t repeat this to Steve or Peg,” he warned, and waited for her to nod before he went on. “It’s not that Peg didn’t like Steve back then, because she did, and it’s different now, obviously, but she set her cap for him as soon as he came back from Austria and not a minute earlier, no matter what anyone else here says about it, including Steve. And that was it as far as she was concerned. There were girls like that in my old neighborhood,” he added knowledgeably, “not that any of them ever had anything to do with me back then.”

I have some very clear and possibly controversial thoughts about Steve and Peggy's relationship, and how both Steve and Peggy perceived their relationship, throughout CATFA. If you look at the pub and SSR scenes, they're having two COMPLETELY different conversations, and Steve's constantly playing catch-up to the conversation that Peggy's having even though she never says anything explicitly and just expects him to get it. I also DON'T think that Peggy was even remotely romantically interested in pre-serum Steve, though later on she convinced herself that she was, and she wasn't all that interested in "Captain America" Steve, either.

“There are women like that everywhere,” Natasha said dryly. It wasn’t a personality type that usually survived the rigors of the Red Room, but she had known one or two Widows who had managed it.

She considered Howard with a little more interest. The Stark family’s origins were a farrago of obfuscation, fairy tales, and what Natasha was fairly certain were a few outright lies, though she wasn’t certain how aware of that Tony was. Howard Stark had told the newspapers several contradictory stories over the years, one variation of which was on the Stark Industries website, and the only consistent point seemed to be that he had been born in Manhattan in 1917, though which part of Manhattan was up for debate. Natasha also strongly suspected that the family name had started out as something a lot less Anglophone than Stark, though she wasn’t sure if that was Howard’s doing or if it had happened at Ellis Island; both seemed equally likely. She wondered if Howard would tell her if she asked.

Off Howard's statement in Agent Carter that he was born in the Lower East Side, which in the early 20th century was an immigrant neighborhood with a heavy Jewish population around the time Howard was born and growing up. Pretty much this theory about Howard's background. Steve mentions in a later chapter that Howard speaks Yiddish and is Jewish, but Natasha doesn't know those details at this point, and it's deliberately vague. Tony knows NONE of this because Howard buried it back in the 1920s or 1930s.

Howard slid a third look at the door and started to say, “Steve –” and then stopped, chewing on the end of the pencil again. Finally, he said, “I think if either he or Peg had pushed harder, it would have gone further between the two of them, but neither one of them ever did. In a way it is – it was – probably easier that way. I mean – it is when people make assumptions. Easier, I mean. Leave enough gaps in any story and people will fill them in for you – hell, you’ll start filling them in yourself.”

He sat in silence for a few moments, his expression abstracted; Natasha thought about his playboy reputation, that he hadn’t married until 1965, the few things Tony had said about his father and his parents’ marriage – the way Howard looked at Steve when he thought Steve didn’t know. For that matter, the fact that he hadn’t looked at her with anything more than aesthetic appreciation over the course of the past two weeks and change.

My version of Howard is that he's bi, but while he prefers men he sleeps with more women as part of his Be Totally Normal campaign. (Peggy also mentions this in an earlier chapter.)

Eventually Howard shook his head and said, “I’m surprised Steve had the guts to ask you out.”

“There were extenuating circumstances,” Natasha allowed, accepting the change in subject. When Howard’s eyebrows went up, she explained, “We were on the run from the government, so I don’t think he thought he had all that much to lose.”

Well, it was technically true; Interpol still had red notices out on them back up in 2018, and Thaddeus Ross would be happy to have both of them drawn and quartered.

“Sounds like quite the story.”

“You have no idea,” Natasha said.

Howard took her unwillingness to expand on that in stride; for all Natasha knew, he assumed that instead of dinner and a movie, she and Steve had consummated their mutual interest in the back of a truck while on the run, which wasn’t even that far from the truth, minus the truck. He looked back down at the sketchbook in his lap as if he had forgotten it was there, then at the chewed end of his pencil in equal surprise. He glanced up at Natasha, down at the sketchbook, and up at her again; she raised her eyebrows in response.

“You okay with the color?” he asked. “I thought we’d match you and Steve, give the photographers something to coo about.”

Natasha blinked at him, though by now she was used to Howard Stark’s rapid changes in subject, then realized that he meant her new uniform, which was dark blue with a little red detailing down the sides and sleeves, with the Howling Commandos’ winged insignia on the left shoulder. Both the red and the blue were a little lighter in color than any of Steve’s recent uniforms, either because of changing aesthetics between 1945 and 2016 or because they would show up better in the black and white photographs the newspapers used. She hadn’t had a chance to see Steve’s new uniform yet, though she doubted it could be all that different from his last WWII uniform.

Steve's new uniform is never described in detail, but it's a mix between his CATFA, CATWS, and CACW uniforms. Captain America and Liberty Belle DO have to match.

“It’s fine,” she said, then cocked an eyebrow at him and said, “Do I really have to worry about photographers? Isn’t that mostly Steve’s problem?”

The Howling Commandos had featured a little in some of the old newspaper articles and newsreels she had seen, but most of the attention had been on Captain America until the 1960s, when there had been a resurgence in Howling Commando stories for a few years on both sides of the civil rights movement, not helped by Gabe Jones’ death in 1965. It had been on the job for SHIELD, but SHIELD’s existence hadn’t been publicly known until 1975, when along with the NSA it had been revealed as part of the Church Committee hearings that had followed the Watergate scandal. Even in 2018 there was a persistent rumor that Jones had been assassinated; knowing about Hydra’s interference in SHIELD, Natasha wasn’t sure that he hadn’t been, but there had been never been any proof.

SHIELD and Howling Commandos history based on some real world history. The SSR was made public knowledge post-war, but SHIELD followed the NSA's path and was secret until the post-Watergate Church Committee congressional hearings about American intelligence abuse in 1975. The NSA came out of the Signals Intelligence Service in WWII, which post-war was reorganized into the Army Security Agency, and the NSA itself was formed in 1952. SHIELD likewise probably had one or two names between the SSR and SHIELD.

Steve says in an earlier chapter that Gabe Jones worked for SHIELD and was killed on the job in 1965; no one knows if it was normal line-of-duty death or if he was assassinated, either by Hydra (after 2014) or as part of something like COINTELPRO due to being a prominent Civil Rights figure.

“Nope,” Howard said. “Come on, Captain and Mrs. America? The papers and the newsreels will eat that up. If Ike and Monty weren’t running roughshod over the Germans right now Senator Brandt would probably have the two of you doing photoshoots for a week. Instead Sherman – you met him the other day when he was taking pictures of Brandt and Steve – will have to squeeze them all in tomorrow, and a couple more at the front after you arrive.”

Brandt's assistant Michael Sherman -- name from me, credited only as Brandt's assistant in CATFA -- is the one who gives Natasha the Liberty Belle name, which shows up in this bit of faux-historical writing (which is going to be part of a post-Home historical errata story). I checked as carefully as I could that there wasn't a preexisting Marvel character with the Liberty Belle name; there's a DC character (who, yes, debuted during WWII) and Amalgam Comics (Marvel and DC publishing together) had an American Belle that was a mashup of DC's Liberty Belle and Marvel's Miss America (who hasn't made it to the MCU). I hesitated a bit over the name, but the DC character isn't well-known so I decided it was probably fine. Also it doesn't show up THAT often in this story.

Every historical event mentioned in this story is based on the real events that took place on those dates -- this is March 31, 1945, a little over a week after the crossing of the Rhine as part of Operation Plunder and the invasion of Germany, just prior the Race to Berlin.

Natasha grimaced. She had done the publicity circuit up in the twenty-first century, but hadn’t enjoyed it anymore than Steve had; unlike Steve, she also wasn’t used to it. At least then that had been as another Avenger, rather than as Captain America’s wife. She didn’t enjoy being defined in relation to Steve – to Captain America, really – but it kept anyone from looking too closely at her own entirely fictional background and with any luck it wouldn’t have to last.

The Captain America propaganda machine in 1945 is nothing like the Avengers PR circuit 2012-2016, especially with the glamor of "CAPTAIN AMERICA RETURNED FROM THE DEAD!" and "REDHEADED BOMBSHELL KNOCKS CAP OFF THE MARKET, LADIES!" Brandt's already got the fictionalized versions of the Cap propaganda machine -- Timely Comics, the Captain America Adventure Program, and various Hollywood films -- working on both resurrecting Cap (they were all trying to figure out how to handle his disappearance/death) and introducing Liberty Belle. Natasha doesn't have any context for how aggressive the Captain America propaganda machine is, since a lot of it didn't survive to the present day, and she's thinking about it in terms of the PR circuits the Avengers have done. It would not have been like that. (This is also one reason that Peggy wasn't willing to go anywhere with Steve during the war -- Peggy absolutely was not willing to be part of the Captain America propaganda machine.)

“They’re not expecting – I don’t know, a demure secretary, are they?” Natasha asked warily. “Or a nurse, or –” She knew women had done just about every job but combat in the Second World War, but she was also aware that not all of those jobs had equivalents in the twenty-first century.

This is basically the only point in American history until quite recently when it would be publicly acceptable for Captain America's wife to be as much of an ass-kicker as he is, but Natasha doesn't know enough about WWII to be sure about that.

Howard snorted. “What, for Captain America? Only if you listen to Roxxon’s faradiddle – they sponsor the Captain America Adventure Program.” When Natasha’s eyebrows shot upwards, he explained, “It’s a radio show. Roxxon is –”

From Agent Carter. Interestingly, Timely Comics' Golden Age WWII-era love interest for Cap (Betsy Ross, a.k.a. Golden Girl) was not a demure nurse like AC's Betty Carver. (Comics Peggy Carter was not introduced until the 1960s.)

“I know what Roxxon Energy is,” Natasha said.

This time it was Howard’s eyebrows that went up. “Roxxon Oil Corporation now,” he said. “I’ve been trying to buy them out for years, but Hugh Jones – that’s the CEO – hasn’t been having it. Cap’s sweetheart in the show is some nurse who’s always getting herself kidnapped by Nazis, when she’s not mending split trousers or making dinner for five hundred. I keep telling Peggy she should sue for defamation.”

“Not Steve?”

Howard’s mouth twisted. “Steve doesn’t have any legal right to his name or image. Well, the Captain America name, anyway, not the Steve Rogers part. The United States government can license the rest of it to anyone they want.” A muscle in his jaw twitched and he looked away. After a moment, he added, “I’ll get my lawyers on it after the war, though Brandt’s people are pretty good.”

“I know,” Natasha admitted. “Steve’s still having that fight up in the twenty-first, mostly unsuccessfully.”

Based on the U.S. government establishing John Walker as Captain America in FATWS, and to some extent on She-Hulk having knock-off Avengers ("Avongers") merchandise. If it's a knock-off, then there has to be a reason it's not official. An earlier chapter mentions that the U.S. government has occasionally tried to revive the Captain America role since 1945, and Howard Stark shut it down every time. Steve's not been successful in getting the rights to the Captain America name or even his own image back, it's too entrenched in American culture and history. On the bright side, post-Sokovia, the government's way less eager to use either.

[pyoorofficial]

Why Pyoor’s Pakistani Kurta Sets Make the Perfect Gift

Gifting is a wonderful way to express your care and thoughtfulness. When selecting a gift, it’s important to choose something that is both beautiful and meaningful. Pyoor’s Pakistani kurta sets make for an excellent choice, offering a blend of cultural richness, versatility, and top-notch quality. In this blog, we’ll delve into why these kurta sets are perfect for gifting, featuring options like the Heer set and the Solid Yellow Kurta set.

Cultural Richness and Tradition

Gifting a Pakistani kurta set is more than just a gesture; it is a celebration of tradition and heritage. Pakistani attire, especially the Pakistani kurta set, is deeply rooted in cultural history. These garments carry the essence of centuries-old traditions, making them a unique and thoughtful gift. When you choose a Pakistani kurta set from Pyoor, you are not only offering a beautiful piece of clothing but also a symbol of cultural pride.

Pyoor’s Pakistani kurta sets preserve traditional workmanship while adding modern features. The Heer set, for example, is a stunning illustration of this combination. Embodiing the grace of Pakistani stitching traditions, this salwar kurta pair has exquisitely stitched floral booties on pure cotton fabric. Gift-giving with practicality and cultural significance is enhanced by the cotton lining that is attached.

Versatility and Usability

One of the key reasons why Pakistani kurta sets make excellent gifts is their versatility. These sets can be worn on various occasions, from casual gatherings to formal events. The adaptability of a Pakistani kurta set ensures that the recipient will find multiple opportunities to wear it, making it a valuable addition to their wardrobe.

The Solid Yellow Kurta set from Pyoor is an excellent example of this versatility. Made from poly crepe fabric, this kurta set is both comfortable and breezy, making it perfect for summer wear. Despite having full sleeves, the material is light, soft on the skin, and flowy, ensuring that it can be worn comfortably throughout the day. Whether the recipient prefers to dress it up with accessories for a formal event or keep it simple for a casual outing, the Solid Yellow Kurta set offers endless styling possibilities.

Quality Craftsmanship and Fabrics

When choosing a gift, quality is key. Pyoor's Pakistani kurta sets are crafted with attention to detail to ensure they stand the test of time. The brand uses premium materials such as pure cotton, lawn, and silk. These high-quality fabrics not only enhance the beauty of the garments but also ensure their durability.

The Heer set exemplifies this commitment to quality. Crafted from pure cotton, this Pakistani kurta set is designed for comfort and longevity. The fabric is breathable, making it ideal for all-day wear, while the intricate embroidery adds a touch of sophistication. Similarly, the Solid Yellow Kurta set is made from high-quality poly crepe, a fabric known for its durability and ease of care. This attention to detail in fabric selection and craftsmanship ensures that Pyoor’s Pakistani kurta sets are gifts that will be cherished for years to come.

Pyoor's collection features cotton suit sets that are ideal for any climate. These sets are celebrated for their breathability and comfort, making them a great choice for gifts, particularly for those who appreciate practicality with a touch of sophistication. Made from high-quality cotton, Pyoor’s suits offer both style and comfort, ensuring a delightful wearing experience.

Affordability and Value

Pyoor’s Pakistani kurta sets stand out not just for their high quality but also for their affordability. The brand is dedicated to making beautiful traditional clothing accessible without breaking the bank. This commitment to affordability makes Pyoor’s kurta sets an excellent choice for gifts, providing great value for the price.

The Solid Yellow Kurta set and the Heer set are both priced competitively, offering great value for their quality and craftsmanship. When you gift a Pakistani kurta set from Pyoor, you are not only giving a beautiful piece of clothing but also a garment that offers long-term value. The durability of the fabrics and the timeless designs ensure that these sets can be worn and cherished for years, making them a wise investment for any wardrobe.

Pyoor’s cotton suit sets are a great choice for gifts. They combine comfort, quality, and affordability. These sets are ideal for anyone who values easy-to-care-for clothing that can be worn for many different occasions.

Ease of Online Shopping and Delivery

In today’s fast-paced world, convenience is key. Pyoor understands this and offers a seamless online shopping experience for their Pakistani kurta sets and cotton suit sets. Their website is user-friendly, allowing you to browse through the extensive collection, read detailed product descriptions, and view high-quality images of each set.

Pyoor ensures a smooth and secure checkout process once you’ve picked your ideal cotton suit or Pakistani kurta set. You can choose from various payment options that best suit you. Pyoor also offers reliable delivery services to make sure your gift arrives on time.

Conclusion

In conclusion, Pyoor’s Pakistani kurta sets and cotton suit sets make great gifts for any occasion. They mix cultural tradition with versatility, high quality, and affordable prices, making them a thoughtful and meaningful choice. With options like the Heer set and the Solid Yellow Kurta set, you can find the perfect Pakistani kurta set that the recipient will love and keep for years. Plus, shopping online is easy, and reliable delivery means your gift will arrive on time. Pyoor is the best place to find your next perfect gift.

Check out the beautiful range of Pakistani kurta sets and cotton suit sets at Pyoor today. Find the perfect gift that blends tradition, quality, and style.

[somediyprojects]

The Lady of Shalott stitched by Tarah Wheeler. Pattern ($6.99) designed by Teresa Wentzler.

I started this project when I was 19. I remember sitting on the lawn at Carroll College in Helena, Montana, and starting that first stitch up in the top left corner in DMC 420. The Lady of Shalott is a Teresa Wentzler pattern that came out in the late 1990s, and I’ve now finally finished it at the age of 41. The original myth is about Elaine, the Lady of Shalott, a fairy who fell in love with Lancelot and died while floating on a boat down the river to Camelot. It’s a frequently explored myth in Romantic literature, and this version is from Alfred, Lord Tennyson’s poem.

This piece captures the moment just before she looks out to Camelot and her mirror cracks, signalling the end of her life in captivity and her doomed pursuit of Lancelot.

But in her web she still delights To weave the mirror’s magic sights, For often thro’ the silent nights A funeral, with plumes and lights       And music, came from Camelot: Or when the moon was overhead Came two young lovers lately wed; ‘I am half sick of shadows,’ said       The Lady of Shalott.

This was quite a quarantine finish!

I think I was so motivated to finish this during the pandemic because I thought it was beyond ironic that I was embroidering a woman who was embroidering because she wasn’t allowed to leave her home or dream of going other places.

Additional details under the cut.

After completing much of the cross stitching, I had to go through it with a forensic magnifier to check each 10×10 section for missing stitches. I basically lost a weekend doing this! Not that I noticed; we’re still in a pandemic.

I put a lot of myself into this project. Given the Victorian origins of Tennyson and the Romantic poets who loved the Chrêtien de Troyes version of the Arthurian romances, I thought it might be nice to literally put myself into this project. So, Elaine’s hair is mixed with a tiny lock of mine, like a Victorian funeral wreath.

There’s often a really big difference between doing cross stitching, and doing the finishing work of backstitching. The tininess of the stitches in this piece means the contrast isn’t as great as in some others, but it’s still pretty spectacular to see it outlined in high relief.

After 22 years, I was a little afraid that it might just fall apart in the washing solution, but it worked just fine. Probably because it’s all natural fiber. I used The Laundress natural fiber shampoo.

This is Monaco fabric, and I spent several days googling techniques to remove graphite when I realized a simple wash wouldn’t do it. I tried several techniques like erasing it with a craft cushion full of rubber shavings, a pencil eraser, and so forth. I found that trying to erase the graphite gently simply pilled the fabric without actually removing much of the graphite. There are several solutions out there, and they seem to be replicated from site to site, possibly without anyone actually testing them. I’m here to say: the Windex + toothbrush solution is what worked without harming any of the fabric or thread. I was concerned about applying the blue chemical to my fabric, but the soft toothbrush plus 50/50 Windex/water solution worked better than anything without pilling the fabric. Remember: don’t iron your project dry until you’re happy with the level of stain and grid mark removal, or you’ll seal those stains in with heat and steam!

I pressed it before adding the Mill Hill beads, since it’s hard to iron over those glass metallic bits.

Washing done–time for stretching: I pressed it gently dry with an iron on low heat over towels like in the video above. When about halfway dry, I started stretching it gently to get it even and shaped correctly, then ironed it fully dry.

Time to decide on framing choices. At first it seemed that something this intricate and painstaking deserved extremely elaborate gold leaf framing of some kind.

It was fun to select matting that had a linen effect, to correlate with this being stitchwork done on a piece of fabric. But that frame wood was wrong. Instead of going overly elaborate with the wood, I explored a more rustic, plain, distressed wood frame.

This didn’t steal focus from the embroidery and also serves to possibly better reflect the kind of framing that might be done long ago when tapestries hung in castles and manor houses…

I like to have the frame shop cut a piece of foam core with a square cut out of it so that I can use dressmaker’s straight pins to pin over the square, then press it down into the larger piece of foamcore.

We’re going to hang it here in the entryway of our home. I picked an accent wall color that would act as the next outward framing of the piece, and this is me painting it.

When my husband got a beat up brass lamp on eBay and restored it, and used it to light the piece and the wall, it became spectacular.

Thank you so much to my lovely spouse Deviant Ollam for the work grinding, polishing, restoring, and adding a dimmer function to this old brass lamp to light this piece perfectly!

If you’re interested in the original pattern, it’s by Teresa Wentzler.

[worldofedd]

Carving Pumpkins

[🥤] Edd usually goes for a silly look for his pumpkins. Just like his own art, it's nothing too fancy, and pretty simple. But it looks just as good as any other.

[🔷] Tom goes for the old classic carved faces. Though his pumpkin's eyes are more circular to look like him. One year he made his pumpkin look like his monster form, cyclops eye and toothy grin and all.

[💜] As for Matt...It's his face. If he's willing to mow his face onto the lawn he's sure as hell gonna carve it on into a pumpkin. His pumpkin always has his face carved into it. Each pose it's a different expression/pose but it's always his face.

[💥] Tord gets creative with his jack-o-lanterns. He puts a bit of tech into the mix. After all, why just make a normal pumpkin when you can have one that plays Tetris? Or Space Invaders? Or one with those light up singing faces people put on their house?! When you've got a robotics and electrical engineering major, the possibilities are endless!

[🔥] As for the "Queen of Halloween" herself, you can't expect anything less than creative designs for her. And she never does the same one twice. One year she does a "Zombie Pumpkin", next year it's a "Stitched Pumpkin", and the year after that it's a "Split Pumpkin!". When you're as into Halloween as she is, a simple face carving just won't do.

[samharbour118]

"Elegance Redefined: Best Sana Safinaz Women's Suits Collection"

The Pinnacle of Elegance: Sana Safinaz Women's Suits

Sana Safinaz is a name synonymous with elegance, sophistication, and contemporary fashion in the world of women's clothing. Established in 1989 by designers Sana Hashwani and Safinaz Muneer, the brand has consistently delivered high-quality, luxurious clothing that embodies the perfect blend of modern trends and traditional aesthetics. Among their most popular offerings are their women's suits, which have become a staple in the wardrobes of fashion-conscious women across the globe.

Craftsmanship and Quality

One of the defining features of Sana Safinaz women's suits is their impeccable craftsmanship and commitment to quality. Each piece is meticulously crafted using the finest materials, including luxurious fabrics like silk, chiffon, and lawn. The brand's attention to detail is evident in every stitch, ensuring that each suit not only looks stunning but also provides unparalleled comfort and durability.

Sana Safinaz pays special attention to the finishing touches, with intricate embroidery, delicate lacework, and exquisite embellishments adorning many of their designs. This meticulous attention to detail adds a touch of luxury to their suits, making them suitable for a variety of occasions, from formal gatherings to casual outings.

Versatile Designs for Every Occasion

Sana Safinaz offers a diverse range of suit designs, catering to the varied tastes and preferences of modern women. Their collections feature an array of styles, from classic and traditional to contemporary and chic. Whether you're attending a wedding, a corporate event, or a casual brunch with friends, Sana Safinaz has a suit that will make you stand out.

For those who appreciate traditional attire, Sana Safinaz offers a stunning selection of embroidered and embellished suits that pay homage to the rich cultural heritage of South Asia. These designs often feature intricate patterns and vibrant colors that are perfect for festive occasions and celebrations.

On the other hand, if you prefer a more contemporary look, Sana Safinaz also offers sleek and modern designs that exude sophistication and elegance. These suits often feature minimalist patterns and neutral tones, making them perfect for office wear or more understated events.

Seasonal Collections

Sana Safinaz is known for its seasonal collections that cater to the changing fashion needs of women throughout the year. Their lawn collection, launched every spring and summer, is especially popular for its lightweight and breathable fabrics, perfect for staying comfortable in the heat. These suits feature vibrant prints and airy designs, making them a go-to choice for casual summer outings.

During the fall and winter months, Sana Safinaz introduces its luxurious silk and velvet collections, featuring rich textures and deep, warm colors. These suits are perfect for adding a touch of glamour to your winter wardrobe and are ideal for formal events and evening gatherings.

A Global Fashion Icon

Sana Safinaz has successfully established itself as a global fashion icon, with a strong presence not only in Pakistan but also in international markets. The brand's commitment to quality and innovation has earned it a loyal customer base worldwide, making it a preferred choice for women seeking premium fashion.

Their ability to seamlessly blend traditional and contemporary styles has made Sana Safinaz a favorite among fashion enthusiasts of all ages. The brand's designs are not only fashionable but also versatile, allowing women to express their individuality and personal style with confidence.

Conclusion

In conclusion, Sana Safinaz women's suits are the epitome of elegance and sophistication. With their exquisite craftsmanship, versatile designs, and commitment to quality, these suits have become a must-have for fashion-conscious women. Whether you prefer traditional or contemporary styles, Sana Safinaz offers a diverse range of options to suit every occasion and personal taste. By choosing Sana Safinaz, you're not just buying a suit; you're investing in a piece of art that will elevate your wardrobe and leave a lasting impression.

[bigfeathercouter]

Best Salwar Suits For Womens 2024

Are you a fashionista? If so, 2024 has the best salwar suit designs for you. Women's salwar suits have a rich history, originating from India and its neighboring regions. These outfits, commonly known as salwar kameez or salwar kurta, feature a tunic called kameez paired with a pajama-style bottom called salwar and a dupatta, which can be worn like a scarf.

Salwar suits have evolved beyond the traditional three-piece set. Today, you can find versions with jackets, capes, and even layered styles. One modern twist is the pre-stitched dupatta paired with pant-style salwar suits.

Latest Trends in Salwar Suits

Leading designers have kept the salwar kameez trendy with heavy embroideries, vibrant colors, various fabrics, and innovative cuts. The classic salwar kameez consists of a tunic (kameez) and loose bottoms (salwar), offering endless design possibilities through fabric, embellishments, and cuts. This attire is quick to wear and universally appealing, unlike the more festive or formal sari or lehenga choli.

The Latest Salwar Suit Designs for Fashion Stars in 2024

Kaftan Suit Set: Kaftans have become a wardrobe staple. This versatile design can be styled in various ways, from loungewear to party wear, and pairs well with churidar jeans or palazzo pants.

Drape Jumpsuits: If you're bored with traditional salwar suits, drape jumpsuits offer a contemporary ethnic option that will make you stand out.

Salwar Suits with Jacket Overlays: Elevate a simple salwar kameez by adding an embroidered jacket for an instant transformation.

Crop Top and Palazzo Pants: This straightforward yet stylish combination is perfect for any occasion, balancing a motif-adorned crop top with oversized palazzos.

Pakistani Suits: Known for their elegance, Pakistani suits feature long, flowy designs that are both luxurious and creative.

Stylish Kurta and Cigarette Pants: Versatile and chic, cigarette pants can be worn for various occasions, from the office to parties.

Angaraka Suits: Crossbody kurtas paired with beautiful dupattas and oxidized jewelry offer a stylish yet understated look.

Modern Churidar Suits: Churidars, with their vibrant or pastel colors and intricate embroidery, are a versatile choice akin to skinny jeans.

Bell Bottom Suits: Combining bell-bottom pants with ethnic kurtas creates a powerful, stylish look.

Maxi Style Suits: Long kurtas with exclusive fabric details at the hem are elegant and perfect for showcasing your salwar.

Chikankari Suits: The timeless Lucknow Chikankari suits are versatile, suitable for both casual and formal occasions.

Side Slit Suits: Ideal for showing off stylish bottoms or heels, side slit kurtas offer a slim and sleek silhouette.

Patiala Salwar Suit Designs: Comfortable and prominent in Punjab, these loose-fitting salwar suits are great for corporate, homemaker, and college-goer wardrobes.

Floor Length Salwar Kameez Designs: For a confident look, opt for floor-length designs that flatter any figure.

Skirt Style Suits: Perfect for bridesmaids and festive functions, skirt-style suits draw attention with their elegance.

Dhoti Style Suits: Minimal yet edgy, these suits pair a cropped jacket with a kurta and dhoti pants, ideal for the holiday season.

Peekaboo Pants: Pakistani straight-cut pants with peekaboo embroidery add a touch of glamour to any outfit.

Straight-Cut Pants and Kurta: A stylish choice for casual outings, this look can be accessorized with metal jewelry and heels.

Ghararas: Short kurtas paired with shararas allow for creative styling, including off-shoulder or halter tops.

Luxury Pantsuits: For a luxurious indo-western look, luxury pantsuits are a must-have.

Frock Style Salwar Suits: Perfect for Navratri, these short dresses paired with dhoti pants epitomize high-end Indian fashion.

Lawn Suits: Made from lightweight fabrics like cotton or linen, these suits are ideal for summer and warmer climates.

Cape Style Suits: Perfect for weddings and parties, cape-style suits are a trendy choice.

Key Takeaways

With so many trending designs, it's time to start shopping for salwar suits from Big Feather Couters.

Kurtis For Women: Big Feather Couters Kurtis Collection Suits For Women: Big Feather Couters Suits Collection Western Wear Dress For Women: Big Feather Couters Frock Dress Collection

[pashtuncollections0]

Latest Pakistani Dress

A Pakistani dress stands out from the rest of the fashion world when it comes to cultural richness and elegance. A unique characteristic of Pashtun collections is their unique style and design. A perfect blend of tradition and modernity, these dresses are known for their vibrant colors, intricate embroidery, and traditional charm. Let's dive into the captivating world of Pakistani dresses, specifically focusing on Pashtun collections.

Understanding Pakistani Dress

What Defines a Pakistani Dress?

Pakistani dresses are renowned for their diverse styles, ranging from traditional to contemporary. They often feature elaborate designs, rich fabrics, and meticulous embroidery, reflecting the country's cultural heritage and craftsmanship. These dresses include a variety of types such as Shalwar Kameez, Anarkali, Lehenga, and of course, the distinct Pashtun attire.

Key Features of Pakistani Dresses

Vibrant Colors: Pakistani dresses are known for their bright and bold color palettes.

Intricate Embroidery: Detailed embroidery work is a hallmark, often using threads, beads, and sequins.

High-Quality Fabrics: Fabrics like silk, chiffon, lawn, and cotton are commonly used.

Versatile Designs: From daily wear to bridal couture, Pakistani dresses cater to all occasions.

Spotlight on Pashtun Collections

The Essence of Pashtun Attire

Pashtun collections are a significant part of Pakistani fashion. Originating from the Pashtun region, these dresses are known for their simplicity yet elegance. They typically include:

Peshawari Kurta: A long, flowing tunic paired with loose trousers, often adorned with subtle embroidery.

Chador: A large piece of cloth draped over the shoulders or head, adding a touch of grace.

Traditional Footwear: Often paired with handmade leather sandals known as Peshawari chappals.

Distinctive Elements

Geometric Patterns: Pashtun dresses often feature geometric and floral patterns.

Muted Tones: Unlike the more vibrant Pakistani dresses, Pashtun attire often uses earthy and muted tones.

Handcrafted Details: Emphasis on hand-stitched embroidery and craftsmanship.

Why Choose Pashtun Collections?

Cultural Significance

Wearing Pashtun attire is a way to embrace and celebrate the rich cultural heritage of the Pashtun people. These dresses are not just garments but a representation of centuries-old traditions and artistry.

Versatility

Pashtun collections are incredibly versatile. They can be worn for casual outings, formal events, and even weddings. Their simplicity makes them a timeless addition to any wardrobe.

Comfort and Elegance

Made from high-quality, breathable fabrics, Pashtun dresses offer unmatched comfort without compromising on elegance. They are perfect for all seasons, providing both style and ease.

Where to Buy Authentic Pashtun Collections

Online Stores

With the rise of e-commerce, buying authentic Pashtun collections has become easier than ever. Many online stores offer a wide range of Pakistani dresses, including Pashtun attire. Look for reputable websites that provide detailed product descriptions and customer reviews.

Local Boutiques

For those who prefer an in-person shopping experience, many local boutiques specialize in Pakistani and Pashtun dresses. Visiting these stores allows you to see the fabric, embroidery, and overall quality up close.

Pashtun Collections by Pashtun Designers

Many Pashtun designers have gained popularity for their unique and authentic collections. Supporting these designers not only helps preserve traditional craftsmanship but also ensures you get a genuine piece of Pashtun heritage.

Styling Tips for Pashtun Dresses

Accessorize Wisely

While Pashtun dresses are elegant on their own, adding the right accessories can elevate your look. Consider pairing your outfit with traditional jewelry, such as bangles, earrings, and necklaces.

Footwear Choices

Opt for traditional footwear like Peshawari chappals or juttis to complete your look. These shoes are not only stylish but also comfortable.

Modern Twist

For a modern twist, you can mix and match Pashtun pieces with contemporary fashion items. For example, pair a traditional kurta with jeans or add a trendy belt to your ensemble.

Conclusion

Pakistani dresses, particularly Pashtun collections, are a testament to the country's rich cultural heritage and craftsmanship. Their unique blend of tradition and modernity makes them a beloved choice for fashion enthusiasts around the world. Whether you're attending a cultural event or simply want to embrace the elegance of Pashtun attire, these dresses offer a perfect solution. Explore the world of Pashtun collections today and add a touch of timeless beauty to your wardrobe.

For More Info:

[dreamweardesigns]

Nature-inspired Craft mind:

DIY responsibilities That convey the out-of-doors indoors

Nature has long been a delivery of ideas for artists and crafters alike. From the colorful shades of flora to the tricky styles decided in leaves, the herbal world offers endless possibilities for creativity. Bringing factors of nature into your private home through DIY obligations can add a touch of tranquility and beauty to your dwelling area. Right here are some nature-inspired craft ideas that will help you capture the essence of the outside and produce its interior.

More

Pressed flower artwork is a timeless way to keep the splendor of nature. To create your very personal pressed flower art, collect a diffusion of plants and leaves. Location them amongst sheets of parchment paper and press them within the pages of a heavy ebook for a week or. As soon as dried, set up the pressed flowers on a bit of paper or canvas and secure them with glue or adhesive spray. Body your paintings to expose on a wall or shelf, and experience a hint of nature all 365 days spherical.

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2. Leaf Print Wall setting

Leaf prints are an easy however hanging way to include natural factors into your decor. Acquire leaves of diverse sizes and patterns from your lawn or a nearby park. The usage of a paintbrush, look at a thin layer of acrylic paint on the ground of a leaf, then press it onto a bit of cloth or paper. Repeat this manner with one-of-a-kind leaves and shades to create a unique sample. As quickly as the paint has dried, frame your leaf prints or stitch the fabric properly right into a wall.

3. Pinecone Chicken Feeder

Lure birds for your backyard whilst adding a rustic allure to your door space with a pinecone fowl feeder. Discover a massive, open pinecone and tie a bit of cord around the pinnacle for striking. In a bowl, mix peanut butter with birdseed till it forms a thick paste. Unfold the aggregate onto the pinecone, making sure that it receives into all of the crevices. Hold close to the pinecone bird feeder from a tree department and watch as birds flock to enjoy the treat.

4. portrays

Rock portrays fun and bendy craft that may be cherished through each age. Accumulate smooth, flat rocks from a seaside or riverbed. Use acrylic paints to decorate the rocks with designs inspired by nature, inclusive of flowers, bugs, or animals. As soon as the paint has dried, seal the rocks with a clean varnish to shield your artwork. Use painted rocks to beautify your garden, create paperweights, or perhaps make a hard and fast of nature-themed story stones for youngsters.

5. Driftwood reflect frame

Driftwood presents a coastal, rustic contact to any domestic decor. To create a driftwood mirror frame, acquire quantities of driftwood from a seashore or purchase them from a craft hold. Installation of the driftwood pieces around the edge of a plain replicate, experimenting with exclusive layouts until you find a layout you like. Use a sturdy adhesive to attach the driftwood to the contemplated body. Cling your new mirror in an entryway or dwelling room to deliver a chunk of the beach interior.

6. Shell Wind Chime

Create a relaxing and decorative wind chime with the usage of shells accrued out of your seaside adventures. You may want a group of shells with holes, a bit of driftwood or a wooden hoop, and some fishing line. Tie lengths of fishing line to the driftwood or hoop, spacing them flippantly. Thread the shells onto the fishing line, knotting the street after each shell to keep them in the area. Hang your shell wind chime close to a window or on a porch, wherein it could seize the breeze and produce gentle, melodic sounds.

7. Terrarium

Terrariums are miniature indoor gardens that might carry a lush, green touch to any region. To make your very personal, begin with a clean glass container, which includes a jar or vase. Add a layer of small stones for drainage, determined through a layer of activated charcoal to preserve the environment smooth. Top with potting soil and arrange small flowers, at the side of succulents or ferns, inside the discipline. Upload decorative factors like moss, pebbles, or tiny collectible figurines to finish your terrarium. Area it in a spot with indirect daylight hours and revel in your miniature indoor lawn.

8. Nature-stimulated Candle Holders

Beautify your home’s surroundings with nature-stimulated candle holders. Gather small branches, twigs, and bark from outside. Use a warm glue gun to attach those natural elements to the outside of a simple glass candle holder, growing a rustic-textured appearance. For protection, area a small votive or tealight candle internally. These candle holders may be used as centerpieces for a consuming table or to feature a comfy glow in any room.

9. Pine Needle Basket

Basket weaving is a historic craft that connects us to nature. Pine needle baskets are a stunning and purposeful manner to carry a chunk of the outdoors internally. Collect long pine needles and soak them in heated water to reason them to be greater pliable. The usage of a thin gauge cord or raffibeginsgin uses coiling the needles right into a tight spiral after which conserving to weave and coil them into the shape of a basket. This challenge requires patience and practice however effects in a stunning, herbal piece of artwork.

10. Nature Journaling

Nature journaling combines statements, writing, and artwork to create a non-public document of your studies in nature. Begin with a blank pocketbook and fill it with sketches, pressed leaves, and notes approximately the flowers, animals, and landscapes you come upon. Use watercolors, colored pencils, or pens to demonstrate your mag entries. Nature journaling is a calming and aware way to hook up with the natural international and create a unique souvenir.

Conclusion

Bringing the out-of-doors indoors via nature-stimulated crafts not only beautifies your property but also fosters a deeper appreciation for the herbal international. Those DIY tasks encourage creativity, lessen pressure, and can also be shared as presents with friends and family. Whether or not you’re a professional crafter or simply beginning, those ideas offer a variety of approaches to infuse your residing space with the tranquility and splendor of nature.

[markwood678]

The Charm of Embroidery: Chic and Traditional Eid Fashion

As Eid al-Azha arrives, a joyous feast is a time of shared happiness and delectable meals. The aroma of good food fills the air, and the atmosphere is vibrant with joy. As you prepare to join the festivities, imagine the perfect formal dresses that capture the spirit of this festive event. 

This year, why not embrace tradition and explore the world of embroidery to achieve an elegant and fashionable look?

A Match Made in Fashion Heaven: Traditional and Elegant

Embroidery is a fashion statement. It is a form of art and craft that has decorated more than one generation of ancestors. This exquisite work of art, using needle and thread, adds narratives to the fabric and patterns that can range from a single petal of a flower to the depiction of the regal loom. The beauty of embroidery is in the detail and individuality it brings to each item.

A Glimpse into History

This beautiful art of sewing has been an integral part of Islamic art and is used widely in royal clothing and accessories, furnishing, utensils, and items used in regular households, among other things. Old exceptional artistry such as Zari (metallic thread work), Phulkari (flower work), and Kashida (long elegant motifs) is passing from one generation to another. Every embroidered lawn suit stitch has a history and era behind it.

Current adaptations of traditional models

In the modern age, designers combine these old methods with new fashion styles to create beautiful Eid women's outfits. Wearing embroidered formal dresses is not only being loyal to one's traditions but also being aesthetically refined. Rich fabrics, intricate designs, motifs, and embroidered outfits are appropriate for any kind of Eid event, whether a close-knit family or a large-scale gathering.

Embroidered Ensembles: Option For Everyone

The essence of Eid ul Azha fashion is moderation, sophistication, and sometimes even glamour. Getting dressed up is mandatory on Eid day, and embroidered outfits have become a favorite of both genders wanting to make a fashion statement.

For Women

Shalwar Kameez and Anarkalis

These are the ones who deserve appreciation for their Eid fashion. These embroidered lawn suits are beautifully embroidered and embellished, with a significant appeal from sequins and beads that give royal looks ideal for festivals. The natives are very enthusiastic about their cultural heritage and expect to see floral motifs, geometric patterns, and traditional symbols in every stitch.

Ghararas and Lehenga Cholis

For luxury pret, embroidered ghararas, and lehenga choli are ideal for those women who want a dramatic look. All these outfits are usually embellished with extremely fine zari, mirrors, chickenkari and beads to transform them into works of art that add that extra sparkle and richness to your Eid formal dresses.

Dupattas and Shawls

Never rule out a dress enhancement, such as attractive embroidery on the dupatta or shawl, in this particular case. You can wear these stylish and fabulous pieces on any occasion with a plain dress or as a set of matching attire.

For Girls

Mother-Daughter Duo

You and your daughter can style yourselves in matching ensembles complimenting you left and right. Imagine both of you in bold hues adorned with extensive embroidery, creating a picture-perfect duo. Donning embroidered girls' formal dresses makes a difference and creates beautiful memories.

For Men

Kurta Pajamas and Sherwanis

The embroidery trend is wholeheartedly adopted this season in men's Eid fashion. Most traditional styles are in kurta pajamas and sherwanis, which have delicate line embroidery work. They prefer to have the embroidery work with fine lines at the collar, cuffs, and hemlines.

Vests and Jackets

Embroidered vests and jackets will transform a simple kurta into outstanding attire. These articles combine classic sewing techniques with a spirit of modernity, suiting a man looking for something elegant for Eid occasions.

For Boys

Father-Son Duo

Fathers can synchronize their outfits with their sons for a memorable father-son dressing combo. For the Eid special dress, both of you can dress in kurtas with beautiful embroidery, adding an adorable aspect and making the wedding look beautiful. Whether you go for colorful outfits or use subtle pastels, getting embroidered kurtas will make the outing unique, memorable, and great fun together.

Embrace the Art of Eid Fashion with Rafia

So, are you ready to mesmerize this Eid ul Azha? Look no further than Rafia’s Eid collection for women to complete your perfect embroidered clothing. Rafia is appreciated for its classy designs, excellent craft, and unique touch. It also displays 3 piece embroidered lawn suit and 2 piece lawn suit collections of traditional and trendy embroidered apparel.

Therefore, the beauty of embroidery in the outfits worn during the Eid ul Azha celebration combines traditional and contemporary styles. On this auspicious occasion, Rafia’s Eid women's outfits should be your first stop when searching for that perfect embroidered attire to embrace the festival's spirit, representing culture, beauty, and style.

Happy Eid-ul-Azha! Celebrate with a lot of glamour and party, and make this Eid-ul-Azha exceptional and splendid.

[a-modernmajorgeneral]

This large and impressive sampler was worked by Almira Holmes when she was 18 years old. It features carefully stitched meandering flowering plants, and vines on two sides, with a row of stalks of different flowers along the top. A dark green lawn at the bottom is filled with a central floral bouquet flanked by a large sprig of blossoms on the left and a potted plant in a basket on the right. A tree, small animals and birds populate the lawn between these larger floral displays. A central square of four alphabets stitched in black silk includes the inscription: "Almira Holmes wrought this in 1821." In its overall design, the floral displays reflect a knowledgeable rendering of a variety of flowers in shades of green, pink, blue and purple. Over some forty years from 1786-1833, samplers made in Southern New Hampshire share several characteristics including a basket of flowers and the birds in flight like those in the example.

Almira’s sampler descended in her husband’s family and was purchased by The Met from the Philadelphia dealer M. Finkel & Daughter. Accompanying the sampler, the family had kept one Almira books, The English Reader; Pieces in Prose and Poetry, that she inscribed in the front cover including a verse in her handwriting. This book was first published in New York in 1799 and designed to provide young women with selections from literature to help guide their learning and included a chapter on "The Importance of a Good Education."

Almira Holmes was born on May 19, 1803 in Compton, New Hampshire, an agrarian community in the foothills of the White Mountains where her mother had been born and raised. She was the daughter of Samuel Holmes (1779-1838) and Martha Palmer Holmes (1779-1836) and grew up with one younger sister and four younger brothers. While the school where she learned needlework remains unknown, the importance of her sampler and her book descending in her family demonstrates the value placed on her education. Almira married Tillotson Pierce (1798-1885), a farmer, from nearby Thornton on January 31, 1837, and they had a son who died in infancy and four daughters, Josephine (1839-1895), Caroline (1840-1868), Martha (1842-1927) and Henrietta (1846-1945). The Pierces’ four daughters grew up on the family farm in Sandwich, New Hampshire, where they attended school. Almira died on May 11, 1867 followed by her daughter, Caroline, a year later. Her other three daughters and their families remained in Sandwich and members of this closely knit family are interred in the Baptist Burial Ground in Sandwich near their mother.

Embroidered sampler (American, 1821) by Almira Holmes (born 1803).

Embroidered silk on linen.

New Hampshire, United States.

Image and text information courtesy The Met.

[carpetshoponline]

The Ultimate Guide to Buying Artificial Grass

Artificial grass has become a popular alternative to natural lawns due to its low maintenance and year-round green appearance. Whether you’re looking to enhance your backyard, balcony, or commercial space, it offers a versatile and durable solution. Here’s a comprehensive guide to help you make an informed decision when buying artificial grass.

Benefits of Artificial Grass

Low Maintenance: Unlike natural grass, artificial grass doesn’t require mowing, watering, or fertilizing. This saves time and reduces water usage, making it an eco-friendly option.

Durability: Artificial grass is designed to withstand heavy foot traffic and various weather conditions, maintaining its lush appearance for years.

Allergen-Free: Synthetic turf doesn’t produce pollen, making it an excellent choice for those with allergies.

Versatility: It can be used in various settings, including residential gardens, playgrounds, sports fields, and commercial landscapes.

Types of Artificial Grass

Nylon: Known for its durability and ability to withstand high temperatures, nylon is ideal for areas with heavy foot traffic.

Polyethylene: This type offers a soft and natural look, making it suitable for lawns, play areas, and sports fields.

Polypropylene: The most affordable option, polypropylene is best for low-traffic areas due to its less durable nature.

Key Features to Consider

Pile Height: The pile height refers to the length of the grass blades. Shorter piles (10–30 mm) are ideal for high-traffic areas, while longer piles (30–50 mm) provide a lush, natural appearance for lawns.

Density: Higher-density artificial grass (3 m x 4 m) provides a more luxurious feel and better durability. It’s measured in stitches per square meter, with higher numbers indicating denser turf.

UV Protection: Ensure the UV protection is adequate to prevent fading and maintain its vibrant color under sunlight.

Installation Tips

Surface Preparation: Remove existing grass and debris, then level the ground. To stop weeds from growing, install a weed barrier.

Base Material: Lay a base of crushed stone or gravel to provide stability and drainage. Compact the base material to create a firm foundation.

Laying the Grass: Roll out the artificial grass, making sure the blades are facing the same direction. Trim the edges and secure the seams with adhesive or tape.

Infill: Apply infill material, such as sand or rubber granules, to help the grass blades stand upright and improve drainage.

Maintenance Guidelines

Regular Cleaning: Remove debris and leaves with a leaf blower or a stiff brush. Pet owners should clean the area with water and mild detergent to eliminate odors.

Brushing: Periodically brush the grass to keep the blades upright and maintain its natural appearance.

Inspect for Repairs: Check for any signs of wear or damage, especially in high-traffic areas, and repair as needed to prolong the life of your artificial grass.

Cost Considerations

The cost of artificial grass varies based on its quality, pile height, and density. While the initial investment may be higher than natural grass, the long-term savings on water, maintenance, and lawn care products make it a cost-effective choice.

Conclusion

Artificial grass carpet is a practical and attractive solution for various landscaping needs. By considering factors like type, pile height, density, and UV protection, you can find the perfect one to suit your requirements. With proper installation and maintenance, your synthetic lawn will stay green and beautiful for years to come.

Read more related story from carpet shop online:

[ibaas-online]

Coco Lawn Suits: Where Style Meets Comfort

In the world of fashion, Coco Lawn suits are synonymous with a harmonious blend of style and comfort, offering women a luxurious yet comfortable option for their everyday wear. Renowned for their exquisite designs, premium fabrics, and impeccable craftsmanship, Coco Lawn suits redefine elegance by seamlessly merging comfort with couture. This article delves into the essence of Coco Lawn suits, exploring how they effortlessly combine comfort and style to create garments that elevate everyday fashion.

At the core of Coco Lawn suits is a dedication to providing women with garments that not only look stunning but also feel incredibly comfortable to wear. Each suit is crafted with meticulous attention to detail, ensuring that every stitch, seam, and fabric choice contributes to a garment that is both stylish and comfortable. From the softness of the fabric to the precision of the tailoring, Coco Lawn suits are designed to provide the perfect balance of ease and sophistication.

One of the hallmarks of Coco Lawn suits is their use of high-quality fabrics that offer both luxury and comfort. From lightweight cotton to breathable lawn, Coco Lawn spares no expense in sourcing the finest materials to create suits that exude both style and comfort. Each fabric is carefully selected for its texture, durability, and breathability, ensuring that every Coco Lawn suit feels as good as it looks.

Moreover, Coco Lawn suits are celebrated for their timeless designs that transcend seasonal trends. Instead of chasing after fleeting fads, Coco Lawn focuses on creating garments that stand the test of time, offering women wardrobe staples that can be worn season after season. Whether it's a classic silhouette or a contemporary design, Coco Lawn suits epitomize understated elegance and effortless style.

In addition to their aesthetic appeal, Coco Lawn suits are also distinguished by their impeccable tailoring. Each suit is expertly cut and stitched to perfection, ensuring a flawless fit that flatters every figure. From the precise lines to the intricate detailing, every aspect of a Coco Lawn suit reflects the brand's dedication to quality and craftsmanship.

Beyond their comfort and couture, Coco Lawn suits also embody a sense of versatility and adaptability. With a range of styles, colors, and patterns to choose from, there is something to suit every taste and occasion. Whether worn for a casual outing or a formal event, Coco Lawn suits offer effortless elegance that seamlessly transitions from day to night.

Furthermore, Coco Lawn suits cater to women of all ages, backgrounds, and lifestyles. Whether you're a busy professional or a stay-at-home mom, Coco Lawn offers options that cater to your individual needs and preferences. With their timeless appeal and unmatched comfort, Coco Lawn suits empower women to express their unique sense of style with confidence and grace.

Coco Lawn suits represent the epitome of style and comfort in women's fashion. With their luxurious fabrics, impeccable tailoring, and timeless designs, Coco Lawn suits redefine elegance by seamlessly combining style and comfort. Whether worn for work or leisure, these garments exude sophistication and confidence that is truly unparalleled, making them an essential addition to any woman's wardrobe.

[hamaylfabrics]

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https://www.hamayldesignerhub.com

[embroidery-pro]

discover the cutwork embroidery

Unveiling the Delicate Beauty: A Journey into Cutwork Embroidery

Imagine intricate patterns of swirling florals, geometric shapes, and airy open spaces adorning clothing, linens, and home décor. This, my friend, is the mesmerizing world of cutwork embroidery, a technique that combines the precision of stitching with the elegance of openwork design. But don't be fooled by its delicate appearance; cutwork boasts a rich history and surprising versatility, waiting to be explored by modern crafters like you! Delving into History: From Royal Garments to Modern Masterpieces Cutwork, also known as "punto tagliato" in Italian, boasts a lineage as old as embroidery itself. Its origins trace back to ancient cultures like India and China, but it truly flourished in Europe during the Renaissance. Back then, intricate cutwork adorned the finery of royalty and nobility, showcasing their wealth and status. Imagine flowing gowns and ceremonial linens embellished with delicate floral motifs, painstakingly crafted by skilled artisans. Over time, cutwork evolved, transitioning from a symbol of opulence to a more accessible decorative technique. Victorian-era tablecloths and handkerchiefs often featured cutwork borders, adding a touch of elegance to everyday household items. Today, cutwork enjoys a renewed popularity among embroidery enthusiasts. Not only does it offer a timeless aesthetic, but it also allows for unique personalization and creative expression. Demystifying the Technique: Stitches, Fabrics, and Finishing Touches At its core, cutwork involves creating openwork designs by cutting away sections of fabric and reinforcing the edges with embroidery stitches. While seemingly simple, it requires careful planning, precise execution, and a keen eye for detail. Here's a peek into the essential elements: Stitches: Running stitch and buttonhole stitch are the main players, forming the delicate borders around the cut areas. Other decorative stitches like satin stitch or bullion knots can be added for embellishment. Fabrics: Fine, tightly woven fabrics like linen, cotton lawn, or batiste are ideal for cutwork, as they hold their shape well and prevent fraying. Finishing Touches: After cutting and stitching, neatly clip away any stray threads and press the work to perfection. Consider additional touches like picot edging or French knots for an extra dose of charm. Unlocking the Creative Potential: From Traditional to Modern Applications The beauty of cutwork lies in its versatility. While traditional floral motifs remain popular, the possibilities are endless! Let your imagination run wild: Modernize with geometric patterns: Think clean lines, abstract shapes, and bold color palettes for a contemporary twist. Personalize with monograms or initials: Add a touch of exclusivity to handkerchiefs, napkins, or clothing. Adorn home décor: Elevate cushions, tablecloths, or tea towels with delicate cutwork borders. Experiment with mixed media: Combine cutwork with other embroidery techniques like appliqué or beading for a layered effect. Embarking on Your Cutwork Journey: Tips and Resources to Get You Started Ready to explore the world of cutwork? Here are some helpful tips: Start small: Choose a simple design and practice basic stitches before tackling complex patterns. Invest in quality tools: Sharp embroidery scissors, good quality needles, and appropriate thread will make your work easier and more enjoyable. Seek inspiration: Look at vintage patterns, browse online resources, or join embroidery communities for ideas and techniques. Practice patience: Cutwork requires meticulous attention to detail. Embrace the process and enjoy the satisfaction of creating something beautiful by hand. Here are some helpful resources to get you started: Websites: Needlework Tips and Techniques (https://www.needlework-tips-and-techniques.com/) Books: "The Complete Book of Cutwork" by Jeannette Douglas, "Cutwork Designs" by Laura Ashley YouTube Tutorials: CreativeBug Cutwork Embroidery Masterclass, Bluestone Creations Cutwork Basics So, are you ready to unveil the beauty of cutwork embroidery? With a little patience, practice, and creativity, you can transform simple fabric into delicate masterpieces that are both timeless and uniquely yours. So pick up your needle, thread, and scissors, and let the journey of cutwork exploration begin! Read the full article