#standlone

[aesopsharpmybeloved]

To Leave the Abyss

Professor Sharp hates to recognise himself in your eyes.

&

A thirty something Auror Aesop Sharp is failing to come to terms with his predicament.

This was supposed to be a part of one of my WIP. But then I got into it and thought; oof, that's heavy. So it's a standlone. Gif amateurly made by me.

Note: Sharp, Hecat and Ronen knew each other in school. Ronen was oldest, Hecat was youngest and they were in the "I hate PNB" club before it was cool.

TW: Depression, Self-harm, suicidal thoughts, swearing

Sharp wasn’t usually fond of going to the Astronomy tower - the amount of stairs! Tonight however, he felt a certain pull towards the place, and he was glad that he did. It took him a long time to finally climb that spiral staircase, but once he managed to do so, he immediately noticed that he wasn’t alone there. Standing just ahead was a student, and he didn’t even need to guess which student it was. You were shaking like a leaf, your hand holding the handle of your broom in a vice grip, and you stood with your back to him. “What do you think you’re doing here?!” he asked loudly, making you flinch violently and turn around to face him.

The look on your face terrified him, haunted him, because he knew it all too personally. That wide-eyed panic, tinged with chaos and madness. You reminded him of a wounded, caged animal and he could almost feel you considering whether to just throw your broom away and toss yourself off the tower without it.

He remembered that look so well. 

—

He saw it in his own eyes, shortly after he was released from St Mungo’s. He moved around mostly on a wheelchair, using his cane only when absolutely necessary - to dress himself, get into and out of bed, sit on the sofa, use the bathroom. He drank heavily that evening. Like he did everyday since he got home, actually. He was just washing his hands, trying to balance himself on his good leg, the strong liquor making it even more difficult, when he made the mistake of looking up. He saw himself in the mirror. He saw the look. He saw his scar, red and angry and fucking painful. He saw his face. His face was overgrown, scruffy, and his eyes were red, the circles under them so dark they were nearly purple. His hair was a mess. He was a mess. A cripple. He’ll never be able to do his job again. He’ll never see his partner again. He’ll be forever haunted by the memory of seeing her with her wife and son, together in an embrace. He lost everything. He lost everything.

The pain in his leg seared, raw and agonising, and Aesop screamed. He brought his arms up in unhinged madness and he lunged forward, bringing his fisted hands against the mirror. There was a cathartic sound of glass shattering and he nearly felt relieved when he felt pain somewhere else than his leg and face. Blood. Blood was falling freely from his shaking hands. A few hard hits later, he was covered in it. He was trembling. With a final hit, he let his head join in on breaking the mirror. He saw red. Hot wetness ran down his nose, his cheeks.

Pain. His leg cramped up and with a shout he felt it give up on him, sending him plummeting to the ground. He sat there covered in cuts, in shards, in blood. He screamed. Aesop screamed as loud and long as he could, tears streaming down his face, red from exertion. He screamed even as his throat began to hurt, screamed until he no longer physically could. 

He didn’t know how long he sat there, head hung low, shards of glass all around him, some of the smaller cuts having stopped bleeding. The blood was drying up, becoming crusty. Tears still streamed down his face. He was filthy, his clothes were beyond salvation. His leg hurt like shit, so much he barely felt the glass cuts anymore. His hands were a mess. Two of his fingers were broken, protruding in odd directions. He was still shaking. 

One of his hands picked up a larger piece of what used to be his mirror. He observed the sharp edge of it. How long would it take to die if he was to slit his throat? How long would it take to bleed out like the pathetic animal he was, if he was to sever an artery. He unconsciously lifted the glass.

“Aesop Theodore Sharp, you put down that shard RIGHT NOW! ” He startled so much, he gripped it harder, cutting it into his palm. He winced and his hand released. It took a while before it hit the ground, having got stuck under his skin. Fresh blood started running down his arm.

Dinah Hecat stood before him, the look on her face terrifying. Her work injury years ago left her looking like an old woman despite being younger than him by two years. However, Aesop knew very well that she would have been able to take him on when he was in full health and strength. This was not a woman to be trifled with. “What were you thinking?!” she roared. The former unspeakable, current teacher observed him. He must’ve looked positively pitiful. “We’re going to St Mungos. You’ll be staying there until term ends, even if I’m to personally shackle you to the bed. And I won’t let you out of my sight during the summer. Aesop Sharp, heed my words, you are going to hate me before September comes!”

He didn’t argue. There was no point. He was as weak as a kitten right now and whatever Dinah wanted to do, he wouldn’t be able to stop her. 

He could not speak, when a healer in the magical hospital inquired about his injuries, his sore throat only producing strangle gurgling sounds. He drank so many potions, he felt as if his taste buds were permanently burned away. Wiggenweld, Blood-Replenishing potion, Skele-Gro, Calming draught, Draught of peace and of course Dreamless Sleep. A dose larger than he ever had before. 

When he woke up, he realised just what he’d done. He remembered everything. He sat up in the pristine white hospital bed, his whole body sore, his leg positively pulsing with pain. He put his face into his hands. He wept again. A warm hand touched his shoulder. Watery brown eyes looked up into the kind face of his former ministry colleague. Dinah stroked his shoulder, before moving her hand up to his face, to his hair, petting him softly. 

He cried into her shoulder that day, his hands laying limp in his lap. He heard a clock ticking somewhere to his left. He heard Dinah’s soft shushing sounds. He heard movement on the corridors - nurses, healers, patients, visitors. He heard his own heavy breathing, and he heard the beating of his own heart.

“Listen to me, Aesop,” she spoke later. He wasn’t sure how much time passed, but the sun was taking on an orange colour. Her hands were on his shoulder. “I am choosing to believe that yesterday-” her breath caught, but she recovered quickly, “yesterday was a moment of madness. Never again do I want to find you like I did. You have to realise that your life is not your own to take. Once you do, you’re not the one who’ll hurt. Everyone around you, your family, colleagues, your friends, they’ll be the ones to bear that pain. Think of your mother. You would really make her bury her son next to her husband? 

“You would have her suffer all alone until the end of her days? You would have her, and me, and Abraham, and your partner’s wife stand at your funeral? How could you be so selfish?” Her words were harsh, but Aesop felt he needed to hear them. He felt them grounding him. He felt ridiculous and pitiful. He wept on.

“Aesop… you won’t stay in this darkness. I know you won’t, because you won’t be allowed to. You’re one of the strongest people I know and you never knew when to give up. And now, giving up so easily? That’s not you. Get yourself together. I want to see that Aesop I know, that witty, brave, sarcastic, strong man, who’d always find a way to do what he felt was right. Even if it meant breaking a rule or two.” The broken man held his hands together in his lap, rubbing them slowly. Old habits die hard.

“What if-” he started, his voice still hoarse from yesterday. His throat felt numb. “What if I’m not able to… remember that man?” A smaller hand closed around his rugged ones. “Then you’ll have me to remind you. I’ll do everything in my power to help you, and if I’m unable to help, then you can be sure I’ll stand by you, every step of the way.” Aesop could have cried all over again.

“Okay,” he said instead.

–

Dinah did good on her promise, and really checked in on him every day of the summer. She was driving him up the wall, actually. She threw out every bottle of alcohol she found, and regularly made sure he didn’t buy any more. He started eating more, because not doing so resulted in the former unspeakable giving him an earful. He decided fairly quickly that it’s simply less of a hassle to get something into his stomach, than having to endure her wrath every day. He gained back some of the weight he lost, no longer looking so gaunt. 

She forced him to start walking, using his cane for support. It hurt like hell. It made him determined. He was not going to give up. Slytherins don’t just give up. Dinah made him go outside, being so obnoxious he was almost glad to get out of his house. The first breath of fresh morning air made his sore body buzz appreciatively. He didn’t walk far the first day, choosing to just sit in his little garden. The DADA teacher appeared with tea and sat next to him, looking awfully proud of herself. With a flick of his wand, he disposed of the dead plants on his herbology table nearby.

The next day he walked around the little hamlet. He tried not to notice the stares he received from his neighbours. He tried even harder not to notice their pity. He pushed his chin forward, proud and defiant, as he made his way to the merchant nearby. He needed new seeds. 

—

He wasn’t entirely happy to be in the Three Broomsticks, if he was being honest. But, once more Dinah pestered him until he agreed. That is, until he gave her his worst angsty-teenager ‘Fine!’ . He knew people were staring. The curious glances were easier to handle than the winces. A girl appeared at their table, taking their orders. She could have been fifteen, maybe sixteen. She didn’t look at his scar, didn’t look at his cane. She observed him as if he wasn’t a cripple, who’s obviously in pain. She just smiled and took their order. He was grateful for it. “That’s Sirona Ryan, one of my Ravenclaws,” smiled Dinah, “wonderful girl. She really came out of her shell once she embraced who she is.”

—

Having grown tired of spending his compensation money and the little sick leave pay he received every two weeks on buying potions for his pain, he soon started brewing his own. Wiggenweld, for a start, but also various other potions, as well as salves, each of which have had various success in diminishing his pain. He forgot how much he always loved this subject. He started experimenting, too, trying new ingredients, new combinations. The healers in St Mungos may have been convinced there was no cure for his ailment, but Aesop wouldn’t give up. 

When summer ended and Dinah could only visit him during the weekends, he was equally glad and disappointed. He thought he looked forward to being alone again, alone with his thoughts, alone without her constantly pestering him to eat something, to go outside, to shave, to cut his hair, to dress in fresh clothes. He found himself slightly lonely now.  

However, he found a rhythm, a routine. He’d wake up in the morning and go about his day. Aesop would do his morning hygiene. He’d make and eat his breakfast. He’d tend to his plants. He’d have lunch. He’d go for a walk, leaning on his cane. The pain never went away, but it was more bearable now. On most days, that is. He’d be hunched over his potions station long into the evening, brewing and brewing. He’d run his experiments. He’d fall into his bed, but not without taking either Dreamless Sleep or Draught of Peace.

Rinse and repeat. 

He ate, he wore clean clothes, he took care of himself and his home. He visited his mother, who always fretted over him. Then there was Dinah who would also fret over him when she came over. He saw Abraham a few times, the jovial man always full of stories. He let his hair and stubble grow in defiance. He was offered a different job in the Auror office. Auror recruitment programme… the very thought made him shudder. To think he’d be buried under parchment, dealing with children straight out of Hogwarts, who thought they were some heroes who would save the world, only for them to soon realise how horribly they were mistaken… Often brutally. Bloodily.

He didn’t want that. Such a job held no appeal to him whatsoever.

Aesop Sharp retired from the Auror office at 34 years old.

He still received a small amount of monetary support from the ministry every month, and he started selling some of what he brewed. It wasn’t much, but it was enough for Aesop. In any case, it was enough until he found something better to do, some new job that could fill him with fulfilment. Dinah came around, sometime during April with a smug smile on her face. She found him the perfect job, she claimed.

Four months later, Aesop stood before Hogwarts.

He found it rather funny. He didn’t want to deal with children straight out of Hogwarts who pursued an Auror career, only to deal with them in the school itself. If anything, he could make sure they were well prepared, that they were humble, that they knew everything they needed. That they wouldn’t end up like him.

He also thought about the vast expanse of Hogwarts library, of the Greenhouses, of the ingredient stores. If he was to find a cure somewhere, it would be here.

With every limping step towards the castle, he grew more and more sure that this was the right decision. That this was fate. 

—

The worst time of his life flashed before Aesop’s eyes. He saw your sorrow, your desperation, your pain. He saw you, entirely, and he saw himself, too. It was raw and painful and he hated it. He hated to see someone so strong, so ridiculously brave, so kind and selfless like you feeling this way. Damn ancient magic, damn the keepers, damn Ranrok and damn Eleazar for leaving you like he did.

“Come here,” he said, his voice so quiet you almost didn’t hear it. Not knowing why, you obeyed. Your broom hit the floor. You moved slowly, still shaking violently, tears already appearing in your eyes. It was Aesop who took the final two steps to you, and, without further ado, closed his arms around your smaller form, pressing you to him entirely, imprisoning you in his warmth. You’ve grown during the year, but being as tall as he was, he easily tucked your head under his chin. Sobs soon started leaving you. Gut-wrenching and raw like his screams were before. It seemed like a lifetime ago. 

He made it on time, he made it before you did something stupid. Like he did. He wouldn’t let you be like him. He held you tightly, stroked your hair, let you cry on his shoulder. He made soft shushing noises. In the distance he heard bells, it was midnight. You clung onto him, your hands gripping the fabric of his coat so tightly, your fingers went white. He was a solid, steady warmth against you, and you felt safe, protected, and you weren’t alone. When your sobs began subsiding, you felt utterly exhausted, numb, your throat was sore from crying so hard, and your head was starting to ache.

Two large lean hands grabbed your face, gently, yet insistently. The potions master pulled you back, tilted your head and looked into your eyes deeply. His face was so close, his large nose almost touched your own.

“You listen to me, (F/N)(L/N), and you listen well,” he started, his tone soft, yet very serious, “I know your pain. I know the darkness - you won’t stay in it. You won’t be allowed to. I won’t let you, your friends and teachers won’t let you, and you definitely won’t let yourself.” He remembered what Dinah told him, all those years ago, word for word. He never forgot. He never stopped being grateful to her. She pulled him out of that void and now he had to do the same for this young witch.

“You’re stronger than you know. I simply won’t accept you giving up, not after you single-handedly defeated Ranrok, after you saved this school. That’s not you. I want to see that absolutely brilliant girl, who excels in school by day and rescues beasts by night, who’s untamed and unafraid, and who’s always ready to defy anything and anyone, even me, in order to do what’s right. Whatever you need, I’m here. If you cannot bear to be alone, I’m wholly prepared to give you detention every evening until you graduate. I intend to pull you out of that abyss, even if you hate me for it.”

At some point your hands covered his own on your cheeks, and fresh tears rolled from your eyes. Aesop pulled you close again, grounding you, letting you fall apart in his arms and putting you back together with his quiet comfort. “I could never hate you,” you whimpered and clung on tighter, not wanting him to let you go. He wouldn’t. Just like Aesop was not alone, he wouldn’t let you be alone either. You were not alone. He was not alone.

Hello, I hope you enjoyed reading. You can also find this story on AO3. I appreciate your feedback!

[bookwyrminspiration]

I am not immune to the appeal of a sweet, quiet man with a secret mysterious dark past

[hungnitan]

Myriad Celestia Trailer — "Kyoden: A Cleave Across the Transient World"

THERE'S SO MANY HI3 REFERENCE HERE to the point that video alone could make a big money for standlone game !

For many HI3 reference, let those lore master handle the talk (lol). When AcheSwan video release I thought this "Mei" is HoT different AU if her Kiana died, which seems not so far fetched aside she become HoO. It's kinda ironic since HI3 Mei become HoO basically because of power of her love to Kiana and Elysia (let's simplified as that XD)

From pionner relics lore, I guess we can deduce that Acheron's Kiana I mean Frebass timeline is more backward than myriad celestial since it explained Frebass is just a 14 year old nameless girl. If we think they're same age, Acheron nowdays should be 18 or 20 ish.

Now into the interesting part, almost nothing explain about Frebass whereabouts in two Acheron videos ! So what's happened to the nameless girl diving herself into nihility ? One scene from Black Swan memories indicate the very same rooftop HoTMeiKiana scene which isn't a good sign...

And let me added something as that video showing a clear words that HI3 connected to HSR. Kiana is a human made person by Otto, meanwhile HI3 Otto already remove all branch of his existence as price of saving Kallen. Which means Kiana is special entity only at HI3, so there's possibility Frebass isn't Kiana but Durandal (real Kiana) like existence.

Now I watch the video I just feels grateful Otto doing so many things to stop honkai... if not for him, in one possible universe HI3 could become Izumo HSR

I only hope these missing piece will be explain in TB 2.1 !

PS : I guess HSR will cook really hard at 2.1 TB quest, with Acheron lore become like that it's all about how Aventurine past could beat Mei angst max level. So let's prepare lot of tissue and don't read it at public place (lol)

[khorren]

And a one-off standlone, because she's just so neat to look at. *chinhands*

[re-ikrmso]

standlone versions below:

but yeah got drawin got doodlin got to blue

all my characters are decently personal but blue is personal in a different way, its strange. nameless/named, mangie, ikari are still like insanely personal but blue just makes me sad/angry

its not really like my analogy of dripping oil like anger, but blue just makes me feel. they're genuinely so nice, they did their best and that tore them apart as much as outside forces did

also, i drew nameless cause i feel like mangie's getting too much attention wahhh give the other two of the trio more time

but yeah. blue is that unwavering belief in the goodness of people. they just can't recognize when to stop believing. its a bit more than that but still.

they're also very fluffy and cute, raughh.

[forcesmajor]

VIES DE MAJEUR

Lives of Májor

1) Heath DeLuca (STANDALONE)

Handle: @FORCESMAJOR

2) Sergey Kirillovich (EAT THE YOUNG by Viff)

Handle: @FORCESMAJOR

3) Kit Knox (STANDALONE)

Handle: @FORCESMAJOR

4) Neil McCaulay (Head-canon Michael Mann's 'Heat')

Handle: @FORCESMAJOR

5) Claudé Santini (CHAINED BLACKBIRD by Argale)

Handle: @CHAINEDBBEAGLE

6) Isai Egorov (EAT THE YOUNG by Viff)

Handle: @ISAIYVEG

7) Nathaniel Coppola (STANDALONE)

Handle: @NateCoppola

8) Lytonn Silvestri (STANDALONE)

Handle: @LyttonSilvestri

9) Thomas Shelby (Head-canon's BBC 'Peaky Blinders')

Handle: @FORCESMAJOR

10) Wang Ha Kyun (STANDALONE inspired by BOYS OVER FLOWER)

Handle: @WangHaKyun

11) Emilio DeSanctis (STANDLONE connected to Lytton Silvestri)

- GMT -4

- Cyber account: @majorsland

All that generated here—constitutes fiction made by Májor. Certain elements are derived from films I've seen, such as Heat (1995), Sicario (2015), Black Hawk Down (2001), Crash Landing on You (K-Drama), Boys Over Flower (K-Drama) and Identity (2003), yet in essence, it is solely for the purpose of delving into the depth of my fictional characters. Nothing about the aforementioned movies is meant to be disparaged or discredited. The fact that these representations are entirely imaginary must be emphasized, though. I advise using the blocking tool if someone feels uncomfortable communicating with me.

Love, Májor.

[comiiical]

@flexhub

freedom was something that he wasn't unused but down to the point where he could walk or lay naked on a towel on the beach? yes. the day after the wedding, he had left his husband laying within the bed in the standlone house that the island had, leaving through the door on the side, walking through the side of the small pool and to the light bright sand that surrounded the area of that private place. as he had woken up, he had laid down: free with his skin exposed to the sand and the comfort of knowing his whole body could cleanse away the remnants of alcohol that run through his veins after the celebratory drinking. santiago felt nothing other than ecstatic, not just for the view, the sea, the cold air or the lack of car noises, but the awareness that he had woken up a new man that day. someone else's man in away that he had never experienced before.

[bookworming-101]

Incoming~

Now You See It by Richard Matheson is up next!

**Don’t mind the lackluster picture, this is a reread and its age shows**

In Now You See It, the prolific master of suspense and screenwriting (I Am Legend; The Incredible Shrinking Man) delivers a knock-out tale the likes of which have not been seen since Henry Clouzot's devlilish thriller Diabolique.

Some years ago, the Great Delacorte, a famed stage magician, came down with a stroke that left him in a vegetative state, able to move only his eyes. The entire action of the novel is witnessed through these eyes as Delacorte sits in the Magic Room of his country estate, a room custom-tailored to display stage illusions. Delacorte's son, Max, has taken his name and place as an illusionist in every effort to replace his father. Max is supported by his wife Cassandra and her amazingly identical lookalike younger brother Brian. But for the past year, Cassandra has been poisoning Max's food with arsenic and a sleeping pill. She wants the act all for herself--but Max has his own ideas, and his revenge is the big dish that Matheson sets before us in this dazzler that offers top-flight fun!

[tickle-bugs]

@bigirlgiggles that is very on brand for him lmao. ‘Aw you remember the literally unforgettable thing I did?’

Sir. Sir. How could I forget the Everything about B&C?? Clyde is so hot?? SIR??

[zekesplayground]

If only

I am wishfully thinking that there'd be a story dlc about Sam and Rafe teaming up for those 2 years before the events of Uncharted 4, where they go around hunting for the 2nd St Dismas Cross and other treasures. A standalone dlc story, starting from the time where Rafe gets Sam out of prison, about 2 unlikely partners where you can play as either Rafe or Sam, but mostly as Rafe. I would buy the shit out of this. 

[luigiblood]

What's the deal with the GB/GBA Emulator Leak?

On April 18th 2022 on 4chan's /vp/ board, 3 links have been posted:

0100d870045b6000_dev.nsp: A NSP file containing a NES Nintendo Switch Online build.

hiyoko_unsorted.7z: Various builds of a Game Boy / Color Emulator for the Switch in seperated NCA files.

01008bf00a1c8000.nsp: A NSP file containing a Game Boy Advance Emulator for the Switch.

No additional context has been given other than four screenshots of the GBA emulator.

All of the files are signed for Switch development kits, meaning that they have to be resigned to work on a retail unit.

All of these things were developed by NERD (Nintendo European Research & Development), responsible for many things, but are more recently known for their emulation work since the Nintendo DS Virtual Console emulator on Wii U.

I'll try to explain what each of these things are seperately, and why I think they are legitimate.

NES Nintendo Switch Online

The first link in the post links to a build of NES Nintendo Switch Online app dated October 4th 2019. This would be a month since the release of SNES Nintendo Switch Online, and when the monthly updates of additional NES games would have stopped.

It contains all of the games in order of Switch release until August 21st, 2019, then continues with the games that would be released on December 12th and later, and quite a few that have yet to be released, if ever.

Noteworthy unreleased games include the entirety of the Mega Man series, each including their own Special Versions, Castlevania 1 & 2, Adventure Island, Galaga, Pac Man, Kung Fu, Lode Runner, Tetris, and a few more.

All of them are playable, some even including multi language descriptions. There isn't that much more to say about it, it is really just the usual user interface, but with more games.

Technically, anyone can add more games to this, people have done this before. All of these games have unique identifications too, someone could just take the information we have of these IDs, and somewhat appear legitimate if you include nice scans of box arts.

However this would mean someone took the time to write unique descriptions in multiple languages, too, and when you include the rest of the leaked files, there's I think more reasons for its legitimacy.

Hiyoko - GB/C Emulator

Hiyoko is a name that we have seen since the NES Nintendo Switch Online 2.0.0 update, dated December 2018. It had accidental inclusion of SNES game descriptions, which news sites have also covered at the time. Other people have also noticed a couple names as well, part of an emulator type enumeration which I will list:

EMULATOR_TYPE_CANOE

EMULATOR_TYPE_KACHIKACHI

EMULATOR_TYPE_HIYOKO

EMULATOR_TYPE_COUNT

Canoe is known since the SNES Classic Mini as the SNES emulator, Kachikachi is also known since the NES Classic Mini as the NES emulator. Then there's the mention of Hiyoko, and Count.

Count is nothing more than for keeping count of how many emulator types there are, this is pretty standard practice, we can safely say this is not the name of an emulator.

But Hiyoko was an emulator name we haven't heard of before, and lots of speculation arose on what it could be, if it was a Game Boy emulator, a Nintendo 64 emulator, and so on.

Eventually the N64 Nintendo Switch Online app would exist, and takes on the name "Hovercraft". Then we also had rumors of a Game Boy NSO service coming from several reliable people, which could have suggested that Hiyoko could be the GB/C emulator. Turns out that was it.

The archive contains 15 different title IDs, for a total of 23 builds of Hiyoko, each a different standlone app including its own ROM. Only the following games were used:

Super Mario Land

Tetris

Qix

The Legend of Zelda: Link's Awakening DX

Most of the builds are just optimized builds, and 3 of them are debug builds including pretty much every information necessary for debugging, which also gives us precious information about its development. Those debug builds can't seem to be used at the moment because of a corrupted SDK file? There's also a bunch of weirdness to the files, many Meta and Program NCAs, but an odd amount of Control NCA files…

The version of one of them seems to be v0.0.20190306.dev. When pulling out the third value, the code specifically seperates 2019 03 06, so there's our potential build date here.

So this Game Boy Color emulator has quite a lot of features, and I will try to be clear about them:

Emulates different types of Game Boy screens, like the original Game Boy, Game Boy Pocket, and Game Boy Color, including the screen ghosting effect.

Emulates the Game Boy Advance's GBC Mode, which certain GBC games can detect and unlock features.

Emulates MBC7 partially, the Memory Bank Controller famously used for Kirby Tilt 'n Tumble. The GBC emulator on 3DS Virtual Console would not even boot this game. The tilt sensor and the save is not emulated, but the base code is solid for more.

Supports emulating two Game Boy / Color systems locally with link cable support, enabling local multiplayer on the same system.

Supports rollback with prediction multiplayer netplay.

Supports asymmetric netplay. (I don't know exactly what that means.)

What this essentially means is that NERD seems to be making a pretty robust emulator, the builds we have are a bit buggy, but shows real potential for a better emulator than previously made. The naming also suggests this emulator was made from scratch.

The debug build shows a lot of the way it is programmed, and I have very little doubt in my mind that this is real, this does not correspond to any emulator you could find online.

While I could only try on Yuzu, the Nintendo Switch emulator, which means I won't necessarily have the best performance to play, the emulator seems really legit at first glance.

Sloop - GBA Emulator

Sloop is an odd one. The naming would definitely confuse most people who doesn't know it is a real english word for a type of boat (It did for me). This isn't the only emulator from NERD with this kind of name, I think Canoe, the SNES emulator and Hovercraft, the N64 emulator. Both of them are actually based on other emulators, specifically the Wii U Virtual Console ones which came from other developers than NERD.

The emulator contains a menu made with Dear ImGui, an open source IMGUI library, and used as industry standard for quick debug menu implementations. The menu is seperated into several groups:

Single-player games (1P)

Multi-player scenarios (2P)

ROM patches (monitor bugs)

Image Filters

Selected features

Accuracy testing samples

Clearly, this is meant to be a showcase of features, possibly to higher ups for judging or a proposal of sorts. It supports the following features:

Gamma Change: Lowers the gamma of the screen to alleviate the very bright colors intended for the original GBA screen with no backlight.

LCD Persistence Emulation: Emulates the slight ghosting of the GBA screen, some games actually uses this for certain effects like transparency or anti-aliasing.

ROM Patching.

Supports rewind.

Supports emulating two Game Boy Advance systems locally with link cable support.

Supports netplay with random matchmaking.

The menu shows many ways to make use of these features, the link cable ones are pretty interesting as they show regular multiplayer for a couple games, Trade with Pokémon Pinball, Single Pak Multiplayer exemple so you can play with other players who don't have the cartridge, Golden Sun Clear Save import into Golden Sun The Lost Age.

The ROM patches are mostly the anti-epilepsy kind with less blinking and flashing.

Image Filters shows off the LCD Persistence emulation and Color gamma comparisons with specific games.

Accuracy testing samples includes Nintendo's own test (AGS Aging Test), but also a bunch of open source ones to guarentee accuracy testing. The regular Nintendo test is also a very good test for accuracy in general, and turns out that Sloop actually passes all of the tests except one, which not many emulators can actually do.

Selected features shows features like replays, save importation, the ability to record with rewind supported (TAS?), and the most controversial of all, exporting a save state to the EZ Flash format; Nintendo has been very vocal against flashcarts public, but the developers don't seem to be against using them.

After all, using old development kits with different standards nowadays, can be very annoying and cumbersome. Some would doubt the legitimacy of this because of the mention of illegal flashcarts that Nintendo fought against in public.

I think the emulator's uniqueness is essentially what makes it potentially legit anyway: We haven't yet found any references to other emulators, even the AGS Aging Test results are fairly unique to the emulator.

Inside the emulator files, we find somehow a Git repository with quite a bit of logs from a NERD employee and a Panasonic Vietnam employee for some reason, just for menu, ROM files, save files, etc, the most recent being August 19th, 2020, so this might be our build date, or at least the closest to that.

It is something that can be faked, but god would it require a lot of time for little payoff, honestly?

Conclusion

The thing about this leak, it is very weird that we randomly get builds of official emulators that are dated 2019 and 2020 only now. It makes me question who the heck leaked this.

Because of these build dates, it is not really possible to extrapolate to a potential nearby release regarding those, as they're quite dated by now, and may have changed a lot since in terms of features and stability.

We can't really use this as evidence of those systems and games coming to Nintendo Switch Online in the near future as a result, so I'd just suggest to treat these builds as an exemple of what Nintendo has internally, without any goals in mind. It is not new by Nintendo's standards to keep stuff under wraps until they really need it, unfortunately.

Personally though, due to the uniqueness of the GB/C and GBA emulators, if it was a fake, then someone took a lot of time, and also a lot of knowledge, just to fake us. There's a lot of believable fakes sometimes, but this isn't a fake made with good use of art tools, this is a real thing with serious development put into them. I think all of these builds are legitimate.

[whateverthedragonswant]

I feel like Walker: Independence is like a mixed bag of so many fun treats. And I am loving every single one:

Kat and Katie have so much chemistry. I am so glad that Abby appears to have a friend in the making. I know who Kate is and I'm sure that either is playing a role in this whole thing or (and I think more likely) that may come into play later on. Especially since we've seen that she takes care of the dancers. I think if she knows that Abby is Liam's widow, she's keeping that to herself...for now. Katie has really come into this and made this character her own, and it shows. She is perfect to play this part, and damn if she doesn't seem to steal every scene she's in.

I cannot begin to tell you how much I love Kai. I am so happy to see for once a Chinese character representing the Chinese faction of the Old West in media that is not portrayed as the typical stereotype we've seen in the past. Kai is very much involved in the story as is every other character, he is essential to the story and not just there to further other characters' stories. I am excited to see how his story unfolds, including his crush on Kate and his connection now with Abby, Calian, and Hoyt. And can I just say, Lawrence is so cute!!! I love him so much.

I cannot put my love for these two characters into words. Justin and Philemon are knocking it out of the park. I love that there is a semblance of trust between these two starting out, making it evident that these two have some sort of history. It's obvious that Calian does not trust easy (understandable, especially given his treatment at Hagan's, which in itself is accurate in its portrayal), and the fact that he believes Augustus to be a good man and needs to ensure it for himself when it's called into question...there's definitely a history there that I look forward to learning more about.

I have to say that I do enjoy Hoyt's character. He's dynamic and so much fun. Typical rugged, sassy, gunslinging outlaw but obviously with a heart. I've never seen Matt Barr before but I can see why Walker fans and producers alike loved him. He's got that something. I love that he already has a relationship with Lucia when the show starts and that even though it's not in his interest to help Abby, he does it anyway. I'm curious to see what happens when Hoyt has to go into that mode that we only saw a glimpse of in that card game in the pilot.

This guy. This guy, this guy, this guy. I have never seen this actor before but holy smokes. He definitely embodies everything that one hell of a character from a time period piece like this should. I don't know quite how to explain it but it's like Greg takes the Old West and cloaks himself in it, in each scene he has. There's something about him, even in his push and pull dynamic with Abby, that just flirts with danger (besides what we already know in the story about him) though we have no idea to what level that danger would be. It feels like there's a lot simmering underneath the exterior and I am eager as hell to find out what happens when it comes to the surface.

Imo, one of the best parts of the show. I love how he is not swept to the side and just used to further the story line. I also love how staunchly Abby defends him, and it's obvious how much she trusts him. Ngl, I do love me the bit of Abby/Calian vibe I'm feeling, but as a standlone character, I am looking forward to finding out more about Calian. I am hoping we get to see more of him soon. And Justin was the perfect choice to bring this character to life. LOVE, LOVE, LOVE him.

This guy!!! Omg, I am in love with this guy. There is so much potential with this character and it's almost like in the last episode, we got to see behind the curtain a little bit, and beyond that curtain lays so much promise to his story and Philemon's portrayal. I don't know how to put it into words but I am beyond excited every time he appears on screen. I feel for him that he got passed over and now this new person comes into town and takes over in the position that should have rightfully been his. I'm hoping that at some point in the future this gets rectified but man am I going to enjoy the ride to get there along the way. I really don't know how to properly articulate it but SO. MUCH. PROMISE with his story. And Philemon is just absolutely amazing!!! I may have squee'd like a fangirl in that shot in 1x02 where we see that he was the one holding the rifle after stopping the fugitive. That whole damn sequence was phenomenal!!!! So yes, I am very, very, very excited to learn more about him.

While we don't know too much about Lucia yet, what we have seen so far is amazing. I am looking very much forward to her story unfolding especially since her family owns that ranch. That part of the story alone is very intriguing to me, and I hope we either get to see the dynamics of her family soon or a few scenes at the ranch. I also would love to find out how she and Hoyt met and get to know more of their history. Gabriela does a fantastic job and just like with many of the other actors (and characters), it feels as if there is so much more waiting behind that curtain that we only have gotten a peek of. I think Gabriela (and Lucia) is going to be a tour-de-force.

Kat, Kat, Kat, Kat, Kat. I have loved Kat for a long time (though I've never seen her in Shadowhunters, I've seen her in other projects) and to be completely honest, other than the western genre, she was also a big draw for me to this project. I admit, I was bummed when CW decided to ax The Green Arrow and The Canaries, but if this is the trade-off, I am here for it. Kat does a wonderful job, as she always does, and I am beyond impressed with her (like usual lol). She was the perfect choice to play this character and I think she proves it in every scene she has. She appears to have great chemistry with each of the ensemble cast and it's obvious Kat is giving this role her all. I really feel like the show got it right when they hired her for this project, especially now that we've begun to unfold Abby's story and we've seen Abby interacting with every other main character. I think she's amazing and we've only just scratched the surface with what Kat can do as Abby in this series.

Overall, I think this show is brilliant. Imho, they're living up to the diversity they promoted while also telling a very compelling story set in a time period that is still rife with many untold stories that are still begging to be told. This may be part of a fictional universe but the era is not and I am glad they chose to tell this particular story in this way. I've seen many CW shows over the years, but nothing like this. And this is exactly what is needed for that network's viewers right now. It feels like this is an appropriate addition to the genre while maintaining that connection to younger generations and helping to solidify a new way of telling this type of western story (right along with the other new projects on the way that are also of this genre). I've never seen an episode of Walker but I don't find that I need to. This is a standalone (that may or may not call back to the flagship series from time to time, like I said I've never watched it) that is meant to tell a completely different story while also appropriately filling in the blank pages of the Walker family history (along with some others). I think this is going to be a phenomenal ride and I am excited to take it.

[writefightandflightclub]

Somebody to love (PART 1/2): Richard Alonso Munoz x fem!reader

Summary: Whilst your neighbour, Richard, is in love with love, you are a little more commitment averse. When he performs a small act of kindness though, your feelings start to unravel, and you wonder if you may have found somebody to love - right next-door all along.

Richard is a sweet, gentle man, and so I hoped to create a sweet, gentle story. I hope you enjoy spending some time in it!

I HAVE POSTED THIS IN TWO PARTS, ONLY BECAUSE OF LENGTH. WHILST YOU COULD PROBABLY(?) READ EITHER PART AS A STANDLONE THEY ARE MEANT TO WORK TOGETHER.

Genre / tropes: pining, friends to lovers (sort of - neighbours to lovers), getting together, domesticity, fluff, smut, nothing bad happens, ends happily, quite a slow burn for a one-shot, I guess?

Author’s note: This is part of my friends to lovers event, prompt requested by @foxilayde who I adore and you should too. Prompt was: he does something utterly mundane which shows how well he knows you, and your feelings hit you. I took some liberties with the prompt, and there is zero pressure to read this - IT WAS SUPPOSED TO BE A BLURB! :P More of these requests in pinned post!

Warnings/ Ratings:

PART ONE (Mature, 18+ ONLY): swearing; sexual themes (erotic poetry, thirsty internal monologue, sexual tension); food themes inc. mentions/consumption; family mentions - reader has nieces but they need not be biological; brief mentions of the prison system - Richard is a Corrections Officer; exceedingly brief mention of the Holocaust in context of a non-fiction book Richard is reading (I believe this is a canon read but may be wrong); loneliness (theme, not too angsty); self-esteem issues if you squint.

PART TWO: (Explicit, 18+ ONLY): swearing; explicit sex, including - oral m + f receiving; unprotected vaginal sex; creampie; f squirting (first time doing so); well-endowed man, ahem.

Word count: 10k for part 1, 9k for part 2.

You had been thinking about the small gesture all day. You had been distracted all the way through your shift, and then all through dinner with a friend.

Richard -your neighbour to the right- had turned-up at your door that morning, before setting off on his way to work. His visit had been unexpected, and you had opened the door in a fluster, seeing him greet you with a characteristically soft smile - just visible from beneath the thick brush of his bold, impressive moustache.

He had held them out to you - in between his index and middle finger. A small book of postage stamps.

You had simply looked at him in confusion for a moment.

“For your letters,” he had stated, in his soft-spoken voice. “You said last night you didn’t have any stamps, and I found these in my drawer, so...”

It was true. You had said that. Had forgotten you’d said it. Had barely registered running into him, since it wasn’t anything out of the ordinary.

Your routine overlapped minimally with Richard’s -though more so since his new role in the letter room had him working days exclusively- but sometimes, you would meet serendipitously, as neighbours tend to do. Last night, in the liminal space between your work day ending and your home life beginning, you had stopped to chat with him, and -you remembered now- had made some offhand comment about needing some stamps.

The topic of letters had come up; naturally, given his new position. It caused you to mention having written some letters to your nieces -packaged up with little illustrated portraits you’d gotten commissioned for their new bedrooms. Letters which you hadn’t gotten around to posting.

And so, here Richard was. On your doorstep. With stamps.

It was a little thing. So little, it didn’t even register at the time. In fact, you had bundled him off your porch with a quick, cursory “Thanks, Richard!”, prioritising finishing your morning scramble and making it out of the door on time.

It didn’t register in the moment, no; but you were noticing it now, alright.

“-so, this morning,” you explain to your friend opposite you in the pizza parlour, as she absent-mindedly dips her crusts in some hot sauce, “there he is on my doorstep, and he’d brought me some stamps.”

Your friend, Jaz, dips her chin and slowly raises her perfectly shaped eyebrows, her glossed lips curling in an amused, incredulous smile. “So, let me get this straight. He brought you some... stamps, which he already had, from his house next door,” she recaps, her smile inching wider by the second, “and now you want to fuck him?!”. Her eyebrows knit together in faux concern and she clamps a hand over yours where it rests on the table. “Sweetie, we need to talk. How low is your bar these days? Exactly how dick-starved are you?”

Ordinarily you’d be more than game for the light fun she pokes at you. Would even have a smart riposte ready. This time, though, you simply huff, your jaw twitching in minor irritation at how flippant she is being. So, shaking your head gently, you pull your hand away from hers, folding your jacket around yourself, suddenly feeling exceedingly self-conscious.

“Never mind. I’m obviously not telling it right. And, wait - hold up- who in the hell said I wanted to...” you look around the parlour, voice dropping to an indignant whisper as if anyone around you would hear or care about your hypothetical sexploits “...fuck him?” Your tone is defensive, and you shift to take a masking nibble on your straw, slurping the dregs of your soda and bouncing your leg nervously under the table.

Your friend merely raises an eyebrow, with a healthy -and not entirely unfounded- scepticism, and so, you try to rein your protestations in, lest you get slammed with a “methinks you doth protest too much”.

“Okay, okay,” Jaz concedes, holding up her hands and leaning back in her chair. “All I’m saying is, it seems like you have a hard-on for him all of a sudden. You’ve lived by him for years and you’ve never noticed the guy! It’s just stamps, baby cakes. It’s just your paunchy, kindly neighbour, who gets milkshake stuck in his moustache.”

At least he’s not afraid to make a mess of himself when he’s slurping, you think idly, your eyebrow ticking up - the thought leading you in a very particular direction and sending a sudden scorching heat to your cheeks. Also - paunchy? I like a beautiful soft tummy to rest my head on, thank you very much.

Yeesh. You are not okay. Still, before you go full feral, you shrug your shoulders in partial concession, widening your eyes in innocence. “Uh huh. Sure. Yeah.” 

“Seriously?” Jaz continues, shaking her head in good-natured disbelief - blatantly seeing right through you. “Are stamps your love language now, or what the fuck?”

She’s not wrong. It is very… sudden. You’ve never felt that way about Richard before. But is it so preposterous to think you might begin to?

“Jeez! Who said anything about love?!” You swirl your straw in your cup, concentrating on puncturing the remaining bubbles and ignoring your friend’s peals of bemused laughter. “Look, okay? I guess you’re right, Jaz. Maybe I’m just dick-starved,” you suggest, a smile finally claiming your lips. “It has been… a little while. And the last encounter was not very... inspiring.” You wiggle your eyebrows at her and your shared laughter mingles in the space between you. Still, you’re more than a little keen to deflect, and you bounce your foot more furiously under the table in your haste to change the subject. “I just thought it was sweet of him, that’s all, but… forget it, okay? Tell me everything about your hot date with Jackson.”

As soon as the invitation is given, Jaz jumps on it. And, as you listen to her spill the tea on her latest hook-ups with her fancy man, you try really hard to focus - but you can’t help that your thoughts keep wandering time and again to a certain man. A man with the kindest, most soulful cola-coloured eyes. Your neighbour to the right.  

You’re unsure why, but you feel a little bent out of shape - a little annoyed, even- that Jaz was so quick to dismiss Richard. Particularly that she had seemed to miss the whole meaning behind his small gesture. He was listening to you. He was thinking about you. And, as you dwell further on it, you realise that maybe -just maybe- you want the kind of guy who brings you stamps, goddammit.

Shit - maybe Jaz wasn’t too far off when she said stamps were your love language after all.

And, true, maybe you hadn’t paid the faintest bit of romantic attention to Richard -for the most part- in the years you’d lived side-by-side with him... but maybe it was time to start. Maybe, in fact, it was well overdue.

***

Granted, it hadn’t struck you right away how sweet Richard’s gesture was, but as soon as it had, you started to notice everything. To remember everything.

You remembered how he pushed a flyer through your door one evening, just in case you might be interested in the latest art exhibit going on at the local rec centre. You recalled how he had duct-taped the handle of your garbage can back together after it spectacularly broke one morning, causing your trash to spill over the sidewalk. It hadn’t seemed like a huge thing at the time, but now, as you imagine him painstakingly unfurling the roll and passing it around and around the broken piece, entirely on his own steam, it takes on a new meaning.

You have begun to notice - really notice- how he always smiles and stops to chat to you, his face lighting up as if he is genuinely pleased to see you. You have begun to notice everything he has done for you, over the years, a deluge of kindness flooding your heart. Details -little things- which seemed insignificant at the time, but which weigh heavier than gold now that you reflect on them.

And, most of all, you have noticed him.

Richard.

You have noticed his positivity. That bounce he gets in his step when he’s enthusiastic about something (which is always). The way his expressive, long-lashed eyes reveal everything he’s feeling whenever he talks or listens - his emotions and his compassionate heart pinned firmly on his sleeve, as prominent as his Corrections Officer badge. You notice how handsome he is; a fact which has inexplicably passed you by for the longest time. Perhaps, because of how understated he is? Not cocky and assured and alpha like the guys you’re usually drawn to.

Tonight, though, most of all, you are noticing that he’s not home, as you sit on your front porch steps, entirely locked out of your own house. You know for a fact that a couple of neighbours have spotted you there - you’ve observed pairs of curtains twitching- and yet no-one has come to your aid so far, mean bastards. You know, in contrast, that Richard would help anyone who needed it, without hesitation. And, it’s fair to say that sitting here, waiting for him to return and help you out, is certainly providing you plenty of opportunity to dwell on thoughts of him. In fact, you can’t wait for him to get home; not only because you wish for relief from the elements, no. But because the thought of seeing him actually excites you. You are looking forward to it.

Finally, thankfully, after the evening chill has long begun to bite at your extremities, you see Richard approaching. He whistles a jaunty tune as he comes up his drive, happy as usual. From his silhouette, you note that he’s dressed in a short-sleeved shirt and his usual ill-fitting jeans, his keys already jangling in his hand, and he stops abruptly when he sees you sat out front as though his feet are glued to the floor.

You can just about make out the smile which tugs at his lips, moments before his words do. He always seems happy to see you, and, on this occasion, you echo that feeling too, more so than ever. “Locked out?” he calls, and at the sound of his voice you stand, hopefully, clasping your purse on your shoulder, your own feet glued to the floor too.

“Yeah,” you call, throwing your voice over to him. “Waiting for the locksmith.”

You grip the strap of your purse a little tighter, as Richard takes a few steps closer, a polite but cautious smile lighting his face. “Want to wait inside?”

“Hell yes,” you gush with a relieved exhale of breath, gratefully trotting around to meet him on his porch where the security light bathes him in a halo of orange. “You’re a babe. Thank you, Richard.” You allow your eyes to gently rove over him as you approach. He’s wearing a turquoise bowling shirt, you realise. A bowling shirt with “Alonso Muñoz” stitched in an adorable flourish of red embroidery above the left shirt pocket. What’s more, he looks cute as all hell in it too. You seem to recall he’s in a casual league with some buddies.

“It’s no trouble,” he says with a warm, disarming smile, deep, pleasing creases radiating from around his eyes – and, even though you aren’t usually one to be lost for words, it is all you can do to smile back at him vacantly, clutching your purse strap tight enough that your knuckles strain.

Richard pauses too, seemingly taking a moment to remember the keys bunched and readied in his hand - as though your presence has pushed all other thoughts out of his head. “You must be cold. Let’s get you warmed up,” he says finally, snapping himself out of his stupor.

Yes please.

And so, with a bashful flutter of his long lashes as you shuffle even closer to him, Richard opens the door and guides you inside, hover-handing his palm at the small of your back.

He smiles widely as he is welcomed by his little fur ball, Lady, the white dog yipping and wagging and jumping up at his shins. Richard stoops to bundle her into his arms, the animal rasping its tongue over his shapely jaw, which he raises as he squirms away from the wet, eager kisses.

“Aw, you’re so precious, Lady,” you baby-talk, reaching out to apply fond scritches to the mop of her head. “I forget how cute you are, little bean!”

Richard chuckles with mirth, seemingly warmed by your sweet interaction with his pupper, and only when Lady gets restless in his arms does he set about plopping her down and refilling her food bowl.

“Please, make yourself at home,” Richard offers, before he briefly excuses himself, dipping away into another room and signalling he’ll be right back.

With Richard gone and Lady chowing down on her dried food, you take the opportunity to glance around the place, surprised by how at home you do feel, already, even though you’ve never set foot in here before. You’ve been in his yard before; for example, when he’s hosted block barbeques, or, when the summer sun has withered from your yard, you’ve sometimes shimmied your deck chair to be side by side with his as you languished together in the remaining patch of sun. But you’ve never been inside his home. Now that you are, you drink in the details of him, eager for any new information you can glean, and scanning over the books and paintings and photographs with particular interest. You smile as your eyes fall upon Lady’s bed, filled with a procession of carefully arranged stuffed animals and chew toys.  You are warmed by the painting of a beachy, mountain-edged, palm-fronded sunset, propped against the ‘sill.

You note that his place is homely and well-tended, and you also can’t help but notice that the place signals a rather solitary existence. One plate and one fork drying on the dish rack. A perfectly placed easy chair -for one- in front of the TV, the small couch to its side covered with stacks of books and papers, as if it has been a while since he entertained a guest. In fact, you would take a seat -make yourself at home- but you don’t want to intrude on His Seat, and nor do you wish to disturb his personal papers to clear the couch.

As you ponder this, Richard re-enters, extending a soft, flannel shirt towards you. “Here. In case you’re cold.”

You smile your thanks to him (grinning like a dumbass, actually) and you gratefully slip the garment over your shoulders, feeling instantly warmed. As you wrap it around yourself, you get a waft of fresh-scented detergent. You would never have guessed that you’d be able to recognise any particular Richard-y scent, but as the shirt’s pleasant odour engulfs you, you realise it is infinitely familiar. That it is wildly comforting.

You watch, a brief moment of awkwardness as Richard self-consciously combs his fingers through his thick moustache; sweeps a hand over his already immaculate, plastered-down curls. He looks so... neat. Controlled. Restrained. It crosses your mind that you’d like to mess him up a bit, see him come undone - of course, if he wanted.

Then, noticing your seating predicament, Richard surges over to gather up the strewn piles of mess, shifting them on to the coffee table instead. “Here, take a seat,” he indicates. “Sorry for the mess- I emptied the bureau looking for the stamps. Please. Every time I think to put it back I get distracted.”

His comment is nonchalant, but for the second time since he arrived home, you are at a loss for words, and you can only stare at him as you sink your ass down, gratefully, on to the now emptied couch. He’d gone to that effort for you? And now he’s apologising right to your face for the mess of it?

“That was kind of you, Richard,” you state, finding words again, and he shuffles nervously from shoe to shoe in response. You note that his brown skin grows increasingly flushed, with a deepening undertone of crimson as his eyes skim cautiously over you. “And thank you for letting me hang here. Promise I’ll be out of your hair soon. The locksmith should only be...” You suck in air through your teeth as you un-pocket your cell and glance at the time. “Yikes. Another hour. I’m so sorry to get in the way.”

His moustache twitches with a shy smile, his hand rubbing the back of his neck as he looks at you from beneath his lashes, his eyes all big and pretty. He certainly doesn’t look put-out, at least. “Not at all - it’s… really nice to have you here,” Richard insists, polite and sincere as ever. You are the one to feel bashful now, and you tug his shirt more firmly around your shoulders for comfort, the act serving to further fluster you and entrance him, it seems. He seems frozen to the spot again, and meanwhile, you’re now feeling overly warmed.

He looks a little lost, for a moment, as though it’s been so long since he had a visitor that he doesn’t quite know what to do with you. In the next second though, his practiced hospitality kicks in, his warm and affable nature shining through as he determines a course of action. “Have you eaten? I could fix you some dinner.”

You are hungry, you think, your tongue darting out along your bottom lip at the thought of food. Well, if he’s going to feed you, you’re not letting him do all the work -you decide- so you tentatively rise from your seat, clapping your palms together, signifying action. “Only if I can help you?”

“O- okay. Yeah. Thank you,” he nods; then, he comes to stand with his hands on his hips, thumbs to the front, causing his soft, rounded belly to protrude exaggeratedly from under his shirt. You’re not sure why that sends a very subtle flare of heat down between your legs, but it does all the same.

Meanwhile, oblivious to your thirsty inner monologue, Richard looks at you reservedly, until you smile and cross together to the humble kitchen, where, with another bashful flutter of his lashes he begins grabbing out utensils and ingredients. All the while, he moves seamlessly around you, so careful never to touch or to invade your personal space. The pronounced and careful lack of contact makes you realise, however -as he skims his body so close yet so far from yours in the compact space- that maybe you desperately want him to touch you. That you wouldn’t mind if his hand brushed your back, or lower. That maybe having him envelop his arms around you would feel as warm and comforting as his shirt – or even more so. That even, perhaps, if he pressed you from behind into the counter, his soft stomach leading, followed by his wide hips pinning you in place, his moustache grazing up the column of your neck, that you wouldn’t mind at all. In fact, the thought of his touch, and even the mere potential of it, fills you with an excited buzz deep in your belly. A thrill that you haven’t felt for a long time – at least, not quite like this.

Right now, though, you set these thoughts aside to focus on the task at hand. You move around each other a little awkwardly, but thankfully, the conversation flows far more easily than your bodies. Richard’s shy and gentle, but he’s friendly. Inquisitive and interesting, and he keeps you chatting. And, so, you converse and cook together, until the resulting, homely odours waft into your nose, keeping your mind firmly on your much more literal hunger; at least, for the most part.

When the steaming food is plated up, Richard invites you to take a seat on the couch and you oblige, watching him fondly and with interest as he produces various condiments, a bottle of Mr. Chimi’s Churri sauce taking pride of place on the surface in front of you. You add a healthy dollop.

“Mmm, this is so good, thank you,” you say approvingly when he invites you to dig in, eagerly wolfing down forkfuls.

As soon as Richard has plonked himself down in his chair and balanced his own plate on his lap, he flicks on the TV – likely, more out of habit than anything. A vibrant telenovela sparks to life in the background, a particularly melodramatic scene in full swing. You smile to yourself. You recognise the show - you’ve heard him talk about it too. Even get the impression he watches religiously.

Richard’s eyes fix on the screen for a moment, and he is visibly suckered-in by the unfolding plot, his food disappearing at an impressive rate as he scoops it up to his mouth while he watches. Still, he doesn’t forget you’re there. Quite the contrary.

“It’s so sad,” he explains for your benefit, between his mouthfuls of dinner, his eyes overflowing with warmth as he turns to you. “Carlos and Adela are so in love, but they can’t be together. She’s engaged to Luis. She has to stay with him to save the family home because she already signed some papers.”

You smile, Richard’s heartfelt summary filling you with warmth. He cares about people. It’s what he does. Apparently, he’s even invested in the fictional ones. You try hard to supress your good-natured amusement at quite how invested he is; however, when his gaze meets yours once again, flicking back and forth between you and the screen, he must catch a hint of it in your expression. “Sorry,” he flusters. “I can turn this off, if you like?” he offers gently, eyes apologetic.

“Are you kidding?” you respond, with a warm smile. You’re no stranger to becoming over-invested in fiction, you suppose, and besides - you like the prospect of sharing this with him. “Catch me up some more,” you encourage. “So, we’re rooting for Carlos?”

Richard smiles gratefully, nodding vigorously in response. You like seeing him like this. In his own element, his own environment, doing things he typically enjoys. It’s nice to see him living his best life, thriving on the drama of the trope-laden plot. “I hope Carlos crashes the wedding. Luis doesn’t deserve her.”

“Yikes. You’re brutal, Alonso Muñoz,” you tease, a musical laugh lilting out of you.

You chat back and forth, an amused smile twitching at the corner of your mouth for the duration, and although Richard seems somewhat entranced by the developing storyline, he seems even more invested in you. He makes sure to listen to you, even when you’re sure you must be talking over an important detail. He ensures he fills you in on any prior plot point you may need for context.

And, while his eyes do intermittently flick back toward the screen, your eyes, however, remain firmly fixed on him. On the singular swoop of his meticulously parted, grizzled curls. On his long lashes blinking, his deep eyes shining beneath them, glinting in tandem with the light from the screen. His warm, brown skin and the lines etched in it when he smiles cast with a bluish hue, flickering light and shadow ghosting over the contours of his strong nose and chin and his heavy brow. The soft, inviting rolls of his stomach as he relaxes into his chair, and the way his belly shakes when he laughs. Of course, his glorious moustache, positively flourishing on his upper lip. Last but not least, what most gets you though, are his eyes. Eyes as kind and expressive and open as this sweet man’s heart is.

You laugh alongside him, hoping he is enjoying the company as much as you are. You could get used to this, you think; used to him. Indeed, you have no idea how you have managed to overlook this man, beautiful inside and out, until now. You resolve though, that you won’t make that same mistake again.

Eventually, the credits roll, and you thank Richard once more for the food. He carries your plate over to the sink, insisting -when you offer- that the dishes can languish there for one night. And so, instead of rising, you pat the couch cushion beside you invitingly. His throat bobs around a hard swallow as he stands before you, his feet momentarily glued to the floor; yet again. When Richard finally musters movement and takes a seat next to you, he places himself as far away from you as he possibly can on the small two-seater; out of respect rather than repulsion, you are more than sure. However, the compact space affords him little chance to keep his distance, and his clothed thigh presses warm against your own. He doesn’t make any attempt to move away though, and, equally, nor do you.

“Thank you, Richard,” you say, your voice softer and far more breathy than you intended, now that he is so close to you.

He clears his throat self-consciously, before his eyes crease with a sincere smile. “It’s no trouble. Anytime.” He sounds like he means it too.

You lean back, settling yourself deeper into the worn and slightly lumpy couch cushions. His posture, meanwhile, is still alarmingly stiff beside you, his torso upright and his hands folded formally in his lap. If you had to hazard a guess, you’d say that, perhaps, you made him nervous.

“Richard, I don’t bite,” you soothe. “Sit back. Relax. It’s your home.”

He nods in concession, exhaling his tensely held breath. “Yes, Ma’am,” he sounds obediently. You don’t think you’ve ever had anyone call you Ma’am before; but you note that you don’t entirely mind it, out of Richard’s mouth. You maybe even… like it?

Anyway, outside of your increasingly feral internal monologue, Richard reaches over to flick on the soft, ambient lamp to his side -the room having grown thick with shadows- and then he is sinking back, resting his head against the couch cushions alongside you.

You turn your head and tilt your torso a little towards him. When Richard does the same, it evokes a sense of intimacy that you weren’t all the way prepared for; the rest of the room seems to disappear as you are both held in a close circle of oranged light, the TV nothing but a lulling, background hum now. “I mean it... I... I wanted to thank you properly. For the stamps.”

“It’s no trouble,” he repeats, his voice deep and resonant and close now, catching you off-guard. No trouble? Sure. Despite the fact he’d clearly emptied-out everything in his living room to find them. “Did you send your letters?” he enquires softly, his eyebrows jumping up a little.

You can’t supress the bittersweet smile which inches over your face as you respond. “I did, and I got the cutest video call from my nieces when their mail arrived.” That wouldn’t have happened. Not without him being so thoughtful. You’d have put it off and put it off. The letters would still be sat on your dresser.  

Richard’s eyes light, and he looks genuinely pleased for you, his face glowing. “I’m glad.” He smiles, revealing a flash of his cute, ever so slightly imperfect (and therefore entirely perfect) teeth. Finally beginning to relax again, his hands rest flat astride his sturdy thighs and his head lolls towards you. With his next words, his voice becomes even softer. “I can tell you miss them since they moved away. Portland, right? I, uh. I really hoped you would send those letters. I know how much they can mean to people.”

“Portland. Yeah. Wow, you remember that?” You have to admit that you are a little shocked. Richard listened to you. Really listened to you. And, not only that, but he clearly read between the lines, connecting the dots between each one of your ad hoc interactions in a way which you -apparently- had failed to do thus far.

Jaz would scoff at you right now, you know it, if she could see you becoming all shy and flustered for him.

And now you want to fuck him?

But it wasn’t only that he brought you the stamps, okay? It was why he did it. He did it, because he knew what it might mean for you. Because, evidently, not only did he notice that you were sad -about something you barely let yourself acknowledge, by the way- but he also cared enough to try to make you happy instead.

The realisation that he cares is an emotional thing, causing a slight lump to rise in your throat. It should probably make you happy, but in fact, it saddens you. It saddens you because -you realise now- you have taken for granted all this time how easy Richard is to talk to. Have taken for granted the way he has been privy to so many candid details about your life.

Richard has often been the first person you’ve spoken to when you arrived home -sometimes the only person- and you have never hesitated to share your good news and triumphs with him. Nor have you hesitated to vent, sharing the more difficult details of your bad days. You’ve taken for granted just how much of yourself you’ve cumulatively shared with him; in a way you don’t often share with anyone else. Richard has been an important part of your life all these years, without you truly realising it. Perhaps because your interactions with him have tended to exist in such a liminal, peculiar space in your day. Perhaps because you were too close to see the big picture, instead of this collection of valuable, little things.

You hug your arms around yourself. You can merely repeat it again. “Thank you. For real.”

“It’s just a little thing,” he dismisses, modestly, and you are very suddenly tired of him dismissing himself. You want him to know how appreciated he is. Embodying this, your hand darts out to grip his where it rests on his thigh, and Richard looks down at this small spectacle in mild shock; and yet, he doesn’t pull away from your touch.

“It’s not. It’s a lot of things, Richard. I want you to know I appreciate everything you do. It has... It has been a long time since anyone was so sweet to me.”

Feeling self-conscious suddenly, following your outburst of affection, you inch your hand away from his; retreating, and reining yourself back in. For a moment, Richard’s fingers twitch up from his pant leg as though they might chase yours; but then, his hand stills, settled on his thigh just as before.

Then, a crease appears at his brow. “None of your Adonises are sweet to you?”

Your nose crinkles in confusion. “My... Adonises?”

“The... your... gentlemen visitors.”

Your brow creases, as you try to detect whether there is any judgement or malice in his observation, but, knowing him, you are not inclined to think there is. Still, you feel there is more to uncover. He’s noticed your dates coming and going then? He thinks they’re… Adonises? He’s surprised they aren’t sweet to you?

Still, as soon as the words are out of his mouth, perhaps realising how they might be misinterpreted, that crimson undertone to his skin flares again, this time reaching all the way to the tips of his ears. He looks like he wants the couch to swallow him up, and you can’t help but feel for him. “I just meant...”

“-It’s okay,” you say, swooping in to rescue him before he can start helplessly blabbering. He keenly takes the invitation to stop, his mouth suddenly clamping shut, ready to listen. And you? You are ready to talk. The words seem to come so easily around him. “I guess... you’re right. I’ve been on some dates but they...” you sigh, furrowing your brow as you try to find the words. “That’s all fine. Most of the time it’s really fun. Or it was. But... lately...”

“Lately?” Richard encourages, when you don’t go on, his voice barely above a whisper as he hangs on your every word.

“Lately, I think… That maybe it would be nice to have somebody who doesn’t just come and go. To have… somebody to love, I guess?”

“Somebody to love,” Richard ponders, his expression becoming wistful. His head begins moving up and down ever so slowly, gradually building to a more adamant nod. He smiles, but his eyes don’t crease at the corners this time. “That really does sound nice.”

It shocks you, but seeing him even a little sad, like that, has your hands fisting in the material of your skirt, as you resist the urge to reach out for him and offer comfort. You want to cup his face in your hand and kiss him senseless, until his eyes glow once more, imbued with his characteristic positivity. You want to care for him and protect him and make him laugh and spend time with him and…

Fuck.

You want to love him, you realise, and the thought scares you down to your bones. It scares you enough that you sit forwards, breaking this most peculiar tension. Changing the topic. And, abrupt as it may be, at least it works.

“What are you reading?” you ask, shrugging his shirt from your shoulders as a hot, cloying flush creeps along your skin and up your neck, prickly enough that it feels like fingertips. As you imagine Richard’s fingers dancing the same path over your bare shoulder blade, slipping beneath the spaghetti strap of your top, peeling it down, you hurriedly pick up the first book you can put your hands on, turning it in your palms without taking in a word written on it.

Poor Richard. You must be giving the sweet man whiplash.

Still, he leans forward in his seat too, sombrely taking the book from your hands and gazing down at the cover.

“Ah. It’s a bleak topic,” he warns. A deep crease appears in his brow. “It’s Night, by Elie Wiesel – a survivor’s account of his experiences during the Holocaust.”

Your expression turns grave and pinched and you nod, listening carefully as Richard recounts some of the key details. Then, together, you continue to pore through the pile, tackling each book in turn. You listen intently to Richard recount the various synopses, passionate and precise and sensitive in his summaries. It seems he reads a lot of non-fiction. Heavy reading, with many titles about the prison system, and atrocities - often both. But, you understand why it’s important to him. You are grateful to understand how his empathetic nature begets yet more empathy, as he seeks to expand his knowledge of experiences and histories different to his own. 

At first sight, you think it’s seemingly at odds that such a positive man seeks out such dark accounts, but it makes sense to you, in a strange way. After all, he wants to understand how things can be better. He believes they can be. You don’t know anything more Richard-y than that.

Reaching for the next title, you find it is a little different to the rest. You are reluctant to segue too abruptly from such heavy topics, keen to give them the merit they deserve, but at the same time you are grateful for a little lightness as you pick-up what appears to be a slightly trashy romance novel. You smile fondly, connecting the dots between this and the telenovela plotlines that seem to grab his attention; the way he seems so in love with love. Again, you consider how the two sides of him -the more serious and seemingly more trivial - may seem at odds, but that actually, they each reveal what is at the core of him. He is interested in people. He’s invested.

“And this book?” you ask tentatively, not even trying to stifle your smile as your eyes wander over the cover, two half-dressed people locked in an erotic, sordid embrace. You are especially keen to hear what he has to say about this one too.

“Well… Like you said. Somebody to love - right? Don’t we all need those kinds of stories?”

Your eyes glow with admiration. Whilst he’s not cocky or overly assured, no, you are coming to admire Richard’s quiet confidence in who he is and what he cares about. His integrity and his lack of embarrassment in the things he chooses to value. His delight and lack of shame in the things that he enjoys. He’s not afraid to be who he is. You think that’s wonderful.

Next, your eyes flick back to the final book on the pile, partly for completeness but also out of curiosity. You feel with each title you pick-up, you are learning something about him; and, frankly, you want to know everything there is to find out. You look at it with a start however, when you realise what the final book in the pile is.

It’s your book. It’s the anthology of poetry you’d self-published around a year ago, and sold at your local readings. You reach for it instantly, almost cradling it in your hands like a precious object. Not because it’s yours - not exactly- but because it’s his. His copy looks eminently different to the spares you still have boxed-up in your house, all fresh and crisp, spines unbroken. This one looks a little worn around the edges - well-thumbed, spine broken-in. Some of the pages are dog-eared, and various makeshift bookmarks are sticking out of it. You’ve never seen one of your publications looking so… beautiful. So treasured.

“You actually read this?” you ask, a little overwhelmed, your heart hammering, and tears spiking in your eyes.

“I read it often. I told you, I really like it!”

You stroke the cover with your palm. “Honestly? I thought you were just being polite.”

When you’d mentioned to him for the first time that you wrote poetry -specifically erotic poetry- and had invited him to the reading, Richard had looked, at first, as though he was ready to die of embarrassment. Regardless, he’d still come along - your only neighbour to have done so. You vaguely remember having spoken to him the day afterward about it, but when you think of the show itself, you can’t picture him there. Now, you desperately wrack your memory of the event, searching for him. Wishing you could recall him showing-up for you in such an important way. 

It had been such a blur, though. You’d had a lot of friends there. You’d had a date there, who, at the time, you’d thought was the be all and end all. Now, however, you curse yourself for overlooking Richard. You wish you could go back and root through the crowd for him. You wish you could bring him into the spotlight. Bring him into your arms. And yet, while you ponder all of this, Richard reaches for the book and gently lifts it from your hands, with a gentle hum. It practically falls open on one particular page.

“This one is my favourite,” he admits bashfully. “Salted Peach. I must have it almost memorised by now.” You turn to him, studying his face. His expressive eyes are full of a heat gentler and more nuanced than your words could ever hope to be, you think, as he pores over the page. Over your words.

“No way. Prove it, Alonso Muñoz,” you challenge, exhaling a laugh that is surprised and disbelieving and utterly delighted all at once.

You don’t expect him to take you up on it, but the man sets his face, both more determined and more playful than you think you have seen him so far, as he hands the book back to you. “Okay,” he smiles, softly. “I’ll give it a go.”

You hold your breath as his eyes flutter closed -so that you know he has zero chance of cheating- his long lashes fanning-out beautifully over his cheek. You take the chance to look over his handsome features, while he can’t interrupt your surreptitious study.

Then, he begins. His voice is hushed and unsure, yet the richness of it washes over you, right from the first line.

“Like salt kept on the lips,

To resist is to rust,” he begins, and your breath catches in your chest.

“Let me be an oiled thing under you, all fluid and opening smoothly

With keen, slick hinges.”

First, you are struck that he really does know it. That he really does remember it, almost word perfect. You exhale a breath in disbelief, your chest filling with butterflies.

“A ruined peach

Spilling nectar over your thumb,” he continues, and desire knots deep in your belly.

It’s not that the words are explicit – they aren’t. But something about the way he recites them -recounts your desire- makes them feel positively sinful, his voice quietly confident and subtly erotic as he recites your words. You don’t only hear the words, but you feel them, almost as if his thumb really has punctured you.

You are becoming slick already, feeling like a ruined, grateful fruit. You want to be his fruit, you think. His salted peach.

“You can be my stiffness

My joints

My... (my stone heart? Is that right?)” he interjects.

“It’s perfect,” you encourage, your voice trembling slightly, even as his grows ever more robust, and, as you bolster him, he sits a little taller in his seat, his posture proud and the new confidence reflected in his voice as he proceeds. As he grows, stiffer, taller, you become liquid, and you writhe your heat subtly against your seat. You press your thighs closer together.

Enraptured, you watch his lips and tongue move seamlessly around the words. The micro-expressions on his face, revealing how tenderly he wishes to portray them, every word imbued with care. With expression, and feeling.  

“(Got it...) My stone heart

And I, boneless;

Bodiless flesh.”

As he continues, you close your eyes too. You stop checking the words against the book and you let yourself feel them. You let them wash over you. You let his voice wash over you; to sink and curl into the pit of you. You squirm in place, and yet this shifting makes you all too aware of your stillness – this fixed position and distance from him, when surely you should be moving and surging and undulating on him? Surely you should be leaning in and hearing the deep yet gentle timbre of his words waft into the shell of your ear, or fanning over your skin?

Surely, he should be touching you?

Your heart is racing.

“Salt me, then.

Lick your lips and taste me; sweetly.”

You want to taste him. Be tasted.

“Only on your tongue, do I exist.

Only in your hand, do I perish.”

You want to exist and perish on his hand.  

“Do not keep me on your lips.

Oil me with your writhing”

You want to be swallowed by him. Oiled by him. Made slick.

“Or else I rust.”

You are rapt. His words -no, your words, spoken by him- melting you.

His voice. So rich, and so sensual, and you could swear, as you listen to him, that your words have never sounded so erotic. That you have never felt them as deeply as you do now, hearing them fall from his tongue and his lips. Hearing them flow from his heart, as he recites them in a way you’ve never heard them; an interpretation entirely unique to him.

In fact, listening to him, like this, lights a flame in the pit of you, a heat suffusing through you, warming everywhere. He warms you, even from this distance, and you can feel how much heat he has to give. And, on boy. You want to lap it up. Every. Last. Drop.

“I... I forgot the next part,” he adds, shyly, his confidence wavering, and you open your eyes, beginning to recite the rest for him.

“Oh, love,

I long to be a fluid thing;

Under you.”

It sounds… true. It feels right. It feels so right to say those words to him. So right that it knocks the air from out of you.

At the sound of your voice, you watch a soft, unfiltered smile appear on Richard’s face, his still-closed eyes creasing deliciously at the corners, his moustache animating with it.

“And yet you resist me; rust me,” you continue, voice full of fissures, and Richard’s eyes slowly peel open, pooling with heat. This time, unlike the other times his eyes have met yours, he holds your gaze - doesn’t drop his eyes from yours in a flurry of bashfulness and fluttered lashes. He holds your gaze and he holds you, in this moment. In this little circle of intimacy, his eyes glowing, all for you. Pooling with that heat, so nuanced and gentle, but every bit as hot as anything you’ve ever touched.

Your voice and your smile and your heart crack wide open as you continue.

“You are salt kept on my lips;”

You complete the last lines at the same time, eyes locked. 

“Always tempting.

I seize up.”

Of all the swimming emotions rising at that moment, gratitude balls in your heart most intensely, and yet again, it is all you can do to thrust it towards him, your humble offering.

“Thank you,” you say, for the nth time that evening, a smile of the purest joy still splitting your face. “That was really beautiful.”  

It’s hard to comprehend how moved you are by what just happened. You are shocked. Flattered. That someone appreciates your words, that they resonate at all, makes you feel so seen. That the person is Richard is more of a treasure than you can fathom, and it causes a flood of raw, reckless emotion, joyful tears brimming in your eyes.

In return, Richard’s eyes shine as he regards you, with an admiration so deep and yet prominent that you almost shrink back from it. “They’re your words,” he impresses, aiming, as ever, to shrink himself instead.

You shake your head. You won’t have that. “No, Richard - it’s the way you recited them. I swear you should do my next reading for me. You’re so…” You search desperately for the right words, and you can’t find ones any more fitting. “…So fucking beautiful.”

And you call yourself a poet?

Your eyes well up.

You feel entirely caught off guard and just a little silly that you are getting yourself upset in front of him, and yet Richard’s eyes narrow kindly as you try to scrub a stray tear away from your cheek. “Are you alright?” he asks, his voice soothing, and in the next breath he reaches out to touch you, his hand settling over the top of yours. The gesture is a little awkward, unsure, but only until his hand is in place. After that it simply feels... right. Perfect, in fact.

He strokes you, his thumb ghosting slowly, minutely over your pulse point, sending a delicious shiver along your spine. His eyes search yours, and you become thoroughly lost in the intensity of them. Lost in a way that you don’t ever wish to find yourself again. Lost in a way that turns everything on its head - has you finally feeling found.

“I loved hearing you read. It was so wonderful. You should definitely do another event,” Richard gushes. “I’m sure I could listen to you read from this all night.” With that, and the scenario it conjures, perhaps, he looks down at his hand on yours. Maybe growing self-conscious, or worried that he is overstepping; that he has lingered there too long. Suddenly, though, you don’t think any length of time could be too long for him to be touching you.

When your gaze drops to his lips, however, his moustache bristles, and he quickly snatches his hand back to his lap. “Have you written anything lately?” he asks hurriedly, scooping up the book again, his topic change giving off the same energy as yours did previously.

You wonder if he is imagining your fingers trailing over his bare flesh now too. You hope so. Oh how you hope.

At his question, though, you exhale a small laugh, pumping your eyebrows once as your face splits in a smile. You shake your head gently. “I haven’t been... it’s a while since I was, let’s say, properly inspired by an encounter,” you explain, looking down at your hands in your lap, missing his contact already. “I’m just... Hmmph. I don’t know. It’s just... missing something. Guess they don’t make Adonises like they used to,” you add flippantly, poking light fun, partly at yourself.

Contrary to your flippancy, Richard becomes more serious. A gulp trails down his throat, and he seems suddenly frozen in place; seized up. As if he needs you to oil him so that he doesn’t rust. “W-What are you missing?” he asks, his voice lower than you’ve heard it, slightly more grit to it. His chest visibly rising, breaths slightly quickened; just like yours.

You look into his deep, cola-coloured eyes.

You?

What are you missing? You’re not sure, but somehow you feel that whatever it is, Richard could give it to you in moments.

Still, you don’t answer. You can’t. Instead, you ask him a question in return. You ask him a question feeling that, somehow, in a roundabout way, both of your questions may arrive at precisely the same answer.

“Why that poem?” you question, softly, lifting your eyes to him. “Why is that one your favourite?”

“I... I think...” he swallows again, then he whets his plush lips with a flick of his pink tongue. “It’s about longing, isn’t it? About being... lonely? About... wanting... someone in particular.” He fixes his expressive eyes on a point on the table, unable to look at you, it seems, in that moment. Still, his words are telling enough alone, you think, even without you seeing that same sentiment mirrored in his eyes too.

Now, you have another question. “Do you ever... get lonely? Are you? Lonely?”

It’s not even an assumption about him, you vaguely realise. It’s a projection. A projection of how you feel, and how you never realised you felt. It’s a desperate plea for affinity. For that longing to be understood, finally.

You are the one who is rusted. Seized up.

However, as soon as the question is out of your mouth you wish you could retract it. Loneliness is a solitary thing, after all, and you have no business, you suppose, wading into anyone else’s.

“I’m so sorry, please don’t answer that,” you mutter quickly, your fingers darting out to ghost along his forearm in apology, your naturally tactile nature coming through.

He drops his gaze towards your fingers there, watching them skimming his warm skin and the soft, dark hairs on his arms. He doesn’t inch away. Instead, he lifts his eyes to you, and you know the answer before he says it aloud. You know the answer as his emotions are written clearly in his eyes. Worn on his sleeve, like his badge.

The weight of his loneliness crushes you as if it was your own.

“Me too,” you admit, nodding softly, and his mouth curls briefly into a small, sad smile as your fingers continue their slow inch across his skin.

He sits in that sadness for a moment, and then, tentatively, as a thought flashes across his eyes, he brightens, just a little – looking mildly more hopeful. “Well,” he suggests, bravely. “Maybe we can… keep each other company?”

That really does sound nice.

Slowly, ever so slowly, Richard reaches out to fumble away the single tear ever so suddenly coursing down your face, swiping a line on your cheek with the pad of his thumb, and you don’t think you’ve ever felt anything so tender as his touch in that moment. It is yet another little thing; like the graze of a match head along its box. A little act, charged, with all this dangerous potential for a much larger, blazing thing to ignite.

You nod, the corners of your mouth trembling. “I would like that.” You would like that a lot.

Richard searches your eyes, and, ever so slowly - always slowly- as if you don’t wish to scare him away, you dare to hook your arm into his at the elbow, and you lower your head until it is resting on top of his shoulder.

“Is – Is this okay, Richard?” you ask in a small voice, pleading inwardly with the universe that he will say yes. That it is.

“This is... perfect,” he responds, even as he remains stiff against you, and, given his affirmation, you curl and scooch your body, shuffling a little closer to him. Bolstered too, with seeming new-found confidence, Richard raises him arm over you, and he nestles you safely against him where you can better feel his warmth. Where, with your knees drawing up on to his lap and your ear coming to rest on his chest, you can feel and hear the quickened thud of his racing heart as he holds you. His beautiful, kind, open heart.

Your mouth extends in a watery smile as you are held by him. He’s right. It’s a little thing, but it is perfect, isn’t it?

Still, again, although you should feel light, you feel heavy. With emotion. With longing. And so, you reach for another topic change. You reach for lightness. “Has anyone ever told you that you have an incredibly impressive moustache?” you enquire into his shirt, another solitary tear slipping over the bridge of your nose and wetting the flourish of red stitching.

Giving yourself whiplash now, you smile, as Richard’s chest shakes beneath you with gentle, easy laughter.

“Well, not everybody is a fan.”

“Who would actually dare?” you exclaim, as if thoroughly scandalised. “Fuck them, Richard. I like it. I like it a lot.”

His fingers trace shapes on your back. “Thank you.”

You are pleased to feel him gradually relax against you, his form melding with yours, his body becoming less stiff. Less rusted; more of a fluid thing.

“Do you… do you have a little moustache comb?”

Another chuckle. “I do,” he confirms, and you don’t know why on earth that detail settles it, but you think that he must certainly be the most perfect man on earth.

You go silent for a moment, but Richard prompts you gently - “No more questions for me?”- as if he was enjoying your mood-lightening segue. You are more than happy to oblige the sweet man by continuing, and you chew on your lip as you come up with something.

“Are you on Tinder?” A cheeky smile claims your mouth again - you’d kill to see his profile.

You’d think about the fact he’d probably never send unsolicited dick pics, but… then you’d be thinking about dick pics, and that’s one dangerous road towards Feral Town.

While you ponder this, Richard laughs again, but it’s a little self-deprecating this time. “No... I... I was for a while, but I...”

“What?”

He inhales and sighs his whole breath out again - a sad sound. His tone when he speaks is equally morose. “I’m… not sure people are looking for someone like me.”

At that, you abruptly sit up, narrowing your eyes and fixing a determined, earnest stare on him. You reach up, gingerly, moved to cup his cheek with your palm, his groomed sideburn and the plume of his moustache pleasantly rough under your fingers. You make sure he is looking you in the eyes. “Richard,” you contest, with every scrap of sincerity you can muster; and then some. “I think everybody must be looking for somebody like you.” 

His eyes are pierced by a peculiar emotion you haven’t seen there yet. At first it looks like pain, but then it levels off until his eyes are shining, with something resembling pride or gratitude. When a smile finally twitches his moustache, your gaze drops to his lips again, and you are no longer surprised by how easy it is to think about kissing him, desire unfurling in your belly at an alarming rate. A palpable, mutual longing eddies in the space between you.

You surprise yourself though, by dipping to press a sweet, chaste kiss into his cheek, rather than sinking towards his lips as you so wish to do. When you perform this gesture, his eyes flutter closed, and he lets out a soft, involuntary hum, the sound gathering in your very bones and setting up camp there. As you dip back from him, the edge of his moustache grazes your cheek, and you have to admit it’s sort of electrifying. You imagine how it would tickle if you were kissed by him. How it would tickle wherever you were kissed.

The lines of poetry, so to speak, are writing themselves in your mind, already. You haven’t felt this inspired in a long time, and yet, on this occasion, you want to wait. You don’t want to rush it - even though you’ve never felt the need to quell your desires on many occasions before. Life is short, after all – too short to waste. However, something tells you that Richard is the type of man you should savour. Something tells you, that you may have found somebody to love, and, you may not love often; but when you do, you love slow.

So, you pull away from Richard, and you note that his eyes have fluttered closed. When he opens them again, you know that this kiss on the cheek was the right thing to do. You see subtle tears shining in his eyes. Again, he looks pained -with first appearances- but these tears, on second examination you think, are joyful. His heart joyful yet heavy, exactly like yours. After all, when you are overwhelmed with joy all at once, with a flood of little, happy things, it can weigh you down, at first, if the measure of joy is not one which you are quite accustomed to. If you are not practised at carrying it.

At that point, contemplating joy, you are ripped cruelly from the moment, as, with the worst and best possible timing, your phone buzzes to life, vibrating against your hip until you reach to fish out the insistent device.

“The locksmith is here, Richard. I have to go.”

“Y- yeah. Okay,” he nods, despite the fact everything about him is conveying the opposite sentiment.

I don’t want to go.

“Thank you so much.” 

He nods again, and, wanting to leave him with a parting thought (or, not wanting to leave him at all, but needs must), you have the bright idea to pick up your book from the table, thumbing through it quickly to find the page you want. A poem called The Flood.

“Recommended bedtime reading,” you wink, thrusting the book towards his chest and standing, grabbing your purse and making your way towards the door. “I can give you back your shirt tomorrow, right?” you say cheekily. “Maybe after dinner?” 

Richard stands too, following you towards the door like he’s magnetised to you, Lady trotting along too, inquisitively, her little black nose snuffling at the air.

“A-after dinner?” he enquires, confused, as you sweep out in a little bit of a whirlwind.

“Yeah, Richard,” you smile coyly from beneath your lashes, injecting some flirtation into your tone. “I owe you dinner. To make it up to you.”

“You don’t need to make it up to...”

You arch an eyebrow at him, looking at him pointedly and smoothing your hand over his upper arm until he gets the gist. When your meaning dawns on him, he gets that adorable, excited little spring in his step. You revel in his bright toothy smile, striking and pearly from beneath the thick brush of his moustache. “I know a nice little pasta place. And there’s a great documentary playing at the Coolidge if you want to catch it?”

“Sure,” you agree, dipping forward to plant another lingering kiss on his cheek in the doorway, relishing the feel of that moustache all over again. “It’s a date.” 

Evidently flustered, and in no bad way, Richard fumbles for words and finds none, omitting a mere collection of stunted syllables and unfinished sounds in response.

You wink at him, and before swooping off, you add one final thing. “Feel free to consider the bedtime reading a preview, okay? If you’d like.”

The corner of his mouth ticks up in disbelief. You get the feeling he already knows exactly what that particular poem is about. “Yes, ma’am.” he nods, looking sweetly and longingly and adoringly after you as you sashay away.

“Goodnight, neighbour to the right.”

“Goodnight, neighbour to the left.”

You allow yourself one last long look at him before you retreat, an unstoppable smile splitting your face, and, seeing him stood in the doorway, smiling after you, only cements everything you have come to learn this evening.

From now on, neither of you will be lonely anymore. There will be no more longing. Instead, there will be a flood, you think.

THE END

PART TWO IS HERE

[severalowls]

Childhood VHS tapes:

Best Of 1970s British Childrens TV

The Aristocats

The Pagemaster

Aladdin but I wasn't a fan

Grandparents House:

The Brave Little Toaster (recorded off TV)

A series of loosely Garfield themed animated shorts

The Wrong Trousers, A Close Shave and A Grand Day Out (recorded off TV)

The original standlone Creature Comforts (recorded off TV)

Later:

Two episodes of Simpsons Treehouse of Horror

[studio-k-creation]

SKC Shiokei sofa set (S4CC)

standlone / 7 swatches / new mesh by me / base game

Download

[37q]

sometimes ill realize i typo'd a word after hitting send and ill be too lazy to correct it so i just send the correct letter standlone flfhdlshsk