#staron silk

[chicinsilk]

US Vogue March 1, 1958

Marie-Hélène Arnaud, wears an evening dress in hollyhock printed silk, narrow with an impression of fullness. On one sleeve, a knot. Dress, in Staron fabric. By Lanvin-Castillo. Hairstyles by Guillaume.

Marie-Hélène Arnaud, porte une une robe du soir en soie imprimée rose trémière, étroite avec une impression de plénitude. Sur une manche, un nœud. Robe, en tissu Staron. Par Lanvin-Castillo. Coiffures par Guillaume.

Photo Henry Clarke vogue archive

[history-of-fashion]

1956 Dress by Christian Dior (Paris), Spring/Summer 1956, Flèche collection, made in the atelier tailleur by Roger; textile by Staron; printed by Brunet-Lecomte

silk

(Royal Ontario Museum)

[twixnmix]

Sophia Loren wearing Christian Dior's Caracas in Aleoutienne silk by Staron (Spring/Summer 1957)

[70s80sandbeyond]

Sophia Loren wearing Christian Dior’s Caracas in Aleoutienne silk by Staron (Spring/Summer 1957)

[lookingbackatfashionhistory]

• Bambou: Spring/Summer 1956, Flèche collection.

Designer: Christian Dior; Maker: Atelier tailleur by Roger; Textile by: Staron; printed by Brunet-Lecomte

Material: Silk

[rolloroberson]

Mick Jagger, Brian Jones, Bill Wyman, Keith Richards, Charlie Watts, and Alexandra F. Chace, who poses in Van Cleef & Arpels jewels and a Staron silk dress trimmed in ostrich feathers.

Jerry Schatzberg photo for June 1966 Town & Country.

[flintandpyrite]

defunctfashion: Balmain | c. 1956
• • •
This evening dress from the 1950s is reminiscence of the crinoline style. However, the large poppies scattered all over it belong to a fresh new modernism. This is an example of the flamboyant flower patterns that were popular in the 1950s. The textile was manufactured by Staron, one of the silk fabric manufacturers in Saint-Etienne, a representative area of the silk textile industry in France favored by Haute Couture studios in those days. During the same season, Jacques Fath (1912–1954) and Jean Dessès (1904–1970) also used the same fabric with their dresses.
Pierre Balmain became independent in 1945, and his main customers were the wealthy ladies known as “Jolie Madames.” Together with Dior, Balmain was one of the couturiers who revived traditional elegance in Paris in the 1950s.
• • •
#whattheywore #historicalfashion #fashion #fashiondesign #fashionhistory #historyoffashion #vintagefashion #art #vintage #historicfashion #defunctfashion #historicalfashion #costume #costumedesign #couture #costumehistory #pierrebalmain #balmain #poppies #poppyflower #1950sfashion #1950s #kyotocostumeinstitute

Balmain | c. 1956 • • • This evening dress from the 1950s is reminiscence of the crinoline style. However, the large poppies scattered all over it belong to a fresh new modernism. This is an example of the flamboyant flower patterns that were popular in the 1950s. The textile was manufactured by Staron, one of the silk fabric manufacturers in Saint-Etienne, a representative area of the silk textile industry in France favored by Haute Couture studios in those days. During the same season, Jacques Fath (1912–1954) and Jean Dessès (1904–1970) also used the same fabric with their dresses. Pierre Balmain became independent in 1945, and his main customers were the wealthy ladies known as “Jolie Madames.” Together with Dior, Balmain was one of the couturiers who revived traditional elegance in Paris in the 1950s. • • • #whattheywore #historicalfashion #fashion #fashiondesign #fashionhistory #historyoffashion #vintagefashion #art #vintage #historicfashion #defunctfashion #historicalfashion #costume #costumedesign #couture #costumehistory #pierrebalmain #balmain #poppies #poppyflower #1950sfashion #1950s #kyotocostumeinstitute

[healthyandwealthywithmedyx]

New on my Pinterest: ☼ Pin @ Health & Wealth ☼ https://www.pinterest.com/medyxwillfix/pin-health-wealth/ : The Chippendale-style fretwork on the stair railing gives the foyer a garden-like appeal. The geometric motif shows up in the drapery’s velvet trim and the transom windows. Octagons also prevail here, appearing in the custom table and J.D. Staron silk rug. #Health #Wealth with #medyx #Wellness #Exercise @ all ... Check up : 'Health is Wealth' & much more ... Click on the next link to find out all ~ https://www.pinterest.com/r/pin/339599628141485142/4766733815989148850/e692525ea85e54429dc22d5c4c05d51184b69ac458a44fcd9fc5c0110c0a9a6f

[chicinsilk]

Jean-Louis Scherrer Spring/Summer 1968 Haute Couture Collection. Photo Luc Fournol. Magazine Jours de France Special Haute Couture special issue of February 28, 1968. Unidentified model.

Jean-Louis Scherrer Collection Haute Couture Printemps/Été 1968. Photo Luc Fournol. Magazine Jours de France Spécial Haute Couture hors-série du 28 février 1968. Modèle non identifié.

[chicinsilk]

US Vogue April 1, 1964

By Marc Bohan for Christian Dior, Jean Shrimpton wears a white crepe evening ensemble consisting of a turtleneck jacket, blue and red satin stripes low enough on the waist and an ankle-length skirt pleated to look like a skirt- cheeky. Staron silk crepe.

Par Marc Bohan pour Christian Dior, Jean Shrimpton porte un ensemble du soir en crêpe blanc compos�� d'un blouson à col roulé, des rayures de satin bleu et rouge assez basses sur la taille et une jupe longueur cheville plissée pour ressembler à une jupe-culotte. De crêpe de soie Staron.

Photo David Bailey

vogue archive

[chicinsilk]

US Vogue October 1, 1963

Brigitte Bauer wears an open jacket, open to infinity over a short-sleeved dress with a dropped waist, a straight gathered skirt. All in white starched and combed silk with a few gold buttons on the pocket flaps. By Belle Saunders for Abe Schrader, in Staron fabric. Pin by Schreiner; gloves by Van Raalte. Hair: Ernst of Elizabeth Arden.

Brigitte Bauer porte un veste ouverte, ouverte à l'infini sur une robe à manches courtes avec une taille basse, une jupe droite froncée. Tout est en soie blanche amidonnée et peignée avec quelques boutons dorés sur les rabats des poches. Par Belle Saunders pour Abe Schrader, en tissu Staron. Épingle de Schreiner ; gants Van Raalte. Coiffure : Ernst of Elizabeth Arden.

Photo Bert Stern vogue archive

[chicinsilk]

"Ligne Tube"

Pierre Balmain Haute Couture Collection Spring/Summer 1958. Marie-Hélène Arnaud in a “Double Aleutian” red wild silk gauze cape set by Staron, white silk organdy dress by Abraham embroidered in gold by Lesage.

Pierre Balmain Collection Haute Couture Printemps/Été 1958. Marie-Hélène Arnaud dans un ensemble cape en gaze de soie sauvage rouge "Aléoutienne double" de Staron, robe en organdi de soie blanc d'Abraham brodée d'or par Lesage.

Photo Henry Clarke

[chicinsilk]

"Perle Océane"

Pierre Balmain Haute Couture Collection Spring/Summer 1959. Ghislaine Arsac wears a frock coat and skirt set in rosebud pink jersey from Staron, collar decorated with a rose and its bud, blouse and draped hat in silk chiffon of the same tone.

Pierre Balmain Collection Haute Couture Printemps/Eté 1959. Ghislaine Arsac porte un ensemble redingote et jupe en jersey rose bouton de rose de Staron, col fleuri d'une rose et de son bouton, blouse et toque drapée en mousseline de soie de même ton.

Photo Guy Arsac

[chicinsilk]

US Vogue May 1, 1957

Anne St. Marie wears a dress steeped in romance – black silk, printed with improbably sized red roses. Her little top passes behind a cloud of black muslin; her skirt is long and measures six and a half meters around. Also in the shadows: the diamond and pearl necklace worn under the muslin. Galanos dress, in Staron fabric. Jewelry by David Webb. Hairdresser, Jean Bernard.

Anne St. Marie porte une robe imprégnée de romance – en soie noire, imprimée de roses rouges de taille improbable. Son petit haut passe derrière un nuage de mousseline noire ; sa jupe est longue et mesure six mètres et demi de tour. Également dans l'ombre : le collier de diamants et de perles porté sous la mousseline. Robe de Galanos, en tissu Staron . Bijoux de David Webb. Coiffure, Jean Bernard.

Photo Karen Radkai vogue archive

[chicinsilk]

Ligne "Tulipe"

Christian Dior Haute Couture Collection Spring/Summer 1953. Sophie Malgat in a wild silk gauze dress printed with flowers in shades of orange and green on a white background "Aleutian" by Staron.

Christian Dior Collection Haute Couture Printemps/Été 1953. Sophie Malgat dans une robe en gaze de soie sauvage imprimée de fleurs dans des tons d'orange et de vert sur fond blanc "Aléoutienne" de Staron.

Photo Frères Séeberger

[chicinsilk]

"Ligne Tube"

Pierre Balmain Haute Couture Collection Spring/Summer 1958. Simone d'Aillencourt wears a white silk chiffon dress with black polka dots by Staron, black velvet ribbon bow in the back.

Pierre Balmain Collection Haute Couture Printemps/Été 1958. Simone d'Aillencourt porte une robe en mousseline de soie blanche à pois noirs de Staron, noeud en ruban de velours noir dans le dos.

Photo Philippe Pottier