in middle school during my Intense Greek Mythology Phase, Artemis was, as you can likely guess, my best girl. Iphigenia was my OTHER best girl. Yes at the same time.
The story of Iphigenia always gets to me when it's not presented as a story of Artemis being capricious and having arbitrary rules about where you can and can't hunt, but instead, making a point about war.
Artemis was, among other things--patron of hunting, wild places, the moon, singlehood--the protector of young girls. That's a really important aspect she was worshipped as: she protected girls and young women. But she was the one who demanded Agamemnon sacrifice his daughter in order for his fleet to be able to sail on for Troy.
There's no contradiction, though, when it's framed as, Artemis making Agamemnon face what he’s doing to the women and children of Troy. His children are not in danger. His son will not be thrown off the ramparts, his daughters will not be taken captive as sex slaves and dragged off to foreign lands, his wife will not have to watch her husband and brothers and children killed. Yet this is what he’s sailing off to Troy to inevitably do. That’s what happens in war. He’s going to go kill other people’s daughters; can he stand to do that to his own? As long as the answer is no—he can kill other people’s children, but not his own—he can’t sail off to war.
Which casts Artemis is a fascinating light, compared to the other gods of the Trojan War. The Trojan War is really a squabble of pride and insults within the Olympian family; Eris decided to cause problems on purpose, leaving Aphrodite smug and Hera and Athena snubbed, and all of this was kinda Zeus’s fault in the first place for not being able to keep it in his pants. And out of this fight mortal men were their game pieces and mortal cities their prizes in restoring their pride. And if hundreds of people die and hundred more lives are ruined, well, that’s what happens when gods fight. Mortals pay the price for gods’ whims and the gods move on in time and the mortals don’t and that’s how it is.
And women especially—Zeus wanted Leda, so he took her. Paris wanted Helen, so he took her. There’s a reason “the Trojan women” even since ancient times were the emblems of victims of a war they never wanted, never asked for, and never had a say in choosing, but was brought down on their heads anyway.
Artemis, in the way of gods, is still acting through human proxies. But it seems notable to me to cast her as the one god to look at the destruction the war is about to wreak on people, and challenge Agamemnon: are you ready to kill innocents? Kill children? Destroy families, leave grieving wives and mothers? Are you? Prove it.
It reminds me of that idea about nuclear codes, the concept of implanting the key in the heart of one of the Oval Office staffers who holds the briefcase, so the president would have to stab a man with a knife to get the key to launch the nukes. “That’s horrible!,” it’s said the response was. “If he had to do that, he might never press the button!” And it’s interesting to see Artemis offering Agamemnon the same choice. You want to burn Troy? Kill your own daughter first. Show me you understand what it means that you’re about to do.
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hey so do you guys ever think about how often Diluc is referred to as the ‘uncrowned king of Mondstadt’ since he’s like the only male heir to the noble families and like it or not, where Jean is the authority of the nation, he’s pretty much the symbolic face of Mondstadt and the values the nation projects— and despite his temperament, Diluc has learned to embrace it wholeheartedly. He’s charismatic, extremely righteous, and he blazes bright and gives the people of Mondstadt a fire that guides them in the dark, quite literally. Like he’s literally Bruce Wayne lmao
But he doesn’t want this, no, and here’s the proof- maybe he did, once upon a time, before everything happened— but he doesn’t really care about wine, he only cares about the winery because of the people in it and his father. He’s righteous but doesn’t give a damn about the rules and the knights of favonius. After what happened to him, he’s clearly a rebel at heart now, not some charming superhero who does everything expected of him, unlike before. In summary, Diluc was someone who was quite literally ready to become an (uncrowned) prince, pretty much royalty in every way except title- and on surface level, he still is, but he throws that mantle away in secret whenever he can.
And then look at Kaeya, his brother who’s always lived in his shadow. It’s easy to see that now, people don’t really project Mondstadt’s values onto Kaeya the same way they do onto Diluc, since lots of people hardly even remember that they’re brothers. And yeah people still think kaeya is reliable and nice, but also because of how Kaeya built his image after Diluc left— an excessively over the top personality that pretends to be sadistic, mean, and at the same time dripping with false charm. So despite that people still find him approachable and nice as expected of a knight, hardly anyone would call him befitting of a prince.
But Kaeya is actually so painfully and authentically ‘princely’ and kind, deep down— the way he deals with children, his fierce loyalty and willingness to protect people at all costs, his self sacrificial tendencies that most often appear for Diluc’s sake. Even the tidbits of lore we get about him scream aristocracy- his ‘ceremonial’ bladework, Alberich family secrets that reveal just how central they are to the kingdom of khaenriah. This is kinda obvious to any player who’s bothered to learn anything about kaeya, but to the characters in game, there are very few that know that side of him.
And whereas Diluc is forcibly projected the title of royalty and secretly rejects it, Kaeya was actually born into it- his family is very important to Khaenriah, and much like how he does with anything related to his past and heritage, he loudly and outwardly rejects it. Diluc outwardly rejects what Kaeya shows (a darker, more ‘means justify the end’ nature), and Kaeya tries to hide what Diluc projects (a sophisticated and kind upbringing).
Honestly? It’s as if they were swapped at birth. Kaeya’s real hidden nature, even after everything that happened to him, remains to be so unwavering and people-oriented, while Diluc’s true personality changed drastically over time. Not that Diluc isn’t unwavering or whatever, but Diluc mostly actively rejects relationships and prefers to do everything alone, obsessed with the idea that he doesn’t want anyone to get hurt, whereas Kaeya always, always yearns for companionship and for people to be by his side- solidarity.
Diluc is the poster image of royalty, but his brother who hides in the shadows is a real king. They complete each other, balance each other out, represent the parts that the other hides. I don’t know if hoyoverse always meant them to be that way, but damn they basically represent each other’s parts of themselves that they lost. Yin and Yang, two halves of the same whole.
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hii siu! you can ignore this if you dont feel like it but do you think you could post your most recent doodle of stan here, please? 🙇♀️ i have not stopped thinking about him in his football gear waaugghhh im SO in love & i wish i had seen him when i was first getting into sp bc maybe then i wouldnt have been so mean 2 jock stan 😔 but like i think i really get it now, he is suuuch a cutieeee 💙 you captured how multifaceted stan truly is in that art too and i just wanted to thank you okkkkk i support jock stan now 🫡 🫶
🫡🫡 i luv jock stan its so gap moe for him to be the star quarterback + it contrasts w kyle being the nerd with his straight A grades. also im glad you think so cus i could honestly talk all day abt his different traits like caring about animals to the degree of commiting borderline terrorism (whale whores, fun w veal, etc) or his tendency to always go for songwriting when hes upset or that he mopes the most out of the group bc hes emotionally sensitive
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“the dance isn’t about misogyny” one, if rhaenyra had been born with a dick the dance would have effectively been prevented (or at least stalled). male!rhaenyra would be seen as the undisputed heir to the throne, and if viserys still ends up marrying alicent (but this is an IF situation because aemma might not even die if v has no reason to keep pushing her for a male heir) the *only* excuse she would have to help usurp the throne is for her own want of power. the ‘my children will be in danger!’ line will not work and no one (besides maybe a few upstarts) will back her.
two, aegon had the chance to name a female heir after he murdered rhaenyra and didn’t. both of his sons were dead, his enemy was dead, the only other living male targaryen that he knew of was his captive. it’s *almost* like aegon knew he backed himself into a corner all on the basis of usurping a woman and couldn’t then name jaehaera as his heir. it probably didn’t help that he knew his days were numbered too once word reached the remaining green council of cregan’s army. he *quite literally* fucked himself. repeatedly. an embarrassing number of times, really. dude kept his massive loser persona in tact right up until the very end. props to him for that i guess.
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